After the End

After the End

Track Listings

1. Xor4

2. Open Circle

3. Prewinder

4. Ovaloids

5. Hypercube

6. Undo Undone

7. XOR5

8. Noise Objects

9. After the End

10. Dysfunctionalism

11. Bi-Angular

12. Redo Undone

13. XOR6 - Håkan Lidbo

Tracks:

Harem
What A Wonderful World
It's A Beautiful Day
What You Never Know
The Journey Home
Free
Mysterious Days
The War Is Over
Misere Mei
Beautiful
Arabian Nights
Stranger In Paradise
Until The End Of Time
You Take My Breathe Away

Amazon.com

If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Diva: The Singles Collection
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

harem .......2007-05-28

As usual a quick and effecient service ,especially for people who live abroad.Keep up the excellent work John Williams.

New to Sarah Brightman.......2007-03-12

I'm very new to Sarah brightman's music and I enjoy this CD. I think she has an amazing voice. Very talented young woman and this cd was very relaxing and joyful to listen to. I like to learn and heard more from Sarah Brightman.

Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30

I'm not throughly pleased with this album! This CD is only good if you know how to dance in a Middle-Easters fashion. About half of each track is dominated by all orchestrations and no Sarah. Plus, Pop-Sarah isn't really for me. I much prefer the Classical-Sarah. Some of the tracks are okay, like "Harem", "The Journey Home", "Beautiful", and "Stranger in Paradise". Really, this is a good CD for your collection, but I wouldn't listen to it on a 24/7 basis.

No voice like hers in the world.......2006-10-01

I own this cd. I saw her in person at the "Harem" concert. Never had I heard or seen any voice like this. What a performer, best concert I'd ever seen. Beautiful voice, I can never get enough of Sarah Brightman's music. It is so comforting at times. I have all her music and this cd makes you wonder, how can she top this? Thank you Sarah Brightman for giving us your beautiful gift of music.

Brilliant Brightman, Her best CD........2006-09-18

Sarah is just the best, she can hit any note and her individuality shines on this CD. She sings "The Journey Home" from the musical Bombay Dreams and her voice just soars. "Harem", "Mysterious Ways" and "You Take My Breah Away" are songs that take me to dreamland. Amazing! A master piece!

Placido Domingo: A Love Until The End Of Time

Average customer rating:

love songs easy to listen too
This is an oldie but a goodie!
Great for boring candlelight dinner or quick ride in an elevator.
Beautiful music
A Valentine's Day Gift for all time

Placido Domingo: A Love Until The End Of Time
Ken Hirsch , Jule Styne , John & Paul McCartney Lennon , Consuelo Velazquez , John Denver , Andrew Lloyd Webber , Richard Rodgers , Henry Mancini , Johnny Mercer , Armando Manzanero , and Maureen McGovern
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Tracks:

Maria
Siboney
A Love Until The End Of Time
Noche Azul
La Comparsa
Save Your Nights For Me
Time After Time
Malaguena
Yesterday
Besame Mucho
My Life For A Song
Annie's Song
Siempre en me Corazon
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I Don't Talk To Strangers
Blue Moon - Moon River
Autumn Leaves
Adoro

Customer Reviews:

love songs easy to listen too.......2007-05-07

I love a classical voice singing this type of mustic, or sacred (from the operas (in English), or, out of print sacred. Wish I could find a source for some of my old tapes (some recorded from 78s) of artists like Jerome Hines (Holy City, 1962-3, 78 record I transferred to tape), Russel Davis (1970 or early 8os record I coped, of tape my Dad had copied), William Harness, Kathleen Battle, etc. etc. I enjoy a wide range of music, but had operatic training, so understand the requirements for superior vocal skill. John Denver had much of the quality. Music for me is part of the fabric of life.

This is an oldie but a goodie!.......2006-11-09

One of his first albums of "popular" songs and one of the best of the songs we have loved for years with a fresh, new Domingo treatment. Just as his album with John Denver was a something new for him, these songs are out of the opera world. You'll never hear any of them performed by anyone up to the "gold standard" of Domingo. That being said, I love this album, but - the accent gets in the way on the English songs. You have to be able to accept the accented English and just listen to the gorgeous voice singing some very romantic songs. I highly recommend!

Great for boring candlelight dinner or quick ride in an elevator........2006-10-31

As much as I enjoy listening to Placido Domingo's popular recordings this is not one of his best performances. Missing the full-blooded belting that can be heard on his other albums ("Be My Love" for example). The orchestration is very mediocre and uninspired.
For a romantic mood, "Perhaps Love" (simply fabulous) is much better choice.

Beautiful music.......2006-02-23

I have been looking for this title for a long time...in all the wrong places.

A Valentine's Day Gift for all time.......2005-02-02

If you truly want to touch someone's heart, give this as a Valentine's gift. I received the CD last year and I love every minute. It makes a loving gift of one of the greats. With such a long career you would think that Placido would disappoint. So far it hasn't happened. This year my honey and I will see him in concert! Another Valentine's day wish come true.

Average customer rating:

Hilarious!!!
Peter and the Commissar
A very funny piece
Great CD
Classical Gas

Peter & The Commissar

Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

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Release Date: 2004-11-09

Tracks:

Peter and The Commissar
Variations On "How Dry I Am"
The End of a Symphony

Product Description

1. Peter And The Commissar
2. Peter And The Commissar (Introduction)
3. Variations On How Dry I Am
4. End Of A Symphony, The

Format: CD

Customer Reviews:

Hilarious!!!.......2007-07-03

I just listened to this CD for the first time yesterday. If you love the Boston Pops, classical music, amazing "NEW" arrangements of old favorites, and Allan Sherman's crazy humor, this is the CD for you. My husband and I laughed ourselves silly.

I will never think of "Peter and the Wolf" in the same way again, and Allan's creative genius is clearly demonstrated in his variations on "How Dry I Am." Then, he seems to access all the thoughts you've ever had on the "never ending" finales to classical symphonies -- right on target!

I have loved "Hello Muddah, Hello Faddah" and many of Allan's other famous parodies for years -- don't want to admit how many, but I had never heard this album. It is now my favorite!

As to the sound -- it is crisp and clean -- even when heard through a car stereo.

Buy it. You won't be sorry. (Heck, I'm buying several more to give as gifts!)

Peter and the Commissar.......2007-01-22

Of all the CD's (and LP's) I have listened to over the years, this is without doubt my favorite. Allan Sherman was a pretty funny comic in the early 60's and The Boston Pops were (and are), well, The Boston Pops. This was a very clever combination of a funny guy, a world renowned orchestra and a witty story and music line. Classical music lovers with a sense of humor will love this CD.

A very funny piece.......2007-01-18

I first heard this back in the early 1970s and found it again. The title track is a very funny piece of satire and I enjoyed listening to it again after such a long time.

I got a second copy for a friend and he was absolutely delighted when he received it.

Allan Sherman did some great comedy pieces and this is certainly one of his best, I think.

Great CD.......2006-07-09

For years I was only familiar with this recording from a promotional album (only partial tracks and interview snippets) my Grandfather had and was excited to see that the full version was available on CD. I still love it but after having heard the "best bits" version some of the new (to me) stuff feels like filler. Regardless, the "best bits" are very funny and the album - I mean - CD is worth getting. Even my boys (ages 10 and 12) enjoy it....Hey, don't forget to pick up the Allan Sherman Boxed Set as well...it's another family favorite.

Classical Gas.......2006-01-30

This is the most hilarious CD with a classical bent I have ever heard. Allen Sherman is gifted when it comes to imaginative uses of classical themes. Anyone who has heard any of these famous melodies will laugh themselves silly when they hear what is done to them! It's a super pick-me-up when I'm feeling blue. It's a must-hear for all you classical music buffs!

The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)

Average customer rating:

Music and the Great War
How a Century Has Change Our Perception of War
Excellent Recording!
Good music, bad title

The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Great War
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ASIN: B00000HXKX
Release Date: 1999-01-12

Tracks:

Military March No. 1 In D Major, Op. 39: Pomp Ad Circumstance
Waltz Fom Der Rosenkavalier Suite
'Von der Schonheit' From Das Lied von der Erde
'De l'aube a midi sur la mer' From La Mer
Symphony No. 1 in D Major, Op. 25 'Classical Symphony': III. Gavotta. Non troppo allegro
L'histoire du soldat Suite - IV. The Royal March
L'histoire du soldat Suite - V. The Little Concert
Le tombeau de Couperin - V. Menuet
Le tombeau de Couperin - VI. Toccata
Sinfonia From Pulcinella Suite
Walzer From Funf Klavierstucke, Op. 23
Interlude From Wozzeck, Act III
Prologue From Music Ffor The Theatre
'Shine On Harvest Moon'
'Alexander's Ragtime Band' - Irving Berlin
'Over There'
'How You Gonna Keep'em Down On The Farm (After They've Seen Paree)?'
'The Man I Love' From Stride Up The Band
'West End Blues'

Amazon.com

The first two-thirds of this disc is a fascinating cram course in concert music around the time of World War I. The programmer has put together some fascinating juxtapositions--for example, Strauss's Rosenkavalier leads almost seamlessly into Mahler's Das Lied von der Erde, and Schoenberg sounds out of context with everybody (including Berg). The selections are all short, and performance quality runs from great to mediocre, but this is still a thought-provoking educational experience, even though Bartók and Ives are conspicuously missing. The popular selections are less interesting, often campy, and although vintage recordings are used, they aren't always the right vintage. And someone missed a point by separating Copland's jazzy "Music for the Theatre" from Louis Armstrong, who could have followed immediately. --Leslie Gerber

Customer Reviews:

Music and the Great War.......2007-05-14

This is a fascinating compendium of popular and classical music from the World War One period. It evokes all the turmoil, anguish, and also humor, of the age, and is a vital CD to own if you have an interest in the Great War and the music it inspired or was inspired by.

How a Century Has Change Our Perception of War.......2005-10-29

War. Tough subject these days - tough subject since the beginning of time. Yet Americans tend to mend wounds and gradually allow the atrocities of yesteryear to fade into coated cases that signal more memories of 'how things used to be' rather than learning from the tragedies with which war has scarred the planet. National Public Radio issued this excellent memoir at the turn of the millennium and one wonders if it now has the same response that greeted it in 1999.

Linda Kobler reconstituted this mix of classical and popular music with a keen sense of history. The CD is twice divided (in both the classical and the popular music) into 'Before the War' 1901 - 1917, 'During the War' 1917 - 1922, and 'After the War' 1922 - 1928. In the first era are the works of Elgar ('Pomp and Circumstance'), Strauss (a waltz from 'Der Rosenkavalier'), Mahler (excerpt from 'Das Lied von der Erde'), and Debussy ('La Mer') joining the songs 'Shine On Harvest Moon' and 'Alexander's Ragtime Band'. The War period is represented by Prokofiev's 'Symphony No. 1', Stravinsky's 'L'histoire du soldat', and Ravel's 'Le tombeau de Couperin' in tandem with 'Over There'. After the war include Stravinsky ('Pulcinella Suite'), Schoenberg (Waltz from 'Five Piano Pieces'), Berg (excerpt from 'Wozzeck') and Copland ('Music from the Theatre') with popular songs 'How you gonna keep 'em down on the farm', 'The Man I Love', and 'West End Blues'.

The excerpts selected for this survey are exceptionally good: orchestras include NY Phil, LA Phil, Philadelphia Orchestra, London Symphony, and the Columbia Symphony under such batons a Ormandy, Bernstein, Salonen, Tilson Thomas, Schippers and Stravinsky; soloists include Glen Gould, Robert Casadesus, Lili Chookaskian, Louis Armstrong, et al. The sonics are very fine and the performances are each from significant full recordings remaining in the catalogue.

The booklet accompanying this concert of memories is written by Linda Kobler who uses each selection as a pivotal point in the atmosphere of the globe that accompanied the Great War: it is very well written and informative. This is one of those recorded collections that goes far beyond an accumulation of bits and pieces and instead gives food for thought about how our political and social actions intertwine with the arts in a prophetic way. Highly Recommended. Grady Harp, October 05

Excellent Recording!.......1999-03-13

(It was called The "Great" War, because nobody knew about WWII at the time and it was the biggest war anyone had ever seen.)

I think this CD may be a bit choppy to "easy" listeners, but for anyone who has a sincere interest in delving into the musical senses of earlier generations it's VERY good! I recommend the entire NPR Milestones of the Millennium series to such aficionados.

Good music, bad title.......1999-02-11

Since when is war great? Life in the trenches waiting for the germans to attack you worrying about whether mustard gas is gonna loft your way isn't exactly like sipping chablis.

Average customer rating:

I waited for this for five years
Excellent collection but BIG PUBLISHING MISTAKE!
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
SUCH MAGICAL MUSIC OF THE NIGHT!
A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

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Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
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Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
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The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
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Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

The Artistry of Nelson Eddy
Artistry of Nelson Eddy
A Nelson Eddy Tour de Force: Magnificence here on earth
For those who are already fans of N.E. only.
A Surefire Way To Turn A Bad Day Into A Good One!

The Artistry of Nelson Eddy

Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

General | Soundtracks | Styles | Music

General | Oldies | Pop | Styles | Music

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Through the Years
Nelson Eddy: Operatic Arias and Concert Songs
The Old Refrain
When I'm Calling You
Ah Sweet Mystery of Life: Anthology (1931-1938)

ASIN: B000002NRY
Release Date: 1994-07-18

Tracks:

Tchaikovsky's Pno Con in b flat (Tonight We Love)
Ravel's Pavanne (The Lamp Is Low)
Debussy's Reverie (My Reverie)
Chopin's Polonaise ('Til The End Of Time)
Grieg's Wedding Day (Strange Music)
Rachmoninoff's Pno Con No. 2 (Full Moon And Empty Arms)
Tchaikovsky's 6th Sym (Story Of A Starry Night)
Drigo's Serenade (Love Serenade)
Borodin's Prince Igor (Stranger In Paradise)
Brahms' Hungarian Dance No. 4 (As The Years Go By)
Rubenstein's Romance (If You Are But A Dream)
Ananymous (Alone Together)

Customer Reviews:

The Artistry of Nelson Eddy.......2006-11-04

Nelson Eddy's flawless singing and diction, with a modern orchestral accompaniment, make The Artistry of Nelson Eddy a romantic, sophisticated musical experience.

Artistry of Nelson Eddy.......2006-08-22

Contemporary music which is sung well but voice not as expected of Nelson Eddy. The true baritone of his voice missing. This may be the recording but CD received in good condition.

A Nelson Eddy Tour de Force: Magnificence here on earth.......2006-03-17

I have most of the movies of Nelson Eddy. Together with Jeanette MacDonald, this team produced some of the most romantic movie-operattas ever made. But the sound quality of those movies pale in comparison to the magnificence of this production.
Nelson Eddy has never sounded better, aided (1994) by more modern recording techniques, the quality here (even with a disclaimer) is beyond belief. He has got to be one of the premier baritones of all time. Singing Popular tunes adapted from classical themes, he may be without peer. I have a CD of the young Sinatra singing "Full Moon and Empty Arms" to Rachmaninoff's Piano Concerto No. 2. He is not in the same universe with Eddy, whose crisp diction, timbre, fullness, perfect pitch, and passion ~ YES! PASSION! ~ must be heard (hopefully on on quality audio) to be fully appreciated. This is AWESOME. Maybe the best it gets here on earth. This is a wholly magnificent CD if you appreciate really good music, a fantastic baritone, and have a romantic bone in your body. I am astounded. Until today, I had no idea that Nelson Eddy was this good. This CD proves he was.

For those who are already fans of N.E. only........2003-12-22

Nelson Eddy made these recordings when he was about 60 years old and it shows. He retained an excellent voice for a very long time, allowing him to perform successfully until the day he died. However, this particular recording seems to emphasize vocal decline, in terms of control and range. The problem may be that the songs presented here are mostly VERY GREAT classical orchestral pieces, to which are sung pop lyrics. In my opinion, most (but not all) of the lyrics to these songs are not worthy of their music and are incongruous. The last number, "Alone Together", an excellent Schwartz/Dietz song (which seems out of place with Rachmaninov and Ravel,) is actually a duet with Nelson's partner, Gale Sherwood. It was recorded a couple of years later than the other songs on this album, and is given a bossa nova background that in this mix, practically drowns out the singers! As to the overall sound quality, there are some light snaps and pops as on a record, but the music is loud and clear. I do not mean to discourage Nelson Eddy fans from buying this album. I think you need this album. I own this album. Buy this album, and encourage the release of more albums and radio recordings by Nelson Eddy. What I do mean to say, is that "The Artistry of Nelson Eddy" is not the best introduction to the artistry of Nelson Eddy. His recordings from the 30's, 40's or even 50's are a better purchase for the beginner. Once you love Nelson Eddy, then pick up this album.

A Surefire Way To Turn A Bad Day Into A Good One!.......2003-04-12

The music on this CD is so beautiful it brings tears to my eyes every time I listen to it. It proves that the music of Nelson Eddy is simply timeless. I have always loved his voice, but these arrangements bring out the very best of it. It is highly recommended.

Average customer rating:

A little too much and poor sound quality
And now, honored ladies and gentlemen, may we present...!

Imperial Fanfares

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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$6.99 and Under | Classical Music Blowout | Stores | Music

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Similar Items:

Fanfare, British Music for Symphonic Brass Ensemble
Music from the Royal Court
Ceremonial Music for Trumpet & Symphonic Organ
Lully: Les Divertissements de Versailles
Lully - Ballet Music for the Sun King / Mary Enid Haines · Aradia Baroque Ensemble · Kevin Mallon

ASIN: B00008MLVK
Release Date: 2003-07-15

Tracks:

Imperial Fanfare
Royal Entry
Ceremonial Procession
Heroic Procession
Festive Procession
Elector's Procession
Elector's Procession
Majestic Procession
Priere Du Matin
Intrada
Largo - Allegretto
Intrada
Festive Overture
Toccata (Prelude To Orfeo)
Courante For The Entry Of His Imperial Majesty And All The Cavalry
Follia For New Entry Of The Sprinter And Other Equestrian Manoeuvres
Sarabande For The End Of The Ballet
Trumpet Duet
Intrada For The Trombet Und Musicalischen Tafeldienst
Menuet (Trumpet Duet No. 82)
Trumpet Duet No. 8
1812 Overture, Op. 49
Festive Table Music No. 1
Festive Table Music No. 2
Procession At The Imperial Court
Procession No. 3
Festive Procession: The Entry Of The Emperor, 1631
Intrada From Bruck An Der Mur
Procession No. 4
Procession No. 1
Procession (Brilliant, Bright)
Marche Des Nations De Flore
2e Air Du Combat De Lance D?Amadis
La Descente De Mars
La Marche Italienne
Prelude Des Divertissements
Chaconne Du Palais Royal
Menuet Royal
Marche Pour Les Trompettes Seules
Bruit De Trompettes
L?Etendard
Fanfare A Deux Trompettes
Bruit De Guerre
Allemande
Molto Moderato
Signature Tune Of The Old Town Of Bratislava
Fanfara 1
Fanfara 2
Marcia Per La Cavalleria, No. 1
Entree Fanfare
Modern Fanfare
Signature Fanfare
Convention
Fanfare Solo I
Fanfare Solo II
Fanfare Solo III
Fanfare Solo IV
Fanfare Solo V
Fanfare Solo VI
Opening Fanfare
New Palace Fanfare
Welcome Fanfare
Excitement
Short and Concise
Short Fanfare No. 1
Short Fanfare No. 2
Short Fanfare No. 3
Short Fanfare No. 4
Flourish
Il Giorno Del Silenzio
Fanfare For Solo Trumpet And Drum - V
Fanfare For Solo Trumpet And Drum - II
Wrapped In Mystery
Marcia Maestoso
Imperial Procession In Vienna
Procession No. 8: Allegretto

Customer Reviews:

A little too much and poor sound quality.......2006-11-10

Even though this was recorded just a couple of years ago the sound quality is not that good. It sounds like it was recorded in the 70s and outside with the microphones far away. There is nothing too deep here and all the fanfares are fairly short, just lasting a few seconds it seems. I got tired of this pretty quickly and it doesn't stand up to repeated listenings and to be honest a lot of the stuff on here sounds the same. The performances are ok, but nothing special, they sound kind of flat, and they don't really do anything to make this sound exciting like it should. Maybe if the performance and sound was better I would of enjoyed this more.

And now, honored ladies and gentlemen, may we present...!.......2003-07-17

This is what you'd have to call a specialty CD. It consists entirely of fanfares--nothing but fanfares--some of them as short as 10 seconds long. An interesting idea for a CD, perhaps, but I would guess it is primarily for directors of costume dramas, period pieces, and ceremonies of various sorts.

There are 76 fanfares on the disc covering composers ranging from Monteverdi to a trio of modern composers, all of the latter associated with the CD itself. They are played by an outfit called 'The Art of the Trumpet,' a coalescence of 24 Austrian trumpeters and a couple of timpanists (and on occasion a single trombone). Some of the fanfares use the whole group, there are others for solo trumpet, and for all combinations in between. They are led by a trumpeter from Vienna named Leonhard Leeb who is not only one of the trumpeters but also one of the composers--the other two modern composers are Leon Bolten and Joel Modart (I almost typed 'Mozart' but no!...).

Other composers include Salieri, Lully, Biber, J.H. Schmelzer, Pezel (often spelled Petzel here in America), Philidor (yes, the chess master of that name), Marc-Antoine Charpentier, and the multi-talented A. Nony Mous.

The performances are appropriately stirring, ceremonial, attention-grabbing, even mournful (one, Bolten's 'Wrapped in Mystery,' was dedicated to the victims of the World Trade Center tragedy of September 11, 2001). I would strongly suggest you not listen to the whole CD at one sitting--actually, it's hard to imagine anyone would--because too much B flat can fry your brain unless you yourself are a brass player or bagpiper.

For what it is, though, this CD is excellent.

Tracks:

Gone With The Wind: Tara's Theme
Theme From A Summer Place
Doctor Zhivago: Main Title & Lara's Theme
El Cid: Love Theme
It's A Wonderful Life
Vertigo: Scene D'Amour
Ryan's Daughter: Rosy's Theme
Somewhere In Time: Main Theme
The Young And The Restless: Nadia's Theme
Play Misty For Me: Misty - Tony Lee
Casablanca: As Time Goes By
Love Story: Where Do I Begin?
Emma: Main Theme
Sense And Sensibility: Throw The Coins
Pride And Prejudice: Main Theme

Tracks:

A Man And A Woman: Un Homme Et Une Femme - Mary Carewe
Il Postino: Main Themes
Jean De Florette: Main Title
The Summer Of '42: The Summer Knows
Emanuelle
Last Tango In Paris
Romeo And Juliet: Love Theme
Cinema Paradiso: Love Theme
Braveheart: End Titles
Indecent Proposal: Main Theme
Ghost: Unchained Melody
Titanic: My Heart Will Go On
Edward Scissorhands: Main Title/Ice Dance
The English Patient: As Far As Florence
Finding Neverland: Impossible Opening

Customer Reviews:

"themes & cues savor the romantic that dwells in all of us".......2005-04-12

What a crowning achievement to bring "Reel Love: The Cinematic Romance Album", released by Silva America and featuring The City of Prague Philharmonic Orchestra and the Crouch End Festival Chorus ~ conductors are Kenneth Alwyn, Paul Bateman, James Fitzpatrick, Nic Raine and David Temple director of the chorus ~ one can only expect the highest quality of performances and quench the thirst of all "film-score-buffs".

Sit back and unleash the first disc with composers taking each film score cue in alphabeltical order:

"CASABLANCA (AS TIME GOES BY)" (Herman Hupfeld)
"DOCTOR ZHIVAGO (MAIN TITLE & LARA'S THEME)" (Maurice Jarre)
"EL CID (LOVE THEME)" (Miklos Rozsa)
"EMMA (MAIN THEME) (Rachel Portman)
"GONE WITH THE WIND (TARA'S THEME)" (Max Steiner)
"IT'S A WONDERFUL LIFE" (Dimitri Tiomkin)
"LOVE STORY (WHERE DO I BEGIN)" (Francis Lai)
"PLAY MISTY FOR ME (MISTY)" (Errol Garner)
"PRIDE & PREJUDICE (MAIN THEME)" (Carl Davis)
"RYAN'S DAUGHTER (ROSY'S THEME)" (Maurice Jarre)
"SENSE AND SENSIBILITY (THROW THE COINS)" (Patrick Doyle)
"SOMEWHERE IN TIME (MAIN THEME)" (John Barry)
"THEME FROM A SUMMER PLACE" (Max Steiner)
"VERTIGO (SCENE D'AMOUR)" (Bernard Herrmann)
"YOUNG & THE RESTLESS (NADIA'S THEME)" (Barry DeVorzon/Perry Botkin Jr)

Arrangements that soar and then simmer into pure meditation of grandeur ~ classic film music prevails, as orchestration comes to the surface with pure originality ~ one masterpiece after another is long last presented as it should have been, is cause for celebration ~ each cue is a distinctive gift for striking modernism, touching on the transition of the period in this planets history.

Second disc is waiting in the wings are the composers and selections also in alphabeltical order:

"A MAN AND A WOMAN (UN HOMME ET UNE FEMME)" (Francis Lai)
"BRAVEHEART (END TITLES)" (James Horner)
"CINEMA PARADISO (LOVE THEME)" (Ennio Morricone)
"EDWARD SCISSORHANDS (MAIN TITLE/ICE DANCE)" (Danny Elfman)
"EMMANUELLE" (Pierre Bachelet/Herve Roy)
"ENGLISH PATIENT (AS FAR AS FLORENCE)" (Gabriel Yared)
"FINDING NEVERLAND (IMPOSSIBLE OPENING)" (Jan A. P. Kaczmarek)
"GHOST (UNCHAINED MELODY)" (Alex North)
"IL POSTINO (MAIN THEME)" (Luis Bacalov)
"INDECENT PROPOSAL (MAIN THEME)" (John Barry)
"JEAN DE FLORETTE (MAIN TITLE)" (Jean Claude Petit)
"LAST TANGO IN PARIS" (Gato Barbier)
"ROMEO AND JULIET (LOVE THEME)" (Nino Rota)
"SUMMER OF '42 (THE SUMMER KNOWS)" (Michael Legrand)
"TITANIC (MY HEART WILL GO ON)" (James Horner)

Each composer has the passion and skill for exploring human emotions, coupled with a unique gift for striking exotic orchestral colors, make this with all it's splendor unforgettable ~ themes that ring with familiarity as each film comes to mind through music.
Silva America gives the collector a treasure of thirty film cues that any "film-score-buff" would die for ~ in the past James Fitzpatrick (producer), Reynold da Silva (executive producer), mastered by Rick Clark and David Stoner (release co-ordinator) have given us compilation with such expertise and this one is no exception ~ keep up the outstanding limited editions and deluxe package releases, with your signature tidbits for all film music fans that's in all of us...gotta love it!

Total Time: 2-CD-Set ~ Silva America 1177 ~ (4/12/2005)

Average customer rating:

Horrible.
I think this is their best album
What the soap opera...!?
After Forever Rocks
Wow

Invisible Circles
After Forever
Manufacturer: The End Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Decipher
Exordium
Prison of Desire
We Will Take You With Us
Lovelorn

ASIN: B0002MHE0U
Release Date: 2004-08-24

Tracks:

Childhood In Minor
Beautiful Emptiness
Between Love And Fire
Sins Of Idealism
Eccentric
Digital Deceit
Through Square Eyes
Blind Pain
Two Sides
Victim Of Choices
Reflections
Life's Vortex

Customer Reviews:

Horrible........2007-03-04

This album is really disappointing.

First of all, the album concept is completely cliche. It's almost as if the band members couldnt think of anything better so all decided to pick a stupid album concept out of a hat. It definitely is off-setting.

Second of all, Floor's vocals couldn't be more ridiculous. She sings almost the exact same note throughout the whole damn CD. It's like shes trying to make us aware that she's a "wonderful" soprano and that she's extremely gifted to be able to do the note(s) she does. Theres no strength or beauty in her voice, just ego. The listener is unable to find any emotionally connection with in voice.

Third of all, the CD pictures are laughable. It's pretty hard to take the concept of a broken home story seriously when all the band members are dressed in black and turquoise leotards and posing in the most humurous positions possible in every other page of the CD booklet. I swear they just dont want to be taken seriously on this one.

Overall, the whole thing was just ridiculous. The songs weren't good by any means, Floor fell short, the concept was horrible, and the artworks were worth a few laughs.

Don't get this album. You'll regret it.

I think this is their best album.......2007-02-23

I've listened to all their past albums and the one after Invisible Circles and I must say Invisible Circles is my favorite After Forever album.

I've read a few reviews and they're a bit harsh. I'm a huge fan of concept albums, Queensryche, Ayreon etc... and this one is just as good.

What the soap opera...!?.......2006-12-21

Sometimes, I find myself wondering why ex-guitarist and primary composer Mark Jansen departed After Forever to form Epica... and then I listen to Invisible Circles. In the three years since AF's ear-opening album, Decipher, the band has seemingly decided that their flawless approach was in need of some renovation.

The music on Invisible Circles has, at the same time, the most aggressive songcraft ("Blind Pain") and the most watered down balladry ("Eccentric") seen on an After Forever album to date. The full, lush orchestral arrangements have been replaced by proggy keyboard leads and symphonic enhancements that no longer sound so much symphonic as they do synthetic. The guitars have developed a definite sense of crunch and an attitude of progressiveness that sees them exploring some rather elaborate arrangements and halfway interesting riffing patterns, acoustic segments, and leads... halfway interesting because a lot of it sounds forced, like they tried too hard and only half-way succeeded. Andre Borgman's drumming has moved in a similar direction, once again acting as a breath of fresh air in a genre saturated with predictable and trite percussion. Floor is... Floor. However, there's something about Floor on this album that doesn't really sit right with me. I have immense trouble saying or writing anything negative about her talents, but throughout this album her voice sounds sort of strained. Maybe it has something to do with her delivery - much more immediacy, drive, and power that seems almost forced; not quite as pure and angelic. Perhaps I'm just being nitpicky... she still blows her peers out of the water with extreme prejudice. With the departure of Mark Jansen, growling and snarling duties have been taken over by guitarist Sander Grommans, and while the vocals themselves aren't bad, they seem dreadfully out of place at times... not really complementing Floor so much as just taking up valuable space.

The album starts off promisingly with "Childhood in Minor", which evokes images of children playing in a carousel. Not just any carousel though, but a carousel that's under the watchful eye of some sinister, invisible entity. This subtly menacing mood rolls over into "Beautiful Emptiness", which sees Floor reaching for the heavens (hah, no pun intended) straight off the bat, but quickly abandons that and meanders through driving metal, piano-led serenity, and one or two instrumental evolutions before reaching "Between Love and Fire"...

...and here, my friends, is where the true horror of Invisible Circles is revealed to the audience.

Around three minutes into the song, the band drops out and spoken dialogue ensues between two individuals - a male and a female arguing and yelling about various broken-home related things. It becomes apparent that this is a concept album. A concept album about a girl growing up in a home full of discontent. A girl unloved and unwanted by her father. A girl growing up in confusion as she's trying to figure out how everything went so horribly wrong. In other words, an extremely cliché concept. The male and female mentioned above are the father and the mother in this melodramatic soap opera. Now, the concept itself isn't really the problem - the problem is with the actual delivery. This act (and all that follow) is so horrendously pathetic that I would actually feel embarrassed should anybody ever catch me listening to this album in public. Honestly, I'm afraid to recommend this album to anybody I know in real life because of those interludes. They are awful.

Of course, those spoken interludes make up an almost insignificant portion of the album's running time, and are mostly placed at the end of a given song so that they become easy to skip and erase from your mind - permanently.

Ironically, the part of this album that really floors me also makes up an insignificant portion of its running time. The part in question lasts for approximately two seconds and comes in at roughly 1:15 (and again at roughly 1:22, for a total of four seconds of music) into "Two Sides". It is Floor Jansen singing a particular line in harmony with herself, but the way the vocal lines are layered and her absolutely godly delivery is just so completely incredible that it makes me want to lay down and die peacefully... and the effect is multiplied ten-fold through headphones. As silly as it might seem to buy a 59+ minute album just to drool over four seconds of it, I think I can safely say that I would do it with Invisible Circles. Label me daft. I care not!

Another standout moment is in "Sins of Idealism". Floor's vocals throughout the last minute or so of this song are totally reminiscent of past glory.

So... basically, just skip through the inane acting portions. The rest is still good After Forever material.

After Forever Rocks.......2006-06-16

After Forever teased fans with what they were capable of on "Exordium"; now with "Invisible Circles" we get a better idea of the kind of power that this group holds in its hand. The band is labeled as Melodic Dark Metal and this fits especially well based on the lyrical storyline that is the basis of the album. The Soprano that is Floor Jansen blends her amazing voice with the sad topics of loss, hardship and disappointment in one's self. Behind her is a forceful group of talented musicians made up of Ben Maas (guitar, vocals), Sanders Gommans (guitars, grunts), Luuk Van Gerven (bass), Lando Van Gils (synths) and Andre Borgman (drums). The 6 member band has a full and in your face sound based on their musical abilities and the varied style of vocals presented during the songs. Both Sanders and Ben offer Floor accompaniment during the songs to some good result. Lead Singer Floor Jansen is stunning in her looks and a hurricane with her vocal prowess. One thing I felt when I heard her sing was a commanding power that is unlike the group's peers in Nightwish and Epica (also Dutch and led by former After Forever guitarist Mark Jansen). The piece wastes no time in showing you that After Forever means business with the rousing "Beautiful Emptiness" and it begins the tale of a young girl, a child of loveless parents. The enclosed booklet allows you to get the whole story in a lot more detail throughout its 16 pages. The story itself has some interesting moments but the dialogue between the central characters that is blended in some of the songs takes a little bit away from it. The level of some of this seems distant, and my guess was they wanted you to feel this was being overheard from a distance. That kind of perceptions is better left for video or television since an album makes you question your hearing or the recording process. I think that to make this a better concept album, the dialogue should have been less prevalent and perhaps spread out more between the songs.

There are a number of solid tunes on the album. One of my favorites is not heavy at all, but is a slow piano piece by Floor alone, entitled "Eccentric". During this tune, we get to see a softer side of Floor and just how beautiful her voice is when used in this fashion. Some fans might be reminded of when Amy Lee of Evanescence does this type of thing, however I feel that Floor has a better overall presence. Musically interesting at many points, I feel listeners will take to tracks like "Through Square Eyes" and "Blind Pain", mainly for the different changes in time and technical ability displayed. After Forever has a few good points in their favor and they do not sound like a Nightwish clone. This allows you to absorb their music and not feel like you have heard this somewhere before. "Invisible Circles" is the group's third full-length release and I believe this sets them apart from other groups who are fronted by powerful female vocalists. Check them out.

Wow.......2006-03-24

This is the type of album, that when you get into the music, and all that's behind it, you really love it. This is Metal. Some call it Gothic Metal, whatever, Floor's powerful voice, Sander's powerful growlings, the emotional lyrics, the powerful instrumenta, all togheter reached a very high quality.
It is a concept album and it talks about a 14 year old girl that grow up without feeling any love or support from her parents.

My favourite tracks:

Beautiful Emptiness: It starts with a lot of power, with the choirs singing angerly "Your the worst of all, with all your accusations and compunctions, i can't suffer this duress from someone so depraved and selfish" All the anger comes out right in the second track, one of the best of all.

Sins Of idealism: Powerful, great lyric, greath choir, great vocals.

Through Square Eyes: Best track of all album!! Floor and Sander sing together, and the chorus of this song is one of the bests I ever heard. GREAT SONG!!

Life's Vortex: The album finish with this great song. it begins very slowly with Floor's voice but the chorus is powerful and catchy.

There's a piano ballad, Eccentric. Simply beautiful!!

Average customer rating:

tis a chick flick
Crimson Petal - historical correctness
Now sleeps the crimson petal...
Indeed -- Crimson Petal in -what- year?
Crimson Petal in WHAT YEAR?

Vanity Fair
Mychael Danna
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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