Frontin' [CD-single] [Enhanced] [Import]
Frontin' [CD-single] [Enhanced] [Import]
Track Listings
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1. Pharrell "Frontin" Feat. Jay-z
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2. Clipse"Hot Damn" Feat Ab-Liva & Rosco P. Colochain
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3. Kelis "Popular Thug" Feat. Nas
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Editorial Reviews
Product Description
One half of The Neptunes, Pharrell Williams, delivers his single, 'Frontin', with guest rapping from Jay-Z. Four tracks, 'Frontin'' (Radio Edit), 'Hot Dam' feat. Ab Liva, 'Popular Thug' Kelis feat. Nas', & 'Frontin'' (Video). BMG. 2003.
Frontin',Pharrell,Bmg Int'l,5"CD Singles,Dance,Pop,R&B,Urban
Average customer rating:
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Up Front and Down Low
Teddy Thompson
Manufacturer: Verve Forecast
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
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General
| Jazz
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General
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Pop Rock
| Pop
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Adult Alternative
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Singer-Songwriters
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Similar Items:
- Release the Stars
- Sweet Warrior
- Easy Tiger
- Time on Earth
- Separate Ways
ASIN: B000QXDCI8
Release Date: 2007-07-17 |
Amazon.com
Yes, Teddy Thompson's parents are renowned folkies Richard and Linda Thompson. And, sure, he's spent the past few years touring the world with his good friend Rufus Wainwright, who recently wrote a song about their inimitable relationship called "Nobody's off the Hook." But it's Thompson's rich, twangy voice that deserves the spotlight. After turning out two thoroughly underappreciated albums of original material--it would be pushing it to even call them cult favorites--the lovelorn singer-songwriter takes on a dozen classic country tunes on Up Front and Down Low. It's a good fit, the bitter sentiments the inform his own work paired with the sterling melodies of Ernest Tubb's "Walking the Floor Over You" and Elvis Presley's "I'm Left, You're Right, She's Gone." Thompson gives each of the tunes a masterful makeover, polishing them up with an all-star cast of players that includes Iris DeMent, Tift Merritt, and Marc Ribot. Wainwright offers string his own "Down Low" into the mix without breaking the mood. It's the kind of stuff that could represent a breakthrough moment, as long as nobody gets distracted by the fact that he was born and raised in a Sufi commune. --Aidin Vaziri
Average customer rating:
- Family Force 5 -- A Force to be Reckoned with...
- What I've Been Looking For!
- best cd ever
- Its GREAT!
- So I thought the 3 new tracks deserved a try...
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Business Up Front Party In The Back (Diamond Edition)
Family Force 5
Manufacturer: Gotee Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Christian Rock
| Christian & Gospel
| Styles
| Music
General
| Christian & Gospel
| Styles
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Christian Alternative
| Christian & Gospel
| Styles
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General
| Rap & Hip-Hop
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Pop Rap
| Rap & Hip-Hop
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General
| Rock
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Rap Rock
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Pop Rock
| Pop
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| Music
Similar Items:
- Five Score and Seven Years Ago
- Southern Weather
- Portable Sounds
- Age of Reptiles
- Comatose
ASIN: B000NA288Y
Release Date: 2007-03-20 |
Tracks:
- Cadillac Phunque
- Kountry Gentleman
- X-Girlfriend
- Drama Queen
- Put Ur Hands Up
- Love Addict
- Earthquake
- Replace Me
- Lose Urself
- Peachy
- Supersonic
- Numb
- I Love You To Death
- Face Down
- Never Let Me Go
Customer Reviews:
Family Force 5 -- A Force to be Reckoned with..........2007-06-26
Family Force 5 delivers an onslaught from the first second to the very end. It's a wall of sound from start to finish that is some of the most fun you're likely to ever hear (unless they ever release an equally good sophomore album, etc).
This is the perfect crank-it-up, piss off your neighbors, head-banging kind of music. And it's great to scream along to.
What I've Been Looking For!.......2007-05-11
This cd is exactly what I have been looking for. Nice crunchy guitars, upbeat, and clean vocals. I just picked it up today, and I couldn't help but put my window down and turn the stereo up. I'm pushing 40, and this cd made me feel like I was in high school again. Great, great fun disc.
best cd ever.......2007-05-08
i listen to this cd every single day. family force five is the absolute best!!!!!
Its GREAT!.......2007-05-07
Family Force 5 is one of the best bands out there! their music is super catchy and you'll wanna sing it all day long... I DO! Before I had heard FF5 I didnt really like the loud upbeat music, but these guys were just so good I couldnt help but wanna hear them again and again! so I bought the CD. Trust me if you are fun, crazy, and loud you will LOVE this CD!!!
So I thought the 3 new tracks deserved a try..........2007-03-29
Before Diamond Edition came out, I had purchased their previous album containing all of the tracks off of Diamond Edition with the exception of 3. I purchased this new one mostly because I had found their music so catchy, and perhaps 3 new tracks would give me something new by them to listen to. What first was odd to me is the album art. Amazon displays a large black album art with a sparkly Family Force 5 logo. I opened up my package to find that mine did as well, but it's just wrapping that packages the CD case and you have to actually take that off. So all of a sudden I am introduced to a new album art: a red background, and a skull and crossbones (the crossbones being keyboards of some sort). I was surprised that Amazon wouldn't display the actual album art. Anxious to hear the 3 new tracks, I immediately popped the CD into my player. I have a quick review of each of the 3 tracks:
I Love You to Death - Cool guitaring, lyrics are a bit repetitive and cheesy, but the beat is really catchy. I'd give this one a 4/5.
Face Down - This is the song that I can't seem to get into. It doesn't sound much like Family Force 5 at all. I have listened to it many times to see if it would grow on me. It mostly seems like a filler song. I'd give it a 2/5.
Never Let Me Go - This is probably my favorite of the 3. Very catchy vocals and effects. Guitaring sounds great. Chorus is fun. Definitely a cool beat. Overall, 5/5.
Hope this helps anyone who has purchased Business Up Front, Party in the Back in the past and basically wants to know if 3 new tracks is worth the cash. I'd say I'm satisfied overall. It's great to hear something new from them.
Average customer rating:
- good vibes
- good music
- worthwhile
- Michael is my new guru - he should be everyones!
- Everything music should be. Simply rythmic & pure.
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Songs From the Front Porch: An Acoustic Collection
Michael Franti
Manufacturer: Reincarnate Music
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
Experimental Rap
| Rap & Hip-Hop
| Styles
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Pop Rap
| Rap & Hip-Hop
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Folk Rock
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General
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Similar Items:
- Yell Fire!
- Everyone Deserves Music
- Stay Human
- I Know I'm Not Alone
- Home
ASIN: B0002DD5SE
Release Date: 2004-07-13 |
Tracks:
- Yes I Will
- Closer to the Sky
- Firefly
- Love'll Set Me Free
- Love Invincible
- Anybody Seen My Mind
- Sometimes
- Stay Human
- Oh My God
- Ganja Babe
Customer Reviews:
good vibes.......2007-06-13
on the whole a chill album there are some top quality moments and peachy versions.well worth checking out
good music.......2007-04-11
We are not to familiar with the artist, but it's nice easy-going music with a reggae flair.
worthwhile.......2007-01-05
Michael Franti once again brings light to his "Songs from the front porch" album.....this cd definitely along with his others is worth buying even if there are duplicate songs from other cd's.....the acuoustic version has a more at home style to it!
Michael is my new guru - he should be everyones!.......2006-09-21
Michael Franti has it down - with his lyrics, sound and his laid back lifestyle! He is my new guru - listen and live through and by his lyrics!
Peace!
Everything music should be. Simply rythmic & pure........2005-01-09
I don't know what you expect from a dreaded guy showing his bare foot on the cover, but that picture is meant to fool you. This is the most honest& best album I have played over the air in 2004. The more times you listen to this cd all the way through, the more you'll be convinced this man is put here just to help you see. Very rarely you'll find such an artist at his peak, and virtually unknown. Very proud to say my listeners request Michael Franti regularly. Every flower has a right to be bloomin :) Brilliant!
Average customer rating:
- Armageddon definitely steals the show on this one!
- worth it just for the b-sides
- Not bad...
- Re-Wind was Good...This is Magnificent.
- wth?
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Fallout
Front Line Assembly
Manufacturer: Metropolis Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Alt Industrial
| Industrial
| Goth & Industrial
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Industrial Dance
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Similar Items:
- Mythmaker
- Year Zero
- The Filthiest Show in Town
- Nuages du Monde
- Explosion
ASIN: B000NQR7TS
Release Date: 2007-04-24 |
Tracks:
- Unleashed
- Buried Alive
- Beneath The Rubble
- Electric Dreams
- Armageddon
- Social Enemy
- Lowlife
- Humanity
- Repropate (Lowlife)
- Domination (Unleashed)
- The Storm
- Unconscious
Album Description
Front Line Assembly reclaimed its throne last year with the release of "Artificial Soldier" and a world tour. Not wanting to rest on their laurels, the band is prepping for a second assault. "Fallout" features three new tracks and nine remixes and has been deemed to cause exhaustion from excessive dancing, hearing loss from listening to it too loud, and vertigo from its mind-blowing musical sequences.
Customer Reviews:
Armageddon definitely steals the show on this one!.......2007-07-10
FLA has always included some good surprises on their singles, as well as their remix albums. Fallout is undeniably no exception, spanning over 10 tracks while featuring three brand new songs and several remixes for Artificial Soldier. Sadly however, Fallout is not without its flaws. While it does enter the record arena with copious offerings, some of the offerings end up sounding hollow and rushed. But what Fallout does have to offer that is worthwhile, quickly reassures the listener that FLA is still ready to hammer out an industrial masterpiece "in between" albums.
Armageddon could easily be said to the centerpiece of Fallout, and perhaps the main reason to justify buying the release. The sound of the song could be summed up as "very aggressive German Electro." The sound resembles that of a band such as E-Craft, but with FLA's own take on the genre. The songs lyrics are nothing special, since they consist of Bill Leeb's usual attempt at creating a rhyme scheme (it is interesting though that he threw in some of his native German language lyrics.) The sound on the song is what really makes it worth a listen. Armageddon features a full on grinding guitar assault mixed with some of the most aggressive synth work that Leeb has done in ages. It also has Leeb using much harsher vocal distortion than he has used in the past few years. All of the aforementioned culminates in one of the most delightful surprises that FLA has yet to produce since the song Anti (on the Maniacal single)!
While Armageddon is reason enough to buy the album, the other two new tracks, Electric Dreams and Unconscious do well on their own. Electric Dreams sounds like a song that could have belonged on either Implode or Epitaph, but its usage of electronics makes it more easily fitting for the Artificial Soldier era. Unconscious is also decent in its own right, but it's not as great of an instrumental/electronic landscape as Anti or Disseminate. Still, it captures a nice face paced EBM/cybernetic feel that FLA doesn't seem to really explore very often in this day and age.
As for the remixes on Fallout, listeners will most likely find half of them to be good while the other half will sound, as previously mentioned, rushed and hollow sounding. The most well thought out and produced remixes would be DJ(?) Acucrack's remix of Buried Alive, J. Inkel's remix of Social Enemy, Greg Reely's remix of Lowlife and FLA's own remix of Unleashed. Greg Reely especially does the listener a major service by taking Lowlife one-step further and "improves it" by adding onto Bill Leeb's vocal distortion and polishing up various parts of the track to give it and even more slick and powerful electronic sound. On the other hand, DJ(?) Acucrack's remix of Buried Alive is a welcome attempt at building on the song's drum and bass feel. Unfortunately, the song gets lost at certain parts due to losing momentum and seemingly dabbling around in experimentation. Still, the song is a valiant attempt at taking FLA and bringing them one step closer to the D&B genre.
Despite having a slew of unimpressive remixes, Fallout manages to come out ahead of the rest of many releases this year by offering up both some incredible takes on previous FLA tracks and some great new material. It is slightly disappointing due to the boring remixes but it is still very worth the price of admission for the new tracks, and if only one, definitely Armageddon.
worth it just for the b-sides.......2007-06-20
the remixes are nice, but the unreleased tracks are what really pay for the cd. the first, electric dreams, is sort of a simple/implode sounding song. it's not as layered as a lot of the stuff on artificial soldier, but the verse synth works well enough on it's own. and +1 for the robot voice. secondly, armageddon, is almost a millennium/hard wired era song. live drums and live guitar. really in your face. lastly, unconscious, is an instrumental that kind of sounds like implode synth meets epitaph drum programming.
Not bad..........2007-06-12
I'm not very in the know about this type of music, as my first love is Metal and Hard rock. But I enjoy other types of music as well such as electronica and dance music. This Cd has some good music but I was really looking for a heavier driving rhythym than I find here. Still, it's worth a listen.
Re-Wind was Good...This is Magnificent........2007-05-10
Artificial Soldier wasn't a groundbreaking FLA record, but it is a well-rounded output. The bonus tracks on Fallout belong on that record. The mixing quality here is remarkable and could have only been hand picked by Bleebo. It is nice to see the guys won't give up anytime soon.
Kudos.
wth?.......2007-05-05
Why wasn't Armageddon on AS? Hands down my favorite FLA song of all time!
Average customer rating:
- Sousa By the Royal Marines
- Still Among the Best
- How Sousa Should Sound
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Sousa: Marches; Band of HR Royal Marines; Lt. Col. G.A.C. Hoskins
John Phillip Sousa , Lt. Col. G. A. C. Hoskins , and Band of HR Royal Marines
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Sousa
| Sousa, John Philip
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Similar Items:
- Fennell Conducts Sousa
- Sousa's Greatest Hits
- Sousa Original II / United States Marine Band
- Stars & Stripes Forever and the Greatest Marches
- Fennell Conducts Hands Across the Sea
ASIN: B0000CE7FX
Release Date: 2004-06-01 |
Tracks:
- King Cotton
- The Gladiator
- Semper Fidelis
- The Belle Of Chicago
- The Invincible Eagle
- Manhattan Beach
- The Liberty Bell
- El Capitan
- The Washington Post
- The Crusader
- The Black Horse Troop
- The Fairest Of The Fair
- The High School Cadets
- The Stars And Stripes Forever
- The Pride Of The Wolverines
- Hail To The Spirit Of Liberty
- From Maine To Oregon
- The Diplomat
- Powhatan's Daughter
- Kansas Wildcats
- Sound Off
- The Thunderer
Tracks:
- Hands Across The Sea
- The Royal Welch Fusiliers
- The Legionnaires
- Daughters Of Texas
- The Gallant Seventh
- Golden Jubilee
- Solid Men To The Front
- Marquette University
- The Beau Ideal
- The Rifle Regiment
- The Northern Pines
- Nobles Of The Mystic Shrine
- New York Hippodrome
- The Gridiron Club
- The Charlatan
- The Lambs
- The National Game
- On The Campus
- La Flor De Sevilla
- Jack Tar
- The Glory Of The Yankee Navy
Customer Reviews:
Sousa By the Royal Marines.......2007-03-31
This is a great CD re-issue of the Band of the Royal Marines School of Music under Graham Hoskins. This band did a three LP series on Sousa marches some years ago that was better than most on this very well covered topic. Sousa march recordings will always come and go, but some like this stand out more than others. For one, there is nothing like the panache of a Royal Marines band. Their sound is a time honored development that gets passed from one generation to the next. Even as the number of RM bands continues to change and downsize, there are now about four bands left in the service, their sound quality continues to be superb.
When these recordings were made RM bands were still at their height in the British service and their quality was amazing. Most bands numbered over 60 in this period, and that is why many Americans may be surprsed at the volume of music produced here. This is not one of your small, though excellent regimental bands! Americans tend to think that British military band instrumentation is on the thin side. Not so here! Of course Sousa always sounds best with either the Allentown band or the US Marine band.
This CD is evidence of how popular Sousa has always been in the UK, and with RM bands in particular. The selection here on two CDs covers most of the standard Sousa fair, with a few different selections here and there. Unfortunatley there are none of Sousa's fine transcriptions for classical music, or selections from his operettas. This music is always wonderful to have in combination with the marches as it shows how much variety he was capable of in his compositions. For that kind of concert the reader is referred to the very fine collection of Sousa music being done under the Naxos label by the Band of the Royal Artillery.
Here you will find a solid collection of Sousa's great marches. Roughly a third of those 136 compositions are contained here. The Royal Marines give a sharpe and clear sound to these works which should certainly inspire. You will also get a very nice idea how RM bands sounded back in the 1980s. Graham Hoskins was a fine director of music, typical of the inhouse genius of the Royal Marines Band Service at that time. He took this band on a USA tour in 1985 with the Arygll & Sutherland Highlanders. Devotees of Sousa should enjoy these spirited versions of the march king's music as performed across the pond.
Still Among the Best.......2006-06-01
I bought two audio casettes with these marches back in the 1980's and wore them out. These performances are hard to beat for virtuosity, enthusiasm, and sparkle. The sound quality is outstanding. And there are some marches that are rarely, if at all, available.
How Sousa Should Sound.......2006-03-07
Great value 2 cd disc set cut in the early 1980's & remastered the sound of the Royal Marines Band is nothing short of terrific. Judging by the sound would not be surprised for this to be a combined double RM band. These 1st chair players give Sousa's great marches that extra kick that takes the "March Kings" music to that higher level. By the center quick march!!!!
Average customer rating:
- Billy Joel - A Nice Late 80's Return To Form
- Big improvement over the original
- Too strained and "pop" for the Virtuoso
- On the list of 80's guilty pleasures
- Truly Essential Billy Joel
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Storm Front
Billy Joel
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- River of Dreams
- The Bridge
- The Nylon Curtain
- An Innocent Man
- Turnstiles [Enhanced Version]
ASIN: B00000DCHL
Release Date: 1998-10-20 |
Tracks:
- That's Not Her Style
- We Didn't Start The Fire
- The Downeaster 'Alexa'
- I Go To Extremes
- Shameless
- Storm Front
- Leningrad
- State of Grace
- When in Rome
- And So It Goes
Customer Reviews:
Billy Joel - A Nice Late 80's Return To Form.......2007-06-12
"Storm Front" was an album that Joel recorded after he had the experience of being one of the first western rock stars to play in the Soviet Union the year before. The experience is reflected in some of the songs here especially the excellent "Leningrad". The album was produced by Foreigner main man Mick Jones and I have always thought this was one of Joel's stronger efforts and a return to form after several mediocre albums in the mid to late 80's. The album had two monster hits "We Didn't Start The Fire" and "I Go To Extremes" both of which are good songs. The third single "Downeaster Alexa" did not make as big of a splash, but I think it is one of the best songs he has done in it's description of career Fishermen in the Atlantic. Other highlights include the title track "Storm Front" and the previously mentioned "Leningrad". On the more average side Joel includes several love songs to his then wife model Christy Brinkley including "That's Not Her Style", "Shameless", and "When In Rome" none of which are really memorable. The album closes with a mournful tale of lost love called "And So It Goes" which is the type of song that Joel always does well. Overall I think the highs far outweigh the lows on this disc, and it is well worth a listen.
Big improvement over the original.......2007-01-10
I purchased this CD when the Storm Front tour took place in the 1980's. This version has been greatly improved over the original one. I lost my old copy and bought this as a replacement. I'm so glad I did!
Too strained and "pop" for the Virtuoso.......2006-06-15
Looking back on this album, it really lacks any of the elements that make the "classics" by Billy Joel truly special.
Blow by blow:
"That's Not Her Style" - fun rock song. That's all.
"We Didn't...Fire" - Just listen to the music and ignore the words - this is just a terrible song.
"Downeaster.." - okay song
"... Extremes" - Pop/rock-ish; good piano solo.
"Shameless" - he should be for writing this one.
"Storm Front" - decent, but feels like he's forcing it.
"Leningrad" - interesting lyrics
"State of Grace" - nothing special
"When in Rome" - forgettable
"And So It Goes" - now this is a special song. If you really like the B. Joel songs that dig deep and you feel every note and lyric, this is the one. You're better off downloading this one song than buying the whole album.
Get yourself the "Songs in the Attic" album and call it a day.
On the list of 80's guilty pleasures.......2006-04-04
I can't help it. I like this cd. Songs like 'I Go To Extremes', 'We Didn't Start The Fire', and 'Shameless' all bring back great memories of the closeout of one the greatest decades ever.
Joel has never been one to write serious social song as much as be a reporter of what's going on in society. So a song like 'We Didn't Start The Fire' makes no sense at all but the lyrics conjure up pictures of specific events that do mean a lot to listeners like myself. On a song like 'Downeaster Alexa' he does a very good job of painting a picture of a fishing boat captain. 'That's not Her Style' is just a straight ahead rocking type of song. It's more fun than anything else. But the song that is pure Billy Joel is 'I Go To Extremes'. He wrote this for his drummer but it has all the trademark Joel badboy wannabe lyrics we've seen and loved since 'Only The Good Die Young'.
This cd isn't going to change your life but it has some great tunes.
Truly Essential Billy Joel.......2005-09-01
Billy Joel's tenth studio album, "The Bridge" featured no very big hits and highlighted a more mellow style of songwriting than his normal, catchy, rock-beat songs of previous albums. People debated whether he was growing old, whether he still had what it takes to make a successful rock song. Some even accepted that, sure, a little bit of his flair is missing and his music is more "adult contemporary", but they'll take it.
And then came "Storm Front". Within the first fifteen or so seconds of the first song on the album, "That's Not Her Style", the world knew Joel was back to his old and great form.
Every song showed flavors of classic Joel: "That's Not Her Style" contained an infectious, catchy refrain with a dastardly beat reminiscent of "Half A Mile Away" on "52nd Street". "We Didn't Start The Fire", though not popular among critics and even fans, showed that Joel still knew exactly what pop industry needed, and the song bolted to #1 on the Billboard Charts. "Downeaster Alexa" displayed Joel's love of storytelling through song, as previously seen in "Scenes From An Italian Restaurant" and "Zanzibar". "I Go To Extremes" reminded us that Joel was and is the Hendrix of the piano. "Shameless" reassured us that, even after all those years, Billy could still make a meaningful, catchy, excellent love song. The list goes on and on. Every song reminds us, somehow, of Billy's roots in the pop industry.
There is no filler on this album. Everybody likes some songs, dislikes others. But nothing is low quality or uninteresting. So whether you buy this album for "We Didn't Start The Fire" or just because you're interested in the kind of music Billy can make, just be sure to buy it.
BOTTOM LINE: "I Go To Extremes"? "Shameless"? "And So It Goes"? Monumental pop hit "We Didn't Start The Fire"? How could this not be essential? Prepare yourself for some of the best pop-rock of all time.
Average customer rating:
- no business, all party
- You, too, will become addicted!!!
- Get up and dance!
- Great music, fun band
- Can't help but Dance!
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Business Up Front/Party In The Back
Family Force 5
Manufacturer: Maverick
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
Pop Rap
| Rap & Hip-Hop
| Styles
| Music
General
| Rock
| Styles
| Music
Rap Rock
| Rock
| Styles
| Music
Pop Rock
| Pop
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Similar Items:
- Smile, It's the End of the World
- The Face of Love
- Comatose
- End of Grey
- The Art of Breaking
ASIN: B000CS462S
Release Date: 2006-03-14 |
Tracks:
- Cadillac Phunque
- Kountry Gentleman
- X-Girlfriend
- Drama Queen
- Put Ur Hands Up
- Love Addict
- Earthquake
- Lose Urself
- Peachy
- Supersonic
- Numb
- Replace Me
Amazon.com
Arriving out of Atlanta like high school sophomores who stole mom's car to hit spring break in Daytona Beach, the 3 brothers and 2 others of Family Force 5 deliver their debut, Business Up Front/Party In The Back. Without a doubt the focus here is on the "party", as most of the record is devoted to getting down, chasing girls ("Drama Queen" sounds like it was written by a 14 year old who just got dumped), and driving around with the radio blasting. Not that there's anything wrong with these things, but the band comes off more like Limp Bizkit's smart-ass little brother than a bunch of kids on a tear.
No one would accuse FF5 of over-thinking their music and lyrics--when your album title is a.k.a. a mullet, intellectualism probably isn't your highest priority. Overall, the album seems genetically engineered to appeal to as wide an audience as possible, piled high with 80's synths, rap/rock riffs and shout-along refrains, and name-checking everything from break dancing to Speak & Spells. In the end, trying this hard causes the FF5 to wear out their welcome. It's only when the band drops the catchy chorus on "Kountry Gentleman" or "Love Addict", you may just find yourself speeding down the highway, bobbing your head a little despite your better judgement. --Ben Heege
Album Description
Straight out of the Nu South, Family Force 5 is greazy, beat oriented, righteous Crunk Rock with blistering New Wave guitars and gritty-witty lyrics. Combining Outkast with Rage Against the Machine, Beastie Boys with the White Stripes, Family Force 5 won two awards-Best Band and Best Live Act-and was nominated for two others at the second annual Atlanta Music Guide Awards in September. Now FF5 redefines the Dirty South with its debut major label album, Business Up Front/Party in the Back.
Customer Reviews:
no business, all party.......2007-04-29
I love this CD! One of the most fun discs I have ever heard. Great to work out to, great to drive to, great for a pick-me-up. I only gave it a 4 because it never goes very deep, though there are a few songs that have a somewhat deeper meaning if you read into them. I hope they make more CD's; they certainly have talent.
You, too, will become addicted!!!.......2007-02-13
I first heard of FF5 while working in a Christian book/music store when I heard "Luv Addict" playing over the sound system. That song just stuck with me and I was hooked, so I bought the CD. WOW!!!!!!! Repeat after me: "I will buy this CD, I will buy this CD!" If you do not buy this CD, you are really missing out. Even as a 36-year old mother of 3, I absolutely love this music. It is so fresh and just good plain fun. And if you are looking for some great music to work out to...look no further! I am a runner and listening to this music has helped me increase my time because it really gets the adrenaline pumping!! Also, I love the messages in "Luv Addict" and "Replace Me". Last night I found myself worshipping God so deeply and dancing so energetically while listening to these songs that today I have the worst sore neck!! Consider yourself warned...you will not be able to sit still while listening to FF5. Inevitably, you will become a headbanger!! I love this band and I love the fact that they are Christians, and also that their music will cross over to anyone who just plain loves great music. Trust me, this CD will appeal to all types of music fans and is an absolute must-buy!!
Get up and dance!.......2007-01-10
If you are looking for a cd to get you outta your chair and moving, this is it. You can't help but blast every song and dance in your seat while you are driving, which tends to cause strange looks from other motorists! If they owned this cd, they would be doing the same thing! FF5 is a great band out of ATL with a Christian background. I first heard them on Sirius channel 67 (Revolution) and had to have the cd. It was worth every penny and I never have to worry about what kind of message the kids are getting from the music.
Great music, fun band.......2007-01-06
This is a CD that everyone in my house loves. I am a 42 year old man who grew up on on AC/DC, Iron Maiden, Van Halen, etc. My wife loves U2, Third Day, Lifehouse, etc, my 15 year old daughter loves Coldplay, Switchfoot, etc, my younger boys love DCTalk and TobyMac.... but WE ALL LOVE THIS CD!!! It is fun, it is funny, and the music kicks butt. Really. Buy it, you will like it and these guys deserve our support.
Can't help but Dance!.......2006-11-29
This group is one of the most unique, awesome, different bands I've ever heard! If you're tired of the same old depressing music get this CD and I promise you won't be able to stop yourself from dancing!!! And just when I thought they couldn't get any better I find out they're a Christian Band!!! Warning: If listening to this CD in the car exspect getting some wierd looks from people as you rock out driving past! But don't let that stop you! ROCK OUT!!!
Average customer rating:
- This is the Busta Rhymes I remember
- Love this
- everybody RISE
- A Mystical Arrangement(4.5)
- E....L.....to the MFing E
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E.L.E. (Extinction Level Event): The Final World Front
Busta Rhymes
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- When Disaster Strikes
- Anarchy
- Genesis
- The Coming
- It Ain't Safe No More
ASIN: B00000F1EF
Release Date: 1998-12-15 |
Tracks:
- Intro-There's Only One Year Left!!!
- Everybody Rise
- Where We Are About To Take It
- Extinction Level Event (The Song Of Salvation)
- Tear Da Roof Off
- Against All Odds
- Just Give It To Me Raw
- Do It To Death
- Keepin' It Tight
- Gimme Some More
- Iz They Wildin Wit Us & Gettin' Rowdy Wit Us?
- Party Is Goin' On Over Here
- Do The Bus A Bus
- Take It Off
- What's It Gonna Be?!
- Hot Shit Makin' Ya Bounce
- What The Fuck You Want!!
- This Means War!!
- Outro-The Burial Song/Interlude #3
Amazon.com
He's one of the most distinctive MCs around--he's taller, has funkier dreads, has great taste in samples (the Knight Rider theme), has a sense of history ("Woo Hah!! Got You All in Check" comes right from the Sugarhill Gang), and ooh, that growl. Ever since his days in Leaders of the New School--let's trace it back to his contribution to A Tribe Called Quest's classic posse cut "Scenario"--Busta's brought something special to the party. It's all there on Extinction Level Event: there's the Armageddon concept, the guest stars (Janet Jackson, Mystikal, Ozzy Osbourne), and a great soundscape to frame Busta's raps. Still, it feels like something's missing: there's no huge standout hit; the production, in the hands of someone like Timbaland, could be even better; and Busta's raps often feel like he's relying more on that voice rather than writing anything new. But it's hard to fault someone who, even with all his success, includes a skit where the B-boy gets reprimanded with the line, "Look, you played-out player, I don't need you--I got a vibrator." --Randy Silver
Customer Reviews:
This is the Busta Rhymes I remember.......2007-01-09
I know a lot of people are going to catch flack with me for saying this but this is Busta Rhymes best effort since The Coming. Busta Rhymes was a lot better as the schizophrenic MC we know and love and not this cookie cutter rapper we here now(talking about guns and drugs. WTF for?) Busta's crazy flow would keep you hanging on every word as the awesome production literally would make you "Break Your neck". Standout tracks:EVERYBODY RISE, WHERE WE ARE ABOUT TO TAKE IT, TEAR DA ROOF OFF, AGAINST ALL ODDS, GIMME SOME MORE, IZ THEY WILDIN WIT US & GETTIN ROWDY WIT US(one of the best matchups in 1998: Busta Rhymes and Mystikal), PARTY IS GOIN ON OVER HERE, DO THE BUS A BUS, WHATS IT GONNA BE, HOT S*** MAKIN YOU BOUNCE, WHAT THE F*** YOU WANT etc. Filler: Just give to me raw and Do it to death fall short. Bottom Line: Extinction Level Event is Busta Rhymes's most consistent effort since The Coming. Busta flows smoothly or roughly on each track making it more enjoyable with each listen plus the production is crazy. Cd collection material here.
Love this.......2006-11-10
as a young'n lookin' for hip hop, i only listened to Fugees and 2Pac cus those were the only 1s i knew at the time, then Busta Came with "Gimme Some More" i bought this album, and the others. i love this album so much. i still listen to busta, love all hes stuff.
everybody RISE.......2006-10-01
Busta is a very consistant mc and most of his albums are never disappointing. E.L.E is a great follow up to "..disaster.." and i recommend this cd. busta is great and he'll leave askin give me some mo
rating A-
A Mystical Arrangement(4.5) .......2006-01-20
Busta Rhymes will always stay detached from any other MC in the business, defined by a fierce growl, unhinged, dark and creative music videos, and space-like beats. And although "Extinction Level (The Final World Front) remains uneven at times, with a few throwaway tracks, the standout tracks are simply outstanding, ecclectic and exhilariting. "Everybody Rise" is a bouncin', funky beat with Busta calling out to all the states, telling them lyrically to rise with him. "Where We Are About Take it" has a spacey, synth descending beat with fairly average lyrics, not yet expressing Busta's musical genius. The self-titled song has a catchy chorus, and to follow it up is the single "Tear Da Roof Off", an energetic, collaborative track with a raw, vibing beat that is great. "Against All Odds" is in the same vain, with the whole Flipmode Squad coming together, rapping over another funky beat. Lyrically, the next few tracks all display Busta Rhymes as a great MC, with mystical beats. However the songs themselves are simply not very memorable. "Gimme Some More" is the biggest hit single off the album, with an orchestral beat and Rhymes flowing quickly and sharply.
"Iz They Wildin' Wit Us & Gettin' Rowdy Wit Us?" is quite simply a boisterous rap expression, with Mystikal guest starring. Both rappers are flowing at astounding speeds, and the track stands out strongly on the album. "Do The Bus A Bus" is one of Busta's ludicrous singles, but it is catchy. Groovy Hip Hop seems to be the theme of the album at this point, as Janet Jackson joins Busta in a collaboration, and "Hot Sh*t Makin' Ya Bounce" has a very laid-back, stylish beat with sensational lyrics. The last few tracks are less memorable, except the sampling of "Iron Man" in "This Means War" with Ozzy Osbourne making an appearance.
It seems people are making many subjective statements as to Busta's prime in his career, and I personally think he chose to take a new direction with each and every album. At this time, he is set to release his latest album "The Big Bang" in July of 06, featuring a great track called "I'll Hurt You" but also releasing a single called "Touch It", which is less impressive. At this time, he has officially signed to Dr. Dre and Aftermath, so he will have access to the best beats out there. Overall, I would recommend this album to any Busta fan, and if you are looking for somewhere to start, I would begin with "Genesis".
E....L.....to the MFing E.......2005-11-26
Hiphop at its best If you like hiphop Busta is really showing out on this one rapping to the beat which are good beats!
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Even Raw, Better Group Emerged from Underground
- As bad as the food its name is derived from
- criminally underrated album
- Da' Peas Pre-Fergie Debut and One Of Their Best To Date!
- B4
|
Behind the Front
Black Eyed Peas
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Bridging the Gap
- Elephunk
- Monkey Business
- Elephunk
- My Humps
ASIN: B000007SAT
Release Date: 1998-06-30 |
Tracks:
- Fallin' Up
- Clap Your Hands
- Joints & Jam
- The Way You Make Me Feel
- Movement
- Karma
- Be Free
- Say Goodbye
- Duet
- Communication
- What Is It
- Que Dices?
- A8
- Love Won't Wait
- Head Bobs
- Positivity
Amazon.com
The Black Eyed Peas' debut, Behind the Front, may sound thoroughly familiar: like A Tribe Called Quest, they sprout positive, deftly delivered lyrics out of their light jazz, R&B, and funk tracks; like the Roots, this multi-ethnic outfit's three MCs drop science in front of a live band that builds its grooves organically; and at their best, such as on the pop and reggae-flavored "Karma," the group can out-Fugee the Fugees. For some reason, though, the mostly mild, largely scratchless and sample-free record can--at times--be downright tepid. But for the most part, it works--sometimes brilliantly--and as a break from the mostly belligerent voices in hip-hop's mainstream, we can definitely use more of what the Peas have to offer. --Roni Sarig
Customer Reviews:
Even Raw, Better Group Emerged from Underground.......2006-08-06
Another better group got the deal from the underground, where conscious and dedicated artists have always been since the birth of the hip hop--simply, that was the first impression of Black Eyed Peas when they released their first album, Behind The Front, in 1998. The scene enjoyed their attitude trying to inherit the hip hop sprit, criticizing the superficial image--"I see you try to diss our function by stating that we can't rap. Is it cause we don't wear Tommy Hilfiger or baseball caps" ("Falling Up"). However, the album is monotonous and raw due to lack of variety in MC styles and beats. Fast and plain raps on light funk continue without significant changes in contents and moods. Skits, which would disappear in next album and later, make it more tiresome.
As bad as the food its name is derived from.......2006-06-20
Black Eyed Peas have been making a name for themselves by selling to the non-intellectuals, with dumbed down lyrics, lame beats, and annoying vocals. Only in America is this the formula for certain success. Just when you thought that no band could cause an aneurysm more than Gwen Stefani, it looks like Black Eyed Peas has become number one.
criminally underrated album.......2006-02-08
The Black Eyed Peas (before they became huge) used to be good. Really good. 'Behind the Front' is quite simply one of the best pure hip-hop albums I've heard in my lifetime. The beats are incredibly catchy, yet they're not the typical kind of recycled beat garbage you hear on their Elephunk and Monkey Business albums. These beats are fresh, lively. I would heartily recommend this album to ANYONE. Not just lovers of hip hop. Anyone who enjoys really groovy beats and adequate lyrics will love this album.
I suppose I can't blame BEP for selling out. Their first two albums were great, but they were getting no exposure, so they did what needed to be done (added Fergie and started putting out garbage) in order to make money. I'll just always wonder what might have been....
Da' Peas Pre-Fergie Debut and One Of Their Best To Date!.......2006-01-18
The first time I ever saw The Black Eyed Peas incredible
live show was in the summer of 1998 in NYC, and the
next day I was at the Virgin Megastore buying this album.."Behind The Front"!!
I was hooked and turned everyone I knew on to them!
This was (to me) when "Da' Peas" were at their best...
before the addition of Fergie and that sing-songy
commercial BS that they do now!
I love everything on this CD, including the little
game-show-like snipets which link the songs together.
It was funky, funny, trippy, hip-hop and even though
alot of people say they had too much "Tribe Called Quest"
in their sound at the time, if you had seen them live back
then you would've known that "Da' Peas" had their own
thing brewin' in a big way!
I would take this one and their follow-up
"Bridging The Gap" over their new stuff any
day of the week!
Okay--"Elephunk" was cool for the most part,
but they were already diluting their funk by then
and were actively seeking a pop audience.
From the new set, aptly named "Monkey Business",
the only one that really moves me is "Don't Lie"
but the rest puts me to sleep!
4-Real!--If you want to feel what BEP was about,
then "Behind The Front" and "Bridging The Gap"
are the ones baby!
Incidentally, there were some hot videos from those
two CD's which got little airplay on MTV, BET or VH-1.
Why do you have to sell your artistic soul and dull
your creativity these days to get acceptance in the pop world?
B4.......2005-11-28
They went Pop or Rock N roll of whatever that stuff is they are doing. This is a good CD if u dont like a lot of cussing and peaceful type of raps
Lyrics 8/10 Beats 8/10
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