Sense

Sense

Track Listings

1. Blue Religion

2. Rebours

3. Boy Behind the Curtain

4. Temporis

5. Syntonic

6. Sense

7. Epigraph

8. Memoirs

9. Angelchrome

10. Sinistral

11. Sense Datum

12. Contre-Coeur

Sense,In the Nursery,Roadrunner Records,Experimental,Experimental Rock,Popular Music,Rock

Voice Lessons To Go Volume 2: Do Re Mi Ear and Pitch Training
Average customer rating:

Old Singers benefit too

great cd

Good training for your voice

Practical

If out of stock please purchase above NEW on Marketplace

Voice Lessons To Go Volume 2: Do Re Mi Ear and Pitch Training
Ariella Vaccarino
Manufacturer: SheSingsOut
ProductGroup: Music
Binding: Audio CD

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Voice Lessons To Go Volume 1: Vocalize and Breath

Singing Coach Unlimited

Singing for Dummies

Set Your Voice Free: How To Get The Singing Or Speaking Voice You Want

Learn To Sing Like A Star

ASIN: B000297VQK
Release Date: 2004-01-15

Tracks:

Introduction
Starting Simple #1 higher or lower
#2 same or different
#3 more
#4 two notes
#5 melody
Introduction to solfedge
Solfedge Exercises #1 Do Re Mi Re Do
#2 Do Re Mi Fa So
#3 So Fa Mi Re Do
#4 Up 5down 5
#5 Major scale up
#6 Major scale down
#7 Major scale up and down
#8 Major scale
#9 Back to Do up scale
#10 Back to do down scale
#11 Ex.9&10 together
#12 Chromatic up
#13 Chromatic down
#14 Chromatic up and down
#15 Back to do Chromatic up
#16 Back to Do Chromatic down
#17 Ex. 15&16 together
#18 Do So down
#19 Do So up and down
#20 Do Re plus
Chord Exercises #1 Major
#2 Augmented
#3 Minor
#4 Diminished
#5 All four together
Hearing Your Note #1 bottom note
#2 Top note
#3 Middle note
#4 Switching off
#5 One note on La
#6 Two notes on La
#7 Melody sing back
#8 Two notes together

Album Description

Voice Lessons To Go! Volume 2 Do Re Mi Ear and Pitch Training

Voice Lessons To Go! is a great way to get going on your singing voice. Whether just beginning or as an addition to the work you have done. Now there is no excuse not to practice and improve because this CD makes it so convenient and easy.

Do Re Mi Ear and Pitch Training is the second CD to Ariella Vaccarino's series of Voice Lessons To Go (Please read about Volume One- Ocalize and Breath). Do Re Mi trains the ear through vocal exercises. First, start simple with tone recognition. Next, the heart of the CD, Solfedge, (Do Re Mi...)- In that you will concentrate on forms of the major and chromatic scales graduating into chord recognition. Finally, Do Re Mi ends with, Hearing Your Note, showing you how to sing specific notes out of a group.

This CD will be amazing in aiding you in your musicianship skills while continuing to strengthen your voice!

Do Re Mi is perfect for all levels of singers. Whether you are just a beginner who is interested in developing as a musician, or an advanced singer wanting to refine your musicianship skills.

You will be guided through the exercises with vocal examples and piano accompaniment by Ariella Vaccarino an excellent experienced voice teacher and professional singer from Los Angeles. Ariella's explanations are clear and easy to follow.

Developing your singing voice no longer has to be just for people trying to make a career with their voice, or those with disposable income who can afford private lessons. The weekly price for voice lessons averages $45-150 an hour depending on your city.

Who is this CD for?

Singers, Actors, Dancers- This is an inexpensive way for the struggling artist to get and keep their voices in shape.

Teenagers - Whether you are watching American Idol with pangs of desire to be on there, sing loudly along with your favorite pop stars, are trying out for the school musical, or dreaming of singing at the MET some day.

People who struggling singing- There are those out there who feel, (it could be true or not) that they can't sing and are embarassed when they have to be heard by others. This is an excellent private way to improve your singing with out having to deal with embarassment or shyness. This CD will increase your abilities and confidence.

Adults- Always singing in your car, shower, or doing Karaoke? -but just are not willing or able to shower yourself with private lessons yet.

Customer Reviews:

Old Singers benefit too.......2007-02-09

I have both Volume 1 and 2. I have been singing all of my life but after the birth of my last child almost 10 lbs I learned some really bad habits and what I was doing before wasn't working anymore. Both have helped me to gradually improve my voice. 1 Helped me to focus on breathing. Two is helping me to associate the solfege with the piano and concentration/focus. I haven't made it through the whole CD yet. Our choir is also using this CD for exercises. It's just a great all around CD!
THanks for a great product.

great cd .......2007-01-21

i have both vol.1&2
only one thing i'm not feel good is i can hear the noise(like car pass the street).

Good training for your voice.......2007-01-06

If you can't have a personal voice coach this CD is a good way to go to help you exercize your vocals and stay in top form.

Practical.......2006-09-09

I warm up with this cd in the hotel before a show. I waited a couple months to buy CD2 after I had CD 1. I had started taking vocal coaching and using cd 1 reinforced how important breathing is. I am glad I waited before buying this cd. By the time you get to the higher level exercises of CD 2, you'll need some concept of breathing properly.
This cd starts very simple with the first few tracks asking the listener to identify if two notes are higher, lower or the same. Then it proceeds to identifying if a voice part sung after a vocal part is the same or different. These ear exercises are direct and to the point and really do help. Don't worry, you start singing soon enough.
Solfedge is explained in a concise manner so if you don't know it you will, and if you do your money hasn't been spent on more than a few minutes of review.
The singing starts with Do Mi Sol Mi Dos. I'm a baritone and the singer I would guess is a soprano. Problem? Actually, the beneift was I had to focus and identify the same note a few octaves down. This extra "lesson" on my own is an unintended plus.
Major, minor, augmented and diminished chords are practiced. Your ear will improve and you will hear the chords sung more in songs after getting this down.
I've been using it on my drive to work in the mornings. I have had the cd a few weeks and am just reaching tracks 18 and 19 with confidence. Sometimes Ariella Vaccarino sings quite fast as the exercise proceeds. Simply hit the back button and start at the slower part at the beginning of the track.
It really is great to have this in the car or home as I am getting more out of my weekly voice lessons. Add to that, I don't have to play the piano myself. I can stand in front of the mirror and focus on posture.
This brings me back to cd 1. Though my breathing needs work, a weekly lesson and the time I spent with cd 1 before trying this out helps me recognize when I have tension in my throat or am not controlling my breath.
Why is this alone not enough? There is no way the cd can tell you you are leaning too far back and squeezing your lungs, give you a sense of how to raise your soft pallate or make sure to cover every point such as men usually jump straight from chest voice to falsetto at first while women have more of a gradual mid voice.
When I give this cd 5 stars it means for 15 dollars you are getting a product with no fluff that is the perfect compliment to some type of training. Even if the training is just a few lessons to get you started. You'll get out of it what you put into it.

If out of stock please purchase above NEW on Marketplace.......2006-08-15

Hey everyone, thank you so much for your great response to my CDs. Amazon is having a lot of trouble keeping them in stock. They are not ordering enough in time etc... Just so you know the other option is buying them off of Amazon Marketplace. At the top of this is the option to buy them new or used. I sell them directly new on it, (and they are actually cheaper so you can buy both volumes). Hope this tip helps. I've loved reading your responses and reviews. I think it is great that so many of you out there are singing!

Sense and Sensibility: Original Motion Picture Soundtrack (1995 Film)

Average customer rating:

Lovely
Somewhat Dissapointed
AN EXTRAORDINARY SOUNDTRACK
not what i thought
Good classical music

Sense and Sensibility: Original Motion Picture Soundtrack (1995 Film)
Patrick Doyle
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Sense & Sensibility (Special Edition)

ASIN: B0000029OJ
Release Date: 1995-12-12

Tracks:

Sense And Sensibility: I Weep You No More Sad Fountains - SENSE & SENSIBILITY
Sense And Sensibility: A Particular Sum
Sense And Sensibility: My Father's Favorite
Sense And Sensibility: Preying Penniless Woman
Sense And Sensibility: Devonshire
Sense And Sensibility: Not A Beau For Miles
Sense And Sensibility: All The Better For Her
Sense And Sensibility: Felicity - SENSE & SENSIBILITY
Sense And Sensibility: Patience
Sense And Sensibility: Grant Me An Interview
Sense And Sensibility: All The Delights Of The Season
Sense And Sensibility: Steam Engine
Sense And Sensibility: Willoughby
Sense And Sensibility: Miss Grey
Sense And Sensibility: Excellent Notion
Sense And Sensibility: Leaving London
Sense And Sensibility: Combe Magna
Sense And Sensibility: To Die For Love
Sense And Sensibility: There Is Nothing Lost
Sense And Sensibility: Throw The Coins
Sense And Sensibility: The Dreame - SENSE & SENSIBILITY

Customer Reviews:

Lovely.......2007-07-08

This is my favourite movie and has been for years. Had to come up with my wedding music and this was the first music I thought of because the film embodies love in all its states so perfectly. Beautiful, lilting melodies that are so well done. Many complained that original film version of vocals were not used, I agree it would have been nice to have those but as the amazing Jane Eaglen is a local gal I have to love her and her version of the songs literally makes me cry every time.

Somewhat Dissapointed.......2007-06-25

I loved this move & the music so naturally I wanted the soundtrack but was dissapointed when I found out my two favorite songs were not being sung by Kate Winslet like in the film but by Jane Eaglen, who has a lovely voice, but not for these songs. Her voice is far to heavy to do them justice.
On the cover it says "Original motion picture soundtrack." that is not the case here. If it had been the original soundtrack it would have included Kate Winslet's version of the two songs, Weep No More Sad Fountains & The Dreame, that she sung in the film.

AN EXTRAORDINARY SOUNDTRACK.......2007-05-13

IT IS SO EASY TO RELIVE THE VARIOUS MOODS AND MOMENTS OF THE FILM WHILE ENJOYING THE LUSH MUSIC OF THIS SOUNDTRACK. THOSE WHO HAVE SEEN THIS FILM WILL ENVISION THE VARIOUS SCENES WHILE LISTENING. THOSE WHO HAVEN'T SEEN THE FILM WILL STILL ENJOY THIS MUSICAL EXPERIENCE. SUPERB.

not what i thought.......2007-05-12

i loved this movie and the song MaryAnn played at the end but that was not on this CD. i enjoy the soundtrack but most of the songs were short and didn't give me what i wanted. but i do still enjoy it.

Good classical music.......2007-01-04

We have been listening to this for years and never tire of it. If you have seen the movie lots of times like we have, the music will automatically bring to mind the different scenes. But even if you haven't seen the movie, I highly recommend it just for the great music.

Stop Making Sense: Special New Edition (1984 Film)

Average customer rating:

Probably the best concert ever preserved
good Talking Heads record
Bigger is not always better
One of the greatest live albums ever.
Great Improvement Over The Original Version

Stop Making Sense: Special New Edition (1984 Film)
Talking Heads
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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The Name of This Band is Talking Heads
Stop Making Sense
Little Creatures
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Remain in Light

ASIN: B00000K3G8
Release Date: 1999-09-07

Tracks:

Psycho Killer
Heaven
Thank You for Sending Me an Angel
Found a Job
Slippery People
Burning Down the House
Life During Wartime
Making Flippy Floppy
Swamp
What a Day That Was
This Must Be the Place (Naive Melody)
Once in a Lifetime
Genius of Love
Girlfriend Is Better
Take Me to the River
Crosseyed and Painless

Amazon.com

The soundtrack to the Jonathan Demme documentary, Stop Making Sense captures the Talking Heads live in 1984 on what would turn out to be their last major tour. This collection, and the film, is a true gift to the band's fans, a testament to the Heads' extraordinary talent, both in the studio and especially onstage. Frontman David Byrne infuses each song with a jolt of energy and drama that could only have come from a late-'70s art-school student. Now-classic tracks such as "Psycho Killer," "Girlfriend is Better," "Once in a Lifetime," "Take Me to the River," and "Burning Down the House" have never sounded better. This expanded 1999 reissue includes all nine of the original tracks, plus seven previously unheard cuts, including "Heaven," "Found a Job," and "Crosseyed and Painless." --Lorry Fleming

Customer Reviews:

Probably the best concert ever preserved.......2007-02-19

Simply the single best set by any band in the history of rock and roll. I know there will be people out there who will point to some Dead concert that's only available on a third generation cassette, but this set is as hot as the Heads ever were. The expanded edition is a great gift to the world.

good Talking Heads record.......2006-02-20

i own this on vinyl and it's just good talking head songs live,although i have to say the original version of some songs are better but if you have the money i guess go for it but i recommend buying non live recordings.

Bigger is not always better.......2004-10-26

The original LP version of this was a mere 9 songs, and was absolutely brilliant. I remember playing it constantly, wearing it out much like my two album "The Name Of This Band Is Talking Heads" double live album. I also got to see the concert film at some midnight show and was enthralled...a concert movie for people who liked music! I loved it so much that I eventually got David Byrne to sign the book that came with the album.

So I was really hyped to hear that the entire concert soundtrack was about to be reissued on CD. Seven extra songs! Warm with nostalgia, I finally bought the disc. Boy, was I let down. First, it isn't the whole concert. "I Zimbra" is particularly missed. Then, of all the crappy songs to include over that one, we have the Tom Tom Club and their SERIOUSLY dated "Genius Of Love."

One of the brilliant things about Talking Heads is that they may have been trend setters, but they were never trend mongers. The music sounds just as fresh today as it did when I slit the shrink wrap on the 1984 Album. But the Tom Tom Club was a lightweight side project that scored one novelty hit, and it sticks out like crayon smears on a DaVinci. I reach for the skip button just about everytime its lame, cliched, and oh so 80's stage patter starts to invade what used to be a flawless CD.

It takes what used to be a 5 star CD and knocks it down by one. It also provides continual proof that that not all unreleased tracks are really a "bonus." Since it has finally come out on a double disc, I strongly recommend the remastered and reissued "The Name Of This Band is Talking Heads" over this. At least the expanded tracks aren't an emarrassment.

One of the greatest live albums ever........2004-10-23

Jonathon Demme's 1984 concert film of the Talking Heads was an incredible experience. Sadly, when the original soundtrack was released, it contained only nine of the songs performed. Not only that, but they were entirely out of sequence, completely destroying the original purpose behind David Byrne's conception of the concert. Thank God they released this anniversary edition of the soundtrack, as this really does the film justice. Every song is here, and in its proper place, the way it was meant to be heard.

So, what is the big deal, you ask? Well, picture this. The soundtrack begins with "Psycho Killer," one of the first really big hits for the group. Instead of the entire band being onstage, David Byrne walks out with an acoustic guitar and a boom box. He presses PLAY on the box, which cues a drum program to begin playing. So the first song is just David Byrne singing and strumming his guitar, accompanied by pre-recorded percussion. For the next song, "Heaven," Byrne is joined onstage by bassist Tina Weymouth. Then Chris Frantz's drumset is wheeled out, and the three of them go into "Thank You For Sending Me an Angel." We finally hear some real drumming, not the predictable, computerized beats in "Psycho Killer." The album really begins to come alive. Then they go into "Found a Job," and things get more interesting. Byrne swaps his acoustic guitar for an electric, and lead guitarist Jerry Harrison comes out, meaning we now have two guitars. By the time the fifth track, "Slippery People," is underway, the entire band (including the extra musicians and backup singers) are on the stage, and now things are cooking. What happens over the remaining twelve tracks can only be described as an overload of the senses.

The purpose behind the concert was to provide a unique experience for the concert-goer, to create visual as well as aural art. Some of that sense is lost on the CD listener, but some of it remains. The songs were translated to disk beautifully, so that they still retain just about everything that made them a pleasure to listen to while watching the film. One can almost picture David Byrne running laps around the stage, dancing with the lamp, or wearing the big suit.

The concert resulting in the film and this album was performed shortly after the band released their 1983 album "Speaking in Tongues." So, needless to say, many of the songs you will hear are from that album. And I have to say that for each of them, I prefer the live version to the studio version. Each one of them sounds more vibrant, more full of life when performed on the stage. The improvisation on "Burning Down the House" is as good as it gets. Ditto "This Must Be the Place (Naive Melody)," which is one of the most beautiful things I've heard, and I don't even like love songs. The studio versions lack that extra energy. Their pulse is just too slow. This is never more true for "Life During Wartime," which is actually a song from 1979's "Fear of Music." But anyway, this song displays Byrne's tendency to perfectly mismatch music and lyrics. The pulsating beat of club rock flows beneath what I interpret to be a humourously disturbing tale of a country under martial law. The song should not work as well as it does, and yet somehow, they pull it off. Anyway, after hearing the live version of it, I can no longer listen to the studio version. Also noteworthy is the improvisation on "Crosseyed and Painless." The intro and the extended guitar solos are just the icing on the cake for that one!

If there is a bad song on this album, it would have to be the interlude by the Tom Tom Club (a solo project of Heads drummer Chris Frantz and bassist Tina Weymouth). "Genius of Love" could have been a great song. The instrumentation is very good. Sadly, it's ruined by Frantz's raucous babbling. He's attempting to be random like David Byrne, but tragically, he's not good at it. Other than that, this album is solid gold. It demonstrates the full potential of live music, and sounds amazing while doing it. Whether you're a fan of the Talking Heads or not, this album belongs in your collection.

Great Improvement Over The Original Version.......2004-10-17

It's true, to really appreciate this album, you have to see the film. And that's no chore. Stop Making Sense is probably the best concert film ever made. It's hard to imagine just listening to the album without thinking of Byrne's amazing stage presence (in or out of the big suit).

The Special Edition is the entire film soundtrack (minus some stage banter and the cut performances of "Cities" and "I Zimbra"). Their imagination made Talking Heads one of the greatest live bands of all time. The songs are mostly from SPEAKING IN TONGUES, but they also include interesting and in some cases superior versions of songs from all of their albums prior to 1983 with the help of the Tom Tom Club.

In addition to STOP MAKING SENSE, I recommend the newly released CD version of THE NAME OF THIS BAND IS TALKING HEADS. Listening to both would map eight years of live performances and barely short of 4 hours of live material.

Average customer rating:

Average
Sophie Milman (GREAT)
Knock Out Debut
The Differences Between Sophie and Diana
Great debut

Sophie Milman
Sophie Milman
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000637XN8
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Album Description

Sophie Milman's debut self-titled CD is a collection of Jazz standards and contemporary new compositions that together showcase the maturity and originality of this young Jazz singer, skillfully produced by Canadian Jazz patriarch Bill King, and Danny Greenspoon, and features some of the best Canadian jazz players in the business.

Album Details

Sophie Milman's Debut Self-titled CD is a Collection of Jazz Standards and Contemporary New Compositions that Together Showcase the Maturity and Originality of the Young Jazz Singer, Skillfully Produced by Canadian Jazz Patriarch Bill King, and Danny Greenspoon, and features Some of the Best Canadian Jazz Players in the Business.

Customer Reviews:

Average.......2007-02-21

Average Singer with below average arrangements on often sung standards.
I was expecting at least some re-harmonization on these tunes but very much
straight from the fakebook kind changes. The horn lines were not too exciting.
Well....overall, very clean and straight.

Sophie Milman (GREAT).......2006-07-29

I just received the new "linus" Sophie Milman CD and have been playing it over and over again.

The visualization of a fantastic playful jazz angel on the other side of such a beautiful voice is not hurt by the reality that she is one. Her harmonic rythmic voice makes the heart happy just to listen to it and entertains the mind with frequent smooth variations that make other overcomplicated musicians just seem dull and nervous. She also has a great bunch of excellent jazz musicians that accompany her and they echo the mood perfectly. Great job Sophie Milman and "LINUS"!

Knock Out Debut.......2006-07-23

An ultra hip, swinging song stylist; and this time I'm not talking about Mark Murphy. Sophie Milman is a revelation, by way of Russia, Israel, and Canada. She sings the hell out of a song here. Want proof? Check out "My Baby Just Cares For Me." "I Feel Pretty," and "My Heart Belongs to Daddy." For a great change of pace, there's "La Vie en Rose" in French and "Dark Eyes" in Russian. Want more? The band includes some exceptional talent, and is a perfect fit for Milman. This is a great cd by a beautiful, brilliant young singer.

The Differences Between Sophie and Diana.......2006-07-16

When this c.d. hit American release, it came with a lot of hype. "The Next Diana Krall" was the proclamation. Perhaps because of the hype, this is one of the top jazz c.d.'s on I-Tunes, and has been so for awhile.

It didn't take me long to get past the hype. Sophie Milman, like Diana Krall, is an attractive blonde singer who sings standards in a jazzy style. And like Ms. Krall, she calls Canada home (although Ms. Milman was born in the U.S.S.R., and emigrated to Canada by way of Israel as a teenager).

There the similarities end. Actually, Ms. Milman has a rounder, fuller singing voice than Ms. Krall, although Sophie does have a tendency to scoop and croon a lot. But she also has a tight, tremelo vibrato which comes out when she's singing a loud note in her chest voice, and I like it.

But here's the thing: when Mme. Krall hit the scene 10 years ago, there weren't that many attractive standard-singing young jazz chanteusses. She came along at the right time. Now, the scene is saturated with them.

And as a result, if that's how you're making your mark, you have to do something to distinguish yourself from the rest of the pack. For example, you could mix some killer songs of your own with the standards. (e.g., Rene Marie, Jackie Allen or Erin Bode) Or, you could mix a fair number of well-done European art songs with the standards. (e.g., Ilona Knopfler, Jackie Ryan or fellow countryman, Madeleine Peyroux). Or, you could mix in some nods to more current fare, so as to gain the interest of baby-boomers and gen-x'ers. (e.g., Karrin Allyson, Lizz Wright, Janis Siegel or Lea DeLaria). Or, you could become proficient on an instrument in addition to voice (e.g., Ms. Krall, Dena DeRose, Patricia Barber, or Luciana Souza).

Or, you could do the standards in truly unique ways never attempted before. (e.g., Tierney Sutton, Cheryl Bentyne or Cassandra Wilson--back when Ms. Wilson did standards, that is.) These standards are pretty standard. In fact, outside of the jazzy read of "I Feel Pretty" and the "Goldfingerish" variations on "My Heart Belongs to Daddy," there's nothing here that especially piques my interest.

It seems that most jazz singers start with an album of standards. The really talented ones figure out where to grow from there. All of the above-mentioned singers have grown since their beginnings. Hopefully, that will be true of Sophie Milman as well. RC

Great debut.......2006-03-30

Heard this CD online and immediately ran out to get it. Sophie Milman has a sophistication and depth to her voice that belies her age. While she evokes the spirit of the great jazz singers of the '40s and '50s, she has a fresh approach to the old songs and a contemporary sound for the more modern cuts. Her voice has a rich, satisfying quality that will only get better with age. She has done her homework on the great smoky-jazz singers of the '50s, capturing the quality of those singers while bringing her own style to her singing.

She even makes the three least interesting songs--"I Feel Pretty," "Ochi Cherney," and "This Time of the Year"--listenable with her easy-swinging style. The band is great and provides smooth accompaniment.

I look forward to her future releases.

Hello, Dolly! (1964 Original Broadway Cast) (Deluxe Edition)

Average customer rating:

Wonderful Soundtrack
DOLLY WILL NEVER GO AWAY
The excitement is there, but.....
Goodbye, Dolly!
Toxically Corny!!!!

Hello, Dolly! (1964 Original Broadway Cast) (Deluxe Edition)
Jerry Herman , and Carol Channing
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000099SZ0
Release Date: 2003-06-03

Tracks:

Prologue
I Put My Hand In
It Takes a Woman
Put on Your Sunday Clothes
Ribbons Down My Back
Motherhood
Dancing
Before the Parade Passes By
Elegance
Hello, Dolly!
It Only Takes a Moment
So Long Dearie
Finale
I Put My Hand In [*] - Mary Martin
Before the Parade Passes By [*] - Pearl Bailey
Hello, Dolly! [*] - Pearl Bailey
So Long Dearie [*] - Mary Martin
Love, Look in My Window [*] - Ethel Merman
World, Take Me Back [*] - Ethel Merman
On Recording Hello, Dolly! [*] - Carol Channing
When Did You Sense That Hello, Dolly! Would Be a Hit? [*] - Carol Channing
On the Title Number [*] - Carol Channing
"Dolly Changed Me..."; the Book [*] - Carol Channing
Plot [*] - Carol Channing
Optimism, And Finding One's Character [*] - Carol Channing
Prime of Life [*] - Carol Channing

Amazon.com

Sitting in the balcony at the final preview of this 1964 Jerry Herman show, still very much in school and long before my career as a critic began, I knew somehow that I was witnessing theatrical history. Even as that callow youth, I was certain that Carol Channing had been born to play the role of Dolly Gallagher Levi, the meddling turn-of-the century New York widow who had been adapted from Thornton Wilder's straight play The Matchmaker. Channing has proved me right by playing the role ever since, of course, miraculously only improving with age. Beyond Dolly herself, however, the musical emitted a synergistic exuberance (at least five years before we used the word "synergy"). The supporting cast, including David Burns, Eileen Brennan, and Charles Nelson Reilly, were terrific. Herman's tunes and lyrics were sublimely crafted both to create their characters and stand alone. (The title song took on a life of its own.) The show's designers, librettist Michael Stewart and director Gower Champion, combined to transport the audience to 60 years earlier in little old New York. This wasn't all just my opinion: Hello, Dolly! won a record 10 Tonys. The original cast recording can still take you to that other time and place, even if you didn't see the original show. But, at the risk of offending my inner adolescent, the 1994 revival, naturally starring Channing, was even better--both on stage and on disc. --Robert Windeler

Customer Reviews:

Wonderful Soundtrack.......2007-06-27

This is the original recording, with all of the best names included. Wonderful, wonderful music.

DOLLY WILL NEVER GO AWAY.......2007-05-17

Great re-mastering of original BWay cast album with wonderful other Dollys, particularly Pearl Baily who makesHello, Dolly! (1964 Original Broadway Cast) (Deluxe Edition) the title tune her own. It is still a great score and a delight to own.

The excitement is there, but............2007-01-24

Hello Dolly is one of my favorite shows. When you listen to the cast album, you really do--as others have said--feel the excitement of being there on opening night when Broadway history was being made. The wonderful RCA cast album has been a best seller for 43 years. But while I do feel it is necessary for any musical fan to have this cast recording in their collection, this is not personally my "Dolly" album of choice. I have three of the 5 major DOLLY recordings in my collection; this Original Cast, the Barbra Streisand movie soundtrack, and the Mary Martin London cast on LP (the others I do not have are the Pearl Bailey cast album and the Carol Channing revival). My preferred recording is a tie between the movie soundtrack and the Mary Martin album, with this one trailing (not far) behind. As far as the supporting cast are concerned, the original cast wins hand down. But HELLO DOLLY is really about the star, and in my opinion, Carol Channing can't sing...err, croak...her way out of a cardboard box. I realize that that is Channing's trademark, but it just doesn't work for me. As I said, this album is required equipment in any serious musical lover's collection, but I think that I too will "stick with Streisand." And for God's sake, I wish RCA would get off their rump and get the Mary Martin cast album out on CD, and reissue the Pearl Bailey cast album too while they're at it!

Goodbye, Dolly!.......2005-10-30

This Deluxe Edition of the orginal "Hello, Dolly!" has three distinct problems.

For starters, this is not the classic musical that afficianados would have you believe, nor is it Jerry Herman at his best (that honor goes to "Mame"). Rather, this is a fair to middling score with three socko numbers (title tune not included), three rather fine songs (title song included) and the rest either average or inadequate. "Put On Your Sunday Clothes" and "Before the Parade Passes By" are two of the most galvanizing songs ever written for the Broadway stage and no singer can detract from their euphoric energy (though Carol Channing tries -- more on that later). "So Long, Dearie", though slower in tempo than Barbra Streisand's definitve rendition, is a showstopping character song that's both clever and compelling. These three numbers are what gives "Dolly" it's class and they are three of the best things Herman ever wrote. Then we have "Dancing", "Elegance" and (gulp!) the by now overly familiar title song, each an accomplished tune that propels the plot with, well, elegance. The song "Hello, Dolly!" may now annoy as a Broadway warhorse, but it was as fresh as daffodils when it first premiered. The rest of the score, sadly, isn't up to these standards. "It Takes a Woman" and "It Only Takes a Moment" are indistinguished at best, and "Ribbons Down My Back" is downright annoying. Worse still, "I Put My Hand In" is a lackluster opener that pales in comparison to "Just Leave Everything to Me", its replacement in the movie and a bonifide Jerry Herman rouser. And "Motherhood" sounds like exactly what it was, a stage wait for the scenery to move in. Totally expendable.

The second problem here is that this may be the worst sung original cast recording in Broadway history. Charles Neslon Reilly's wobbly tenor struggles to maintain pitch, Eileen Brennan's stilted soprano sounds more like light operetta than musical comedy, and David Burns makes his movie counterpart, Walter Matthau, sound like Mario Lanza in comparision. Then there is Dolly, the incomprehensibly overrated Carol Channing. From her first froggy notes in "I Put My Hand In" you know it's going to be rough sledding and, sure enough, she croaks and screeches her way through one song after another, rendering most of what she sings unlistenable. Channing's voice is thin, harsh and completely unequalized throughout its range and she effectively saps all of the charm out of "...Sunday Clothes" and "Parade". By the time the recording has ended, you want to banish this CD to a deserted island. But wait, there's more! An almost unrecognizable Mary Martin starts the "extras" on this disc with a shock. Some of her last recordings, these "Dolly" numbers unfortunately display how Martin's once lovely instrument had deepened and thickened over the years. A full throttle but somewhat tremulous Ethel Merman fairs little better on some poorly recorded songs added to the show when she took over. These two giants actually make the songs Pearl Bailey does on this disc seem all the more astonishing. While arguably not as talented as Martin or Merman (although, in reconsidering this recording and her career, I think I'm entirely wrong in that observation), Bailey hits a home run on each of her renditions and her recording of the title song is absolutely definitive. Someone should quickly get the cast recording of her "Dolly" back in circulation. "She" and "we" deserve it.

The final problen here is a lengthy recent interview with Ms. Channing that has to be heard to be believed. Does she actually think we're buying the idea that she was doing high kicks in the studio while recording her songs? Please! She barely catches her breath between phrases. And her comparing her premonition that the show would be a hit to a passage in the bible is as laughable as it is sacriligious. Yes, she may have done the show over 5000 times, but she lucked into a classic without earning her own classic status. No wonder all she could do was repeat herself for the rest of her career. Stick with Streisand.

And I guess from the reviews of THIS review, disliking Channing is sacriligous. I better watch my back.

Toxically Corny!!!!.......2005-01-22

A lot of my friends wonder why I violently detest Broadway Musicals so much. Well, this particular recording is at least one reason why. Exposed to this piece of Toxic Schlock at a very young age (about 4 I reckon), and ever since, for me it has epitomized EVERYTHING I detest about musicals, the thin corny plots, even cornier songs, people breaking out into song at the most ridiculous times and so much glitz that my system nearly went into toxic shock. The worst part of it all, CAROL CHANNING!!!! This woman CANNOT SING TO SAVE HER LIFE, PERIOD!!!

I've even asked people who DO like B'way what is the deal with her? I hear it's that she has charisma. OK, since when does charisma equal talent (I honestly believe they are NOT the same thing).

And I have even tried to listen to other musicals over the years, and I just CANNOT get the appeal of it on ANY level! I guess this is well-done as these things go (there is work involved), but I just CANNOT understand what the fuss is all about.

Signed,

One perplexed Owl.

Varese Sarabande 25th Anniversary Celebration

Average customer rating:

A good value
The Sound Track Since Bernard Hermann
Good mix of film music
A mixed collection of movie music
Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Paramount 90th Anniversary Collection: Scores
In Session: Film Music Celebration
The Essential Elmer Bernstein Film Music Collection
Jerry Goldsmith: 40 Years of Film Music
Music In Film (National Public Radio Milestones Of The Millennium)

ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

The Man from Snowy River (Bruce Rowland)
The Winds of War (Bob Cobert)
Blue Velvet (Angelo Badalamenti)
Witness (Maurice Jarre)
Raising Arizona (Carter Burwell)
Pee Wees Big Adventure (Danny Elfman)
Halloween (John Carpenter)
A Nightmare On Elm Street (Charles Bernstein)
The Fly (Howard Shore)
RoboCop (Basil Poledouris)
The Empire Strikes Back (John Williams)
The Right Stuff (Bill Conti)
The Final Conflict (Jerry Goldsmith)
The Abyss (Alan Silvestri)
Brainstorm (James Horner)
Peggy Sue Got Married (John Barry)
My Left Foot (Elmer Bernstein)
The Dead (Alex North)
Stanley & Iris (John Williams)
The Milagro Beanfield War (Dave Grusin)
Driving Miss Daisy (Hans Zimmer)

Tracks:

Steel Magnolias (Georges Delerue)
Unforgiven (Lennie Niehaus and Clint Eastwood)
Raggedy Man (Jerry Goldsmith)
The Grifters (Elmer Bernstein)
Green Card (Hans Zimmer)
City Slickers (Marc Shaiman)
Father Of The Bride (Alan Silvestri)
While You Were Sleeping (Randy Edelman)
Babe (Nigel Westlake)
The Adventures Of The Great Mouse Detective (Henry Mancini)
The Adventures of Robin Hood (Erich Wolfgang Korngold)
The Young Indiana Jones Chronicles (Laurence Rosenthal)
The Secret Garden (Zbigniew Preisner)
A Little Princess (Patrick Doyle)
Rudy (Jerry Goldsmith)
Iron Will (Joel McNeely)
Memphis Belle (George Fenton)
Eye Of The Needle (Mikl)
Total Recall (Jerry Goldsmith)
Back To The Future Part III (Alan Silvestri)

Tracks:

To Die For (Danny Elfman)
The Player (Thomas Newman)
Black Robe (Georges Delerue)
Medicine Man (Jerry Goldsmith)
2001 (Alex North)
Star Wars: Shadows Of The Empire (Joel McNeely)
The Crow (Graeme Revell)
Blade (Mark Isham)
The Omen (Jerry Goldsmith)
Vertigo (Bernard Herrmann)
Scream (Marco Beltrami)
The Sixth Sense (James Newton Howard)
Xena: Warrior Princess (Joseph LoDuca)
Air Force One (Jerry Goldsmith)
Starship Troopers (Basil Poledouris)
The Matrix (Don Davis)
The Iron Giant (Michael Kamen)
Youve Got Mail (George Fenton)
A Little Romance (Georges Delerue)
Pleasantville (Randy Newman)

Tracks:

Sunset Boulevard (Franz Waxman)
L.A. Confidential (Jerry Goldsmith)
Rounders (Christopher Young)
The Score (Howard Shore)
The Replacements (John Debney)
Gone In 60 Seconds (Trevor Rabin)
The Bourne Identity (John Powell)
Rush Hour 2 (Lalo Schifrin)
XXX (Randy Edelman)
Die Hard (Michael Kamen)
The Last of the Mohicans (Trevor Jones)
Moby Dick (Christopher Gordon)
The Mists Of Avalon (Lee Holdridge)
Cleopatra (Alex North)
Life As A House (Mark Isham)
Emma (Rachel Portman)
In The Bedroom (Thomas Newman)
Cast Away (Alan Silvestri)
One True Thing (Cliff Eidelman)
Unfaithful (Jan A.P. Kaczmarek)
Far From Heaven (Elmer Bernstein)
Ice Age (David Newman)
Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating:

It All Made Sense On This Album (Rating: 8 out of 10- -4 stars)
Common Sence
Retrospect For Life
COMMON'S MATURITY POINT...
Up and down...

One Day It'll All Make Sense
Common
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Like Water For Chocolate
Electric Circus
Black Star
Reflection Eternal/Train of Thought
Things Fall Apart

ASIN: B000003BZO
Release Date: 1997-09-30

Tracks:

Introspective
Invocation
Real Nigga Quotes
Retrospect For Life
Gettin' Down At The Amphitheater
Food For Funk
G.O.D. (Gaining One's Definition)
My City
Hungry
All Night Long
Stolen Moments Pt. l
Stolen Moments Pt. ll
1 '2 Many...
Stolen Moments Pt. lll (Intro/Outro)
Making A Name For Ourselves
Reminding Me (Of Sef)
Pop's Rap Part 2/Fatherhood

Amazon.com

Common's skills are unique, and his style is complete, but his most effective talents are in constructing an album of material that listens like a book. One Day is a fully realized, start-to-finish memoir of a Chicago-based African American male, and it's equal to any challenge from the literary form. To listen to One Day is to pass through a multifaceted relationship between a father and a son, an expecting father and an impending son, and a man and his spirit, all set in the wake of a close friend's death. (This album is deep.) One Day features cameos from the cream of the hip-hop crop, including De La Soul, Lauryn Hill (the Fugees), Erykah Badu, and an indelible Canibus. Common can take his place as the responsible father of hip-hop and a dope MC as well. --Saren Sakurai

Customer Reviews:

It All Made Sense On This Album (Rating: 8 out of 10- -4 stars).......2007-03-03

After the Hip Hop milestone album "Ressurection" back in 1994, Common would decide to show his listeners a more mature, introspective side of himself. Common was all grown up on this album, and no longer doing childish things. He would make the song "Retrospect For Life" with Lauryn Hill about him having a daughter and how it would take on responsibility. You can feel the transition that he was making here on this album, as if he was becomming a new person. Something must have happened in '95 or '96 that made the decision for Common to change and appreciate life.

More of those introspective tracks that Common was journeying into were "G.O.D. (Gaining One's Definition)" as he and Cee-Lo would rhyme about religion in life and what it's for. "Reminding Me (Of Self)" with Chantay Savage is another introspective side of Common that showed him speaking his mind. And personally "All Night Long" is just beautiful with the vocals of Erykah Badu.

But there was just more that introspect for Common. There was the boom bap side of Common as well. "Getting Down At The Ampethetre" with De La Soul is one of the funkiest tracks on this album. "Making A Name For Ourselves" Canibus outshines Common with his dope lyrics (c'mon people Canibus outshines almost everyone he colabs with, so this is normal). So it's not all introspect on this album. And whats a Common album without the appearances of Lonnie "Pops" Lynn at the end ("Pop's Rap II")?

Personally, I find it a big jump from "Ressurection" to "One Day...". This is a mature side of Common. We've probably gotten used to it since "Like Water For Chocolate" came out, so it shouldn't come from left field. This is one of those CDs that you can vibe to real easily, and I'm sure people will enjoy. Some say this was his breakthrough LP, and I believe so, because it's introduced the side of him that we've all gotten used to.

My Favorite Tracks: Real ***** Quotes, Retrospect For Life, Getting Down At The Ampethere, G.O.D. (Gaining One's Definition), Hungry, All Night Long, Stolen Moments, 1,2 Many, Making A Name For Ourselves

Peace Everyone!!

Common Sence.......2006-05-27

Common is one of the best rappers hands down. I think this CD is good but "Like Water for Chocolate" is sicker. One track that you heads need to hear is a white label edit on vinyl by Karu featuring Common called "Faces on the Mural". This is deep house at it's finest with the ripe vocals of Common. You guys should check out Karu's "Amazing Place" CD for some great deep jazzy house & trip-hop. Wow! I can't believe it. I just bought the Illform "Next Level Fusion" & Quentin's Ladder "Delusion" on here and realized Quentin Allen produced all these including Karu "Amazing Place". Don't be fooled! This definitely is not Quentin's first CD. It is the third CD and maybe the best. People need to check out this music. The jazz & hip-hop influences are all there and come together nicely. My favorite track is "Out to Get Mine" Hot EPMD vocal snippet. Another great track is "Sketch the Play". You'll here a great texture of sounds too. Rhodes & acoustic pianos, synths, deep basslines, great vocal samples, tight house beats, awesome jazz solos and nice chords. The Karu sound is like deep house by Hanna, Office Gossip, Miguel Miggs, and Chuck Love. If you want to here a great producer at work, get Quentin Allen latest offering "Amazing Place".

Retrospect For Life.......2006-03-26

One day is one of Common's best albums. Common's lyrics are always rich and detailed and the issues he address range far more than today's typical rap topics about hoes, cars, money and other materialism. One of my favorite tracks on this album is Retrospect for life which is more or less a song about abortion with Lauryn Hill singing the chorus which is a semi-remake of Stevie Wonder's "I never dreamed you'd leave in summer". The Cd's just plain tight.

COMMON'S MATURITY POINT..........2006-02-26

A lot of emotions come to mind for me when I hear this album. For Common, this was a true signaling point in his lifetime. On "One Day", the brother formerly known as Sense chose to tone things down a bit and adress what's important over mellow, but soulful beats (which would later become the blueprint for the Soulquarians), such as the endearing "G.O.D. (Gaining One's Definition)" feat. Cee-Lo and the warm, remenicient feel of "Reminding Me (Of Sef)", which was dedicated to the good times with his departed friend. But these are greatly outshined by the insightful "Retrospect For Life" feat. Ms. Lauryn Hill, where he speaks on his fears and hopes of becoming a father for the first time. On some parts of the album, however, he tries a bit too hard to get gutter ("Gettin' Down In The Ampitheater" feat. De La Soul), but most of the time he's on point, and gets razor on the cuts "Hungry" and "Making A Name For Ourselves", the latter in which Cannibus gives one of his best verses you'll ever hear. Taking time out to flex a story, the three part "Stolen Moments" tracks tells of Common getting robbed when he gets back from a trip and goes to show you can't trust anybody. The album comes to a finishing close with the one and only Pops ("Pop's Rap pt. II: Fatherhood") giving praise to his son and prayer for his child. Before I heard this album, I didn't really have a clear path in life, but it helped me discover what's really important and not to sleep on responsibility. Cop this most definitely. END.

Up and down..........2006-01-07

There are some amazing moments on this record. I find myself freaking out to three songs in a row, and waiting for the fourth song to end. The De La collaboration is weak; it's got the great Wild-Style instrumental but the chorus is obnoxious. Some of the more R&B-toned tracks fall flat in my opinion.

Average customer rating:

Just "Common Sense"
Come Back To Us Barbara Lews Hare Krishna Beauregard
Prine for stoners
It don't make no sense
It don't make no sense

Common Sense
John Prine
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Diamonds in the Rough
Sweet Revenge
Bruised Orange
John Prine
Storm Windows

ASIN: B000002I8K
Release Date: 1991-07-01

Tracks:

Middleman
Common Sense
Come Back To Us Barbara Lewis Hare Krishna Beauregard
Wedding Day In Funeralville
Way Down
My Own Best Friend
Forbidden Jimmy
Saddle In The Rain
That Close to You
He Was In Heaven Before He Died
You Never Can Tell

Amazon.com

Atlantic Records' futile attempt to make John Prine a star came to a head with the appearance in 1975 of this bewildering 11-song collection. Stax vet Steve Cropper stepped into the producer's seat with Common Sense, replacing Arif Mardin, who'd helmed Prine's first three releases. Cropper opted for a fuller sound, making liberal use of horns and vocal choruses (Bonnie Raitt and Jackson Browne are among the backup singers). Prine, for his part, responded by penning some of his most obscure lyrics. "Forbidden Jimmy" paints a Cubist portrait of a fellow who "got a mighty sore tooth / From biting too many dimes / In a telephone booth." "Saddle in the Rain" finds the singer imagining God waiting in ambush for him so he can "drink my wine and eat me like a sacrament." Ultimately, even old fans found the likes of "Come Back to Us Barbara Lewis Hare Krishna Beauregard" impenetrable. On the other hand, this might be the Prine album fans of crossword puzzles enjoy the most. --Steven Stolder

Customer Reviews:

Just "Common Sense".......2006-07-02

Great stuff to curl up by the fire with and remember. Prine is a master of touching the "gray areas" of our lives. Makes you laugh, cry and above all appreciative of good "sing along music"

Come Back To Us Barbara Lews Hare Krishna Beauregard.......2005-12-31

I'm cheating, this is not a commentary on the album; just one song, but maybe you can generalize from it in some useful way.

In the 30 or so years since this song emerged, our language has changed. Qualudes, shut-ins, are terms and realities from some long gone time.

What replaced them? Efficient terminology.

Instead of "Qualudes" (or from another song, "Illegal Smile,") we hear, "controlled substances." Instead of "shut-in without a home," we have "homeless." Maybe even "dual-diagnosis homeless." Instead of "you talk about a paper route," we have "job training programs." Instead of "if heartaches were commercials, we'd all be on TV," we have discussions about compassion and social justice.

Makes me think of John Hiatt's "Icy Blue Heart" and his words, "These days we all play cool, calm and collected, our lips could turn blue just shooting the breeze."

Images in this song like, "god save her please/she's nailed her knees/to some drugstore parking lot," are like movies of a certain someone we maybe played with in our backyard when we were kids, or slept with that first time, or perhaps we crossed the street to avoid her at some point in the arc of her life and ours, someone who tried on wild identities (Hare Krisha; Beauregard) and got around ("Hotel Boulderado!")

One good thing about today's world: lots of folks who would have been "shut-ins" 30 years ago, are roaring down sidewalks in motorized wheelchairs these days. Banners flying.

Some things get better sometimes and songs like this can remind us.

An otherwise kind-hearted musician said to me a few years ago, "Uh huh, but what has Prine done lately?"

My response to that: "Yeah, him and Billy Yeats."

Prine for stoners.......2004-12-27

It's weird the extent to which Amazon's reviewers don't seem to "get" this album. Full of hifalutin talk of cubism and such, they miss the obvious: This is brilliant nonsense, not some kind of formal stylist art. The full (not to say fulsome) arrangements combine with his rough, unpolished voice to enhance the absurdist effect. As a foray into the absurd, it's brilliantly executed. Pitch perfect? Prine never is. But his best songs all come at the listener kind of sideways, and this album does that raised raised a power or two. The bouncy arrangements make the result fun to listen to while Prine messes with your mind. It's a stoner kinda thing. He only made one like this so far as I know, and that's enough - but the one he made is worth hearing. Bonnie Raitt, Jackson Browne, Glenn Frey, Rick Vito, Steve Cropper and Steve Goodman must have thought so too - they're in there tripping with him.

It don't make no sense.......2000-12-13

In "Saddle in the Rain," his use of the preposition "afterneath" is an attempt to do what Picasso did in his paintings, i.e., portray disparate dimensions at once. To my taste, it was a courageous, but, unfortunately, too precious approach. But it's a signal word in the record.

Where his "cubism" does succeed is in "Way Down," where, through an eerie juxtaposition of space and time, he describes narcissistic pain bordering on insanity:

"Thought I saw a neon sign/flash my name with the time/Prob'ly didn't see a thing/Crazy Dreams and broken wings"

In the very funny and very bawdy "Middle Man," he adds up his possessions to describe the same despair described in Way Down: Got an Aunt in Ohio/A boat that won't row/Some Veteran's insurance/ and nowhere to go/Darlin' can I be your middle man?"

This was a difficult work for his fans to understand, with it's horns and back beat, and strange lyrics, but it was a courageous attempt at something. It's enough to make you think that Prine is more than just a clever songwriter; maybe he's an artist.

It don't make no sense.......2000-12-13

With _Common Sense_, John Prine threw off the burden of being the 'next Dylan' and strove more toward being the next Picasso. Cubistic is perhaps a way to describe his songs here. Indeed, Prine says here "It don't make no sense/that common sense don't make no sense no more," and proceeds to show you why.
In "Saddle in the Rain," his use of the preposition "afterneath" is an attempt to do what Picasso did in his paintings, i.e., portray disparate dimensions at once. To my taste, it was a courageous, but, unfortunately, too precious approach. But it's a signal word in the record.
Where his "cubism" does succeed is in "Way Down," where, through an eerie juxtaposition of space and time, he describes narcissistic pain bordering on insanity:
"Thought I saw a neon sign/flash my name with the time/Prob'ly didn't see a thing/Crazy Dreams and broken wings"
In the very funny and very bawdy "Middle Man," he adds up his possessions to describe the same despair described in Way Down: Got an Aunt in Ohio/A boat that won't row/Some Veteran's insurance/ and nowhere to go/Darlin' can I be your middle man?"
This was a difficult work for his fans to understand, with its horns and back beat, and strange lyrics, but it was a courageous attempt at something. It's enough to make you think that Prine is more than just a clever songwriter; maybe he's an artist.

Average customer rating:

One of the Top Five Live Albums of All Time
I like the liner notes better than the music.
Big
necessary to check out
New version really makes sense

Stop Making Sense
Talking Heads
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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True Stories
Little Creatures
Speaking in Tongues
Naked
Remain in Light

ASIN: B000002L71
Release Date: 1990-10-25

Tracks:

Psycho Killer
Swamp
Slippery People
Burning Down the House
Girlfriend Is Better
Once in a Lifetime
What A Day That Was
Life During Wartime
Take Me To The River

Amazon.com

The soundtrack to the Jonathan Demme documentary, Stop Making Sense captures the Talking Heads live in 1984 on what would turn out to be their last major tour. This collection, and the film, is a true gift to the band's fans, a testament to their extraordinary talent, both in the studio and especially onstage. Frontman David Byrne infuses each song with a jolt of energy and drama that could only have come from a late-'70s New York art-school student. Now-classic tracks such as "Psycho Killer," "Girlfriend Is Better," "Once in a Lifetime," "Take Me to the River," and "Burning Down the House" have never sounded better. --Lorry Fleming

Customer Reviews:

One of the Top Five Live Albums of All Time.......2006-03-14

If you can only have one Talking Heads album, then get this one. Frenetic energy, fabulous changes, perfect pacing, it captures the entire Talking Heads legacy. "Life During Wartime" and "Take Me to the River" are unbelievable to end the set. I wish The Clash had something like this for posterity. This compares to The Band's "Last Waltz" for best rock performance in a live setting. Daniel

I like the liner notes better than the music........2005-11-01

I love Talking Heads. I do. But I love them in the way that someone who knows them mainly through hearing his older siblings constantly playing them as he grew up loves them. I don't own many of their albums, and I've never even see the film "Stop Making Sense," though I've watched David Byrne's "True Stories" dozens of times. I picked this CD up out of a bargain bin a couple of years ago, and though I like it, I just don't feel it's Talking Heads at their best.
It's got a great version of "Psycho Killer," played the way David Byrne would play it back in art school--with recorded music played on a boombox kicking off the song--some okay tracks by the Tom Tom Club, and some genuinely clever liner notes ("In the future women will have breasts all over").
But, almost all the songs here aren't as good as their album counterparts, and overall the CD feels erratic and irregular. If you love Talking Heads, you should own this. You probably already do. But if you're just looking to get into them, this probably isn't the album to start with. Check out their "Popular Favorites" compilation instead, or either of their first two albums. Those are much better.

Big.......2005-08-29

When he came out in that big suit and started with the funky chicken type stuff. Man, I'm still laughing. Great music too.

necessary to check out.......2005-02-24

This is essential because it draws from their very best material, and the songs have never sounded this good. "once in a lifetime" is particularly improved, giving it a harder edge compared to the studio version, but you will find all of the songs are very well arranged live. It doesn't really sound like a live album, its so good. If you are new to the band get this and the newly released The Name of the Band is Talking Heads, another great live album. Or you could opt for the Best Of disc instead. I am having a hard time deciding between the two, actually. But I have no doubt that this is a necessary musical document of the greatest band of the 80's.

New version really makes sense.......2003-12-25

the new extended version of this album is really worth extra money as one of previous reviewers said.i grew listening ti this version but new one has many songs more that are important too.
Talking heads mixed funky pop with quirky social commentary and some psychedelic atmosphere to create their own distinctive sound."Burning down the house" or "Once in a lifetime" are the best examples.
of course "Stop making sense" (album was recorded live.the self-titled movie was about the same live concert as on cd) is essential for any respectable music fan but the new longer mix is more good for the added tracks and improvement in sound.get new "Stop making sense" along with "True stories" or "Fear of music".they deserve to be listened

The Sixth Sense: Original Motion Picture Soundtrack

Average customer rating:

Somebody Help Me!
Great soundtrack!
good score on a cheapjack label
Fantastic "despair and sadness" work by Howard
Beautiful.

The Sixth Sense: Original Motion Picture Soundtrack
James Newton Howard
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1G5
Release Date: 1999-08-24

Tracks:

Run To The Church
De Profundis
Mind Reading
Photographs
Suicide Ghost
Malcolm's Story/Cole's Secret
Hanging Ghosts
Tape of Vincent
Help the Ghosts/Kyra's Ghost
Kyra's Tape
Malcolm Is Dead

Customer Reviews:

Somebody Help Me!.......2007-06-18

I am searching for the song that plays during the birthday scene right after the baloon pops. Not during the beginning.. As that is "Head" by Tinstar. It's a heavy metal beat and sounds awesome. Somebody please help me! Thanks!

Great soundtrack!.......2006-11-10

I love this soundtrack--it really takes me back into the movie, which is what a good movie soundtrack should do.

good score on a cheapjack label.......2006-06-03

Varese Sarabande,the label that issued this soundtrack,has a history of castrating good scores in order to save money..some years ago,in an article in Filmscore Monthly ,this issue was brought up,and the owners of the label,a bunch of good-for-nothings who make money off those who like film music while notoriously short-changing them at every opportunity,defended thier consistent efforts to hold the length of thier soundtrack releases at or about thirty minutes...thier view was and remains,that they would have to pay higher rates to the orchestras involved if they put out FULL SCORE SOUNDTRACKS..overtime is a killer,according to these label executives,and,as far as they are concerned,it is better for thier label to release butchered scores,missing main titles and other assorted cues,than to give the public what it has heard on-screen,and what it EXPECTS to hear when purchasing a soundtrack album.The fact that SOME of newton-Howard's music survives on this disc is the ONLY excuse for buying the album,and,because the album is incomplete,it should be purchased USED and as cheaply as possible(which,by the way,is a good rule of thumb for purchasing ANY varese product)...

Fantastic "despair and sadness" work by Howard.......2003-07-11

I have to agree with 95% of the reviews already written on this recording. The despair, sadness and torment are front and center in this collection. You have to be in the right frame of mind to really enjoy the message of darkness and gloom. The track that made me buy the CD was "De Profundis". This delicate flow of misery with the sinking cellos and basses during the minor key change took my musical spirit to another place. It was divine.

I really appreciate his Howard's use of low volumes to convey his thoughts. He fully understands that pianissimo (pp) can hit just as hard as a full throttled forte (fff).

Although the music and concept deserve a five star rating, the record company really [disappointed] the buyers by only including 29 minutes on the disc. This, sadly, makes this THE SHORTEST soundtrack I own and one of the THE SHORTEST soundtracks on the market. :(

Beautiful........2001-09-09

This is one of the most depressing soundtracks I have ever heard, and for that, the seizing quality of the instruments, the wild passion of the entire album - it makes it not something to listen to when you're feeling depressed. It has drawn me into severe melancholy because of its power. I'm absolutely in awe of it. One of the many things about it, however, is the variety of the songs. There is a distinct and marked change to every song, no matter how subtle, and it sweeps you away like a riptide. Without a doubt, listen to this cd. You will probably cry. See the movie, too. Very well done.

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