Godskitchen Classics [Import]

Godskitchen Classics [Import]

Godskitchen Classics [Import]

Track Listings
Disc: 1
1. Greece 2000 - Three Drives on a Vinyl
2. Sparkles
3. We Are Alive [Vandit Vocal Mix] - Paul Van Dyk
4. As the Rush Comes [Gabriel & Dresden Sweeping Strings Remix]
5. Madagascar [Ferry Corsten Remix] - Art of Trance
6. Punk - Ferry Corsten
See all 17 tracks on this disc

Disc: 2
1. I Feel Love [Pete Pritchard Mix] - CRW
2. Keep on Dancin' (Let's Go) [Scott Mac vs DJ Cams Remix] - Tall Paul
3. Passion [Paul Masterson Remix] - Amen UK!
4. Freebase - Tall Paul
5. Deception - Fergie
6. Indicator - Marco V
See all 18 tracks on this disc

Disc: 3
1. Make the World Go Round [Deep Dish Vocal Mix] - Sandy B
2. Hideaway [Deep Dish Remix] - De'Lacy
3. Everybody Be Somebody - Ruffneck
4. Bad Habit [A.T.F.C. Club Mix] - Lisa Millett,
5. Groovejet - Spiller
6. Bel Amour - Bel Amour
See all 17 tracks on this disc

Editorial Reviews
Product Description
3 CD set from Virgin UK, features tracks from Ayla, Armin, Paul Van Dyk, Art of Trance, Brainbug, CRW, Spiller, Sandy vs Housetrap and many more. 2005.

Godskitchen Classics,Various Artists,EMI Int'l,Dance,Dance Collections,Dance Music,Pop,V/a Compilations
The Pirate Queen (2007 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • A Few Good Moments, But Disappointing Overall
  • A very good recording
  • The Pirate Queen
  • A minor effort, but it has its moments
  • my thoughts
 The Pirate Queen (2007 Original Broadway Cast)

Manufacturer: Sony Classics
ProductGroup: Music
Binding: Audio CD

Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Similar Items:
  1. Curtains (2007 Original Broadway Cast)
  2. Legally Blonde (2007 Original Broadway Cast)
  3. 110 in the Shade (2007 Broadway Revival Cast)
  4. Spring Awakening (2006 Original Broadway Cast)
  5. High Fidelity (2006 Original Broadway Cast)

ASIN: B000QTCY72
Release Date: 2007-07-03

Tracks:

  1. Prologue
  2. Pirate Queen
  3. Woman
  4. My Grace
  5. Here on This Night
  6. Waking of the Queen
  7. Rah-Rah, Tip-Top
  8. Choice Is Mine
  9. Boys'll Be Boys
  10. Wedding
  11. I'll Be There
  12. Day Beyond Belclare
  13. Sail to the Stars
  14. Entr'acte
  15. Enemy at Port Side
  16. I Dismiss You
  17. If I Said I Loved You
  18. Role of the Queen
  19. Christening
  20. Let a Father Stand by His Son
  21. Surrender
  22. She Who Has All
  23. Sea of Life
  24. Woman to Woman
  25. Finale

Amazon.com

The Pirate Queen, with a score by Alain Boublil and Claude-Michel Schönberg (Les Misérables, Miss Saigon), took a critical beating when it opened on Broadway, but as this catchy cast recording demonstrates, that reception was really unnecessarily harsh. Set in the 17th century, the show (which closed after only 85 performances) tells the story of Grace O'Malley (Stephanie J. Block), an Irish ship captain and pirate who defied Queen Elizabeth I (Linda Balgord). The combination of that setting with the fact that the producers also brought us Riverdance means an overall Celtic flavor. But fans of Boublil and Schönberg should not fear. The duo delivers plenty of the over-the-top, super-emotional power ballads they're famous for--it's hard not to wonder what Celine Dion would make of songs such as "Woman" or "I'll Be There" (the latter sung by a man, but no matter!). Special kudos to Balgord, whose deliciously campy stage portrayal of Elizabeth I comes across well on "The Waking of the Queen," "The Role of the Queen," and two harpsichord-driven, vibrato-laden duets with Block, "She Who Has All" and "Woman to Woman." Also of note to fans of traditional singing is the participation of Áine Uí Cheallaigh (known from Riverdance) on several tracks. --Elisabeth Vincentelli

Customer Reviews:

3 out of 5 stars A Few Good Moments, But Disappointing Overall.......2007-07-13

I saw this show twice during its run: once in Chicago, once in New York. Loving both "Les Miserables" and "Miss Saigon", I had high expectations for "The Pirate Queen". Sadly, the show was disappointing - primarily from the once aspect I assumed would be great: the music.

The score's orchestrations sound terrific and the cast is quite good (esp. Stephanie J. Block), but (as this cast album reflects) only a couple of songs maintain any real staying power:

Woman
I'll Be There
She Who Has All

Not bad, but could/should have been so much more.



5 out of 5 stars A very good recording.......2007-07-11

I really like the CD. I find it too short but it was beautifully recorded. The voices were very strong and the orchestration was done nicely. I really didn't like the electric guitar, it seems so out of place sometimes over powering the vocal especially during I'll be there.

5 out of 5 stars The Pirate Queen.......2007-07-11

"The Pirate Queen" was a genious yet unique piece of musical theatre that suffered a harsh yet undeserved fate. I was very blessed to see this show twice on Broadway, including its very last performance on Broadway June 17th. Everytime I listen through the cast recording, I have to question why this show got the ratings it did. I refuse to believe that the critics that panned the show were watching and hearing the same show that I was. The cast, though, including the powerful and haunting vocals from Stephanie J. Block, were all incredibly talented and gave a thrilling and unforgetable experience every performance. I continue to feel shivers when I hear the Prologue, and can still perfectly visualize the opening scene. Some of the highlighted solos of the show include Ms. Block's "Woman" and Hadley Frasier's "I'll Be There". The conversations (duets) held between Grania and Queen Elizabeth in "She Who Has All" and "Woman to Woman" portray the strength and meeting of two historical women in such a time when powerful females were unheard of. Songs that include the chorus such as "A Day Beyond Belclare", "Sail to the Stars", and "Sea of Life" will surely leave you with the chills from the power and depth of the songs. There are so many other songs on the cast recording, and if I could I would tell you the magic behind each and every one of them, but I'll let you listen to it and experience it for yourself. Even though this show was robbed of the recognition it deserved, we are so incredibly fortunate to have a cast recording to allow us who have seen the show to re-live the magic we experienced, and also portray the beauty of such a wonderful yet short lived musical to those who did not have the chance to see it. "The Pirate Queen" may not be playing on Broadway now, but this CR will allow this enchanting show to forever live in our hearts. Long live the Queen!

3 out of 5 stars A minor effort, but it has its moments.......2007-07-10

Since the ill-fated "Martin Guerre" in the 90's, I've been waiting for Boublil and Schonberg to make a comeback and recapture some of the glory they achieved with their blockbuster 80's musicals, "Les Miserables" and "Miss Saigon." Unfortunately, "The Pirate Queen" is more throwback than comeback. Despite some Irish folk stylings thrown in to fit this story about an Irish female pirate, the music is just too similar to their earlier works, never sounding sufficiently new or original. It's derivative, no question, but fortunately, it's derivative of shows I really like (well, not "Martin Guerre" so much, but I'm certainly a fan of "Les Miz" and "Saigon."). Schonberg has a talent for unabashed dramatics, and when he turns it on here in songs like "I'll Be There" and "A Day Beyond Belclare," I can't help but get lost in my nostalgia for the pop opera spectacles that introduced me to musicals and cast recordings. Unfortunately, even nostalgia can't do much about duds like "Boys'll Be Boys," a gratingly corny number that musically is sort of a cross between "Master of the House" from "Les Miz" and "What a Waste" from "Saigon." And don't even get me started on the depressingly banal lyrics throughout, which are never more than functional. But I like the performances of stars Stephanie J. Block and Hadley Fraser, who both have impressive voices that are a perfect fit for this style of musical. Overall, "The Pirate Queen" is the musical equivalent of a summer popcorn movie ("Pirates of the Carribean," perhaps?), and on that level, it works just well enough.

4 out of 5 stars my thoughts.......2007-07-10

well, first off, I was shocked that the stores didn't carry more copies of this...I really had to look around for it but finally got it...This show is not great...It's not what it could be, but it has got a great cast, and some great great music...


Some songs I really enjoy are "The Pirate Queen", "Boys Will be Boys", "A Day Beyond Belcare", Sail to the Stars" One thing this Cd really has is GREAT ensemble numbers. The music really lets the cast's vocals shine, moreso than a lot of shows. I'd say that's one of the biggest highlights.

What REALLY makes this CD, and the song that I will listen to over and over and over and over again is Hadley Fraser's "I'll Be There". This is one of if not the best song for a male character B and S ever wrote. It's gorgeous and Hadley sings it brilliantly. He has the power in both the lower and higher register, he has a gorgeous tenor voice but it is so rich and powerful, yet lyric at the same time...so good.

The rest of the CD is just so so...Get it for "I'll be there" and the great Chorus numbers, but I was disappointed that Block didn't get her equivalent to "I'll be there" and The queen stuff is really annoying to listen to...

Jeff McCarthy does a great job as the dad...he has the perfect Boublil and Schonberg authoritative, legit baritone voice you'd want in a Javert or that type of character. It's not a CD or a show that's flawless, but for sure worth getting because where it's strong it's very strong.


La Vie en Rose: La Mome
Average customer rating: 5 out of 5 stars
  • La Vie en Rose
 La Vie en Rose: La Mome

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Voice of the Sparrow: The Very Best of Edith Piaf
  2. Edith Piaf: 30th Anniversaire
  3. Edith Piaf: Her Greatest Recordings 1935-1943
  4. Eternelle: The Best Of
  5. Once

ASIN: B000MEYIBG
Release Date: 2007-05-22

Tracks:

  1. Heaven Have A Mercy
  2. Milord
  3. Rien De Rien
  4. La Foule
  5. Cri Du Coeur
  6. La Vie En Rose (English version)
  7. Padam Padam
  8. Mon Dieu
  9. L'Hymne A L'Amour
  10. Mon Manege A Moi
  11. Non, Je Ne Regrette Rien
  12. L'Eveil
  13. Mon Legionnaire (piano solo)
  14. Lisieux
  15. La Mort De Leplee ("Mon Legionnaire")
  16. Apparition
  17. L'ABC
  18. L'Arrestation ("Mon Legionnaire")
  19. L'Idylle
  20. Derniere Nuit
  21. Mon Homme (interpreted by Jil Aigrot)
  22. Les Momes De La Cloche (interpreted by Jil Aigrot)
  23. Les Hiboux (interpreted by Jil Aigrot)
  24. Fascination (interpreted by Maya Barsoni)
  25. Il M'a Vue Nue (interpreted by Mistinguett)
  26. La Poupee
  27. Vie En Rose (accordeon)

Amazon.com

As befits the soundtrack of a music biopic, most of the heavy lifting here is done by the movie's subject: iconic French singer Edith Piaf. She was the Gallic Judy Garland, a natural performer who overcame one personal tragedy after another and was never more alive than on stage, forging an uncommon bond with both material and audience. Since actress Marion Cotillard lip-synchs in the film, the first 11 tracks on the CD are by Piaf herself, and give a good overview of her biggest hits (though we get the English version of the title track) and her feverish, ultra-dramatic style. But Piaf wasn't only a tragedienne of song: Her lighter side is represented by "Rien de Rien" and "Mon Manège à Moi," which she infuses with wonderful flair. Tracks 12-20 are made up of Christopher Gunning's richly symphonic original score (check out "La Mort de Leplée"). The last third of the album offers Piaf without Piaf, with contemporary singers Jil Aigrot and Maya Barsoni performing her songs (apparently because the originals' poor sound quality meant they would have stuck out in the movie). Watch out, however, for Mistinguett's hilarious "Il m'a vu nue," a slice of French music-hall history preserved in amber. --Elisabeth Vincentelli

Album Description

Official motion picture soundtrack to the film La Vie En Rose, the dramatic real-life story of French chanteuse Edith Piaf, starring Marion Cotillard and Gerard Depardieu. This release contains 27 tracks featuring 11 of Piaf's most popular songs remastered including "La Vie En Rose", "Hymne A L'amour" "Milord" and "Non, Je Ne Regrette Rien", plus the original score by Christopher Gunning.

Customer Reviews:

5 out of 5 stars La Vie en Rose.......2007-07-06

The soundtrack to the movie by the same title is excellent. The restoration was superb. The voice of Edith Piaf is masterful.
Grey Gardens - A New Musical (2006 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • I want to take my ears off now
  • Isn't she amazing!
  • Ebersole's Versatility Lends Landmark Status to a Quirky Character Study in Co-Dependency
  • Smash Hit!
  • Ebersole is EXCITING
 Grey Gardens - A New Musical (2006 Original Broadway Cast)

Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Similar Items:
  1. Spring Awakening (2006 Original Broadway Cast)
  2. Curtains (2007 Original Broadway Cast)
  3. The Drowsy Chaperone (2006 Original Broadway Cast)
  4. Company (2006 Broadway Revival Cast)
  5. [title of show] (2006 Original Off-Broadway Cast)

ASIN: B000G75A9I
Release Date: 2006-08-22

Tracks:

  1. The Girl Who Has Everything
  2. The Five-Fifteen
  3. Mother Darling
  4. Goin' Places
  5. Marry Well
  6. Hominy Grits
  7. Peas in a Pod
  8. Drift Away
  9. The Five-Fifteen (reprise)
  10. Daddy's Girl
  11. The Telegram
  12. Will You?
  13. The Revolutionary Costume for Today
  14. The Cake I Had
  15. Entering Grey Gardens
  16. The House We Live In
  17. Jerry Likes My Corn
  18. Around the World
  19. Choose to Be Happy
  20. Around the World (reprise)
  21. Another Winter in a Summer Town
  22. The Girl Who Has Everything (reprise)

Amazon.com

Based on the Maysles brothers' cult 1975 documentary of the same name, this musical is an endearing—-and sometimes genuinely heartwrenching—-oddity propelled by Christine Ebersole's exceptional, for-the-history-books performance. The movie followed the kooky duo of Edith Bouvier Beale and her daughter, Little Edie Beale, as they lived with their 52 cats in a derelict East Hampton mansion. The show's first act, set in 1941, is a prologue of sorts, while the second act, set in 1973, follows the movie closely. Ebersole plays Edith in Act I (which she concludes in dazzling manner with "Will You?") and Little Edie in Act II (when Mary Louise Wilson comes in to play the mother). And while Wilson is superb, this is Ebersole's show. Technically, she is flawless—-just listen to the way she changes her voice between the acts—-but she also makes Little Edie a poignant eccentric, a lost soul stuck in a world of deluded, decaying grandeur. It all peaks in the poignant "Around the World," the show's best song and an Ebersole tour de force. Note that this recording documents the Off-Broadway production; the show transferred to Broadway in the fall of 2006 with a slightly altered first act. --Elisabeth Vincentelli

Product Description

GREY GARDENS proclaimed the #1 Show of the Year by Time Magazine is preserved here in its Original Broadway Cast Recording. The show had been previously recorded following its off-Broadway premiere in the spring of 2006 (and its cast album released by PS Classics in August of 2006), but this new recording features the new songs and new cast members that were added for its Broadway transfer last fall. The new GREY GARDENS opened on Broadway on November 2, 2006, to rave reviews, led by Ben Brantley in The New York Times, who called it an experience no passionate theatergoer should miss! Starring Tony Award winner Christine Ebersole and Tony Award nominee Mary Louise Wilson, it subsequently appeared on over 25 Best of 2006 lists, including #1 Show of the Year (Time), Best Musical of the Year (USA Today, Entertainment Weekly) and Performance of the Year (The New York Times, New York) for Ms. Ebersole. In addition to the new songs and new performances, this Original Broadway Cast Recording also features an all-new 32-page full-color booklet complete with lyrics and Broadway production photos.

Customer Reviews:

1 out of 5 stars I want to take my ears off now.......2007-06-29

Grey Gardens got good reviews? I honestly don't know why everyone is raving. I have listened to it a few times now and I don't get it. Well I get it, what it's about and what is going on but I don't get why people like it. The music kind of reminds me of Annie, but worse. Don't get me wrong, I like Annie, but it's...Annie.

You might tell me its one of those shows you have to see on stage, but if I don't even like the music why would I even want to sit through it? Please. I can't stand this cast recording the only good thing about it is Christine Ebersole.

They could have done SO much better. I get what they tried to do and I see where they could have improved. I've turned off the music now and have left it for another day, maybe on a day when I can't hear properly.

5 out of 5 stars Isn't she amazing!.......2007-06-28

I mean, can you believe her? I mean, Christine, not Edie. Well, Edie, too. And her mom. But then Christine is both of them, isn't she. I mean...

4 out of 5 stars Ebersole's Versatility Lends Landmark Status to a Quirky Character Study in Co-Dependency.......2007-06-17

I was fortunate enough to catch Christine Ebersole's performance on Broadway last month, and it was indeed as transcendent as people have proclaimed. For those concerned about the future of the American musical theater, your fears can be allayed at least for another day. She gets the opportunity to play two vastly different roles and conquers both with élan and emotional power. Truth be told, the show itself is not as good as her, even though it deals with the fascinating, dysfunctional dynamics between the aunt and cousin of Jacqueline Kennedy Onassis, the Beales. Luckily, Ebersole dominates both acts, first playing "Big Edie" in her social register glory in 1941 and then over three decades later, as her daughter, "Little Edie", now a haggard, turban-headed 56-year old recluse. This pristine recording reflects the schizophrenic nature of the score by Scott Frankel and Michael Korie.

Both acts are set in Grey Gardens, a palatial estate in East Hampton that has become a dilapidated, self-imposed prison over the years. Musically, the first act is the weaker of the two as it attempts to provide a fictionalized backstory to the Beales, including a likely exaggerated engagement between Little Edie and Joseph Kennedy, Jr., the eldest Kennedy son who was later killed in action during WWII. Even on record, the entire act feels strung together by a series of derivative faux-period songs like the time management swing number, "The Five-Fifteen", and the Berlinesque closer, "Will You?". However, the disc does allow more time to appreciate Korie's sophisticated lyrics on top of Frankel's WWII-era hodgepodge. The music is much better in the second act, which picks up where the famous 1975 documentary (Grey Gardens) begins with the mother and daughter having become co-dependent eccentrics tied inextricably to their health disaster of a home.

Ebersole finds a poignant, approval-seeking core to Little Edie with a couple of beautiful ballads - the haunting "Another Winter in a Summer Town" and the stunning dual-personality lullaby, "Around the World" - and delivers them with a bell-like clarity and palpable emotional depth. Her sharp comedy skills are also on full display with the obtuse fashion rundown on "The Revolutionary Costume for Today" and the Sousa-like march of "The House We Live In". Mary Louise Wilson provides a funny and affecting turn as the aged Big Edie and even sings the delusional praises of her lunk-headed handyman in "Jerry Likes My Corn". Broadway veteran John McMartin also performs a couple of numbers, but it is Ebersole's show all the way and her seemingly effortless versatility is what brings this quirky, sometimes enthralling score to life on disc.

5 out of 5 stars Smash Hit!.......2007-06-12

With the least bit of imagination, one can visualize much of this musical; but, oh,heavens! this musical's addict would love to jump on a plane, fly to NYC and see this show. This very minute! Tony award winning performances are so evident on this CD. The "Around the World" song is an event to listen to.

5 out of 5 stars Ebersole is EXCITING.......2007-06-11

Having seen the cult film many times, I thought the musical would just rehash old things. BOY was I wrong! Ms. Ebersole is Unbelievable as the mother and the daughter Little and Big Edie Beale. The writing is amazing incorporating direct lines from the film to the score. BRAVO!
110 in the Shade (2007 Broadway Revival Cast)
Average customer rating: 4.5 out of 5 stars
  • Wonderful Cast Album
  • Fabulous recording of a terrific score
  • My new favorite show
  • It's not 110%
  • Beautiful music
 110 in the Shade (2007 Broadway Revival Cast)

Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Similar Items:
  1. Curtains (2007 Original Broadway Cast)
  2. Spring Awakening (2006 Original Broadway Cast)
  3. Grey Gardens - A New Musical (2006 Original Broadway Cast)
  4. Company (2006 Broadway Revival Cast)
  5. The Pirate Queen (2007 Original Broadway Cast)

ASIN: B000PMG9GW
Release Date: 2007-06-12

Tracks:

  1. Another Hot Day
  2. Lizzie's Comin' Home
  3. Love, Don't Turn Away
  4. Poker Polka
  5. The Hungry Men
  6. The Rain Song
  7. You're Not Fooling Me
  8. Cinderella
  9. Raunchy
  10. A Man and a Woman
  11. "She Walked Out On Me..."
  12. Old Maid
  13. Evenin' Star
  14. Everything Beautiful
  15. "Stay and Talk..."
  16. Melisande
  17. Simple Little Things
  18. Little Red Hat
  19. Is It Really Me?
  20. Wonderful Music
  21. The Rain Song (reprise)

Amazon.com

More than four decades after its Broadway debut, the Roundabout Theatre's 2007 revival of 110 in the Shade is a glorious showcase for soprano Audra McDonald, and an eloquent statement for an underrated and neglected work. Based on N. Richard Nash's play The Rainmaker, 110 in the Shade tells the story of a Texas town stuck in a blistering heat wave. Lizzie (McDonald), the daughter of a local widower (Broadway veteran and TV star John Cullum), has resisted all suitors, including the sheriff (Christopher Innvar), until a potential huckster named Starbuck (Steve Kazee) arrives in town promising to bring rain ("The Rain Song"). Just like Marian the librarian, Lizzie thinks she sees right through the scam ("You're Not Fooling Me"). McDonald shines in her solos ("Love, Don't Turn Away," "Old Maid"), but Cullum, Innvar, and Kazee also get their moments either in duets with McDonald ("A Man and a Woman," "Simple Little Things," "Is It Really Me?") or by themselves. 110 in the Shade is obscure compared to Tom Jones and Harvey Schmidt's most famous work, The Fantasticks--none of its songs ever entered the popular culture like "Try to Remember"--but it's a beautiful, evocative score that is tailor-made for McDonald's rich voice. It's also much more sumptuous than The Fantasticks, even in Jonathan Tunick's pared-down, Tony-nominated orchestrations. (Also nominated were McDonald, Cullum, lighting designer Christopher Akerlind, and the show itself for Best Revival of a Musical.) P.S. Classics puts out its usual first-rate package, with color photos, introduction by Peter Filichia, synopsis, and libretto. --David Horiuchi

Customer Reviews:

5 out of 5 stars Wonderful Cast Album.......2007-07-13

Saw a number from this show on the Tony Awards and ordered it immediately. Was not disappointed. The whole album is wonderful.

5 out of 5 stars Fabulous recording of a terrific score.......2007-07-12

This is simply the best recording of 110 In The Shade, a sadly neglected show by the composer and lyricist of The Fantasticks. It's a far superior score to The Fantasticks, but the original show didn't enjoy a long run on Broadway. Listen to the original broadway cast and I think you can hear why. The original cast sounds pallid in comparison to the cast on this terrific recording led by Audra MacDonald, who seems to have finally found a great part for herself. The supporting cast does not disappoint and the orchestra plays brightly. The only competition to this set is a British recording (now out of print) with cast that featured Karen Ziemba. That's a good set but Audra MacDonald's performance makes this recording the definitive version.

5 out of 5 stars My new favorite show.......2007-07-12

Oh wow! The music in this show is beautiful and fun. The cast is loaded with amazing voices with Audra McDonald shining above all. Her "Raunchy" number is outstanding and keeps a grin on your face from beginning to end. I've always loved the "Rainmaker" play and the music, for me, just makes it even better. Both male leads have voices that could melt a maid's heart and I'm just glad it's not me having to choose between the two!

3 out of 5 stars It's not 110%.......2007-07-05

The CD is well produced and Audra McDonald is wonderful, but most of the music sounds dated and old fashioned. Maybe that's because the show is dated and old fashioned.

5 out of 5 stars Beautiful music.......2007-07-05

I saw this recently on Broadway, and it was an incredibly compelling show. Who knew? I had never heard of it. Audra sounds absolutely magnificent on this cast recording. Her songs alone make it a worthwhile purchase. Add great supporting singers and fun orchestrations, and you have a memorable album to add to your collection.
The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
  • Beverly Sills - The Best
  • Beverly Sills' highs are breathtaking!
  • THE 2005 OPERA CD OF THE YEAR
  • EMI Does It Again: Beverly Sills - A Tribute
  • Glad To Be The First Review- Beverly Sills Treasury Of Arias
 The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. The Great Recordings
  2. Art of Beverly
  3. Beverly Sills: Made in America
  4. Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
  5. Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

5 out of 5 stars Glad To Be The First Review- Beverly Sills Treasury Of Arias.......2005-04-29

At last EMI's "The Very Best Of" series has issued some of the finer recorded documented arias of the incomparable soprano Beverly Sills. Fans of this down-to-earth, warm patron of music and the most unique lyric-coloratura-dramatic soprano, will be in Heaven. Sure, this is only some of the arias in only a small number of the many operas Sills performed. To be truthful, this is not what I'd personally regard as the best of Beverly Sills. Other albums of hers do use greater vocal masterpieces she sang- the best being "The Singers" Series, and another EMI edition called The Art of Beverly Sills Volume 2 and then there's the rare and brilliant "Sillsiana". Nevertheless, this album has its charm and appeal. Beverly Sills sings arias from Rossini's Barber of Seville, Verdi's Rigoletto and Traviata. This recording seems to highlight mostly her mastership of the bel canto repertoire and Verdi. Gilda and Violetta were roles she sang with supreme dramatic integrity and sweetness and purity of vocal line. Yet, it is hardly "the best of". Where are scenes from the masterful interpretations of Donizetti, truly Sills strongest suit- Lucia Di Lammermoor, Anna Bolena, Maria Stuarda and Roberto Devereaux, where is Sills' Manon, which even she hails as her best ? And when will her recorded Norma ever see the light of day ? Sills also excelled in the French repertoire- Faust, Thais, La Fille Du Regiment, The Tales of Hoffman and she was an incredible Queen Shemakha in Korsakov's Coq D'Or. True, Sills had a light, girlish, delicate voice, bright and small, but this worked in her favor in tragic roles. Dramatically, she could get into character as passionately and convincingly as Maria Callas. When she could darken her voice and use her chest voice for dramatic effect it was often thrilling. This is the latest recording in a number of recordings that are coming out, further promoting a great singer of the past. Beverly Sills. She was the working man's soprano. She worked hard to get to the top. She was the reigning singer of the NYC Opera where she starred in such great operas as Handel's Giulio Ceare Sills as Cleopatra (also not on this recording) and Tales of Hoffman singing opposite the great but underrated bass Norman Treigle. Sills is a wonderful human being and she has a beautiful voice that I cannot get out of my mind. She will always be the greatest to me. She got me hooked into opera.
Eternelle: The Best Of
Average customer rating: 5 out of 5 stars
  • Wonderful Compilation of Edith Piaf
  • Eternelle
  • Mesmerizing and enchanting...
  • The definitive single CD
 Eternelle: The Best Of
Edith Piaf
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. La Vie en Rose: La Mome

ASIN: B000050ZM2
Release Date: 2002-01-29

Tracks:

  1. La Vie En Rose
  2. Hymne A L'amour
  3. Padam... Padam
  4. Johnny Tu N'es Pas Un Ange
  5. La Goualante Du Pauvre Jean
  6. Sous Le Ciel De Paris
  7. L'homme A La Moto
  8. Mon Manege A Moi (Tu Me Fais Tourner La Tete)
  9. Non Je Ne Regrette Rien
  10. Milord
  11. Les Flonflons Du Bal
  12. Les Mots D'amour
  13. Fallait-il?
  14. La Foule
  15. Tiens V'la Un Marin
  16. Le Droit D'aimer
  17. A Quoi Ca Sert L'amour?
  18. L'accordeoniste

Customer Reviews:

5 out of 5 stars Wonderful Compilation of Edith Piaf.......2007-03-09

Such a pleasure to hear so many songs that Ms. Piaf made famous especially, "Milord", "La Vie En Rose", and "Non, Je Ne Regrette Rien". A great compilation! I only wish a word booklet had been included, but you can't have everything. Ms. Piaf's voice is more than enough!

5 out of 5 stars Eternelle.......2007-02-17

The songs are wonderful, Edith Piaf has a beautiful voice. The songs are sung in French, a masterpiece.

5 out of 5 stars Mesmerizing and enchanting..........2002-03-26

I love this collection. It has all of my favorite songs of Edith Piaf. This one is truly a classic. You won't be dissatisfied.

5 out of 5 stars The definitive single CD.......2002-02-11

EMI did a nice job of remastering these tracks, so that they are cleaner and more dynamic than ever before. This is significant since there is so much Piaf product out there from second-generation tapes/old records/etc. Including the most well-known of Piaf's songs this, then, has become the definitive single CD of her work. Highly recommended.
Company (2006 Broadway Revival Cast)
Average customer rating: 4 out of 5 stars
  • Revival Musical Hits the Mark
  • Check out Company!
  • This recording disappoints, especially in relation to the live performance
  • GOOD COMPANY
  • Maybe I am partial to Esparza
 Company (2006 Broadway Revival Cast)

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B000LV6R4G
Release Date: 2007-02-20

Tracks:

  1. Opening
  2. Company
  3. The Little Things You Do Together
  4. Sorry-Grateful
  5. You Could Drive a Person Crazy
  6. Have I Got a Girl for You
  7. Someone Is Waiting
  8. Another Hundred People
  9. Getting Married Today
  10. "What did I just do?"
  11. Marry Me a Little
  12. Side by Side by Side
  13. What Would We Do Without You?
  14. Poor Baby
  15. Barcelona
  16. The Ladies Who Lunch
  17. "You have a good third husband, Joanne"
  18. Being Alive

Amazon.com

There may be no original Broadway cast recording more iconic than 1970's Company, with its funky organ sound and Elaine Stritch's not-quite-there high notes, but the December 2006 Broadway revival makes its own mark. For Stephen Sondheim and George Furth's piece about a single man observing the benefits and follies of marriage, director John Doyle borrows the same controversial concept he used for his 2005 Sweeney Todd: the actors playing instruments on stage (now referred to in many circles as "Doyle-izing," and not always with affection and delight). But when you're listening to a cast recording, as Bobby would say: What do you get? For one thing, you'll have to adjust to some different sounds created by Doyle and his music supervisor, Mary-Mitchell Campbell. It's a benefit in "Side by Side by Side," which begins with a jazzy double-bass line. It's a drawback in "You Could Drive a Person Crazy," in which the trio's doo-doots are replaced by their saxophone lines. You also get "Marry Me a Little," cut from the original show but by now very familiar and welcome, as well as a lot of the contextual dialogue before, between, and even within numbers. Finally, the strong cast led by Raul Esparza makes this the best-sung Company we've ever gotten (and they play very well too), and Stephen Sondheim's score is still a landmark in musical theater. There will never be a replacement for the original Broadway cast recording, but this revival recording can stand on its own and in some respects may be more flat-out enjoyable to listen to. --David Horiuchi

Album Description

Maverick British director John Doyle, a 2006 Tony Award winner, enjoyed a surprise Broadway hit last year with his radical reworking of Sweeney Todd. He dispensed with the pit orchestra and handed all the instruments over to his on-stage performers, who doubled as musicians in between their turns acting and singing. Doyle has taken a similarly unorthodox approach to his revival of another Stephen Sondheim classic, the revered yet notoriously difficult to stage Company. As with Sweeney Todd, the results of this theatre-as-concert have entranced both critics and audiences. Linda Winer of Newsday called it "the very best revival that Broadway has ever seen of Stephen Sondheim's landmark 1970 musical."Variety described it as "striking, revelatory and thoroughly compelling." For Sondheim fans, the recorded score to Company has long been as much an object of adoration as the six-time Tony-winning play itself. Company on disc functions as a deeply moving song cycle, even apart from George Furth's libretto, about the vicissitudes of marriage and the joys and trials of the single life, seen through the eyes of the coolly dispassionate Manhattan bachelor Bobby on the occasion of his 35th birthday. This is truly the stuff of sex and the city - wry, sophisticated, painfully honest and deeply melancholy, even in a comic seducing-the-stewardess duet like "Barcelona." As with Sweeney Todd, which featured a bravura performance from lead actor Michael Cerveris, Doyle has found in rising star Raúl Esparza (Cabaret, Taboo, The Normal Heart) an extraordinary singer and actor who, in the words of the New York Times' Ben Brantley, gives Company "the most compelling center it has probably ever had." "Mr. Doyle and his invaluable music supervisor and orchestrator, Mary-Mitchell Campbell, have shaped Company into a sort of oratorio for the church of the lonely," says Brantley. He also praises the work of the entire ensemble - playing five married couples, three single women and one deeply ambivalent, unmarried man: "It's their work as a team that sounds new depths in Company in ways that get under your skin without your knowing it." Variety's David Rooney concurs: "Angel Desai's `Another Hundred People' nails that quintessential New York song; Heather Laws lands every laugh in the mile-a-minute `Getting Married Today' with amazing speed and clarity; and Barbara Walsh is bone-dry as brittle, world-weary Joanne. She reveals the emotional hunger beneath the character's hard shell and adds fresh nuances to `The Ladies Who Lunch,' a song indelibly associated with Elaine Stritch." As Time Out New York put it, "Sondheim's expert musical etchings, his acid craftsmanship, remain unmatched." Sondheim fans will note that this new version of Company, to be released by Nonesuch and PS Classics, restores the original act one closer, "Marry Me A Little," which was dropped from the show before its 1970 Broadway debut; the song has since taken on a life of its own as an orphaned Sondheim gem. The Company cast album is produced by PS Classics co-founder Tommy Krasker (Sondheim's The Frogs, Saturday Night, Assassins, and Sweeney Todd, among others). Along with Company, Nonesuch has also released the original cast album to Doyle's 2006 production of Sweeney Todd and the Tony-nominated A Light in the Piazza, which features a score by Nonesuch artist Adam Guettel.

Customer Reviews:

5 out of 5 stars Revival Musical Hits the Mark.......2007-07-13

Raul Esparza's performance in this revival makes the album a must have. What a talent! What a show! Well worth the cost.

5 out of 5 stars Check out Company!.......2007-07-11

I fell in love with this show when I saw it in NYC and I promptly bought the cast recording upon my return. This was one of those shows that I'm sure will resonate with me for the rest of my life. Although the show doesn't seem to make much sense by listening to the cast recording, you understand what its about and even though this show was written more than 40 years ago, its still relevant today. The theme of marriage and domestic partnership is still something that remains in the minds of all people; whether married or single. This cd airs out all of the thoughts that we all have likely heard or felt in our lifetime.
This cd is truly beautiful and by far one of my favorite Broadway cast recordings of all time.

3 out of 5 stars This recording disappoints, especially in relation to the live performance.......2007-07-07

I am going to assume for a moment that anybody reading this and the other reviews is already a fan of Sondheim and Company. I am also going to assume that most people reading this are familiar with multiple recordings of this show and, hopefully, multiple performances. This is the best and truest means of judging a show, its score, and its recordings. Of course this isn't always possible, but in regards to this show, I have to say this new recording of Company is probably the weakest of the bunch ESPECIALLY after first seeing the show live. I also saw the "Doyle" Sweeney last year and think the new orchestrations were brilliant and translate well to recording. Imagine my surprise when I recently saw the new Company and found it to not only equal but SURPASS the impact of the Sweeney staging. I had purposely delayed the purchase of the new cast recording until I had first seen the show live and unfortunately the CD doesn't contain the excitement, originality, and freshness that was portrayed by the actor/musicians on stage. I think Company is nearly the ideal show for this minimalistic approach but on the recording, it just seems... empty? The listener is also drawn to shortcomings in the musical performances (instrumentally) that I didn't notice (or forgave) when I was in the theatre because the experience in and of itself was so moving and direct. I also don't want to get caught up in an argument of whether this is the best sung version or not, because it all depends on your personal preference/prejudice. The singers in this show may be the best *trained* from a technical standpoint, but the passion portrayed by the singers of the OBC will never be paralleled. All in all this is a decent recording but certainly not definitive and not the one I would recommend to someone who has never heard the show before.

5 out of 5 stars GOOD COMPANY.......2007-07-01

If you're a Sondheim fan, or if you just like lyrics that challenge the listener, this version of COMPANY is a must. I saw this production on Cincinatti before it moved to Broadway, and it was perhaps the most enjoyable theater experience I've had. The soundtrack is a great listen, even if it's all familiar, much of it having been covered by other artists since the show's first soundtrack in 1970. It all builds to a powerful emotional climax when Raul Esparza sits down at the piano and sings "Being Alive". Magical. Buy it--you won't be sorry, only grateful...

4 out of 5 stars Maybe I am partial to Esparza.......2007-06-29

I love the revival of this show. I think its a beautiful version of Company with lovely vocals. I might be partial to Esparza but I truly think that this was a great revival. I think its a wonderful rendition of the Sondheim classic.
Baby Einstein: Lullaby Classics
Average customer rating: 4 out of 5 stars
  • Sounds like a cheap plastic toy
  • would make you sleepy..
  • Kid's Music
  • Not soothing
  • Great for bedtime, but wish it were a real piano
 Baby Einstein: Lullaby Classics

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001IXTU4
Release Date: 2004-03-16

Tracks:

  1. Variations (Twinkle, Twinkle), K265/300e
  2. Minuet In G From Anna Magdalena
  3. Piano Sonata In C, K 545, 2nd Movement
  4. Spring Song
  5. Piano Sonata In D, K 576, 3rd Movement
  6. Jesu, Joy Of Man's Desiring, BWV 147
  7. Canon
  8. The Moldau
  9. Preludes Book II, Clair De Lune
  10. Sonata No.14 (Moonlight), 2nd Movement, Op.27
  11. Symphony No.9, New World
  12. Fur Elise, WoO 59
  13. The Four Seasons, Winter, RV267, 2nd Movement
  14. Orchestral Suite No.3 In D, Air, BWV 1068
  15. Sonata No.8 (Pathetique), 2nd Movement, Op.13
  16. Kinderscene, Op.15
  17. Waltz No.15, Lullaby

Product Description

The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)

Customer Reviews:

1 out of 5 stars Sounds like a cheap plastic toy.......2007-06-20

I have these DVD's and I can tell you that they will not be a huge part of my baby's development. I received them as a gift from someone that thinks that all you need to do is plunk your child in front of a TV all day without giving the baby any attention. You can see why these DVD's are popular at Day Care Centers or what I like to call, "Concentration camps for baby's with lazy parents", because they know that they can sit their kid/baby in front of the TV and let them turn into a thoughtless zombie while they listen to Baby Einstein totally ruin classics by Bach and DeBussy by playing the music with very cheap midi keyboards. I can get better quality music by whistling Dixie with a mouth-full of saltine crackers.

Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.

4 out of 5 stars would make you sleepy.........2007-06-15

its a good product with very fine music and my toddler realizes that it is sleep time, if I play it. he goes to bed and sleeps after a couple songs. I have trouble in some songs are some months.. dont know why.

4 out of 5 stars Kid's Music.......2007-06-08

I bought this CD for my grandniece, but after listening to it, I determined that no one would ever play this for her except me. I would have kept it for myself but I have the grown-up versions of each of the classical masterpieces on this CD. So, I ended up returning it for a full refund. If you want your kids to be exposed to classicl music, it's a great buy. But if you don't think they will get to listen to it, don't waste your time.

Baby Einstein: Lullaby Classics

1 out of 5 stars Not soothing.......2007-06-07

These synthesizer versions of classical songs get really old, really fast. Worse yet, the songs are sometimes not soothing at all, especially the very first song. The song seems to get particularly loud and uptempo, which is precisely what you don't expect in a lullaby. Please listen to the sample of the first song at least before you buy.

4 out of 5 stars Great for bedtime, but wish it were a real piano.......2007-06-01

This CD worked great to put my daughter to sleep while I rocked her in my arms, and I enjoyed the choices of songs and the arrangements. However, I would have preferred that real instruments were used.
Chronicle Vol. 2: Twenty Great CCR Classics
Average customer rating: 4.5 out of 5 stars
  • Fogerty
  • Complete your CCR collection
  • Way better than Volume 1
  • CREEDENCE CLEARWATER REVIVAL JUST KEEPS ROCKIN' AND ROLLIN'.
  • Chronicles 2: Twenty great CCR Classics by Creedence Clearwater Revival
 Chronicle Vol. 2: Twenty Great CCR Classics
Creedence Clearwater Revival
Manufacturer: Fantasy
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000XBC
Release Date: 1989-06-29

Tracks:

  1. Walking on the Water
  2. Suzie-Q, Pt. 2
  3. Born on the Bayou
  4. Good Golly Miss Molly
  5. Tombstone Shadow
  6. Wrote a Song for Everyone
  7. Night Time Is the Right Time
  8. Cotton Fields[4~
  9. It Came Out of the Sky
  10. Don't Look Now
  11. The Midnight Special
  12. Before You Accuse Me
  13. My Baby Left Me
  14. Pagan Baby
  15. (Wish I Could) Hideaway
  16. It's Just a Thought
  17. Molina
  18. Born to Move
  19. Lookin' for a Reason
  20. Hello Mary Lou

Customer Reviews:

5 out of 5 stars Fogerty.......2007-06-10

Great value. If you are into the 60s' and 70s' you will love this one.

5 out of 5 stars Complete your CCR collection.......2007-04-22

Complete your Creedence Clearwater Revival collection with this set, which includes their remaining hits which weren't able to fit on the first volume, "Creedence Clearwater Revival - Chronicle, Vol. 1: The 20 Greatest Hits".

5 out of 5 stars Way better than Volume 1 .......2007-02-26

Included here are many highlights from their career, even if they weren't all bit hits, who cares? I like these songs better because they are not overplayed on the radio!

Walking on the Water - this and Suzie Q part. 2 are from the spacy first album

Born on the Bayou - amazingly was missing from vol. 1!

Good Golly Miss Molly- cool little richard cover

These are 7 album tracks that we're better than the hits:
Tombstone Shadow
Wrote a Song for Everyone
Night Time Is the Right Time
It Came Out of the Sky
Don't Look Now
Before You Accuse Me
My Baby Left Me

These are the main 5 tracks from the great album Pendulum:
Pagan Baby
Wish I Could) Hideaway
It's Just a Thought
Molina
Born to Move

...and from the underrated Mardi Gras: Lookin' for a Reason & Hello Mary Lou

5 out of 5 stars CREEDENCE CLEARWATER REVIVAL JUST KEEPS ROCKIN' AND ROLLIN'........2007-02-13

I will be writing a review on the legendary compilation album entitled "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS" by one of Rock's most sacred legendary bands of all-time, I give you one of America's pride and joy's, CREEDENCE CLEARWATER REVIVAL. This legendary album would be originally released in 1986 on Vinyl/LP, Cassette and Compact Disc on the Fantasy Records label. Like "CHRONICLE, VOLUME ONE, 20 GREATEST HITS," "CHRONICLE, VOLUME TWO, 20 GREAT CCR CLASSICS is released on a special Two-24-Karat Gold Compact Disc set edition. The 24-Karat Gold coating produces a highly reflective surface for the laser signal. In fact, the Gold CD is the ultimate experience in recorded music. As always, if I hear any new additional information concerning this legendary compilation album or the artist, I will edit this review immediately so that you the consumer will get the best informative and most accurate review possible.

The whole world was blessed with the original "CHRONICLE, VOLUME ONE, 20 GREATEST HITS" when it was released in 1976. Now the whole world would be blessed again ten years later with the release of "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS" in 1986. Its only appropriate that Fantasy Records would release another compilation collection on this legendary band, there was just not enough room to put all of their hit songs on the first volume. When you listen to "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS," you realize that this band really recorded some fantastic hits throughout their whole career. It also makes you wonder what took Fantasy Records so long (Ten years) to release the second volume. In my opinion, "CHRONICLE, VOLUME TWO, TWENTY GREAT CCR CLASSICS" is another true testament of the sheer greatness, graceful genius and a fine tribute to a legendary band that has already been proven to be ahead of their time.

Now we get to the most important part of the whole review, the music. If you want to hear the true Rocker's on this compilation album, listen to the songs such as "Walk On The Water," "Susie Q (Part two)," the breathtaking "Born On The Bayou," the Little Richard classic "Good Golly Miss Molly," the rugged "Tombstone Shadow," "It Came Out Of The Sky," the Elvis like Rocker "My Baby Left Me," the wicked "Pagan Baby," the soulful heartfelt "It's Just A Thought," the tough rockin' "Molina," the spirited "Born To Move" and the Ricky Nelson classic "Hello Mary Lou."

The slow Rock Ballads on this compilation album are the classics such as "Wrote A Song For Everyone" and "(Wish I Could) Hideaway." CCR could really show their sensitive side by playing a little more mellower.

The only slow Blues Rocker on this compilation album is the classic song "Night Time Is The Right Time." This Blues number is a true heartfelt song recorded the CCR way. CCR could really play the Blues.

The Country Rockers on this compilation album are the classic songs such as "Cotton Fields," "Don't Look Now (It Ain't You Or Me)," the ever popular "The Midnight Special," "Before You Accuse Me" and "Lookin' For A Reason." These are pure Country Rockers, my favorite is "The Midnight Special."

Overall, this is one hell of compilation album that compliments the other original volume perfectly.

I would like to highly recommend purchasing this second volume compilation album to own as a valuable and important part of his or her own personal music collection. This legendary compilation album has already been proven to stand the test of time and will always be around to be enjoyed, appreciated and cherished for many years to come, NOW AND FOREVER.

In closing, CREEDENCE CLEARWATER REVIVAL will forever be remembered as the people's band that represented the youth culture and the bikers of the turbulent sixties and beyond. Their music expressed the feeling of how the times were unfolding during the turbulent sixties and into the seventies. When CCR broke up, one of Rock's greatest all-time bands would be silenced and laid to rest. The world was waiting for a reunion but all hopes would be shattered with the untimely death of TOM FOGERTY on 6 September 1990. FOGERTY would die as a result of AIDS given to him through a blood transfusion. Prior to his death, the FOGERTY brothers did not get along and would be fighting constantly throughout their whole career together. TOM FOGERTY was establishing himself in his own right as a songwriter and singer but remained in the shadow of his brother JOHN FOGERTY throughout their whole career. TOM FOGERTY would be the first CCR member to quit the band and go solo. CCR would later break up in 1972. However, the remaining surviving members would have a brief reunion while receiving Rock's highest ultimate honor of being inducted into the Rock n' Roll Hall of Fame in January 1993. As of this date, JOHN FOGERTY resolved his conflict issues and legal disputes with his old record label Fantasy Records and is now back with his old label better than ever keeping the CCR legend alive. So here's to you John, the late great Tom, Stu and Clifford. And as the saying goes, "AND THE REST IS ROCK N ROLL HISTORY," am I wrong? Thanks for reading my review and I hope you enjoyed reading it as much as I enjoyed writing it for your reading pleasure. I also hope that you will read all of my other reviews in the near future when time permits. CREEDENCE CLEARWATER REVIVAL LIVES. JOHN FOGERTY RULES. R.I.P. TOM FOGERTY, Born 9 November 1941, Died 6 September 1990. Long Live Rock n' Roll. Rock out always and take it easy. Forever In Rock, John L.

5 out of 5 stars Chronicles 2: Twenty great CCR Classics by Creedence Clearwater Revival.......2007-01-19

The band CCR formed during the turbulent times of the 60s and early 70s, they gave poetic justice to that period with original compositions and made even greater classics out of old tunes. They created entertaining melodies with political fore-thought. They did this without profanity nor by debasing the religious beliefs of others...unlike many of today's young artists. This album deserves five stars.
Bach: The Goldberg Variations 1955 Performance: Zenph Re-performance
Average customer rating: 4 out of 5 stars
  • I was there...and I love the CD.
  • The classics never die; just reborn!
  • sorry I am in the B. Johnson camp
  • Beautiful to a listener unfamiliar with original recording
  • Glenn Gould...without the humming!
 Bach: The Goldberg Variations 1955 Performance: Zenph Re-performance

Manufacturer: Sony Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000LE0THE
Release Date: 2007-05-29

Tracks:

  1. Aria
  2. Variation 1
  3. Variation 2
  4. Variation 3: Canon On The Unison
  5. Variation 4
  6. Variation 5
  7. Variation 6: Canon On The Second
  8. Variation 7
  9. Variation 8
  10. Variation 9: Canon On The Third
  11. Variation 10: Fughetta
  12. Variation 11
  13. Variation 12: Canon On The Fourth
  14. Variation 13
  15. Variation 14
  16. Variation 15: Canon On The Fifth
  17. Variation 16: Ouverture
  18. Variation 17
  19. Variation 18: Canon On The Sixth
  20. Variation 19
  21. Variation 20
  22. Variation 21: Canon On The Seventh
  23. Variation 22: Alla Breve
  24. Variation 23
  25. Variation 24: Canon On The Octave
  26. Variation 25
  27. Variation 26
  28. Variation 27: Canon On The Ninth
  29. Variation 28
  30. Variation 29
  31. Variation 30: Quodlibet
  32. Aria Da Capo
  33. Aria
  34. Variation 1
  35. Variation 2
  36. Variation 3: Canon On The Unison
  37. Variation 4
  38. Variation 5
  39. Variation 6: Canon On The Second
  40. Variation 7
  41. Variation 8
  42. Variation 9: Canon On The Third
  43. Variation 10: Fughetta
  44. Variation 11
  45. Variation 12: Canon On The Fourth
  46. Variation 13
  47. Variation 14
  48. Variation 15: Canon On The Fifth
  49. Variation 16: Ouverture
  50. Variation 17
  51. Variation 18: Canon On The Sixth
  52. Variation 19
  53. Variation 20
  54. Variation 21: Canon On The Seventh
  55. Variation 22: Alla Breve
  56. Variation 23
  57. Variation 24: Canon On The Octave
  58. Variation 25
  59. Variation 26
  60. Variation 27: Canon On The Ninth
  61. Variation 28
  62. Variation 29
  63. Variation 30: Quodlibet
  64. Aria Da Capo

Customer Reviews:

5 out of 5 stars I was there...and I love the CD........2007-07-05

A friend of mine is a Yamaha piano technician and he got tickets for my wife and I to attend the recording of the Zenph re-issue at the Glenn Gould Theatre in Toronto. It was such a mystical and magical experience, I heard pianists say that "Gould's ghost had walked into the room". The concert was astounding. That's why I bought the CD.
I'm listening to it as I write this and rate it 5 stars.

5 out of 5 stars The classics never die; just reborn!.......2007-06-28

This masterful re-edition allows the new generations may even get closer to what this recording meant in 1955 for the musical universe. It's hard to guess how many listeners became music lovers of this genre, because of Gould was if I may the first and possibly the greates artisitc achievement in the history of the music.

These Goldberg meant a true openess and at the same time the most convincing proof the classic music was far to be considered a status issue reserved just for a minory. Besides it illuminated the interpretative flame of many new pianists who understood had became an icon of the instrument and a key force in what Bach's music concerned.

The superb quality of sound is outstanding, and due the fact that 25 years ago Gould left us, we have the suspect there will be mnusch more pleasant surprises of Sonny in what concerns new releases of this genius of the keyboard.

3 out of 5 stars sorry I am in the B. Johnson camp.......2007-06-26

My heart skipped and my tummy got the butterflies when I saw this in Barnes & Noble. I had not heard anything about it. Well I am not a classical music critic, but I know good recordings. Part of the reason is that I've read every one of B. Johnson's reviews. If you are reading this B. Johnson thanks for your reviews, you even got me into Murakami.

That being said I listened to it in Barnes & Noble. The sound quality was stunning. Yet I too did feel something was missing. So lo and behold I came here first chance I get and see the reviews. And of course B. Johnson stated what I felt was true.

So even me a non-expert knew something was wrong.

I am in the camp that thinks something is missing with this recording. Still it is an interesting idea. Hopefully they will continue to experiment and improve this technology.

5 out of 5 stars Beautiful to a listener unfamiliar with original recording.......2007-06-13

I have read several critiques of this "re-performance" claiming that it falls short of the original. While this may be true, I am unfamiliar with the original and find this to be a truly moving and beautiful reproduction. Within minutes of my first listen, I forgot about the technology that made the album possible and found myself captivated by Gould's brilliance.

It's to be expected that music lovers will compare the Zenph performance against the original, but I think listeners should also try enjoying this CD on its own merits. It's a great way for those of us accustomed to high quality recordings to appreciate a great performance of the past.

3 out of 5 stars Glenn Gould...without the humming!.......2007-06-09

Well...not exactly. When I originally heard of this recording, I was intrigued with the concept. I've been a huge fan of the Gould versions of the Goldberg Variations for quite awhile, but more so of the 1980 rendition than the 1955 version, largely because the latter's sound quality was so relatively poor (recorded in mono, lots of hiss and background noise, etc.). So the idea that I could obtain a cleaned up version of Mr. Gould's breakthrough recording, not only in stereo but in SACD was immediately appealing to me. As such I purchased a copy as soon as I could.

My biggest concern was that the "performance" would be mechanical and not sound like a human playing the piano, let alone not sound like Mr. Gould himself at the keyboard. That concern was quickly wiped away as I started to listen to it. There is not a hint of mechanical, overly systematic playing. It truly sounds like there is a person stroking the keys to Bach's magnificent composition. But is that person Glenn Gould resurrected from the dead? I checked this out by playing each movement from this recording back to back with each movement from the original 1955 recording. What I found was that, while this "re-performance" certainly captures the tempo and pacing of the original recording, and much of it's height and depth of playing, it failed to retain the energy of many of the intensely struck notes or the gentleness of many of the softly struck notes. As a result, the liveliness and tenderness of Gould's playing is significantly lost in this production, which is what I thought made his playing so unique in the first place.

As such, while I recommend this recording as an interesting experiment in technology, and definately an enjoyable rendering of the Goldberg Variations, don't think that you will be getting a true "cleaned up" version of the 1955 recording. It comes surprisingly close, but sadly no cigar. Glenn Gould unfortunately remains in his grave.

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