Play America

Play America

Track Listings

1. Play

2. Skysong

3. True Faith [Live Studio Recording]

4. Probably

5. All My Dreams on Hold

6. I've Been Waiting All My Life to Leave You [Elektrofant's DX-7 Remix]

7. Play [Athome Project Kanskjedeterhaplikevel Remix]

8. Play [Slowpho Opp Av Godstolen Remix]

9. All Day and All of the Night [Tronso & Nils Noa Remix]

10. Morning Star [Parliavox Remix]

Tracks:

Tuning
Overture
Historian's Introduction to Act I
Finland/Fisch Schlapping Dance
Monks Chant / He Is Not Dead Yet
Come With Me
Laker Girls Cheer
The Song That Goes Like This
He Is Not Dead Yet - Play Off
All For One
Knights of the Round Table/The Song That Goes Like This (Reprise)
Find Your Grail
Run Away!
The Intermission
Historian's Introduction to Act II
Always Look On The Bright Side of Life
Brave Sir Robin
You Won't Succeed On Broadway
Diva's Lament (What Ever Happened To My Part?)
Where Are You?
His Name Is Lancelot
I'm All Alone
Twice In Every Show
Act II Finale
Always Look On The Bright Side of Life - Company Bow

Amazon.com

As gleefully silly yet wickedly smart as the beloved British comedy troupe and their 1975 cinematic savaging of the Arthurian legend that inspired it, this adaptation of Monty Python and the Holy Grail by MP's Eric Idle and longtime musical co-conspirator John Du Prez has much more on its feverish agenda than merely trashing King Arthur and firmly upending his Round Table. The film's plot remains largely intact, but its core songs ("Knights of the Round Table," "Brave Sir Robin") and comic thrust have been both expanded and satirically redirected, a musical comedy shotgun that takes dizzy aim at pop culture in general, and Broadway in particular. After typically Pythonesque distractions that somehow find us in "Finland..," stars David Hyde-Pierce, Tim Curry, Hank Azaria and company get busy conjuring the Lady of the Lake with the unlikely help of "Laker Girls..," while cast members Sara Ramirez and Christopher Sieber deliciously skewer contemporary Broadway cliches via the loopy showstopper "The Song That Goes Like This," a tune whose reprise also deliciously sends up every overwrought stage diva from Merman to Minelli. Idle has shrewdly ripped off--well, interpolated--Life of Brian's "Always Look On the Bright Side" for the new show, and even a snatch of "The Lumberjack Song" in "He Is Not Dead Yet." "You Won't Succeed on Broadway" reveals the frankly Semitic secret to stage success, and the French get can-canned on "Run Away!" Meanwhile, our bravest knight is de-closeted on the Manilow-mauling "His Name is Lancelot" before the familiar sound of clomping coconut shells brings down the curtain on the season's goofiest if satirically dead-on comic delight. --Jerry McCulley

Have Fun with More Irreverent Musicals

Urinetown
The Rocky Horror Picture Show
The Frogs

Zanna Don't
Hedwig and the Angry Inch
Avenue Q

Customer Reviews:

Loved it.......2007-06-26

The play was great, and so is the CD. Even my partner, who's generally not a Monty Python fan, says it's "hysterical."

Get ready to laugh until you cry!.......2007-06-25

Being in the unfortunate position of living in a country where Music Theatre is virtually dead, I thought `what the heck' I'll purchase this just to see what it's like. I've never been a huge Holy Grail fan, and have only seen the movie one or two times. This musical is the first musical cast recording that has an independent storyline that you can actually gauge from the recording. It's so refreshing to actually WANT to listen to the entire recording from start to finish more than a handful of times. Most musicals have a few awesome songs that have you keep coming back for more but this musical has so much continuity that I can't help but listen from start to finish.

Don't read what some of the other commenter's have written. This is brilliant and hilarious. And if you have a slightly warped sense of humour you'll love (and appreciate) this musical so much more.

P.S. I love the songs that reference "The song that goes like this." This is supposed to be repetitive to mock its self and Broadway. It is also more comprehensive than some may lead you to believe... however just remember its called `Spamalot' not `Holy Grail' so don't expect too many Holy Grail references.

A Lot of Spam.......2007-05-22

Great CD if you like someone who can laugh at themselves. The play mocks the whole broadway musical experience. Listening to it can almost make sitting in traffic bearable...no I wouldn't go that far, but the songs are funny and will put you in a good mood.

Love, love, love this soundtrack!.......2007-05-18

The show was so much fun, and now getting to hear the soundtrack brings all the funny bits right back. These tunes are infectious! Even my 3-year-old hums them to himself. Any Monty Python fan should own this.

Hamalot!.......2007-05-15

Overall, pretty good. I liked the inclusion of various other Python bits (Always Look on the Bright Side of Life, Finland, etc.), but there was an appalling lack of Tim Curry on this album (Um, hello? Rocky Horror, anyone?). Also an over-reliance on songs with lyrics like, "This is how this song goes," or "Every show has a song like this." Some more inventive lyrics would have been welcome. (Mr. Idle, meet Mr. Brooks!)

Still, pretty good. Buy it for $11 or less & you won't feel taken.

Average customer rating:

Probably the best beats of 2006! And no, I'm no fan of Diddy's!!
2-1/2 stars -- Why? Why? WHY?
This album is hot.
I'd give this C.D. ZERO Stars, if that were possible...P. Silly
wow I'm pleasantly surprised

Press Play
Diddy
Manufacturer: Bad Boy
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music
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ASIN: B000GPI2EA
Release Date: 2006-10-17

Tracks:

Testimonial (Intro)
We Gon' Make It
I Am (Interlude)
The Future
Hold Up
Come To Me
Tell Me
Wanna Move
Diddy Rock
Claim My Place (Interlude)
Everything I Love
Special Feeling
Crazy Thang (Interlude)
After Love
Through The Pain (She Told Me)
Thought You Said
Last Night
Making It Hard
Partners For Life

Amazon.com

Sean "Diddy" Combs has spent so many years as an entertainment/fashion mogul and tabloid celebrity, that it's easy to forget that he also makes music. Press Play, his first album since 2001's The Saga Continues, is a reminder that whether he's named Puff, Puffy, or Diddy, Combs has a keen sense of what makes a good pop/hip-hop song but that he's also a middling rapper. Listening to Diddy rap in the same monotone flow he's had for years--not to mention his anemic songwriting--is a distracting sonic drag on an otherwise fluidly produced album. There are some excellent tracks, however. Mobb Deep deliver the dark and sinister "The Future" while Rich Harrison knocks out another vigorous workout of a beat for "Making It Hard." The best songs like "Everything I Love" (featuring Nas and Cee-Lo) and the fast, frenetic "Wanna Move" (with Big Boi, Ciara, and Scar) allow Diddy to play a secondary role rather than the main attraction. He's still a savvy mind behind the scenes, but there's not much gained in putting him in front of the mic. --Oliver Wang

Album Description

No one says it better than Diddy himself--"Press Play is based on all my musical experiences - from the Uptown era, when I was working with Jodeci, Mary J. Blige, and Heavy D...to the Biggie, 112, Mase, Total, and No Way Out era. As time evolved, and I started traveling around the world and going into dance and techno clubs, I began to see music from a global point of view. It all came together on Press Play, all those sounds in my head. I've evolved, studied the game, been a part of it, had success. It all comes down to press play. After you press play, it's gonna make or break you in this game." A year in the making, Press Play finds Diddy joined by a who's who of contemporary artists and producers. Among the guest performers are: Christina Aguilera, Mary J. Blige, Jamie Foxx, Big Boi, Brandi, Keyshia Cole, Nas, Fergie, Avant, and Pharoah Monch. Diddy was joined on the production side by the likes of Kanye West, Just Blaze, Pharrell Williams, Havoc from Mobb Deep, Will.I.Am, Rich Harrison, among others.

Customer Reviews:

Probably the best beats of 2006! And no, I'm no fan of Diddy's!!.......2007-06-26

Beyoncé did her thing in 2006 but something about the beats in most of these songs...very infectious.

Testimonial (intro) - 9
We Gon' Make It - 6.5
I Am (interlude) - 7.5
The Future - 6.75
Hold Up - 5.5
Come To Me - 8.5
Tell Me - 7.25
Wanna Move - 7
Diddy Rock - 6.25
Claim My Place (interlude) - 7
Everything I Love - 7.5
Special Feeling - 6.25
Crazy Thang (interlude) - 7
After Love - 8 (solid, could be a single)
Through The Pain (She Told Me) - 7.25 (Mario comes off as whiny)
Thought You Said - 7.5 (really loud and different)
Last Night - 8.5
Making It Hard - 7.25 (Sounded like a B'Day reject. Not that that's bad but...)
Partners For Life - 6 (Probably the second worst song on the album)

7.184210526= 3.5 stars

Top 5

Testimonial (Intro) 9
Come To Me 8.5
Last Night 8.5
After Love 8
Thought You Said 7.5

2-1/2 stars -- Why? Why? WHY?.......2007-06-23

Let's be honest: was anyone really checking for a new Diddy album? We all know that he was never really the best lyricist, but he still shined when he wanted to ("Diddy", "It's All About the Benjamins"). But his latest album Press Play will have you doing everything BUT that.

Now, Diddy has been known for bringing a slew of guest stars on his albums, especially since his first and third releases credit some variation of "and the family". At first glance, it appears that he is trying to roll for dolo this time around (although that didn't work on Forever), but in actuality, this album is also littered with guest stars, and their performances really aren't that great. And as far as the Bad Boy influence, I can conversely compare this release to posthumous Biggie releases: Biggie was paired with artists he'd probably never work with if he were alive, while here, you'll find people that normally wouldn't be paired with Diddy, like Nas ("Everything I Love") and Big Boi ("Wanna Move").

There are a few tolerable tracks like "After Love" and the necessary song with Mary J. Blige on the hook, "Making It Hard". The best songs, though, would have to be "Come to Me" (with Nicole Scherzinger -- I don't know WHY I like that song so much) and the latest single, "Last Night" featuring Keyshia Cole (but it should really say Keyshia Cole featuring Diddy because Diddy is only on the chorus). But other singers seem to make bad songs even worse, like Brandy ("Thought You Said") and, unsurprisingly, Mario Winans ("Through the Pain"). And if 2006 wasn't such a bad year for collabos, the Christina Aguilera-assisted "Tell Me" would have easily been in the running for my most hated collaborations.

That song also suffers from a hectic beat, which points out another downfall on the album: the production. The beat from the aforementioned "Wanna Move" sounds like it came straight from a Yamaha drum machine, and "Special Feeling" sounds like it was made with a My First Sony. But other songs are just garbage, like "The Future" and especially "Diddy Rock" (and that's also a wack title). Also skippable is "Hold Up", which features Diddy saying that when it comes to foes: "They disturb me, but it's love like tennis." What?

And this damn album is 79 minutes long, too. Basically, as other reviewers have said, the only button you'll really be pressing after listening to Press Play is STOP/EJECT.

Anthony Rupert

This album is hot........2007-05-26

New Wave beats, minimal Diddy rapping, and guest artists galore make this a worthy listen. Much better than the lil jon/mike jones/whatever southern guy wants to make booty bass these days.

I'd give this C.D. ZERO Stars, if that were possible...P. Silly.......2007-05-24

really needs to focus on recruiting and producing talent. An absolute AWFUL C.D.

Does P Silly have any friends in his life, you know, the kind who are bruatally honest who will pull him to the side and really tell him the truth.

ALSO, if I here that god awful song last nigh one more time, I'm gonna hurl. P. Silly must be paying radio stations to play this garbage.

wow I'm pleasantly surprised.......2007-04-28

I haven't been listening to diddy since the No Way Out album in 97 and didn't keep up with him anymore cause I thought of him as nothing but a dude that sampled way too much for his own good, despite the hot beats. Since then, I only liked the I Need a Girl duet with Usher and went back to not caring about his new stuff. The minute I heard the Prince-influenced Last Night feat. Keiysha Cole, it totally hit home and I find myself pressing play after all when it comes to diddy.

The Best of Broadway - The American Musical (PBS Series)

Average customer rating:

Some interesting choices, indeed
Great CD
Great selections, but bad transfers
Yes this is Some of the Best of Broadway!
The music of Broadway comes alive

The Best of Broadway - The American Musical (PBS Series)

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002W4T9E
Release Date: 2004-10-05

Tracks:

There's No Business Like Show Business
Swanee
Ol' Man River
You're The Top
Oklahoma
Luck Be A Lady
I Could Have Danced All Night
America
My Favorite Things
People
If I Were A Rich Man
The Impossible Dream
Cabaret
Let The Sunshine In
Send In The Clowns
One
Tomorrow
Memory
The Music Of The Night
Good Morning Baltimore
Defying Gravity

Amazon.com

A companion to the fabulous PBS series, the 21-song, 77-minute The Best of "Broadway: The American Musical" provides about as good a single-disc compilation as anyone could hope for. (There's also a five-CD version.) What sets it apart from so many other "best of Broadway" collections is its breadth--because it had access to a variety of record-label vaults it doesn't have to try to disguise gaps by using revivals or solo recordings. Here you get all the authentic stuff, including: Paul Robeson singing "Ol' Man River" from the first modern American musical, Show Boat; Ethel Merman singing "You're the Top"; the title song from Oklahoma!; Julie Andrews singing "I Could Have Danced All Night" from My Fair Lady; West Side Story's "America"; Betty Buckley singing "Memory" from Cats; Hairspray's "Good Morning Baltimore"; and "Defying Gravity" from Wicked, the newest show discussed in the PBS series. And it's hard to argue with the songwriters represented: Irving Berlin, Jerome Kern, Cole Porter, Rodgers and Hammerstein, Frank Loesser, Lerner and Loewe, Leonard Bernstein, Bock and Harnick, Kander and Ebb, Stephen Sondheim, and Andrew Lloyd Webber, among others. Obviously, no single-disc compilation could ever please everyone (did we really need two ALW songs?), but as a sampler intended for people who watched the series and want to hear more of the Great White Way, The Best of "Broadway: The American Musical" can't be topped. --David Horiuchi

Customer Reviews:

Some interesting choices, indeed.......2006-03-02

This is a pretty good compilation, but I have to wonder at some of the choices that went into it.
"Good Morning Baltimore" is almost the least impressive song from Hairspray. "You Can't Stop the Beat" was a much more anthemic song from that show.
I agree that it's too bad Les Mis didn't make it in. I would have traded that for anything Sondheim, although that's a personal preference :) .
Still, the opportunity to hear the original performers and orchestras perform these works, all in one place, is a great deal.

Great CD.......2005-11-01

This one plays in the car, on the ipod and in the house. When the kids were little they would ask if we could take them to "The Street". That is what they called Broadway (little did they know at that time how famous that street is). They still love it and we can not get enough of it. This CD covers the best and makes you want to go and see a live performance. You can not beat that.

Great selections, but bad transfers.......2005-07-27

This is a great taste of broadway. If you enjoyed the B'Way series at all, then you will probably enjoy this CD. My problem with it is that some of the songs sound like they were not remastered at all- the transfer to CD is terrible. The orchestrations in "You're the top" by Ethel Merman are muffled, and the song sounds like it was taken straight from an old record and slapped onto the CD without fixing it up. It doesn't sound very clear, which is a bit upsetting and annoying. Maybe this is just because that particular recording is older than some of the songs chosen to be on this CD. The more modern songs sound crisp and new and beautiful. "Swanee" is also very low quality as if it were just taken off of a record and put on the CD without any restoration. I just feel that these songs deserved better treatment and that we as customers deserve better treatment. Decca could have restored these songs and made them sound really good, but they decided just to slap them on the CD without touching them up.

I am surprised that nothing was chosen to be on this recording from Les Miserables since it had been on Broadway for 16 years and its tour is running until 2006. There were selections from Cats, Phantom of the Opera and Wicked, so I am not sure why nothing was chosen from Les Miserables.

Other than these few nit pickings, I think that this is a great introduction to musicals. It gives a little taste across the spectrum. Try getting the cast recordings of the songs that you really like on this collection. It's worth buying if you're a huge broadway fan.

Yes this is Some of the Best of Broadway!.......2005-04-08

This CD from Decca Broadway is a wonderful selection of some of

the "Greatest Hits" of the Broadway stage. Decca and Sony have

done an excellent job of remastering the various recordings, some

of which still show some of their age, but come across quite

well. Are there a lot of songs that I would have put on this

disc? Yes, but the ones on here are good choices. I may have to

get a copy of the Five disc set and the DVD's just to see if any

more of my favorites made it on the list. What this disc seems to

try to do is show the evolution of the Broadway song from it's

early days to the present. It succeeds quite well I think.

If you enjoy Broadway theater this CD is a must!

The music of Broadway comes alive.......2004-10-07

I loved listening to this CD. The music from Broadway's best loved musicals are on this album. I recogized most of these songs, even though I've only seen a few of them on the local stage. I have so many favorites on this CD. It is hard to pick one. I'm a big fan of Barbara Streisand. I loved her performance of People from Funny Girl. Memory is the hit song from the musical Cats. Betty Buckley's performance of this song is so emotional and sincere.

I loved the song Annie. It is a wonderfully optimistic song performed by the original Annie Andrea McArdle. Another highlight for me is the song One performed by the cast of a Chorus Line. Luck Be A Lady Tonight is another of my favorite broadway songs on this CD from Guys and Dolls. The music of the night is a beautiful song by Michael Crawford from Phantom of the Opera. Richard Kiley has such a strong and powerful voice. He sounds so inspirational singing The Impossible Dream from Man from La Mancha. My dream is to see some musicals on Broadway someday and listen to these songs performed live.

I'm surprised that there isn't any music from Miss Saigon or Jesus Christ Superstar included here. I think they are classic musicals with great songs Maybe they will appear on a future compilation from PBS.

Average customer rating:

At long last
A trip down memory lane
Why include a severly truncated version of her biggest hit??
I wish the music was playing right
I love this woman

Let the Music Play: The Best of Shannon
Shannon
Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

Disco | Dance & DJ | Styles | Music

Freestyle | Dance & DJ | Styles | Music

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Greatest Hits

ASIN: B00066VUNO
Release Date: 2004-11-02

Tracks:

Let The Music Play
Sweet Somebody
Give Me Tonight
My Heart's Divided
One Man
Do You Wanna Get Away
Stronger Together
Urgent
Love Goes All The Way
Prove Me Right
It's Got To Be Love
Do The Wrong Thang - Afrika Bambaataa & The Soulsonic Force Featuring Shannon
Move Mania - Sash! featuring Shannon
The Best Is Yet To Come

Album Description

First-ever best-of album from this legendary dance floor diva!

With Let The Music Play: The Best of Shannon, this legendary dance floor diva's biggest hits—from her '80s heyday and her successful '90s comeback—are finally available on a single disc. This album is a boon to collectors, since much of her material as been out of print for years, and completely unavailable in the CD era.

In 1983, the then unknown singer sang on a dance track produced by neophytes Mark Liggett and Chris Barbosa. Within a few weeks, the 12-inch of "Let The Music Play" was being spun by every DJ in New York City. Shannon followed this success up with a string of chart-topping dance singles, but soon left the music business for a successful stage-acting career. In 1995, she returned to music with the European-only single "It's Got To Be Love" and appearances on singles by Afrika Bambaataa and Sash!, the latter of which made the U.K. Top Ten in 1998.

Customer Reviews:

At long last.......2006-03-31

truth be told... Shannon was actually one of the top dance divas of the mid-1980's, she had hit after hit in the clubs, but after the dismal failure of her third album, "Love Goes All The Way", she quit music for a long while.

This set compiles all of her classic mid-1980's r&b singles, as well as a few latter-recordings. Making it the best Shannon collection on the market.

However, let's go to the negative points.
- As the cd clocks in at 68 minutes, there's still room... but yet ShoutFactory has included the severely edited version of Let The Music Play here, which cuts off an entire minute from the 45/single version. LTMP is Shannon's all time classic hit, the song everyone knows and loves by her... what is there to lose by adding that one extra minute to make the song the classic we love and remember it as? All of the other songs are complete.
- "Do Tha Wrong Thang". I don't know why this was included on here. It's an awful over-long track that has a few vocals by Shannon but is mostly a few rappers. The song has no tune or melody in the slightest and drags on and on and on....
- Outside of "Move Mania" (which was a UK top 10 hit), Shannon's more recent material has been very bland and formulaic. I would've loved some more album cuts from the first two classic albums over the forgettable La Bouche knockoff "It's Got To Be Love" and the in-one-ear, out-the-other dullness of "The Best Is Yet To Come"

However, since reissues of Let The Music Play and Do You Wanna Get Away are pretty much out of the question, this set is the most affordable and convienient way to get Shannon's classics on CD, even though "Move Mania" is the only post-1986 track worth a second listen here.

A trip down memory lane.......2005-10-12

A great compilation of Shannon's. The only thing that would have made this complete would have been the addition of the song "Dancin". All in all, a disc worthy of purchase. I enjoyed it alot.

Why include a severly truncated version of her biggest hit??.......2005-06-09

Shannon's biggest hit, the one enduring song in her catalogue, is "Let The Music Play," one of the 1980s' most immortal dance songs. Finally, a greatest hits is issued and one can have these songs on CD...but the version of "Let The Music Play" included her is a severely edited version, not even the single version, which I used to have on a 45!! What on earth was the logic behind that? And yet we get the full length versions of her non-hits. What a bummer. Also missing is "It's Over Love," her late 1990s collaboration with Todd Terry which was a NUMBER ONE HIT on the dance charts. What were the people who put this together smoking????

I wish the music was playing right.......2005-04-11

Shannon was one of my favorite artist from the 80s. Her strong vocal combined with the genius of Chris Barbosa and Mark Liggett production team made the Let the Music Play album timeless.

And just out of the blues, I found out that Shout Factory was releasing a best of album and I was excited. Well I bought the CD and I was bitterly disappointed. The sound quality is good but not excellent. They could have at least remastered it.

And also there was a MAJOR blunder. How did this album pass Quality Inspection?? One of my favorite energized songs "One Man" is not transfered correctly. There's an annoying noise flickering at 2.11 min

I love this woman.......2004-12-18

I never knew who she was in da 80's, all I knew was that, I loved her song "Let the music play" and I loved her voice. Well its safe to say that I will be buying all of her work. A+++

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

God Bless America
We Will Go On
Ave Maria
This Is The Moment
Danny Boy
Bring Him Home
Shenandoah
America The Beautiful
The Lord's Prayer
Into The Fire
You'll Never Walk Alone
The House I Live In

Amazon.com

It's said politics makes strange bedfellows. But it's got nothing on the peculiar marriage of art and history inspired by the tragic events of 9/11/01. Before that day, Daniel Rodriguez was a member of New York's finest, working as an NYPD security officer at the Manhattan South precinct. If it seemed an odd calling for a gifted, operatically trained tenor, it was employment many a journeyman artist could relate to: the proverbial "day job." As it turns out, no police academy in the world could have trained Rodriguez for the crucial role his city's darkest hour thrust upon him. While his colleagues mourned their staggering losses and toiled around the clock in rescue efforts, Rodriguez delivered renditions of "God Bless America" that rallied both his city and his country, much as Kate Smith's version of the Irving Berlin patriotic standard had done at the dawn of WWII.

Contemporary jazz great-producer Tom Scott took it from there, showcasing Rodriguez's powerful voice in this deftly arranged album focused sharply on personal and national inspiration. Taking his cue from his own hero, Mario Lanza, Rodriguez instills no small amount of drama in his performances, and it serves him well on tracks like the American folk classic "Shenandoah," a rousing take on Scarlet Pimpernel's "Into the Fire," and the relative Sinatra rarity "The House I Live In." The "God Bless America" here varies from the original single release, with Rodriguez reading the spoken intro once delivered by Mayor Rudolph Giuliani. Is Rodriguez the greatest tenor of modern times? No. But it's hard to imagine a talent better suited to the challenge history has thrust upon him; we're lucky--make that blessed--to have him. --Jerry McCulley

Customer Reviews:

Music From and For the Heart.......2006-11-25

Daniel's album is music to be shared with family and with friends to help further ensure warmth, strong family ties, and love of our beautiful country. His voice is magical, skilled, rich and so memorable that it can take one on a journey from yesterday to promise for a bright tomorrow. This is a superb rendering of past unforgettable music. His solemn rendition of the peace song "God Bless America" is the album's centerpiece and truly unforgettable....

Daniel Rodriguez.......2006-11-11

I first heard of Daniel Rodriguez a couple of months ago when he sang on Jay Leno's show. He was/is WONDERFUL! His voice is beautiful, but he sings from the heart, and that makes him exceptional.

Some definite winners on this album.......2005-12-14

My favorites are "Ave Maria" and "The Lord's Prayer" where Daniel truly shows off his vocal talents. I could have done without the choir backup on "Ave Maria" but nonetheless a great rendition.

The ending that he has for the "The Lord's Prayer" almost brings a tear to my eye each time I hear it. Well done Daniel.

The Spirit of America.......2005-10-10

This is a great CD...of course, Daniel Rodriquez is the best!!!
As much as I enjoyed it, I do think "In the Presence", also by the same vocalist, is the ultimate. That could be because "In the Presence" was the first CD I had of this tenor vocalist, who is outstanding!

What a voice!!!.......2005-08-05

This is wonderful. He has the greatest voice. I highly recommend this CD. The "We Will Go On" is particularly moving. He is a frequent guest on "The Hour of Power", always bringing the crowd to their feet. He has a new CD out that I just bought.

Average customer rating:

Press Play is terrible
I Had To Press "Skip" A Few Times Before "Play" (Rating 4 out 10- -2 stars)
Workout to this all day long

Press Play
Diddy
Manufacturer: Bad Boy
ProductGroup: Music
Binding: Audio CD

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The Dutchess
Konvicted
Timbaland Presents Shock Value
B'day

ASIN: B000I5X7ZM
Release Date: 2006-10-17

Tracks:

Testimonial (Intro)
We Gon' Make It
I Am (Interlude)
The Future
Hold Up
Come To Me
Tell Me
Wanna Move
Diddy Rock
Claim My Place (Interlude)
Everything I Love
Special Feeling
Crazy Thang (Interlude)
After Love
Through The Pain (She Told Me)
Thought You Said
Last Night
Making It Hard
Partners For Life

Customer Reviews:

Press Play is terrible.......2006-12-21

This cd is terrible, I dont understand how this cd is #1 on any billboard. Diddy's rapping is terrible, he raps off beat. There is only 1 song thats good. Don't waste your money. This cd is not even worth downloading.

I Had To Press "Skip" A Few Times Before "Play" (Rating 4 out 10- -2 stars).......2006-10-25

Is anyone suprised at this album? I believe that it is a step above the previous ones that he has released, but it is still bad on his behalf. Why might you ask? Diddy's rhyme skills are still pretty bad. Think about it people, when has he actually said a half decent rhyme? Maybe something off of the "No Way Out" album, I'll give him that one. But seriously? So how does he stay relevent in music? He chooses the finest commercialized beats that will have mainstream rap and pop listers in tuned throughout this album. He knows no one listens to rhymes anymore, and many people will move to something with a nice beat. And he gets the okay to the top notch beats from Timbaland, Kanye West, Pharrell Williams, Just Blaze, as well as himself. Trust me, if he had to rely on his rhymes to get by in his career, he would have been in deep trouble ever since Biggie died.

Now as for the songs themselves, some of them I could listen to, like the "Testimonial (Intro)", he spits a pretty decent rhyme on that song, then it goes down hill from there from here on his behalf. I do dig the hit single "Come To Me". Most of the beats are bangin' throughout this album is why people will like it. "Diddy Rock" is one of those songs I'm describing, despite the corny hook by Timbaland. I like the song "Through The Pain (She Told Me)" with Mario Winans as it holds a nice beat. "Hold Up" shows there is little suspect that he can carry a song by himself. The innovation stops here.

As for the bad, the majority of these tracks I believe shouldn't have seen the light of day. I believe "Last Night" was one of them as he sings with Keisha Cole, thats right he SINGS (...oh and you have to hear what he says at the end of the song). Towards the end of the album, he starts getting pretty bad as he has a lot of songs talking about females causing the lack of subject matter throughout this album. I barely got through the second track "The Future" without hitting the skip button. I believe "Special Feeling" is a joke to everybody that listens to that song. And "Tell Me" with Christina Agulera is unbarable beat wise and with a pathethic hook.

Some of the guests couldn't save this album. Nas and Cee-Lo couldn't revive the dead song "Everything I Love". And Shawnna and Twista doesn't add to the "Diddy Rock" song. Big Boi of Outkast swaps verses with Diddy outshining him on the song "Wanna Move"

So I believe a lot of people got what they expected. A some horrible songs mixed in with some songs with dance beats. Pop listeners and Diddy fans will eat this up. Believe it or not, I admire Diddy for his work and how successful he is, becomming an icon in rap music. I just believe that he shouldn't come stay far as possible from the microphone, seriously. If you're curious to hear this, give it a listen, just know what you're expecting from it.

Lyrics: D
Production: C
Guest Appearances: A
Musical Vibes: D-
Overall:C-

Favorite Tracks: Come To Me, Hold Up, Everything I Love, Diddy Rock, Partners For Life, Wanna Move

Peace!

Workout to this all day long.......2006-10-19

I like this album, I've only heard the clean version, and it keeps a rocking beat. I've been working out to it and I love it. His guest artists are awesome and the raps are tight and I'm not a big rap fan. It's a perfect blend of neo-soul, rap and all the other genres Diddy has been working in. I'm impressed.

Average customer rating:

Bravo! Mo' Mo' Mo'
This is a must have for any music lover!
wonderful collection of music
awesome music selection
They Left Out The Best Song

Three Mo' Tenors
Thomas Young , Roderick Dixon , and Victor Trent Cook
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Cook, Dixon, & Young: Volume 1
Three Mo Tenors
Cook, Dixon & Young: In Concert Vol. 1
The Three Tenors Christmas
The Best of the Three Tenors

ASIN: B00005LVVC
Release Date: 2001-07-24

Tracks:

La Donna e Mobile
Let the Good Times Roll
Make Them Hear You
Ah! Mes Amis.
Ellington Medley
The Jazz Cat & Minnie the Moocher
Twisted
Nessun Dorma
Today I Sing the Blues
Soul Medley
Have You Heard / Glory
Were You There
America The Beautiful
Gospel Medley

Amazon.com

Inspired by the astoundingly popular The Three Tenors series, Broadway director Marion J. Caffey conceived and directed Three Mo' Tenors, bringing greater visibility to the classically trained African American voice. Starring seasoned tenors Roderick Dixon, Thomas Young, and Victor Trent Cook, Three Mo' Tenors is a theatrically staged concert set taped for public television's Great Performances. A companion to the taped show, the disc features just over an hour of live music from it. The phenomenal showmanship of Dixon, Young, and Trent Cook takes shape in the styles of opera, Broadway, blues, jazz, soul, spirituals, and gospel. The three virtuosos hit high C's with clarity and brilliance; scat with grace and grit; belt, bend and hold a note to beat the band. They move the audience to a state of near-ecstasy performing the traditional "Were You There (When They Crucified My Lord)" and Puccini's glorious "Nessum Dorma." Other standouts include the jazz classic "Twisted," a rollicking version of "Today I Sing the Blues," and the salty "Minnie the Moocher." Boisterous, bold, and bountiful, Three Mo' Tenors is a modern classic. --Paige LaGrone

Customer Reviews:

Bravo! Mo' Mo' Mo'.......2006-05-13

The word "Mo'" in the title got my attention. I bought the CD to compare it to the already popular "Three Tenors" (Placido Domingo, Luciano Pavarotti and Jose Carreras). Wow! Was I surprised. I had expected an all opera, classical and possibly spiritual repetoire. But, the music varies from "Nessun Dorma" to "Love Train" was truly, truly delightful. I enjoyed the wonderful voices of Thomas Young, Roderick Dixon, and Victor Trent Cook and the variety of musical selections so much that I purchased several other copies for my family and friends. Then, several months later, I saw their performance on PBS. I immediately ordered the VHS offered by the TV station, paying way, way over the retail price. But, I had to have it. It was, and is, the most exciting musical performance that I have seen. Later, when I put the tape into the player at my son's house, my 5-year-old granddaughter Ciara stood next to the sofa to watch. I expected her to move away soon, but, she stood there, during the entire playback of the performance, and I do mean from beginning to end. I left the tape there so that son could see it later. The following day, and for most days during the next several weeks, Ciara asked to have the tape played, until she later was taught to handle it herself. The family has since replaced my VHS with the DVD so that now, when Ciara visits me, we can watch the show again (and again). "Three Mo' Tenors" was so surprisingly wonderful- with great voices, charismatic personalities, terrific orchestral arrangements, lively and precisely choreographed routines, and just an overall feeling of mutual admiration and respect among the three gentlemen. The beautiful cinematics, with frequently interspersed shots of the enthusiatic audience, contributes to the feeling that I am actually there at the concert. Every time I watch it, I see and hear something new. When I first heard the CD, I was not fascinated by the countertenor voice. After seeing Victor Trent Cook's heartwarming performance on the DVD, and hearing his comment about his mother's definition of a countertenor, I have been granted a new appreciation for his voice. Here it is, years later, and I'm still enamored, remembering Roderick Dixon's "Make Them Hear You" elicits tears, Thomas Young's "Twisted" makes me laugh, and the duet with Victor and Thomas (see, I'm now on first-name basis with them) is so beautiful. I could to on and on. In fact, it's time for another listen.

This is a must have for any music lover!.......2006-01-07

I would rate this CD more than five stars if I could! I picked up this CD not knowing anything about these guys, but, knowing that I liked some of the songs contained on it. I was absolutely blown away by this collection! These guys have it all. Voices, talent, showmanship, style, technique, etc. Everytime I listen to it, I feel like I'm sitting right there in the theatre. I am a huge fan of opera, jazz and gospel. This CD covers it all! Although my favorite tracks are La Donna e Mobile, Make Them Hear You, and Nessun Dorma, they are all so good! I wouldn't hesitate to buy this again. You have to hear them to believe them!

wonderful collection of music.......2005-08-23

A good album is one that can't be categorized neatly. Three Mo' Tenors tackles classic opera, Broadway tunes and other genres with ease. They have beautiful voices, and the music they choose to interpret is so universal that even my toddler girl loves listening to it! Their technical expertise combined with their stage presence and charisma makes for an enjoyable cd. Highly recommended - especially if you are looking to introduce yourself or your children to different musical genres.

awesome music selection.......2005-08-02

These are amazing musical selections and amazing vocalists; a must-have for any well-rounded music collection. This trio can really sing!

They Left Out The Best Song.......2004-11-11

One of my most favorite performance DVD's, but how, or why, on earth did they leave off the most stiring single number on the CD - "A Song For You," by Rodrick Dixon?

Put it in, and it's a "five."

Average customer rating:

The City of Prague Philharmonic Orchestra needs a guitar player!
Persuaders Theme!
A Variety Of Classics!
Incredible Barry Collection
" one of cinema's greatest composers...John Barry"

John Barry: The Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Similar Items:

The Music of John Williams: 40 Years of Film Music
Jerry Goldsmith: 40 Years of Film Music
Beyondness of Things
The Essential Elmer Bernstein Film Music Collection
Eternal Echoes

ASIN: B00005BADD
Release Date: 2001-05-22

Tracks:

Zulu
From Russia With Love
From Russia With Love - 007
Goldfinger
The Ipcress File
The Knack
Mister Moses
Thunderball
The Wrong Box
Born Free
The Quiller Memorandum
You Only Live Twice
The Girl With The Sun In Her Hair
Deadfall

Tracks:

The Lion In Winter
On Her Majesty's Secret Service
On Her Majesty's Secret Service
Midnight Cowboy
Midnight Cowboy
The Appointment
The Last Valley
Walkabout
Monte Walsh
Diamonds Are Forever
The Persuaders
Mary Queen Of Scots
The Man With The Golden Gun
The Dove

Tracks:

The Tamarind Seed
King Kong
Eleanor And Franklin
Robin And Marian
The Deep
Hanover Street
The Black Hole
Moonraker
Somewhere In Time
Raise The Titanic
Body Heat
Frances
Octopussy
The Cotton Club

Tracks:

High Road To China
A View To A Kill
Out Of Africa
The Living Daylights
Dances With Wolves
Dances With Wolves
Chaplin
Moviola
Indecent Proposal
The Specialist
The Scarlet Letter
Cry The Beloved Country
Mercury Rising
The James Bond Theme

Customer Reviews:

The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09

Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.

Persuaders Theme!.......2006-03-02

Buy it for the Persuaders theme, probably the best TV theme song ever written.

A Variety Of Classics!.......2005-12-06

John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.

There is over four hours of music in this set with a colorful and informative booklet.

Incredible Barry Collection.......2004-03-11

Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.

" one of cinema's greatest composers...John Barry".......2001-07-06

This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!

Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!

Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)

You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.

Stand Ye Steady: Songs of Courage & Inspiration

Average customer rating:

bowersreview
USMA Glee Club scores a real hit
Reverent, Full of Love
Good CD
A real disappointment...

Stand Ye Steady: Songs of Courage & Inspiration

Manufacturer: Curtain Call Prod
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Stand Ye Steady: Songs of Courage & Inspiration
We Were Soldiers: Original Motion Picture Score
In The Presence
The Spirit of America
We Were Soldiers

ASIN: B000ATQYVU
Release Date: 2005-09-06

Tracks:

Men Of Freedom
The Longest Day
Into The Fire
Rise Up, O Men Of God
On Great Lone Hills
Lest We Forget
Mansions Of The Lord (Interlude)
Mansions Of The Lord
Jerusalem
Via Dolorosa
Non Nobis
The Star-Spangled Banner
Take Me Home (With I Am A Soldier)
America (My Country 'Tis Of Thee)
Men Of Freedom
This Christmastide

Customer Reviews:

bowersreview.......2007-01-04

Exceptional CD. Inspirational and motivational. Highy recommend this for anyone seeking great quality music.

USMA Glee Club scores a real hit.......2006-11-14

This album is awe-inspiring. I bought the album after hearing an out take from "Men of Freedom", the tune is from an old Welsh battle song. You will recognize the tune if you saw Zulu Dawn with Michael Caine. Many of the other songs are equally powerful and mesmerizing. The only songs I didn't like were when the Glee club used guest soloists. They were less impressive and, in my opinion, took away from the strength of the group.

I liked the multiple verses sung from America, I wished they would have given the Star Spangled Banner the same treatment. The Mansions of the Lord is powerful and supremely reverent, as is Rise Up. I would dearly like to hear more from this talented group of soldiers.

Reverent, Full of Love.......2006-09-26

When I saw and heard this music broadcast Veteran's Day on TBN and my friends serving in our Armed Forces in Iraq saw it broadcast on Armed Forces Network, I was so happy to find the stereo CD and companion Dolby Digital 5.1 Surround Sound DVD on Amazon. I cannot stop listening to it! The 60 minute musical program, reminiscent of the great concept albums of years ago, is one of the most reverent, intelligent and passionate portrayals of America's character ever produced. It contains many styles of choral music - all superbly performed by the world famous Cadet Glee Club of West Point arrayed in breathtaking formation on the altar of the massive 100 year old Cadet Chapel. There are richly textured vocal a capella songs such as "Rise Up O Men of God", "Manisons of the Lord", one of the most popular new hymns written, and "America (My Country `Tis of Thee)". Your buttons will burst with pride when you hear the brand new song "Men of Freedom" introduced by a single Cadet then followed by a cascade of additional voices building to a unified and thunderous declaration of defiant freedom in a style reminiscent of the great Welsh Male Choirs. Four songs highlight the power and majesty of the largest church organ in the world. You'll have to fight the urge to stand at attention when you hear and feel its power kick in on "Lest We Forget", "On Great Lone Hills", "Jerusalem" and "This Christmastide". The musical variety is further enhanced by the addition of brass and percussion for the rousing marches, "The Longest Day" and "Non Nobis". When was the last time you heard these two songs - one by world famous singer, songwriter and teen idol, Paul Anka and the other a medieval celebration of thanksgiving sung in Latin! The rich background vocals of the Cadet Glee Club musically frame two songs that underpin the message of this album - Bravery and Sacrifice. "Into the Fire" by NYPD's Daniel Rodriguez made me want to immediately rise up and rush to anyone's aid and when he holds that note at the end - wow! Tony Award Winner Lea Salonga's performance of the classic Christian hit, "Via Dolorosa", (one of the top 50 Christian songs of all time), is "The Passion of the Christ" embodied in a 5 minute song. You will alternate between tears and goose bumps. Her performance of the Spanish stanza will overwhelm you. Finally, Irish song writing master, Phil Coulter's wistful "Take Me Home" is accompanied by beautiful piano and guitar and introduced by a new poem entitled "I Am A Soldier" that is sobering reminder of the oath our soldiers swear to and the actions they are bound to take. God bless them!

A great bonus of the CD and DVD is that they both include a stylish lyric booklet as well as commentary by the producer on why he chose each song.

On the back cover of the CD and DVD cases is the statement that this production was created to honor the men and women of our Armed Forces, past and present, and the great values of America that they defend. This it surely does!! Also, it states that the producer is contributing a portion of his wholesale proceeds from its sale to organizations assisting our wounded soldiers. Bravo, Mr. Coppi.

Good CD.......2006-07-19

Wonderful songs and wonderful renditions of the songs. I must say, though, that the numbers would have been better if they were performed with more "ooomph" (for instance, "The Star Spangled Banner" could have been sung with more power and the arrangement could have used more creativity). The wisest decision on this CD was the inclusion of the numbers from Ms. Lea Salonga (whose hauntingly beautiful voice is able to effectively draw listeners in) and Daniel Rodriguez, one of America's newest tenors. Overall a good CD.

A real disappointment..........2006-06-10

I was so excited to stumble upon this album when a local music store was going out of business and selling CD's at great discounts. I love Glee Club music, I love patriotic music, and I love cathedral/chapel accoustics. Unfortunately, this album did not live up to its billing.

My primary complaints with this recording are twofold: the overuse of unison singing and the unnecessary inclusion of guest soloists. The beauty of glee club music is the rich chords, which are thankfully heard in many songs. To my dismay, though, there are many songs that mostly or entirely omit the beautiful harmonies that make glee clubs great.

As for the guest soloists, I don't understand why a singing group which obviously has many wonderful voices would bring in outsiders for an album like this. Actually, I do know why they would do it, and it's obviously a marketing thing that has financial implications. As reasonable as this may seem, it just cheapens the experience for me. Another great feature of glee clubs (and college choirs more generally) is the lack of polished, perfect, professional singers. There is something raw, authentic, and refreshing about a bunch of college kids singing together. Why bring in random people with no particular connection to the group?

To be fair, "Rise Up, O Men of God" and "Mansions of the Lord" are fantastic. I'll continue to play this album to listen to those songs. However, much of the remainder is somewhat forgettable.

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