2 Remixes by AFX [CD-single]

2 Remixes by AFX [CD-single]

Track Listings

1. 120 BPM

2. 168 BPM

3. Bonus High Frequency Sounds

Editorial Reviews
Product Description
Aphex Twin single. Three tracks '120 BPM', '168 BPM' & 'Bonus High Frequency Sounds'. 2001.

Tracks:

Anxiety
Eleanor Rigby
Desperate
Tightrope
Fearless
Sinking
Control
Drained
Second
Passing
Control (Signal 12 remix)
Desperate (Oneiroid Psychosis remix)

Album Description

Deep, rich female vocals merged with darkwave pop, creative hooks, and amazing production. Includes a cover of Eleanor Rigby and remixes from Oneiroid Psychosis and Signal 12. A must have release from this talented duo who were first discovered by Paul Robb of Information Society.

Customer Reviews:

Everything the first album was...and more..........2001-12-21

Dissonance are steadily becoming one of the great female-fronted modern electronica acts, just behind Curve and Garbage. "Reincarnate" is everything their debut was: energetic, ambient, danceable, and above all brilliant. But this album takes it all a step further. With old songs remixed and rerecorded, there is a clear sign of the band maturing musically and lyrically. Cat Hall's vocals are incredible, possessing a menacing quality sure to send chills down the spine, and yet she's able to soar to those high ranges beautifully. David Sebrind's electronic textures are brilliantly textured and could compete even with KMFDM. The cover of "Eleanor Rigby" is interesting in its treatment of the classical Beatles song, but is not unbearable the way Godhead's cover was (I will never forgive that band for that...it had good instrumentation, but as a Beatles cover it sucked). Every song melds into the next, and yet while they all are in the same dark electronic vein, they don't sound so much alike that it's boring. Quite the opposite... Dissonance are a great new band and this album reaffirms them as a force to be reckoned with. Listen to this album!

Drop (Remixes by Kings of Convenience & Herbert)

Average customer rating:

Drop (Remixes by Kings of Convenience & Herbert)
Cornelius
Manufacturer: Import [Generic]
ProductGroup: Music
Binding: Audio CD

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Interpretation by Cornelius

ASIN: B00005Y0Q8
Release Date: 2002-04-23

Tracks:

Drop [Album Mix]
Drop [Kings of Convenience Mix]
Drop [Herbert Mix]

Album Description

The album version taken from his 2002 album Point is backed with Herbert's Kangaroo Dub & the Tusen Takk Rework remixed by Kings Of Convenience. A folk tinged, harmony driven track splattered with beats and loops.

Average customer rating:

Very disappointing
Ms. Chrissie remixed by Junior.

Time: Remixes by Junior Vasquez
The Pretenders
Manufacturer: Artemis Records
ProductGroup: Music
Binding: Audio CD

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Twilo, Volume 1

ASIN: B00009WVT9
Release Date: 2003-07-08

Tracks:

Time (Junior's Radio Version)
Time (Junior's Mixshow)
Time (Junior's Earth Anthem)
Time (Junior's Ambient Mix)
Time (Junior's Earth Beats)
Time (Junior's Tribapella)
Time (Junior's Earthstrumental)
Time

Customer Reviews:

Very disappointing.......2004-08-09

Similar to how "Planets Of The Universe" was for Stevie Nicks in 2001, this track was supposed to be somewhat of a dance/club breakthrough track for the Pretenders. Unfortunately, this single turned out to be a huge disappointment and has been all but forgotten at this point.

Jr. Vasquez usually hits in his productions but sometimes he misses badly - this being one of those cases. Here you have 7 of his mixes to choose from, and none of them make the grade. Junior's Earth Anthem had a lot of potential, but the vocals are too underutilized and the track has a rather bland and choppy production.

Not surprisingly, this track failed to catch on at U.S. dance clubs. It missed the top 20 of the Billboard dance/club chart, and may have missed the entire dance chart altogether (I'm not sure).

I love Chrissie Hynde and she's had some great dance floor collaborations (most notably Tube & Berger from '04). But "Time" is not one of them.

Ms. Chrissie remixed by Junior........2003-08-06

This follows in the line of non dance acts doing club remixes to either jump start a failing career or a expansion of the form of music they want to do-- take your pick. Following Jewel,Duncan Sheik,Bette Midler,Linda Eder,Stevie Nicks and now you can add The Pretenders to that list. This is the remixes for the song "Time" and they are remixed by Junior Vasquez in a 7 remix set. The remixes are not typical Junior mixes in that they are more trance/laid back in the feel of the music. Most of the mixes are the same in sound and feel so choose which one you like the most. Tracks are:Radio Mix(3:30),Mixshow(6:40),Earth Anthem(10:09),Ambient Mix(6:09),Earth Beats(6:40),Tribapella(6:40),Earthstrumental(10:09) and the funky album version(3:59). It is weird for the hard rock vocals of Chrissie Hynde to work so well with the house beats of this mix. I guess just hearing Chrissie Hynde sing is enough for any song.

Average customer rating:

history in progress.
electronic music masterwork from 1971

Persepolis Plus Remixes Edition 1
Iannis Xenakis
Manufacturer: Asphodel Records
ProductGroup: Music
Binding: Audio CD

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Electronic Works 1: La Légende d'Eer
Symphony 6: At the End of the Day / Terrains Vague
Per Nørgård: Symphony No. 3; Concerto in due tempi
Iannis Xenakis: Chamber Music, 1955 - 90
Xénakis: Pléïdes

ASIN: B00006GO8K
Release Date: 2002-08-13

Album Description

In 1971, former Iranian dictator Muhammad Reza Shah hosted a lavish and highly choreographed event amidst the ruins of the ancient Persian capital of Persepolis in order to celebrate the 2500th anniversary of Iran's founding by Cyrus The Great. This commemoration of modern Iran's beginnings was part of the Shah's own struggle with the country's increasingly politicized Shi'ite Muslim clerics, led by the late Ayatollah Khomeini, to secularize Iran. Declaring himself to be heir to Cyrus' legacy, the Shah presided over a cast of 6,200 vintage Persian costume-wearing vassals in an outlandish ceremony affirming the Shah's own interpretation of Iranian history, one which paid little deference to Islam.

The third annual Shiraz arts festival was held that same year at Persepolis. In keeping with the 2500th national anniversary celebrations, the Shah commissioned Greek composer and computer music pioneer Iannis Xenakis (1922-2001) to write a piece of music exalting ancient Persia's aristocratic pre-Islamic religious culture. Selecting Xenakis to author such a work could not have been more symbolically appropriate. A central figure in the development of computer composition, this half-blind former architect, WWII resistance fighter and associate of Le Corbusier evolved a new approach to music, most notably one that employed mathematical probability functions as a compositional methodology.

Titled 'Persepolis', in honor of the location in which it was to be performed, Xenakis composed a fifty-six minute, eight-track tape piece of musique concréte for the occasion. A noisy, apocalyptic-sounding piece distinguished by rising waves of intensity, Persepolis' debut must have been quite an experience for those lucky enough to be in attendance. Persepolis takes on an even greater significance when listened to as a musical work whose purpose was to serve a failed secularist ideology overtaken less than a decade later by a fundamentalist Islamic revolution.

In light of the events that have consumed the world since September 11th 2001, the notion that a radical composer would align himself with a political figure like the Shah shows how very few places such a brilliant artist could go to receive support for their work. Creative modernism is left with choosing between authoritarianism and religion. Hence the inclusion of a second disc of remixes in this edition of Persepolis. Disc 2 of this recording contains ten remixes of Persepolis by an international cast of avant-garde musicians, transforming Xenakis' original work in entirely distinct contexts, imbuing it with compellingly new meanings.

Otomo Yoshihide, Merzbow, Ryoji Ikeda, and Construction Kit contribute Japanese readings, while Spanish artist Francisco Lopez, Polish musician Zbigniew Karkowski and German Ulf Langheinrich bring the so-called noise from Europe. Americans antimatter and Laminar round the global aspect of this collection out by providing their own compelling takes on the original. Despite their distinctiveness, what unites all of these remixes is a shared sense that all great works of art can transcend the contexts in which they were first conceived in order to explore, and perhaps fulfill their greater purpose.

Customer Reviews:

history in progress........2006-05-15

I have not heard this particular recording, but I like _Persepolis_ a lot. I will comment on that work only. This is one of the best electronic works I have heard by far, along with anything by Birchville Cat Motel. First let me say that Xenakis' mathematical composition processes and colossal orchestral works have had quite an impact on me, but my favorite piece of his so far is _Persepolis_, for eight-channel tape. As with any music that evokes such uncommon thoughts and emotions, it is difficult to describe. Somehow, it is a rare electronic masterpiece with dignity and elegance guiding its experimentalism. This radical piece was, amazingly enough, commissioned by the Shah of Iran in 1971 and scored as part of a light show, to commemorate the nation's founding.

This work, writes Xenakis, is a "symbol of history's noises; unassailable rocks facing the assault of the waves of civilization. Childhood's awakening must be maintained because it represents active knowledge, perpetual questioning which forges the becoming of man. To invent light trajectories, to create signs, destinies on stone: on mountain and ruins, through sound, through fire, through light. . . . _Persepolis_ is neither a theatrical spectacle, nor a ballet, nor a happening. It is visual symbolism, paralleled and dominated by sound. The sound, the music must prevail absolutely. This music corresponds to a rock tablet on which hieroglyph or cuneiform messages are engraved in a compact, hermetic way, delivering their secrets only to those who want and know how to read them. The history of Iran, fragment of the world's history, is thus elliptically and abstractly represented by underground currents of sound. The listener must pay for his penetration into the knowledge of the signs with great effort pain and the suffering of his own birth."

Who knows what he was thinking, exactly. Xenakis had a rather obtuse way of thinking about music. Yet this is an unexpectedly accessible and immediate work, constructed out of a small set of sound forms, such as heavily manipulated acoustic instruments and something like a ghostly machines. Even so, for all acoustical purposes you will never hear the same things twice. The piece is certainly noisy, but not in a derogatory, annoying way like a dog barking at you on the street or a garbage truck waking you up at some obscene hour, but in a very immaculate, deliberate way. At high volumes, _Persepolis_ can crush you with its power, but at low volumes, where one must pay more attention, one is really made aware of the hidden beauty here. This is a multilayered world of exquisite sonic evolutions that is both tragic and inspiring - just like human history. _Persepolis_ makes a human connection you wouldn't expect.

Unfortunately, this is a difficult piece to find the right sound setup for. Since it is supposed to be mixed for eight channels surrounding an audience, really high quality headphones would probably enable one to hear the music most clearly. Since there are never going to be any recordings mixed for eight channels, it's all about the layers. At the very least try and surround yourself with the music as much as possible.

electronic music masterwork from 1971.......2004-01-26

"Persepolis" is an hour of electronic music, composed for an outdoor performance in the ruins of the ancient Persian city of the same name. Organized by the Shah of Iran in 1971, this event featured 59 speakers in and around the audience, lasers and spotlights evoking the Zoroastrian belief that light is eternal life, and bonfires on surrounding hillsides. Quite a spectacle! I won't go on in this vein as the liner notes describing this history are already generously excerpted on the site.

Unfortunately there is much less information about the music itself. Apparently a truncated version of the original recording was released on vinyl in the 1970s. This Asphodel version, called the "GRM mix" (for the Institute National Acoustique -- Groupe Recherche de Musique) is apparently a much more recent mix of the original tapes, but I have not been able to find the specific dates. The liner notes say only that the mixing and engineering was done in Paris by Daniel Teruggi "under the consultation of Iannis Xenakis."

According to James Harley, a former student of Xenakis, the music is created "...from the layering and variation of 11 basic textures. These range from strange-sounding clarinet multiphonics to glassy string harmonics to grating metallic sounds and distorted wind effects ... one or another of these entities tends to dominate, and is usually heard in at least a couple of layers simultaneously, often juxtaposed with single layers of one or two other textures at the same time." It is a continuous flux of these electronic textures -- there is no large-scale structure to the piece, no breaks, or movements, or notable crescendos of any kind. "Persepolis" is evocative of cosmic energies -- the Zoroastrian contest between Light and Darkness. I find it to be endlessly fascinating -- there is more than enough complexity to sustain interest and repeated listening.

We get a bonus second disc from Asphodel, which includes 9 remixes of the original Xenakis work. These are a mixed bag, ranging from "glitch" pieces that I cannot stand to a few creative and compelling extensions of the original vision. Zbigniew Karkowski's contribution in particular is excellent -- Karkowski was a "curator" of the project, so presumably he gathered the remixes. Even if you find you don't like any of the remixes at all, you still get the entire Xenakis work for the price of a single disc.

Between 1971 and 1977 Xenakis further developed his vision and craft. "la legende d'eer", which like "Persepolis" was commissioned for multi-media performance, this time for the June 1978 opening of the Pompidou Center in Paris, is another spectacular 8-channel tape work (available on disc from Naive Montaigne). The 1977 work adds a macro-structure, building from sparse sounds to loud noise and then subsiding back to sparseness. For anyone who enjoys "Persepolis" it is well worth hearing.

There is only one book on Xenakis in English at the moment, by James Harley, who studied with X in Paris, and it's well worth checking out. One book is scarcely enough. Xenakis was a prolific genius, and I'd like to know more about his youthful participation in the Communist resistance to Italian fascism, so I hope the information gap will be closed in the near future.

I consider Xenakis to be one of the Three Best late 20th century composers, along with Elliott Carter and Gyorgy Ligeti. See my list THE SONIC REALM OF IANNIS XENAKIS for more reviews and recommendations.

Average customer rating:

This is the BEST of AFX!
Music from the gods
Let's hear some acid
Year 3000 Space Jazz
excellent new aphex twin material

2 Remixes by AFX
AFX
Manufacturer: Men Records/Forced Exposure
ProductGroup: Music
Binding: Audio CD

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Analogue Bubblebath, Vol. 3
Donkey Rhubarb
Hangable Auto Bulb
Smojphace
Chosen Lords

ASIN: B00005NDWU
Release Date: 2001-08-31

Tracks:

120 BPM
168 BPM
Bonus High Frequency Sounds

Album Description

Aphex Twin single. Three tracks '120 BPM', '168 BPM' & 'Bonus High Frequency Sounds'. 2001.

Album Details

Two Excellent, New Percussive/Melodic Recordings by Afx in the Style of Afx. Tracks: Squidged Out at the Bank by Afx, Cockney Raver's Voice Halfway Thru Track (Recounting his Experiences of 'e'), and Bonus High Frequency Sounds Very Nice, DJ-FRIENDLY Cut. Format is a Plain CD with the Words '2 Remixes by Afx' Stickered on the Front.

Customer Reviews:

This is the BEST of AFX!.......2003-01-17

Richard D James is a rather eccentric electronic player/writer/performer. I have most of the Aphex Twin, AFX, Polygon Windows that is really RDJ in disguise (though he doesn't try to hide who it really it is actually playing very hard). I've got to admit I was skeptical when I first read a raving review for this particular CD. I rarely agree with critics, but this time I actually agree with the many of them calling this the best thing he has ever done! You could actually dance to, I suppose, the second track. I find myself crankin' up the volume in my car when it hits that track. It jams in a 21st century way! Once again, if you are hip to this style of sound, check this out. Awesome spin!

Music from the gods.......2003-01-07

Total mess. Awesome. Not as awesome as Gantz Graf by Autechre, but it is right up there. Definately a must buy for any electronia fan. I don't even know why I should write a review because anything from Aphex Twin, Caustic Window, Polygon Window, GAK, Q-Chastic, AFX, Power-pill, or Mike & Rich is awesome (All aliases of RDJ). This album sounds like something that should've came off of his Caustic Window name, but whatever, it doesn't matter. This album is complete genius and should be on the top of the list for any Richard D. James fan.

Bonus High Frequency sounds. Awesome.

Let's hear some acid.......2001-11-14

Squarepusher + RDJ put together a new label (no official name yet, but this release's catalog # is MEN1/MEN1CD) and this is the first release. Track #1 is a remix of 'Flow Coma' by 808 State. Track #2 is a remix of 'Box Energy' by DJ Pierre. Track #3? Annoying fax noises with a little distortion thrown in. Excellent remixes, holding the whole 'old-skool acid' vibe steadily in his hand while punching you in the face at the same time.

Year 3000 Space Jazz.......2001-09-11

More high quality year 3000 space jazz from Richard D. James. It sounds a little more trancy than his last few releases but the production still displays his typical genius. A must have for any collector.

excellent new aphex twin material.......2001-08-09

i have the record which seems to have 4 tracks, but this is excellent aphex twin style material that i have grown to love.. the last track is just a fax machine squeal noise for about 3 minutes though.. but money well spent either way..

The Artful Dodger Presents Re-Rewind: Back By Public Demand: Exclusive Track & Remixes

Average customer rating:

What is this?
The Artful Dodger Brings Back The Real Taste Of Garage Music
Artful Doger?
2 Steppin' in the US
Excellent dance cd effortlessly mixed by the dodgy ones.

The Artful Dodger Presents Re-Rewind: Back By Public Demand: Exclusive Track & Remixes
The Artful Dodger , United Groove Collective feat. Shelly , Victor Romeo , The Wideboys , Robbie Craig vs. Gerideau , Lenny Fontana feat. Beverly T. , Christian Falk feat. Demetreus , Sunship vs. V.P.D. , Spitroasters & Yardley pres. Robbie Craig , and Dubaholics feat. Kevin Irwin
Manufacturer: Sire / London/Rhino
ProductGroup: Music
Binding: Audio CD

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It's All About the Stragglers
Cut to the Chase

ASIN: B0000516T4
Release Date: 2000-11-21

Tracks:

Woman Trouble (Full Length Version) - Artful Dodger/Robbie Craig
Let Me Be Your Fantasy (Edited Down From Trick Or Treat Feat. MC Tails Remix) - Baby D
I Know Where It's At (Wideboys Remix) - All Saints
Heartache (2 Step Full Vocal Mix) - The Wideboys
Nitro Dust - Spitroasters/Yardley
Love Will Find A Way (Artful Dodger Remix) - Victor Romeo
Re-Rewind (Wideboys Remix) - Artful Dodger
Do Me Baby - Dubaholics
Relax (Bump 'N' Flex Mix) - Deetah
Glad You Came To Me (Wideboys Nasty Mix) - United Groove Collective
It Ain't Enough - Artful Dodger
Who's The Better Man (Wideboys Platinum Beatz Vocal Mix) - Robbie Craig Vs. Gerideau
Spirit Of The Sun (Bump & Flex Hard Step Dub) - Lenny Fontana
Make It Right (Tru Faith Remix) - Christian Falk
We R Family - Sunship Vs. V.P.D.

Customer Reviews:

What is this?.......2004-06-17

This is going to sound ignorant but what is "2-step garage" music. I really like craig david and when i was downloading his songs i saw he did some collaborations with artful dodger. Who exactly is he, or is artful dodger a big group of people. I'm so confused. Help me understand.

The Artful Dodger Brings Back The Real Taste Of Garage Music.......2004-05-06

Having been a huge garage fan back in the day of its popularity and also having bought their first compilation a year earlier, The Artful Dodger have once again mixed up a great collection of the UK's finest garage groups such as Robbie Craig, Lenny Fontana and the classic from B-15 Project.

Before the take-over by England's big record label heads who turned garage into pop music garbage, this album showed people the real sound of traditional UK garage music over two discs of consistantly addictive beats and exceptional MC'sing skills. The whole compilation is a highlight and will be looked upon as one of those that showed people what the real sound of garage is.

A work of art.

Artful Doger?.......2002-05-20

I was doing a search on Artful Dodger in hopes of finding their first album when I came across what appears to be a conflict. As far as I knew, Artful Dodger was a 70's band with such hits as "Scream" and "Wayside". It seems there is another band called Artful Dodger from the UK that plays some kind of (In my opinion) terrible jungle music. Is it even legal for them to use the same name as the classic 70's power pop band? I notice that when you do find an album by the "Original" Artful Doger, it's mixed in with selections from the "New" Artful Dodger which isn't even close to being the same type of music. I guess I'm just a bit appauled and confused by this. I wonder how many people bought one or the other thinking it was something else. Sorry, this has really been bugging me and I needed to voice my opinion. What if you did a search for Pink Floyd or Lynyrd Skynyrd and when you got your selection, it turned out to be a CD loaded with Disco music or something? Somebody should do something to straighten this out.

2 Steppin' in the US.......2001-09-07

Okay, so 2 step garage never took the US like storm like everyone was saying, that doesn't mean I still can't like it!
And The Artful Dodger are pretty fun!

Excellent dance cd effortlessly mixed by the dodgy ones........2001-08-18

Wicked set of tunes. Not the hardcore two step but very danceable .A lovely collection. Could have done without the Sisqo Track. Love to see artiste like Ritchie Dan branching out!

Tracks:

Temperamental [Hex Hector/Mac Quayle Remix] - Everything But the Girl
Come [Hex Maximum Room Mix] - Martha Wash
Spanish Guitar [HQ2 Extended Mix] - Toni Braxton
Lovin' You [Hex Hector Main Club Mix] - Kristine W.
Absolutely Not [The Chanel Dub/Chanel Club Mix] - Deborah Cox
I Turn to You [Hex Hector Mix] - Melanie C
Everything [Hex Hector's Club Mix]
You Make Me Sick [HQ2 Club Mix] - Pink
Nobody's Supposed to Be Here [Hex Hector's Club Mix] - Deborah Cox
I'm Leavin' [Hex Hector Club Mix] - Lisa Stansfield

Album Description

Japanese only remix collection from the man who's responsible for taking many R&B artists into the clubs. Released through BMG/Japan this sought after collection features many of the popular remixes he did for including Toni Braxton, Everything But The Girl, Deborah Cox, Lisa Stansfield & many more.

Album Details

Japanese exclusive remix compilation.

Customer Reviews:

hex's greatest remixes.......2003-02-19

Hex Hector has always been the premiere remixer. His work transcends genre lines, and the remixes he produces take the songs to a whole new level. I have some of these tracks, although not on a compilation format, but this collection really represents the cream de la creme of what is already an impressive cannon of works. I would say the track highlights are Absolutely Not, I Turn To You, and Temepremental. Buy this one. It'll keep you dancing.

It was about time!!.......2001-12-14

Finally, the master of all remixers has his own album. A continuously mixed CD by Hex Hector using his own remixes! Although some of his best mixes are missing (like "I will love again" and "Waiting for tonight"), the ones you will find on this one make this CD a must-have for club-fans.
"Temeramental" by Everything but the Girl, a great opening, takes you right into the groove.
"Come" by Martha Wash, had not heard from her in a while, but here she is strong as ever.

"Spanish Guitar" by Toni Braxton, this one is kicking. The guitars, especially in the break, are phenomenal.
"Lovin' you" by Kristine W, not one of her stronger songs, but in Hex's version it perks up a lot.
"Absolutely not" by Deborah Cox. A hard to find remix (except on vinyl), so I was so happy to find it here. A great campy song, that will be played in clubs for a long time.
"I turn to you" by Melanie C. Hex in high gear.
"Everything" by Misia. Somewhat strange to hear Japanese vocals, but it works, especially in this very Hex package.
"You make me sick" by Pink. Love this one. I wish he had used the entire version, but the fiva and a half minutes will have to do.
"Nobody's supposed to be here" by Deborah Cox, already a classis Hex mix, but with those vocals it stands the test of time.
"I'm leaving" by Lisa Stansfield. Another classic. Hex made this down-tempo Lisa song into a kicking club version in his own style.
All in all, a must have. I hope Hex will do it again soon.
Robert Versteeg

The Deseo Remixes - Source Music By Jon Anderson
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The Deseo Remixes - Source Music By Jon Anderson
Deep Forest , Trans-Global Underground , Future Sound Of London , and Global Communication
Manufacturer: High Street Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FXUKZM

Product Description

The Deseo Remixes - Source Music By Jon Anderson // 1. Deep Floresta - Deep Forest 5:59 2. Intercity 125 Mix - Trans-Global Underground 7:46 3. Speed Deep - Deep Forest 6:36 4. Master Mute Vs The Tone-E Programme Mix - Trans-Global Underground 7:22 5. FSOL Deseo Reconstruction - Future Sound Of London 7:51 6. Amor Real - Global Communication 8:58 7. Master Mute Instrumental Mix - Trans-Global Underground 7:17 8. Bless This - Global Communication 7:19

Muzik: Cassius Present French Disco ' 03 feat. 17 tracks and remixes by Daft Punk, Black Strobe, DJ Feadz plus The Streets versus Cassius

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Muzik: Cassius Present French Disco ' 03 feat. 17 tracks and remixes by Daft Punk, Black Strobe, DJ Feadz plus The Streets versus Cassius
Drugs , Manhead , Bergheim 34 , Black Strobe , Bosco , Agoria , Goldfrapp , Cassius feat. Ghostface Killah , Metro Area , and Sctrach Massive
Manufacturer: Muzik
ProductGroup: Music
Binding: Audio CD
ASIN: B000KJF1X2

Product Description

Electronic Music Mixed by Zdar

Average customer rating:

Till Da Sun Comes Up
Sir Mix-A-Lot
Manufacturer: X-Girls, LLC
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006MA2Z0
Release Date: 2004-11-16

Tracks:

Remixed for Her Pleasure (club mix 102)
Remixed for Her Pleasure (radio edit 102)
What's Happenin' Sun
Till Da Sun Cums Up
Can't Say No W/O Nutz (vocal house 125)
Can't Say No W/O Nutz (radio edit 125)
Can't Say No W/O Nutz (house 125)

Album Description

Guess Who's Back . . . SIR MIX A LOT!!

Sir Mix A Lot's latest single "Til Da Sun Cums Up" is an adventurous endeavor indeed. Remixed by DJ Girl 6, LA Kendall and Spire this single takes MIX into the millennium with a new flavah of electronica synth sound meets uncompromising hip-hop bass! With Acid House and Hip-Hop/top 40 cross-over versions, this single takes the hints of electronica alluded to in Goodies, Freek a Leek and Yeah - to the next level. "Be about it and never doubt it" he proceeds with confidence that his hip-hop roots remain in-tact on this venture into the unprecedented realm of the hip-hop/electronic hybrid. On the cusp of the album's release; "Daddy's Home" is truly proving itself to be the return of, and a new era for, MIX.

Fans, clubs, radio stations and retailer alike agree "'Til Da Sun Cums Up" is being embraced as the next bangin' club hit with cross-demographic appeal!

Music Review:

Music Review

music review