Palimpsest
Track Listings
| 1. Palimpsest |
| 2. Man'Yo # 3A-37/750A54 Zero Crossings [Extended Mix II] |
| 3. Man'Yo # 3A-37/507417 Zero Crossings [Edit][Edit] |
Palimpsest,Yasunao Tone & Hecker,Mego Austria,Avant-Garde,Computer Music,Dance Music,Experimental,Japan,Pop,Process-Generated
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Xenakis: Works for Piano, Vol. 4
Manufacturer: Mode ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001W094 Release Date: 1999-10-19 |
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Album Description
This is the first time Xenakis' complete works for solo piano have been collected on a single disc. They are brilliant, virtuoso masterworks of the 20th century piano literature. Despite that most of these works are derived from Xenakis' use mathematical models in their composition, he is always concerned with the overall sound and esthetic result. Diabolically difficult to play, Xenakis himself considered Evryali "Éa kind of athletics for hands, body and brain". The score indeed appears complex, notes proliferate and spread over one to five staves. One is stunned by the sheer virtuosity, the chains of continuously chattering sixteenth notes, and the brilliance and fullness of the overall sound which embraces the extreme registers of the keyboard. Mists indeed invokes its title. It is a work of full of voluminous, opaque clouds interspersed with transparent, pointillistic nebulae; a sonic haze of subtle textures. Herma, Greek for "embryo" or "bond," refers to its use of musical cells which divide and multiply. It is a marvel of contrasting linear courses with clouds of sound varying in instensity and timbre. And the dazzling virtuosity; increasing in speed and intensity, culminating toward the end in an outburst of sound requiring the performer to produce an eveness of touch in the piano's extreme registers while playing up to 20 notes a second. Dikhthas takes advantage of the nature of its two instruments. Xenakis provides a piano part full of clusters and dense polyphonic textures and assigns the violin portamento, glissandi, harmonics and quarter-tones. A highly expressive work, it explores a colorful sonic environment with virtuoso runs for both instruments. The title Palimpsest stands for a reusable piece of parchment on which the writing has been rubbed out and something new has been written in its place. Palimpsest consists of superimposed musical layers, with layers of percussion, string and wind textures alternatively and later simultaneously added to the opening sound layer of the piano. A sort-of concerto for piano and chamber orchestra, the piano as the lead instrument pits itself against the energetic sounds of the ensemble. A.r. (Hommage ^ Ravel) was commissioned by Radio France to commemorate the 50th anniversary of Ravel's death. The conciseness and virtuosity of A.r. make it an ideal encore piece, and it closes the disc here.Customer Reviews:
wonderful piano end-of-the-world solos, all in one place.......2000-11-05
Herma was an early masterwork and a well thought departure from the serial tyranny of the times. When you listen to Herma, it is still linearly, there is no real texture to contemplate. Texture for Xeankis came later with Evyrali. The title means something uncontrollable, also dangerous, and here the work portrays an anger, but subjectivity doesn't quite work in Xeankis since his creations have a somewhat anoymous dimension to them. The continuous repetitions in Evyrali is spellbinding, it has that end-of-the-world feel to it, some irrational part of nature is being explored,not quite like Hitchcock's "The Birds" where the cinema screen can be thought of as a texture when you see the flocks and mobs, and gatherings of the Birds. Like wise Mists seems to be cut from the same cloth as evyrali,repetition,mindless it seems, texture bound which does maintain our interest. Texture has been a point of interest and repulsion within modernist expressions. Elliott Carter never found texture an interesting route for modernist expression,Carter has argued that texture in an of itself doesn't hold our interest,nor has it a structural potential,as linear musical thinking. I think it does if handled with some vision, as Xenakis so does with all these works.
Takahashi here knows this music very well, one of the premiere performers of this music.She brings a point that her hands are mere conduits. The chamber works see the piano situated within the welter of opaque colours.
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Simeon Ten Holt: Palimpsest
Manufacturer: Donemus Records ProductGroup: Music Binding: Audio CD ASIN: B00004SP8T Release Date: 2000-04-25 |
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Among his best.......2007-06-11
RNZ.......2002-12-22
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Palimpsest
Yasunao Tone & Hecker Manufacturer: Mego Austria ProductGroup: Music Binding: Audio CD ASIN: B0006J2G16 Release Date: 2004-11-16 |
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LOOK BOTH WAYS
Manufacturer: INNOVA ProductGroup: Music Binding: Audio CD ASIN: B00004Z46N Release Date: 2000-09-26 |
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Customer Reviews:
correction.......2007-02-26
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Iannis Xenakis: Palimpsest / Epéi / Dikthas / Akanthos
Iannis Xenakis (Composer) , Spectrum , Guy Protheroe (Conductor) , and Irvine Arditti (Violin) & Claude Helffer (Piano) Manufacturer: Wergo Germany ProductGroup: Music Binding: Audio CD ASIN: B00008G1TL Release Date: 1993-12-08 |
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ASKO Ensemble - Live 1: Iannis Xenakis (Echange / Palimpsest / Waarg / Eonta) - Harry Sparnaay / Aki Takahashi / David Porcelijn
Iannis Xenakis (Composer) , ASKO Ensemble , and David Porcelijn (Conductor) Manufacturer: Adda ProductGroup: Music Binding: Audio CD ASIN: B00008EMHQ Release Date: 1993-09-01 |
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