Love Is Not a Game [CD-single] [Import]
Love Is Not a Game [CD-single] [Import]
Track Listings
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1. Original Radio Edit
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2. Julious Vocal Edit
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3. Dillinja Remix
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4. Hydrogen Rockers Vocal
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Editorial Reviews
Product Description
Drum n Bass.
Love Is Not a Game,J Majik,Kathy Brown,Import [Generic],Dance,Dance Music,Pop
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- Doris Day - Perfect Casting!
- Pajama Game Movie Soundtrack
- Energy To Burn
- Doris Day leads cast in lively film verson of Broadway hit
- I'm only 16 and I love the movie and soundtrack..
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Pajama Game
Manufacturer: Collectables
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Similar Items:
- The Pajama Game
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ASIN: B00005LN0M
Release Date: 2001-07-10 |
Tracks:
- The Pajama Game (Opening)/Racing With The Clock - Eddie Foy, Jr./Ensemble
- I'm Not At All In Love - Doris Day/Girls
- I'll Never Be Jealous Again - Eddie Foy, Jr./Reta Shaw
- Hey There - John Raitt
- Once-A-Year Day - Doris Day/John Raitt/Ensemble
- Small Talk - Doris Day/John Raitt
- There Once Was A Man - Doris Day/John Raitt
- Steam Heat - Carol Haney/Kenneth LeRoy/Buzz Miller
- Hernando's Hideaway - Carol Haney/Ensemble
- 7 And A Half Cents - Doris Day/Jack Straw/Ensemble
- Finale - The Pajama Game ST
- The Man Who Invented Love - Doris Day
Album Description
Doris Day takes the Tony award-winning Broadway smash The Pajama Game and transforms it into one of her most memorable screen hits. This original Columbia recording captures the spirit and playfulness of the stage version with John Raitt, Eddie Foy Jr., and Carol Haney recreating their Broadway roles. Steam Heat, Hey There and Hernando's Hideaway are but a few of the show-stopping songs featured on this historic soundtrack. 11 tracks are included on this lovingly remastered edition with a bonus track, Man Who Invented Love by Doris Day with Frank DeVol and His Orchestra. 2001 reissue.
Customer Reviews:
Doris Day - Perfect Casting!.......2007-05-09
For once they got it right. Doris Day being cast as Babe Williams was the smartest thing Warner Brothers ever did. Of course, the original idea was to have Frank Sinatra to take over the male lead in the movie version. Sinatra couldn't accept, but if he had, Janis Paige would have played Babe. With no Sinatra as a boxoffice draw, Jack Warner needed a star. Doris Day was promised sole star billing above the title if she accepted the picture. Janis was out and John Raitt (top-billed on Broadway) was in, but would be billed below the title in the movie version.
Usually, Hollywood gets it wrong. They denied Ethel Merman for "Gypsy" and hired Rosalind Russell, who could not sing; they bypassed Julie Andrews for "My Fair Lady" and hired movie star, Audrey Hepburn, who also couldn't sing and Carol Lawrence was told "you're out and Natalie Wood is in" when "West Side Story" came to the screen. Natalie couldn't sing either. Marnie Nixon's voice was used for both Wood and Hepburn and Lisa Kirk's voice subbed for Russell.
With Doris Day, they got everything: a top movie star, an expert singer , a trained dancer and skilled actress. Plus, she was beautiful and took full command of the role of Babe. I just wish they had kept "The Man Who Invented Love" in the picture. I've never seen a Day musical in which she didn't have a couple of ballads of her own. In this film, they attempted to right that wrong with "Invented Love" but dropped it so that Doris could reprise "Hey There" for historical purposes. They wanted Day on film singing that legendary song.
Overall, a wonderful transition from stage to screen.
Pajama Game Movie Soundtrack.......2007-03-16
Love love love this CD. I am so glad the movie version of Pajama Game with Doris Day came out. I have been a fan of this movie since we did the musical when I was in high school in 1980. The movie soundtrack is so much better than the Broadway Recording. Janis Paige just doesn't sing as well as Doris Day. I highly recommend this CD if you are a fan of musicals and Doris Day.
Energy To Burn.......2006-07-31
I know that the revival of "The Pajama Game" is a hit-of-the-moment on Broadway, but I still recommend that fans of the revival check out the soundtrack to the 1957 film version of the show. Warner Brothers treated the property in a more respectful manner than was the norm and even imported most of the New York to Hollywood to recreate their roles "in perpetuity." The new addition was box office magnet Doris Day who had already proven in "Calamity Jane" that she could bring rambunctuous charm to the musical. Hearing Day and John Raitt putting "There Once Was A Man" through its paces can still send a shiver down my aging spine.
Doris Day leads cast in lively film verson of Broadway hit.......2004-02-08
Your choice between the original Broadway cast and the movie soundtrack depends largely on your preference for either Janis Paige on the former and Doris Day on the latter.
Day sings it better, however the Broadway cast album has better sound as well as an overture and three songs, "A New Town is a Blue Town", "Her Is" and "Think of the Time I save" were dropped from the movie.
The soundtrack album, however, includes extended dance music from "I'll Never Be Jealous again" and "Once-a-year-day" and despite the boxy Warner Bros soundtage sound, the music is given a lively performance.
I'm only 16 and I love the movie and soundtrack.........2003-12-08
This is an exellent soundtrack baby. Doris Day has the purrfect vocie, full righ and clear. I'm only 16 and realize taht Doris posseses the finest vocie of any female on the planet. If you like the mvoe or Doris' singing you will LOVE this cd.
Average customer rating:
- Delightful
- A Master Class in Singing
- Bryn is swell, but the bombast is annoying
- Surprisingly Fine Crossover from Fleming and Terfel
- BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!
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Renee and Bryn: Under the Stars
John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)
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- Silent Noon
ASIN: B000088E7D
Release Date: 2003-02-11 |
Tracks:
- "Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
- "Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
- "I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
- "All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
- "I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
- "Stars" (from Les Misirables by Boublil & Schvnberg)
- "All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
- "Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
- "Pretty Women" (from Sweeney Todd by Stephen Sondheim)
- "Aimer" (from Romio et Juliette by Presgurvic)
- "All the Wasted Time" (from Parade by J. Brown)
- "Seventy-Six Trombones" (from The Music Man by Willson)
- "How Could I Ever Know" (from The Secret Garden by Simon and Norman)
- "So In Love" (from Kiss Me Kate by Cole Porter)
- "Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)
Amazon.com
In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith Eisler
Customer Reviews:
Delightful .......2006-07-24
I truly enjoy Terfel's vocal talent and found it to be well suited for this genre. Fleming's impeccable soprano voice is a bit overpowering for this style of music. (I own this CD)
A Master Class in Singing.......2006-06-20
This CD is a must-have for any person interested in the singing art. Ms. Fleming and Mr. Terfel gives new light to these Musical Theatre classics. Their fine vocalism in the musical theatre genre coupled with the depth of musicality and dramatic phrasing in each of the selections is truly a breath of fresh air. This recording is indeed a Master Class!
Bryn is swell, but the bombast is annoying.......2006-05-03
Love Bryn Terfel, the finest bass-baritone in Opera. Love Renee Fleming's luscious soprano. But the arrangements! Kettle drums and bombast and bang, bang, bang! Once Renee starts swooping, things go downhill, with little redemption.
It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.
I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.
The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.
Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18
Bryn Terfel and Renee Fleming are two of the most acclaimed opera singers of our day. But the musical theatre fan who puts on their Broadway CD, RENEE AND BRYN: UNDER THE STARS, expecting to hear a carelessly compiled hodgepodge of songs sung by voices ill-suited to them is in for a big surprise, beginning with the first phrases of the duo's warmly sung "Not While I'm Around" from SWEENEY TODD. True, these singers' beautiful voices have greater power and range than even the best of the Broadway stars', but this is an asset in these songs, most of which are either semi-operatic in nature or call (like THE MUSIC MAN's "Seventy-Six Trombones") for such an outsize personality as Terfel's. Fleming's sensuous and tonally gorgeous rendition of "Moonfall" from THE MYSTERY OF EDWIN DROOD can be placed among her very finest recordings, operatic and otherwise. And Terfel is ideally suited to both "Pretty Women" from SWEENEY TODD and "Stars" from LES MISERABLES; few if any Broadway Javerts could match the impact of his "This I swear by the stars!" Kander and Ebb's "I Don't Remember You" and "Sometimes a Day Goes By" make a perfect medley here, as do Sondheim's "I Wish I Could Forget You" and "Loving You" from PASSION. And though I don't care for the Andrew Lloyd Webber selections (ersatz Puccini) or the Jason Robert Brown one (which sounds too much like a pop song), Terfel and Fleming's singing of them is beyond reproach. The program ends with a bang: a rendition of "Wheels of a Dream" worthy to stand beside the now-classic one by Brian Stokes Mitchell and Audra McDonald on the original cast album of RAGTIME. Welshman Terfel's natural accent is noticeable here; but if one imagines him as, say, an Irish immigrant married to an African-American woman (as Fleming here sounds uncannily like McDonald or like Leontyne Price) his accent is appropriate and his voicing of the "bridge" section ("Oh Sarah, it's more than promises/Sarah, it must be true...") especially moving. Fleming's ecstatic final high note makes one want to applaud and cheer, both for the song and for the successful "crossover" effort.
BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11
So captivating are these incredible singers in the glorious live concert "Under The Stars" creating an unforgettable musical masterpiece of epic proportions that is so moving and great to watch that I ran out and purchased this studio recorded Compact Disc the next day!! The brilliance of the live broadcast carried over into the recording studio capturing Renee and Bryn at the peak of their incredible powers emotionally and vocally making them the most effective crossover artists since the great Barbara Cook who like Miss Cook sing with emotion that is accurate for this type of material which is usually not the case with classical voices. Renee Fleming sings with genuine passion and stirring emotions and her timing is absolutely flawless and this lady has alot of soul and the Torrie Zito arranged "Moonfall" is a stunning masterpiece that clearly illustrates this. A dazzling medley each show both singers in glorious peak form with Bryn splendid in the enchanting "I Don't Remember You/Sometimes A Day Goes By" and Renee spellbinding and haunting in the gorgeous "I Wish I Could Forget You/Loving You" which will make anyone who loves a great voice fall in love with this amazingly gifted singer. "Stars" features a commanding performance from Bryn that raises the roof and this is so refreshing and inspired in these musically tired times!!! This superb showcase is full of wonderfully exciting performances which are capable of making people feel again and this is what is sorely needed in music today and BRAVO to Bryn Terfel and the gorgeous Renee Fleming for achieving this with complete artistic brilliance. Captivating duets fill this wonderous collection and never have classics such as "Not While I'm Around" or "All I Ask Of You" been sung more brilliantly than here. Renee is magical with "Hello, Young Lovers" while Bryn is commanding and winning with "Pretty Women". Renee's stunning "All The Wasted Time" is a vocal and emotional tour-de-force that is like a wild roller-coaster ride that you won't want to end as this is one of the most riveting songs that I have ever heard from a Broadway score and this certainly must be the definitive performance of this great song. This lady can really really sing and this is some deeply serious singing~WOW!!! Gorgeous together again in the beautiful "How Could I Ever Know" which is hair-raising and wonderfully soulful and sophisicated together in Cole Porter's "So In Love". A grand finale by these two awesome vocal wonders lives up to expectations being a complete blowout vocal festival and they definitely do not disappoint here!!! "Wheels Of A Dream" is mesmerizing and soars to magnificent heights with Bryn and Renee in peak form singing to the skies and hitting notes that I swear I have never heard before~BRAVO!!!!!!! You are both magically inspired and simply put as good as it gets!!!! Highly recommended if you love two awesome vocal wonders at their absolute peak in a magnificent beautifully orchestrated setting!!! Thank you Bryn & Renee...
Average customer rating:
- I waited for this for five years
- Excellent collection but BIG PUBLISHING MISTAKE!
- ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
- SUCH MAGICAL MUSIC OF THE NIGHT!
- A Must Have for Sir Andrew fans
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Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Gold: The Definitive Hits Collection
- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
- Evita (Original London Cast)
- Andrew Lloyd Webber - The Royal Albert Hall Celebration
- Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)
ASIN: B00005R5UJ
Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance
Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating:
- Just Like I Remeber When I was Young
- More is less.
- A great recording, with the best cast, but...
- Excellent musical...one of the best
- The Cat's Pajamas
|
The Pajama Game (1954 Original Broadway Cast)
Richard Adler , Jerry Ross , John Raitt , and Janis Paige
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Pajama Game
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ASIN: B000002521
Release Date: 1990-10-25 |
Tracks:
- Overture
- The Pajama Game/ Racing With The Clock
- A New Town Is A Blue Town
- I'm Not At All In Love
- I'll Never Be Jealous Again
- Hey There
- Her Is
- Once-A-Year-Day!
- Small Talk
- There Once Was A Man
- Steam Heat
- Think Of The Time I Save
- Hernando's Hideaway
- Seven-And-A-Half Cents
- Finale
Amazon.com
Based on the novel 7-1/2 Cents by Richard Bissell, The Pajama Game hit Broadway in May 1954 and ran over 1,000 performances. The plot revolves around a labor dispute at the Sleep-Tite Pajama Factory, with two couples (Eddie Foy Jr. and Carol Haney, John Raitt and Janis Paige) in the middle of it. The score, by Richard Adler and Jerry Ross, includes Raitt's classic ballad "Hey There" (dueting with himself as recorded on a dictation machine), the humorous "Think of the Time I Save," and "Steam Heat" and "Hernando's Hideaway," both set to memorable choreography by a Broadway novice named Bob Fosse. The following year, the Adler-Ross-Fosse team would team up again with Damn Yankees.
The 2000 remastered version of The Pajama Game features vastly improved sound and bonus tracks taken from a 1954 radio show: Raitt's "The World Around Us" (dropped from the show) and Raitt and Paige's "There Once Was a Man," both with a rehearsal pianist, and Adler and Ross themselves singing "Hernando's Hideaway" with Ross at the piano. --David Horiuchi
Customer Reviews:
Just Like I Remeber When I was Young.......2006-07-27
My father was a big fan of Broadway musicals. I remember going to see the Pajama Game and Damn Yankees in a summer stock theater in Warwick R.I. which contributed to me developing my own love for musicals in the 50's and 60's. This recording though in monaural is an excellent reproduction of the LP record my father had and I used to listen to (sans scratches!). I would recommend this to any person who used to like these old classics. I would like to see a local theater group do this some day before it's completely forgotten. The interviews with the composer/lyricist and notes in the CD were wonderful too.
More is less........2004-08-15
A monster hit when it opened in 1954, and still a staple of community theatre groups, PAJAMA GAME has a delightfully refreshing score that never takes itself too seriously. On the whole it offers a better-than-average number of stand-out songs: "I'm Not At All in love", "Hey There", "Small talk", "Steam heat", "Hernando's Hideaway" and the ensmble "7 1/2 Cents." There are, however a few stumbles. "A new Town is a Blue Town" is dreary. "Her Is" is silly although the Bob Fosse dance routine made it work on stage. Both these were dropped from the movie version, so I suspect the authors also felt this material was weak.
The movie retained all of the original cast leads except for Janis Paige as Babe (replaced by Doris Day.) Day sings Babe's songs better, so your choice between the cast album and the movie soundtrack will depend on whether you need the whole score or not.
As for ths reissue...once again Sony has done a first-rate job. The sound is full bodied and rich, though necessarily mono, and the package includes some well-written liner notes.
A great recording, with the best cast, but..........2004-05-03
"The Pajama Game" is a truly great musical. Although it's most popular songs have truly been immortalized, such as "Hernando's Hideaway" and "Hey There", the show itself seems to be sadly forgotten by many (depite winning both Best Score and Best Musical in the Tonys). It remains very popular with amateurs and high schools, though.
This recording of The Pajama Game, a remastered version on the original cast, has VASTLY improved sound and some great extra tracks. Despite the new tracks, though, a lot of the score is completley missing from this recording, and a lot of the songs have been abridged, cutting out dialogue sections and a lot of dance music, like the wonderful "Jealousy Ballet" number, but the loss can be both a blessing and a curse.
The cast is the best recorded, in my opinion.
John Raitt as Sid - I'm not sure if this show was Raitt's star turn or Carousel was, but regardless, he is a fantastic talent and it really shows on this recording. His solos on this recording are superior to any other renditions. "Hey There", "A New Town Is a Blue Town", and "There Once Was a Man"(my personal favorite) are just fantastic. Great all around.
Janis Paige as Babe - Ok...she grows on you. If Paige is not singing in a more characterized voice, than she needs to be shot because she sounds like a wounded animal, BUT for the role her funky voice is very well suited. Her belt voice doesn't use much vibrato or any classical broadway norms, but her much grittier voice brings a more "real" feel to her character. "I'm Not At All In Love" is great and her comedic-like turn in "There Once Was a Man" is also fantastic.
Eddie Foy Jr. as Hines - I just recently finished performing as Hines in a production of "The Pajama Game" so I know the role well. Foy is my favorite recorded Hines, he has such a different voice and personality to his character that simply cannot be imitated. It's a shame so much of his role was cut from the movie. "I'll Never Be Jealous Again" is pleasantly comic, "Think Of The Time I Save" is cute and pleasant, and the opening is also great. An excellent performance.
Carol Haney as Gladys - Gladys is THE show stealing role of "The Pajama Game", and the underrated and underused Carol Haney stole this production way back when. Haney is cooky, lovable, and on stage, a fantastic dancer. Haney stepped into the role originally envisioned for Gwen Verdon and made it the role it is today, funny and wonderful. Haney sings two of the show's classics, "Steam Heat"(the best recorded), and "Hernando's Hideaway" both totally wonderful.
Stanley Prager as Prez - A really great performance. Prager gives a rough, growling voice to Prez and it comes off as a great perfomance. "Her Is" is great, as is "Seven and A Half Cents"(although Prager's voice humorously cracks in mid-verse). A good performance.
Reta Shaw as Mabel - Can't pull off a cute and perverted old lady any other way. Shaw's performance is solid in "I'll Never Be Jealous Again" with Foy. Pleasant to listen to.
Well, all in all, this recording, though very abridged, has the best cast and is just as good as a choice for a recording of the show. Both is better, but for casual and curious listeners, this one beats the London cast. For those who really want the full score, go London. If I had to pick the superior, I would very reluctantly choose this one(reluctantly, due to the abridged score and Ms. Paige. One thing is for sure, every theater lover must own a copy of this wonderful show.
Excellent musical...one of the best.......2003-05-28
I love the Pajama Game. First of all, it had an immense influence on me, having been the first musical I ever heard and the force that originally set in motion by fixation on Broadway musicals.
I also have to _deeply_ disagree with Mr. Stuart Howard, and to suggest that he in fact has no idea what he is talking about. All the musicals he said were "more important" than the Pajama Game only seem that way because they have been revived time and again. "Pajama Game" simply had the bad luck to become hopelessly dated due to cultural changes, and thus nearly impossible to revive successfully. Still, I personally think "Hernando's hideaway" and "Think of the time I save" still qualify as modern classics, and certainly it's hard to argue that "Once-a-year-day" hasn't been absorbed into our cultural consciousness.
As for Ms. Paige, I _love_ her cynical, witty delivery and extremely unique voice and style of singing, and I tend to believe that anyone who can't see her appeal has, to be blunt, outlandishly poor taste in music.
I love the Pajama Game, and, incidentally, I _highly recommend this CD. John Raitt's voice is a little cold, but it is also amazingly beautiful. The three comedy relief roles will all have you howling, Janice Paige is, as stated before, a genius, and unlike in my musicals, the songs will give you a sufficient idea of not only the story, but the characters...and "The Pajama Game" has deeper and more complex characters than any of the other old-fashioned musical comedies I can think of.
The Cat's Pajamas.......2003-02-18
Super score. Two standards of the genre: Hey There and Hernando's Hideaway, but also a number of outstanding production numbers and duets: "Seven and a Half Cents", "Steam Heat", "I'll Never Be Jealous Again", "There Once Was a Man". Most of the singing is excellent but sometimes I have to admit Janis Paige isn't on pitch and I prefer (dare I say it) Doris Day in the movie. John Raitt is the professional he always was. This is a 50's musical through and through, filled with serious love songs, comedy with a satirical bite, and endless energy. The extra tracks on this CD are nothing too wonderful, with excerpts from a pretty banal interview with composer Jerry Ross, but they do include a song you won't hear (for good reason -- despite inteviewer Mike Wallace's glowing support it is a pretty bad song) in the show. Want to know why this show was so good: George Abbott, John Raitt, Bob Fosse, Harold Prince, Adler and Ross, Eddie Foy, Jerome Robbins, Carol Haney, Peter Gennaro. Yes, there are shows with a power-packed line-up like that, that have been bad, but not many. Enjoy the memories this will bring back.
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Love Is Not a Game
Meredith d'Ambrosio
Manufacturer: Sunny Side
ProductGroup: Music
Binding: Audio CD
Cool Jazz
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General
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Similar Items:
- Love Is for the Birds
- Shadowland
- Wishing on the Moon
ASIN: B0000035YO
Release Date: 1992-10-26 |
Tracks:
- Daybreak
- In April
- Autumn Serenade
- Young And Foolish
- I Love You/You I Love
- Quiet Now
- Get used To It Baby
- That Old Sweet Song
- Heaven Sent
- All Or Nothing At All
- This Lament
- Indian Summer
- Peace
- Oh Look At Me Now/But Now Look At Me
- Love Is Not A Game
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Sergej Larin - Russian Arias, Vol. 1
Pyotr Il'yich Tchaikovsky , Nikolay Andreyevich Rimsky-Korsakov , Modest Petrovich Mussorgsky , Alexander Sergeyevich Dargomizhsky , Mikhail Ivanovich Glinka , Alexander Borodin , Sergei Larin , Ambrosian Opera Chorus , Marie-Francoise de Meeus , Bernd Muller , Dave Partridge , London Philharmonia Orchestra , Marie-Stella Paris , and Stephen Orton
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by Borodin
| Borodin, Alexander
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Glinka
| Glinka, Mikhail
| ( G )
| Featured Composers, A-Z
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All Works by Mussorgsky
| Mussorgsky, Modest
| ( M )
| Featured Composers, A-Z
| Classical
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All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
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General
| Classical
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Romances
| Classical (c.1770-1830)
| Historical Periods
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General
| Arias
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
ASIN: B000005Z6L
Release Date: 1998-03-17 |
Tracks:
- 'I love you, I love you Olga...'
- Monsiuer Triquet's song from Eugene Onegin (Act III)
- Lensky's Ara from Eugene Onegin (Act II)
- Hey there! Boys!
- How calm, how cool it is here....
- Just One Last Tale
- In bloody battle, on the field of honour
- The Prince's cavatina from Rusalka
- Song of the Hindu Merchant from Sadko
- Does you heart, maiden...
- There is a deserted land...
- Slowly the day was fading...
- I do not know her name...
- Forgive me, divine creature...
- What is our life? A game!
Customer Reviews:
Rich and Soulful.......1999-10-02
Sergei Larin is excellent and he has a voice that pleases, but the delicious and haunting main attraction is the music, the music, the music! We can only be grateful that Russian music is becoming more and more available to us. This recording is beautifully support by the Philharmonia Orchestra conducted by Rozhdestvensky. Chandos has given us another wonderful release. One quibble...the Russian lyrics are not transliterated from the Cyrillic, so we non-Russian speakers cannot follow along. I'll live with it. A CD to treasure.
Average customer rating:
- An Interesting Collection of Russian Tenor Arias
- Another Naxos winner.
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Russian Opera Arias
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Dances
| Ballets & Dances
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All Works by Mussorgsky
| Mussorgsky, Modest
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All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
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General
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Similar Items:
- Russian Opera Arias 2
ASIN: B00005UO8J
Release Date: 2002-04-16 |
Tracks:
- Overture
- Hermann's Arioso (Act I) I Do Not Know Her Name
- Hermann's Arioso (Act I) Forgive Me, Heavenly Creature
- Hermann's Arioso (Act III) What Is Our Life? A Game!
- Overture
- Levko's Aria (Act I) The Sun Is Low
- Levko's Recitative & Song (Act III) Sleep, My Beauty
- Waltz (Act II)
- Lensky's Aria (Act I) I Love You, Olga
- Polonaise (Act III)
- Lensky's Aria (Act II, Scene 2) Where, O Where Have You Gone?
- Ecossaise (Act III)
- Gopak
- Grit'sko's Song (Act I) Why, O Heart, Do You Sob And Groan?
- Overture
- Song Of The Off-Stage Singer My Heart Quivers
Customer Reviews:
An Interesting Collection of Russian Tenor Arias.......2005-09-19
When people think of the great tenors, the name Vladimir Grishko does not come as quickly to mind as say, Placido Domingo or Franco Corelli and a disc with arias from Mussorgsky's SOROCHINTSY FAIR or Rimsky Korsakov's May Night may not be as tantalizing as a disc with arias from AIDA, LA BOHEME, or FAUST. While I do not expect that this disc from Naxos will steer people away from the tried and true favorites, it will certainly show people the beauty of Russian opera. It will also introduce many people to a tenor who performs some beautiful arias from a type of opera known primarily for its great bass roles.
Two of the sets of arias are from Tchaikovsky's well known QUEEN OF SPADES and EUGENE ONEGIN. Grishko does a particularly fine job with the three arias from QUEEN OF SPADES, displaying the lyrical quality of his voice. He does a good job with the ONEGIN arias as well. Since the other operas with arias are not all that familiar to most non-Russian listeners (including me), it is hard to say whether he does an exceptional job or his interpretations are on the mark, but it is safe to assume that with the beauty of his voice, his pace and control, and overall delivery of the pieces that he does them justice as well. An added bonus to this disc are the orchestral excerpts including the well known Waltz and Polonaise from ONEGIN and the familiar Gopak from SOROCHINTSY FAIR, as well as lesser known works such as Arensky's overture to DREAM ON THE VOLGA and Rimsky Korsakov's overture to MAY NIGHT.
This disc will be a great addition to any opera recording library and fans of great tenors may discover a new rising star. Since he is young and his voice is in excellent shape, he may also be a name we hear with critical acclaim in the future.
Another Naxos winner........2002-06-06
Serious music lovers with half an ear will be aware that Russian is one of the most suitable languages for singing. They'll also be aware that not many CDs come to hand which provide opportunities to hear it. All the more welcome therefore is this issue, from the adventurous and widely-distributed Naxos label, of a collection of tenor arias and orchestral excerpts from Russian operas.
The tenor arias are allocated to Vladimir Grishko, a Ukrainian tenor whose career seems to date from several prize winning appearances he made in competitions in 1989. He enunciates beautifully, his voice is free of wobble, and the tone is free and open throughout the whole range. All the orchestral forces are Russian and the orchestral items are conducted by Theodore Kuchar, who secures wider dynamic extremes that are usually heard in the popular Tchaikovsky, Rimsky-Korsakov and Mussorgsky items.
A final word of praises is for the format of this CD. Juxtaposing orchestral and vocal excerpts from the selected Russian operas makes for 67 minutes of varied and well-programmed listening.
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Not Your Average Joe
Joe Killa A.K.A. Joe Dirty
Manufacturer: EDC Entertainment
ProductGroup: Music
Binding: Audio CD
General
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| Styles
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ASIN: B000CAE1SU
Release Date: 2003-05-13 |
Average customer rating:
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Love Is Not a Game
J Majik , and Kathy Brown
Manufacturer: Import [Generic]
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
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Dance & DJ
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ASIN: B00005B1HW
Release Date: 2001-06-05 |
Tracks:
- Love is Not a Game [Original Radio Edit]
- Love is Not a Game [Julious Vocal Edit]
- Love is Not a Game [Dillinja Remix]
- Love is Not a Game [Hydrogen Rockers Vocal]
Album Details
Drum n Bass.
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Music Review
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