Wuthering Heights (Love Attack) [Import]

Wuthering Heights (Love Attack) [Import]

Track Listings

1. Love Attack/Wuthering Height

2. Wuthering Heights: Act I

3. Wuthering Heights: Act II

4. Wuthering Heights: Act III

5. Shake It Baby Love

6. Love Eyes

7. Love Attack [Radio Edit]

Tracks:

Laura
Now, Voyager
Modern Times
Lost Weekend
The Quiet Man
The Adventures Of Robin Hood
Casablanca
Henry V
The Uninvited: 'Stella By Starlight'
My, Foolish Heart
Gone With The Wind
Wuthering Heights

Amazon.com

Cinema Serenade 2: The Golden Age is the sequel to Itzhak Perlman's popular album of movie themes performed with soundtrack composer John Williams. Unlike its predecessor, this disc focuses on classic cinema themes and features the Boston Pops Orchestra, not the Pittsburgh Symphony Orchestra. The Laura theme, as well as Max Steiner's Now Voyager and Miklós Rózsa's Lost Weekend themes, sound lush and romantic in Perlman's lyrical hands. The traditional Irish jig "The Quiet Man" is the disc's most upbeat moment, while the unforgettable Gone with the Wind theme is its most memorable. These are timeless, dreamy compositions, though not necessarily the most uplifting. If you're looking for something cinematic to get your heart racing, check out Ricardo Chailly's recording of Shostakovich's film scores or even Leopold Stokowski's classic work on Fantasia. --Jason Verlinde

Customer Reviews:

NEVER RECEIVED THIS ITEM!!.......2007-03-17

I cannot review the product which I know is great , as I was billed for it, but never received it.

Perlman, Williams reunite in wonderful Serenade sequel.......2003-12-04

With the success of Cinema Serenade, conductor John Williams and violinist Itzhak Perlman reunited to record another collection of classic movie themes. Performed this time by the Boston Pops Orchestra, the music of Cinema Serenade 2: The Golden Age harkens back to the days of stars such as Bette Davis, Humphrey Bogart, Errol Flynn, Ray Milland and Clark Gable.

The 12 selections include themes by Hollywood legends Max Steiner, Miklos Rozsa and Erich Wolfgang Korngold (whose son George would later produce several of composer/conductor Williams' scores for Varese Sarabande Records). Cinema Serenade 2 presents beautiful arrangements of Steiner's themes for Now, Voyager and Gone With The Wind, Korngold's love theme from The Adventures of Robin Hood, Charlie Chaplin's lovely Modern Times and "St Patrick's Day," a traditional Irish song from the John Wayne classic The Quiet Man.

Since I consider myself to be a charter member of The Rick Blaine Society of Rank Sentimentalists, I'd have to say my favorite tracks on this album are Herman Hupfeld's timeless "As Time Goes By" from 1942's Casablanca and Victor Young's "My Foolish Heart" (from the 1949 film of the same title). It was while I was listening to the radio (on the late WTMI 93.1 FM classical station) that the DJ played "As Time Goes By" and I discovered this recording of mostly lyrical themes; I listened to Perlman's haunting violin solos and the Boston Pops' bravura performance and nearly wept. I, of course, bought this CD the next day and it's now one of my favorites.

For fans of Itzhak Perlman, John Williams or film music in general, both of the Cinema Serenade CDs are a treasure trove of beautiful and memory-stirring themes.

Some of the most beautiful music you'll ever hear.......2001-06-15

This is one of the most beautiful CDs I've ever heard. The selections are musically much richer than Cinema Serenade I. In particular, Sir William Walton's music from Henry V, Korngold's music from Robin Hood, and Newman's music from Wuthering Heights are standouts. The Korngold is my favorite, with several themes from the picture packed into a short love scene lifted straight from the movie. The arrangements on this album are stunningly lush, especially those by Williams. His opening chords from The Uninvited are terrific harmonically.

Don't compare it to Cinema Serenade 1.......2000-01-24

Itzhak Perlman is still considered by me the best violinist alive today. His techiniques are so impressable and heartouching and nobody can contest that. The idea of this CD was wonderful, although the selections of the musics aren't so good than in Cinema Serenade 1. But anyway, if you want to listen musics that worldwide the people emotioned with, buy this CD, but don't fall in the temptation to compare it to the first one.

I can't stop listening to this CD...........1999-10-03

All of those lush movie themes are greatly compiled on this CD. I especially liked Laura and Stella by Starlight. After listening to this, you will want to go out and buy/rent these great old movies!

The Essential Michel Legrand Film Music Collection

Average customer rating:

A Beautiful Re-Creation of Over-Exposed Legrand Material
"one of the greatest film composers of the 20th Century ~ Michel Legrand"

The Essential Michel Legrand Film Music Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

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Similar Items:

Michel Legrand by Michel Legrand
I Love Paris
Michel Plays Legrand
Summer of 42
Le Cinema de Michel Legrand

ASIN: B000B5XSSA
Release Date: 2005-10-04

Tracks:

Les Parapluies de Cherbourg
Les Demoiselles de Rochefort
Summer of 42
Never Say Never Again
How Do You Keep The Music Playing
The Thomas Crown Affair
What Are You Doing The Rest Of Your Life?
Les Trois Mousquetaires
Wuthering Heights
Brian's Song
Dingo
Yentl
Le Messager - Variations 1-2-3-4-5-7

Customer Reviews:

A Beautiful Re-Creation of Over-Exposed Legrand Material.......2006-02-10

Michel Legrand is one the biggest artists of music entertainment, a sensitive composer and arranger.

Here you'll find a correct selection of Legrand's material with unnecessarily new arrangements though with an impeccable performance.

Many of the songs in the repertoire are still available in CDs you can find here @Amazon and the best Legrand is the original Legrand.

This album stands only for those who doesn't care about original takes and wishes just for a selection of the best Legrand.

"one of the greatest film composers of the 20th Century ~ Michel Legrand".......2005-10-26

Silva Screen has released a collection that will set you on your ear "The Essential Michel Legrand Film Music Collection"...Legrand's score sets the tone and mood you experience a sense of power and freedom, so exhilarating...Legrand's genius in composition and orchestration, puts the listener smack dab in the middle of each film he scores as it serves up a generous helping of heaven for all "film-score-buff" collectors

Michel Legrand was born in Paris on February 24th, 1932...attended the Paris Conservatory Progressing...worked in various jazz bands, later a staff arranger and composer...an orchestrator in the '50s...scored films in the early '60s with "THE UMBRELLAS OF CHERBOURG" (1964)..."THE THOMAS CROWN AFFAIR" (1968)..."THE GO-BETWEEN" (1970)..."SUMMER OF '42" (1971)..."THE THREE MUSKETEERS" (1973)...and three Oscars from the Academy Awards for "THE WINDMILLS OF YOUR MIND" for best music and original song in 1969 , "SUMMER OF '42" for best original song and original dramatic score in 1972... "YENTL for best music and original song score in 1984...then in 2003 nominated for Broadway's Tony Awards for Best Original Music Score for the Musical "Amour", there's no letting up for this hard working composer.

The Flemish Radio Orchestra featuring conductor composer Michel Legrand on piano and harpsichord, Philippe Chayeb on bass, Thierry Chauvet on drums and Bruno Caviglia on guitar...all in all did a magnificent job in bringing the music of a composer who wrote for a multitude of films, receiving recognition from the industry and fans which is long over-due ~ his work is in constant demand.

This collection contains an overlay of each cue in Legrand's distinctive style of legendary scoring ~ the man who made this possible, a tremendous asset to every project he undertakes is Reynold da Silva [executive producer of the album] ~ symphonic suites with full orchestra fullfilling the "film-score-buffs" cravings for more of the same, just the way we like 'em!

Total Time: 77:55 ~ Silva America 1185 ~ (10/04/2005)

Renée Fleming - I Want Magic! ~ American Opera Arias

Average customer rating:

All-American Fun
A great listening pleasure. Better than some other selections
I wish I could give more than 5 stars
This music needs a lot less diva
Bringing American opera to the forefront

Renée Fleming - I Want Magic! ~ American Opera Arias
George Gershwin , Carlisle Floyd , Leonard Bernstein , Douglas S. Moore , Bernard Herrmann , Gian Carlo Menotti , Igor Stravinsky , Samuel Barber , André Previn , Metropolitan Opera Orchestra , James Levine , and Renée Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Renée Fleming
Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Reneé Fleming & Jean-Yves Thibaudet - Night Songs (Fauré, Debussy, Marx, Strauss, Rachmaninov)
Renée Fleming: Bel Canto
Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti

ASIN: B00000AFR4
Release Date: 1998-09-15

Tracks:

Wuthering Heights: I Have Dreamt
The Ballad Of Baby Doe: The Letter Song
The Medium: Monica's Waltz
Porgy And Bess: Summertime
Porgy And Bess: My Man's Gone Now
Candide: Glitter And Be Gay
Susannah: Ain't It A Pretty Night
Susannah: The Trees on the Mountains
The Rake's Progress: No Word From Tom ... I Go, I Go To Him
VANESSA: He Has Come, He Has Come
A Streetcar Named Desire: I Want Magic!

Amazon.com

Like Dawn Upshaw's The World So Wide on Nonesuch, this program is such an inviting cross section of American opera of the last 50 years, you wonder why more of it hasn't been recorded. Composers include Carlisle Floyd, Douglas Moore, Samuel Barber, and Gian Carlo Menotti, whose childlike "Monica's Waltz" from the otherwise lurid opera The Medium is a highlight. Old favorites are here, such as Gershwin's "Summertime." And new favorites, too: Andre Previn's forthcoming "A Streetcar Named Desire" graciously offers Straussian lushness and bitonal wind-instrument details suggesting Blanche DuBois's mind departing from reality, all sounding remarkably true to Previn's pre-World War II upbringing in Berlin. This dramatically alert arioso isn't so melodically memorable but makes all necessary dramatic points eloquently. Though she performs vividly throughout, Fleming often lets her vocal tone overwhelm articulation of the words--a middling drawback. And comedy is not her thing: Bernstein's "Glitter and Be Gay" is way too hammy. --David Patrick Stearns

Customer Reviews:

All-American Fun.......2007-01-01

I love this CD. It's so incredibly American. It features American lyric soprano Renee Fleming singing American opera arias. Ms. Fleming is capably accompanied by the Met orchestra, America's best opera orchestra, conducted by another distinguished American, Maestro James Levine. The only way this CD could be more American is if it were released on July 4th, with two baseball tickets included. I'm grateful that Decca made this release.

This CD starts out very strong with a gorgeous aria "I have dreamt" from "Wuthering Heights". I've never seen this opera nor heard of this opera. If the opera is half as good as the aria, I would love to see it. Renee cruises through "The Letter Song" from "The Ballad of Baby Doe" with heartfelt interpretation. "Monica's Waltz" is not one of my favorite arias in the world, but Ms. Fleming sings it beautifully.

Here's where we depart, and the reason I gave this CD only 4 stars. First, Renee sings two arias from "Porgy and Bess": "Summertime" and "My Man's Gone Now". Renee's voice is way too rich and lush for these arias. Listen to Renee sing it, then listen to the gold standard, Leontyne Price. You'll see what I mean. Renee's rendition of "My Man's Gone Now" was just way too pretty. The score calls for some extended glissandos, which are supposed to be wails of grief. Renee sang the glissandos beautifully, but no grief was in sight. Her next choice "Glitter and Be Gay" from "Candide" is just not a good choice for her. I think even Renee would tell you that a voice like hers is just not right for Cunegonde. This aria (and role) calls for a smaller voice. [...].

Then Renee reminds me of why I love her in the first place, by returning to two arias from "Susannah", a signature role for her. Her performances of "Ain't it a pretty night!" and "The trees on the mountains" are too good for words. She completely understands this role, and communicates the mood in these arias right through your speakers. Just imagine how good it must be live!

Renee closes with "No word from Tom" (The Rake's Progress), "He has come, he has come!" (Vanessa), and "I want magic! (A Streetcar Named Desire). I wish more opera companies would produce "The Rake's Progress". This is a wonderful opera by an "adopted" American composer, Igor Stravinsky. The aria from "Streetcar" is kind of an odd choice to close this CD, but Renee did premiere the role of Blanche in this Previn piece with the SF Opera. So maybe it's not so strange after all.

Highly recommended for fans of Renee Fleming, and those who need to add some good old American opera to round out their Puccini collections. This is a nice performance record by a woman surely destined to be one of the greatest lyric sopranos in history.

A great listening pleasure. Better than some other selections.......2006-04-05

'I Want Magic' sung by superstar mezzo Renee Fleming, backed by James Levine and his Metropolitan Opera Orchestra follows the same pattern of severa of Fleming's other releases, in that there is one widely known and very familiar piece (Gershwin's 'Summertime' from 'Porgy and Bess') plus many less familiar pieces.

The theme of all the pieces is that they are arias from American operas, all in English. And, I get a lot more from this selection than I do from, for example, her recording of Shubert Lieder. One thing I learn is how totally typical is Leonard Bernstein's piece from 'Candide', which sounds like it stepped right out of a production of 'The Fantasticks'. Gershwin's two great songs, on the other hand, are icons of American music and even Herrmann's movie song from Wuthering Heights makes Bernstein's song sound ordinary.

But, the album is really all about Fleming's realization of these songs, which is simply nothing less than spectacular. While I tend to prefer hearing works 'in situ', Fleming's talent is so great that hearing her do eleven pieces out of context is worth it. The album is also more interesting than the average collection of Lieder in that it has the backing of a major American dramatic orchestra.

Better than average Fleming choice.

I wish I could give more than 5 stars.......2005-09-30

This recording is truly wonderful! I really feel that American composers have written some incredible things. I think that American opera is much better than British opera, with the exception of Benjamin Britten. My favorites on this track are actually all of them, but if I had to choose, I would pick: "No word from Tom" (The Rakes Progress, Stravinsky), "Ain't it a pretty night" (Sussanah, Floyd), "Glitter and be Gay" (Candide, Bernstein), and my absolute favorite "Monica's Waltz" (The Medium, Menotti). This is such a great album. Some of Renee's diction isn't completely clear, but that's opera. In order to acheive a beautiful sound, especially in English, certain vowels need to be altered. ESPECIALLY for the soprano voice. When singing so high, certain vowels and consonants need to be altered a bit. Anyway, it's an incredible album!!

This music needs a lot less diva.......2005-09-18

Renee Fleming has a glorious voice, and there's not a note here that isn't ravishing. Decca's engineers have caught the voice very well, and Levine's conducting is all it could be. The problem? Well, having her sing Summertime and My Man's Gone NOw was a bad idea, not only because both are cliches. Felming has a hard time sounding emotionally natural. She tends to apply her incredible voice with diva-like self-consciousness and play-acted emotion far too often.

Which means that her CD recitals are hit-and-miss. Glitter and Be Gay is a disaster here because she tries to be funny and winds up being self-conscious and embarrassing. But the big aria form Susannah, a role Fleming sings at the Met, is perfect. I expected a lot more adventurousness from this American collection, since Felming is, after all, an American singer. But it's mostly overplayed, like Puccini in English, sobs and all. I enjoyed the voice, but after a while the mannerisms became tiresome.

Bringing American opera to the forefront.......2005-01-20

American opera is not as well-known to many people because it can be complex, both musically and dramatically, and requires amazing vocal technique to sing things that sound simple. Fleming's recording highlights some familiar arias (the Susannah arias, for example) as well as some that are almost unknown. If you are an opera fan, and especially if you want to learn more about American opera, this CD is a great place to start. My favorite: Glitter and Be Gay, from Bernstein's Candide. Wow.

Average customer rating:

Pure beauty
WHAT A GIFT!
Incredible voice - Incredible CD
The Best
Charlotte is NO match...

Pure

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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My Gift to You
Hayley Westenra
Odyssey
Celtic Treasure
Hayley Westenra - Live From New Zealand

ASIN: B0000TCP9A
Release Date: 2003-11-10

Tracks:

Across the Universe of Time
Never Say Goodbye
Beat of Your Heart
Pokarekare Ana
Who Painted the Moon Black?
River of Dreams
Benedictus
Hine E Hine
Dark Waltz
Amazing Grace
My Heart and I
In Trutina
Heaven
Wuthering Heights
Pokarekare Ana [*] - Russell Watson, Hayley Westenra

Tracks:

Silent Night [*]
Away in a Manger [*]
Mary Did You Know? [*]
Mummers' Dance [*]

Album Description

A major artist in her native New Zealand, with a performance portfolio that includes the Royal Philharmonic Orchestra & Russell Watson. Hayley's voice so inspired New Zealand opera diva Dame Malvina Major she offered to tutor her. The first edition of this album was one of the fastest selling records in the classical genre of all time, surpassing even Charlotte Church! This limited edition includes one bonus track on disc one, 'Pokareare Ana' (duet with Russell Watson), & a bonus four track Christmas CD featuring, 'Away In A Manger', 'The Mummers' Dance', 'Mary Did You Know?', & 'Silent Night'. 19 tracks in all. Decca. 2003.

Album Details

Limited Edition Version of the Debut Album from New Zealand Singer Hayley Westenra Comes with a Bonus Disc featuring Four Christmas Songs, Including a Version of the Loreena Mckennitt Song "The Mummer's Dance". Also Includes "my Heart and I" which Does Not Appear on the USA Version.

Customer Reviews:

Pure beauty.......2005-09-06

Ever since Charlotte Church turned into a tabloids' darling and a wannabe pop star, there's been a gap opened for a young, sweet-faced soprano. The best bet on filling it seems to be Hayley Westenra, a young singer/dancer from New Zealand.

The result: "Pure," an album that is reminiscent of early Sarah Brightman, back when she did folk songs and showtunes. Westenra sticks close to her classical sound with songs like the delicate "In Trutina" and the traditional New Zealand song "Pokarekare Ana," which is rendered with the backing of a a rather muddled male chorus and some swelling strings.

However, Westenra doesn't neglect more modern songs, and she does well in classical pop as well as straightforward classical. The big difference seems to be a bit of synth and a delicate guitar melody, in songs like the charming "Beat of Your Heart" and dreamy "Why Painted the Moon Black?" It's a smooth, thoroughly sweet crossover effect.

Westenra also eschews the usual round of classical-pop songs, like "Nella Fantasia." I love that song, but it's been done so many times. Instead, she opts for Maori lullabies, Vivaldi ballads, the neglected "Mummer's Dance" and the orchestral cathedral grandeur of "Benedictus." She even covers Kate Bush's "Wuthering Heights," adding a modern feel to the finale.

That is not to say that every choice is an excellent one. "Wuthering Heights" has Westenra trying to sound more Bush-ian, while "Amazing Grace" is too simple vocally. Aside from those, her choices of song are excellent -- rich, uplifting and beautiful, and backed by a wide range of orchestral musicians, especially the strings.

There is also an accompanying EP, in which Westenra covers four Christmas ballads, and does them all justice. Her vocals are well suited to the dignified lyrics of songs like "The Mummer's Dance" and "Silent Night," although a bit less for the still-lovely "Mary Did You Know" and "Away in a Manger."

Her vocals themselves are not operatic, but they are strong, clear and sweet, without pretensions or dramatic flourishes. The effect is stunning, more given to magic and sweetness than to keeping to classical standards. Since this was recorded when Westenra was only sixteen, one wonders how good she'll be in ten years.

Despite comparisons to Charlotte Church, Hayley Westenra is more like Sarah Brightman -- a sweet-voiced singer, straddling the fence between classical and pop. An enchanting experience.

WHAT A GIFT!.......2004-12-20

I RECEIVED THESE 2 CDS AS A GIFT AND I LISTEN TO THEM FREQUENTLY. HER PERFORMANCE WITH RUSSELL WATSON (ON DVD)ON HIS TOUR IS WONDERFUL. I CAN'T WAIT FOR A NEW ALBUM. WOULD LIKE TO GET HER NEW SONG, BRIDAL BALLAD, FROM THE SOUNDTRACK OF THE MERCHANT OF VENICE

Incredible voice - Incredible CD.......2004-04-29

I recently saw Hayley on TV and had to immediately buy this CD. Her voice is so clear and pure, and her songs are filled with lyrical emotion.

It is an absolutely incredible CD that any music lover should have in their collection. My favorite song is Wuthering Heights.

The Best.......2004-04-27

Her album is the best, voice of an angel.......you can totally relakes to her music.

Charlotte is NO match..........2003-12-15

Hayley is just phenomenal. There is no doubt that she surpasses every other female artist in her genre. This CD is astonishing. My two favorite songs are "Heaven" and "Wuthering Heights". The first Hayley Westenra song I ever heard was "Heaven". It would not be the last. Her voice is like that of an angel. She has a smooth, serene sound, and she has an incredible range. If you want a more classical sound, you want her. It's not that gaudy stuff that people generally think of. This stuff has a beat... and it's not pumping with bass. If you're a fan of Sarah Brightman, Josh Groban, Charlotte Church, or Mario Frangoulis... try Hayley Westenra, you won't regret it. I just can't wait 'til she comes to the states... that'll be a good day. She has a few Italian songs, but she's not heavy on the foreign stuff like some of the other artists of Opera / Classical. She's got a wonderful voice for a little girl... I'm a huge fan, Hayley! You roped me in, in about 2 minutes time!

Average customer rating:

Wuthering Heights: The Ballet
Claude M Schonberg
Manufacturer: First Night
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music
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The Pirate Queen (2007 Original Broadway Cast)

ASIN: B000112V8M
Release Date: 2004-03-23

Wuthering Heights-A Tribute To Alfred Newman

Average customer rating:

Vintage Newman...
Must for Wuthering Heights Fans
Wonderful recording of Newman's early music

Wuthering Heights-A Tribute To Alfred Newman

Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Captain from Castile: Music from Alfred Newman Film Scores
Friedhofer: The adventures of Marco Polo/The Lodger/The Rains of Ranchipur/Seven Cities of Gold
Korngold: Devotion
A Centenary Celebration
The Alamo: The Essential Film Music Collection

ASIN: B000001SJM
Release Date: 1997-02-18

Tracks:

Wuthering Heights
Princes Of Foxes
David And Bathsheba
Dragonwyck Suite
Prisoner Of Zenda Suite
Brigham Young March

Customer Reviews:

Vintage Newman..........2005-03-29

Nothing else on this disc will surpass the the bold hauntingly beautiful Cathy's theme from the "Wuthering Heights"suite.
We are then given lesser known selections from the 1930s, 40s era
of Alfred Newmans extraordinary film score output. "Prince of Foxes" the Italian renaissance historical novel wasn't even shot in technicolor, but we are given a marvelous panoramic Newman score, complimenting the period costumes and sets. The seductive theme from "David and Bathsheba" is a bit reminicent of R Straus's "Dance of the Seven Vails" but not as beefy in orchestration nor development. "Dragonwyck" is another gothic piece of dark romanticism, with music focusing on eleagant melody with a touch of saddness. In "Prisoner of Zelda" the regal music grandly depicts the the fictional Kingdom of Ruritania. This score was used in 1937 and again in the 1952 remake. Lastly the march from "Brigham Young" ends this disc with the bold determination in music of the Mormon's trek from Illinois to Utah in 1840, and the setting of their domain.
The New Zealand forces are to be commended for their committed playing along with the cinema sonics captured by the engineers. The liner notes list every score Alfred Newman has written from 1930 to "Airport" in 1970.

Must for Wuthering Heights Fans.......2004-10-04

Wonderful tribute to Alfred Newman, the Wuthering Heights suite alone is enough to buy this CD! Beautiful and moving music indeed!

Wonderful recording of Newman's early music.......2003-08-07

It has been a long time since a film music recording has captured my imagination and become virtually unforgettable, working its way into my thoughts through the days following my first hearing it. Seldom do I agree with others about the merits of albums released with the usual repeats of themes available on a dozen other recordings. Because of this, I have been accused of being a world-class curmudgeon (among other things) when it comes to preferring faithfulness to a composer+s work, rather than embracing the uninspired and pedantic interpretations we all-too-often get.

It is, therefore, with trepidation -- and with joy -- that I highly recommend to you Koch International+s "Wuthering Heights: A Tribute to Alfred Newman," Richard Kaufman conducting the New Zealand Symphony Orchestra. The program features Wuthering Heights (12:40), Prince of Foxes (13:19), David and Bathsheba (love theme -- 3:44), Dragonwyck (8:43), The Prisoner of Zenda (7:01), and Brigham Young (5:18).

This album was lovingly produced by the late Tony Thomas, and Edward B. Powell's original orchestrations were preserved throughout. The ambient sound on this disc is wonderful and could serve as a standard for other re-recording projects. Not only are the selections representative of Newman's genius as a film composer, they are performed with impassioned fervor -- and with fidelity to tempo and nuance rarely achieved by other interpreters of Newman's work.

The CD begins with a generous suite arranged by Fred Steiner for "Wuthering Heights," encompassing all the major motifs of Newman's score -- Despair - Twin Motives; Cathy's Theme; Wuthering Heights Motive - The Moors; The Children (Wuthering Heights the early days); The Playcastle; Cathy the Fine Young Lady; Isabella; and Edgar Linton - The Grange. Steiner missed nothing in this arrangement -- it is replete with Newman's trademark sounds, all beautifully performed, including ethereal strings evoking the moors and some hauntingly wonderful instrumental solos. (That haunting, almost eerie string effect made equally impressive appearances in such scores as "Song of Bernadette" and "Twelve O'Clock High"). There are passages within this suite that achieve a purity of sound I've rarely heard. As the Cathy theme is restated in the closing moments, a youth choir is used to near-stunning effect. The suite fully realizes the poignancy and staggering intensity of Newman's score and sound. The New Zealand Symphony is a magnificent body of musicians and it is expertly conducted throughout this disc's program.

The wonderful opening selection is a listening experience that, for Newman lovers, should be nearly cathartic. Because of this, it's probably best to take a breather before continuing on to the magnificent presentation of "Prince of Foxes.". This suite was edited by Tony Thomas and Kaufman leads his orchestra from the explosive opening of percussion of the Prelude through the major motifs of Newman's score for this renaissance film. Borgia's Triumphal March will be more familiar to many as the 'Rescue of Demetrius' from "The Robe" (and it was originally
written for "Hunchback of Notre Dame"), but as is true of all Newman's cross-referenced works, the piece takes on new life with gorgeously different and striking orchestrations. The sequence beginning with Theme Development and continuing through to the end is a stunning orchestral conversation, starting in the flutes, then taken up by cello and violin, interrupted by fanfare, then taken back over by the string section which engages in a wonderful counterpoint exercise. The suite ends majestically with an organ leading into a restatement of the main theme and concluding with full orchestra fortissimo.

The shortest selection in this program is a mesmerizing reading of Newman's love theme from "David and Bathsheba." There are more than 3 minutes of Newman's music here and each second is a gem. It begins with the strings shimmering through the sensual seductive phrases of both the film's main title and Bathsheba's bath scene and segues into a gorgeous reading of the love motif (known in some quarters as 'Rapture of Love') in which the NZO is so beautifully in control that it seems to caress the notes as it weaves a spell. It is contemplative, soulful and searingly heartfelt.

The "Dragonwyck" suite, edited by Tony Thomas, begins with Main Title and Opening, in which the orchestra explodes into a foreboding, gothic maelstrom of sound and then segues into a jaunty, lilting tune. The Dragonwyck theme follows and has a plaintive, yearning quality that evolves into a beautiful light waltz (The Wells Family). The music turns sinister in Miranda, with high strings in a mysterioso passage. Dr. Turner closes the suite (and possibly the film?) with a somber, plaintive restatement of the Dragonwyck theme in the strings and then a full orchestral conclusion.

Tracks:

Forbidden Colours
The Last Emperor
Little Buddha
Wuthering Heights
Replica
El Mar Mediterrani

Customer Reviews:

Movie music from the master.......2001-11-22

I enjoyed Sakamoto's soundtrack for WINGS OF HONNEAMISE and his composition for the Summer Olympics in Barcelona, Spain. Then after hearing an interview with Sakamoto on "World Cafe with David Dye", I decided I wanted more. CINEMAGE is a nice sampling of his various soundtracks and convinced me to get more. His music is very melodic and fits well with each movie, yet each has his distinctive sound. Nice background music for a quiet Saturday afternoon.

totally moving.......2000-11-26

I bought this album because of the song "Forbidden Colours" from the movie "Merry Christmas Mr. Lawrence". This song alone worth more than the price. It is a perfect masterpiece: the music, the lyrics and sylvian's voice.. my heart just melt whenever I listen to it, yes, everytime. It's so powerful, try it yourself and you will feel it too... (The other famous orchestral tracks are also great... but they became extras to me)

A vexed effort, but valiant.......2000-05-12

Including some of his most renowned themes, CINEMAGE is a collection of works primarily composed to accompany visual events established on film. Known for his syncretism, particularly of East meets West, Sakamoto offers a unique, unabashed glimpse into his melodic universe, remaining one of the few film composers not submerged in the musical polyglot of the Hollywood scene.

Recorded live on tour in 1997, CINEMAGE boasts an unrehearsed, but convincing performance by the Orchestra. Conducted by Sakamoto, with Yutaka Sado, the recording occasionally glistens with the imaginative elements of the music's inception intact. The graceful `Little Buddha' and `The Last Emperor' both evoke a sense of Romanticism and tragedy. `Replica' glimpses into the more playful, jazz-like harmonies of Sakamoto's compositional style, as well as the ferocious 1992 Olympiad theme `El Mar Mediterrani' which is bold, and episodic in nature. The centerpiece of the album lies in `Forbidden Colours' the heart rendering theme of Nagisa Oshima's emotional 1983 film "MERRY CHRISTMAS, MR. LAWRENCE." Along with guest musicians David Torn, DJ Spooky, and David Sylvian, Ryuichi Sakamoto proves that his music has the tenacity to reach farther than the silver screen, and onto the concert stage.

beyond film music?.......2000-03-21

Sakamoto's global fame as a composer and musician may lead to expections of unmerited praise, but don't be mistaken; "Cinemage" is certainly a work that speaks for itself. Utilizing mainly the piano and orchestra, Sakamoto relives some of his paramounts as a film composer in this recording. His technique, interpretation, and composition is beyond doubt; music lovers will enjoy Sakamoto's firm understanding and presentation of such classical elements ranging from Vivaldi to Barber. However, it is observable that the music seems to lack a certain maturity, that which that makes compositions classics instead of another piano-and-bar piece. Sakamoto's phrasing is sometimes abrupt and premature, and perhaps that is to be attributed to the fact that film music will remain film music, lacking the coherence that traditional compositions emphasize. Highlights of the recording include "Forbidden Colours", featuring the most beautiful and emotional piano and vocal parts. "El Mar Mediterrani" borders on the fringe of classical and new age; its sometimes chaotic and erratic melodies are truly inspirational and make this track a gem. All in all, Sakamoto delivers a range of material with such sophistication that reasserts his genius and fame. "Cinemage" is certainly a recording that music lovers cannot afford to miss.

A new--and live--orchestral recording.......2000-03-03

Sony says: CINEMAGE consists of 'New recordings of Sakamoto's best-known music for film and television, including "Forbidden Colours" from Merry Christmas, Mr. Lawrence with vocal by David Sylvian, the Oscar® winning theme from The Last Emperor, and "El Mar Mediterrani" composed for the 1992 Olympic Games in Barcelona. Sakamoto on piano is accompanied by a large orchestra in these new arrangements of well-known themes.'

Average customer rating:

Not grand, but good none the less
Interesting musical for a literary classic
Flawed, but appealing
Good treatment of a complex book

Wuthering Heights

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Classical | Styles | Music

Jane Eyre, the Musical (Original 2000 Broadway Cast)
Frankenstein, The Musical
The Scarlet Pimpernel: The New Musical Adventure - Original Broadway Cast Recording
The Color Purple (2005 Original Broadway Cast)
Little Women The Musical (2005 Original Broadway Cast)

ASIN: B00009Y3OJ
Release Date: 2003-07-08

Tracks:

Prelude
Wuthering Heights
Cathy!
They Say He's a Gypsy
You Were My First Love
I See a Change In You
One Rules My Heart
I Have No Time For Them
He's Gone
Let Her Leave / I Will Have My Vengeance. Act One Finale
The Gypsy Waltz
I Belong To the Earth
Coming Home To You
The Pleasure of Your Company
If Only
Heathcliff's Lament
Up Here With You

Customer Reviews:

Not grand, but good none the less.......2006-12-16

I'll start by saying that this did not follow Bronte's classic extremely well, having cut out the latter part of the book, but it does suffice for what is there. Though with just the CD, and none of the dialogue that would have come between songs, it is a bit difficult to follow the story. The vocal talents, however, I feel were very exceptional. Dave Willetts made a dark and brooding Heathcliff, and Lesley Garrett captured the essence of Cathy quite well. Not all of the songs were grand, but it had some gems none the less, and did tell a descent story for what was there. If you're seeking a musical CD that tells the full story I would not suggest this one, for it seems parts are missing without the dialogue, but if you just enjoy theatre music, or even the classic novel, I would suggest giving this one a chance.

Interesting musical for a literary classic.......2006-06-16

Conventional from a musical viewpoint, but interesting for being the adaptation of a popular literary classic. It has some attractive tunes and the voices are fine. However, as a whole, it never gets too high. For the ones interested in musicals AND literature as well, it becomes a must.

Flawed, but appealing.......2006-05-07

The strength of this album lies with Bernard Taylor's melodies, rather than in the featured vocal talents. The lyrics are sometimes distractingly weak, as well. There is nothing innovative here--but if you enjoy musical melodrama and memorable tunes, this recording is worthwhile. Despite its flaws, I've played it many, many times.

Good treatment of a complex book.......2004-12-20

I am a fan of Wuthering Heights (the book) and wasn't sure that a musical could capture it, for one thing, it is so long (the end, with Catherine Linton and Hareton is not included). I think that Bernard Taylor does a wonderful job of sticking to the emotion of the book. It 'feels' right. That said, I do not really like Dave Willetts as Heathcliff. He sounds too soft and too refined. The music, in my opinion, is quite good. I must admit, the first time I listened to the musical, I wasn't fond of it. I put it away for almost a year before I listened to it again, but once I did, I fell in love with it. Wuthering Heights deals with a lot of complex relationships. I think that Bernard Taylor does a pretty good job conveying that. Hindley, Isabella, and Edgar are all scarce, but I think that focusing on Heathcliff and Cathy is the best way to tell the story in the end. I really enjoy this musical. It is 'heavier' than a lot of them, very much Operatic in parts (being an Opera singer, I like that, but not everyone would). The music is good,and the emotions are well conveyed but the storytelling aspect is somewhat lacking. This is, of course, largely (at least I think, I have not seen it performed) because a considerable amount of dialogue and character interaction is missing. Still, very worth listening to. If you like musicals like Les Miserables, The Phantom of the Opera, The Scarlet Pimpernel, and Jekyll and Hyde, you will probably like Wuthering Heights.

Average customer rating:

Well-Crafted Ballets, Excellent Sound

20th Century English Ballets

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Carl Davis: Aladdin
Saint-Saëns: Javotte (Complete Ballet)
Bayer: The Fairy Doll (Complete Ballet)
Fete du Ballet: A Compendium of Ballet Rarities
Adam: La Filleule des Fées (Complete Ballet)

ASIN: B00000149B
Release Date: 1996-03-26

Tracks:

Harvest Dance
The Woodcutter's Dance
Pas De Trois
Birds
The Red Ball
Courtly Dances
The Prince And The Drunken Father
Cinderella Prepares For The Ball
Pas De Deux & Finale
The Toy Soldiers Fantasy
The Moors
Branwell And Mrs. Robinson
Wuthering Heights
Charlotte In Brussels
Pas De Deux (Charlotte And Mr. Nicholls)
Epilogue
Nephew And Niece
Keeping Warm
Patapan And Cornhill Slide
Belle And Young Scrooge
Phantoms
Dressing Dance
Deck The Hall

Customer Reviews:

Well-Crafted Ballets, Excellent Sound.......2000-08-21

20th Century English Ballets" is a sonic delight, with quite spectacular sound. The Northern Ballet Theatre Orchestra is an excellent group, as those who have bought the Naxos recording of Philip Feeney's "Dracula" ballet music have found out. The atmosphere is quite different here, because the stories are different.

Feeney has written some lively and characterful music for his version of the Cinderella story, which takes about 30 minutes. I would say it is the best of the three works, being marginally better than the Muldowney. The story has its sad moments when Cindy can't go to the ball, but this nothing as dark as in Dracula! Feeney has written a wonderful score with many magical moments, and also some spectacular ones. This is really fine music.

The Rev. Patrick Brontë had six daughters, three of whom became writers: Anne, Emily and Charlotte. This ballet is about their lives and loves from childhood on, and Dominic Muldowney has written an imaginative score. We see "Wuthering Heights" growing in Emily's imagination; Charlotte's infatuation with her teacher in Brussels; her short marriage, ending with her death; and finally, the father, Patrick, in his old age, who outlived all his daughters. This is very well-done theatre music.

Carl Davis composed ballet music to illustrate Dickens' "A Christmas Carol." And so we see Bob Cratchit; the young Scrooge and his fiancé, Belle, who realized Scrooge loved money; Jacob Marley and the ghosts; and Scrooge's conversion to the Christmas spirit. His score is also well done for what seems to be a children's ballet, often incorporating material from well-known Christmas carols.

I enjoy this disc, especially the Feeney and the Muldowney works, which are very good. The Davis is colorful, with good arrangements of the arrangements of the Christmas carols, but is not very original.

To Travel for Evermore
Average customer rating:

Wuthering Heights - The Band

To Travel for Evermore
Wuthering Heights
Manufacturer: Sensory Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music
General | Rock | Styles | Music
General | Hard Rock & Metal | Styles | Music
Similar Items:

Within

Far from the Madding Crowd

Shadow Cabinet

Lost Horizons

One Cold Winter's Night

ASIN: B00006IXGS
Release Date: 2002-09-03

Tracks:

Behind Tearstained Ice
The Nevershining Stones
Dancer In The Light
Lost Realms
Battle Of The Seasons
A Sinner's Confession: I. Dawn/II. The Child In The Sun/III. The Man In The Moon/IV. Dusk
See Tomorrow Shine
Through Within To Beyond
River Oblivion

Album Description

The second album from the Danish metal band, this sequel to there celebrated debut Within. The second part of the projected musical trilogy finds the band with a new and stronger lineup. Main composer/guitarist Erick Ravin is reunited with ex-Tad Morose vocalist Kristian Andren but the lineup now also includes Time Machine bassist Lorenzo Deho and guitarist Henrik Flymann of Zool. With twin lead guitars the band has expanded their musical vision to encompass neoclassical metal as well as symphonic speed metal. 9 tracks. 2002.

Customer Reviews:

Wuthering Heights - The Band.......2005-01-21

Wuthering Heights is one of those bands I bought cold. I had read good reviews but I wasn't impressed by the name nor the album cover, so I wasn't expecting much. Turns out To Travel For Evermore was one of those pleasant surprises and one of the better Progressive Metal releases I've gotten in a while.

To Travel For Evermore is the middle album of a concept album trilogy, the initial album being Within (1999) and the finale being Far From the Maddening Crowd released just this year. It is ostensibly a story about a time traveler traveling to various times of humanity but to be honest it is the music not the story that interests me.

I would classify To Travel For Evermore as Progressive Metal but in truth it sometimes has an Epic, even grandiose feel to it, in fact portions of the songs are played in a power metal flow. As Epic Power albums often do, To Travel For Evermore opens with an instrumental intro track, "Behind Tearstained Ice". The piece has a Medieval style melody to it, with a flute and violin like keyboard lead and choir backing. In fact the whole album uses choir backing (whether an actual choir or backing band members). Next is "The Nevershining Stones" a melodic, progressive epic with great twin-leads, hard driven riffsl, a nifty chorus, a great melodic piano centerpart and Krille's awesome vocals. Lead singer Kristian "Krille" Andren (ex Tad Morose) shows that his name is in the same league as the other big names in the genre. The next track, "Dancer in the Light", meanders a bit before hitting its refrain, taking it's time to develop the potential.

We then have three long tracks in a row. Despite it's folk sounding beginning, the more progressive, bluesy "Lost Realms" follows, a slow to mid-tempo piece clocks in at eight and a half minutes and offers brooding verses, pastoral instrumental passages, a fabulous bridge, and a serenely harmonic chorus reminiscent of Shadow Gallery. As advertised, this lengthy track is followed by another, a nine minute instrumental "Battle of the Seasons". An energetic progressive composition, that doesn't just rely on flash and fast playing, but controls the effort to paint a musical landscape with broad strokes and varied colors.

The third and longest of the three is also the masterpiece, a multi-part epic, and epic is the right word, "A Sinner's Confession" which begins with the piece de resistance, "Dawn" and blasts its way through nine-plus minutes varied speedy metal, ending with "Dusk." This darkly cynical piece traces a life from it's inauspicious beginning to it's doom, metaphorically for a the larger premise, the rise and fall of humanity. All the varying textures heard elsewhere on the album are elements here, from the driving metal to the folky interludes.

A straight Powermetal number "See Tomorrow Shine", may not be the most experimental song, but it adds to the diversity of the album while presenting a level of charm that adds greatly to the feeling of the album. The penultimate song, "Through Within to Beyond", is a brooding, galloping, highly varied, stop and start, mid-tempo number. A nice track, but probably overshadowed by the many great songs on the album. "River Oblivion" closes things down, similar to the intro, as kind of a dreamy, piece that fades the disc out with some acoustic guitar, orchestral effects. An apt ending to an album, an inverse intro if you will.

CONCLUSION

This is one of those albums that you could be totally ignoring and it just won't let you. You wind up looking up more and more and saying to yourself, wow, that's really good. Do you know someone, anyone that always manages to say the right thing? Or a writer who manages to tell a story in a perfect unquestioned way? Or a decorator who manages to pick out the perfect accessories? That's what this band reminds me of. Their highly melodic music manages to follow each meody with a complementing melody, each note with a complimenting note!

If you like your progressive metal mixed up with several styles of music, with certain, symphonic / majestic style, injected with folk elements along the way, you won't be disappointed with Wuthering Heights. While people are complaining about uninteresting bands that release similar music with each disc, and are looking for something different, Wuthering Heights is a good place to find some unique, powerful, progressive metal.

SIMILAR BANDS

Dream Theater, Royal Hunt, Adagio, Shadow Gallery, Kamelot, Wonderland, Arena

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