Boy

Boy

Track Listings

1. Dynamix presents Sweet Sensation feat. Betty Dee - My Body (Tu Cuerpo)

2. Dolce - Feels Good (Orange Factory Mix)

3. FC Nond Priject - Drum Key

4. Raw Deal - Part Time (Let The Good Times Roll)

5. Brown Sugar - Are You Ready

6. Maskio - One Ticket Two Chicago

7. King Master - HOrnetz

8. Melvin Reese - Strong Resemblence

9. Brown Sugar - Feeling Hot

10. Pony Club - Saucy

11. Pat Hodges - Saving My Love (Rosabel Mix)

Boy,Roland Belmares,One Tribe Ent.,Club/Dance,Dance Music,House,Pop

Infinity on High
Average customer rating:

To Infinity and Beyond

Skip this one..

Sellouts?....No. Dissapeared off the radar?....uh no. Follow up to a great debut?....Yes!

FOB RULZ!!!!!!!!!!!!!!!!1111

Now, press repeat!!

Infinity on High
Fall Out Boy
Manufacturer: Island Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music
Emo | Hardcore & Punk | Alternative Rock | Styles | Music
Punk-Pop | Hardcore & Punk | Alternative Rock | Styles | Music
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The Black Parade

From Under the Cork Tree

The Best Damn Thing [CLEAN]

Minutes to Midnight

Don't You Fake It

ASIN: B000LC4ZIK
Release Date: 2007-02-06

Tracks:

Thriller
The Take Over, The Break's Over
This Ain't A Scene, It's An Arms Race
I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You)
Hum Hallelujah
Golden
Thnks Fr Th Mmrs
Don't You Know Who I Think I Am?
The (After) Life Of The Party
The Carpal Tunnel Of Love
Bang The Doldrums
Fame-Infamy
You're Crashing, But You're No Wave
I've Got All This Ringing In My Ears And None On My Fingers

Amazon.com

After the success of From Under the Cork Tree, Fall Out Boy earned the right to indulge their whims. Fortunately, their instincts tend to serve them well (not counting those infamous cell-phone photos). On their most adventurous album, Def Jam prez Jay-Z introduces "Thriller," while Kenneth "Babyface" Edmonds produces groove-heavy hit "This Ain't a Scene, It's an Arms Race" and "Thnks fr th Mmrs." A few new flourishes aside, however, like guitarist Joe Trohman's Metallica moves on "Thriller," the Chicago-bred band remains true to their punk-pop roots, even if vocalist Patrick Stump sounds like Mr. Sexyback on "This Ain't a Scene" and "I'm like a Lawyer with the Way I'm Always Trying to Get You Off (Me + You)." You can thank bass player/songwriter Pete Wentz for the unwieldy song titles. As he explains in "Fame < Infamy," "I am God's gift / Why would he bless me with such wit without a conscience." Whether spicing up their recipe with R&B swagger or playing it straight, FOB are at their best when they crank up the volume. Hence, the piano-based "Golden" is the weakest track on an otherwise solid outing. Hey, maybe they just wanted to see what a stadium looks like bathed in the glow of a thousand lighters. Taking its title from a letter Vincent Van Gogh sent to his brother Theo ("Be clearly aware of the stars and infinity on high"), Fall Out Boy's fourth seems likely to follow its predecessor into the platinum stratosphere. --Kathleen C. Fennessy

Customer Reviews:

To Infinity and Beyond.......2007-07-10

The follow-up to Fall Out Boy's breakout "From Under the Cork Tree" finds them infused with a new-found confidence and an arena rock cockiness. Fortunately for them, they manage to aim for the Stadium Nose-Bleed seats and succeed. From the opening braggadocio of their label Prez Jay-Z to the funky beats that undercoat "I'm Like A Lawyer..." (produced by none other than Babyface Edmonds) to quoting Leonard Cohen in "Hum Hallelujah," Pete Wentz shows he and his mates have no intention of playing it passive.

They also come up with hooks a-plenty. The slapping drum and bass that kicks "The Take Over The Breaks Over" is irresistible. The hit "This Ain't A Scene It's An Arms Race" will have you football cheering and stamping your feet in no time flat. There are so many memorable moments on this CD that pointing them out is beyond the point...they just craft themselves elegantly into each song. The Choir in "You're Breaking But You're No Wave" is probably my personal favorite.

Be that as it may, there are times when the band teeters close to smart-aleky. Especially the unwieldy song titles and frequent self-referencing. There is a touch of the clever-clever here that makes me wonder if the band can transcend "being poster boys for the scene" (as they sing in "Thriller") in the way My Chemical Romance did on "The Black Parade." But for the 14 catchy rocking tunes on "Infinity On High," Fall Out Boy show that they are hungry for more.

Besides, any band that can work both The Simpsons and Vincent VanGogh into their overall view is OK by me.

Skip this one.........2007-07-06

Just buy the singles that you like on the radio. This album is crap. I dont know why they put JayZ in there and most of the critical reviews on amazon pretty much summed it up. I really believe some people are frocing themselves to like this album.

Sellouts?....No. Dissapeared off the radar?....uh no. Follow up to a great debut?....Yes!.......2007-07-03

What can I say? I love this album to death! I've been a FOB fan since early 2005. Now that's not reeeeally a long time, since that's when they kinda started to get noticed. I wish I was there from the start, but personally, if you didn't live in the Greater Chicago area, I think maybe that would have been a bit hard. (Hey. I might be TOTALLY wrong).
Anyway. Great hooks, Great melodies, Great lyrics (which don't really have a "plot" or "story" to 'em, but hey who cares!). One million out of ten. And will ALWAYS be in my top 3 albums ever.

FOB RULZ!!!!!!!!!!!!!!!!1111.......2007-06-18

Omg FOB iz the best emo baNd there iz!!! this cd rocks as much as FOB duz lolzZzZ!!!!!!!!!!!!!!!!!!! especially thnks fr th mmrs that title iz just SOOOO deep and meaningful bcuz itz soooo kewl and unique. Omg I just luv FOB!!!1111

Now, press repeat!!.......2007-06-17

Fall Out Boy are an alternative punk rock group, if ever they could be classified, and their latest CD "Infinity on high" has already topped the Billboard album charts. The album comprises 14 songs with ambitious titles, averaging 3 minutes each.

Opening with an introduction from Jay Z (yes) as well as on outro, opening cut "Thriller" is an energetic number with machine gun-like guitars.

"The take over, the break's over" is a catchy upbeat song, while lead off single (and US & UK #2 hit) "This aint a scene, it's an arms race" - one of those rare FOB cuts to feature the song title in the song - shifts tempo from plodding to frenetic. It is produced by Babyface, as is "Thnks Fr Th Mmrs" (great jangly guitars).

Other standouts are the hand clap filled "Don't you know who I think I am", the more downtempo "I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You)", "The (after) life of the party", "The carpal tunnel of love", the sing-a-long "Bang the doldrums" (which is remniscent in parts of The Smiths), and wickedly catchy "Fame infamy" which seems to race at the speed of light.

"You're Crashing, But You're No Wave" is a Killers/Franz Ferdinand-like rocker with lyrics telling the story of a court case. Brilliant!!

Lead singer Patrick Stump, has an earthy, soulful voice, sometimes remniscent of Terence Trent D'arby.

Like the voice says at the end of the disc, "Now, press repeat!"

Average customer rating:

gowyo
Seriously...
Hawaiian for the World
Israel heard in a different light
Very positive CD

Wonderful World
Israel Iz Kamakawiwo'ole
Manufacturer: Mountain Apple Company HAWAII & Big Boy Record Company
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Hawaii | Pacific Islands | International | Styles | Music
Similar Items:

Facing Future
Ka 'Ano'i
Alone in IZ World
In Dis Life
IZ in Concert: The Man and His Music

ASIN: B000P1YM2G
Release Date: 2007-06-26

Tracks:

What a Wonderful World
'Ama 'Ama
Henehene Kou 'Aka
Twinkle Twinkle Little Star
Morning Dew
White Sandy Beach
Kaleohano
Ka Huila Wai
'Opae E
Ke Alo O Iesu
'Ulili E
A Hawaiian Like Me

Customer Reviews:

gowyo.......2007-07-13

I was anxious to purchase this CD, after reading about the technology, etc., used to produce this CD. I like the overall quality of the product, but did not appreciate the fact that the "Ahi wela" verse was left out of "Twinkle, Twinkle, Little Star!", the verse that all of us keiki Hawaiians heard from our mothers, and memorized as soon as we could sing. Also, leaving "Somewhere over the rainbow" out of "Wonderful World" in my opinion was a huge mistake. But I have the original versions of these songs, so I feel ok about the final product, notwithstanding the comments mentioned above.

Seriously..........2007-07-10

What did I do to deserve this in my recommendations? Was it that foolish purchase in a drunken stupor of those Don Ho albums so long ago? The Zamfir tapes? The Peruvian flute music?

Hawaiian for the World.......2007-07-05

By pairing Israel Kamakawiwo'ole's timeless vocals with orchestral arrangements, producer Jon de Mello clearly seeks to continue the expansion of Hawaiian music's reach in the music industry and with music lovers throughout the world. He has succeeded mightily in allowing more listeners for whom Hawaiian music is an anachronism to appreciate the universal quality of Hawaiian music in general and Israel Kamakawiwo'ole in particular. Israel's voice has never sounded better and as he says, "you'll never meet another Hawaiian like IZ".

Israel heard in a different light.......2007-07-05

This is a nice version of Israel's music heard in a whole different light. My wife and I fell in love with the music of Iz when we married in Hawaii a couple of years ago and I just purchased this for her birthday. I was concerned with the adverse reviews before we'd even heard it, but they did a great job of not overly orchestrating it... it's a different but refreshing remake of some Iz classics and some I've never heard.

Very positive CD.......2007-07-05

It's a very 'up' record with much of Iz's music re-released. They've dressed the songs up a bit with more orchestration, which takes away from the simple beauty of his previous work, but still lovely.

I love his version of "Wonderful World." Louie's is still my favorite, but it's good to hear the song literally go around the world in covers.

Average customer rating:

Prine and twang......
I guess I'm an "average people."
A Disappointment ...and so sorry to say it
John Prine Love
Awfully corny

Standard Songs for Average People
John Prine & Mac Wiseman
Manufacturer: Oh Boy
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Contemporary Folk | Folk | Styles | Music

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John Prine Live On Soundstage 1980
My Name Is Buddy
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West

ASIN: B000NVLJRO
Release Date: 2007-04-24

Tracks:

Blue Eyed Elaine
Don't Be Ashamed Of Your Age
I Forgot To Remember To Forget
I Love You Because
Pistol Packin' Mama
Saginaw Michigan
Old Dogs, Children And Watermelon Wine
Old Cape Cod
Death Of Floyd Collins
The Blue Side Of Lonesome
In The Garden
Just The Other Side Of Nowhere
Old Rugged Cross
Where The Blue Of The Night

Amazon.com

Things don't get much schmaltzier than a Dobro played Hawaiian style, which is why it's fitting that Cowboy Jack Clement offers one up on "The Blue Side of Lonesome," Leon Payne's dated but charming classic--only one such excursion into blue-haired reminiscing on an album of over-the-top sentimentality. It was the legendary Clement who paired smart-ass folkie Prine and bluegrass totem Wiseman, but the singers themselves chose the repertoire, which reads like songs people of a certain age might pick on a dry drunk. The tunes range, believe it or not, from religious hymns to covers of Patti Page's 1957 hit "Old Cape Cod," Kris Kristofferson's underrated "Just the Other Side of Nowhere," and Tom T. Hall's "Old Dogs, Children, and Watermelon Wine," with a little Elvis and Ernest Tubb thrown in for good measure. It's fitting that Prine and Wiseman revisit the Hall standard, since oddly, both singers vocally favor the Nashville storyteller from time to time. But one has to question their use of the Grand Ole Opry's Carol Lee Singers, who show up on several cuts and seem, well, just bizarre on a John Prine record, even as they evoke the lushly famous Nashville Sound of the 1960s. Suffice it to say, this is a quirky project, and if Prine's scratchy baritone and Wiseman's melodic tenor sometimes overlap to where you can't tell who's singing what, it doesn't much matter. You're listening to two new pals having what seems to be the time of their life. --Alanna Nash

Customer Reviews:

Prine and twang.............2007-07-03

I first caught the wind of the country & western direction in John Prine when I heard his earlier CD "In Spite of Ourselves." The Nashville influence has laid a noticable twang on his voice to the extent that the vocals are sometimes hardly recognizable as Mr. Prine. As mentioned in some of the other reviews, on my first listening, I also thought immediately of Tom T. Hall. For long time followers more accustomed to John's rebellious angles (and the wry title, at least, is pure Prine) this CD might be quite a shock. But I accept it as simply the mark of a mature artist stretching himself artistically, not "selling out" for the sake of sales to a mellower audience. My apologies for not commenting more about Mac, I am less familiar with his work but I assume that stylistically this is more in his comfort zone. His vocals bond nicely with John's and this is definitely equality in a duet. A nice relaxing work, accept it for what it is, not what you expect of John Prine.

I guess I'm an "average people.".......2007-06-27

I heard John Prine and Mac Wiseman on NPR one afternoon
and fell in love. Their song choices are wonderful.

A Disappointment ...and so sorry to say it.......2007-06-26

This was such a disappointment. I had looked forward to this for months, having admired Mac Wiseman for over fifty years, and Prine for thirty or so. But this just doesn't work.

The songs are such classics that each singer could do them well while singing by himslef. But there are just no strong emotional tugs from these "collaborations." Mac has done some great work singing with other bluegrass singers, and Prine has been terrific in his work with women singers ... but these two great men never seem to feed off one another. The feel suggests that these guys were not even singing together. I'll lay this away and go back to the many songs that I have by each that are so terrific.

John Prine Love.......2007-06-14

I don't think there is anything John Prine could do to diminish the love we feel for his music in our family. We think he might be America's poet, or one of them anyway. This CD is sweet and lovely and seems like two great guys sitting down playing and singing some nice tunes together and we all get to listen or sing along. "Standard songs for average people..." - the title says it all. Just a sweet ole time with John Prine and, in this case, with Mr. Wiseman, too. I gave this to my husband for our anniversary, along with the recently released John Prine DVD, and we are always just so grateful for great artists and John Prine is surely one.

Awfully corny.......2007-06-12

Sorry, love nearly all of JP's output but this is the worst I've ever heard, schmaltzy, corny, cringe-inducing, hurts me to say but it's the way I would see it. Bought it blind on the strength of all John's other stuff and regretted it immediately. If everyone else thinks it's great, maybe I can get my money back on ebay...

Average customer rating:

Say It Ain't So
the original travis sound !
Disappointing
Bold & Beautiful.
Back to what they do best!

The Boy with No Name
Travis
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Favourite Worst Nightmare
Sky Blue Sky
Release the Stars
The Reminder
New Moon

ASIN: B000O77SKY
Release Date: 2007-05-08

Tracks:

3 Times And You Lose
Selfish Jean
Closer
Big Chair
Battleships
Eyes Wide Open
My Eyes
One Night
Under The Moonlight
Out In Space
Colder
New Amsterdam

Amazon.com

Travis seemingly disappeared after the arguably forgettable 12 Memories but the sound of the Scottish group's daydream-pretty guitar rock endured thanks to Keane, Snow Patrol, and especially Coldplay. More than three years later, Travis is playing catch-up with their fifth studio album, The Boy with No Name. Predictably, it's a well-crafted affair, bursting to life with tunes that celebrate life's minor victories such as "Closer," "Battleships," and "My Eyes." But as a comeback effort it feels flawed, let down by both melodies that disappear into the ether as quickly as they come out of the speakers ("One Night," "3 Times You Lose") and those that clumsily attempt to tweak the formula ("Eyes Wide Open," "Selfish Jean"). --Aidin Vaziri

Customer Reviews:

Say It Ain't So.......2007-07-01

Well, I guess it had to happen eventually. They released four great albums in a row, but the streak is over. I just don't know where this came from. After hearing "Walking In The Sun" from Singles I assumed the Travis dynasty would be prosperous for years to come. I listened to this entire album and almost felt like weeping (not in a good way).

The best word to describe this album is definitely "filler". Think of every Travis song you never really cared for. What did they all have in common? Less than impressive singing? Uneventful choruses? Overall drab music that doesn't stand out? All of these things describe this album in my opinion. I remember listening to previous albums and being greeted by wonderful melodies, catchy rhythms and unforgetable lyrics. This album really lacks a clear direction and passion. You can't honestly tell me Fran is singing these songs from his heart. It sounds like these songs were recorded right after one of his family members died. Most of these songs aren't very well written to begin with, but the ones that are just aren't done justice. I hope these sound better when played live or there's going to be some pissed concert goers.

The one shining light off in the distance is "My Eyes". The sound isn't exactly rehash from previous years, but the energy is definitely more like traditional Travis. I enjoy listening to this song and it actually sounds like they enjoy playing it. I can't say it enough, they just don't deliver on the rest of this album.

I don't think the old Travis is lost and gone forever. This release does feel a little forced but eventually they'll come back with something they really love and you'll love it just the same.

the original travis sound !.......2007-06-29

The smooth fresh sound of travis. It's the original.. It's the travis we know.. And it's the Travis we've been waiting for.. two thumbs up !..

Disappointing.......2007-06-27

Too much of Franny being the minstrel and not enough of the band doing what they do best. After waiting a long time for the follow-up to 12 Memories, The Boy with No Name is a monumental disappointment.

Bold & Beautiful........2007-06-08

It's been a while. Three and a half long years since their last studio album, and almost a decade since they bounced onto the scene with 'Good Feeling'. That debut had them down as the next big Brit-pop band and erstwhile Oasis chums / prodigies, even if the rest of the world hardly noticed their obvious talent. It was only the breakthrough "Why Does It Always Rain On Me" a couple of years later that launched them into the mainstream. Two albums and a collection later they have freed themselves of any expectant hype and can return to making sweet music. They always have done of course, and you really shouldn't be put off that this is a CD that both you and your mum can enjoy. For goodness sake, your Gran may do too.

Be warned that it's an album likely to get under your skin - in a good way that is. Something that seems so unlikely when you play it through for the first time, as it is so perfectly unassuming. Starting off with barely a whimper that is the intro to "3 Times And You Lose" it is the antithesis of going in with all guns blazing. But the track nurdles around with a listless pleasure, and harmonies that waft in the breeze. Uncannily simple, and marvellously crafted without really trying.

The "Lust For Life" beat behind "Selfish Jean" gives it a more obvious pop feel, and somewhat flyaway at that. But it's a worthwhile tempo change that would otherwise leave the album too samey. "Closer" really shouldn't be a such a strong song as it has an almost dreary quality to it, yet still a strong melody and easy hook doesn't let you down. A more complex rhythm makes "Big Chair" beautifully different, and even then you'll be humming along to a song that you feel you've known all your life - on the first listen.

Real credit to taking a leaner approach to production also. "Battleships" is a gem of a song of relationships gone wrong, and it could have turned into a grandiose Keane-esque, multi-layered extravaganza in the wrong hands. Instead it is kept clean and simple, where the words are allowed to shine and not sink. "Eyes Wide Open" has more of a plodding, ballsy quality, squeezed into a tight and very handy 3 minute track.

Travis do have a trademark sound that is "Writing To Reach You" or "Flowers In The Window", which is that easy, relaxed folkiness, often with the odd banjo plucked in for good measure. That soundprint is rarely far from this album, with "My Eyes" the latest amalgam of that style.

"Under the Moonlight" is deceptively good song, and yet another why you wonder why it's not been done before. "Out In Space" has a chillier simplicity, whilst the final "New Amsterdam" is a perfect homage to what is now New York. Talking of a "park that is Central" may be a tad contrived, but the unsophisticated view of what is outwardly so complex, sums up their ethos for the whole album.

Subtlety is often confused with growing old in music, and it's definitely the former here. They bounded around in their "Tied to the 90's" days youth but now have established a real understanding of what they are doing, giving them far more confidence to understate their case.

A certain Scottish music guru famously called Coldplay "bed-wetters", and the same criticism could be wielded at Travis of this CD (if you don't actually listen to it that is), though the Glasgow originated Fran Healey & Co would be more likely to punch such detractors out cold. Besides, it's not true. To deliver simplicity this beautiful is both bold and beautiful.

Back to what they do best!.......2007-06-07

It's been 4 years since the commercial failure and overall letdown of "12 Memories." Since that time, Travis released a "Singles" album, which made some believe that maybe they were planning on calling it quits? Well, I was happily surprised to hear that not only were they sticking around, but Travis returned to work with Nigel Godrich along with Brian Eno to get back to what they do best... create atmospheric, moody songs ripe with gorgeous melodies. Not since 1999's "The Man Who" has the band been so consistent on an album. The first 7 tracks in a row on "The Boy With No Name" are all brilliant. After the majestic "My Eyes", the album meanders off a bit into a few generic-sounding songs, but comes back strong with "Out In Space" and "Colder." They even throw in a hidden track for good measure, and like the outstanding hidden track on The Man Who (Blue Flashing Light), this one, titled "Sailing Away," is also worth the wait of extra silence. As Fran Healy says on their website, they have found their muse once more. From the jangly vibrant pop of Selfish Jean to the bittersweet balladry of Battleships to the swelling romp of Eyes Wide Open, The Boy With No Name will revive the lost Travis fans out there while opening the doors to many new ones. Ironically, Travis has been in the shadow of Coldplay for the past 7 years even though they existed a good 4 years before "Parachutes" was even released, giving Travis the fortune/curse of creating the musical landscape for such bands to spring from. So, I suppose one could say that Travis are to blame for Coldplay, Keane, Snow Patrol, and so forth. But even if that fact does upset you, listen to this album and all will be forgiven.

Average customer rating:

Top Ten Stranded on an Island Albums
Jack White knows 3 chords and I'm sick of hearing them...
Really good
It's all good!
Raconteurs

Broken Boy Soldiers
The Raconteurs
Manufacturer: V2 Records/Third Man
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

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The Information

ASIN: B000F48CD8
Release Date: 2006-05-16

Tracks:

STEADY, AS SHE GOES
HANDS
BROKEN BOY SOLDIER
INTIMATE SECRETARY
TOGETHER
LEVEL
STORE BOUGHT BONES
YELLOW SUN
CALL IT A DAY
BLUE VEINS

Amazon.com

Smothered by the indulgence of his rock star ranking, Jack White steps into the eccentricities of the supergroup, and at first glance, this seems to be a band where White's imposing presence could overshadow the rest. Not the case with these Raconteurs. Teaming with fellow Detroit songwriter Brendan Benson and Jack Lawrence and Patrick Keeler, the rhythm section from Cincinnati band the Greenhornes, White exhales a bit, deferring enough to his mates to make Broken Boy Soldiers play like a team effort. Following the Benson blueprint, "Steady as She Goes," which opens as a slice of 1960's radio pop, the record steers away from pigeonholing the rest of the way. White's in a Middle Eastern mood for the title track as he pulls off a wicked Robert Plant howl, while Lawrence and Keeler excel on the chorus-strong "Intimate Secretary" and the optimistic acoustic rocker "Yellow Sun." Like so many all-star bands before them, The Raconteurs could be one and done. But don't place the blame on this fertile and genuine debut. --Scott Holter

Leading up to The Raconteurs...

The Alternative to Love
Brendan Benson
Get Behind Me Satan
The White Stripes
Sewed Soles
The Greenhornes

The Greenhornes

One Mississippi/Wellfed Boy
Brendan Benson
De Stijl
The White Stripes

Album Description

The Raconteurs are a new band made up of old friends, consisting of Jack Lawrence (bass), Patrick Keeler (drums), Brendan Benson (guitars, vocals, keys) and Jack White(guitars, vocals, keys). The seed was sewn in an attic in the middle of a hot summer when friends Jack White and Brendan Benson got together and wrote a song that truly inspired them. This song was "Steady, As She Goes" and the inspiration led to the creation of a full band with the addition of Lawrence and Keeler. While each of these four individuals have had successful careers with their own bands, the culmination of all of their talents is what truly makes The Raconteurs a force to be reckoned with.

Customer Reviews:

Top Ten Stranded on an Island Albums.......2007-06-22

Indie Rock's answer to a "Supergroup". Every track on the disc should be on the radio. The most underrated and unrecognized band of the year. The band has great chemistry and passion for what they do. Incredible Live act. If you love good music, buy this NOW!

Jack White knows 3 chords and I'm sick of hearing them..........2007-06-17

Most under talented, overrated performer/entertainer in pop in the last 30 years. Terrible album. Indulgent, completely forgettable regurgitations of the things one learns when they first pick up an instrument. I don't think the whole amateur rock think is cute at all... Terrrrrrible...

Really good.......2007-06-12

I love artists who can make a new sound from old influences, and the Raconteurs deliver on this albumn. Some of the guitar work sounds like it's straight out of the sixties, yet the songs sit comfortably among other contemporary alt-rock projects. Check this one out.

It's all good!.......2007-06-04

I'd heard a song or two on the radio while traveling and thought I'd give the cd a go. Fabulous! Truly these musicians enjoy what they do and each others company. Only through genuine collaboration could such a creation happen. They had me from the first song to the last. The style is definately not that of amateurs. Well produced but not to the point that it sounds plastic. In fact one thing I love the most is how they have retained a slight raw edge that was quite refreshing. I hear influences of the Beatles, Pink Floyd and Led Zeppelin but with completely fresh insight and I only hope they keep it up so I can add more to my music collection!
In my opinion, not just one or two songs but, all of them are good!

Raconteurs.......2007-05-21

Incredible. I chose this CD at random as "raconteur" is a favorite word. Finding that Jack White was connected made me quite curious. Could this group of musician friends sell themselves as the title they chose for their group? I've played several of these tracks for friends of all ages. There's something for everyone. There's sort of a nostalgic feel to many of the tracks. Not a single track disappoints. Rather each track brings something unique to this collection. I hope we haven't heard the last from these talented Raconteurs!

Average customer rating:

Wasnt expecting much but got a whole lot more
**ckn awsome!
A Civil Attempt At Making It Big
I am very surprised
The CD that got me FOBSESSED!!

From Under the Cork Tree
Fall Out Boy
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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Move Along
Infinity on High
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ASIN: B000929AU0
Release Date: 2005-05-03

Tracks:

Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued
Of All The Gin Joints In All The World
Dance, Dance
Sugar, We're Goin Down
Nobody Puts Baby In The Corner
I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song)
7 Minutes In Heaven (Atavan Halen)
Sophmore Slump Or Comeback Of The Year
Champagne For My Real Friends, Real Pain For My Sham Friends
I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me
A Little Less Sixteen Candles, A Little More "Touch Me"
Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows)
XO

Amazon.com

The cleverness of Fall Out Boy's lyrical content is immediately evident by looking at the song titles on their sophomore disc, From Under the Cork Tree. "A Little Less 'Sixteen Candles,' a Little More 'Touch Me,'" "I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me" and "Sophomore Slump or Comeback of the Year" are but a small taste of the group's acerbic attitude. After FOB's indie debut hit the underground charts, the group's sudden indie-style success made for a fast growth spurt. Their appeal is obvious, from frontman Patrick Stump's Killer-esque pipes (especially evidenced in the disc-closing "XO") to their very melodic teen-angst anthems. While much of the disc operates at usual punk-pop speed, the highlight comes from a slower, emotion-laden cut called "I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth." This song of living in the public while working through private pain is a beautiful, multilayered number that stays with you long after the album is over. --Denise Sheppard

Customer Reviews:

Wasnt expecting much but got a whole lot more.......2007-07-05

Got to say was not expecting much, I liked a few of the tracks off this album but when I bought it I was expecting the usual 'emo' moan moan, I hate life, my girlfriend left me rubbish but this was a whole lot more than that.

Good, well put together music with decent lyrics to match. A good sound production to back up produced a pretty powerful album this realy does represent a good progression for Fall Out Boy and got to say, not much of a fan of so called 'indie' bands who never seem to be off MTV but if they keep producing stuff of this quality I cant realy complain.

Well worth buying.

**ckn awsome!.......2007-05-19

can you get much better? maybe U2, but not many others can compete with FOB. thou i'm more partial to thnks fr the mmrs the song on this album are awsome as well. i really like sugar we're going down, and champagne for my real friends and real pain for my sham friends. they are awsome and really catchy. if you don't like FOB go die!

A Civil Attempt At Making It Big.......2007-04-22

Fall Out Boy consists of the members Joe Trohan, Patrick Stump, and Pete Wentz. Their album 'From Under The Cork Tree' was released in 2005.

1. Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued - 8/10 - A very nice start to the album. The song puts you in a good mood and makes you want to hear more.

2. Of All The Gin Joints In All The World - 7/10 - There was nothing really horrible about this song except it just seemed like an extension to the first track. There's nothing memorable about it.

3. Dance, Dance - 10/10 - The album really takes off from this point. Dance, Dance is a vibrant, colorful song that will get you up and moving.

4. Sugar, We're Going Down - 10/10 - By far, the best track on the album. This is the song that you'll be humming or singing without realizing it.

5. Nobody Puts Baby In The Corner - 9/10 - Another catchy song that will have you dancing.

6. I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song) - 8/10 - This song does have a slight taste of summer, but it definitely is not your summer anthem. Some of the parts were a little bland and repetitive, but for the most part it was a pretty song.

7. 7 Minutes In Heaven (Atavan Halen) - 7/10 - I find this song a little boring. There's nothing that special or unique about it except for a small break in the middle of the song.

8. Sophomore Slump Or Comeback Of The Year - 7/10 - Another not so memorable song. The beginning starts off great but it slowly goes downhill after that.

9. Champagne For My Real Friends, Real Pain For My Sham Friends - 9/10 - There's some irresistable chords in this song that will finally bring out more of the fun in the album.

10. I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me - 6/10 - The title is creative, but nothing else is. Everything about this song makes it long and almost painful to listen to. My least favorite song on the album.

11. A Little Less Sixteen Candles, A Little More "Touch Me" - 7/10 - Nothing too great about this track either. It sounds like most of the previous songs that were forgettable.

12. Get Busy Living Or Get Busy Dying - 7/10 - The only really great part of this song is the end when all the music is taken away, and there is speaking. It shows what the whole song was about and makes its point nicely.

13. XO - 8/10 - The song starts off not so great, but it ends nicely. All in all, it's a pretty good closing to the album.

The album cover contains lyrics to all of the songs, pictures of the band members, and of course, the credits.

I would recommend listening to the clips of the songs that Amazon provides so you can get a real feel for them.

I am very surprised.......2007-04-05

I must to confess at the very beginning I guessed I had made a bad acquisition because I bought it, cause a couple of songs.
In less than an hour I changed my mind. GUAU!! I guess says everything.
Now I can not stop to play this CD.

Sugar... (for me, one of the best songs)
Sophomore Slump...
I Slept with Someone...
Get Busy Living...

Each of these deserve stop for a while and repeat again and again

The CD that got me FOBSESSED!!.......2007-03-12

I just love this CD, But because of a few skippable tracks, I've only given it 4 stars :] It's GREAT though! When my friend took my iPod home from the night and put the songs from this CD on it, and told me to listen to it, I never stopped thanking him after. xDDD It's just AWESOME, and got me hooked on Fall Out Boy. I downloaded the other two main albums from Limewire, and later on I recently purchased Infinity On High. I also had the HUGE pleasure of being allowed to go to a Fall Out Boy concert!!! I think I was one of the only twelve year old girls right up the front of the mosh pit getting absolutely squished to DEATH, but I tell you, it was the best thing EVER! I happen to be wearing my FOB t-shirt right now, in fact. xD Patrick has a FANTASTIC voice live, and they are such great crowd-pleasers. It was truly AMAZING.
Anyway, onto the ratage of the CD! =3

1) Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued- 6/10. I just don't like this as much as the other songs, and I don't think it makes a good introduction track. :[ However, it's definitely not a track I skip, and the chorus is very catchy (though Patrick doesn't sing it the same live).

2) Of All The Gin Joints In All The World- 9/10. One of my absolute favourite Fall Out Boy songs!! The verses are so fun to sing along to, especially "I used to waste my time dreaming of being alive, Now I only waste it dreaming of you!". It's also awesome live, especially the "oh oh oh, oh oh, oh oh oh oh oh oh"'s at the start, near the end, and at the very end. Love it!

3) Dance, Dance- 8/10. When I first heard it, I absolutely loved it, but now I'm slightly more partial to it, after having heard plenty of other FOB song. "I'm two quarters and a heart down", and the rest of that pre-chorus is so catchy, I find myself singing along to it every single time. I wish they had included the verse that they left out but was displayed in the demo version (We'll leave you kicking and screaming, etc). Vocals in the chorus are great and Patrick can actually pull them off live (which did, admittedly, surprise me). A nice job on this song, definitely.

4) Sugar, We're Goin Down- 9/10. Pretty much anyone who listens to the radio, or MTV, will have heard of this song. I personally think more hype could have been created over some of the other songs in this CD (and some from their other CDs, too) The chorus is my least favourite part of the song, and I don't find it as catchy as the first and second verse. "Is this more than you bargained for yet? Oh, don't mind me, I'm watching you two from the closet, Wishing to be the friction in your jeans" is pure genius in my opinion. The music at the start is very fun to hum to, as a side note xDD Altogether, not my favourite, but definitely very up there.

5) Nobody Puts Baby In The Corner- 10/10. Love it! The quick little drum bit at the beginning, then the quick launch into the vocals is really great, and this song is so energetic, and fun to lipsynch and sing along to! The chorus is impossible to listen to without singing to, and the transition from SWGD to this song is awesome, too. Don't really have any critiscm for the song at all, every bit of it is very listenable, "Wear me like a locket around your throat, I'll weigh you down, I'll watch you choke" is fantastic, especially when it blends with the chorus at the end. This song is GREAT!

6) I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth- 7/10. This one definitely grew on me. When I first heard it, I thought it was a bit dreary, slow, and boring, but when I did some research and found out what the song was about, I listened to it in a whole different light, and found the chorus irresistable to sing along to. Not exactly catchy at first, but think about the range Patrick displays in this song, and then appreciate it more. It's definitely not the sort of song that will stick in your mind the first time round, but listen to it a few times and you will begin to love it. As stated in Dead On Arrival, "The songs you grow to like never stick at first"!

7) 7 Minutes In Heaven- 9/10. Music at the start is fantastic to sing to, "da da da"'s in the middle (ft. Brendon Urie from Panic! At the Disco) just as great. "I keep telling myself, I keep telling myself, I'm not the desperate type" is lovely and fast, and incredibly catchy. Lyrical content in this song is incredibly clever and an upbeat way of describing a serious situation (fighting an addiction). Emphasis on the guitar in the chorus is very effective, as well. All in all, this song is awesome, and I never get tired of it!

8) Sophomore Slump Or Comeback Of The Year- 10/10. PURE LOVE!! The lyrics are genius, "The best part of believe is the lie", nobody but Pete Wentz could come up with something so clever! The chorus especially sticks in your mind, and the second verse and refrain, too. Very very clever, I don't know what else to say, it's just great! I could listen to it again and again and again and not get bored of it. =]

9) Champagne for my Real Friends, Real Pain for my Sham Friends- 8/10. The title is great, I just LOVE it. xDD It's awesome. Music at the start is fantastic for leading into the song, "You are a getaway car, Rush of blood to the head" gets you pumped up for sure! This song gets me really excited, it's nice and fast-paced. Great song, though *COULD* be considered a skippable filler track. I would disagree, though, 'cause I love this song. :]

10) I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me- 6/10. Yeah, everyone loves the title, but I'm not so fond of the actual song...I can skip it. =/ Chorus is catchy enough, but I don't sing along with this one that much, it didn't really stand out for me, the only cool part for me is "I found the cure to growing older". Still a good song, just doesn't have something special, at least where vocals are concerned.

11) A Little Less Sixteen Candles, A Little More Touch Me- 10/10. It really doesn't get much better than this! :] Love this one to BITS. Since the first time I heard it, the insanely sticking chorus was in my mind and I was humming it everywhere I went. Lyrics, though repetitive a bit, are still fantastic, and the overall tune is so catchy. Vocals are nothing special, but such a cool song, I can't see how it's possible to dislike it! One of my faves! :D

12) Get Busy Living Or Get Busy Dying- 6/10. In my opinion, the chorus lets the verses down, and the screaming bits...just ergh. Sure, Pete might be a good screamer, but I wish he'd just left the otherwise-perfect vocals of this song to Patrick. D: The best bit of this song is "I know this hurts, it was meant to, it was meant to", the rest of the chorus is a bit mediocre, at least I think so anyway. :] The speech at the end of the song is FANTASTIC, though. The lyrics are very well thought-out, and I can't critisize the music at all, either. This song just didn't stick in my mind much at first, which is why I gave it a 6/10.

13) XO- 9/10. The singing in this song is GREAT, if you're listening to it with headphones on, here's a piece of advice; take one of the headphones out (you need to try with both) until you find the one which is playing the pure vocals at the start ("I comb the crowd...I swear, I say"), you will be amazed by the purity of Patrick's voice. The only letdown to this song for me was how much "To the love I left my conscience pressed" was repeated, I sometimes fastfoward through that bit. I sing this song everywhere I go, it's very addictive, the fast-paced verses remind me of a high-speed car chase, and it really puts me on the edge of my seat listening to it! Awesome song.

All in all, I prefer Take This To Your Grave, but From Under The Cork Tree is a fabulous album, though I think many people have a negative view towards it because of the two main singles on the album, SWGD, and Dance, Dance. Those songs definitely don't represent the best of Fall Out Boy, good though they are. :]

If you haven't already bought From Under The Cork Tree, I HIGHLY recommend going to get it now! Apologies for the insanely long review, I got a bit carried away!

Thanks for reading! :]

Thoroughly Modern Millie (2002 Original Broadway Cast)

Average customer rating:

MODERNIZE your music collection!!!
A must to add to your collection
Delightful
YOU WILL LOVE IT
Stellar cast in a first rate musical

Thoroughly Modern Millie (2002 Original Broadway Cast)
Jeanine Tesori , Dick Scanlan , and Sutton Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Thoroughly Modern Millie
Thoroughly Modern Millie: Vocal Selections
Little Women The Musical (2005 Original Broadway Cast)
Hairspray (2002 Original Broadway Cast)
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B000066B4Y
Release Date: 2002-06-11

Tracks:

Overture (Orchestra)
Not for the Life of Me (Sutton Foster)
Thoroughly Modern Millie (Sutton Foster and Ensemble)
Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
How the Other Half Lives (Angela Christian and Sutton Foster)
Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
They Don't Know (Harriet Harris)
The Nuttycracker Suite (Orchestra)
What Do I Need with Love? (Gavin Creel)
Only in New York (Sheryl Lee Ralph)
Jimmy (Sutton Foster)
Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
Muqin (Harriet Harris, Francis Jue and Ken Leung)
Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
Gimme Gimme (Sutton Foster)
Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
Final Bows (Entire Company)

Amazon.com

Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli

Customer Reviews:

MODERNIZE your music collection!!!.......2007-07-13

This is an AMAZING musical and great album. It is sure to jazz-up any music collection! BUY THIS ALBUM NOW!

A must to add to your collection.......2007-05-18

I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!

Delightful.......2006-06-12

The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.

YOU WILL LOVE IT.......2006-02-17

If you like musicals, you will NOT REGRET purchasing this musical soundtrack. JUST DO IT. It's so great, you will be listening to it forever. I also saw the show at the Kennedy Center in D.C. and it's one of the best I've ever seen. (And I've seen A LOT.)

Have Fun!

Stellar cast in a first rate musical.......2006-01-29

A sparkling Broadway lead debut from Sutton Foster (run, don't walk to any live performances given by Ms. Sutton) with superb comedic support given by Mark Kudisch and Harriet Harris (who won the Tony Award for this performance)

Average customer rating:

Great album now sounds even better
More than just an excitable boy...
Rest In Peace, Warren - You are MISSED!
Warren Zevon hits his early peak!
Warren Zevon's Best Album Ever Gets The Respect It Deserves

Excitable Boy
Warren Zevon
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Stand in the Fire
The Envoy
Preludes
I'll Sleep When I'm Dead: The Dirty Life and Times of Warren Zevon
Live at Massey Hall (CD/DVD)

ASIN: B000MGV9WA
Release Date: 2007-03-27

Tracks:

Johnny Strikes Up The Band
Roland The Headless Thompson Gunner
Excitable Boy
Werewolves Of London
Accidentally Like A Martyr
Nighttime In The Switching Yard
Veracruz
Tenderness On The Block
Lawyers, Guns And Money
I Need A Truck (Outtake)
Werewolves Of London (Alternate version)
Tule's Blues (Solo Piano Version)
Frozen Notes (Strings Version)

Amazon.com

It's really too bad that Warren Zevon had to die before hearing how spectacular his albums sounded in these latter-day remasters. Excitable Boy remains his best-known document, awash with blood and guts (especially on the horror-laden title track) and a famous, phenomenal touch of lycanthropy. The trick is in Zevon's ironic distance, his dispatch of killer narratives that touch on mercenary internationalism and undeserved indulgence in due course. Zevon's writing is musically simple--pianos and guitars and mid-tempo pacing--and those touches here only underscore how crisp the remastering sounds. To wit: The raucous undertow of "Lawyers, Guns, and Money" is delirious and ironically rhapsodic. As for "Werewolves of London," it's here twice (once in the expanded rack of four additional tunes) in all its tilted glory. As for the other extra content, "I Need a Truck" is the short gem, a 50-second a cappella litany of Zevon's raffish ways: "I need a truck to haul my percodan and gin" and one to "haul the womens from my bed," he sings... followed by this apt note, "I need a truck to haul my body when I'm dead." He had a mordant side. --Andrew Bartlett

Album Description

EXCITABLE BOY, originally released in '78--and produced by Jackson Browne and Waddy Wachtel--hit #8 on Billboard®'s Pop albums chart and made Zevon a star. Includes the essential signature songs "Werewolves Of London"--a #21 hit single--and "Lawyers, Guns And Money." Also features "Roland The Headless Thompson Gunner," "Excitable Boy," "Accidentally Like A Martyr," and other Zevon classics. Four previously unissued bonus treasures include an alternate version of "Werewolves," a solo piano version of "Tule's Blues," and an outtake of "I Need A Truck." In-depth liner notes by Rolling Stone writer David Fricke.

Customer Reviews:

Great album now sounds even better.......2007-06-09

Most of you reading this should already know how good this album is. I bought this remastered version to enjoy the improvement in sound quality and wasn't disapointed. I usually do not like other tracks tacked on to the end of the original tracks, but in this case I enjoyed all of them, especially the alternate version of "Werewolves of London". I
almost like it more than the originally released version on the album !

The liner notes are also excellent, giving some interesting insights into the man himself, as well as his music.

Now all I want is his 1976 self-titled album to be REMASTERED too.

More than just an excitable boy..........2007-04-13

Zevon become famous with "Werewolves of London," a satirical critique of the world's womanizers (past and present), but as true Zevon fans know, there was much more to this man than "aaaaaoooo, werewolves of London" and a three-chord progression that is as infectious as it is cutesy. The true Warren Zevon was a poet of sorts, a man who tackled difficult subjects ("Excitable Boy," for example, with a final verse that still gives me shivers), but still remained a sensitive man at heart ("Accidentally Like a Martyr," for example; don't deny, it moves you).

From the you-know-what hitting the fan in "Lawyers Guns and Money," to the purely delightful recitation of "I Need a Truck," to the heart-wrenching "Tule's Blues," to the rockin' romp of "Nighttime in the Switching Yard," to the world's most famous undead Thompson-gun toting anti-hero in "Roland the Headless Thompson Gunner," EXCITABLE BOY remains a rock 'n roll classic. In fact, I'd go so far as to say it's a staple rock album. It is by far wittier and more creative than most rock albums ever produced; sure, there aren't too many screaming electric guitars (oh my God, is that guy playing a PIANO???), but EXCITABLE BOY is quite simply one of the best rock albums ever made. Warren Zevon was a folk/rock artist like none before him...and, it's safe to say, like none we will ever see again.

Rest In Peace, Warren - You are MISSED!.......2007-04-04

...to further pontificate on what all the other esteemed reviewers have said here would be simply redundant. But if there truly IS a "rock and roll heaven," Warren is THERE, just merely on the basis of "Werewolves Of London." I like what "CD Universe" had to say about him, that he "came roaring out of the mid seventies touchy-feely with one hand on the piano, and the other with a gun." Let's face it, folks, Rock and Roll, as WE know it, DIED, Aug. 16, 1977 - but this album and (on the other coast), The Ramones, were doing their very best to keep disco & punk from interbreeding. But they did, and "popular music" limped off to its dirt bath under the name "New Wave," and left the likes of Huey Lewis, U2, Prince, ad nauseum...

Warren Zevon hits his early peak!.......2007-04-01

More than anyone else in the whole El Lay songwriter movement of the late seventies, Warren Zevon had absolutely no problem with getting a good laugh at the expense of the insularity of it all. And on his second proper album, he took the whole scene and turned it properly on its backside. "Excitable Boy" threw in a mix of werewolves, mercenaries, drug abusers and paranoid spoiled brats, yet while frequently offering exceptional tenderness and insight. It was easy to see why Jackson Browne was his mentor and Linda Ronstadt his patron angel.

A song as reckless as the album's title track could come from nothing less than genius. The chirpy sweet background vocals and sugary melody buoy the dark tale of a murderous high school student who kills on the night of his junior prom. "Hotel California" this most certainly wasn't. At the same time, "Accidentally Like a Martyr," with its stately piano line, encompasses the horror of a sunken love affair in barely three and a half minutes. These juxtapositions carry all the way through "Excitable Boy," with only one misstep in the CD's nine songs (the forced funk of "Nighttime In The Switching Yard").

Warren Zevon made several other great albums, but "Excitable Boy" was the moment that his youthful exuberance and a mind uncluttered by too many foreign substances produced a stunner. As a document of the California Sound that Elektra/Asylum records was known for in the seventies, this is indispensable.

The remaster is stunning. The piano to "Accidentally Like A Martyr" just leaps out of the mix (where before it seemed kind of flat). The same can be said for "Nighttime In The Switching Yard." What originally sounded compressed now sounds so much livelier. The bonus tracks are only so-so, with the alternate take of "Werewolves" being somewhat interesting and "I Need A Truck' humorous but unnecessary. What you really want here is the original album, and "Excitable Boy" is worth the remastered wait.

Warren Zevon's Best Album Ever Gets The Respect It Deserves.......2007-03-29

Warren Zevon's best album, EXCITABLE BOY, is finally getting the respect it deserves via a remastering which adds several previously unreleased demos and outtakes to the original album. Although learning to take teasing like the lyrics on this CD can make you a stronger person, the cold, hard truth is that Zevon was no novelty act, as several of his songs on other albums, such as the recovering-addict tales "Bad Luck Streak In Dancing School" and "Detox Mansion" prove. Get this CD as soon as you can.

Average customer rating:

Did Myself a "Favour" Buying It!!
Running out of new ideas for psychedelia
Every Good Moodie Album Deserve To Be A Classic?
The band's great and underrated album
In Search Of The Musical Chord...

Every Good Boy Deserves Favour
The Moody Blues
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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Question of Balance
Seventh Sojourn
To Our Children's Children's Children
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ASIN: B000002GQK
Release Date: 1997-05-20

Tracks:

Procession
The Story In Your Eyes
Our Guessing Game
Emily's Song
After You Came
One More Time To Live
Nice To Be Here
You Can Never Go Home
My Song

Album Details

Digitally Remastered - Nine Tracks Procession, the Story in Your Eyes, You Can Never Go Home and More.

Customer Reviews:

Did Myself a "Favour" Buying It!!.......2007-06-07

I had read all the reviews describing this album as being slightly dark, so I was a bit unsure as to how I would like it. I needn't have worried: my beloved boys didn't let me down, not at all. With the exception of one track (that will remain nameless) EGBDF is the incomparable Moody Blues at the apex of their power, talent and creativity. I'll briefly touch on the four songs that REALLY blew me away, though there are several other really great tunes. At this point in my musical journey, I have to say this is probably my favorite of the "core 7" MB albums.

I'm going to start off with a veritable Justin Hayward gushfest here: 'The Story in your Eyes'. Oh my word, what a pure delight this song is. Yes folks, Mr Hayward knows how to rock it out! What- and how many- adjectives can I use to adequately describe it? BRILLIANT, MASTERFUL, AWESOME, BEAUTIFUL, SMART, come to mind. This song is simply a showcase for Hayward's phenomenal talents as a singer, songwriter and guitar maestro. "And the sound we make together is the music to the story in your eyes". Pray tell, who else writes intelligent yet beautiful lyrics like this? NOBODY!! The music, beat and tempo are great as well, carried along by Graeme Edge's terrific percussion work and John Lodge's oh so hard-driving bass. Mike Pinder just flat out tore up the keys on this one. Heck, they ALL shine on this gem!! If I have one MINOR complaint, it's that this song is nowhere near long enough- give me just two more minutes of it, PLEASE!

The hard-rocking 'After You Came', superbly written by Graeme Edge, was a VERY pleasant surprise. It should have been named 'Another Way To Fall', because of the catchy chorus: "I've reached the top of my wall. I've found out another way to fall". I love the overall sound of this lively ditty and the musicianship is blazing hot. The way the guys all trade lead vocals is simply fantastic. I was almost squealing with girlish delight to hear John's lovely vocals totally dominating in several places- way to go Lodgie! This song is tailor-made for his voice. But all the Moodies flat sang- and played- their hearts out on this one. Way to write a song Graeme!

On to the two offerings from the fab Mr John Lodge. First off: 'One More Time To Live'. This one took me a few listens to "get" it, as it's just too much to take in all at once and fully comprehend it. At first I didn't quite see how the chorus of very loudly spoken words fit in, but now I realize that it works beautifully with the heavy subject matter. This might be John's deepest, darkest song. This powerful tune, written well over 30 years ago, is so relevant to today's troubled world that John could have put it to paper yesterday. You've outdone yourself John and you should be darned proud of this song!
I've deliberately saved John's other number, 'Emily's Song', until last. This song hits very close to home with me and at times, frankly leaves me an emotional wreck. You see, I had no relationship with my biological father. Since my earliest childhood memories, I have wanted and dreamed about having a kind, loving man such as John Lodge for my Dad. To have your daddy love you enough to write and sing about his little girl is too precious and painful for me to put into words. I just hope and pray that Emily Lodge knows how truly blessed she is to have such a father, and that she returns that love to him. John, from the bottom of my heart, thank you for sharing all your beautiful words with the world. You truly are a very special human being.

In closing, I'd just like to say that this album is a must-have for anyone who appreciates classic/progressive rock at its finest, created by the most amazing band to ever bless this Earth with their music.

Running out of new ideas for psychedelia.......2007-02-25

Every good boy deservese favour, from 1971, by the Moody Blues, was their sixth straight psychedelic album.

The album is a worthy addition to your collection. However, as the title to my review suggests, my feelings towards the album are "it's ok".

It begins with a run-down of all possible music styles they can think of, which is makes for a pleasant enough track, but seems like a desperate idea for a song. The album then gets into the main body with the awesome rocker 'The story in your eyes' which has a rollicking riff and hearfelt vocals from Justin Hayward. Although really whiney, 'Our guessing game' is a decent enough song, though the only real fresh idea is some experimentation with vocal arrangements. Another smashing track follows in the really soft, pleasant 'Emily's song', a pretty John Lodge number featuring a well-timed cello riff. The album really changes pace with a hard-rocking 'The Wall' by Graeme Edge. Since it's an Edge number, the other four Moodies take turns on the vocals. Again, it's a bit negative "I've reached the top of my wall, I've found another way to fall" which kind of detracts from being a hard-rocking song, but it's a cool track.

The real problems with this album show up on side two. John Lodge's 'One more time to live' is really emotional and melodic, though the chorus is shouting words such as "Communication", "Creation", etc. that were first heard in "Procession". Then the album really suffers with Ray Thomas' "Nice to be here". It's not a bad song, only drags on too long, but I just feel as though we have heard this all before. It's followed by a sultry Justin Hayward ballad "You can never go home" which, again, is the sort of thing we've heard before.

I suppose the reason I'm being so hard on this album is my bitter disappointment with the last song, "My song", the only songwriting appearance by Michael Pinder. Pinder's song's are usually something to look forward to, but this song is simply a note for note copy of "The voyage/Have you heard". I don't know why it strikes me so much, but because it's such a copy of such a mezmerising classic, I can't feel it can only ever be there for teh sake of taking up space. The lyrics are nice, though. But a lot of the material on this album seems all to similar to what they've done before.

I think by now (1971) they had run out of ideas on the psychedelia theme and with this album they were more or less sticking to the genre as they had nowhere else to go. Their next album was a huge departure and ventured more into singer/songwriter pop and introspective folk.

To sum up, this album is a pleasant listen, but seems uninspiring as it doesn't take you many places that you haven't been before. That said, I hope you enjoy the album - brendan

Every Good Moodie Album Deserve To Be A Classic?.......2007-01-30

This one is a good album and I like the concept but it hasn't stuck with me like the previous 2 no matter how many times I've listened to it, I think I may have been Moodied out after the first classic 5 albums.

The band's great and underrated album.......2006-12-21

This has always been a favorite of mine. This, however, seems to be almost the forgotten album out of the classic seven. Unlike Seventh Sojourn an album with really great songs but doesn't hang together well all the way thru. This one is a classic from beginning to end. This is a darker album than most Moody Blues albums and that might have something to do with the fact that this is not as widely regarded as some but don't let that put you off this is a classic.

In Search Of The Musical Chord..........2006-12-15

...Progression. Or should I say Procession as in the lead off track? This is my personal bestest favorite Moody Blues album and the one I would declare part of my 10 must have on a desert island albums. Why? If you have read Dustyart's review of To Our Children's...Children you will find I am in total agreement as to the qualifying peak of Moody Blues albums. Lost Chord, Threshold, and Children were truly composed with 5 brush strokes of pure genius, painted together as a whole of one mind in conceptualization and magical psychedelia unparalleled by anything else they would do. Days of Future Passed kicked off this "new" Moody Blues that became the "core seven" ending in 7th Sojourn of course. Days is brilliant classical-rock. Question of Balance held together as an environmental concept, an "awareness" album, and then came the 5 notes of musical procession EGBDF (the mnemonic aid for the lines of the treble clef). 7th Sojourn ended up being a wave good-bye, a loose "sailing journey" where the ship disappears over the horizon, seemingly never to return. The Moody's "broke up" but then returned for an aptly titled Octave, with Pinder barely hanging on to the vessel. With the close of that album, penned by Pinder, he never sailed that ship again. The reasons for that are evident on this album with his contribution(s) here.

Though EGBDF is loosely a "concept album" dealing with "music" as it's centerpiece, the songs offer some personal insight to a few of our shipmates, including the opener Procession, written by all five. It is the only Moody Blues song with the distinction of being written by all members of the group. Procession uses musical challenges to illustrate the evolution and history of music from the "desolation" of empty space, to "creation" in whatever scientific/religious view you take it, to "communication" (musical beginnings were in sounds used to convey messages between species), and from it's rudimentary drummings beginnings through eastern and occidental classical forms to electronics and rock. by this means, each member contributes his insight to the musical progression.

As with all core seven Moodies, the tracks run together with no breaks and at the peak of rock guitar, Procession breaks into the top-40 hit single The Story In Your Eyes, one of Hayward's best rocking guitar and harmony vocal songs, perhaps even his best by some votes. I personally love the song lyrically, poetically, and musically. It balances a solid rock edge with beautiful vocals and heartfelt emotions. The short but sweet lead guitar solo demonstrates Justin's almost effortless talents in straight forward rock and roll.

Ray Thomas follows up with an autobiographically introspective number that tugs at the heartstrings with piano, mellotron, drums, and electric guitar. Lodge and Hayward accent Ray with terrific harmonies. This song has an ebb and flow as a tide and as in other Thomas songs, tinges the listener with salt and sand.

Emily's Song by John Lodge was written for his daughter, newly born before this album went into production. Couple that with the fact that the metre and rhyme scheme are highly reminiscent of Emily Dickenson poetry, and John has created one of his most beautiful songs that dwarfs many of his later efforts.

After You Came is a Graeme Edge penned heavy-on-percussion rocker with John on lead vocals, harmonies from Michael and John overdubs. As a solid rocker, Justin provides some great lead guitar and the ending of this track left us old timers clamoring to get to side two of this masterful work!

One More Time To Live is my reason for keeping this album in my top ten. Musically and lyrically, it is a return to the opener of the album. John Lodge has penned (in my humble opinion) the best Moody Blues song ever with this one. The song begins with the sweetness of Emily's Song but quicky enters a middle eight not matched in any other MB composition. Using the motif of Desolation, Creation, Communication, created earlier, John provides a progression from chaos to tranquility with harmonies and double-up vocals (from Hayward) and growing piano and percussiveness that grabs the listener, riveting you to your seat not once but twice through. Listen to this song if you have never heard it before and tell me it is not a Masterpiece of The Moody Blues! By songs end, you are wasted away, used up, but left with enough heart to go on to the next beautiful track.

Ray Thomas now gives us music as provided by nature with Nice To Be Here. This is one of Ray's best, both lyrically and musically. The mid-tempo is gorgeous, the song is both beautiful and amusing. Every note from flute to mellotron to drumming is spot-on perfect. This song ranks with Legend of a Mind, and, Dear Diary, in creativity alone! Ray brings an energy back to you from your trip with John that your are going to need with Justin's next track.

You Can Never Go Home is a low soft starter that builds to an amazing crescendo. Hayward's lyrics are so sad yet hopeful that if a song is a tearjerker, this is definitely one. His imagery, his guitar work, and his harmonies with John and Michael are immaculate. This is my second favorite on the album and ironically, it is both just as sentimental as One More Time To Live and exactly opposite in mood. Justin's voice is at it's peak of perfection on this album, and this song is perhaps his strongest vocal performance.

EGBDF closes with the Pinder composition My Song, which forbodes his eventual disassociation with the Moodies, and gives us a glimpse into Michaels own spiritual center which he he would take with him to the Stone Canyon Family and would pop up in his solo effort The Promise. This piece of music is intense, heavy on mellotron, heavy on introspective vocals, heavy on chorals, drumming, musical build up, it is all here. The Music that EGBDF centerpieces, is here in it's "all-ness" with Michael introducing us to the music of the spheres that he hears inside, the Melancholy Man gives us his first brief glimpse of the outer-worlders that he chose to follow. As the song fades away, Pinder' keys float into space with the same pitch as they came in at the beginning of the album, returning us again to that cycle which is infamous in Moody Blues recordings.

I am sorry Michael Pinder chose to leave the group, but given the directions that were evident on the next album (7th Sojourn) it is not surprising, and rather than being a messy divorce, Pinder just had reasons for moving on, both spiritually and musically. Justin and John would propel the group into a new direction, but not before Michael slapped down two more heroic tunes on 7th Sojourn and the his one swan-song on Octave years later.

Every Good Boy Deserves Favor is the last "cohesive" MB "concept" album and that is using those terms loosely, since Question is probably the last true concept album they made. This is an album which is difficult to review, but I wanted to entice anyone who has not heard it, or is new to the Moody Blues, to get this album, since some fans, like myself, simply love this album. It is not so dated as their early efforts which relied on the psychedelic movement. The music here is timeless since it is written with musical notation and classic lyrical efforts in mind. It is an album which attempts, and succeeds in, creating a musical journey about musical journey. If you are a fan of the late Moody Blues (80's and recent) then this album will be a shoe-in for you. If you have recently discovered The Moody Blues, are young and adventurous and already Chord, Threshold, Children, and perhaps even Days familiar but have not ventured into the 1970 Moody Blues, this here album is the transition point. It has the best of both worlds. There is not one weak track. Every vocal is perfect, every song is a "10" by my vote, I just happen to like two special ones above the others, so they get a 10 and a half! The only failing of this CD is that unlike with the old gatefold album covers, you don't get a 13" by 25" foldout of the gorgeous cover that Phil Travers created, the album cover was a work of art itself.

So if you are a Good Boy (or Girl) who loves the Moody Blues, you Deserve to treat yourself to THIS Favour! It may even become your Favor-Ite!

Average customer rating:

If I could only choose infinity for the stars!
Great Fun!
Enjoy the CD
Makes Ya Wanna Shake It!
Even more fun in person...

Latenight Betty
Pepe & the Bottle Blondes
Manufacturer: Geisha Boy Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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Latin Pop | Latin Music | Styles | Music

Salsa | Latin Music | Styles | Music

Merengue | Latin Music | Styles | Music

Salsa & Merengue | Compilations | Latin Music | Styles | Music

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ASIN: B00004UDE8
Release Date: 2000-08-15

Tracks:

Rumba De 5 Kilos
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Joselito
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Lo Dudo
Boom Boom
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Unnamed

Customer Reviews:

If I could only choose infinity for the stars!.......2006-03-17

This cd is awsome! I can listen to it over and over, never tiring of it. How many cds can a person really say that about? Spectacular music, great voices, neat lyrics-it is a must have! I felt an immediate passion for Pepe and The Bottle Blondes, the same passion that I feel for Pink Martini, and that is truly saying something!

Great Fun!.......2006-03-13

I absolutely love this album! I stumbled across it while searching music on Pink Martini (another great group) and after previewing its songs, had to order it. If you're new to latin music this is a great CD to start with because it's going to get you hooked. And if you already have an appreciation for latin/salsa music then you're definitely going to want to add this to your collection. I could listen to it over and over again. It's very happy music that makes you want to get up and dance. Perfect for dinner parties!

Enjoy the CD.......2006-01-31

A great CD, fun to listen to. Enjoyed by even our more conservative as well as our kids. Just a hoot.

Makes Ya Wanna Shake It!.......2006-01-14

This is perhaps the most FUN I've ever heard on a CD! This CD is fantastic! Every single person that has heard it (through me) has purchased it and now they are turning everyone else onto it as well! If you ever thought of dance lessons, this will do the trick to get you out there! All ages and all types of people LOVE this CD! I just ordered their new CD and cannot wait to receive it! Who said that Pepe does not compare to Pink Martini? They are two different sounds and one should not compare the two.

Even more fun in person..........2005-11-15

This group tours in the Pacific Nortwest, and I've had the chance to see them a couple of times... they are so much fun! Very campy and a little over the top and always fun, and the music is just great. This CD is a great sampling of their talent and their enthusiam for the music, and it's right up there with my favorites, which do include Pink Martini. But to that moron who said in his review that they don't compare to Pink Martini... phhffttt! That's like comparing the B-52s to U2... No, they aren't quite the same class of musicians and vocalists, but what they lack in style they more than make up in heart and just plain fun.

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