Strict Machine Pt.1 [CD-single] [Import]

Strict Machine Pt.1 [CD-single] [Import]

Track Listings

1. Strict Machine (Single Mix)

2. White Soft Rope (feat The Midwich Children Choir)

3. Hairy Trees (Live In London)

Editorial Reviews
Product Description
Second single from Goldfrapp's 2003 album 'Black Cherry'. Three non-LP tracks, 'Strict Machine' (Single Mix), 'White Soft Rope' (feat. The Midwich Children Choir), & 'Hairy Trees' (Live in London). Mute.

Tracks:

Lollapalooza
John's Book Of Alleged Dances: Judah To Ocean
John's Book Of Alleged Dances: Toot Nipple
John's Book Of Alleged Dances: Dogjam
John's Book Of Alleged Dances: Pavane: She's So Fine
John's Book Of Alleged Dances: Rag The Bone
John's Book Of Alleged Dances: Habanera
John's Book Of Alleged Dances: Stubble Crotchet
John's Book Of Alleged Dances: Hammer & Chisel
John's Book Of Alleged Dances: Alligator Escalator
John's Book Of Alleged Dances: Standchen: The Little Serenade
John's Book Of Alleged Dances: Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Two Fanfares For Orchestra - Tromba Lontana
Two Fanfares For Orchestra - Short Ride In A Fast Machine
Common Tones In Simple Time
El Dorado - Part I. A Dream Of Gold
El Dorado - Part II. Soledades

Tracks:

Harmonielehre - Part I
Harmonielehre - Part II The Anfortas Wound
Harmonielehre - Part III Meister Eckhardt And Quackie
Violin Concerto - Part I
Violin Concerto - Part II Chaconne:
Violin Concerto - Part III Toccare

Tracks:

Chamber Sympony - Mongel Airs
Chamber Sympony - Aria With Walking Bass
Chamber Sympony
Hoodo Zephyr - Tundra
Hoodo Zephyr - Dissappointment Lake
Hoodo Zephyr - Hoodo Zephyr
Gnarly Buttons - The Perilous Shore
Gnarly Buttons - Hoe-Down (Mad Cow)
Gnarly Buttons - Put Your Loving Arms Around Me

Tracks:

Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
A Sermon On Romance
Consuelo's Dream
Mike's Song About Arresting A Particular Individual
Tiffany's Solo
Song About The On-Site Altercation
Song About The Bad Boys And The News
Your Honor My Client He's A Young Black Man
Leila's Song; Alone (Again Or At Last)
Three Weeks And Still I'm Outta My Mind
Crushed By The Rock I Been Standing On
Dewain's Song Of Liberation And Surprise
!Este Pais! / This Country
One Last Look At The Angel In Your Eyes
Finale

Tracks:

Lollapalooza
John's Book Of Alleged Dances - Judah To Ocean
John's Book Of Alleged Dances - Toot Nipple
John's Book Of Alleged Dances - Dogjam
John's Book Of Alleged Dances - Pavane: She's So Fine
John's Book Of Alleged Dances - Rag The Bone
John's Book Of Alleged Dances - Habenera
John's Book Of Alleged Dances - Stubble Crotchet
John's Book Of Alleged Dances - Hammer & Chisel
John's Book Of Alleged Dances - Alligator Escalator
John's Book Of Alleged Dances - Standchen: The Little Serenade
John's Book Of Alleged Dances - Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Harmonium - Negative Love
Harmonium - Becuase I Could Not Stop For Death
Harmonium - Wild Nights
Shaker Loops - Shaking and Trambling
Shaker Loops - Hymning Slews
Shaker Loops - Loops and Verses
Shaker Loops - A Final Shaking

Tracks:

The Chairman Dances - Foxtrot For Orchestra
Grand Pianola Music - First Movement
Grand Pianola Music - Second Movement
Grand Pianola Music - Third Movement: On The Dominant Divide
Fearful Symmetries

Tracks:

Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China - Landing Of The Spirit Of '76
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China - Cheers
Nixon In China -
Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -

Tracks:

The Wound-Dresser
Christian Zeal And Activity
Five Songs - Thoreau
Five Songs - Down East
Five Songs - Cradle Song
Five Songs - At The River
Five Songs - Serenity
Eros Piano

Amazon.com

Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

Customer Reviews:

Moved to tears.......2004-03-18

Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

Nonesuch delivers.Again.......2002-11-27

John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

harmonia in excelsis.......2001-11-12

I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

Our greatest living composer.......2001-07-22

As a composer, I'm staggered that anyone could fail to be gripped by this music.

That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

Wonderful CD.......2000-04-02

This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!

John Adams: Shaker Loops; The Wound-Dresser; Short Ride in a Fast Machine

Average customer rating:

Terrific performances, with a few quibbles
Four Revelations by Adams, Impressive Work by Alsop and Gunn
Exciting performances ruined in the mixing studio

John Adams: Shaker Loops; The Wound-Dresser; Short Ride in a Fast Machine

Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

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ASIN: B00030B9F2
Release Date: 2004-10-19

Tracks:

Short Ride In A Fast Machine
The Wound-Dresser
Berceuse Elegiaque
I. Shaking And Trembling
II. Hymning Slews
III. Loops And Verses
IV. A Final Shaking

Album Description

Raised in Massachusetts and trained as a composer at Harvard, at the age of 24 Adams headed west to San Francisco in order to distance himself from his neo-European upbringing. Shaker Loops, written in the heyday of American minimalism, helped to earn him a place as one of the most famous living composers. It borrows the technique of looping fragments of melody from Steve Reich's early tape experiments, and continues to be one of Adams' most frequently performed works. Also included on this disc is Short Ride in a Fast Machine, four minutes of pure aural adrenaline, and The Wound-Dresser, a pensive adaptation of Walt Whitman's poem about his experiences as a nurse during the civil war. Marin Alsop has been Principle Conductor of the Bournemouth Symphony Orchestra since 2002. She represents the highest level of artistry seen in American conductors, and has recorded several times for Naxos. In 2003, she was named the Gramophone Artist of the year and presented with the Royal Philharmonic Society's conducting award. Marin Alsop has several more recording projects in progress for Naxos, including works by Glass, Weill and Bartók, as well as the complete Brahms Symphony cycle.

Customer Reviews:

Terrific performances, with a few quibbles.......2005-01-14

As an owner of the John Adams Earbox, and a bunch of other stuff as well, I guess I qualify as an official junkie when it comes to his work. So only the low sticker price convinced me to sample this new CD. But it was money well spent. Marin Alsop's conducting on this disk is energetic and committed, and really gets to the heart of the pieces. The burning-rubber tempo on "Short Ride in a Fast Machine" is especially great. There are some balance issues, as noted by other reviewers, which is the only reason to give this 4 stars instead of 5. I really bought this for Nathan Gunn's performance of "The Wound-dresser," which is one of Adams most heartfelt and emotionally profound works. The version with Sanford Sylvan, conducted by the composer, is a truly great recording, and sets a very high standard indeed. Gunn's voice is more of a true baritone, a darker, more "masculine" sound, and it's very appealing in this score. Overall, his performance is really excellent, and though he's miked a little too closely (or mixed a little too prominently, it's hard to tell), he interprets the piece with distinction. There's a couple of spots (hate to quibble, Nathan, but...) where he does some vocal things that annoy me. At the line, "Soon to be filled with clotted rags and blood," he does enunciates the bl-sound before rising up to the pitch, turning it into "buh-lud" and the effect is too melodramatic. (Compare to Sylvan's performance, and you'll see what I mean.) But that's picking nit on what is overall a fine performance from a really outstanding singer. I also think Adams own version of this score has an emotional arc that slightly eludes Alsop. It's an episodic piece, and though Alsop gets all the moments right, it doesn't seem to have the cumulative shape of the composer's own version. But that's hardly surprising, considering what a good conductor Adams is; he's hard to surpass in his own work. As I said, I'm happy to add these new readings to my ridiculously comprehensive collection of Adams recordings. For people new to his work, it's a cheap thrill, with the emphasis on the thrill.

Four Revelations by Adams, Impressive Work by Alsop and Gunn.......2004-12-01

As a collection of John Adams' earlier works (1979-91), this is nothing sort of a revelation for me. Long associated with the American minimalism movement, Adams composes music which I tend to think of as alternately challenging and droning with unexpected flashes of brilliance. But what is truly unexpected here is the powerfully rich and communicative nature of all four works presented here.

Whirling dervish rhythms dominate the opener, "Short Ride in a Fast Machine", an apt title as it feels like an exhilarating sportscar careening on hairpin turns, yet with a lovely gravity that is almost Coplandesque. The second piece is the most impressive, truly a soliloquy for baritone and orchestra, "The Wound-Dresser" is a stunning twenty-minute piece set to a Walt Whitman poem describing in graphic detail the poet's experiences as a nurse during the Civil War. Propelled by baritone Nathan Gunn's astonishing vocals, it is deeply eloquent and moving, all the more impressive given the often brutal lyrics about tending to bloodied and maimed soldiers on the battlefield. I just saw Gunn's galvanizing performance in the title role of Benjamin Britten's "Billy Budd" at the San Francisco Opera, and it is gratifying to hear his commanding voice, letter-perfect diction and compassionate dramatic style take over this beautiful piece so fully. And Adams elevates the drama in such surprising ways, for example, the use of clarion bugles during the climax. The composer brings a fulsome gravity to "The Wound-Dresser" presaging his masterwork elegy to 9/11, "On the Transmigration of Souls" (also strongly recommended).

The third piece is Adams' somber, poignant arrangement for chamber orchestra of an orchestral work by Ferruccio Busoni. The original, his Opus 42, dates from 1909, and it is a lovely homage from one composer to another. Here, in a more subdued manner, Adams seems to be continuing his theme of surviving through suffering started by "The Wound-Dresser"; it makes for a powerful combination. The last piece is Adams' earliest work here, and his more familiar minimalist style is far more evident with the pure string orchestra arrangement of "Shaker Loops". The athletic, almost edgy "shaking" effect of the first section is powerfully performed but not ad nauseum, and it's followed by a more stylized dramatic setting in the second movement "Hymning Slews" and the even deeper sense of revelation pervading the third section, "Loops and Verses". The final section brings the work full circle with a reinterpretation of the opening "shaking" that leads to a haunting fade-out.

The conductor of the Bournemouth Symphony Orchestra and 2003 Gramophone Artist of the Year, Marin Alsop seems keenly aware of the drama and subtlety necessary to make this recording feel like one holistic work. She masterfully leads the Bournemouth orchestra, who respond by performing superbly. This is a remarkable recording, made all the more remarkable by the bargain basement price offered by Amazon, $6.98. My one quibble is incomplete documentation in the accompanying booklet. Strongly recommended.

Exciting performances ruined in the mixing studio.......2004-11-01

There's no doubt about it - the Bournemouth Symphony Orchestra play brilliantly for the majority of the time in each of these pieces, and Alsop invests the music with great energy, due mostly to faster than usual tempos. Unfortunately, these tempo choices and some recording balance problems overshadow what otherwise would be a great addition to the John Adams discography.

While not usually something I advocate, a look at the timings indicates just what to expect in Short Ride in a Fast Machine. Alsop's clocks in at 4:05, SFSO/de Waart, the Netherland Wind Ensemble, the Cincinnati College-Conservatory Wind Symphony/Corporon and CBSO/Simon Rattle all take 4:20 or longer. This seemingly antiseptic comparison is actually pretty important in a piece with unchanging tempo, and Alsop's very fast direction produces some pretty hectic sounding areas in the piece. It is exciting when one hears the first three clicks of the woodblock at such a speed (amounting to about 20 clicks per minute faster on a metronome), and the opening trumpet rhythms are wonderfully articulated, but there are later areas where detail is lost and it just sounds mushy (not something that would be the aim of this work, I think). There are also several balance problems that pretty much ruin the recording for me. The wood block(s) are simply too loud - the only way you would hear them sound like this in concert is if they were amplified, and that's clearly not indicated in the score. Perhaps Alsop and/or the engineers decided that this would add "clarity" to the recording, but it really doesn't (in fact, it gets a bit irritating after a while). Likewise, the change of wood blocks midway through, from quite high and piercing to low and somewhat-less-piercing, draws unnecessary attention to itself. The problem with overmiking the wood block(s) is that it feels like we're being spoon-fed the interest of this piece, which lies in the conflict derived from Adams' brilliant working of different rhythmic patterns against a steady beat. Since the piece starts with the woodblock alone spelling this beat off, it should be internalized and the actual sound should be barely audible, only sneaking through when allowed by soft dymanics in the rest of the orchestra. Contrarily, several great details are lost: the horn glisses at the first "crisis point", the tam-tam strokes at the climax (beautifully rendered in de Waart's recording) and any hint of the synthesizer that's called for in the score (again, audible in de Waart's recording). It is nice to hear such zealous piccolo playing, however out of tune it is. The only recording of this I don't know is the Masur/NYPO in their box. I would love peoples' opinions on this rendition.

The Wound Dresser is similarly marred by balance problems - for his wonderful tone, diction and phrasing, Nathan Gunn is simply too closely recorded in relation to the orchestra. The result is that, even when you can tell he's singing softly, he still buries the orchestra. When he sings loudly, he's the only sound you can pay attention to. This is one of my favorite Adams pieces and I greatly enjoy Nathan Gunn's discography. In this account the piece completely loses any intimacy, which is abundant on the recording by Sanford Sylvan (Nonesuch), not a singer I'm typically fond of. I've listened to this recording on several sound systems just to make sure the close balances weren't a result of my equipment, and sadly they aren't.

The two pieces without soloist (Short Ride sounds essentially like it has a solo woodblock throughout) come off quite a bit better. The warm transparency of the Bournemouth players works wonderfully in Adams' sensitive, dark-hued orchestration of Busoni's Berceuse élégiaque.

This is my fifth recording of Shaker Loops (here performed in the string orchestra version), and it is quite good indeed. The energy is again produced mostly by tempos slightly faster than typical, and the string sections play wonderfully when given melodic bits. It is again slightly marred by the recorded sound, which, aside from the very opening of the work, never gets as soft as it does in other recordings. At many times, I prefer the original, rawer sounding version for seven solo players. Overall, the gutsy, exaggeratedly contrasted reading given by Christopher Warren-Green on an excellent collection of "minimalist" works on Virgin remains my favorite.

$6.98 is certainly not too much to ask for a good recording of Shaker Loops, and the other performances on this Naxos release are certainly serviceable. It would have been nice, however, to have a recording of Adams' works that don't already exist in multiple versions - where is a second recording of one of his early masterpieces, Harmonielehre, for instance? I've always viewed Naxos as an excellent source of recordings of pieces not readily available on other labels, and they've been excellent in doing so with other releases in their American Classics series (such as the Bolcom set that is next in my "to listen to" pile). Is this disc a missed opportunity? I would unfortunately have to lean towards "yes" as an answer - undeniably wonderful pieces and probably wonderful performances ruined by poor choices in the mixing studio.

Average customer rating:

excellent overview of contemporaneous classic music
For the price you can't lose

Discover Music of the 20th Century

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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A History of Musical Style

ASIN: B000B6N6B8
Release Date: 2005-11-01

Tracks:

Prelude A L'Apres-Midi D'un Faune - Alexander Rahbari
Walzer - Peter Hill
I. Andante-Scherzo - Rebecca Hirsch
Sehr Ruhig Und Zart - Ulster Orchestra
Lebhaft Und Zart Bewegt - Ulster Orchestra
Sehr Langsam Und Ausserst Zart - Ulster Orchestra
Fliessend, Ausserst Zart - Ulster Orchestra
Sehr Fliessend - Ulster Orchestra
Forlane: Allegretto - Klara Kormendi
First Tableau: The Shrove-Tide Fair - Philharmonia Orchestra
The Mountebank - Philharmonia Orchestra
Vivo - Bournemouth Sinfonietta
III. Moderato Pesante - Bournemouth Symphony Orchestra
Hymn To St. Cecilia - Choir Of St. John's College, Cambridge
IV. Allegretto - Ondrej Lenard
Introduzione: Andante Non Troppo-Allegro Vivace - Alexander Rahbari

Tracks:

Romance - Czecho-Slovak State Philharmonic Orchestra (Kosice)
II. Allegro - Ladislav Slovak
III. Allegro Agitato - Stephen Gunzenhauser
Main Theme From Schindler's List - Paul Bateman
The Unanswered Question - Northern Sinfonia
Second Electonic Interpolation (Conclusion) - Polish National Radio Symphony Orchestra
Third Electronic Interpolation (Beginning) - Polish National Radio Symphony Orchestra
I. Liturgie De Cristal - Amici Ensemble
IV. Commentaire - Idil Biret
Warming Up, Leading To Model 1, Bass - Gregory Rose
'Gott Nochmal' Sun God - Gregory Rose
'Vishnu' God Of Storms - Gregory Rose
God Of The Earth - Gregory Rose
First Interlude - Boris Berman
I. - Roger Heaton
Short Ride In A Fast Machine - Bournemouth Symphony Orchestra
The Lord's Prayer - Choir Of St. John's College, Cambridge
II. Lento E Largo-Tranquillissimo - Zofia Kilanowicz
Lullaby - Philharmonia Orchestra
Vision Of The Hunt I - Philharmonia Orchestra
Voice For Solo Flute - Robert Aitken

Customer Reviews:

excellent overview of contemporaneous classic music.......2007-03-22

excellent overview of contemporaneous classic music.

Should be continued, plenty more 20th-century composers to be discovered.

For the price you can't lose.......2007-02-21

This 2 cd set consists of, as the title indicates, various 20c pieces or movements from the Naxos catalog. Sound quality is uniformly high, although for some such as Stockhausen's it's not clear if that's good or bad. What is excellent is the variety of the collection--some familiar (Debussy), others not, some pretty, others intentionally weird. Few will find every piece to his or her taste, but many listeners who do not spend much time on 20c music will find something to like. Overall, a great introduction to a period of much off-putting, yes, but also much compelling music.

Average customer rating:

Very good album

American Classics

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

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ASIN: B0007ZEBYY
Release Date: 2005-05-24

Tracks:

Fanfare For The Common Man - Netherlands Wind Ensemble
Short Ride In A Fast Machine - Netherlands Wind Ensemble
Do Nothin' Till You Hear From Me - Center City Brass Quintet
The Stars And Stripes Forever - Detroit Symphony Orchestra
Promenade (From Walking The Dog) - Detroit Symphony Orchestra
Giggling Rapids (From The River) - Detroit Symphony Orchestra
Riffs (From Prelude, Fugue And Riffs) - Netherlands Wind Ensemble
Solitude - Detroit Symphony Orchestra
Adagio For Strings, Op.11 - Detroit Symphony Orchestra
Pavane (From Sebastian) - Richard Hickox
Gospel Train - Yuli Turovsky
Meander (From The River) - Detroit Symphony Orchestra
Mvt. II From Symphony No.2 - Detroit Symphony Orchestra
Washington Post - The Band Of The Blues And Royals
Girl Crazy Overture - BBC Philharmonic
Liberty Bell - Band Of The Royal Air Force College, Cranwell

Tracks:

Rhapsody In Blue - Howard Shelley
Steal Away To Jesus - Willard White
Summertime - Academy Of St. Martin In The Fields Chamber Ensemble
Must The Winter Come So Soon? (From Vanessa) - Susan Graham
Porgy Sings (From Catfish Row) - Howard Shelley
Nagoya Marimbas - Danish National Radio Symphony Orchestra
Mvt. III From Symphony No.1 - Detroit Symphony Orchestra
Intermezzo (From Vanessa) - Detroit Symphony Orchestra
America (From West Side Story) - Netherlands Wind Ensemble
It Ain't Necessarily So (From Porgy And Bess) - Center City Brass Quintet
Mvt. II From Concerto For Clarinet - Scottish National Orchestra
Riba (From The River) - Detroit Symphony Orchestra
Simple Gifts (From Old American Songs, Set I) - Willard White
Blues (From Divertimento) - BBC Symphony Orchestra
Strike Up The Band Overture - BBC Philharmonic

Customer Reviews:

Very good album.......2007-06-24

Every song on this CD has such a crisp sound. Also, they are all perfectly arranged, classic American songs. I am very happy with this product. Great buy.

The Machine That Cried: The Band's Official Version

Average customer rating:

The Machine That Cried: The Band's Official Version
String Driven Thing
Manufacturer: Ozit Records UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B000024HYJ
Release Date: 2006-01-09

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Night Club
Sold Down the River
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House
Machine That Cried
River of Sleep: The Sowee/Search in Time/Going Down

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Great Waltzes

Manufacturer: Delta
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ASIN: B000001VPX
Release Date: 1990-10-25

Tracks:

Les Sylphides: Waltz Op. 18
La Damnation de Faust: Ballet Des Sylphes
La Damnation de Faust: Danse Des Follets
Coppelia: Festive Dance And Waltz Of The Hours
The Nutcracker: Waltz Of The Flowers
Waltz In A Flat Op.39 No.15
Les Sylphides: Waltz, Op.64 No 2
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Serenade For Strings, Op.22: Tempo Di Valse
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Tchaikovski The Sleeping Beauty: Waltz

Average customer rating:

Lost Signals & Drifting Satellites
Composer: Annie Gosfield , Performer: Jean Jeanrenaud , and Performer: Flux Quartet
Manufacturer: Tzadik
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Avant Garde & Free Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music
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Burnt Ivory and Loose Wires
Flying Sparks & Heavy Machinery
Extreme Guitar Project

ASIN: B00063UECK
Release Date: 2004-11-23

Tracks:

Lightheaded And Heavyhearted
Lost Signals And Drifting Satellites
Mentryville
The Harmony Of The Body-Machine

Takashi Yoshimatsu: Symphony No. 4; Trombone Concerto; Atom Hearts Club Suite No. 1

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Takashi Yoshimatsu: Symphony No. 4; Trombone Concerto; Atom Hearts Club Suite No. 1

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Yoshimatsu: Symphony No. 3 / Saxophone Concerto
Yoshimatsu: Cello Concerto "Centaurus Unit"; The Age of Birds; Chikap
Yoshimatsu: Symphony No. 5; Prelude to the Celebration of Birds
Yoshimatsu: Symphony No1; Ode to Birds and Rainbow Op60
Yoshimatsu: Symphony No. 2; Guitar Concerto; Threnody to Toki, Op. 12

ASIN: B00005RT1A
Release Date: 2002-01-22

Tracks:

Symphony No.4, Op.82: I. Allegro Moderato - Moderato - Allegro Molto - Allegro - Tempo I - BBC Philharmonic
Symphony No.4, Op.82: II. Waltz. Allegro Moderato - Allegro - Tempo I - BBC Philharmonic
Symphony No.4, Op.82: III. Adagietto - Moderato - Andante - Tempo I - Moderato - BBC Philharmonic
Symphony No.4, Op.82: IV. Finale. Allegro Molto - Presto - BBC Philharmonic
Trombone Concerto 'Orion Machine', Op.55: I. Betelgeuse. Largo - - Ian Bousfield
Trombone Concerto 'Orion Machine', Op.55: II. Bellatrix. Presto - - Ian Bousfield
Trombone Concerto 'Orion Machine', Op.55: III. Trapezium. Lento - Tempo Di Waltz - Lento - - Ian Bousfield
Trombone Concerto 'Orion Machine', Op.55: IV. Saiph. [] - Moderato (Swing!) - Solo Cadenza - Fanfare. Allegro - - Ian Bousfield
Trombone Concerto 'Orion Machine', Op.55: V. Rigel: Finale. Moderato - Andante - Adagio - Largo - Ian Bousfield
Atom Hearts Club Suite No.1, Op.70b: 1. Allegro Molto - Coda - BBC Philharmonic
Atom Hearts Club Suite No.1, Op.70b: 2. Andante - BBC Philharmonic
Atom Hearts Club Suite No.1, Op.70b: 3. Scherzo. Allegro Scherzando - Coda - BBC Philharmonic
Atom Hearts Club Suite No.1, Op.70b: 4. Finale. Allegro Molto - Andnate - Coda Presto - BBC Philharmonic

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A Great Intro to American Classical Music - Almost a Short Course!

The Story of American Classical Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Instructional | Miscellaneous | Styles | Music
Similar Items:

American Classics Sampler
Virgil Thomson: Symphony No 1-3
John Adams: The Dharma at Big Sur/My Father Knew Charles Ives
Voice of the Violin

ASIN: B0009JMELK
Release Date: 2005-06-21

Customer Reviews:

A Great Intro to American Classical Music - Almost a Short Course!.......2005-07-12

Many reasonably sophisticated American and European musiclovers still think there are really no American classical music composers of note other than perhaps Gershwin and Copland. It is to the credit of the Naxos label, via their 'American Classics' series, that the lie is put to that notion. Each month there are new issues from Naxos containing music by American composers. And it was a brilliant idea for them to take selections from their dozens of releases of this music to put together this sampler of such music to illustrate a 100+ page essay on the subject by an eminent writer on music, Barrymore Laurence Scherer. The combination of 2 CDs of music tracks, Scherer's essay, a chronological outline, suggestions for further listening, even a map showing where various composers were born helps the 'student' learn much about our nation's musical heritage.

There are selections by twenty-eight composers stretching from the amazing Wagnerian 'Macbeth' Overture by William Henry Fry (1813-1864) to the very recent 'Rapture,' a percussion concerto by Michael Torke (b. 1961). Some selections are complete movements, others are shorter passages from larger works. Included are such gems as the first movement of Arthur Foote's Piano Quartet, the third movement of Henry Hadley's Fourth Symphony, Charles Ives's 'The Unanswered Question,' 'King Cotton' by John Philip Sousa, 'Maple Leaf Rag' by Scott Joplin, a passage (the exciting Spanish Waltz) from Walter Piston's 'The Incredible Flutist,' the finale of Copland's 'Billy the Kid,' the opening of Samuel Barber's luminous 'Knoxville - Summer of 1915,' 'Tonight' from Bernstein's 'West Side Story,' the opening of George Rochberg's masterful Violin Concerto, and John Adams's incredibly popular 'Short Ride in a Fast Machine.' Plus selections by Louis Moreau Gottschalk, Edward MacDowell, George Whitefield Chadwick, Amy Beach, Charles Tomlinson Griffes, Charles Wakefield Cadman, George Gershwin, George Antheil, Zez Confrey, William Schuman, John Cage, Gunther Schuller, Alan Hovhaness, Elliott Carter and Philip Glass. The performances are more than acceptable and in some instances ('Knoxville,' Rochberg's Violin Concerto) definitive.

I would heartily recommend this set (especially at its superbudget price) to anyone wanting to know more about the history of American classical music -- Scherer is a master of cogent, clear prose -- and wishing to hear examples of the broad range it has taken over the past couple of centuries. I can easily imagine this set being used in a music appreciation course. And I am sure it will spark interest in the newcomer to this branch of classical music.

2 CDs TT=ca. 160 mins.

Scott Morrison

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Different and Interesting

Machine That Cried
String Driven Thing
Manufacturer: Reper
ProductGroup: Music
Binding: Audio CD
ASIN: B00004R7FD
Release Date: 1996-12-06

Customer Reviews:

Different and Interesting.......2002-01-15

I have owned this album for years and on occasion I pull it out to remind myself that there are original and unique groups out there. I had not realized that this group had made other albums or that they were still available on the commercial market. I'm glad to see that they are.

The addition of a violin to rock music adds a demention that is too seldom explored. I suspect it could be because actual talent is required to make good use of the tool.

String Driven Thing reminds me of "It's a Beautiful Day." Lots of changes in tempo and in intensity. Never Boring. They go from wonderfully smooth to brutally rough.

It's worth your money.

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