Balance 002
Track Listings
| Disc: 1 |
| 1. Lazy Monday - Paul Rogers |
| 2. Creation [Blackwatch's East End Mix] |
| 3. Pangia |
| 4. From Dusk Till Dawn - Lexicon Avenue |
| 5. Belly [the Carnival House EP] - Jas |
| 6. Sound of Breaking Up [Dark Alley Nu Skool Tri-Ball Mix] - Paul Mac |
| 7. Close [Hamel Dub] - Hamel |
| 8. 48 Days [Kasey Taylor's Ocean Wave Mix] |
| 9. That's Why I'm Here [Lexicon Avenue Dub] |
| 10. Squelch [Traveller and Quest Mix] - Vance Musgrove |
| Disc: 2 |
| 1. Possession [Traveller and Quest RMX] - Chris Fresh |
| 2. Black Weekend (Fallen Angel) - Infusion |
| 3. Faza |
| 4. Powerplant [Namel and Medway RMX] |
| 5. Chemical Shift [Original Mix] |
| 6. Nycu [James Holden's Inertia RMX] - Loki |
| 7. Bell [Ocean Wave RMX] |
| 8. Dark [Original Bluephaze Mix] - Nash the Slash |
| 9. Papua New Guinea [Satoshi Tomiie Main-Path RMX] - The Future Sound of London |
| 10. From the Past into the Present |
Balance 002,Kasey Taylor,E.Q. Records,Club/Dance,Dance Music,Pop,Progressive House
Average customer rating:
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Balance 002
Kasey Taylor Manufacturer: E.Q. Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YLB5 Release Date: 2002-01-29 |
Tracks:
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Customer Reviews:
Aussie Progressive: Kasey Taylor.......2002-07-20
Not his best, but trance that may warrant consideration.......2002-02-11
Balance 002 brings him to America, and opens with slinky, subdued "Lazy Monday," light synths shimmering about to slip you into the mood. The instrumentals weave together so well that when voices do speak, as with the dusky hues of Lexicon Ave's "From Dusk Till Dawn" and the soulful verses of Paul Mac's "The Sound of Breaking Up," they strike a deeper resonance. Yet there's disappointedly more filler than expected, with "Belly" a stuttering skip-over and "48 Days" a tad dry.
The flip's brooding, heavily experimental, and requiring the proper mood to enjoy; "Possession's" decaying crackle and backward whispers (perhaps) tries too hard, followed with Infusion's equally disturbed "Fallen Angel." There's street traffic in Loki's "NYCU, " and "Faza" even shows a gasping breakdown. Giving you something actually catchy, the incredible Satoshi Tommie tribal rework of "Papua New Guinea" appears, with ethereal material from Tetraflux closing things out.
Simply put, Balance isn't his best work. But as a showcase of an artist with a unique viewpoint on trance, and a glimpse of a man trying harder than most, it certainly warrants your consideration.
3.5 stars
Fans of progressive dance music MUST get this!.......2002-02-10
On the first cd, Taylor establishes a tight, rhythmic, hypnotic groove and carries it skillfully throughout the eleven mixed tracks. Most of what is included here will be familiar only to the most ardent fans of progressive. One fine track that has been used in other mixes is Jas' "Belly," which is featured prominently in Parks & Wilson's fine mix set, "Painting on Silence." Also, if listeners find Lisha's somewhat discordant "That's Why I'm Here" familiar, it may be because it was included in John Debo's recent "Logic Trance 5." The only truly weak musical passage for me in this mix is the marginally cheesy vocal section included in Paul Mac's "The Sound of Breaking Up." Fortunately, this sequence is very short, and aside from these uncomfortable few moments, the track is quite excellent.
As is typically the case with 2 cd proggy mixes, the second set is darker, deeper, and a bit higher-energy. The mood becomes almost too dark midway through, with one of my least favorite tracks of 2001, Loki's nightmarish "NYCU," making yet another mixed-set appearance. Overall, however, there is little to complain about in this presentation, and Taylor's sequence and mixing are truly exemplary. Of particular note is the inclusion of a fresh remix by the talented Satoshi Tomiie of Future Sound of London's venerable "Papua New Guinea," definitely one of the most-remixed songs in dance music history.
If you favor the "uplifting" trance sound played by DJ's like Ferry Corsten, this probably is not for you. But if you enjoy the darker, deeper, pounding kind of material played by the likes of John Digweed, Fred Numf, Taylor, Jimmy van M., Parks & Wilson, Sander Kleinenberg, John Debo, Quivver, and Sandra Collins, this is DEFINITELY a cd set you will want to track down and own, somehow, some way.
Music Review: