Peaktime V.6: Mixed By Bk & Vinylgroover [Import]
Peaktime V.6: Mixed By Bk & Vinylgroover [Import]
Track Listings
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1. Adagio For Strings (Fred Backer Remix)
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2. Cement
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3. Feel
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4. Introspection
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5. String Theory
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6. Despolation Ep
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7. Alphabet Q
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8. Trace
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9. Insane
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10. Dtd Soul Image
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11. System Osaris
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12. Higher State Of Conciousness
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13. Don't You Want My Loving
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14. Future Shock
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15. Edison Factor (Nick Sentience Remix)
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16. Alphabet
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17. Wonderful Life (Vinylgroover & Redhead Remix)
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18. Vengence
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19. Playing With Knifes
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20. Obstoppa
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See all 32 tracks on this disc
Editorial Reviews
Product Description
Ben Keen, AKA Bk and Scott Attrill, AKA Vinylgroover Team Up for the Latest Release in the Peaktime Series, with Each Mixing Up One Disc Each on Volume 6.
Peaktime V.6: Mixed By Bk & Vinylgroover,Various Artists,Central Station,Dance
Average customer rating:
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Huvafen Fushi Maldives: Mixed by Ravin
Manufacturer: Wagram
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Buddha Bar, Vol. 9
- Buddhattitude: Liberdade
- Fashion TV Club Session, Vol. 1
- Clubbing with DJ Ravin: B.O. Electro-Soul
- Buddhattitude
ASIN: B000LXSTPO
Release Date: 2007-04-24 |
Tracks:
- Sunday - Nikonn
- Angels Will Help You - York
- Elephant - Lottie Child, Spiral System
- Tree (Blazing Sun) - David Lowe's Dreamcatcher
- Memories - Waldeck
- Mystery - Swati Nektar,
- Circle of Clowns - Cornucopia
- Heart Beat of Life - Existence
- Velvet - Omaya Orchestra/Chorale
- Anagram - Dousk
- Skyscraper - Ganga
- Sigueme - Prompt
- Dancehall Places [Grandadbob Comfy Cardy Mix] - Mint Royale
- Thinking About You - Goloka
- Fragile - Nikonn
Tracks:
- Velvet [DVD][*] - Omaya Orchestra/Chorale
- Sunday [DVD][*] - Nikonn
- Thinking About You [DVD][*] - Goloka
- Fluidity [DVD][*]
- [Bonus Material] [*] [DVD]
Album Description
2007 two disc (CD + NTSC/Region 0 DVD) set from the influential DJ Ravin, the man who brought the Buddha Bar series to the world. This 15 track Chill-Out collection from Ravin is a celebration of the super-swanky resort hotel in the Indian Ocean, a place that Ravin has referred to as a 'paradise'. The bonus DVD features footage of the resort and it's surroundings set to music. Features cuts from Nikonn, Mint Royal, Spiral System, Ganga, David Lowe's Dreamcatcher, Goloka and many others. A beautiful addition to any Chill-Out and Buddha Bar collection!
Album Details
DJ Ravin (Of "Buddha Bar" and "Siddhartha" Fame) Presents Yet Another Amazing Musical Soundtrack for One of the Most Exclusive Enchanting Resorts on the Planet. Inspired by Natural Beauty that Defies Description, Ravin Has Once Again Assembled a Perfect Mix of Musical Sounds that Perfectly Evokes the Wonders of this Absolutely Fascinating Jewel of the Maldives. Huvafen Fushi Sits in the North Male Atoll on It's Own Lagoon....in The Warm, Pristine Waters of the Indian Ocean. Not Only is it One of the Most Secluded Places on Earth, It's One of the Most Breathtakingly Gorgeous as Well! with an Exclusive Spa and Bungalows, Visitors Are Able to Relax and Rejuvenate in a Place that Provides the Ultimate Catharsis. You Can have that Feeling Too with this Disc and Just Close Your Eyes...or Play the Special Accompanying Dvd (Ntsc/Region 0) that Shows You Exactly What We're Talking About. Your Eyes and Ears Will More Than Thank Your Mind for Having Taken the Time!
Customer Reviews:
Ravin Ravin Ravin.......2007-05-29
Well u have to listen a few times
to get a hold of it in your system
Its not as strong as i expected
but it is very good
DVD is cool also
No 10 on the cd is timeless worth the cd
Average customer rating:
- Moist, squishy and sublime: SpaceSex
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Spacesex: Mixed by Claude Challe and Jean-Marc Challe
Various Artists
Manufacturer: Chall'o Music
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Buddha Bar, Vol. 9
- Huvafen Fushi Maldives: Mixed by Ravin
- Clubbing with DJ Ravin: B.O. Electro-Soul
- Buddhattitude
- Buddhattitude: Liberdade
ASIN: B000P2A4OK
Release Date: 2007-05-21 |
Tracks:
- Break of Day [The Stella Polaris Allstars Remix] - Tina Dico
- Kiss Me - Kieser Velten
- Kiss Me
- Tutta Pe, Me
- Spielplatz - The Lushlife Project
- Sration
- Beau Roman (Une Bell Historie)
- Je T'Aime... Moi Non Plus [I Dub You Remix]
- Ana a Dounia - Grand Orchestre du Comptoir de Marrakech
- Walk on the Wild Side - DJ Disse
- Indy - Laura Finocchiaro, Freedom Dub
- Paint It Black - Sixth Finger
- Music Matters - Faithless, Cass Fox
- Walking on Thin Ice
- Orgasmus - Claude Challe
Album Details
2007 Masterpiece Once More from French Tastemaker Claude Challe (Buddha Bar, Les Bains Douches) in Collaboration with his Brother Jean-marc! While Countless Establishments have Pleaded to Receive the Magic of Les Freres Challes, They Developed a Habit of Turning them all Away. However, a Proposal from Hotel "3,14" in Cannes Intrigued Him. Coomunication with Owner Karine-ellena Partouche and her Team Established Uncommon Sympathy. "so I Went and Discovered the Unique World of this Boutique Hotel. Feng Shui. Ethnical. Transcultural. Pop. Zen. Spiritual. Fun. And Sex-they Sell Sex Toys at the Hotel Shop and a "Super Love Box" Awaits the Pleasure of Customers in Each Room. I Fell Straight for It". So the Brothers Set About Creating the Special Moods for this Most Unique Establishment. This Deluxe Package Includes an Enhanced Video Feature Showing this Magnificent Hotel in all It's Splendor!
Customer Reviews:
Moist, squishy and sublime: SpaceSex.......2007-06-09
The hotel 3,14 in Cannes does for the sexy boutique hotel what Victoria's Secret Infinity Edge Bra did for tight fitting sweaters and tops. This is the hotel's "house" soundtrack and it's everything you'd expect from an establishment that was desperately looking a way to to put the Rrrrrrr into aural sex.
Sonic Shaman Claude Challe and his brother Jean-Marc Challe really deliver with this sometimes smoking other times brie cheesy compilation. I was and continue to be mostly entranced by what Challe conjured with the Buddha Bar comps but I must say, this is really something special! Initially I bought this from Real Music as a download but I decided this was one CD I wanted to keep in the nightstand with my other Karmic Tantric Treats.
It hangs beautifully, the production is epic and well, it works! As I listened to this in my music room my wife came in and wondered out loud why I wasn't sharing this squishy music with her. Well I put this disc on repeat and we let it play through three times. That's two more than we got from Roxy Music's Avalon! Whoa!
I can't say I recognize many of these artists but I intend to find out more. Three standouts IMHO: Grand Orchestre Du Comptoir and Dj Disse's remake of Lou Reed's Walk on the Wild Side. Walk on the Wild Side! you moan - that's not that sexy! Trust me, it is here.
Same goes for the Stone's classic, Painted Black by Sixth Finger. Yeah, I know - what a name for a band!
So obviously I don't know the first thing about writing about music I(or dancing about architecture for that matter) but I know I like this music. I've enjoyed it as much as anything I've listened to this year. Challe's masterpiece makes most of the other themed trancy, downtempt compilations "look" like training bras.
Buy it, get some strawberries, some chocolate, lingerie and maybe a tub of Kama Sutra products and roll around with someone you love. Or dance naked ...
Average customer rating:
- A little disappointed
- Thrive Mix 03 vs. Ultra Dance 8
- SO MUCH FUN & SUPERIOR TO ULTRA DANCE 08
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Thrive Mix 3 : Mixed by DJ Skribble and Vic Latino
Various Artists
Manufacturer: Thrive (Red)
ProductGroup: Music
Binding: Audio CD
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- Ultra Dance, Vol. 8
- Thrivemix Presents: Dance Anthems
- Thrivemix Presents: Electro
- Annual 2007
- Ultra Weekend, Vol. 3
ASIN: B000N4R8M6
Release Date: 2007-01-16 |
Tracks:
- Cassie "Me & You" (Roc & Soul Club Mix)
- Christina Aguilera "Ain't No Other Man" (Ospina & Sulllivan Remix)
- Panic! at the Disco "The Only Difference Between Martyrdom and Suicide
- Nelly Furtado "Maneater" (Jelo's Toronto Club Mix)
- Gwen Stefani "What You Waiting For?" (Jacques Lu Cont TWD Remix)
- Jewel "Only One Too" (Lenny B. Club Mix)
- Paris Hilton "Turn It Up" (Paul Oakenfold Remix)
- September "Satellites" (Club Junkies Mix)
- Rihanna "SOS" (Nevin's Glam Club Mix)
- Brooke Hogan "About Us" (Up In My Bizness Remix/Radio Edit)
- D.H.T. "I Go Crazy" (Giuseppe D.'s Radio Edit)
Tracks:
- Basement Jaxx "Hush Boy" (Original)
- Gabriel & Dresden "Dangerous Power" (Cicada Full Vocal Mix)
- Supafly, Inc. "Moving Too Fast" (Northwest Remix)
- Fatboy Slim "Right Here Right Now" (Redanka's '66 Vocal Remix)
- Sun "Gone" (Ralphi Rosario Club Mix)
- Oakenfold f/ Ryan Tedder "Not Over" (Paul Oakenfold Club Mix)
- Amuka "I Want More (Cling To Me)" (X-Tence Trence Vocal Remix)
- Tali & Meth "Thinking Of You" (Dezrock Mixshow Edit)
- Reina "On My Own" (Chico Latino Mix)
- Bananarama "Look On The Floor (Hypnotic Tango)" (Yomanda Remix)
- Koishii & Hush f/ Suzanne Shaw "Calling" (Perpetual Motion Club Mix)
- Cascada "Miracle" (Radio Mix)
Album Description
Thrive Records, home to the world's biggest DJ's, brings you the biggest dance compilation of 2007: ThriveMix03. This twenty-three track, double CD continuous mix features a combination of the latest club smashes along with hard to find dancefloor remixes of some of today's biggest hits. Mixed by DJ Skribble, from MTV's Spring Break, and popular NYC radio personality Vic Latino, ThriveMix03 features new exclusive dance mixes of Christina Aguilera "Ain't No Other Man," Nelly Furtado "Maneater," Cassie "Me & You," Panic! at the Disco "The Only Difference Between Martyrdom and Suicide is Press Coverage," and Paris Hilton "Turn It Up." The album also features a previously unreleased remix of Rihanna's "SOS," as well as club remixes of favorites from Gwen Stefani, Jewel, Brooke Hogan, Oakenfold and Fatboy Slim. Combine all this with recent dancefloor smashes from Cascada, D.H.T., Basement Jaxx, and Gabriel & Dresden, and you've got the hottest mix available today - ThriveMix03.
Customer Reviews:
A little disappointed.......2007-04-25
I am giving it three stars, not because it is a bad mix, the mixing is very good however based on what I usually buy I was a little disappointed. The first CD I listened to just once and will be dated very fast as you know the originals of the songs and well I was tired of hearing the pop versions anyway. The second cd is the better one in my opinion. I did not care too much for the opening tracks but it eventually gets into a nice groove but with only 12 tracks I was left wanting for more. A decent purchase for those getting into this type of music but I have strayed away from the heavy vocal tracks as I am a passive listener (in my car, on airplanes, waiting in the bank, etc) and have been spoiled on Tiesto and Armin. I am not regretting this purchase but it would not be on heavy rotation on my ipod or CD player.
Thrive Mix 03 vs. Ultra Dance 8.......2007-04-06
Ultra Records used to be my pinnacle of Dance Music. I found myself always waiting for the next Ultra Weekend and Ultra Dance. Since ThriveDance has come to the table I am excited to say I have found a new love! ThriveMix03 was the best dance compilation I've heard in a long time. As I am a huge fan of POP music I was excited to see my favorite artists mixed with underground artists like Peter Lutz and September. Since my first Thrive purchase of ThriveMix03, I have since gone out to purchase the rest of the ThriveMix catalog and I have to say I am yet to be disappointed. Good Work Thrive! I am ready and waiting for your next release!!!!
SO MUCH FUN & SUPERIOR TO ULTRA DANCE 08.......2007-02-07
If you are looking for a great album to work out to, to listen before heading out to the club, or to throw on at a party, this is the perfect CD for you. And if you are a fan of both dance and rhythmic pop music like me, then you'll definitely fall in love with this CD.
I've been a long time buyer of the Ultra Dance series, and I also now have all three ThriveMix CD's in my collection. Overall, I have to say that the ThriveMix discs have stronger tracklists (thrivemix 2 had near identical pop hits as the ultra weekend 2 CD, but I felt that the more `underground' dance songs on thrivemix 2 were stronger and mixed much more nicely), and the thrivemix CDs are sequenced and mixed better. Thank god that Ultra Dance 08 and thrivemix 3 don't have near identical tracklists like thrivemix2 and ultra weekend 2 did. I own Ultra Dance 08 and I have to say that thrivemix 3 has logged in more time in my stereo- it's just a much stronger CD in terms of track selection, sequencing and flow.
My favorite tracks on ThriveMix03 are Cassie, Nelly Furtado, Jewel, September, Brooke Hogan, Basement Jaxx, Gabriel & Dresden, Supafly, Inc., Fatboy Slim, and Oakenfold. I had never heard those remixes of Cassie, Nelly Furtado, Brooke Hogan, and Fatboy Slim before...great choices. The rest of the songs I hadn't heard period, but I am so glad to discover them. That Gabriel & Dresden track is awesome, and I love the Phil Collins sample in Supafly,Inc.
On a side note: others here have complained that Disc 1 isn't mixed well, and I have to say that as a person who mixes himself, it is because there are so many pop/rock hits that have been included on disc one, and these songs can be impossible to mix together seamlessly like you can with two more traditional dance songs (like Tali & Meth and Reina on Disc 2).
Overall, just a really fun CD all the way through and a superior album compared to Ultra Dance 08
Average customer rating:
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Cream Ibiza 07: Mixed by Eddie Halliwell
Various Artists
Manufacturer: Newstate
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- A State of Trance 2007
- Passport to the United States of America
- Gatecrasher: Christopher Lawrence Live in Moscow
- Anjunabeats, Vol. 5
- Yoshitoshi Miami Mixed by Cedric Gervais
ASIN: B000Q67G1E
Release Date: 2007-06-25 |
Tracks:
- Body Language [Eddie's Delay-Ed-It] [Tocadisco Remix]
- Remember - Pryda
- High Volume [Rob Mooney Remix] [Eddie's-Ed-It] - Jon Gurd, Rob Mooney
- Freak Me [Dave Spoon Mix] - Andrea Doria, LXR
- Tension - Freakx Brothers
- Discopolis [Ed's-Ed-It] [Chris Lake Remix] - Lifelike, Kris Menace
- R U Sure? [Ran Shani Mix] - MYNC Project
- Signatune [Thomas Bangalter Edit] [Eddie's Live EFX-Ed-It] - DJ Mehdi
- Hit Girl - Sebastien Leger
- Nostalgia [Eddie's Live 909-Ed-It] - Jody Wisternoff
- Witchi Tai To [M Factor Vocal Remix] - X-Press 2,
- Razorblade [Malente Dub] [Eddie's-Ed-It]
- Back Once Again - DJ Jeroenski
- Housetrap [Eddie's-Ed-It] - Laidback Luke
- Get Up [General Electric Version] [Eddie's Live EFX-Ed-It] - Global Deejays,
- Volta [Olivier Giacomotto Remix] - Robot Needs Oil
- Feedback [Original Mix] - John Acquaviva,
- It - Laidback Luke
- Above the Influence [Eddie's-Ed-It]
- Here's Something This That [Eddie's Layer-Ed-It]
- Faithful Nights [Eddie's-Ed-It]
Tracks:
- Space & Time [Eddie's Filter-Ed-It] [Intro Mix]
- Need to Feel [Eddie's Extend-Ed-It] [Wippenberg Remix] - Super8 & Tab,
- Mainline [4 Turntables Mix]
- Open Our Eyes [Sean Tyas Mix] - Insigma
- Genetic
- Heaven Scent [Greg Downey Remix]
- Battery [Eddie's Energizer-Ed-It]
- Fire Devil [Eddie's Layer-Ed-It] - Gleave Dobbin
- Constellation - Thomas Bronzwaer
- Low Resolution Fox [John Askew Mix]
- Volcano [2am Album Mix] [Eddie's Live EFX-Ed-It]
- Close Horizon [Giuseppe Ottaviani Remix] - Thomas Bronzwaer
- Corruption - Paul Webster
- More to Life [Eddie's Echo-Ed-It]
- Ignite It [Eddie's Layer-Ed-It] [Original Mix] - Ignition Technician
- Clones 9 [Eddie's Essential 3 Deck-Ed-It]
- Lethal Industry [Richard Durand Remix]
Album Details
The "Cream Ibiza" Party is Known as the Biggest Night on Island and the Cream Group Return for 2007. They Teamed Once Again with their Ibiza Resident and Radio One Top DJ, Eddie Halliwell, a True Superstar DJ and a Confirmed Leader of the New School of Global DJ'S. His Intense DJ Sets Incorporate his Own Brand of Scratching, his Own Exclusive Re-edits and Live Sampling that Leave Crowds around the Globe Continually Gagging for More. On this Set, He Doesn't Disappoint, Delivering an Awesome Snapshot on 2CD'S that Represent his Impeccable Musical Tastes. Cd1 is a Journey Through Twisted Pumping House and Electro While Cd2 is a Full on Main Room Session of Techno and Tech-trance. Both Mixes Include Exclusive Re-edits of Key Tracks by Eddie Himself Created to Enhance this Album to the Max.
Customer Reviews:
Worthy of Ibiza.......2007-06-25
Eddie Halliwell's genius is primarily housed inside his residency at clubs in Ibiza and on BBC. But his talent has been expanding from these venues; Cream Ibiza 2007 is a full-fledged musical testament to this remarkable DJ's feel for mixing fantastic club music, and while many of the tracks are obviously recognizable, Halliwell performs a musical lobotomy on the lot to create something worth purchasing. I've seen that Ibiza-inspired mix albums are a dime a dozen recently, littering music shelves in stores worldwide; 2007 has proven itself a worthy year for the sounds of Ibiza made for compact disc (honorable mentions go to Azuli's Space Ibiza 2007). As an implicit bonus, both discs include Eddie's exclusive re-edits of selected tracks available only on this compilation thus far.
The atmosphere for a brilliant night out in the clubs takes form from the moment the coy rhythms of M.A.N.D.Y. vs. Booka Shade's classic "Body Language" enter the ear canal. Disc one pumps out a scorching twenty-one tracks, leaving not a dull moment. This is very similar to Steve Porter's "Porterhouse Vol. 2" where many of the tracks are under two minutes long but there remains a sizeable selection of six+ minute tracks as well. Bottom line: No disappointments and no frustrating frills. "High Volume" and "Freak Me" hit hard from the beginning, illustrating one of the most interesting facets of Halliwell's mixing - that there is no unnecessary pretense. As with any decent mix album, there are the inevitable build-ups and breath-catchers. Cream Ibiza 2007, however, employs this formula much differently than the average DJ album would dare to: The first peak, in fact, occurs roughly four minutes into the first disc and each subsequent peak blows my mind with its raw and jubilant intensity!
"Space & Time" lends the introductory hand to the second disc, touching softly on the melodic side of ambience as the introduction crescendos. The second disc is a blistering combination of tech-trance and conventional techno club bangers which not only turn up the heat, but the bass as well (re: "Need To Feel"). Seventeen tracks grace this mix, turning up a potpourri of slightly longer, more ambitious clubbing tracks that certainly do the Cream label a good bit of justice. 4 Strings' "Mainline" introduces a quicker timbre that is as driving as much as it is addictive. Much of the second disc sounds akin to The Thrillseekers' "Nightmusic, Vol. 1": Sonically moving music that soars into the heavens, carrying your mind with it.
I cannot stop moving to this: Cream Ibiza 2007 is probably the best club mix album of the year so far. Eddie's first disc is an unstoppable juggernaut of ecstatic dance floor mania, and it is difficult to put the atmosphere into more proper words. His second disc is a planetarium of wondrous and stunning melodic constellations. Almost every track warrants mention, but there are several that, for me, make the mixes. As far as disc one goes, these include "Freak Me," "Discopolis," "R U Sure?" "Hit Girl" (my personal favorite), "Witchi Tai To," "Volta" and "Faithful Nights." The second disc brings fantastic beats riding on the spines of like-minded tracks including "Mainline," "Open Our Eyes," "Battery," "Fire Devil" and "Volcano." Eddie Halliwell's track selection moves effortlessly between Balearic trance, techno and conventional house to electro-funk and light breaks, lending the soft kiss of coherency to an abundance of scattered EDM styles and producers. Worth the money
~Lex
Average customer rating:
- A Little Piece of total enjoyment
- Wonderful!
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Flute For Relaxation
Manufacturer: RCA
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ASIN: B00004YC3A
Release Date: 2000-10-10 |
Tracks:
- Peer Gynt Ste No.1: Morning
- Nocturne
- Song Of The Seashore - James Galway/Susumu Miyashita/Ayako Shinozaki
- Spartacus: Adagio Of Spartacus & Phrygia
- Con Op.10 No.3 'Goldfinch': II. Cantabile - James Galway/Malcolm Proud
- Serenade D.957 - James Galway/Philip Moll
- Kinderszenen: Traumeri
- La Flute De Pan: Pan And The Birds
- Nocturne in E flat, Op.9 No.2
- Red Dragonfly - James Galway/Susumu Miyashita/Ayako Shinozaki
- Fl Qt in C, K.285b: Variation V - James Galway/Tokyo Str Qt
- Orfeo Ed Euridice: Dance Of The Blessed Spirits
- Messiah: Pastoral Symphony
- The Firebird: Berceuse
- Dolly Ste: Berceuse
- The Four Seasons: Con Op.8 No.4 'Winter': II. Largo - James Galway/Zagreb Soloists
- Voyage
- Suo-Gan (Lullaby) - James Galway/Emily Mitchell
- Danny Boy
Customer Reviews:
A Little Piece of total enjoyment.......2007-05-12
This CD is the BOMB-- I really enyoy listening to it
Wonderful!.......2001-01-29
This is a great CD. If you're a James Galway fan, this is a must have. He is, after all, THE GREATEST flutist in the world today. The CD is filled with some of the most beautiful (and relaxing) music ever written. Buy it. You will love it.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
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ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
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Yoshitoshi Miami Mixed by Cedric Gervais
Manufacturer: Yoshitoshi Recordings
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Balance 011
- Yoshitoshi Ibiza: Mixed by Miss Nine (Re-release)
- Renaissance Presents the Masters Series, Pt. 9: Satoshi Tomiie
- One + One
- Global Underground: Taipei (GU31)
ASIN: B000OCZBQ2
Release Date: 2007-05-15 |
Tracks:
- Good Vibration - Dariush & Dj Da
- Sugar (Sweet Thing) - DYAD10
- Haunting Me - Cuba Computers
- 6 AM - Eddie Amador
- Smaller - Suite 117
- Just The Way I Like It - Mr. Groove & Vergas
- Giv Me Luv - Alcatraz
- House Music - Eddie Amador
- 8 Letters - Holmes Ives
- Strobelight - Mync Project
- The Detroit Track - Roland Klinkenberg
- The Dub Sessions - Chab
Product Description
Yoshitoshi Recordings is proud to present Cedric's sophomore album sure to be the most talked about compilation at WMC 2007 "YOSHITOSHI MIAMI" mixed by Cedric Gervais. He has been one of the biggest DJs ever to come out of Miami. Since his arrival from France, he has been a resident at Nikki Beach, Crobar and now he's rocking the terrace at SPACE every weekend. Not only is he one of the hottest djs today - Cedric has been making waves all over the world with his productions. Previously known for his track "Burning" and his work with Lenny Kravitz and Duran Duran, his single, "Spirit in My Life" has been a staple in the sets of all the major DJ's and is off his highly anticipated debut artist album, "Experiment" for Ultra Records. In addition to his album, Cedric had a hand in one of the biggest tracks of the 2006 WMC with the remix he did with Second Sun of Queen's "Another One Bites The Dust." Cedric has remixed The Shapeshifters, Sander Kleinenberg, Seamus Haji, John Creamer and Sharam's 'P.A.T.T', and been a regular feature on Pete Tong's Radio 1 show. Without a doubt Cedric Gervais has already achieved more than most top DJs could even hope for, but his reign is just beginning and he is sure to make even more noise with his music to come.
Album Description
Cedric Gervais is the biggest DJ to come out of Miami, has been a staple of the local nightlife and has been a regular feature on Pete Tong's Radio 1 show. Yoshitoshi Miami includes two new Cedric remixes: the Yoshitoshi classic Alcatraz 'Giv Me Luv' and the Shinichi classic Holmes Ives feat. Avalon Frost '8 Letters'. The disc also presents the previously unreleased Dariush & DJ Da feat. Tina 'Good Vibration' and DJ Remy & Roland 'The Detroit Track', as well as the DJ Pedro remix of Eddie Armador 'House Music' and the Maurizio Ruggiero remix of Cuba Computers 'Haunting Me'.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Superb with just one reservation
- Go ahead, test your intelligence...
- The definitive recordings.
- Sound Splitting Music
- An aural knockout
|
Varèse - The Complete Works / Royal Concertgebouw Orchestra · Asko Ensemble · Chailly
Edgard Varese , Riccardo Chailly , Mireille Delunsch , Sarah Leonard , Royal Concertgebouw Orhcestra , and Asko Ensemble
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Anton Webern: Complete Works, Opp. 1-31
- Varese: Arcana; Ameriques; Ionization; Offrandes; Density 21.5; Octandre; Integrales
- Penderecki: Anaklasis; Threnody; etc.
- Xenakis: Orchestral Works & Chamber Music
- Arnold Schoenberg: Serenade/Five Pieces For Orchestra
ASIN: B00000AFR8
Release Date: 1998-09-15 |
Tracks:
- Tuning Up
- Amques (Original Version)
- Po ectronique
- Arcana
- Nocturnal
- Un Grand Sommeil Noir (Orchestral Version)
Tracks:
- Un Grand Sommeil Noir (Original Version)
- Offrandes: Chanson de laut
- Offrandes: La Croix du Sud
- Hyperprism
- Octandre: Assez lent
- Octandre: Trvif et nerveux
- Octandre: Grave - Animt jubilatoire
- Intales
- Ecuatorial
- Ionisation
- Density 21.5
- Drts: 1st Episode
- Drts: 1st interpolation of organized sound
- Drts: 2nd episode
- Drts: 2nd interpolation
- Drts: 3rd episode
- Drts: 3rd interpolation
- Drts: 4th episode
- Dance for Burgess
Amazon.com essential recording
For a composer who is (now) recognizably part of the 20th-century classical canon, the French émigré Edgard Varèse's output was astoundingly meager. Just 15 compositions from his entire life (he destroyed the compositions from his early years, and was a merciless editor of his own material in general) made it out to the listening world. Varèse was caught in the chasm between the music of yesterday and the music of tomorrow: scoring music for modified theremin, steamboat whistles, or air sirens, all balanced with the force of a large orchestra; writing pieces based on the flows of water and wind because that's what shapes the earth; using the concepts of chemical reactions and specific gravity as a basis for his music. Using extremes of contrast, dissonance, and variety in sound, Varèse's pieces had power in the way he attacked and shaped the sound he imagined. From Ionisation (1929), scored almost entirely for unpitched percussion, to the electronic-only, three-dimensionally produced Poeme Electronique (1958), he's provided a foundation that many genres, musicians, and composers were to build from not only for the next 40 years, but inevitably beyond. --Robin Edgerton
Customer Reviews:
Superb with just one reservation.......2006-11-10
This complete works of Varèse, superbly performed and recorded, is a fine accomplishment. My only disappointment was its version of Poème Elèctronique being the sole representation of that ground-breaking work that still holds up for me today as one of the finest pieces of electronic music yet created. It is interesting to be able to hear the version in this collection, which appears to be a loving restoration of what must have been primarily the raw, performing version, to be further enhanced during its performances in a very large space? What I miss in the present v