Is It a Sin, Pt. 2 [CD-single] [Import]

Is It a Sin, Pt. 2 [CD-single] [Import]

Track Listings

1. Is It A Sin (Original)

2. Antillas (Radio Edit)

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

Come Again: Sweet Love Doth Now Invite
Thy Hand, Belinda... When I Am Laid in Earth
Heute Noch, Lieber Vater, Tut Es Doch
Stabat Mater - Barbara Bonney/Andreas Scholl
Alleluia
Laudate Dominum
Deh, Vieni, Non Tardar
Ach, Ich Fuhl's
Chiedi All'aura Lusinghiera
Mondnacht
Solveigs Sang
Var Det En Drom?
Flickan Kom Ifran Sin Alsklings Mote
Morgen
Mir Ist Die Ehre Widerfahren
Die Nachtigall
In Trutina
Pie Jesu
Vocalise

Amazon.com

Of all the laudatory epithets applicable to Barbara Bonney, the term "radiant" might not be the one that springs to mind--at least, not insofar as it suggests the warm luxuriance of sunshine. Bonney's light, bright lyric soprano is something else: a voice of delicate refinement and transparent, pure-toned beauty. But it's capable of silkily seductive textures, too. And there are wonderful examples on this compilation disc that, if featuring a less-established artist, might qualify as a demo tape. Most of the tracks are previously issued, but together, they define her capabilities and home-base repertory, from Bach, Purcell, and Mozart through to Scandinavian song and Richard Strauss. With "Morgen," "Solveigs Sang," "The Presentation of the Rose" from Der Rosenkavalier, and "Ach, ich Fuhls" from The Magic Flute, this is a catalog of silver, if not golden, moments. Jewel-like singing and pure joy to hear. --Michael White

Customer Reviews:

Rare gem of a contemporary singer........2007-02-15

This is my first CD of Ms. Bonney.
I would say that Ms. Bonney is the greatest lyrical soprano of the late 20th century (she has retired last year from opera, I saw on the internet).
I've yet to hear another contemporary singer to beat her in her Susanna aria 'Deh vieni non tardar', or her Pamina aria.
Her Solveig's Song I took as a real vocal guide towards this song. Just listen to her 'ah' section and you will understand what I mean - such well nuanced musically line, such refined phrasing. Hard to beat.
Her opening song of Dowland is again a great wonder. Such drama built into so simple a song! Together with her Bach cantata, it reflect her vast span of repertoire that falls nowhere short of greatness.
Yes, I do not find her 'alleluia' from Exultate Jubilate 'very' exceptional, but this, as pointed out, may not be her best account of this work.
If she has really retired from opera then it is a great great loss indeed.

Superb!.......2005-12-03

Barbara Bonney has a very clear voice.
This is my favourite cd of her.

Good compilation--but don't buy it new.......2005-01-03

I am a decided Bonney fan. So it is with hesitation I give this disc only three stars (three and a half really, but I don't have that option). But, it does reflect my feelings about this cd. There are certain selections that are especially disappointing because seeing them listed on the cover was my motivation for purchasing the cd to begin with-- the rose presentation from "Rosenkavalier," for example. As far as I'm concerned, Miss Bonney is the best Sophie around today. But this recording doesn't do her justice. Her signature floating pianissimi on the high a's and b's seemed under par here. Too much gear-changing and some vibrato issues (slight, but perceptible). And I wasn't particularly thrilled with the mezzo on this recording. Perhaps I'm spoiled by seeing the Lott-Bonney-von Otter DVD (by the way, THAT'S a definite keeper, if you have the 40 dollars it costs. . . worth it!). The "Exsultate, Jubilate" was less than stellar. It seemed to me that the tempo was just a hair faster than she could comfortably sing the florid lines. The high "c" at the end sounded far too difficult for a soprano like Bonney who does have such easy beautiful high notes. Additionally, I would have liked to hear her sing the entire piece as opposed to just the "Alleluia". I wish the Weber "Pie Jesu" weren't included. I always skip it. There's too much glorious music that suits Bonney so well for her to waste an entire track on this silliness.

Having said all this, the album is not at all a complete loss. There are some truly fine moments on here too. The Mozart arias are wonderful. Her voice really has the appropriate sex appeal for Susanna's aria. That's a favorite of mine anyway. Love the Strauss! Like the Dowland to open the cd. And check out track 16, "Die Nachtigall." The first time I listened to the cd, I had to do a "double take" halfway through this song. I grabbed the cd case and liner notes to see if someone else were singing this piece (since there are several guests on this collection) because it simply didn't sound like the same person. There's a depth and steely quality to her voice that I had never heard from her before. I was amazed. I suspect that she couldn't sustain that sound comfortably for an extended amount of time, but I was still very impressed to hear that she has that capability.

I tend to be overly wordy, so I'll wrap up by saying that this is indeed a cd that is worth buying if you can find it for reasonably less than the retail price. It's worth having for some of the better moments on the recording, but might be somewhat disappointing if you have invested the full retail value (as I did).

A Lieder Singer Who Also Does Opera.......2003-03-04

Barbara Bonney is a phenomenon. With a rich and sensuous voice, she imparts more subtle emotional colors and musical nuances to the works she performs than any soprano in recent memory. To hear her sing is to come away with both a new understanding of the work and a heart full of joy. At the risk of seeming to hedge, however, I am less ecstatic about some of her performances of larger works. On this CD, for example, the "Laudate Dominum" seems strangely forced. (It is only because other of her albums are even more exquisite that I gave this one four stars. She deserves all the stars in the firmament.) But there is no comparison with her renderings of lieder, like the exquisite "Mondnacht." She is haunting, delicate, seductive - and all things in between. I have written elsewhere of the ongoing rediscovery of Robert Schumann. Ms. Bonney's recordings are, in my view, among those leading this revolution, which has led others besides this reviewer to consider Schumann's lieder even more remarkable than Schubert's. Her recent disc with songs of Liszt balanced by the "Dichterliebe" is so lovely as to be almost unearthly. Similarly, in a recording with Vladimir Ashkenazy, she sings the "Frauenliebe und Leben," excerpts from Eichendorff's "Liederkreis," and champions to excellent effect a number of sumptuous lieder by Clara Schumann. This is by way of saying that what Ms. Bonney herself asserts is accurate: that she is a lieder singer first and foremost. Her Richard Strauss and Sibelius are subtle, powerful and passionate. The Mozart arias are sprightly and, where called for, sexy as well. She also works wonders with Andrew Lloyd Weber and Andre Previn, though I think she really deserves to sing better material. This is a marvelous overview of Ms. Bonney's range, and while I am always suspicious of hagiography in program notes, here I can only say "Amen"!

Simply Stunning.......2002-03-28

Radiant aptly describes the voice of Barbara Bonney. Her silvery tones, the effortless highs, and the quality of her pianissimo are simply stunning. Her voice shimmers with life, and love, and color. The music selections are varied and a grand example of the beauty of Barbara's instrument and artistry. This disk is a heavenly collection of some of the best lyric soprano literature and is pure joy to listen to.

Excellence: The Artistry of Karita Mattila

Average customer rating:

Soaring Lyric Soprano at Her Best in Diverse Compilation

Excellence: The Artistry of Karita Mattila

Manufacturer: Ondine
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Karita Mattila Live in Helsinki
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Karita Mattila: German Romantic Arias
Wild Rose
The Very Best of Lucia Popp

ASIN: B0002MPQKK
Release Date: 2004-09-21

Tracks:

Dedication
The Nut Tree
You Are Like A Flower
My Love Is In Bloom
Vain Serenade
The Path To The Beloved
When The Sun Shines
Miriam's Song I
Miriam's Song II
Morning Song
Autumn Mood
To Evening
Did I Just Dream?
The First Kiss
The Tryst
Black Roses
Hail Mary
Song To The Moon
Return, Victorious!
I Have Live For Art
Csardas
Somewhere
I Could Have Danced All Night

Customer Reviews:

Soaring Lyric Soprano at Her Best in Diverse Compilation.......2005-05-08

I was fortunate enough to see the magnificent soprano Karita Mattila perform the title role in Janácek's "Kát'a Kabanová" at the Metropolitan Opera last December. A striking blonde and a charismatic presence onstage, she lifted me from my upper balcony seat by the sheer volume of her voice. As this best-of compilation proves, Mattila is an accomplished singer who knows how to wrap her voice around the most challenging of measures and still display a rare communicative gift to all who listen. This wide-ranging collection (recorded from 1995 to 2001) shows how she effectively uses the timbre of her voice to gauge the emotional terrain of a song. It's a testament of her interpretive artistry that you never hear her reaching for an unnecessary flourish.

Mattila's versatility within the Romantic movement is showcased to strong advantage in the Schumann and Brahms selections, where she handles the delicacy of the melodies with lovely economy. Then there are a series of pieces by master composers from her homeland, Finland - Oskar Merikanto, Erkki Melartin, Toivo Kuula and the most famous, Jean Sibelius. It helps that so many of these selections invoke the haunting, desolate beauty of Nordic landscapes, which are ideally infused by the cool radiance of her vocal tone. Especially in the Sibelius sections, you hear how Mattila captures his very powerful modal implications drawn out over a number of notes. Ilmo Ranta accompanies on piano with immaculate skill on all the Romantic and Finnish selections.

From that point, the disc goes into more familiar programming starting with a lovely version of Schubert's "Ave Maria" and an ethereal performance of Dvorak's "Song to the Moon" from "Rusalka" with a rich string accompaniment. More dramatic interpretations follow with her one-two punch of Italian arias: a rousing "Ritorna vincitor" from Verdi's "Aida" and the bitter melancholy she expresses in Puccini's "Vissi d'Arte" from "Tosca". For all intents and purposes, the disc should have ended with the high-flying dramatic runs she displays in her impressive live performance of Strauss' "Klänge der Heimat" from "Die Fledermaus". Jukka-Pekka Saraste masterfully conducts the Finnish Radio Symphony Orchestra on all these selections.

Alas, the last two tracks highlight Mattila's ability to crossover to Tin Pan Alley. It's arguable as to whether their inclusion is necessary - a harp-introduced rendition of "Somewhere" from Bernstein and Sondheim's "West Side Story", which she sings with thankfully elegant simplicity, and more frustratingly, a bright-eyed and bushy-tailed version of "I Could Have Danced All Night" from Lerner and Lowe's "My Fair Lady", where her Finnish accent betrays her only when she enunciates "dance" with the roundest of o's. Regardless, Mattila is a lyric soprano with powers of expansive generosity, a mature and warm tone in the middle register, and an upper register that effortlessly releases the excitement of an emotional climax. Even with the Broadway tunes, she displays a sophisticated gift for phrasing. Strongly recommended.

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Delicious***
As sensual as the movie....
*Enchanting*
simply Beautiful
Sensual!!

Original Sin

Manufacturer: Chapter III Records
ProductGroup: Music
Binding: Audio CD

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Original Sin (Unrated Version)

ASIN: B000059LE4
Release Date: 2001-07-24

Tracks:

Opening
Getting To Know You
Wedding Reception
Love Scene
Emily's Letter
Luis & Julia
Luis Finds Julia
It's Edmond
Luis Confronts Julia
Breakfast With Billy
Try To Run
Billy's Here
Billy's Dead
Kitchen Talk
Leaving
Game's Over
Luis Leaving
Luis Travels/Julia Sins
The Brothel
Making Poison
Whorehouse 2
Poison Run
Prison Talk
Ending
Boat To Havana

Customer Reviews:

Delicious***.......2005-09-18

A musical feast for the ears and spirit! It's subtle, yet very sexy, but in a very sensual, soothing sort of way...and it is full of muscial promise and brimming with delightfulness. Listening to it and ingesting the melodies is like standing under a water fall of rose petals...and being showered.

Terence Blanchard did an outstanding job on this project...I often play this CD early in the morning while sipping my tea and contemplating my day and my life, or very late at night when I need to unwind. It's a perfect companion for warm breezy evenings, as the sunsets, and also it is great when coupled with a fireplace and cold winter nights.

If you can find this gem for less than $30.00, you've found a bargain, so grab it! It's out of print, but certainly isn't out of mind..it stays in the forefront of my music collection.

As sensual as the movie...........2002-05-29

I am a great fan of soundtrack music. If you are as well, and if you enjoyed the movie, you need this CD in your collection.

Strangely after seeing the movie I realized I hadn't really noticed the music, a very unusual occurrence. Upon listening to the CD and re-watching the film, I realized they were so closely joined the music had become almost subliminal.

The sensuality and beauty of the film overwhelmed my senses and the music just seemed so well-suited that it all blended. The CD made me aware that the smooth sensuous sounds had just washed over me while I was entranced in the film. They still do everytime I listen. The music even without the film works beautifully.

Give a listen yourself and feel the seduction.

*Enchanting*.......2001-10-11

Very smooth, sensual music. For those that saw the movie you will feel like you are right there in Cuba with Julia and Louis. Great for relieveing stress and putting you in a seductive state of mind. Definately a Great buy!

simply Beautiful.......2001-10-09

I've seen the movie and fell in love with the music. This is a warm, sensual composition that makes you want to be in a southern country relaxing by the beach. No big complex orchestration, just plaisant and simple melodies that makes your mind escape to a another world. Definitly a must buy for fans of carefuly composed scores.

Sensual!!.......2001-08-14

Very exotic and sensual! I loved the beat and the mood! I would definetly recommend this music if you like the Movie.

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It's a Sin to Be Rich
Lightnin' Hopkins
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000046OV
Release Date: 1993-05-18

Tracks:

Roberta
Katie Mae
Howlin' Wolf
The Rehearsal (For It's A Sin To Be Rich)
It's A Sin To Be Rich, It's A Low-Down Shame To Be Poor
Y'All Escuse Me
Just Out Of Louisiana
Get Out Your Pencil
I Forgot To Pull My Shoes Off
Turn Me On
Candy Kitchen

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Is It a Sin, Pt. 2
Deepest Blue
Manufacturer: Ministry of Sound UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00028DP9S
Release Date: 2004-05-31

Tracks:

Is It A Sin (Original)
Antillas (Radio Edit)

Onward Victoria (1981 Original Cast Members)

Average customer rating:

JILL EICHENBERRY ASTOUNDS IN THIS VERY MUSICAL BROADWAY DISASTER . . . .
Melodies for a change - Thank God!

Onward Victoria (1981 Original Cast Members)
Book Charlotte Anker & Irene Rosenberg
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CPM
Release Date: 2003-06-17

Tracks:

Overture
In New York the Only Sin Is Being Timid - Beth Austin,
Magnetic Healing - Beth Austin, , Lenny Wolpe
Taste of Forever
I Depend on You - Beth Austin,
Onward Victoria - Beth Austin,
Changes
Woman Like Beth - Michael Zaslow
Unescorted Women - Beth Austin, , Lenny Wolpe
Love and Joy - Michael Zaslow
Everyday I Do a Little Something for the Lord
You Cannot Drown the Dream - Laura Waterbury
Respectable - Beth Austin
Another Life
Read It in the Weekly
Valentine for Beecher
Beecher's Defense
Finale - Beth Austin, , Michael Zaslow

Customer Reviews:

JILL EICHENBERRY ASTOUNDS IN THIS VERY MUSICAL BROADWAY DISASTER . . . . .......2006-12-26

". . . appealing and gutsy . . . " (William Raidy, Newark Star-Ledger) ". . . An engaging musical . . . a musical with a message and a welcome surprise . . . " (Jeffrey Lyons, CBS Radio) ". . . the show casts a pall over the audience." (Frank Rich, New York Times) ". . . a lifeless score and humorless book . . . " (John Kendrick, [...]) "Considered by some to be one of the ten worst Broadway plays. " (Victoria Woodhull website)

After three weeks of previews, ONWARD VICTORIA opened (and closed) at the Martin Beck Theatre on December 14, 1980. Eight months later, members of the original cast gathered at RCA Studios in New York to record the show. I, for one, am extremely grateful that they did and am indebted to Original Cast Records for its remastered 1994 CD release. Usually in agreement with John Kendrick, I do not find the score "lifeless." Rather, I find it refreshing and inventive; an "old-fashioned" Broadway score in the very best sense of the term.

Economic reality has extracted a heavy toll from the Broadway musical, primarily in the number of singers and dancers employed and the size and quality of the orchestra. String sections have been replaced by synthesizers; a crack dance corps and a separate big-voiced chorus have given way to 16 or fewer singer/dancers who do neither as well as they did in the good old days; the overture has all but disappeared; excellence has been replaced by ordinary. Not the case with ONWARD VICTORIA.

Just give a listen to the excellent vocal writing and choral work in the opening number "In New York The Only Sin Is Being Timid" (listed as "The Age of Brass" on opening night), Victoria's campaign song "Onward Victoria" (or, "Victoria's Banner"), "You Cannot Drown the Dream," and the hymn-parody "A Valentine for Beecher;" and the stand-up-and-cheer second act finale. Incidentally, are those Bach-trumpets I hear in "Valentine?" Maybe the book was humorless, but catch the references to incest as per Sophocles in "Something for the Lord," artfully sung by Jim Jansen, and this line - and others - from "Beecher's Defense": "Plymouth Church should be proud to have a preacher so endowed." Not all the lyrics are as inspired as these ("Love and Joy" is a case in point), but even Oscar Hammerstein, II, penned a few clinkers. How about this gem from SOUND OF MUSIC: "You need someone older and wiser telling you what to do-ooh. I am 17 going on 18. I'll take care of you."

The cast is uniformly excellent, but Jill Eikenberry is a revelation! Known primarily as "Ann Kelsey" on TVs "LA Law" (153 episodes, 1986-1994), she reveals herself as a fine singer-actress in the role of Victoria Woodhull, a feminist who, decades before women won the right to vote, was the Equal Rights Party candidate for President, running against incumbent Ulysses S. Grant. In addition to her campaign-style numbers, Ms. Eikenberry gives us two lovely, character-building ballads, "I've Had a Taste of Forever" & "Another Life." Beth Austin, as Woodhull's sister Tennie Clafin, joins Victoria in "Magnetic Healing" & "I Depend on You" and gets her chance to shine in the big, brassy, show-stopping "Respectable." Lenny Wolpe (Feldzieg in THE DROWSY CHAPERONE), as restaurateur Charlie Delmonico, has a great time with "Unescorted Women;" Jim Jansen (Post Office prosecutor Anthony Comstock) gleefully reveals "Every Day I Do a Little Something for the Lord;" Michael Zaslow (Henry Ward Beecher, charismatic preacher of Brooklyn's Plymouth Church) explains away his wife's infidelity with "A Woman Like Beth" and joins Victoria in "Love and Joy," the only number that, in my opinion, doesn't succeed.

A "lifeless score?" I think not. Rather, a delightful score that transcends its appallingly bad book. (See also WHOOP-UP, ANYONE CAN WHISTLE, et. al.) Without a complete rewrite of the book, it's doubtful that ONWARD VICTORIA will ever again find its way onto the stage, so let's be grateful that this fine recording, with members of the original Broadway cast, is here for us to enjoy.

Highly recommended.

Melodies for a change - Thank God!.......2002-12-13

I thoroughly enjoyed ONWARD VICTORIA'S lush score. I am unable, even after 2 weeks, to get Mr. Herrmann's melodies out of my head. It is unfortunate that the theatrical environment of today only encourages the big, garish, pop scores of the talent-less British wave of writers. I hope Mr. Herrmann keeps on doing what he is doing - Thank you Keith Herrmann!

Average customer rating:

Let go of my heart cause it's starting to break!

Ain't It a Sin
Envy
Manufacturer: Wounded Bird Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009Y26F4
Release Date: 2005-08-02

Tracks:

Ain't It a Sin
I Believe in You
Heartache
Lie Here Waiting
Wait on You
You're So Hot
All the Reasons
I See the Light (Let Me Rock & Roll)
I'm Not Your Lover
Hurt Me

Customer Reviews:

Let go of my heart cause it's starting to break!.......2005-08-30

This is one of my favorite bands from the mid to late 80's. Great vocals and top notch guitar. Led by sisters Ronni and Gina Stile, "Ain't It A Sin" was the only album Envy ever released. I never understood why they weren't more popular. I remember back in the day really singing the praises of Envy. Ronni on vocals and Gina doing all guitar work. This is a slick memorable peice of 80's "hair metal". The album was also produced by Twisted Sisters Dee Snider. Gina Stile had formerly been the guitarist for Poison Dollies. Another great band. They really could have put Vixen to shame. I would love to see the Dollies LP released on CD. Maybe the label that released "Ain't It A Sin" will release the Poison Dollies. Also, a bit of trivia here, Can anyone name the future diva who sang back-up on this album? It was Taylor Dayne! How cool is that?! All the songs on here are great but the best ones, aside from the title track are, "You're So Hot", "Wait On You", "Not Your Lover" and "Hurt Me". This album rocks from beginning to end. It still holds up 18 years after its original release. A great CD by a greatly under-appreciated band.

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Beautiful Sibelius

Sibelius Songs

Manufacturer: Ondine
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Tracks:

Black Roses Op.36/1
Sigh, Rushes, Sigh Op.36/4
The Diamond On The March Show Op.36/6
On A Veranda By The Sea Op.38/2
Under The Firtrees On The Shore Op.13/1
Spring Fleets Fast Op.13/4
Come Away, Death Op.60/1
Did I Just Dream? Op.37/4
The Tryst Op.37/5
A Maiden Yonder Sings Op.50/3
The Silent Town Op.50/5
O, Wert Thou Here Op.50/4
The Rapids-Shooter's Brides Op.33
Driftwood Op.17/7
To Evening Op.17/6
Swim, Duck, Swim
The Echo-Nymph Op.72/4
The Song Of The Cross-Spider Op.27/4

Amazon.com

Sibelius wrote a large number of songs, but they are not terribly well known, nor are there very many great ones. Like his piano music, he wrote them primarily for the money. Nevertheless, there are some masterpieces, particularly the lengthy orchestral ballad, "The Rapids- Rider's Brides," which has its own opus number (33), and which directly foreshadows the music of the evocative tone poem Luonnotar. Sibelius and several other composers orchestrated a fair number of his songs, which is a good thing because his piano writing was seldom very effective, his musical ideas being naturally orchestral in nature. This award-winning collection offers 18 orchestral arrangements of Sibelius's finest efforts in the genre, excellently sung by Jorma Hynninen, the great Finnish baritone of his generation. The music is well worth knowing. --David Hurwitz

Customer Reviews:

Beautiful Sibelius.......2000-11-17

Many of these songs were not originally written with an orchestral accompaniment in mind. But orchestra brings out new colors in these works, that I hadn't realized before when listening to them with piano accompaniment.

Hynninen sings beautifully throughout, and is in my opinion at his best in these songs. He has a special kind of light high baritone voice, that doesn't always work well in opera, but in Sibelius it works fantastically. Understanding the language and the cultural background of these songs helps as well.

Tracks:

To Evening, Op.17/6
Did I Just Dream?, Op.37/4
The Diamond On The March Snow, Op.36/6
Play Of The Birds, Op.17/3
Driftwood, Op.17/7
Swim, Duck, Swim
Spring Fleets Fast, Op.13/4
The First Kiss, Op.37/1
But My Bird Is Nowhere To Be Seen, Op.36/2
The Tryst, Op.37/5
Arioso, Op.3
Vain Hopes, Op.61/7
Flower Songs, Song Cycle, Op.88: 1. The Blue Anemone
Flower Songs, Song Cycle, Op.88: 2. The Two Roses
Flower Songs, Song Cycle, Op.88: 3. The White Anemone
Flower Songs, Song Cycle, Op.88: 4. The Anemone
Flower Songs, Song Cycle, Op.88: 5. The Thorn, Op.88/5
Flower Songs, Song Cycle, Op.88: 6. The Flower's Destiny
The North, Op.90/1
The Echo-Nymph, Op.72/4
A Dragonfly, Op.17/5
Black Roses, Op.36/1
May, Op.57/4
Jubal, Op.35/1

Customer Reviews:

I discovered Sibelius with this CD.......2001-03-18

I'm a big fan of Mattila and of art song. But Sibelius was mostly unfamiliar to me (except for some of his symphonies) until this disc. I especially liked the final cut, Jubal. The accompaniment here is minimalist with Mahlerian touches. Mattila sings exquisitely throughout. If you like songs by Brahms, Mahler, or Strauss, expand your knowledge horizon with this CD.

Beautiful Voice - Beautiful Music.......2000-11-17

I especially liked the songs "Var det en dröm?" and "Norden", but all of these songs are beautifully sung throughout. Karita Mattila has the perfect voice for these songs. Her voice is soft, yet strong, and the cool color is used well especially in "Norden". It is also clear that she understands every word she is singing.

This record is also a great introduction to Sibelius songs, for those who are not already familiar with them. There are also wonderful recordings of Sibelius songs by Jorma Hynninen, Tom Krause and Anne-Sofie von Otter, that I highly recommend.

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