The You and the Now [Enhanced] [Import]

The You and the Now [Enhanced] [Import]

Track Listings

1. Stay

2. Fragile

3. Blue Planet

4. Cave

5. I Feel Love

6. Roll the Stars

7. Good Luck

8. Pour ton sourire

9. Red Mountains

10. Come Back Again

11. Am I the Sky

Editorial Reviews
From Amazon.ca
The You and the Now is French Canadian singer and cellist Jorane's English-language début. Boasting production by Michael Brook, writing by Lisa Germano and Simon Wilcox, and the appearance of Daniel Lanois on "Pour ton sourire" (the only Francophone track), it's undoubtedly her best album yet. Though it's more rhythmic and less vaporous and mannered than her previous outings, it remains a Jorane album--one on which every track is worth hearing.

Tracks:

Baby, Now That I've Found You
Oh, Atlanta
Broadway
Every Time You Say Goodbye
Tonight I'll Be Lonely Too
Teardrops Will Kiss The Morning Dew
Sleep On
When God Dips His Pen Of Love In My Heart
I Will
I Don't Believe You've Met My Baby
In The Palm Of Your Hand
When You Say Nothing At All

Amazon.com essential recording

A poll-winning fiddler since her teens, Alison Krauss was an established bluegrass star when her label persuaded her to step out from her usual projects with Union Station, her crack band, and sanction this compilation of various band and solo guest performances. The ploy worked, yielding a wonderful, odds-beating crossover hit with Krauss's cover of "Baby, Now That I've Found You," a carousing late-'60s pop chant transformed into a delicate, vulnerable declaration of love. Focusing on Krauss's lovely, yearning soprano, the track elevated the musician above her resolutely democratic role in her quintet, catapulting Krauss to the biggest bluegrass success story in over 30 years. Krauss has stayed true to her bluegrass roots, as well as to Union Station, but this cross-section of contemporary bluegrass songs, joyous gospel, and canny rock covers testifies to the young artist's luminous appeal. --Sam Sutherland

Customer Reviews:

Alison Krauss.......2007-05-12

In this album, it has my favoriate song: When You Say Nothing At All. Alison Krauss's voice is so sweet and natural. When you hear her songs, you can feel relaxing and fresh from her voice. Good choice.

Definitive collection...one of her best!.......2007-04-12

This is a terrific album by Alison Krauss. A nice selection of songs that display her full range of vocal abilities and styles. If you are a new fan and wondering which album to buy, this is the one. If you are going on a trip and wondering which Alison Krauss album to take along, this is the one. This is the album that everyone loves, even those who don't love bluegrass or country. You won't be sorry you made this purchase.

Beautiful!.......2007-01-18

Krauss's soothing voice and beautiful instrumental sound make this CD both upbeat and relaxing.

spud.......2007-01-04

arrived on time, item accurately described by seller, item packaged acceptably by seller, and would recommend this seller to a friend

Love what Allison does with her Voice.......2006-11-12

Allison Krauss seems to be able to do what she wants with her voice, whether it be country or comtemporary. She puts her own tag on each piece.

Average customer rating:

Wonderful melodies
Hayley Westenra - Odyssey
Very soothing
very good pop singer voice
Voice & level head deserve high marks

Odyssey
Hayley Westenra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Celtic Treasure
Hayley Westenra - Live From New Zealand
Lisa
Celtic Woman - A New Journey: Live at Slane Castle, Ireland
Walking in the Air

ASIN: B000AXWHPI
Release Date: 2005-10-18

Tracks:

Prayer
Both Sides Now
Never Saw Blue
Dell' Amore Non Si Sa
What You Never Know (Won't Hurt You)
May It Be
Quanta Qualia
You Are Water
She Moves Through the Fair
My Heart Belongs To You - Hayley Westenra
Ave Maria
I Say Grace

Album Description

Hayley Westenra's new album Odyssey was always going to be a different proposition to Pure, the record-breaking 2003 collection which marked her international debut. A lot has happened to the young New Zealander over the past two or three years--and those changes are clearly reflected by a record which encapsulates her growth from a budding teenage prodigy into a mature young woman.

Now, at 18, Hayley is ready to show the world how much she has grown up, both as an artist and as an individual. Fans of Pure will be pleasantly surprised by her new album. Her wonderful voice retains its crystal-clear purity, but Westenra's singing is now richer and more rounded than before. Touring the world and singing in some of its greatest concert venues, such as the Sydney Opera House, Royal Albert Hall, and Carnegie Hall, has worked wonders for her confidence. Suitably emboldened, she has embraced an even wider range of musical styles including classical, hymns, folk and pop.

"I was happy with Pure at the time, but I've moved on so much," says Hayley. "It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist."

Variety is certainly one of the keywords with Hayley's new album. When she first entered a recording studio in New Zealand as a 12-year-old, Westenra restricted herself to classical pieces and show tunes. Now, in addition to impressive takes on classical works, Hayley uses her new album to perform an inspired cover of Joni Mitchell's "Both Sides Now" and has arranged and written much of the material. "I like to push myself, and I'm now confident enough to try different things. I have been much more involved behind the scenes with this album--I wanted to put my individual stamp on each song."

With her career stretching out promisingly before her, Hayley is also keen to continue experimenting. She is still primarily a classical crossover artist but she also wants to keep broadening those musical horizons. Three years after her international debut CD, Hayley Westenra is still pure: she exudes pure quality and she remains pure class--but her musical journey continues with her new album Odyssey.

Customer Reviews:

Wonderful melodies.......2007-06-08

This is a wonderful CD with beautiful melodies. Hayley Westenra has a very pure voice and sings right on key. The melodies are very relaxing and the musical settings are well arranged.

Hayley Westenra - Odyssey.......2007-06-08

Pure, crystalline, angelic voice. Gorgeously produced. "Prayer" is stunning. "Both Sides Now" wonderful. The rest is good but not her best song selection. When I first heard this girl on the "Celtic Woman" tour I was totally blown away. None of her CDs will disappoint!

Very soothing.......2007-05-14

Hayley Westenra's Odyssey is a very beautiful CD. If you switch on your walkman and listen to the CD's tracks non-stop, you'll soon feel like you're flying in Heaven. It's very soothing and heavenly. It calms you down, without causing you to feel lonely or sad because you're listening to it in solitary, like other vocal or classical songs do sometimes.

I would definitely recommend it to anyone interested. Quanta Qualia and Ave Maria are my most favourite tracks. Quanta Qualia is pure magic! I really feel as if I'm flying in Heaven when I listen to it.

very good pop singer voice.......2007-05-13

the selections were tasteful and varied. the singer has a very good pop singer voice. i would have liked some voice variation between songs. all were sung in exactly the same style. good singing but without tonal variation the disk tends to be bland. i hope that as she gets more exposure she will vary her voice to make the songs stand out individually instead of letting them blend into one song on the disc. i would rate this 5 stars except for that major fault.

Voice & level head deserve high marks .......2007-04-20

Not only has Hayley Westenra's voice remained "pure", but her good sense and sensibilty has stayed intact when so many similar young performers have gone over the deep end with extreme behavior and disreputable remarks. On this CD Miss Westernra covers a number of songs in her own special style, such as excellent versions of "Prayer", "May It Be" and "Both Sides Now". I hope to hear her renditions of more such tunes, old and new. I would like to hear her sing songs like "Yesterday", "I Still Believe in Love" and All I Know. She has a way with her soaring vocals that never lets the listener down.

Average customer rating:

Love it
CP as Grandmother Tzeitel
Never Ending Joy!
Great a classic
Liked the movie, loved the songs!

Fiddler on the Roof
Jerry Bock , Sheldon Harnick , and Topol
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Fiddler on the Roof (Special Edition)
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The Music Man (1962 Film Soundtrack)
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ASIN: B00005OB07
Release Date: 2001-10-09

Tracks:

Prologue/Tradition/Main Title
Matchmaker
If I Were A Rich Man
Sabbath Prayer
To Life
Miracle Of Miracles
Tevye's Dream
Wedding Procession
Sunrise, Sunset
Wedding Celebration/The Bottle Dance
First Act Finale
Entr'acte
Do You Love Me?
Far From The Home I Love
Chava Ballet Sequence
The Rejection Scene
Anatevka
Finale
Any Day Now

Amazon.com

This new version of the Fiddler on the Roof soundtrack coincides with the movie's 30th anniversary (which is also celebrated by a special edition DVD). The CD is notable for several instrumental tracks by John Williams, as well as for "Any Day Now," a previously unreleased song performed by Perchik/Paul Michael Glaser (better known for his starring role in TV's Starsky and Hutch). The soundtrack is often compared unfavorably with the original 1964 cast album, in which Zero Mostel played the part of Tevye (here performed by Topol, who had been in the 1967 London production). But this CD has a lot going for it, including glossy remastering and, of course, Isaac Stern as the fiddler. In the end, whatever version you decide to pick up, Fiddler remains one of the most enduring musicals of all time. --Elisabeth Vincentelli

Customer Reviews:

Love it.......2007-05-16

I had looked everywhere for this CD. I am so happy to have found the "real" Fiddler on the Roof!

CP as Grandmother Tzeitel.......2007-03-30

At first, I thought this musical was weird but then I grew to like it. It has a sad ending but the thems in the movie are really interesting. Life really is like being a fiddler on the roof. In a musical coming up at my school, I am playign the part of Grandmother Tzeitel in Tevye's dream. I am excited to play the part and I think our musical will go very well!

Never Ending Joy!.......2006-11-22

The music from Fiddler on the Roof is exciting, fun, interesting and funny! This CD is mixed with humor, music from different cultures and a wide mix of different songs. Each song is so different that I can listen to it for hours. I was surprised how enjoyable and pleasent it really is. Although...it is easy to get this music stuck in your head!

-Christian Fobian, Author of Why Christ?

Great a classic.......2005-11-08

Totally enjoyable. After a few listens you can't help but sing along.

Liked the movie, loved the songs!.......2005-03-10

Aside from the fact that I loved the movie, most of that came from loving the songs on the movie. I got to a place where I wanted to hear them a lot, but didn't want to skip around on the movie to find the song I wanted to hear. So I bought this soundtrack. It was well worth it.
From the intro song "Tradition" to "If I Were a Rich Man" to "Sunrise, Sunset", this CD has music that is absolutely gorgeous. If you loved the movie, I recommend getting the soundtrack.

Average customer rating:

We Will Go Home
Good music
Want to hear Gladiator II?
King Arthur
Hans' Best

King Arthur
Hans Zimmer
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Kingdom of Heaven
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Troy: Music From The Motion Picture (Score)

ASIN: B0002IQIWE
Release Date: 2004-07-27

Tracks:

Tell Me Now (What You See)
Woad To Ruin
Do You Think I'm Saxon?
Hold The Ice
Another Brick In Hadrian's Wall
Budget Meeting
All Of Them!

Amazon.com

What are legends if not for reinventing -- and/or hyper-inflating into Hollywood summer fare? In retooling the Arthurian legend for the goth-beguiled video game age, mega-producer Jerry Bruckheimer did away with details small (the lady in the lake, sword in the stone, etc.) and large (this Arthur is actually Eastern European, by way of Rome). Composer Hans Zimmer picks up that gauntlet, producing an orchestral score bristling with massed brass, chorus and percussion -- if little of the indigenous mysticism that made his work on Gladiator/ so rewarding. What there is of that precious commodity is frontloaded via the song "Tell Me Know (What You See)," his evocative opening collaboration with Clannad's Moya Brennan. From there, Zimmer emphasized this version's Eastern conceits with a half-dozen suites of cues that thunder in the Russian classical tradition -- and all the melodic range of "Jingle Bells." Zimmer--not to mention Poledouris--has done it better, but fans of outsized orchestral Gothic moodfests may yet take this one to heart. --Jerry McCulley

Customer Reviews:

We Will Go Home.......2007-07-13

Does this soundtrack include "We Will Go Home," the song Vorna sings to the men in the bar before they find out about their new mission?

Good music.......2007-05-16

I'm a huge Hans Zimmer fan, his scores are rich and deep. This is not his best, but it's still a great listen.

Want to hear Gladiator II?.......2007-04-12

In the end, this is the only relevant question; do you want to hear a more melodramatic version of Gladiator? More melodramatic, you ask?
And you better believe it, Hans Zimmer actually managed to blow up his sound from Gladiator even more, and I really didn't think this was possible, mainly because I thought it would sound utterly pathetic and over the top. And make no mistake, Zimmer's King Arthur is just that.

I am reviewing this score in retrospect, and it is truly fascinating to do that. When you look at other composers and make a little journey to their past, you usually find more creativity. The further back you go, the more original and fresh music you find. With Hans Zimmer, it's the opposite. With each year you go back, his scores just get more dreary, and that's saying alot because his latest works also don't really qualify as schoolbook examples for colourful scoring.

From Gladiator to Pirates Of The Caribbean 2, Hans Zimmer has yet to come forth with a truly fresh and unique score. Zimmer never, ever, not in a million years, escapes his usual box. And King Arthur is no exception whatsoever. From the get go, 20 horns are amassed and play a overly simplistic motif somewhere between a and A, the strings mush together in midrange, melodramatic chords, and dwell in the shallow realm of overbearing dullness.
I don't understand how an artist - and the art of film composing is severely underrated - can be content with repeating the same thing over and over. If I were Hans Zimmer, I would be embarassed by now to even write one more note for that droning bass.
To top it all off, Zimmer incorporates an Enyaesque voice that is easy on the ears, but in the end signifies nothing, does nothing and does all that with an amazing lack of substance.

That is, amongst others, the major difference between a serious film composer and Hans Zimmer: a good and skillful film composer takes an average film like King Arthur and makes it sound like something worthwhile. Hans Zimmer on the other hand embraces mediocrity and underlines it to create an even more average film.

King Arthur.......2007-04-09

I recently purchased this particular soundtrack, and i would have to say it is awesome. Hans Zimmer is a master at what he does. The music suits the film and since I loved the film I had to get the soundtrack. I loved the song Tell Me Now by Moya Brennan, and Another Brick in Hadrians Wall is the best song im my opinion on the soundtrack. Overall I'm so glad I bought this soundtrack and I rate it up there with the likes of Gladiator, Pirates of the Carribean. Keep up the good work Hans

Hans' Best.......2007-03-12

Hans Zimmer is a film composer with dozens and dozens of scores under his belt. Many who do not collect or even listen to film scores know his name. However, much if his film music sounds very similar and lacks a complex edge that other compose like John Williams, James Horner, and James Newton Howard deliver.

That said, King Arthur is Hans' most intriguing score to date. Backdraft and Gladiator (overrated) were very good, but this score is a departure from Hans' usual motifs. The only bad part for me(not related to the music itself) is that there are only seven tracks and each are very long. I like shorter tracks so I can pinpoint the themes or variations I want to lsiten to, but this is extremely minor. The music is great, and I reccommend you go enjoy Hans' best music yet.

Average customer rating:

Absolutely peerless
once-in-a-lifetime greatness
We love this album
Simply great
Porgy and Bess

Porgy & Bess
Ella Fitzgerald , and Louis Armstrong
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Porgy and Bess
Gershwin: Porgy & Bess [With Members of the Original Cast]
Porgy & Bess: High Performance
George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera
Ella & Louis Again (Dig)

ASIN: B0000046Z5
Release Date: 1990-10-25

Tracks:

Overture
Summertime
I Wants To Stay Here
My Man's Gone Now
I Got Plenty O'Nuttin'
Buzzard Song
Bess, You Is My Woman Now
It Ain't Necessarily So
What You Want Wild Bess?
A Woman Is A Sometime Thing
Oh, Doctor Jesus
Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
There's A Boat Dat's Leavin' Soon For New York
Bess, Oh Where's My Bess
Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

Average customer rating:

harem
New to Sarah Brightman
Stranger in Paradise - More Like Stranger in a Lost Cause
No voice like hers in the world
Brilliant Brightman, Her best CD.

Harem
Sarah Brightman , and Frank Peterson
Manufacturer: Angel Records
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Eden (US Release - 16 tracks)
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Dive

ASIN: B00008W2QZ
Release Date: 2003-06-10

Tracks:

Harem
What A Wonderful World
It's A Beautiful Day
What You Never Know
The Journey Home
Free
Mysterious Days
The War Is Over
Misere Mei
Beautiful
Arabian Nights
Stranger In Paradise
Until The End Of Time
You Take My Breathe Away

Amazon.com

If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley

Amazon.com

Sarah Brightman Photos

More from Sarah Brightman

Time to Say Goodbye
Diva: The Singles Collection
Eden

Diva: The Video Collection
Live from Las Vegas
La Luna (Live in Concert)

Customer Reviews:

harem .......2007-05-28

As usual a quick and effecient service ,especially for people who live abroad.Keep up the excellent work John Williams.

New to Sarah Brightman.......2007-03-12

I'm very new to Sarah brightman's music and I enjoy this CD. I think she has an amazing voice. Very talented young woman and this cd was very relaxing and joyful to listen to. I like to learn and heard more from Sarah Brightman.

Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30

I'm not throughly pleased with this album! This CD is only good if you know how to dance in a Middle-Easters fashion. About half of each track is dominated by all orchestrations and no Sarah. Plus, Pop-Sarah isn't really for me. I much prefer the Classical-Sarah. Some of the tracks are okay, like "Harem", "The Journey Home", "Beautiful", and "Stranger in Paradise". Really, this is a good CD for your collection, but I wouldn't listen to it on a 24/7 basis.

No voice like hers in the world.......2006-10-01

I own this cd. I saw her in person at the "Harem" concert. Never had I heard or seen any voice like this. What a performer, best concert I'd ever seen. Beautiful voice, I can never get enough of Sarah Brightman's music. It is so comforting at times. I have all her music and this cd makes you wonder, how can she top this? Thank you Sarah Brightman for giving us your beautiful gift of music.

Brilliant Brightman, Her best CD........2006-09-18

Sarah is just the best, she can hit any note and her individuality shines on this CD. She sings "The Journey Home" from the musical Bombay Dreams and her voice just soars. "Harem", "Mysterious Ways" and "You Take My Breah Away" are songs that take me to dreamland. Amazing! A master piece!

Average customer rating:

What music background does your reviewer have???
Slower, but still a GREAT cd
One of the Best country cd's. WRITTEN BY A NON COUNTRY FAN!
How do you like Toby now?
Who's That Man?

How Do You Like Me Now?!
Toby Keith
Manufacturer: Dreamworks Nashville
ProductGroup: Music
Binding: Audio CD

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Toby Keith

ASIN: B00002MYVE
Release Date: 1999-11-02

Tracks:

How Do You Like Me Now?!
When Love Fades
Blue Bedroom
New Orleans
Country Comes To Town
Heart To Heart (Stelen's Song)
She Only Gets That Way With Me
Die With Your Boots On
You Shouldn't Kiss Me Like This
Hold You, Kiss You, Love You
Do I Know You (Bottom Of My Heart)
I Know A Wall When I See One

Amazon.com

Oklahoma singer Toby Keith is neither a remarkable singer nor songwriter. Yet in his more inspired and focused moments on his sixth studio album--his first for DreamWorks--Keith does occasionally manage to transcend his journeyman's limitations and achieve a sort of workaday eloquence. On patchily conceived and executed songs like the self-written "Die with Your Boots On" and a pointless ditty called "Country Comes to Town," even Keith's hard-edged baritone swaggering over flashy, high-voltage arrangements can disguise the basic lack of musical substance and creative vision. Yet on "Heart to Heart," a tender song Keith wrote for his young son, and an exquisite story song called "New Orleans," Keith surprises by turning in heartfelt, impassioned performances that transcend the general ordinariness that is otherwise the order of the day. --Bob Allen

Customer Reviews:

What music background does your reviewer have???.......2006-02-16

Your reviewer, Bob Allen, who I believe has reviewed some other of Toby Keith's albums previously, must have a tin ear and has never written a song in his life. Saying Keith is neither a "remarkable singer nor songwriter" is ludicrous. He also refers to him as a "journeyman." Keith has been writing songs and singing them for more than 30 years. Obviously Allen has no liking nor appreciation for country music; he'd be better writing reviews for cook books. Those who know - really know - country music consider him a master songwriter and the voice is magic, whether he is singing a love ballad or one of his "in your face" songs that have a meaning for those who have lived, loved, laughed, and cried in our lifetime. He has paid his dues in his lifetime with his music and songwriting, being shifted from label to label because of the Nashville exercise of label taking over another label. But the people who have known him have gone to bat for him and he has never forgotten that. He finally has the following and the clout to start his own record label. He did it "his way" but without stepping on the people who helped him along the way. Those folks are still with him. I just happen to own every album he ever cut and there isn't anything on any of them I don't like. Over the years, I can hear the differences in his voice - always great - but now coming of age. Unlike many artists, he writes or co-writes 85% or more of his songs. I give this album 5 stars, just like I'd give 5 stars to all his albums to date. Bob Allen - Check out cut 10 "The Critic" on Toby's "Shock'n Y'all." Sounds familiar to me!! Sydney in San Antonio

Slower, but still a GREAT cd.......2005-11-29

This cd is a little slower overall than we're used to from Toby, but still definitely a great cd.
I have several favorites on this cd, and I guarantee you will too.

One of the Best country cd's. WRITTEN BY A NON COUNTRY FAN!.......2005-01-10

This and Tim McGraw's Set This Circus Down are the best 2 country cd's released EVER!

Here is why:

How Do You Like Me Now: Great song with some funny lyrics. A good song that all of us wish we could apply to that beautiful girl from school when she turns out to be a stay at home fat ugly joke, and we turn out to be successful, rich and desirable.

When Love Fades: THE BEST SONG HE HAS EVER DONE! HANDS DOWN. NO CONTEST! Some of the best "Relationship is ending" lyrics that have EVER been written.

"Going through the motions,
pretending to be,
The man you used to see in me.
Dont wanna hurt me,
so you play along,
and it dont feel right and it dont feel wrong.
It just like a memory,
barely alive,
when will we let it die.

Who'll be the one
To say goodbye
Who'll be the one to stay
When Love Fades

Simply brilliant! The dual vocals with himself towards the end are especially great. WHY IN THE WORLD it wasnt released as a single is beyond me. This would have been an EASY #1 HIT!

Blue Bedroom: Not a slow song but a heavier type lost love song. One of those: "I lost you and i miss you and come back home" songs. Totally throws you off being sequenced right after When love fades which was a "I know its over, lets break up" kind of song. good nonetheless!

New Orleans: A story song in the same type as a Jim Croce or Harry Chapin type of story song. About a woman and man who get together. She fled a bad relationship in New Orleans and how she is getting on with her life. GREAT TUNE!

Country Comes to Town: One of the huge hits this album produced! Strange to hear a horn section in a country song but it works and VERY WELL!

Heart To Heart (Stelen's Song): Stelen is Toby's son. A nice poignant tale about how children are or can be with their parents.

She Only Gets That Way With Me: Kinda like my ex-wife, she only gets THAT way with me. Well, except with her other exes. Who get THAT way RIGHT BACK AT HER! This is a good song but my stupid joke may not be representative with what this song is about.

Die With Your Boots On: One of the weaker tracks, for a non-country fan (or someone who likes a small amount of country songs. This sounds modern with an old time country topic.

You Shouldnt Kiss Me Like This: Another of the hits. To me a ballad is not a country song, just like it isnt a rock song or anything like that. The only evidence of country in this love song is the twang to his voice, if even that.

Hold You Kiss you Love You: I love the beat to this one. For when you get that lustful feeling with the one you love.

Bottom Of My Heart (do i know you): A sad lost love type of song, and a very good one at that!

I Know A Wall When I See One: Ever date someone who got away and you wish you hadn't let that happen? Then this is your song!

This album is under 40 minutes which is a shame but it is a FANTASTIC, PHENOMINAL ALBUM!

How do you like Toby now?.......2004-07-30

"How Do You Like Me Now" is the song that first captured my attention and got me to buy this CD. From the upbeat songs to the ballads, Toby knows how to draw a listener into his world. The emotions on the ballads come thru, the fun he is having on the upbeat songs come thru, you can't lose.

Who's That Man?.......2004-05-18

I started liking Toby when I would hear a song I liked, and would wonder, who's that man? They all turned out to be him.

I choose this CD because of How Do You Like Me Now?!, a song we can all relate to about rejection turning around, but I soon fell in love with You Shouldn't Kiss Me Like This, When Love Fades and Blue Bedroom, where he shows his emotional, sentimental side. I Know A Wall When I See One is the kind of song you can't get out of your head, as is the good-natured Country Comes to Town.

Tracks:

Shreveport Stomp - Jelly Roll Morton
Sweet Man - Jelly Roll Morton
Tom Cat Blues - Jelly Roll Morton
A New Kind Of Man With A New Kind Of Love For Me - Thomas 'Fats' Waller
Nobody But My Baby - Thomas 'Fats' Waller
Got To Cool My Doggies Now - Thomas 'Fats' Waller
Maple Leaf Rag - Scott Joplin
Weeping Willow Rag - Scott Joplin
Something Doing - Scott Joplin
Steeplechase Rag - James P Johnson
Twilight Rag - James P Johnson
Charleston Rag - Eubie Blake
It's Right Here For You - Eubie Blake
Fare Thee Honey Blues - Eubie Blake
Mr. Freddie Blues - Jimmy Blythe
Regal Stomp - Jimmy Blythe

Customer Reviews:

Awesome to hear the old masters almost live........2007-03-27

It was an awesome experience to hear Ragtime and early blues played by the masters themselves. When you hear the music from their own hands, if not their own pianos, it makes the music immediate, and makes even clearer the stylistic differences of the various American musical pioneers. The sound quality is excellent. I'd strongly recommend this recording to anyone who enjoys early-20th-century jazz.

The Greatest Ragtime of the Century.......2005-10-30

What a terrific CD. What a joy to add to your life. Everyone should begin their day with this Great Ragtime.We would all be much better.

As a former dancer, Flapper, wth the Charleston in my routine, I do appreciate Great Music. I'm not quite as good as I used to be, but neither are you, Gal. Will be 66 next birthday. Still have the rhythm and love life.

Put some spice in your life and don't let this CD get away. Please, just get it today.

A great introduction and sampling........2005-08-23

Prior to this album, the only ragtime I really knew was "The Entertainer" and "Maple Leaf Rag". I don't know how this album fares for enthusiasts, but I've thoroughly enjoyed it. It introduced me to several different composers. The way the album is organized by giving you a two or three song block by each composer is good. As you listen to this, you can easily hear the different styles from one composer to another. As for the recording quality, I don't have any complaints whatsoever. Each note is clear without much noticable fuzz or hissing. The versions of Scott Joplin's songs are played a bit brash and speedy when compared to Joshua Rifkin, but I think they sound livlier because of it. Overall a solid release.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Best of Broadway - The American Musical (PBS Series)
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

I Love You, You're Perfect, Now Change (1996 Original Off-Broadway Cast)

Average customer rating:

Everybody should own this CD.
Great show & GREAT CD
I Love You, You're Perfect, Now Change
Change the disc please
Funny, but Forgettable.

I Love You, You're Perfect, Now Change (1996 Original Off-Broadway Cast)
Jimmy Roberts , and Joe DiPietro
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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Songs for a New World (1996 Original New York Cast)

ASIN: B000001508
Release Date: 1996-11-26

Tracks:

Prologue/Cantata For A First Date
A Stud And A Babe
Single Man Drought
Why? 'Cause I'm A Guy
Tear Jerk
I Will Be Loved Tonight
Hey There, Single Guy/Gal
Satisfaction Guaranteed
He Called Me
Cantata Reprise/Wedding Vows
Cantata Reprise/Always A Bridesmaid
The Baby Song
Marriage Tango
On The Highway Of Love
Waiting Trio
Cantata Reprise
Shouldn't I Be Less In Love With You?
I Can Live With That
Epilogue/I Love You, You're Perfect, Now Change

Customer Reviews:

Everybody should own this CD........2007-05-13

This show quickly became my second favorite musical of all time. (Phantom of the Opera is number one.) I listened to this CD three times and was then able to sing along with all of the songs. This show is all about dating and mating which makes it appropriate for all young and older adults. I highly recommend this CD to everybody!

Great show & GREAT CD.......2007-03-27

I enjoyed the show so much I went to see it twice, I was delighted to find there was a CD. This is a great quakity item.

J.

I Love You, You're Perfect, Now Change.......2007-03-23

My wife and I had just gotten back from New York and we had seen the off-broadway play "I Love You, You're Perfect, Now Change" and thoroughly enjoyed it. This CD is great and whenever we hear it we think of that great night at the play and we laugh as if we were at the play itself.

Change the disc please.......2007-01-04

ILYYPNC is neither a great musical revue nor a bad revue. It is simply a very good attempt at trying to make a bad situation look good (or a good situation look bad). It isn't a CD that I will listen too very often (such as PERSONALS - London Cast or RENT) but it also isn't one that will end up in a future yard sale of long forgotten CDs either. It is a bit above a mediocre musical, a bit contrived and somewhat predictable in its presentation, but you still should give it a shot to form your own opinion. As for me, perhaps I will attempt my own production with my theatre troupe in the future as it does have some good material along with some of its shortcomings. Purchasing this CD has at least cemented this on my list of "plays to look into further".

Funny, but Forgettable........2006-11-20

I LOVE YOU, YOU'RE PERCECT, NOW CHANGE is a musical revue about love, dating, and marriage. The musical is composed of short scenes that begin with the creation of Adam & Eve, then fastforwards through history to the present day where a set of people are preparing to go on a date. The trials of dating and the single scene are explored, as well as what people loose when they get married. The second half of the show deals with married relationships as well as love among the elderly.

I know that there are many people who really like this show. It is a smaller show which is a nice switch from huge-casts and big production number musicals. There really isn't a storyline either, which makes for a different and somewhat interesting experience. However, I really don't like the show. There are some things I can relate to and there are some snippets that I find funny. Overall, though I found the show to basically be a bunch of stereotypical mishmashed scenes without any purpose. I like stories with a plot. I like stories with a purpose. If something has a plot and no purpose, I can deal with it. If it has a purpose, but little plot, I can deal with it. Take away the plot and the purpose and then I have trouble dealing with it.

There are some who would refer to the show as being wholesome. That's not true. The show is somewhat harmless, but it is not wholesome. It's not a show you can take a family to see. Much of the material is in the PG-13 range, though some definitely flies in R-rated territory. There's some minor foul language and lots and lots of sexual innuendo. The scenes are built upon a secular post-modern American worldview and if you don't share this worldview, some of the material is offensive.

The only song on the soundtrack that I thoroughly enjoyed is the song "Shouldn't I Be Less In Love With You?" The song is sung by a married man singing to his wife about his wonderment at how much he still loves her after all the years they've been married and all the things they've gone through. It's a wonderful, touching song. It's the only song that is memorable.

There are a few other tunes that are enjoyable, though not as memorable. These include:

"Why? `Cause I'm a Guy"

"On the Highway of Love"

I LOVE YOU, YOU'RE PERFECT, NOW CHANGE is an original musical revue. The lyrics are mostly funny and the cast members have great voices. However, the lack of plot and purpose make most of the material here forgettable.

Music Review:

Music Review

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