Inception Of Eradication
Track Listings
| 1. Rain: Phase 5 (the Six Phases Of Holocaust) |
| 2. As Death Approaches |
| 3. CIG (Noisex remix) |
| 4. Balanced Chaos (Revised) |
| 5. Dredge |
| 6. Man vs.Machine 1A |
| 7. CIG |
| 8. Man vs. Machine 2A |
| 9. Cold Winters of Holocaust |
| 10. Man vs. Machine 3A |
| 11. As Death Approaches (Vacuum Mix by Gridlock) |
| 12. Spit of Life |
| 13. Rain Phase 6 (The Six Phases of Holocaust) |
Editorial Reviews
Alternative Press
Harsh, disjointed machine music. Real industrial. Holocaust Theory meld grinding, mechanical, rhythmic noise with intricate layering techniques...
Product Description
Holocaust Theory's sophmore effort. Much more aggressive and powerful than Proclaimed Visions belding elements of power noise, dark ambient, experimental, and industrial to set a mood of human demise. Features remixes by Gridlock and Noisex.
Band Members: Scott Beebe and James Vietzke
Inception Of Eradication
Inception Of Eradication,Holocaust Theory,Heat Slick,Dance Music,Pop,Rock/Pop
Average customer rating: 
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Inception of Eradication
Holocaust Theory Manufacturer: The Orchard ProductGroup: Music Binding: Audio CD  General
| Rock
| Styles
| Music
ASIN: B00000G0W9 Release Date: 2000-03-13 |
Tracks:
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Average customer rating: 
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Inception Of Eradication
Holocaust Theory Manufacturer: Heat Slick ProductGroup: Music Binding: Audio CD General
| Dance & DJ
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Dance & DJ
| Indie Music
| Stores
| Music
ASIN: B00004TJNS Release Date: 1999-08-31 |
Tracks:
Album Description
Holocaust Theory's sophmore effort. Much more aggressive and powerful than Proclaimed Visions belding elements of power noise, dark ambient, experimental, and industrial to set a mood of human demise. Features remixes by Gridlock and Noisex.Band Members: Scott Beebe and James Vietzke
Customer Reviews:
Amazing Sophomore Release - Hopefully Not the Last?.......2000-08-09
For Inception of Eradication actually surpasses Proclaimed Visions. How? Well, for starters, it's nothing like said debut. It doesn't have a hint of the cold darkwave that comprised the first album; rather, it's an evolution of the sound into icy, sludgy power noise - heavily distorted rhythms, in a nutshell.
No, this isn't noise like you'd find in a Merzbow or Aube album. It's more like electro driven through a shredder and given the shock treatment; it's now slower, heavier (the bass work is amazing, both mutating and captivating), and fuzzier, with electronic sizzles all across the spectrum. It's not like any other power noise act out there, likely because this isn't pure PN.
It's sad to hear what an original album this is. Its dark and ominous nature perfectly supports the realization that this is the last Holocaust Theory album. After only two releases, the duo called it quits. And after hearing this, the only thing I can say is, "Why?"
Music Review: