Basement Soul [Import]
Basement Soul [Import]
Track Listings
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1. Intro (Do It Good)
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2. Space Jam Part 1 & 2
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3. Analogue Sugar
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4. Fruitsugar
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5. Lookin' At Me
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6. I'll Be Waitin'
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7. Analyze This
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8. Somethin' About Your Love
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9. Harder I Rock
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10. This Way
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11. Outro (Shouts From The Basement)
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Basement Soul,Kid Sublime,Pony Canyon,Dance
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- What to Listen for in Music
- Study of Orchestration, Third Edition
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Wonderful album
- Sumptuous voice, pop light on the horizon, though
- magic
- Must Have
- Start of Roberta's sorry descent into bland MOR
|
Blue Lights in the Basement
Roberta Flack
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
General
| Opera & Vocal
| Styles
| Music
Soft Rock
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Traditional Pop
| Oldies
| Pop
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
CDs $7 - $10
| Pop Rock
| Pop
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Pop Rock
| Pop
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Soft Rock
| Pop
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Soft Rock
| Pop
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Soul General
| Soul
| R&B
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Soul General
| Soul
| R&B
| Today's Deals in Music
| Formats
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4-for-3 Pop
| 4-for-3 Music
| Stores
| Music
4-for-3 R&B
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
Similar Items:
- Feel Like Makin' Love
- I'm the One
- Chapter Two
- First Take
- Quiet Fire
ASIN: B000002J5R
Release Date: 1995-09-19 |
Tracks:
- Why Don't You Move In With Me
- The Closer I Get To You
- Fine, Fine Day
- This Time I'll Be Sweeter
- 25th Of Last December
- After You
- I'd Like To Be Baby To You
- Soul Deep
- Love Is The Healing
- Where I'll Find You
Customer Reviews:
Wonderful album.......2006-07-04
For my money, this is one of the best of Flack's albums. She really changes pace here, recording some really upbeat tunes such as "Why Don't You Move In With Me" and "Fine, Fine Day", but it's the ballards where her voice soars. "Twenty-Fifth Of Last December", "The Closer I Get To You" (with Donny Hathaway) and the myserious and lush "Where I'll Find You" are all breath taking. In fact, "Where I'll Find You" is one of my favorite tunes ever recorded by Flack. I understand that it is from a Ken Harper (The Wiz) production called "Bamboo" of which I've never been able to track down any information on. Also, unfortuately, some of the lyrics (especially in the bridge) are difficult to decipher. If anyone can supply more info on this song, please e-mail me. And back to the album, this is a must for anyone who cherishes Flack's lush interpretations and consistently smooth products.
Sumptuous voice, pop light on the horizon, though.......2003-12-30
Roberta Flack's voice is one of the treasures of black music. She blends folk, jazz, and R&B into a lovely sound that melds sophistication and soul. In many ways, Roberta Flack has had the same predicament that Nina Simone and other R&B artists have had. She can sing jazz and has some piano ability [not as much as Simone] and crafts songs. Yet Simone and Flack went down the opposite paths. Modest chart success empowered Simone to be an utterly uncompromising artist. Major chart success leads Flack to increasingly court the adult contemporary market. Not a problem for me as it gives more people the chance to hear her voice, but I prefer earlier Flack to late Flack. I enjoy this album for the Hathaway collaboration and "Move in With Me". But you also can smell the disco in "Move in With Me" and the adult pop contemporary production that slides into even these treasures.
Roberta Flack's voice always shines and I can't give even her worst work less than 3 stars. This is above average Flack. Those seeking Roberta the artist would be wiser to start with "Roberta Flack and Donny Hathaway" and then pick up her earlier albums where her voice was more present and the tunes highlighted what makes her such a unique treasure.
3.5 stars
magic.......2003-04-19
This is my favorite album of hers and with the collaboration with Donny Hathaway, both have stood the test of time.
Must Have.......2002-05-14
This is Roberta's finest work. A "must" any fan.
Start of Roberta's sorry descent into bland MOR.......2002-02-12
As a purveyor of classically tinged jazz inflected soul, Roberta Flack established her trademark and reputation with her first three solo albums. "First Take" was a stunning masterpiece. "Chapter Two" and "Quiet Fire" were brilliant follow ups and nearly as good. "Killing Me Softly" featured mostly excellent material and great performances but betrayed early signs of commercialism. Even the comparatively lightweight "Feel Like Making Love" with its heavy emphasis on smooth midnight soul had many moments of pure inspiration to remind us of the great Roberta's artistry. Following a two-year hiatus from recording, she finally released "Blue Lights In the Basement" in 1977 and what a crushing disappointment it turned out to be. Not that it was a bad album. Only that it seemed criminal to subject a mammoth talent like Roberta to this kind of bland MOR production setting. She deserved better. Sure, there are some good tunes in there. "The Closer I Get To You" (a duet with Donny Hathaway) is an obvious smash but isn't nearly as subtle as "Where Is The Love", the duo's earlier hit. "Why Don't You Move In With Me", "25th of Last September", "I'd Like To Be Baby To You" and the last two tracks are all more than decent samplings of the supper club style Roberta would acquire in her later career. "Fine Fine Day" and "After You" are just plain dull while her rendition of Gwen Guthrie's "This Time I'll Be Sweeter" is so sickly sweet (no pun intended) it reminded me of Diana Ross & Lionel Ritchie. Wait, it gets worse. Roberta truly hits rock bottom with a mechanical and leaden cover of the Box Top's "Soul Deep". It's so awful and pointless I wonder what the producers were after when they came up with the arrangement for the number. I know some Roberta Flack fans like this album. I don't need to because I have her first 5 albums to savour and delight in forever. Some music critics say "Blue Lights In the Basement" was her last good album until her prodigious comeback album "Roberta" in 1994. I have to believe them. This is not the place to discover Roberta Flack. Her greatness will elude you. Go all the way back and begin with "First Take". It will blow your mind !
Average customer rating:
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Body & Soul: Blue Lights in the Basement
Various Artists
Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD
Disco
| Dance & DJ
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
General
| Funk
| R&B
| Styles
| Music
Soul
| Compilations
| R&B
| Styles
| Music
Similar Items:
- Body + Soul: The '90s
- Body and Soul: The 80's
- Body And Soul: Soul Fantasy
- Sexy Soul Men
- Body and Soul Battle of the Groups (Female), Vol. 1
ASIN: B000IHYWCM
Release Date: 2006-11-07 |
Tracks:
- I'm Gonna Love You Just A Little More Baby -- Barry White
- In My House -- Mary Jane Girls
- Papa Was A Rollin' Stone -- The Temptations
- Jungle Boogie -- Kool & the Gang
- Never Too Much -- Luther Vandross
- Flashlight -- Parliament
- I Need Your Lovin' -- Teena Marie
- Brick House -- Commodores
- I Didn't Mean To Turn On You -- Cherrelle
- Give It Up To Me Baby -- Rick James
- Word Up! -- Cameo
- Mama Used To Say -- Junior
- A Night To Remember -- Shalamar
- Fantastic Voyage -- Lakeside
- You Are In My System -- The System
- Bounce, Rock, Skate, Roll -- Vaughn Mason & Crw
- Take Your Time (Do It Right) -- The S.O.S. Band
- Hangin' On A String (Contemplating) -- Loose Ends
Album Description
Body & Soul: Blue Lights In The Basement pays tribute to the house parties of the late '70s and early '80s.
Average customer rating:
|
Down in the Basement: The Chess Years
Sugar Pie Desanto
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
General
| Caribbean & Cuba
| International
| Styles
| Music
General
| Jazz
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
General
| Oldies
| Pop
| Styles
| Music
CDs $7 - $10
| Soul General
| Soul
| R&B
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Soul General
| Soul
| R&B
| Today's Deals in Music
| Formats
| Music
ASIN: B000002OA9
Release Date: 1989-05-26 |
Tracks:
- In the Basement, Pt. 1 - Sugar Pie DeSanto, Etta James
- I Want to Know
- Mama Didn't Raise No Fool
- Maybe You'll Be There
- Do I Make Myself Clear? [#] - Sugar Pie DeSanto, Etta James
- Ask Me [*]
- Use What You Got [*]
- Can't Let You Go
- Soulful Dress
- Going Back to Where I Belong
- She's Got Everything
- Slip-In Mules
Customer Reviews:
a gem of a discovery..........2002-02-26
admittedly, what caught this reviewer's attention (apart from being unknown this side of the world) was her seemingly malayan mold...
hunch confirmed...her father IS from this part of the world. doesn't hurt if her cousin is soul stalwart etta james. the 12 tracks herein are just samplers of what this diminutive soul slugger is made of. while she wasn't as blessed commercially, her fans still are - as her present day catalog attests.
still slugging it out with no end in sight.
Average customer rating:
- Go-Go The Original Party Music!!
- That good go-go, the most underrated genre of music
|
Straight From The Basement
Northeast Groovers
Manufacturer: Liaison Records
ProductGroup: Music
Binding: Audio CD
General
| Blues
| Styles
| Music
Electric Blues Guitar
| Blues
| Styles
| Music
Modern Blues
| Blues
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
General
| Blues
| Indie Music
| Stores
| Music
Similar Items:
- Creepin Thru Da Hoodz
- "Rare Essence - Greatest Hits, Vol. 1"
- Live
- Jams
- Go Go Swing Live
ASIN: B000005FLT
Release Date: 1995-12-12 |
Tracks:
- Straight From The Basement
- Hey Ho (Live At Rick's)
- The 'Water'
- Booty Call
- Come Home
- The Twenty Minute Workout
- Takin My Time
- 24-7-365
- We Came To Party
- Ding A Ling Swing
- Mystery
- Van Damme
- Bounce To This
Customer Reviews:
Go-Go The Original Party Music!!.......2002-02-07
If your used to playin ya new school rap hits at a party try this on for size.
Organic real Drum beats that dont quit and a killer stay up all night shake your booty atmosphere!
Original music for original people
I slipped this onto the cd player in the middle of a mad party and girls started grinding with each other not knowing what is was...
If you get in a party rut this is the cure...THE Big Pill as George Clinton would say..
Come on shake your booty and get down with original music
Guarenteed to make your next party jump!!!
That good go-go, the most underrated genre of music.......2000-09-12
Don't sleep on D.C. and go-go. Northeast Groovers, Backyard Band, Junkyard Band, Rare Essence and the list goes on but this cd is a bangin representation of that good go-go...its a little dated but its type blaze for real. Cop this album
Average customer rating:
- three and a half stars, amazon. THREE AND A HALF
|
Up from the Basement
Galt Macdermot
Manufacturer: Kilmarnock
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
Jazz Funk
| Funk
| R&B
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Similar Items:
- Woman Is Sweeter/Shapes of Rhythm
- Songs of Experience
- The Edge - David Axelrod at Capitol Records 1966-1970
ASIN: B00008KCQ1
Release Date: 2003-02-25 |
Tracks:
- Ripped Open by Metal Explosions
- Duffer in F [Version 2]
- Never Die, Desire Not [From "American Express"]
- There Was There
- Come Away Death
- "Cool It With Contac" Radio Spot
- DD-2-01
- Lost Dreams
- Ghetto Suite Medley
- Wurly
- Ba Ba Black Baby
- DD-2-03
- Prison Life
- Rhinoceros Main Theme
- DD-2-02
- Water Fight
- Love Knows No Season
- Let the Sunshine In
- Cleanly and Plump
- Piano Concerto, Pt. 1
- Piano Concerto, Pt. 2
- Woe Is Me
- And He Will Not Come Again
- St. Valentine's Day
Customer Reviews:
three and a half stars, amazon. THREE AND A HALF.......2005-05-03
cd compilation of two previous lps of galt macdermot's more minor releases (he composed Hair, apparently), which while it may not be a long lost classic unearthed is worth hearing. my only real qualm with this is in between some pretty nice tracks like ripped open by metal explosions and lost dreams, you get utterly bizarre inclusions like a radio ad for skin balm(?) and some real monkey-organ-grinder sounding stuff. a little programming here and there though, and you've got yourself a significantly shorter but pretty funky little disc.
Average customer rating:
- It's certainly not the best from our Diva of Despair BUT....
- Classic House.
|
Blue Notes in the Basement
Ultra Naté
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
House
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
Similar Items:
- One Woman's Insanity
- Situation: Critical
ASIN: B000008LV4
Release Date: 1991-08-06 |
Tracks:
- Blue Notes
- Sands Of Time
- Is It Love?
- Deeper Love (Missing You)
- You & Me Together
- It's Over Now
- Scandal
- Rejoicing (I'll Never Forget)
- Rain
- Love Hungover
- It's My World
- Funny (How Things Change)
Customer Reviews:
It's certainly not the best from our Diva of Despair BUT...........2004-05-21
.....it was definitely a good start for Ultra. Released back in 1991, this album explores the grassroots level of house music, and is very experimental production-wise. Some parts of the instrumentals are out of sync with Ultra's vocals, and for 2004 standards some of the instrumentals used sound quite cheesy. The Basement Boys could have done a better job with this album, but they were novices in their time and were still mastering their craft. Ultra, however, brought a lot to this album- some soulful interludes, her soothing (yet younger sounding) vocals, and her introduction into reigning the house music genre (still after 14 years, she's got it!)
The good part of this album is that we can hear Ultra's voice before it has matured to what it is today, and we are given the pleasure of hearing some evolutionary songwriting from Ultra, something that most recording artists lack on debut albums. Not to mention, it's a nice collector's item, even if it's not your favorite.
Ultra really shines in her 1998 album "Situation:Critical"....check it out!
Visit www.ultranate.com for her newest releases (Brass in Pocket-2003, Feel Love-2004, Time of Our Lives-2004, and more...)
Classic House........2003-07-09
This is a classic house album, and if that's your genre, you'll love it.
Average customer rating:
|
Soul Deeper: Live at the Basement
Jimmy Barnes
Manufacturer: Liberation
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
- Soul Deep
- Double Happiness
- Hits
ASIN: B0002IOPY2
Release Date: 2004-09-06 |
Tracks:
- Respect
- Here I Am (Come & Take Me)
- Ain't Too Proud To Beg
- Money (That's What I Want)
- What Becomes Of The Broken Hearted
- 634-5789
- Who's Making Love
- When Something Is Wrong With My Baby
- Show Me
- Chain Of Fools
- (Your Love Keeps Lifting Me) Higher & Higher
- Land Of 1000 Dances
- Hold On I'm Coming
- Dancing In The Street
- To Love Somebody
- Band Introduction (Stagger Lee)
- Hound Dog
- Rip It Up
- Hard To Handle
- All The Young Dudes
- I Put A Spell On You
- Good Times
- I Look Good Without A Shirt On (Goin' Out West)
- Sweet Soul Music
Album Description
For one night only, Barnes brought his soul revue into this hallowed hall & tore it apart. Here's the proof on two CDs! Liberation. 2004.
Album Details
The Basement in Sydney is Ground Central for Jazz and Blues in the Harbour City. A Tiny Club with Low Ceilings and the Posters of a Thousand Stars on the Walls, the Small of Tobacco and Whisky Embedded Into the Walls. For One Night Only, Jimmy Barnes Brought his Soul Revue Into this Hallowed Room and Frankly Tore it Apart. Barnes' Band Had Been Drafted from the Mississippi Delta for the Recording of his Album Soul Deeper and They Were, in the Singer's Own Words, Guys who Had Learnt this Music Before They Could Walk. Put the Two Elements Together and You Get a Blues Wailing, Soul Rave Up.
Average customer rating:
- great songs, wonderful voices
|
Basement Tracks: Soul Ballads from the Heart of Black America
Various Artists
Manufacturer: Castle
ProductGroup: Music
Binding: Audio CD
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
Northern
| Soul
| R&B
| Styles
| Music
Soul
| Compilations
| R&B
| Styles
| Music
R&B
| Imports
| Stores
| Music
Similar Items:
- The Best of the Buddha Years
ASIN: B00005V32U
Release Date: 2002-05-06 |
Tracks:
- For Your Precious Love - Linda Jones
- Time Is Love - JJ Barnes
- I Cant Take No Chances - The Chosen Few
- Cowards Way Out - Lezli Valentine
- With You - The Moments
- What You Dont Want Me To Be - Lee Moses
- Hurry Sundown - Candi Staton
- Think Of The Children - Satisfaction Unlimited
- Let Me Keep On Walking - Prophesy
- And I Am Telling You Im Not Going - Chuck Jackson And Angie
- Love Is God Almighty - The Optimistics
- You Wont Support Me - Mill Street Depo
- Love Stealing - Bobby Sheen
- I Cant Make It Alone - Laura Lee
- (Ive Been A Winner Ive Been A Loser) Ive Been In Love - Smit
- Lets Make Love (At Home Sometimes) - The Escorts
- Leaving Him Tomorrow - Debbie Taylor
- Give It Up - Benny Johnson
- For You Girl - Universal Mind
- The Meeting Place - Wanda Robinson
Album Description
20 track compilation of down-tempo soul classics from the 60's, 70's & 80's, selected by the respected soul magazine. Artists include Linda Jones, J.J. Barnes, Moments, Candi Staton, Chuck Jackson and many more. Slipcase. 2002.
Album Details
'basement Tracks' is a Compilation of Some of the Finest Soul from all Platinum, Perception, Sugarhill, Invictus and De-lite Vaults Selected by the Respected Quarterly Soul Magazine 'in the Basement'.
Customer Reviews:
great songs, wonderful voices.......2003-09-04
A collection of beautiful, soulful ballads. All the songs are good, but there are a few really great songs: 'Hurry sundown' (Candi Staton), 'With you' (The Moments) and 'Time is love' (J.J. Barnes). Buy this one!
Average customer rating:
- If you could only own one GK&P CD, it should be this one
|
Blue Lights in the Basement
Gladys Knight
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Classic R&B
| R&B
| Styles
| Music
General
| R&B
| Styles
| Music
Motown
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
ASIN: B000002WXG
Release Date: 1996-04-30 |
Tracks:
- Where Peaceful Waters Flow
- With You In Mind
- The Makings Of You
- Midnight Train To Georgia
- Nobody But You
- Sorry Doesn't Always Make It Right
- The Way It Was
- Best Thing That Ever Happened To Me
- Pipe Dreams
- What If I Should Ever Need You
- The One And Only
- So Sad The Song
- Love Finds Its Own Way
- Part Time Love
- Hold On
- To Make A Long Story Short
- Try To Remember / The Way We Were
Customer Reviews:
If you could only own one GK&P CD, it should be this one.......1999-05-03
For those not familiar with the smooth, soulful sounds of Gladys Knight and the Pips, this CD is a great introduction. While it contains some of their better known tracks (Midnight Train to Georgia, and Best Thing That Ever Happened to Me), the majority of the songs on this CD are a little harder to find all in one place (Pipe Dreams, What if I Should Ever Need You, To Make a Long Story Short). The best thing about this CD, is the versions of the songs here were recorded fairly recently. Having been a rock-solid fan since the early 70's, I for one think their voices have only gotten better.
Oh, and by the way, if this group ever comes to your home town, walk, don't run to the box office and get your tickets. Incredibly fantastic performers that don't record near enough new material for my liking. Very few performers today can even begin to hold a candle to GK&P. Gladys (and you Pips too), you rock!
Music Review:
- Bastard Sonz of Rave
- Blanco Y Negro Mix V.7 [Box set] [Import]
- Can't Keep Me Silent [CD-single] [Import]
- Can You Dig It? [CD-single]
- Central Energy Transmission White [Explicit Lyrics] [Import]
- Club Box: 45 Massive Club Hits [Import]
- Club Classics: Deep Garage and Disco House
- Compass [Import]
- Cream Anthems 2002 [Import]
- Disco Brazil [Import]
Music Review
music review