Grava V.4 [Import]

Grava V.4 [Import]

Track Listings

1. Cascading Celestial Giants

2. Power Of The Deep

3. Drexcyen Star Chamber

4. Not Available

5. Drexcyen R.E.S.T. Principle (Research. Experimentation. Science. Technology)

6. Hightech Nomads

7. Ociya Syndor

8. 700 Million Light Years From Earth

9. Astronomical Guidepost

Tracks:

Tell That Mick He Just Made My List of Things to do Today
Dead On Arrival
Grand Theft Autumn/Where is Your Boy
Saturday
Homesick at Space Camp
Sending Postcards from a Plane Crash (Wish You Were Here)
Chicago is so Two Years Ago
The Pros and Cons of Breathing
Grenade Jumper
Calm Before the Storm
Reinventing the Wheel to Run Myself Over
The Patron Saint of Liars and Fakes

Album Description

Take This to Your Grave is Fall Out Boy's debut full-length CD. Featuring 12 tracks, it tells the tales of the obstacles that come with true friendships and the trials and tribulations of growing up. Drawing influences from a healthy wealth of rock, pop, and hardcore, Fall Out Boy has constructed a distinctive sound of unforgettable melodies, clever lyrics, and multifaceted guitar hooks. Fall Out Boy's diverse roots have helped them share the stage with such bands as Taking Back Sunday, OkGo and Less than Jake.

Customer Reviews:

Ok its emo but its actually good........2007-07-01

So much for the 'emo' tag this is a damn good CD.

Powerful music well put together with lyrics that actually mean something. I wasnt too keen on getting this but after the first listen I realised that this was well worth the risk. You always know a good band when the lyrics stick in your mind and you find yourself singing along when you play it again.

If you have not heard Fall Out Boy before or you have but are not sure where to start, this is proably the best place to do so.

Amazing!.......2007-06-28

I think this is definately their best album! I own all their albums and didn't really care for "From Under the Cork Tree", but this one is amazing! All the songs are upbeat and make you dance. I never have really liked this genre, but I have really enjoyed their music. I would recommend this album as well as their new one "Infinity on High". It's good stuff!

Pure Love.......2007-05-08

I'm a huge fall out boy fan and when i say huge i mean HUGE
I've been to their concerts
I listen to them everyday
They are awesome
And so is this album.. its a great introduction to Fall Out Boy as it shows their "true" style (even though i still love their infinity on high stuff)
Favourite Tracks?
Reinventing the wheel to run myself over
dead on arrival
saturday
calm before the storm

love from a diehard

awesome cd.......2007-05-03

it is an awesome cd a must have for any true FOB fan

Their best.......2007-04-26

This is their best cd and will always be. The best song on it is calm before the storm. I dont like saturday that much but everything else is awesome. I cant wait till they make their new cd

-your hardest goodbye

Average customer rating:

Rockin' The CRADLE Like Only He Can!
Cash rhythms, stark lyrics...
Short but Very Very Sweet!!
Just like all the rest...
What Great Modern Country Music Ought to Sound Like

From the Cradle to the Grave
Dale Watson
Manufacturer: Hyena
ProductGroup: Music
Binding: Audio CD

Alt-Country & Americana | Country | Styles | Music

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Alt-Country & Americana | Country | Indie Music | Stores | Music
Similar Items:

The Little Darlin' Sessions
Last of the Breed
Whiskey or God
Revenge!
Heartaches by the Number

ASIN: B000NIW05C
Release Date: 2007-04-24

Tracks:

Justice For All
It's Not Over Now
Time Without You
Hollywood Hillbilly
You Always Get What You Always Got
From The Cradle To the Grave
Why Oh Why Live A Lie
Yellow Mama
Tomorrow Never Comes
Runaway Train

Amazon.com

Though Dale Watson has long been a torchbearer for classic country, a throwback to the sounds of the 1960s and '70s, never before has he channeled so much inspiration from the late Johnny Cash. Recorded in Cash's cabin (since bought by Watson's actor buddy Johnny Knoxville), the songs really heavily on Cash's signature "boom-chicka-boom" rhythm, and the arrangements occasionally employ the sort of mariachi brass that evokes "Ring of Fire." Themes of life and death permeate the material. The title cut could have been a Cash outtake, while the "Runaway Train" finale pays him explicit tribute. Elsewhere, Watson changes pace by injecting some Waylon Jennings into "You Always Get What You Always Got," and lightening things up with "Hollywood Hillbilly." Watson's baritone and band are in fine form throughout. --Don McLeese

Customer Reviews:

Rockin' The CRADLE Like Only He Can!.......2007-05-26

Dale Watson is strong, like steel. Dale Watson is tough, like leather. Dale Watson is deep, like a well. And Dale Watson is smooth, like silk. If you take all those attributes, and you combine them with that VOICE - that glorious, iron-wrapped-in-suede voice! - you will come up with an artist who is consistantly at the top of his game, true to both himself and his music. True, I was a LITTLE disappointed at first when it seemed as if there really wasn't anything new, be it vocally or instrumentally, on the disc, but after a few listens, I was reminded.....this is who Watson is, and this is what makes him special (Plus, if you listen closely, you do hear a few new subtle surprises, both in the vocals and the arrangements!). Things kick off with the dark, forboding "Justice For All." Even though there's a lilting quality to the instrumentation, Watson delivers such lyrics as "Revenge is mine sayith the Lord/Well he's one lucky guy" and "An eye for an eye/Would leave the whole world blind" in a somber, serious voice, only adding to the chilling - yet captivating! - aspects of the song. By the time he gets to the start of the final verse ("Don't do as i do a wiser man would say/When on a journey of revenge/Be sure to dig two graves"), Watson has completely drawn you in, won you over, and made it VERY clear you're in for a very special ride! "It's Not Over Now" is a classic country weeper, all steely vocal, smooth instrumentation and lyrics that make it clear....it doesn't get easier with time/age! "Time Without You" follows the same theme, but takes it yet one step further....here's a guy who's so miserable and alone that he just doesn't want to go on ("I curse my healthy heart for keepin'/The blood runnin' through my veins/I open my eyes each mornin' and I regret/To greet the day"). The toe-tapping arrangement may seem odd at first, but it offsets the downbeat lyrics in a unique way, resulting in a track that's sad, yet not really depressing. One of FTCTTG's high points! "Hollywood Hillbilly" is a swingin' tribute to buddy Johnny Knoxville, but it really could be about anyone who's able to stay true to themselves and who they are, even after being transplanted into a new, more alien, environment. "You Always Get What You Always Got" is another gem. Anchored by ringing guitars and a lead vocal done in a slightly deeper register, Watson makes it clear that, if you tend to repeat your mistakes over or over, you're bound to fail....and it WILL catch up to you in the end ("Life is a lesson and the lesson I've learned/Is the choice you make is going to be long term/If there's any thing brother that I can say/Is that you'll pay tomorrow for what/You do today"). Pretty powerful stuff! The disc's title track is another strong cut....it's almost as if Watson were channelling Johnny Cash, what with the deep, knowing vocal and "Ring Of Fire" vibe. Add some killer fiddle and strong lyrics ("All we really are are the memories/That we've made/And leave behind from the cradle to the grave") and you have an instant classic! "Why Oh Why Live A Lie" has a glorious melancholy to it. This is obviously a love song, but it could also be a kiss-off to a record industry that just never has seemed to know what to do with Watson ("The talk you talk ain't the walk you walk/Why oh why live a lie/The words you speak you don't really mean/Why oh why live a lie"). Add a great instrumental bridge and you have yet another winner! Maybe it's because I'm not sure what a "Yellow Mama" is, but this track of the same name is the only one from FROM..... that leaves me cold. The arrangement lopes along, and Watson is in fine voice throughout, but he's done this sort of song before, and done it better. Listen to Dale, kids....don't drink (or fall in love!).....it'll only lead to no good! There's an urgency and edginess to "Tomorrow Never Comes" that is both cryptic and mesmerizing. Part spaghetti Western, part fever dream, the song curls around you like a musical rattler. Without a doubt, one of Watson's Top Five tracks to date. Absolutely haunting, yet strangely beautiful as well! Things wrap up with "Runaway Train", an upbeat, barn-burning tribute to Johnny Cash. Blazing along, you can't help but feel the respect Watson has for the Man In Black. You also find yourself wondering if maybe, just maybe, he identifies with him a tad bit as well ("A life born torn and worn like a runaway train"). A GREAT album closer! So do yourself a favor and pick up FROM THE CRADLE TO THE GRAVE....it's one of Dale Watson's best yet, and coming from a man who's always in top form, that's saying a lot! Actually, the only (slight) complaint I have is with Dale's wardrobe....enough with the waistcoats, fancy shirts and startched pants of the last few album covers...he's starting to look like a straight-laced preacher-man! PLEASE, Dale.....let's get back to jeans, engineer boots and leather on the next album! :>) (As with all my reviews, I'm giving the disc an extra half a star for including the lyrics).

Cash rhythms, stark lyrics..........2007-05-17

Being a mental health professional myself, if a concerned third party were to show me some of Dale's lyrics on this CD I would recommend an (immediate)intervention! Much as was the case on "Every song I write is for you", there are some extremely bleak sentiments on this disc. I'm REALLY glad to hear that Dale is on an upswing personally, because he is the best country artist of his generation (and a real nice guy). I got this disc and "The Little Darlin' Sessions" on the same day. I thought I was going to prefer the other disc to this one, but this is actually far more creative and original. The sound quality is much better, and this is Dale at his creative best. I could have done with a bit less of the Cash beat that runs throughout the CD, but (given the circumstances) I understand the reason. This is easily the most instrumentally creative disc Dale has cut, and also the least honky tonk or swing influenced(if you like that style, his last disc "Whiskey or God" was probably his best since his Hightone days). As for this set, "It's not over now" is a terrific ballad, and shows some Elvis influence in the vocals. "Time without you" has some incredibly depressed lyrics ("I curse my healthy heart for keeping the blood runnin' through my veins", "I open my eyes each morning and I regret to greet the day" - ouch!), and is delivered in a decidedly non-tongue in cheek manner. Hang in there, DW! Along with the obvious nod to the Man in Black, there's a lot of Waylon's sound on the disc (particularly on "You always get what you always got", with the Ralph Mooney-esque steel and Waylon beat). "Tomorrow never comes" is bleak and haunting. On the other hand, "Hollywood hillbilly" would have been OK on another Dale CD, but seems out of place here. Every other tune is quite serious, so (as was the case on "Every song I write is for you")I think Dale should have stayed with the theme of the album. Overall, this is an interesting change of pace for Dale, and contains a few songs that will rate among his best. This may be the best true tribute to Johnny Cash that anyone has done to date, capturing the feel of the Man in Black's best work without any actual covers of Cash songs.

Short but Very Very Sweet!!.......2007-05-15

I have absolutely no doubt that the music on this CD is worth five stars - I feel it's Dale Watson's strongest collection of songs for years. But with a running time of under 27 minutes, it's easy to feel like you're not getting value for money when you buy this item at full price.

The `quality versus quantity' argument raises its head a lot when you're looking at country music, with most albums seeming to offer 10-12 tracks with a 30-40 minute running time. Take the running time any further than that and accusations start to fly about sub-standard `filler' tracks.

These 10 songs were written whilst Dale was staying in a log cabin that was once owned by Johnny Cash. They all echo the Cash sound to varying degree - opener "Justice for All" perhaps most of all, and closing track "Runaway Train" actually includes short playful references to a number of Cash's train songs as it plays out. Don't get me wrong here - it doesn't `sound' like a Johnny Cash album, it's all Watson, but it's quite clear that there's a certain amount of `paying homage' being done. It's this link to Cash which - perhaps - explains why the album isn't plumped up with a couple of other tracks: all 10 were written in a short period of time, in the same place, and almost seem to flow together.

It's too short an album to really be able to pick out favourite tracks, but "Tomorrow Never Comes" stands out to some degree simply because it's so different to what one is used to hearing from Dale. The vocals and instrumentation is superb throughout the whole album, and the use of the trombone on a number of tracks gives the proceeding a nice `full' quality.

So - five stars. Though I feel like I should remove one star to reflect the short running time, I won't, because I feel that the quality very much wins out in this case - this is a fine collection of songs that deserve to be heard together like this and the addition of songs written under other circumstances could easily spoil the effect.

Just like all the rest..........2007-05-09

and by that I mean very good. If you enjoy Dale's other releases, you'll like this one too. I won't bother repeating what some of the other reviewers have stated about the current state of country music. I imagine most people reading these reviews are somewhat familiar with Watson's music. If you're not, give him a listen. If you are, once again, Dale doesn't disappoint.

And another thing. If you ever get the opportunity to see this guy live, I highly recommend it.

What Great Modern Country Music Ought to Sound Like.......2007-05-07

This CD offers an insight into what great modern country music ought to sound like. In this collection, Dale Watson and his band draw from the influences of Johnny Cash, Merle Haggard, and Lefty Frizzell to build a collection of songs that touch something deep. The songs on this CD have a heart and soul that modern country lost some years back. Watson and his band demonstrate the guts to deliver an uncompromising CD that deserves uncompromising praise.

Beethoven: Complete Piano Sonatas / Daniel Barenboim

Average customer rating:

Barenboim's Beethvoen
One of the very best ever
dead in the water
Sublime expression nourished by a colossal vision!
Performed with great enthusiasm

Beethoven: Complete Piano Sonatas / Daniel Barenboim

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Mozart:The Complete Piano Sonatas and Variations
Beethoven - The Complete String Quartets / Alban Berg Quartet
Beethoven: The Complete Symphonies and Piano Concertos
Schubert: The Piano Sonatas
Chopin: The Piano Works

ASIN: B00000C2KP
Release Date: 1998-10-20

Tracks:

Sonata No.1 In F Minor, Op.2 No.1: Allegro
Sonata No.1 In F Minor, Op.2 No.1: Adagio
Sonata No.1 In F Minor, Op.2 No.1: Menuetto: Allegretto
Sonata No.1 In F Minor, Op.2 No.1: Prestissimo
Sonata No.2 In A Major, Op.2 No.2: Allegro vivace
Sonata No.2 In A Major, Op.2 No.2: Largo appassionato
Sonata No.2 In A Major, Op.2 No.2: Scherzo: Allegretto
Sonata No.2 In A Major, Op.2 No.2: Rondo: Grazioso
Sonata No.3 In C Major, Op.2 No.3: Allegro con brio
Sonata No.3 In C Major, Op.2 No.3: Adagio
Sonata No.3 In C Major, Op.2 No.3: Scherzo: Allegro
Sonata No.3 In C Major, Op.2 No.3: Allegro assai

Tracks:

Sonata No.5 In C Minor, Op.10 No.1: Allegro molto e con brio
Sonata No.5 In C Minor, Op.10 No.1: Adagio molto
Sonata No.5 In C Minor, Op.10 No.1: Finale: Prestissimo
Sonata No.6 In F Major, Op.10 No.2: Allegro
Sonata No.6 In F Major, Op.10 No.2: Allegretto
Sonata No.6 In F Major, Op.10 No.2: Presto
Sonata No.7 In D Major, Op.10 No.3: Presto
Sonata No.7 In D Major, Op.10 No.3: Largo e mesto
Sonata No.7 In D Major, Op.10 No.3: Menuetto: Allegro
Sonata No.7 In D Major, Op.10 No.3: Rondo: Allegro
Sonata No.22 In F Major, Op.54: In tempo di Menuetto
Sonata No.22 In F Major, Op.54: Allegretto - Piu allegro

Tracks:

Sonata No.4 In E Flat Major, Op7: Allegro molto e con brio
Sonata No.4 In E Flat Major, Op7: Largo con gran espressione
Sonata No.4 In E Flat Major, Op7: Allegro
Sonata No.4 In E Flat Major, Op7: Rondo: Poco allegretto e grazioso
Sonata No.9 In E Major, Op.14 No.1: Allegro
Sonata No.9 In E Major, Op.14 No.1: Allegretto
Sonata No.9 In E Major, Op.14 No.1: Rondo: Allegro comodo
Sonata No.10 In G Major, Op.14 No.2: Allegro
Sonata No.10 In G Major, Op.14 No.2: Andante
Sonata No.10 In G Major, Op.14 No.2: Scherzo: Allegro assai

Tracks:

Sonata No.11 In B Flat Major, Op.22: Allegro con brio
Sonata No.11 In B Flat Major, Op.22: Adagio con molta espressione
Sonata No.11 In B Flat Major, Op.22: Menuetto
Sonata No.11 In B Flat Major, Op.22: Rondo: Allegretto
Sonata No.12 In A Flat Major, Op.26: Andante von variazioni
Sonata No.12 In A Flat Major, Op.26: Scherzo: Allegro molto
Sonata No.12 In A Flat Major, Op.26: Marcia funebre sulla morte d'un Eroe: Maestoso andante
Sonata No.12 In A Flat Major, Op.26: Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Andante - Allegro
Sonata No.13 In E Flat Major, Op.27 No.1: Allegro molto e vivace
Sonata No.13 In E Flat Major, Op.27 No.1: Adagio con espressione - Allegro vivace

Tracks:

SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Grave - Allegro molto e con brio
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Adagio cantabile
SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Rondo: Allegro
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato - Adagio - Presto agitato
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro assai - Piu allegro
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Andante con moto
SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro ma non troppo - Presto

Tracks:

Sonata No.15 In D Major, Op.28 'Pastoral': Allegro
Sonata No.15 In D Major, Op.28 'Pastoral': Andante
Sonata No.15 In D Major, Op.28 'Pastoral': Scherzo: Allegro vivace
Sonata No.15 In D Major, Op.28 'Pastoral': Rondo: Allegro ma non troppo
Sonata No.21 In C Major, Op.53 'Waldstein': Allegro con brio
Sonata No.21 In C Major, Op.53 'Waldstein': Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
Sonata No.19 In G Minor, Op.49 No.1: Andante
Sonata No.19 In G Minor, Op.49 No.1: Rondo: Allegro
Sonata No.20 In G Major, Op.49 No.2: Allegro ma non troppo
Sonata No.20 In G Major, Op.49 No.2: Tempo di menuetto

Tracks:

Sonata No. 16 In G Major, Op. 31 No. 1: Allegro vivace
Sonata No. 16 In G Major, Op. 31 No. 1: Adagio grazioso
Sonata No. 16 In G Major, Op. 31 No. 1: Rondo: Allegretto - Adagio - Presto
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Largo - Allegro
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Adagio
Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Allegretto
Sonata No.18 In E Flat Major, Op.31 No.3: Allegro
Sonata No.18 In E Flat Major, Op.31 No.3: Scherzo: Allegretto vivace
Sonata No.18 In E Flat Major, Op.31 No.3: Menuetto: Moderato grazioso
Sonata No.18 In E Flat Major, Op.31 No.3: Presto con fuoco

Tracks:

Sonata No.24 In F Sharp Major, Op.78: Adagio cantabile - Allegro ma non troppo
Sonata No.24 In F Sharp Major, Op.78: Allegro vivace
Sonata No.25 in G major, Op.79: Presto alla tedesca
Sonata No.25 in G major, Op.79: Andante
Sonata No.25 in G major, Op.79: Vivace
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux): Adagio - Allegro
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Abwesenheit (L'Absence): Andante espressivo
Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1
Sonata No.27 In E Minor, Op.90: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Sonata No.27 In E Minor, Op.90: Nicht zu geschwind und sehr singbar vorzutragen

Tracks:

Sonata No.28 In A Major, Op.101: Allegretto ma non troppo
Sonata No.28 In A Major, Op.101: Vivace alla Marcia
Sonata No.28 In A Major, Op.101: Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Allegro
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Scherzo: Assai vivace - Presto - Tempo 1
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Adagio sostenuto
Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze)

Tracks:

Sonata No.30 In E Major, Op.109: Vivace, ma non troppo - Adagio espressivo - Tempo 1
Sonata No.30 In E Major, Op.109: Prestissimo
Sonata No.30 In E Major, Op.109: Tema: Andante molto cantabile e espressivo - Variazioni 1-6
Sonata No.31 In A Flat Major, Op.110: Moderato cantabile, molto espressivo
Sonata No.31 In A Flat Major, Op.110: Allegro molto
Sonata No.31 In A Flat Major, Op.110: Adagio ma non troppo
Sonata No.31 In A Flat Major, Op.110: Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno allegro
Sonata No.32 in C minor, op.111: Maestoso - Allegro con brio ed appassionato
Sonata No.32 in C minor, op.111: Arietta: Adagio molto semplice e cantabile - Variazioni

Customer Reviews:

Barenboim's Beethvoen.......2007-06-27

I heard Bachaus play all Beethoven recitals at Carnegie Hall, in NYC. At that time he was the acknowledged master of the Beethvoen Sonata. With Barenboim, the old order changeth, yielding place to new. These recordings have fire, tempestuousness and passion, all emotions that belong in Beethoven.

One of the very best ever.......2007-02-15

This set has to be experienced. The clarity of these performances is beyond belief. If it's not the best set of Beethoven Sonatas, it is certainly among the very best. Take for example the first movement of Sonata number 21. It is so easy to have a performer play all the notes just as Beethoven wrote them and yet leave the listener in a morass of confusion without the slightest idea of what he had in mind. Not here. The ideas pour forth in a white light that has to be experienced. It really has to be experienced!! I love these performances. I will play them until I die. Oh...and the recordings are technically excellent. At least when played through Levinson electronics and Maggies....superb!

dead in the water.......2007-01-12

Sorry, I just don't like Barenboim's renditions. Beethoven is my favourite composer, depending on my mood that is, and nothing moves me as his music can. But I just don't get Barenboim's renditions... doesn't do a thing for me. Something of Beethoven's depth and richness gets totally "lost in translation".

Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)

Sublime expression nourished by a colossal vision!.......2006-03-23

Thanks to this immense and untiring activity in the field of the orchestral direction, his vision as pianist has enriched himself quite a lot: Barenboim performs these well known Sonatas with a splendid architectural construction; according Schnabel `s tradition.

And that is a very remarkable good point in this musical moment where the pianist technique is eclipsing and even annulling the personal approach in the most of pianists all over the world. Honesty, conviction, vision and commitment dress those interpretations loaded of expression and personality.

In the great tradition of the great Beethovenian keyboard giants of the past, Daniel explores and plays every little bar with that well felt intensity of someone who in Beethoven `s there is much more than simple music. In Beethoven the music is not a goal by itself; but a revelation superior to any philosophy; all his musical legacy possess values that are placed of the standards. There is not art without second intention and that is precisely what Barenboim has made with this fabulous cycle of Beethoven Sonatas.

If you really want to listen remarkable performances far beyond of the trivial conventionalisms, go for this record.

Performed with great enthusiasm.......2004-05-16

This is classic early Barenboim (he was just 24 when he started recording this set in 1966). He is very enthusiastic and expressive (if you don't like him, he "takes liberties" and "shows off"). The slow movements are veerrry slow, and the fast ones really rip. Pianissimo is extremely soft, and fortissimo rattles the windows! [My wife insists that I wear headphones for late-night listening.]

Customer Reviews:

Julia Fischer performs J.S.Bach's Sonatas and Partitas for Solo Violin.......2007-05-07

In March I heard Julia Fischer playing Khachaturian's violin concerto at a concert at the Kennedy Center in Washington D.C. She is such a wonderful violinist that soon after I got home I checked what other performance of hers would be available from Amazon. When I saw this CD I promptly ordered it. Because on this CD she plays without an orchestra, her virtuosity is even more obvious and superb than in the concertos where she is accompanied by a full orchestra. I recommend this CD to everybody who likes the violin music of J.S.Bach!

Thoughtful Readings.......2007-01-09

Bach's unaccompanied sonatas and partitas for solo violin can act as multiple litmus tests, mercilessly revealing a player's cultural, temperamental, intellectual, and technical selves. That is certainly the case with Julia Fischer's set. It shows her to be technically proficient and thoughtful in regard to the structures and, to some degree, the expressive (affective) content of these works. But it also tells the world that she is still a young artist, and that she may have more to say about this music -- and the temerity to say it -- after she's been around a while longer.

Listeners contemplating the purchase of yet another Bach Unaccompanied set will also have to look to their own tastes in deciding whether Fischer fits the bill. Have you long since acquired, and exhausted, the classic Milstein performances? Did you find Perlman nicely polished, or just a bit too slick? Did you respond well to Kremer's impetuosity and drama, or consider his approach overly rough and improvisatory?

In the liner notes, Ms. Fischer tells us that for years she has warmed up every day with these pieces. It shows. She is obviously familiar with them, and her technical security and sense of "what comes next" have benefited. But with familiarity comes a certain complacency, and warmups can encourage a performer to emphasize sheer mechanics: pitch accuracy, evenly smooth bowing, perfect finger coordination, etc. That is what I personally hear as a guiding principle in most of these interpretations. They are soft-edged, maintaining steady tempi, using the middle third of the bow, employing subtle and consistent accents, phrasing, and dynamic emphases.

Nothing wrong with those choices. In many aspects, they may lie closer than some others to what Bach had in mind. But I found myself respecting Fischer's efforts rather than becoming involved in the music itself. In the end I went back to Hilary Hahn's debut disc (which includes some but not all of these works) in order to hear controlled and thoughtful Bach performances with more passion, more bite (bowing at the frog when needed), and more overall humanity.

The SACD recording is quite good, but if anything it emphasizes the mellow, moderated quality of these performances with a violin timbre that is never unpleasant but seldom provides the range of colors that one might hope to hear, even in Bach. Especially in Bach?

I think Ms. Fischer is heard to better advantage in her Pentatone recording of the Russian concertos -- maybe she didn't feel a "Romantic" approach was as appropriate for Baroque music. The result sounds curiously old-fashioned, however, especially given the recent tendency in historically informed Baroque performance to emphasize drama and individualistic expression (e.g., Rachel Podger, Andrew Manze). By comparison, Julia Fischer's Bach comes off as a careful effort by a recent conservatory graduate. Still worth hearing, but perhaps more as an emblem of her undeniable promise.

Bach by Julia Fischer.......2006-08-04

You must listen to this with SACD kit to do justice to the recording. OK CD layer is not too bad but with sensitive equipment you can hear so much more with the SACD it is unbelievable.
She is one of the best performers of Bach solo pieces if not the best. Milstein, Kagan, Grumiaux, Perlman are good. But she is something else. Timing, fluidity, expression I can go on and on. This is the most "musical" interpretation of these pieces I have heard so far.

very good........2006-06-11

At first I was stunned on how good it was to listen to these pieces in a great format as SACD. However, miss Fischer should pay more attention to the details instead of get every note just right. There aren't huge mistakes, which makes it worthy, but it isn't perfect. The booklet says that she's quite young to perform all of this pieces and I believe it's true. She can improve in the future.

What a Surprise!.......2006-03-09

I never thought this young violinist could play Bach in such a matured way. My version at home was Milstein, Szegeti, Kremer (not very good), and Grumiaux. But Julia Fischer's Bach has won so much praise and I just wonder why. Therefore I bought this pricy double SACD (no ordinary CD available).

I was surprised. It doesn't sound like she is young at all. According to Fisher, she played Bach every day. And she has been studying Bach since she was a little girl. No wonder she has attended to the details of it. The speed she took was relatively slow, especially for the Preludes and Sarabande. Her technique was impeccable, but it all sounded so natural. I once listened to Heifitz and I didn't quite like it. It sounded not like Bach. Fisher surely captured the elegance and warmth of one of Bach's most intelligent and intellectual works.

If you like Bach's Unaccompanied Sonata and Partita for Solo Violin, buy this. You won't regret. The recording quality was superb, too!

Average customer rating:

HEAVENLY
Sweetest voices ever!
Awesome
Soothing and thought provoking
Pure Crystal

Free
Chris Dodd , Fiona Pears , Anthony Chadney , Ben Crawley , Christopher Robson , and Raoul Platt
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Luminosa
Visions
Libera
Angel Voices
Angel Voices 3

ASIN: B0002RUAAQ
Release Date: 2004-10-05

Tracks:

I Am The Day
Stay With Me
Voca Me
A Song Of Enchantment
Ave Verum
Do Not Stand At My Grave
When A Knight
A New Heaven
I Vow To Thee My Country
Lament
Twilight
Be Still My Soul
Adoramus

Amazon.com

English composer Robert Prizeman has taken a conventional English boy's choir--usually a haven for sweet songs and ecclesiastical renderings--and made them contemporary without selling out any of their intrinsic charm. Their stacked choral voices and lead sopranos, dressed up with electronica rhythms, synthesizers, and strings still sound like they could be coming from the church balcony, even while they exude an Enya-like appeal. While there are adaptations of Gregorian chants and Sibelius hymns, most of the songs are Prizeman originals based on those styles, with texts often drawn from Latin Liturgy. Except for the chilled romanticism of "Stay With Me," and the rhythm driven "Adoramus," whose chorus sounds like a Harry Potter incantation, few of the songs on Free have the anthemic pop appeal of "Salva Me" or "Vespera" from previous albums. Instead, Prizeman has opted for a more serene sound on Free, even with their first video from the disc, the yearning "I Am the Day." Some of it, like Prizeman's setting of a Walter de la Mare poem on "A Song of Enchantment," gets lugubrious. But most of Free floats on gentle soprano breezes, intrinsically innocent, even if the boys might be smoking cigarettes behind the altar. --John Diliberto

Customer Reviews:

HEAVENLY.......2007-06-19

This cd is like listening to a heavenly choir. "Free" is an awesome audio experience. It can turn a stressful day into a calm evening.

Sweetest voices ever!.......2007-06-16

I happened across this CD at Borders and was able to listen to it! One of the sweetest and heavenly CDs ever! I bought two: one for myself and one as a gift.

Awesome.......2007-01-04

I never knew that young boys could have such wonderful voices, almost angelic. The music is very relaxing and haunting at times, but that's what makes it a good album to hear to. The harmonies were so beautiful. To all choir fans, this is a must-have album.

Soothing and thought provoking.......2006-02-23

Libera is an amazing group of boys and Robert Prizeman really knows how to put everything together. My favorite songs on "Free" are Voca Me, Stay With Me, Adoramus, I Am the Day and Twilight. Each time I listen to this disc, another song seems to start growing on me. This was my first Libera CD (I have since bought Luminosa, Libera and Visions) and at first I liked the faster more upbeat songs but as time went on I started to really love the softer ones like Do Not Stand at my Grave and Weep (beautifully done by Ben Crawley and Joseph Platt). The soloists are lovely with clear and pure voices, and the chorus just swells with harmonies. This is choir music for people who hate choir music.

Pure Crystal.......2006-02-20

Like Luminosa, this is incredible. I can only compare it to the beautiful, pristine, classical pieces of antiquity, such as Vivaldi's Spring and Bach's many ethereal melodies. It's beautiful.

Average customer rating:

poor sound quality
SUPERB
In this case: I'm baroque
Come to laugh and stay to cry
Great Introduction to Beautiful Music

25 Baroque Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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25 Vivaldi Favorites
25 Mozart Favorites
25 Bach Favorites
25 Handel Favorites
25 Classical Favorites

ASIN: B0000058I7
Release Date: 1996-08-20

Tracks:

Canon
Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
Water Music: VI. Minuet
Trumpet Concerto In D: II. Adagio
Sarabande
Oboe Concerto In D Minor: II. Adagio
Concerto In D For Trumpet & Strings: III. Grave
Air On The G String
Adagio For Strings In G Minor
The Four Seasons: Spring, II. Largo
Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
Concerto In D For 2 Trumpets & Strings: II. Largo
Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
Concerto In D For 6 Trumpets & Strings: II. Adagio
Ombra mai fu: Handel's Largo
Trumpet Sonata No. 1 In F: II. Grave
Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
Concerto In C For Viola Pomposa & Strings: II. Andante
Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
Sonata For Trumpet & Strings: I. Allegro
Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
Trumpet Voluntary

Customer Reviews:

poor sound quality.......2004-09-29

a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.

SUPERB.......2004-02-19

An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.

If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.

In this case: I'm baroque.......2004-02-07

I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.

Come to laugh and stay to cry.......2003-11-26

Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.

"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".

At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.

Great Introduction to Beautiful Music.......2000-07-08

The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.

This CD is considered an introduction to baroque music. It includes some of the most famous composers and their best songs. For example, Bach, Handel, and Vivaldi each have three songs on this disc. The liner notes are sparse, but a brief history of baroque music is included. Because of the inexpensive price and the huge amount of music (25 songs, 74 minutes of music), I highly recommend this for anyone who already loves the baroque style or wants an excellent introduction to this beautiful music.

Road to Perdition (Score)
Average customer rating:

Fathers & Sons

Hauntingly Wonderful

Tells The Story

Road to Excellence!

MY MOM !!

Road to Perdition (Score)
Thomas Newman
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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The Shawshank Redemption: Original Motion Picture Soundtrack

American Beauty: Original Motion Picture Score

The Green Mile: Score from the Motion Picture

The Horse Whisperer: Original Score

Angels in America

ASIN: B000068D1A
Release Date: 2002-06-25

Tracks:

Rock Island, 1931
Wake
Just The Feller
Mr. Rance
Bit Borrowers
Murder (In Four Parts)
Road To Chicago
Reading Room
Someday Sweetheart
Meet Maguire
Blood Dog
Finn McGovern
The Farm
Dirty Money
Rain Hammers
A Blind Eye
Nothing To Trade
Queer Notions
Virgin Mary
Shoot The Dead
Grave Drive
Cathedral
There'll Be Some Changes Made
Ghosts
Lexington Hotel, Room 1432
Road To Perdition
Perdition - Piano Duet

Amazon.com

Director Sam Mendes's much-anticipated follow-up to his Academy Award ^®-winning American Beauty found him exploring the period gangster film--but with a moral fiber and undercurrent of family tragedy familiar from his Oscar ^® triumph. As he did with Beauty, Mendes again wisely entrusts the film's music to Tom Newman, a composer with an instinctive knack for getting inside a film's characters via innovative and often orthodox methods. As many of Newman's preceding scores have been rhythmically driven and rife with improvisation-driven experimentalism, its good to hear his equally distinctive writing for orchestra largely take center stage here again. But Newman's inquisitive musical instincts can't be denied, and his melancholy string writing is leavened first with subtle uilleann pipe flourishes that echo the characters' Irish-American roots, then with savory, yet ever-restrained touches of his own ethnic-defying instrumental color and rhythmic accents. It's another moody and introspective gem, seasoned with some lively period jazz (courtesy of the Charleston Chasers, Fletcher Henderson and his Orchestra, and Chicago Rhythm Kings) and a warm, final surprise: a duet of John M. Williams's autumnal title track performed by none other than stars Tom Hanks and Paul Newman. --Jerry McCulley

Customer Reviews:

Fathers & Sons.......2007-05-13

After losing my Father back in October, I began reaching for things that reminded me of him. One of the things I reached for was the score for the Road to Perdition. Although my Father was gravely ill the day I took him to see the film, it ended up being a day not soon forgotten. I am listening to the soundtrack as I write this review. Fathers and Sons.

Hauntingly Wonderful.......2006-12-18

This soundtrack is amazing. Like Shawshank Redemption, Newman's music colors the film, reveals character, and highlights themes. I've listened to this soundtrack dozens of times, and I still love it. From the mournful "Piano Duet" to the driving "Lexington Hotel", this is a great purchase regardless of whether or not you liked the movie.

Tells The Story.......2006-04-12

Wonderful soundtrack. If you've seen the movie, you can listen to these tracks and almost guess what or who they are written for in the script. I think Thomas Newman is the drummer of their composer family, because almost all of his music has the underlying ryhthms that make you tap to the beat (even though this is classically orchestrated music), with music that perfectly breathes the air of the times it was written for.

Road to Excellence!.......2006-03-14

I own both the movie and the score, and I have to tell you, this film would not be half of what it is without this gorgeous, mellow, and sometimes violent and aggressive score. It really carries the film, and I think it even surpasses it some. Newman really outdid himself this time!

MY MOM !!.......2006-02-27

I COME LATE TO THIS MUSIC!! I SAW THE MOVIE ABOUT 2 WEEKS AGO!! I LOVED THE MUSIC, BECAUSE IT REMINDS ME OF MY MOTHER!! SHE SAID SHE LIVED AT THIS TIME IN THE 1930'S. THE MUSIC IS HAUNTING LIKE SHE TALKED ABOUT HER CHILDHOOD. THE LOVE, VIOLENCE, AND HUMANITY,WHICH YOU FEEL IN THE MUSIC!! CLOSE YOUR EYES AND JUST LISTEN AND IMAGINE!!!

Average customer rating:

A Wonderful Bit of Nostalgia.
Dave Pirner fans....
Rediscovered treasure.
Great Songwriter's album
A must have for Aficionados of 90's music

Grave Dancers Union
Soul Asylum
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Let Your Dim Light Shine
New Miserable Experience
Pocket Full of Kryptonite
The Silver Lining
Collective Soul

ASIN: B00000287F
Release Date: 1992-10-06

Tracks:

Somebody To Shove
Black Gold
Runaway Train
Keep It Up
Homesick
Get On Out
New World
April Fool
Without A Trace
Growing Into You
99%
The Sun Maid

Customer Reviews:

A Wonderful Bit of Nostalgia........2007-05-14

I purchased thia CD for one song "Runaway Train" and whenever I am having a bad day I enjoy listening to it to put things in there proper perspective!The other titles are very good if you are in the right mood to listen to them...

Dave Pirner fans...........2007-01-10

This album is really good. I recomend it to any Soul Asylum fan. But some one who is not, I dont think they would like it to much. However I really enjoyed this album.

Rediscovered treasure........2006-09-11

Like another reviewer, I replaced my long lost copy of GDU after I bought their newest release, The Silver Lining. The new disk reminded me that I had liked them in the 90's, and replaying Grave Dancers reminded me why. This is literally the only cd I own that I don't even think about the skip button for. I can put it in and listen to every track with complete enjoyment. There's not a bad song in the bunch. The radio hits are of course eminently user friendly, the deep cuts rock, and reveal a lot of the strangeness that's part and parcel of Soul Asylum, their personality if you will. The only downside that I have ever been able to find to this release is that Pirners vocals are weird. He's known for being erratic..sometimes on key, sometimes off, always raspy...and that's fine. That's Dave Pirner. But the vocals on this disk are high pitched and whiny, and frequently make me wince.They're really nowhere near as strong or aggressive as they are on all of their other disks..including the newest release. But if the pitch of the vocals is the only drawback, big deal. I'd tell anyone who had never heard Soul Asylum to grab this disk. It'll win them over.

Great Songwriter's album.......2006-07-12

I was brought back to this album after hearing Soul Asylum's latest release, Silver Lining.

I forgot how truly good this album is. The songwriting is outstanding. Dave's voice is not always in tune, but it adds so much character and emotion that it can't be dismissed.

So many incredible songs on this album. "Runaway Train", "Black Gold", "Somebody to Shove", and "Without a Trace were all FM sweethearts. But there were many other gems on this album. "Keep it up" is a great upbeat pop song. While "Homesick" isn't a favorite of mine, it did well on the charts. "Get on Out" is a cool rocker. To me, "New World" is simply filler". "April Fool" may be my favorite song on the album, it has a harder rock groove, and some great phrasing. The rest were fillers as well to me.

Four big commercial hits, and some hidden gems. Listen to amazon's samples and it might be for you. A big step up from their previous six albums (although I am a fan of those as well).

A must have for Aficionados of 90's music.......2006-07-04

If you are to dance on the grave, join the union! I forgot how much I loved this album until I replaced it!

Average customer rating:

probably my favorite
sleepin' on a hollow leg?
The Outcome Will be Different than You Will Expect
Pleasantly Surprised, A Good one For Beck Fans
Through the Troubles of the Years

One Foot in the Grave
Beck
Manufacturer: K. Records
ProductGroup: Music
Binding: Audio CD

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stereopathetic soulmanure
Mutations
Mellow Gold
Midnite Vultures
Loser

ASIN: B000003RN0
Release Date: 1994-06-14

Tracks:

He's A Mighty Good Leader
Sleeping Bag
I Get Lonesome
Burnt Orange Peel
Cyanide Breath Mint
See Water
Ziplock Bag
Hollow Leg
Forcefield
Fourteen Rivers Fourteen Floods
Asshole
I've Seen The Land Beyond
Outcome
Girl Dreams
Painted Eyelids
Atmospheric Conditions

Amazon.com

Before "Loser" skyrocketed him into the pop-star stratosphere, Beck recorded this album of lo-fi tunes and ballads in the basement of K Records founder Calvin Johnson. This largely acoustic LP is a snapshot of the troubadour life Beck led when he was more likely to be found Dumpster-diving than predicting the Zeitgeist. The backwoods folk of "He's a Mighty Good Leader" and Delta blues of "Fourteen Rivers Fourteen Floods" shows past intent study of American traditional music, whereas the cynical critique of California culture voiced in "Cyanide Breath Mint" highlights the lyrical agility of a postpunk poet. In a tribute to the virtues of this album's simplicity, rocker Tom Petty covered "Asshole" with remarkable restraint, leaving the pleasures of the three-chord lament intact. As Beck morphs his way into the cultural landscape, this record lets us know that at least he has roots somewhere. --Lois Maffeo

Album Description

Stripped of the intoxicating production that dominated 'Mellow Gold', songs here prove to be wonderful, vibrant tunes, teeming with emotion, haunting wordplay and simple, memorable melodies. K Records.

Customer Reviews:

probably my favorite.......2007-04-11

This is probably my favorite album from Beck. Sure it came out almost 13 years ago. I enjoyed the simple, yet colorful arrangments of the songs. It features many slower acoustic tracks that are more akin to blues and folk music than this techno-folk rock that he seems to put out these days. It also has a few driving electric songs that sound like they just put a mic in the room and went at it. Track seven is a haunting, loud distortion laden track that would fit in any 70's b rated horror movies. The vocals are quite quirky and add alot of character to the already bare arrangments of acoustic guitar and occasional kick drum. If you're a Beck fan, then you probably already own this. If you're new to his sound, this is a good place to start. You can see how this is built upon later on in his career and more slickly produced on albums such as "Mutations" and "Sea Change". I honestly think that this cd is worth checking out.

sleepin' on a hollow leg?.......2006-11-24

Why does Amazon have the song 'Hollow Log' misspelled as 'Hollow Leg?' Is this music simply inferior recycling of great music that can be found on old 78's? Why do I love this ludicrous attempt at faux-amateur, lo-fi, blues/folk so much? Is this cd out of print? Why???!!!!

Whatever. Thanks to this cd, I have tuned my parlor-size guitar down one and a half steps and am now letting the strings buzz against the frets. Now, if I can just get my hands on a four-track tape recorder, I may finally reach a state of nirvana.

The Outcome Will be Different than You Will Expect.......2006-05-23

One of the greatest albums I've ever heard. The folky overtones of this record are one of the most refreshing things to come out of modern music (1994.) At the height of the grung-ridden-teenage-angst-alternative-noise era this album is entirely accoustic with the acception of "Burnt Orange Peel" (a hard-hitting electric with great lyrics and a vocal track of Beck just making sounds) and "Ziplock Bag" (a piercing intro but keep listening and it lightens up.) Definately a great album, don't just look past, you wont be sorry.

Pleasantly Surprised, A Good one For Beck Fans.......2006-04-19

Amazingly, Beck sounds just as good completely stripped down as he does with all the production he has leveraged over the years since this was recorded. If you are a fan of of his acoustic efforts, I recommend this album. The album has the unique Beck sound, very pure, and unadorned. I'd say it's and essential gem for all Beck fans, and possibly a good introduction for some newcomers with discernment who don't need the more elaborate textures of his later work to get hooked.

Through the Troubles of the Years.......2006-02-11

This is a really honest and unpretentious album without any of the tongue-in-cheek coolness of Beck's post stardom stuff. I think that this is the record that most defines his music, stripped of the public image (well, created before there was a public image) that has caused a lot of people to undervalue the real weight of Beck's music. There's a slowness and sparsness to it that can be very affecting and he's able to convey a ton more emotion and atmosphere in this type of music than most....I've always found a lot of modern lo-fi disingenuous....a little too cool for its own good. But I never get that feeling with this album. This is campfire music....put it on your headphones at work and feel the stress melt away.

Average customer rating:

Great music with a great performance.
Thomas Bloch's Interpretation is Second-to-None
unbelievable
Thomas Bloch is a great 20th century composer
interesting, generally excellent

Glass Harmonica
David August von Apell , and Johann Abraham Peter Schulz
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Music for Glass Harmonica
Cristal: Glass Music Through the Ages
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The Glass Armonica CD/DVD Set

ASIN: B00005QISL
Release Date: 2001-11-20

Tracks:

Schulz: Largo
Holt Sombach: Adagio
Reichardt: Rondeau
Naumann: Sonata No. 3: Recit
Naumann: Sonata No. 3: Andantino amoroso
Mozart: Adagio K.B. 356
Mozart: Adagio
Mozart: Rondo
Beethoven: Melodram
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Rollig: Kleine Tonstucke: Commodetto
Apell: Trionfo della musica, cantata
Holt Sombach: 1ere Suite: Fantaisie
Holt Sombach: 1ere Suite: Allemande
Donizetti: Lucia di Lammermoor: Mad Scene
Holt Sombach: 1ere suite: 2eme Menuet
Bloch: Sancta Maria

Customer Reviews:

Great music with a great performance........2006-08-15

I found the glass harmonica music most relaxing with an etherial quality. The performance is outstanding.

Thomas Bloch's Interpretation is Second-to-None.......2003-01-02

This is a great introduction to the exquisite Glass Harmonica. Naxos once again enlarges our listening pleasure by allowing such gifted musician/composers as Thomas Bloch a wider audience than other, more recondite labels have afforded him. This instrument, invented by Franklin, and taken seriously by such greats as Mozart and Beethoven, is only now coming into its own again. Bloch is an integral part of that rebirth. Delicate, eerie, rumored to drive the listener mad, or to attract ghosts, the sound of the Glass Harmonica hovers at the very edges of hearing: a clean, celestial tone. You will never forget it once you hear its distictive sound. Liner notes give the instrument's fascinating history. Bloch himself attempts (along with such great post-moderns such as John Cage) to create a future for the Glass Harmonica with his "Sancta Maria" and does an extraordinary job. The price, too, for this CD is extraordinary. What a bargain!

unbelievable.......2002-12-11

the music of the glass harmonica is so unusal that it is a joy to listen to. it is a shame that it is not more main stream the tones are so unearthly that is is like a song from a fantasy you really start to believe that elves are playing the music it is something out of Tolkin

Thomas Bloch is a great 20th century composer.......2002-10-09

All right. This is a great album. It explores the history of the glass harmonica since the classical period. But to add to the other reviewers, there is one cut - the last cut - done by Thomas Bloch in the last century - Sancta Maria - that makes the whole album worthwhile. It is an extraordinary track and I don't care if the soprano is female or male. It is great music and a great listening pleasure. You will want to play it over and over again. Make it you most favorite MP3.

interesting, generally excellent.......2002-04-05

I would disagree with the reviewer below that this is anything more than a curiosity. Even the works on this disc by great composers such as Mozart and Beethoven are generally trivial. At the same time, this is fine playing of a highly unusual instrument by a polished virtuoso. Some of the pieces, however, I could do without. For instance, while Thomas Bloch's playing is excellent, his compositional skills are somewhat lacking. His own original work, complete with overdubbed whiny male soprano, is the disc's finale and sounds more like a corny film soundtrack than anything else. In addition, it must be noted that the performance here of Donizetti's "Mad Scene" from Lucia utilizes possibly the worst soprano ever recorded (short of Florence Foster Jenkins). I wouldn't wish her off-pitch shrieking on my worst enemies.

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