Now Is Early

Now Is Early

Now Is Early

Editorial Reviews
Product Description
Digitally remastered 1997 reissue on K7 of the former Massive Attack vocalist's 1992 solo debut, originally issuedon Shut Up And Dance. 11 tracks, including 'No Government', 'Dove Song' and the unmarked bonus tracks 'School Of The World' & 'Udi Egwu'.

Now Is Early,Nicolette,K7,Dance,Dance Music,Pop
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  3. What to Listen for in Music
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  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
John Rutter: Te Deum and Other Church Music
Average customer rating: 5 out of 5 stars
  • John Rutter: Te Deum
  • Absolutely amazing
  • Up to the usual high standard
  • Beautiful, excellent album
  • A new experience in familiar pieces
 John Rutter: Te Deum and Other Church Music

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Gloria: The Sacred Music of John Rutter
  2. John Rutter Collection
  3. Requiem & Magnificat/Rutter, Cambridge Singers
  4. The John Rutter Christmas Album
  5. Be Thou My Vision

ASIN: B0000031HH
Release Date: 1993-09-11

Tracks:

  1. Te Deum
  2. Be Thou My Vision
  3. I Believe In Springtime
  4. Lord, Make Me An Instrument Of Thy Peace
  5. O Be Joyful In The Lord
  6. All Creatures Of Our God And King
  7. A Choral Fanfare
  8. As The Bridegroom To His Chosen
  9. Christ The Lord Is Risen Again
  10. They Perfect Love
  11. The Lord Is My Light And My Salvation
  12. Go Forth Into The World In Peace
  13. Now Thank We All Our God

Amazon.com

Englishman John Rutter is today's most popular composer of church music, primarily owing to his accessible style and purposeful commitment to both professional and amateur choirs. This recording features some of Rutter's most popular sacred choral works from the 1980s--definitively performed by Rutter's own Cambridge Singers, conducted by the composer himself. --David Vernier

Customer Reviews:

5 out of 5 stars John Rutter: Te Deum .......2007-05-14

Outstanding music and outstanding recording quality. This is a must for all who like the choral music of Rutter, a musical treat from the time you que up the disc.

5 out of 5 stars Absolutely amazing.......2006-08-21

Of the 5 Cambridge Singers recordings in my possession, this is my favorite. I absolutely love "Be thou my vision," and find the title track inspiring each time I listen to it. This is a CD that will not disappoint!

5 out of 5 stars Up to the usual high standard.......2006-07-13

What better version of the Rutter "Te Deum" than the composer and his group? This CD does not disappoint. Highly recommended!

5 out of 5 stars Beautiful, excellent album.......2006-02-19

I have wanted this album for several years and have finally found it and purchased it. I have listened to it dozens of times since I received it, and love it! I hesitated to buy it because it is more expensive than most music CD's, but it is worth it.

5 out of 5 stars A new experience in familiar pieces.......2005-10-05

This recording of the Cambridge Singers has them recording pieces composed by their own director, John Rutter. The 'Te Deum' is Rutter's version of a standard piece of liturgical music, representing classic influences ancient and modern, typical of Rutter's compositional style. This was recorded at in 1990 at the Henry Wood Hall in London, with the City of London Sinfonia and organist John Scott collaborating.

--Music--
'The Te Deum' is a piece that is standard for liturgy in Catholic and Anglican services. It is a song of praise, and here is it bright and powerful. 'Be Thou My Vision' is an Irish folk hymn, gentle and graceful, but Rutter has added something quite new to the rendition with his arrangement. The initial flourishes and fanfare for the standard piece 'All Creatures of Our God and King' lead to a triumphant song experience. 'The Lord is My Light and My Salvation' is once again a meditative and gentle moving piece, with good spirit.

The songs here are familiar for the most part, but Rutter's arrangements and compositions make this a thoroughly new experience in many ways.

--Liner Notes--
The notes include an introduction to the CD by Rutter describing some of the influences and expressions in his composition. Lyrics are included, all of which are in English on this collection. There is no listing of the performers of the Cambridge Singers, no description of the group, nor biographical information about John Rutter.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

This is a wonderful collection.
Mistletoe and Wine: A Seasonal Collection
Average customer rating: 4 out of 5 stars
  • buy this one first
  • Great introduction to Mediaeval Baebes
  • Great choral versions of ancient songs
  • A pleasing tone
  • A "best of", not really a Christmas record
 Mistletoe and Wine: A Seasonal Collection

Manufacturer: Nettwerk Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
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NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
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Opera & VocalOpera & Vocal | Holiday | Miscellaneous | Styles | Music
General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
Similar Items:
  1. Mirabilis
  2. The Rose
  3. Worldes Blysse
  4. Undrentide
  5. Salva Nos (Save Us)

ASIN: B0000AM6O4
Release Date: 2003-11-04

Tracks:

  1. The Holly & The Ivy
  2. Gaudete
  3. L'Amour De Moi
  4. Salva Nos
  5. Glass Window
  6. There Is No Rose of Swych Vertu
  7. Kinderly
  8. In Dulce Jubilo
  9. Love Me Broughte
  10. I Am Eve
  11. Quan Vey La Lauzeta
  12. The Coventry Carol
  13. Undrentide
  14. Ecce Mundi Gaudium
  15. Blow Northern Wind

Customer Reviews:

5 out of 5 stars buy this one first.......2006-06-29

This is not really a Christmas, or even a seasonal, album, more of a best of the Babes. yYs, they lead off with "The Holly and the Ivy" (and do it beautifully) but do not buy this as a "holiday music album"... or do... you won't regret buying it whatever your reasons!
This was my introduction to this band and I was absolutely floored. It lived in my car CD player for 2 months straight, and still is in the first section of my CD storage unit.... a rare honor for *any* Cd. It is also responsible for causing me to go out and try to buy every other CD the band has out, and I have not been disapointed in any of the ones I have gotten so far.
Speaking as a former music major, religious student, and medieval re-creationist, I know I can be pretty nit picky when it comes to "medieval" music; all too often it is neither medieval, nor (in my opinion) music! This is one of those rare exceptions that can manage to get you out of a chair to dance, while singing at the top of your lungs in Olde Englishe, Latin, or whatever. There isnt a bad voice in the lot (although some of the harmonies can be a bit odd if you arent used to medieval music) and the instrumental backings are pure gold.

5 out of 5 stars Great introduction to Mediaeval Baebes.......2006-02-27

This CD has many songs from previous albums and a few new songs. It is a great introduction to Mediaeval Baebes music and serves as "best of" type of collection. It is billed as a "holiday" collection but I listen to it year round and quite often. The Mediaeval Baebes have a very unique and wonderful sound.

5 out of 5 stars Great choral versions of ancient songs.......2005-11-19

I first heard the Mediaeval Baebes on a UK double CD (Best carols in the world ever) featuring three of their trackss (Guadete, Coventry carol, Adam lay ibounden), all of which can also be found on their debut album, but my curiosity only became aroused when that UK double CD was updated and repackaged with a different title (Best Christmas carols ever) and all the Mediaeval Baebes tracks were omitted with other choirs replacing them. My research showed that they have become an established group (albeit with line-up changes) and are now very successful in their chosen style, which some may regard as classical but (since they sing with their natural voices rather than operatic voices) seems more like traditional folk music to me.

This is not a Christmas album in the true sense of the word although there are some recognizable Christmas carols here - rather it is a compilation of music taken from their earlier albums together with a couple of re-recordings and two completely new recordings. I would have liked some liner notes giving some detailed information about the songs but very little information is actually provided. Apparently, much more information can found in the booklets provided with the original album releases. Still, it's the music that counts and, when it comes to choral music, this is as good as it gets.

The set opens with The holly and the ivy, set to the tune that everybody is familiar with. I seem to remember reading somewhere that this tune, although old, is not the original tune written for the song. This is where liner notes would be useful - and as this is one of the new recordings, their original albums won't help. Given that the Mediaeval Baebes aim to re-record very old songs, it would have been nice to hear them sing it to its original tune if it really was different from the current one. I suppose it doesn't matter since they sing the song superbly anyway.

Other Christmas carols that you are likely to recognize are Gaudete (revived most famously by folk-rockers Steeleye Span), In dulce jubilo (a new recording for this album, it was recorded in the seventies by Mike Oldfield, who had a UK hit with his instrumental version) and The Coventry carol. The other songs are unfamiliar to me but the group perform them all brilliantly. The other song of theirs on that UK carols compilation (Adam lay ibounded) is not included, but there's plenty else to make up for that omission.

The instruments used to back the group (mostly played by members of the group) are interesting. They include a zither, a hurdygurdy, a citern, a glockenspiel, an astrowheel and three different types of recorder - not the kind of instruments to be heard regularly on pop and rock albums. I was particularly pleased to find the recorders here. Like many Brits of my generation, I was forced to learn to play the recorder at school (I did so very badly) and so the recorder has never had a great reputation, but when played well and in the right setting (as here), it sounds wonderful.

This is a fine compilation in many ways but it may be that one of the original albums (which apparently have detailed liner notes) will provide an even better introduction to the music of the Mediaeval Baebes. Despite my reservations, this is still (easily) a five-star album and I'll certainly listen to more of their music eventually.

4 out of 5 stars A pleasing tone.......2004-12-02

This is probably one of my new favorite Christmas albums. It is an absolute gem. It isn't an over-powering album with new or different things but they have recorded a few lesser known Latin Carols that are not given much attention anymore. Gaudete was one that stood out. The arrangement is rather simple and beautiful and the song itself is melodic in an unusual way. I have found that this CD has appealed to a fairly wide spectrum of people and would make a great album to play in the background during the Holidays. I think this would be the perfect thing to put on in the late afternoon in December while curling up with a good book or wrapping presents.

4 out of 5 stars A "best of", not really a Christmas record.......2004-03-27

Potential purchasers should bear that in mind. As with the Medieval Baebes debut album it contains a small proportion of `holiday season' material, but most of it can be listened to without embarrassment at any time of the year. (In my experience, all of it can - even on a warm spring afternoon I can't bring myself to program out `In Dulci Jubilo', `The Holly...' etc).

Another thing potential purchasers should bear in mind - this compilation winds up being a better "best of" than the album of that name.

It's more representative - career-spanning and able to demonstrate the increasing ambition and complexity of the arrangements, and of Katharine Blake's compositions. (Of course, some of their experiments with modern instrumentation on the `Undrentide' album didn't work, but they don't appear here).

It's also more enjoyable on a basic musical level - there are no over-repetitive pieces, no odd song-fragments...nothing that drags. Or maybe there are a couple of weak spots - "I Am Eve" which goes on a little too long, and Audrey Evans's rendition of "L'amour de moi" which is suprisingly weak, and no substitute for the original featuring the much-missed Dorothy Carter - but these are easily forgiven.

Even if you can't understand what's being said, even if you understand it well enough to spot the mispronunciations here and there, it will be hard to resist the ethereal beauty the Baebes' voices, and of songs like `Quan Vey La Lauzeta', `There Is No Rose of Swych Vertu' or `Blow Northern Wind'.
Early American Choral Music, Vol. 2
Average customer rating: 4 out of 5 stars
  • The Better of the two
  • Not as good as version 1 in this series
  • Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'
 Early American Choral Music, Vol. 2

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Early American Choral Music, Vol. 1
  2. Wake Ev'ry Breath - Music of William Billings
  3. Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition)
  4. The Shapenote Album
  5. Lost Music of Early America: Music of the Moravians

ASIN: B00005UVPB
Release Date: 2002-04-09

Customer Reviews:

5 out of 5 stars The Better of the two.......2006-06-03

I have both disc in the series. I liked the music on this disc much more than the first. The selections seem more focused and the sounds are much clearer. Also, the particular pieces fit better together. I love the sound of this group and hope they make more in the future.

3 out of 5 stars Not as good as version 1 in this series.......2004-09-03

This is by the same group who did the wonderful & engaging Early American Choral Music 1. Somehow this CD did not live up to its predecessor in some ways. The performance is still top notch, but somehow the CD as a whole isn't quite as engaging to listen to as the first. Perhaps version 2's strength is also its weakness. Its diversity of composers allows you to pear past the shadow of William Billings and sample other notable early American hymn writers. That exposure is valuable & appreciated. I just couldn't get into it as much.

A final note: many of the texts are beautiful (and available from the publisher's web site). However, I would criticize "Who is this that cometh from Edom?" as dwelling just a bit too much on the Jews' rejection of Jesus. Among other reasons & issues, Christianity says that we are all sinners & there is no cause to single a particular group out negatively.

4 out of 5 stars Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'.......2004-02-21

Please note this CD is a duplicate of His Majestie's Clerkes's "Goostly Psalmes: Anglo-American Psalmody 1550-1800" -- identical contents but a different name and cover. I ordered both and was irritated to discover this. This CD is cheaper, so I recommend this one. It is a lovely choral work from a little-known period of sacred music.
At the Sign of the Crumhorn
Average customer rating: 5 out of 5 stars
  • The best of the 4 I recently bought
  • a little jewel of Renaissance music
 At the Sign of the Crumhorn

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Praetorius: Dances from Terpsichore
  2. Codex Faenza: Instrumental Music of the Early 15th Century
  3. The A-La-Mi-Re Manuscripts - Flemish Polyphonic Treasures
  4. Agricola: Fortuna desperata--Secular Music of the 15th Century
  5. Oh Flanders Free: Music of the Flemish Renaissance

ASIN: B00004GLLP
Release Date: 2000-04-11

Tracks:

  1. Come Out All
  2. Needles, Needles
  3. Den III. Ende VI. Ronde + Quatre Branles
  4. In Sorrow Must I Die
  5. I Carry In My Heart
  6. Be Sure To Drink In Moderation
  7. A Venus Creature
  8. How Sorrowful Is My Heart
  9. New Almanack
  10. In The Middle Of May
  11. A Guild Has It's Wench
  12. My Heart Has Secretly Departed
  13. My Beloved's Brown Eyes
  14. Ye Noble Young Spirits
  15. Ronde IV-I-VI
  16. Fool's Entr'acte
  17. Beautiful Venus
  18. Hoboken Dance
  19. I Went Out Last Night
  20. Allemande IV-III-IV
  21. Gaillarde I-II-III
  22. You Are The Most Precious
  23. Pain And Sorrow + I Mourn
  24. O Time So Heartily Full Of Melodies
  25. Now Take Note
  26. Here We Come
  27. A Girl Came Walking By I
  28. A Girl Came Walking By II
  29. Ronde III - IV

Customer Reviews:

5 out of 5 stars The best of the 4 I recently bought.......2005-04-27

For some reason I recently decided to buy a variety of Early Music CDs from Amazon. I purchased four, including this one, enough to spend $25 for free shipping. Of the four (the others being 'Praetorius: Dances from Terpsichore', 'Music of the Troubadours', and 'Music of the Crusades'), this is my favorite.

I particularly like the song whose title is translated on this page as 'Be sure to drink in moderation' - I don't know enough contemporary Dutch to know if learning to sing this as recorded on this CD would be comprehensible to native speakers of Dutch today, but I certainly hope so, because it would make a terrific ice breaker at parties in Holland.

As for the music, it's hard to imagine that a gaggle of trained geese would sound as good as these Crumhorns. This album really rocks.

5 out of 5 stars a little jewel of Renaissance music.......2004-01-17

If you are looking for an album with all types of renaissance-music from the Low Countries this is the album. Different composers from that time-area and different types of music are recorded. Some songs are very modest, others makes it difficult not to hum with. This cd is a jewel worth listening. Renaissancofiles: this album should be in your collection.
Lay Aside All Earthly Cares: Orthodox Choral Works in English
Average customer rating: 5 out of 5 stars
  • Just heavenly
 Lay Aside All Earthly Cares: Orthodox Choral Works in English

Manufacturer: Cappella Romana
ProductGroup: Music
Binding: Audio CD

Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
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ASIN: B000AXWHE4
Release Date: 2005-09-13

Tracks:

  1. Bless the Lord, O my soul
  2. O gladsome Light
  3. Lord, now let Thy servant
  4. Rejoice, Virgin Theotokos
  5. Praise the Name of the Lord
  6. The Great Doxology, No.1
  7. Bless the Lord, O my soul
  8. The Second Antiphon
  9. Only begotten Son
  10. Holy God, No.2
  11. Alleluia, No.1
  12. Cherubic Hymn (Special melody: The thief beheld)
  13. A mercy of peace
  14. It is truly meet
  15. Our Father / One is holy / Praise the Lord, No.1
  16. Praise the Lord from the heavens, No.2
  17. I will receive the cup, No.2
  18. Their proclamation has gone out, No.2
  19. Rejoice in the Lord
  20. Receive the Body of Christ, No.1,2,1
  21. Blessed be the name of the Lord
  22. Psalm
  23. All of creation
  24. Troparion for the Sunday of Orthodoxy
  25. Let my prayer arise
  26. Now the Powers of heaven
  27. Taste and see
  28. Thy bridal chamber
  29. The wise thief, No.2
  30. The wise thief, No.3
  31. Let all mortal flesh
  32. What shall we call you, Mary

Customer Reviews:

5 out of 5 stars Just heavenly.......2007-01-30

An extraordinary, original collection of vocal music that defies categorization. An inspiring pleasure to own.
Robin Hood: Elizabethan Ballad Settings
Average customer rating: 4 out of 5 stars
  • Elizabethan Ballads set for the lute
 Robin Hood: Elizabethan Ballad Settings

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

PavanesPavanes | Ballets & Dances | Classical | Styles | Music
Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
VariationsVariations | Variations | Forms & Genres | Classical | Styles | Music
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Ballets & DancesBallets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
LuteLute | Strings | Instruments | Classical | Styles | Music
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Similar Items:
  1. Royal Lewters: Music of Henry VIII & Elizabeth I's
  2. Dowland: Complete Lute Works, Vol.1-5
  3. Early Sixteenth Century Venetian Lute Music
  4. Molinaro: Fantasia/Canzoni E Balli
  5. All Goodly Sports: Music of Henry VIII

ASIN: B00005B5BP
Release Date: 2001-04-10

Amazon.com

Paul O'Dette has done more to introduce the lute and its extensive repertoire to modern ears than just about anyone. On Robin Hood, he plays a collection of Elizabethan ballads that were arranged for solo lute in the 16th century. Although the names of the composers of most of these pieces have been lost to us, the music is of a uniformly high quality and stands up very well next to the selections by known composers like William Byrd and Peter Phillips. O'Dette plays the selections on three instruments: the lute, the orpharion (a flat-back, metal-strung cousin to the lute), and the cittern, (a metal-strung instrument that is plucked with a quill rather than the fingers). The metal strings of the orpharion and cittern have a longer sustain than the gut strings of the lute, which gives the pieces played on them a sound similar to that of the modern steel-string guitar. O'Dette is renowned for his scholarship, which he demonstrates in the meticulously annotated liner notes, and for his formidable technique. But as powerful as his head and his hands are, O'Dette never forgets that it's the heart that makes these delightful works music rather than just a series of well-played notes. --Michael Simmons

Customer Reviews:

4 out of 5 stars Elizabethan Ballads set for the lute.......2005-08-13

Paul O'Dette is unquestionably the finest performer on the renaissance lute who is recording these days. This CD is a compilation of 24 assorted ballad settings, from a wide variety of sources.

I like this CD somewhat better than its companion disc "The Royal Lewters", primarily because the highlights of the CD are tracks 13 through 17 featuring music of William Byrd. Along with John Dowland, Byrd represents the top of the food chain for Elizabethan composers, so this CD has some real compositional meat to it. The title track, "Robin Hood", is offered in a setting by one "Mr. Ascue", and it is quite a nice version.

O'Dette also performs 4 tracks on the orpharion, and 4 other tracks on the 4-course cittern. The timbre of these instruments takes some getting used to, but it serves for a nice contrast to the more mellifluous tone of his lute.

I believe that this CD and "The Royal Lewters" are available as a 2-CD set called "Lusty Gallant"; I would recommend the double-disc for a purchase rather than the two individual CDs.
Music Divine: 1662 Book of Songs for 3-6 Parts
Average customer rating: 5 out of 5 stars
  • Another fantasic recording
 Music Divine: 1662 Book of Songs for 3-6 Parts
Tomkins , and I Fagiolini
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
ASIN: B00007BGXY
Release Date: 2003-01-21

Customer Reviews:

5 out of 5 stars Another fantasic recording.......2007-01-16

I Fagiolini is one of those groups where I try to get my hands on every recording they've made. This CD is just another example of why. Great individual voices but the ensemble really comes together well. They make it sound so easy to sing this repertoire. Tomkins is a a master of writing sad laments such as Woe is Me, When David Heard, and I Fagiolini brings out the raw emotion of these pieces. If you are an early music connoisseur, you will love this group. Pick up this CD, and while you're at it, get their Triumphs of Oriana and the two Byrd recordings. You won't regret it.
Weelkes: Madrigals and Anthems
Average customer rating: Not rated
    		Weelkes: Madrigals and Anthems

    Manufacturer: Gaudeamus
    ProductGroup: Music
    Binding: Audio CD

    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    Consort of MusickeConsort of Musicke | ( C ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    Similar Items:
    1. All At Once Well Met: English Madrigals; The King's Singers

    ASIN: B00001W085
    Release Date: 1999-10-19

    Tracks:

    1. What Have The Gods
    2. Alleluia, I Heard A Voice
    3. Hosanna To The Son Of David
    4. Gloria In Excelsis Deo
    5. As Vesta Was From Latmos Hill
    6. Hark All Ye Lovely Saints
    7. Like Two Proud Armies
    8. All People Clap Your Hands
    9. O Happy He Whom Thou Protect'st
    10. O How Amiable Are Thy Dwellings
    11. Cease Now Delight
    12. O Jonathon, Woe Is Me For Thee
    13. When David Heard
    14. Death Hath Deprived Me
    15. Noel, Adieu Thou Court's Delight
    16. Cease Sorrows Now
    17. Thule, The Period Of Cosmography
    18. O Care, Thou Wilt Despatch Me
    19. Lord, To Thee I Make My Moan
    Sacred Music Complete
    Average customer rating: 5 out of 5 stars
    • great, great!!!
    • ALL THE MUSIC YOU EVER NEED!!
    		 Sacred Music Complete
    Purcell , King , and Kings Consort
    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    ClassicalClassical | Imports | Stores | Music
    Similar Items:
    1. The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
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    ASIN: B00006RHQJ
    Release Date: 2002-12-10

    Customer Reviews:

    5 out of 5 stars great, great!!!.......2006-12-05

    This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

    5 out of 5 stars ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

    This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!

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