Basement Soul [Import]

Basement Soul [Import]

Basement Soul [Import]

Track Listings
 
1. Intro (Do It Good)
2. Space Jam Part 1 & 2
3. Analogue Sugar
4. Fruitsugar
5. Lookin' At Me
6. I'll Be Waitin'
7. Analyze This
8. Somethin' About Your Love
9. Harder I Rock
10. This Way
11. Outro (Shouts From The Basement)

Basement Soul,Kid Sublime,Pony Canyon,Dance
Instruments of the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Blue Lights in the Basement
Average customer rating: 4.5 out of 5 stars
  • Wonderful album
  • Sumptuous voice, pop light on the horizon, though
  • magic
  • Must Have
  • Start of Roberta's sorry descent into bland MOR
Blue Lights in the Basement
Roberta Flack
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Feel Like Makin' Love
  2. I'm the One
  3. Chapter Two
  4. First Take
  5. Quiet Fire

ASIN: B000002J5R
Release Date: 1995-09-19

Tracks:

  1. Why Don't You Move In With Me
  2. The Closer I Get To You
  3. Fine, Fine Day
  4. This Time I'll Be Sweeter
  5. 25th Of Last December
  6. After You
  7. I'd Like To Be Baby To You
  8. Soul Deep
  9. Love Is The Healing
  10. Where I'll Find You

Customer Reviews:

4 out of 5 stars Wonderful album.......2006-07-04

For my money, this is one of the best of Flack's albums. She really changes pace here, recording some really upbeat tunes such as "Why Don't You Move In With Me" and "Fine, Fine Day", but it's the ballards where her voice soars. "Twenty-Fifth Of Last December", "The Closer I Get To You" (with Donny Hathaway) and the myserious and lush "Where I'll Find You" are all breath taking. In fact, "Where I'll Find You" is one of my favorite tunes ever recorded by Flack. I understand that it is from a Ken Harper (The Wiz) production called "Bamboo" of which I've never been able to track down any information on. Also, unfortuately, some of the lyrics (especially in the bridge) are difficult to decipher. If anyone can supply more info on this song, please e-mail me. And back to the album, this is a must for anyone who cherishes Flack's lush interpretations and consistently smooth products.

4 out of 5 stars Sumptuous voice, pop light on the horizon, though.......2003-12-30

Roberta Flack's voice is one of the treasures of black music. She blends folk, jazz, and R&B into a lovely sound that melds sophistication and soul. In many ways, Roberta Flack has had the same predicament that Nina Simone and other R&B artists have had. She can sing jazz and has some piano ability [not as much as Simone] and crafts songs. Yet Simone and Flack went down the opposite paths. Modest chart success empowered Simone to be an utterly uncompromising artist. Major chart success leads Flack to increasingly court the adult contemporary market. Not a problem for me as it gives more people the chance to hear her voice, but I prefer earlier Flack to late Flack. I enjoy this album for the Hathaway collaboration and "Move in With Me". But you also can smell the disco in "Move in With Me" and the adult pop contemporary production that slides into even these treasures.

Roberta Flack's voice always shines and I can't give even her worst work less than 3 stars. This is above average Flack. Those seeking Roberta the artist would be wiser to start with "Roberta Flack and Donny Hathaway" and then pick up her earlier albums where her voice was more present and the tunes highlighted what makes her such a unique treasure.

3.5 stars

5 out of 5 stars magic.......2003-04-19

This is my favorite album of hers and with the collaboration with Donny Hathaway, both have stood the test of time.

5 out of 5 stars Must Have.......2002-05-14

This is Roberta's finest work. A "must" any fan.

4 out of 5 stars Start of Roberta's sorry descent into bland MOR.......2002-02-12

As a purveyor of classically tinged jazz inflected soul, Roberta Flack established her trademark and reputation with her first three solo albums. "First Take" was a stunning masterpiece. "Chapter Two" and "Quiet Fire" were brilliant follow ups and nearly as good. "Killing Me Softly" featured mostly excellent material and great performances but betrayed early signs of commercialism. Even the comparatively lightweight "Feel Like Making Love" with its heavy emphasis on smooth midnight soul had many moments of pure inspiration to remind us of the great Roberta's artistry. Following a two-year hiatus from recording, she finally released "Blue Lights In the Basement" in 1977 and what a crushing disappointment it turned out to be. Not that it was a bad album. Only that it seemed criminal to subject a mammoth talent like Roberta to this kind of bland MOR production setting. She deserved better. Sure, there are some good tunes in there. "The Closer I Get To You" (a duet with Donny Hathaway) is an obvious smash but isn't nearly as subtle as "Where Is The Love", the duo's earlier hit. "Why Don't You Move In With Me", "25th of Last September", "I'd Like To Be Baby To You" and the last two tracks are all more than decent samplings of the supper club style Roberta would acquire in her later career. "Fine Fine Day" and "After You" are just plain dull while her rendition of Gwen Guthrie's "This Time I'll Be Sweeter" is so sickly sweet (no pun intended) it reminded me of Diana Ross & Lionel Ritchie. Wait, it gets worse. Roberta truly hits rock bottom with a mechanical and leaden cover of the Box Top's "Soul Deep". It's so awful and pointless I wonder what the producers were after when they came up with the arrangement for the number. I know some Roberta Flack fans like this album. I don't need to because I have her first 5 albums to savour and delight in forever. Some music critics say "Blue Lights In the Basement" was her last good album until her prodigious comeback album "Roberta" in 1994. I have to believe them. This is not the place to discover Roberta Flack. Her greatness will elude you. Go all the way back and begin with "First Take". It will blow your mind !
Body & Soul: Blue Lights in the Basement
Average customer rating: Not rated
    Body & Soul: Blue Lights in the Basement
    Various Artists
    Manufacturer: Time Life Records
    ProductGroup: Music
    Binding: Audio CD

    DiscoDisco | Dance & DJ | Styles | Music
    GeneralGeneral | R&B | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
    GeneralGeneral | Funk | R&B | Styles | Music
    SoulSoul | Compilations | R&B | Styles | Music
    Similar Items:
    1. Body + Soul: The '90s
    2. Body and Soul: The 80's
    3. Body And Soul: Soul Fantasy
    4. Sexy Soul Men
    5. Body and Soul Battle of the Groups (Female), Vol. 1

    ASIN: B000IHYWCM
    Release Date: 2006-11-07

    Tracks:

    1. I'm Gonna Love You Just A Little More Baby -- Barry White
    2. In My House -- Mary Jane Girls
    3. Papa Was A Rollin' Stone -- The Temptations
    4. Jungle Boogie -- Kool & the Gang
    5. Never Too Much -- Luther Vandross
    6. Flashlight -- Parliament
    7. I Need Your Lovin' -- Teena Marie
    8. Brick House -- Commodores
    9. I Didn't Mean To Turn On You -- Cherrelle
    10. Give It Up To Me Baby -- Rick James
    11. Word Up! -- Cameo
    12. Mama Used To Say -- Junior
    13. A Night To Remember -- Shalamar
    14. Fantastic Voyage -- Lakeside
    15. You Are In My System -- The System
    16. Bounce, Rock, Skate, Roll -- Vaughn Mason & Crw
    17. Take Your Time (Do It Right) -- The S.O.S. Band
    18. Hangin' On A String (Contemplating) -- Loose Ends

    Album Description

    Body & Soul: Blue Lights In The Basement pays tribute to the house parties of the late '70s and early '80s.
    Down in the Basement: The Chess Years
    Average customer rating: 5 out of 5 stars
    • a gem of a discovery...
    Down in the Basement: The Chess Years
    Sugar Pie Desanto
    Manufacturer: Mca
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Caribbean & Cuba | International | Styles | Music
    GeneralGeneral | Jazz | Styles | Music
    GeneralGeneral | R&B | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
    GeneralGeneral | Oldies | Pop | Styles | Music
    CDs $7 - $10CDs $7 - $10 | Soul General | Soul | R&B | Today's Deals in Music | Formats | Music
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    ASIN: B000002OA9
    Release Date: 1989-05-26

    Tracks:

    1. In the Basement, Pt. 1 - Sugar Pie DeSanto, Etta James
    2. I Want to Know
    3. Mama Didn't Raise No Fool
    4. Maybe You'll Be There
    5. Do I Make Myself Clear? [#] - Sugar Pie DeSanto, Etta James
    6. Ask Me [*]
    7. Use What You Got [*]
    8. Can't Let You Go
    9. Soulful Dress
    10. Going Back to Where I Belong
    11. She's Got Everything
    12. Slip-In Mules

    Customer Reviews:

    5 out of 5 stars a gem of a discovery..........2002-02-26

    admittedly, what caught this reviewer's attention (apart from being unknown this side of the world) was her seemingly malayan mold...

    hunch confirmed...her father IS from this part of the world. doesn't hurt if her cousin is soul stalwart etta james. the 12 tracks herein are just samplers of what this diminutive soul slugger is made of. while she wasn't as blessed commercially, her fans still are - as her present day catalog attests.

    still slugging it out with no end in sight.
    Straight From The Basement
    Average customer rating: 5 out of 5 stars
    • Go-Go The Original Party Music!!
    • That good go-go, the most underrated genre of music
    Straight From The Basement
    Northeast Groovers
    Manufacturer: Liaison Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Blues | Styles | Music
    Electric Blues GuitarElectric Blues Guitar | Blues | Styles | Music
    Modern BluesModern Blues | Blues | Styles | Music
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    1. Creepin Thru Da Hoodz
    2. "Rare Essence - Greatest Hits, Vol. 1"
    3. Live
    4. Jams
    5. Go Go Swing Live

    ASIN: B000005FLT
    Release Date: 1995-12-12

    Tracks:

    1. Straight From The Basement
    2. Hey Ho (Live At Rick's)
    3. The 'Water'
    4. Booty Call
    5. Come Home
    6. The Twenty Minute Workout
    7. Takin My Time
    8. 24-7-365
    9. We Came To Party
    10. Ding A Ling Swing
    11. Mystery
    12. Van Damme
    13. Bounce To This

    Customer Reviews:

    5 out of 5 stars Go-Go The Original Party Music!!.......2002-02-07

    If your used to playin ya new school rap hits at a party try this on for size.
    Organic real Drum beats that dont quit and a killer stay up all night shake your booty atmosphere!
    Original music for original people

    I slipped this onto the cd player in the middle of a mad party and girls started grinding with each other not knowing what is was...

    If you get in a party rut this is the cure...THE Big Pill as George Clinton would say..

    Come on shake your booty and get down with original music

    Guarenteed to make your next party jump!!!

    5 out of 5 stars That good go-go, the most underrated genre of music.......2000-09-12

    Don't sleep on D.C. and go-go. Northeast Groovers, Backyard Band, Junkyard Band, Rare Essence and the list goes on but this cd is a bangin representation of that good go-go...its a little dated but its type blaze for real. Cop this album
    Up from the Basement
    Average customer rating: 3 out of 5 stars
    • three and a half stars, amazon. THREE AND A HALF
    Up from the Basement
    Galt Macdermot
    Manufacturer: Kilmarnock
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
    GeneralGeneral | R&B | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
    Jazz FunkJazz Funk | Funk | R&B | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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    1. Woman Is Sweeter/Shapes of Rhythm
    2. Songs of Experience
    3. The Edge - David Axelrod at Capitol Records 1966-1970

    ASIN: B00008KCQ1
    Release Date: 2003-02-25

    Tracks:

    1. Ripped Open by Metal Explosions
    2. Duffer in F [Version 2]
    3. Never Die, Desire Not [From "American Express"]
    4. There Was There
    5. Come Away Death
    6. "Cool It With Contac" Radio Spot
    7. DD-2-01
    8. Lost Dreams
    9. Ghetto Suite Medley
    10. Wurly
    11. Ba Ba Black Baby
    12. DD-2-03
    13. Prison Life
    14. Rhinoceros Main Theme
    15. DD-2-02
    16. Water Fight
    17. Love Knows No Season
    18. Let the Sunshine In
    19. Cleanly and Plump
    20. Piano Concerto, Pt. 1
    21. Piano Concerto, Pt. 2
    22. Woe Is Me
    23. And He Will Not Come Again
    24. St. Valentine's Day

    Customer Reviews:

    3 out of 5 stars three and a half stars, amazon. THREE AND A HALF.......2005-05-03

    cd compilation of two previous lps of galt macdermot's more minor releases (he composed Hair, apparently), which while it may not be a long lost classic unearthed is worth hearing. my only real qualm with this is in between some pretty nice tracks like ripped open by metal explosions and lost dreams, you get utterly bizarre inclusions like a radio ad for skin balm(?) and some real monkey-organ-grinder sounding stuff. a little programming here and there though, and you've got yourself a significantly shorter but pretty funky little disc.
    Blue Notes in the Basement
    Average customer rating: 4 out of 5 stars
    • It's certainly not the best from our Diva of Despair BUT....
    • Classic House.
    Blue Notes in the Basement
    Ultra Naté
    Manufacturer: Warner Bros / Wea
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Dance & DJ | Styles | Music
    HouseHouse | Dance & DJ | Styles | Music
    GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
    GeneralGeneral | Soul | R&B | Styles | Music
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    1. One Woman's Insanity
    2. Situation: Critical

    ASIN: B000008LV4
    Release Date: 1991-08-06

    Tracks:

    1. Blue Notes
    2. Sands Of Time
    3. Is It Love?
    4. Deeper Love (Missing You)
    5. You & Me Together
    6. It's Over Now
    7. Scandal
    8. Rejoicing (I'll Never Forget)
    9. Rain
    10. Love Hungover
    11. It's My World
    12. Funny (How Things Change)

    Customer Reviews:

    3 out of 5 stars It's certainly not the best from our Diva of Despair BUT...........2004-05-21

    .....it was definitely a good start for Ultra. Released back in 1991, this album explores the grassroots level of house music, and is very experimental production-wise. Some parts of the instrumentals are out of sync with Ultra's vocals, and for 2004 standards some of the instrumentals used sound quite cheesy. The Basement Boys could have done a better job with this album, but they were novices in their time and were still mastering their craft. Ultra, however, brought a lot to this album- some soulful interludes, her soothing (yet younger sounding) vocals, and her introduction into reigning the house music genre (still after 14 years, she's got it!)

    The good part of this album is that we can hear Ultra's voice before it has matured to what it is today, and we are given the pleasure of hearing some evolutionary songwriting from Ultra, something that most recording artists lack on debut albums. Not to mention, it's a nice collector's item, even if it's not your favorite.

    Ultra really shines in her 1998 album "Situation:Critical"....check it out!

    Visit www.ultranate.com for her newest releases (Brass in Pocket-2003, Feel Love-2004, Time of Our Lives-2004, and more...)

    5 out of 5 stars Classic House........2003-07-09

    This is a classic house album, and if that's your genre, you'll love it.
    Soul Deeper: Live at the Basement
    Average customer rating: Not rated
      Soul Deeper: Live at the Basement
      Jimmy Barnes
      Manufacturer: Liberation
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Rock | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      RockRock | Imports | Stores | Music
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      1. Soul Deep
      2. Double Happiness
      3. Hits

      ASIN: B0002IOPY2
      Release Date: 2004-09-06

      Tracks:

      1. Respect
      2. Here I Am (Come & Take Me)
      3. Ain't Too Proud To Beg
      4. Money (That's What I Want)
      5. What Becomes Of The Broken Hearted
      6. 634-5789
      7. Who's Making Love
      8. When Something Is Wrong With My Baby
      9. Show Me
      10. Chain Of Fools
      11. (Your Love Keeps Lifting Me) Higher & Higher
      12. Land Of 1000 Dances
      13. Hold On I'm Coming
      14. Dancing In The Street
      15. To Love Somebody
      16. Band Introduction (Stagger Lee)
      17. Hound Dog
      18. Rip It Up
      19. Hard To Handle
      20. All The Young Dudes
      21. I Put A Spell On You
      22. Good Times
      23. I Look Good Without A Shirt On (Goin' Out West)
      24. Sweet Soul Music

      Album Description

      For one night only, Barnes brought his soul revue into this hallowed hall & tore it apart. Here's the proof on two CDs! Liberation. 2004.

      Album Details

      The Basement in Sydney is Ground Central for Jazz and Blues in the Harbour City. A Tiny Club with Low Ceilings and the Posters of a Thousand Stars on the Walls, the Small of Tobacco and Whisky Embedded Into the Walls. For One Night Only, Jimmy Barnes Brought his Soul Revue Into this Hallowed Room and Frankly Tore it Apart. Barnes' Band Had Been Drafted from the Mississippi Delta for the Recording of his Album Soul Deeper and They Were, in the Singer's Own Words, Guys who Had Learnt this Music Before They Could Walk. Put the Two Elements Together and You Get a Blues Wailing, Soul Rave Up.
      Basement Tracks: Soul Ballads from the Heart of Black America
      Average customer rating: 5 out of 5 stars
      • great songs, wonderful voices
      Basement Tracks: Soul Ballads from the Heart of Black America
      Various Artists
      Manufacturer: Castle
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | R&B | Styles | Music
      GeneralGeneral | Soul | R&B | Styles | Music
      NorthernNorthern | Soul | R&B | Styles | Music
      SoulSoul | Compilations | R&B | Styles | Music
      R&BR&B | Imports | Stores | Music
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      1. The Best of the Buddha Years

      ASIN: B00005V32U
      Release Date: 2002-05-06

      Tracks:

      1. For Your Precious Love - Linda Jones
      2. Time Is Love - JJ Barnes
      3. I Cant Take No Chances - The Chosen Few
      4. Cowards Way Out - Lezli Valentine
      5. With You - The Moments
      6. What You Dont Want Me To Be - Lee Moses
      7. Hurry Sundown - Candi Staton
      8. Think Of The Children - Satisfaction Unlimited
      9. Let Me Keep On Walking - Prophesy
      10. And I Am Telling You Im Not Going - Chuck Jackson And Angie
      11. Love Is God Almighty - The Optimistics
      12. You Wont Support Me - Mill Street Depo
      13. Love Stealing - Bobby Sheen
      14. I Cant Make It Alone - Laura Lee
      15. (Ive Been A Winner Ive Been A Loser) Ive Been In Love - Smit
      16. Lets Make Love (At Home Sometimes) - The Escorts
      17. Leaving Him Tomorrow - Debbie Taylor
      18. Give It Up - Benny Johnson
      19. For You Girl - Universal Mind
      20. The Meeting Place - Wanda Robinson

      Album Description

      20 track compilation of down-tempo soul classics from the 60's, 70's & 80's, selected by the respected soul magazine. Artists include Linda Jones, J.J. Barnes, Moments, Candi Staton, Chuck Jackson and many more. Slipcase. 2002.

      Album Details

      'basement Tracks' is a Compilation of Some of the Finest Soul from all Platinum, Perception, Sugarhill, Invictus and De-lite Vaults Selected by the Respected Quarterly Soul Magazine 'in the Basement'.

      Customer Reviews:

      5 out of 5 stars great songs, wonderful voices.......2003-09-04

      A collection of beautiful, soulful ballads. All the songs are good, but there are a few really great songs: 'Hurry sundown' (Candi Staton), 'With you' (The Moments) and 'Time is love' (J.J. Barnes). Buy this one!
      Blue Lights in the Basement
      Average customer rating: 5 out of 5 stars
      • If you could only own one GK&P CD, it should be this one
      Blue Lights in the Basement
      Gladys Knight
      Manufacturer: RCA
      ProductGroup: Music
      Binding: Audio CD

      Classic R&BClassic R&B | R&B | Styles | Music
      GeneralGeneral | R&B | Styles | Music
      MotownMotown | R&B | Styles | Music
      GeneralGeneral | Soul | R&B | Styles | Music
      ASIN: B000002WXG
      Release Date: 1996-04-30

      Tracks:

      1. Where Peaceful Waters Flow
      2. With You In Mind
      3. The Makings Of You
      4. Midnight Train To Georgia
      5. Nobody But You
      6. Sorry Doesn't Always Make It Right
      7. The Way It Was
      8. Best Thing That Ever Happened To Me
      9. Pipe Dreams
      10. What If I Should Ever Need You
      11. The One And Only
      12. So Sad The Song
      13. Love Finds Its Own Way
      14. Part Time Love
      15. Hold On
      16. To Make A Long Story Short
      17. Try To Remember / The Way We Were

      Customer Reviews:

      5 out of 5 stars If you could only own one GK&P CD, it should be this one.......1999-05-03

      For those not familiar with the smooth, soulful sounds of Gladys Knight and the Pips, this CD is a great introduction. While it contains some of their better known tracks (Midnight Train to Georgia, and Best Thing That Ever Happened to Me), the majority of the songs on this CD are a little harder to find all in one place (Pipe Dreams, What if I Should Ever Need You, To Make a Long Story Short). The best thing about this CD, is the versions of the songs here were recorded fairly recently. Having been a rock-solid fan since the early 70's, I for one think their voices have only gotten better.

      Oh, and by the way, if this group ever comes to your home town, walk, don't run to the box office and get your tickets. Incredibly fantastic performers that don't record near enough new material for my liking. Very few performers today can even begin to hold a candle to GK&P. Gladys (and you Pips too), you rock!

      Music Review:

      1. Bastard Sonz of Rave
      2. Blanco Y Negro Mix V.7 [Box set] [Import]
      3. Can't Keep Me Silent [CD-single] [Import]
      4. Can You Dig It? [CD-single]
      5. Central Energy Transmission White [Explicit Lyrics] [Import]
      6. Club Box: 45 Massive Club Hits [Import]
      7. Club Classics: Deep Garage and Disco House
      8. Compass [Import]
      9. Cream Anthems 2002 [Import]
      10. Disco Brazil [Import]

      Music Review

      music review