Can You Dig It? [CD-single]

Can You Dig It? [CD-single]

Track Listings

1. Radio Edit

2. Video Mix

3. Original Mix

4. UK Mix

Tracks:

Overture
Opening Night
The King of Broadway
We Can Do It
Unhappy
I Wanna Be a Producer
In Old Bavaria
Der Guten Tag Hop-Clop
Keep It Gay
When You Got It, Flaunt It
Along Came Bialy
That Face
Have You Ever Heard the German Band?
It's Bad Luck to Say Good Luck on Op'ning Night
Springtime for hitler
Where Did We Go Right?
Betrayed
'Til Him
Prisoners Of Love (Leo & Max)
Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!

Dowland - The Collected Works / The Consort of Musicke, Rooley

Average customer rating:

A musical treasure-box
a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Dowland: Complete Lute Works, Vol.1-5
William Byrd: Consort Songs
Bach: The Landowska Recordings
Britten Conducts Britten
Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Tracks:

On A Clear Day
A Cock-Eyed Optimist
Hello, Young Lovers
Here I'll Stay
My Fair Lady Shuffle: Overture/Wouldn't It Be Loverly/Let A Woman/Just You Wait/Poor Professional...
Getting To Know You
Living In The Shadows
Bewitched
I Have Dreamed
My Funny Valentine
Camelot Suite: Camelot/The Simple Joys Of Maidenhood/How To Handle A Woman/If Ever I Would...
Crazy World
If I Loved You
Edelweiss
The Sound Of Music

Customer Reviews:

5 STARS AND THEN SOME !!.......2006-02-10

Oh Julie, the songs you sang on this CD are superb. I wish you could still give us that joy. If you can only sing in the low registers, give us jazz!! You can do it I just know you can!!

Pretty Sad, .......2005-10-27

Hollywood veteran Julie Andrews has had a glorious career, but not without its downsides. Her legend is built on "The Sound of Music" and "Mary Poppins" and other glorious roles. Her abilities as a singer were never impressive or great, her voice often sounded weak, but she always knew how to sing around her very limited vocal range. On this collection she performs some of the greatest Broadway tunes ever written and even though she does a good job, her voice just doesn't hold up against many of these tunes. Her warmth is felt all over the album, in "Here I'll Stay" she wraps her gentle, but narrow, voice around it and in "My Funny Valentine" she sticks to the lower register of her voice. However, in the re-recording of her classic "Sound of Music" and in "On a Clear Day You Can See Forever" her voice fails her, it often sounds thin and airy and it's actually quite sad to listen to. When all is said and done Julie Andrews remains a great talent, and most of that talent is largely due to her amazing capability as a performer and her genuine warmth.

I FELL IN LOVE WITH JULIE ALL OVER AGAIN.......2005-06-25

As a young kid growing up in the Philippines I remember my Dad playing his state-of-the-art Aiwa tape recorder back in the 60s and hearing Julie Andrews' voice - truly the voice of an angel! Now, hearing these songs again with adult ears I fell in love with her voice all over again !

A Great Julie Andrews CD.......2002-01-27

If you are a fan of Dame Julie's and musicals, this is the cd for you. It is a compilation of songs from prevously released albums; The King and I, The Music of Richard Rodgers, Here I'll Stay, and Victor/Victoria, Original Broadway Cast Recording.
I found the material to be very well put together giving the listener selections from My Fair Lady, Camelot, The Sound of Music, Victor/Victoria and others. What more could you want?
As for Ms. Andrews, she is superb. There is simply no one like her. I have heard comments that prior to the infamous throat surgery she was unable to handle the difficult material and hit those high notes. This is just not true. All you have to do is listen to these songs recorded in the early 90's to know that she still had a marvelous voice. Lets hope that one day she will be able to sing and record again. If not, these may be her last recordings so treasure them.

The My Fair Lady suite is wonderful and Ms. Andrews definitely hit the high note at the end of "I Could Have Danced All Night".
Her version of "Edelweiss" and "The Sound of Music" are lovely.
Also worth listening to is "Living in the Shadows" written for the Broadway production of Victor/Victoria so you won't find it on the movie soundtrack. The lyrics are by Leslie Bricusse who also penned "Crazy World", which is another great selection on this cd.

Overall this is a cd worth having in your collection, so buy it today. Otherwise you are missing out.

Climbing Every Mountain with Mary Poppins.......2002-01-22

Julie Andrews and her music have been an inspiration to me
every since I stepped into a theater and watched Mary Poppins
(many years ago). I admire her talent and her voice on this CD. I know it is not as clear a voice as she used to have but I still enjoy listening to her. I listen to this CD when I want a "pick me up" and am proud to have it as part of my collection.

Average customer rating:

You'll be disappointed
Pretty good musical mix

Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD

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Very Best Of Broadway Musicals
Only Broadway CD You'll Ever Need
Ultimate Broadway
Greatest Hits: Broadway
Ultimate Broadway II: The Very Best of Broadway Now

ASIN: B000077JS0
Release Date: 2002-10-21

Tracks:

Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
America [From West Side Story] - National Symphony Orchestra
Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
Peggy Sue [From Buddy Holly Story] - Dominic Curtis
Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
Quintet [From West Side Story] - National Symphony Orchestra
I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.

Average customer rating:

The songs stand on their own
Sounds Very Good
Nice remix but nothing outstanding
MY FAIR LADY SOUNDTRACK FINALLY GIVEN ITS DUE ON SACD

My Fair Lady

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

My Fair Lady (1964 Film Soundtrack)
The King and I (1956 Film Soundtrack)
West Side Story
Camelot (1960 Original Broadway Cast)
South Pacific (1958 Film Soundtrack)

ASIN: B00005J9XS
Release Date: 2001-05-22

Tracks:

Overture
Why Can't the English? - Alan Jay Lerner,
Wouldn't It Be Loverly?
I'm an Ordinary Man
With a Little Bit of Luck
Just You Wait
Rain in Spain
I Could Have Danced All Night
Ascot Gavotte
On the Street Where You Live - Orchestra African Fiesta
You Did It - Rex Harrison, , Wilfried Hyde-White,
Get Me to the Church on Time
Hymn to Him - Isobel Elsom, Marni Nixon
Without You
I've Grown Accustomed to Her Face - Stanley Holloway
Embassy Waltz [*] - Marni Nixon
You Did It - Rex Harrison, Marni Nixon
Just You Wait (Reprise) - Rex Harrison
On the Street Where You Live (Reprise)
Show Me
Flower Market
Get Me to the Church on Time
Hymn to Him
Without You
I've Grown Accustomed to Her Face
End Titles
Exit Music

Customer Reviews:

The songs stand on their own.......2006-05-27

Many people can associate this sound track with the movie, "My Fair Lady" that was that is a film version of Bernard Shaw's play "Pygmalion". This is a classic musical with many well known songs by Lerner and Loewe.

However unlike many musicals the songs have a life of their own. Even though they matched the story perfectly, they are they type of songs that one could instantly blurt out in the thrill of the moment. I my self found that "On the Street Where you live" matched perfectly when I was in love in my youth.

Sounds Very Good.......2006-05-16

This album and CD format sound very good. I was quite pleased. THE RAIN IN SPAIN and ON THE STREET WHERE YOU LIVE are favorites of mine. I am glad this soundtrack got a top notch presentation. Well worth the wait.

Nice remix but nothing outstanding.......2004-03-06

After reading one review that gave this recording five stars I purchased it. Although it probably is a better recording than past CDs - don't expect the sound of a modern recording. A couple of the songs are very much clearer, but over-all I did not find this recording to be a revelation.

MY FAIR LADY SOUNDTRACK FINALLY GIVEN ITS DUE ON SACD.......2001-08-02

Warner Bros' 1964 film version of My Fair Lady, Lerner and Loewe's brilliant musical adaptation of Bernard Shaw's Pygmalion, is a genuine motion picture classic, fully worthy of all the awards and praise it has garnered since it's release nearly forty years ago.

My Fair Lady boasted a discrete 6 track stereophonic sound mix, which was state of the art for it's time and still probably sounds better than the majority of today's pictures.

This new SACD format CD offers the best sonic presentation of this soundtrack ever made available to the music buying public. With this release Sony has corrected a horrible injustice done to My Fair Lady in its previous CD. Gone is the sloppy editing of bits and pieces of meaningless dialogue excerpts and intrusive Foley effects, which served only to show the total lack of respect the producers had for these performances. While this SACD is not completely free of such tampering, this time the small amount of dialogue is beautifully edited and serves properly as lead in to the songs. Unlike the original LP release the extended versions of all the songs are presented here, along with The Embassy Waltz and the Entr'acte music.

I won't get into the debate over Audrey Hepburn's casting except to say that at this point in time Julie Andrews, although obviously a better singer than Hepburn and probably wonderful on the stage, could not have even come close to the level of brilliance displayed by Audrey Hepburn in this role on the screen.

Unfortunately precious little of Hepburn's superb performance is to be heard on this SACD, which leaves us with a debate over how Marni Nixon, Hepburn's vocal double, compares to Julie Andrews. Other than the fact that her Cockney accent is not so great, Nixon acquits herself quite admirably in the role, although I believe that Hepburn should have been allowed to do more of the singing with Nixon stepping in vocally when the going got rough, such as she did for Deborah Kerr in The King and I. But even so, Marni Nixon is arguably every bit as good a singer as Julie Andrews and performs the songs beautifully.

Add to that the fact that this soundtrack offers Rex Harrison's most polished performance of Professor Henry Higgins and since his songs were recorded live at the time of filming, there is a spontinenity in them lacking in the Broadway and particularly in the London Cast Recordings.

Stanley Holloway performs his songs with much more zest in this recording as well. But the greatest improvements over the original are the outstanding orchestral arrangements and conducting by Andre Previn assisted by Robert Tucker's excellent choral work. The brassy, puny orchestras and shrill choruses on all other recordings pale by comparison.

Still, the Original 1956 Broadway Cast Recording should be a part of any serious music lover's collection, if only to savor Julie Andrews' sterling vocal performance as the original Eliza Doolittle. The 1964 soundtrack reviewed here should be equally enjoyed on its own merits, as mentioned above, and for allowing one to hear in brilliant stereo sound a more complete and better orchestrated version of Lerner and Loewe's musical masterpiece.

Now if only Sony would go back and correct another major injustice by redoing the horribly mutilated expanded CD soundtrack of West Side Story as well.

Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)
Average customer rating:

A Splendid Souvenir to Remember a Spectacular Performance!

god moves in a peculiar way.........i am god......

Orpheus in the Underworld

Excerpts

Highlights or total Opera?

Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)

Manufacturer: Jay Records
ProductGroup: Music
Binding: Audio CD

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Offenbach: Gaite Parisienne; Orpheus in the Underworld; Voyage to the Moon

Offenbach - Orphée aux Enfers / Dessay, Naouri, Fouchécourt, Beuron, Podles, Petibon, Smith, Gens, Cole, Minkowski

Gluck - Orphée & Eurydice (Berlioz version) / von Otter, Barbara Hendricks, Fournier, Gardiner

Gluck: Orphée et Eurydice (Berlioz version) / Larmore, Upshaw, Hagley, Runnicles

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

ASIN: B00001O2XK
Release Date: 1999-09-14

Tracks:

Orpheus In The Underworld: Prelude
Orpheus In The Underworld: Hello, I'm Public Opinion
Orpheus In The Underworld: Eurydice Is All A-flutter!
Orpheus In The Underworld: So That's The Game
Orpheus In The Underworld: I Feel A Cool Intoxication
Orpheus In The Underworld: We, The Watchdog Of The People
Orpheus In The Underworld: Tzing, Tzing, Tzing, Tzing!
Orpheus In The Underworld: A Night On The Town
Orpheus In The Underworld: Remember What You Did To Leda
Orpheus In The Underworld: Look Out, Look Out, Move Over There!
Orpheus In The Underworld: He Is Coming, Oh, How Boring
Orpheus In The Underworld: Oh, Oh, Look At That Look He's Giving Me
Orpheus In The Underworld: Though I Was King Of All Beotia
Orpheus In The Underworld: We Can Tell She's In Hell
Orpheus In The Underworld: My Little Spies Uncover
Orpheus In The Underworld: There You Are, You Look So Neat
Orpheus In The Underworld: It's Strange, But A Touch Seemed To Wake...
Orpheus In The Underworld: Do Not Look Back Or All Will Be Lost
Orpheus In The Underworld: ...He Is The Only God
Orpheus In The Underworld: Infernal Gallop

Customer Reviews:

A Splendid Souvenir to Remember a Spectacular Performance!.......2003-10-30

Having been fortunate to have seen the English National Opera's production in 1988 of "Orpheus" with Wilson and Pountney's outrageously naughty English text, this highlight CD serves as an audio souvenir. Too bad the ENO didn't have the foresight to film the production-would have made a great DVD. The CD booklet does have a few photos of the sets designed by Gerald Scarfe (who also designed Pink Floyd's "The Wall" album artwork) so you get a taste, combined with the CD selections, of what the production was like.

god moves in a peculiar way.........i am god.............2002-01-17

Offenbach is great anyhow, but this recording is riotous. The translation into English is first-rate, really funny stuff, and the singing is pretty good, too. Very worthwhile.

Orpheus in the Underworld.......2000-03-17

The rewritten lyrics, in English, are some of the wittiest and wicked in operetta. Wilson and Pountney have recaptured the spirit of naughtiness, not a small accomplishment in our licentious times. Though delighted to have the highlights, I wished a CD set or video of the full production were available.

Excerpts.......1999-12-23

This is a collection of excerpts. It is in English and is quite good. The performance of the entire operetta has been discontinued and it is a pity.

Highlights or total Opera?.......1999-11-01

I would like to know if this is highlights from the opera or the total opera.

An American in Paris (1951 Film Soundtrack)

Average customer rating:

Magic of love
Filled with musical gems
TOO LONG !!!!!!!!!!!
GERSHWIN'S TALENT
Ga Ga for Gershwin

An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Singin' in the Rain (1952 Film Soundtrack)
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For Me And My Gal: Original Motion Picture Soundtrack

ASIN: B0000033JE
Release Date: 1996-07-16

Tracks:

Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
Nice Work If You Can Get It (Outtake) - Georges Guetary
Embraceable You - MGM Studio Orchestra
By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
Street Exhibit - MGM Studio Orchestra
I Got Rhythm - Gene Kelly, MGM Children's Chorus
But Not For Me - Benny Carter & His Orchestra
Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
Someone To Watch Over Me - Benny Carter & His Orchestra
Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
Tra-La-La - Gene Kelly, Oscar Levant
I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
Love Is Here To Stay - Gene Kelly
Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
(I'll Build A) Stairway To Paradise - Georges Guetary
I've Got A Crush On You (Outtake) - Gene Kelly
Love Walked In (Outtake) - Georges Guetary, Oscar Levant
Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra

Tracks:

Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
Kiss Me (Outtake) - MGM Studio Orchestra
'S Wonderful - Gene Kelly, Georges Guetary
Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
Strike Up The Band (Extended Version) - MGM Studio Orchestra
Liza (Complete Version) - Oscar Levant
Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
I've Got A Crush On You (Outtake) - MGM Studio Orchestra
I Got Rhythm (Extended Version) - MGM Studio Orchestra
Tra-La-La (Outtake) - MGM Studio Orchestra
But Not For Me - Georges Guetary
Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
Finale (An American In Paris) - MGM Studio Orchestra
Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
Third Prelude (Outtake) - Oscar Levant
My Cousin In Milwaukee (Outtake) - Oscar Levant
A Foggy Day (Outtake) - Oscar Levant
The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
But Not For Me - Oscar Levant
Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
'S Wonderful (Reprise) (Outtake) - Gene Kelly
Finale (Alternate Version - Outtake) - MGM Studio Orchestra

Amazon.com essential recording

This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph Lanza

Customer Reviews:

Magic of love.......2007-03-10

Nothing but Gene and George: the hard work and the happiness in music, conducting by the magician Vince.
Noone is better, noone could do better.
American masterpiece with european feelings.

Filled with musical gems.......2004-02-17

This comprehensive edition is a must have for fans of the movie and of the Gershwins. The outtakes, contrary to the first review above, are excellent. Gene Kelly offers a wonderful vocal of "I've Got a Crush on You" and his short riff on "'S Wonderful" is almost like an acoustic version, much different than the over-the-top duet in the movie. And the Oscar Levant piano pieces are as close to George sitting down at the keys as we're going to get.

TOO LONG !!!!!!!!!!!.......2002-06-17

I would not suggest buying this version of this sondtrack!!! The underscores and the extra tracks that are not featured in the film are not neccesary. Rhino records puts the extras out to jack up the price of the CD (making one LP into 2 CDs).
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!

GERSHWIN'S TALENT.......2001-08-12

Many agree that the talented George Gershwin is a fabulous pianist, and alongside Ira, he helped to create some of the most beloved music ever. After viewing the movie that was filled with song and dance, I was pleased to discover that the soundtrack was readily available. The plot of An American in Paris mainly focuses on the lives of three friends and their dreams in addition to the romance that they encounter in the most popular European city. Gene Kelley is a struggling artist who soon falls in love, and the many songs in this cd express his emotions. Who wouldn't want to dance to Gershwin's spectacular tunes such as "Embraceable You?" These original songs included in this two cd set are well worth the price. Furthermore, "I'll Build a Stairway to Paradise" is a true favorite with unique lyrics. Don't miss out on this must have cd collection.

Ga Ga for Gershwin.......2000-12-13

Nearly every popular Gershwin tune is represented here, either as an instrumental, a vocal, or a production number. I am not a big fan of the film, but the soundtrack is fabulous. There are some stereo tracks here, too. Yet another triumph in the Turner/Rhino soundtrack collection of MGM films.As a sidenote I would like to thank Rhino for their extremely co-operative staff. When I bought this CD I opened up the very extensive booklet and was disappointed to find that due to an error on the assembly line I had received an insert that had some pages repeated and others deleted. I contacted Rhino and they sent me a new booklet which arrived within a week! That's what I call excellent customer service. The really neat thing is the fact that I have both booklets. The flubbed copy is sort of a collector's item to me.

The John Adams Earbox: A 10-CD Retrospective

Average customer rating:

Moved to tears
Nonesuch delivers.Again
harmonia in excelsis
Our greatest living composer
Wonderful CD

The John Adams Earbox: A 10-CD Retrospective

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Naive & Sentimental Music
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Century Rolls

ASIN: B00001SID1
Release Date: 1999-10-19

Tracks:

Lollapalooza
John's Book Of Alleged Dances: Judah To Ocean
John's Book Of Alleged Dances: Toot Nipple
John's Book Of Alleged Dances: Dogjam
John's Book Of Alleged Dances: Pavane: She's So Fine
John's Book Of Alleged Dances: Rag The Bone
John's Book Of Alleged Dances: Habanera
John's Book Of Alleged Dances: Stubble Crotchet
John's Book Of Alleged Dances: Hammer & Chisel
John's Book Of Alleged Dances: Alligator Escalator
John's Book Of Alleged Dances: Standchen: The Little Serenade
John's Book Of Alleged Dances: Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Two Fanfares For Orchestra - Tromba Lontana
Two Fanfares For Orchestra - Short Ride In A Fast Machine
Common Tones In Simple Time
El Dorado - Part I. A Dream Of Gold
El Dorado - Part II. Soledades

Tracks:

Harmonielehre - Part I
Harmonielehre - Part II The Anfortas Wound
Harmonielehre - Part III Meister Eckhardt And Quackie
Violin Concerto - Part I
Violin Concerto - Part II Chaconne:
Violin Concerto - Part III Toccare

Tracks:

Chamber Sympony - Mongel Airs
Chamber Sympony - Aria With Walking Bass
Chamber Sympony
Hoodo Zephyr - Tundra
Hoodo Zephyr - Dissappointment Lake
Hoodo Zephyr - Hoodo Zephyr
Gnarly Buttons - The Perilous Shore
Gnarly Buttons - Hoe-Down (Mad Cow)
Gnarly Buttons - Put Your Loving Arms Around Me

Tracks:

Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
A Sermon On Romance
Consuelo's Dream
Mike's Song About Arresting A Particular Individual
Tiffany's Solo
Song About The On-Site Altercation
Song About The Bad Boys And The News
Your Honor My Client He's A Young Black Man
Leila's Song; Alone (Again Or At Last)
Three Weeks And Still I'm Outta My Mind
Crushed By The Rock I Been Standing On
Dewain's Song Of Liberation And Surprise
!Este Pais! / This Country
One Last Look At The Angel In Your Eyes
Finale

Tracks:

Lollapalooza
John's Book Of Alleged Dances - Judah To Ocean
John's Book Of Alleged Dances - Toot Nipple
John's Book Of Alleged Dances - Dogjam
John's Book Of Alleged Dances - Pavane: She's So Fine
John's Book Of Alleged Dances - Rag The Bone
John's Book Of Alleged Dances - Habenera
John's Book Of Alleged Dances - Stubble Crotchet
John's Book Of Alleged Dances - Hammer & Chisel
John's Book Of Alleged Dances - Alligator Escalator
John's Book Of Alleged Dances - Standchen: The Little Serenade
John's Book Of Alleged Dances - Judah To Ocean (Reprise)
Slonimsky's Earbox

Tracks:

Harmonium - Negative Love
Harmonium - Becuase I Could Not Stop For Death
Harmonium - Wild Nights
Shaker Loops - Shaking and Trambling
Shaker Loops - Hymning Slews
Shaker Loops - Loops and Verses
Shaker Loops - A Final Shaking

Tracks:

The Chairman Dances - Foxtrot For Orchestra
Grand Pianola Music - First Movement
Grand Pianola Music - Second Movement
Grand Pianola Music - Third Movement: On The Dominant Divide
Fearful Symmetries

Tracks:

Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China - Landing Of The Spirit Of '76
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China - Cheers
Nixon In China -
Nixon In China - Opening
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -
Nixon In China -

Tracks:

The Wound-Dresser
Christian Zeal And Activity
Five Songs - Thoreau
Five Songs - Down East
Five Songs - Cradle Song
Five Songs - At The River
Five Songs - Serenity
Eros Piano

Amazon.com

Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

Customer Reviews:

Moved to tears.......2004-03-18

Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

Nonesuch delivers.Again.......2002-11-27

John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

harmonia in excelsis.......2001-11-12

I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

Our greatest living composer.......2001-07-22

As a composer, I'm staggered that anyone could fail to be gripped by this music.

That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

Wonderful CD.......2000-04-02

This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!

My Fair Lady (1959 Original London Cast)

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Precise, pointed and peerless !!!
the "Fair Lady" in London...
My Fair Lady again?
Broadway vs London vs Movie
It's good but,..

My Fair Lady (1959 Original London Cast)
Alan Jay Lerner
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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My Fair Lady (1956 Original Broadway Cast)
Camelot (1960 Original Broadway Cast)
South Pacific (Original 1949 Broadway Cast)
Oklahoma! (1955 Film Soundtrack)
The Sound of Music (1965 Film Soundtrack - 40th Anniversary Special Edition)

ASIN: B000007OHU
Release Date: 1998-06-02

Tracks:

Act I: Overture
Act I: Why Can't The English?
Act I: Wouldn't It Be Loverly
Act I: With A Little Bit Of Luck
Act I: I'm An Ordinary Man
Act I: Just You Wait
Act I: The Rain In Spain
Act I: I Could Have Danced All Night
Act I: Ascot Gavotte
Act I: On The Street Where You Live
Act II: You Did It
Act II: Show Me
Act II: Get Me To The Church On Time
Act II: A Hymn To Him
Act II: Without You
Act II: I've Grown Accustomed To Her Face
The Embassy Waltz

Amazon.com

My Fair Lady is without question one of the greatest shows ever created for the musical theater. It's a charming, hilarious, and touching adaptation of George Bernard Shaw's Pygmalion, pitting flower girl Eliza Doolittle against Prof. Henry Higgins, the self-absorbed and ill-tempered linguist who bets that he can turn her into a lady by improving her diction. Lerner and Loewe's score includes some of the best-loved songs in the canon: "Why Can't the English," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," "On the Street Where You Live," "Get Me to the Church on Time," and "I've Grown Accustomed to Her Face," among others. The 1959 London-cast stereo recording is generally held in lower regard than its Broadway counterpart, recorded three years earlier in mono. But why quibble? The principals are all the same--Rex Harrison as Higgins, Julie Andrews as Eliza, Stanley Holloway as her dad, and Robert Coote as Col. Pickering (Leonard Weir replaced Michael King as Freddy Einsford-Hill)--and it's still a classic recording in its own right that you'll treasure for years. --David Horiuchi

Customer Reviews:

Precise, pointed and peerless !!!.......2007-01-03

One listen to the London original cast recording of My Fair Lady and you know why this CD still sells. Despite the decades, the recording sounds fresh, clear and crisp. There is no background noise on this CD! Moreover, the songs by Lerner and Loewe are brilliantly composed and the lyrics are clever, witty and poignant. This CD proves it.

The CD opens with the overture to the musical stage play and then goes right into the first song entitled "Why Can't The English?" More spoken than sung by Rex Harrison, "Why Can't The English" fleshes out his character's lament that too many British people don't speak English well. The melody is catchy and the lyrics are funny at times even if some of the humor is dated.

The lesser educated British have their say in the next number, "Wouldn't It Be Loverly." In this song, sung by Julie Andrews as Eliza Doolittle with male backup singers and a chorus of whistlers, demonstrates how these persons really do want to lead a much more sophisticated life with more luxuries.

Other great songs on this CD include the rousing "Get Me To The Church On Time" sung by the memorable Stanley Holloway; the beautiful love ballad "On The Street Where You Live" performed by Leonard Weir; "I Could Have Danced All Night" which is performed flawlessly by Julie Andrews who belts out those incredibly high notes; and "The Rain In Spain" delivered by Julie Andrews, Rex Harrison and Robert Coote. Excellent!

One especially amusing song is entitled "A Hymn To Him" performed mostly by Rex Harrison with some assistance from Robert Coote. The violins at the beginning of this number are beautiful in the musical arrangement.

The CD concludes with a extra bonus monophonic track of the waltz music for the scene in which Henry Higgins takes Eliza Doolittle to the Embassy ball. "The Embassy Waltz," conducted by Percy Faith, offers a beautiful musical arrangement that leaves you wanting more--so don't be surprised if you get the urge to play the CD all over again from the very beginning and enjoy it once more.

The musical arrangements are carefully planned and executed throughout; only Lerner and Loewe were capable of producing such a fine score to go with this stage play. The tempo of the score is faster overall than it was for the original Broadway production; this is especially evident in the opening notes of the overture. Nevertheless, it all works brilliantly.

The liner notes boast terrific black and white photos of the actors in the stage play along with a special color photo of Julie Andrews and Rex Harrison. Didier C. Deutsch contributes a lengthy essay about the history and production of My Fair Lady as well.

The music and lyrics to the original London cast recording of My Fair Lady are timeless. Even today, more than four decades later, the soundtrack still sells well. The musical is one with which many people can identify as it illustrates through words and music the blossoming love affair between Henry Higgins and Eliza Doolittle. Indeed, the story and the music add to the enchantment as we realize that even Higgins and Doolittle themselves are unaware of the full power of their mutual attraction until the very end of the stage play. My Fair Lady will remain a classic musical; and the score to the stage play on this album is priceless. May you enjoy this soundtrack as much as I did!

the "Fair Lady" in London..........2006-09-23

In 1956, Lerner and Loewe's MY FAIR LADY swept into Broadway and quickly captured the hearts of critics and audiences alike, the perfect transformation of George Bernard Shaw's play "Pygmalion" into the world of the musical theatre. Both Rex Harrison and Julie Andrews played the show for two years on Broadway before yielding to replacements (Edward Mulhare and Sally Ann Howes), and in 1959 traveled across the pond to headline the London company. The show opened at the Drury Lane Theatre in April 1959, and ran for 2,281 performances.

While both Julie Andrews and Rex Harrison had laid down their definitive performances as Eliza Doolittle and Prof. Henry Higgins for the 1956 original Broadway cast album of MY FAIR LADY, the subsequent 1959 London production allowed them to record another album, in the brand-new stereophonic format.

Despite this 1959 recording having a sweeter sound than the earlier 1956 mono album, this sadly remains the lesser of the two, because a lot of the energy and flash had disappeared from Julie Andrews' voice in the years she had performed the role. On the Broadway album, Andrews gives a rich performance that runs the gamut from cockney guttersnipe to regal high society, but comparing the two albums directly, she does not sound at her optimal best on the London set. Andrews has acknowledged that she found the role of Eliza both physically and vocally exhausting, even more so because of the lack of body-mikes, and the projection must have been gruelling at times. No wonder that so much of the bloom in Andrews' voice had vanished by the time she reprised her role in London. Despite Andrews, the album does have a few merits including breezy orchestrations under the direction of Cyril Ornadel (the Overture is given a much faster tempo than is heard on the Broadway set).

The supporting cast includes Stanley Holloway (also reprising his Broadway role) as Eliza's dustman father Alfie. The role of Freddy is played by Leonard Weir (his "On the Street Where You Live" is very charming), and Robert Coote also repeats his Broadway role as Colonel Pickering.

The 1959 London cast of MY FAIR LADY, just like the 1956 Broadway album, has never been out of the catalogue, though the confusion between the two albums still exists, despite the fact that the London album sports a gold-brown cover and the Broadway album is white. Sony Broadway Masterworks' edition features a bonus track of the "Embassy Waltz", a mono recording from 1956.

My Fair Lady again?.......2005-06-04

I have heard the Columbia Masterworks recording of this show as it was produced in Isreal. Same orchestrations, different lyrics! In Hebrew of course. I wish it were still available.

Broadway vs London vs Movie.......2003-10-02

Let's begin by comparing both the Broadway and London scores to the 1964 movie soundtrack-- actually there is no comparison! Both Broadway and London surpass the movie recording by far, only demonstrating the HUGE mistake Hollywood made by not casting Julie Andrews as Eliza Doolittle. Andrews' purely delightful soprano voice and perfect diction cannot even be compared to Marni Nixon's voice dubbing in the film. In addition, Andrews is British, which is critical to this play, unlike Nixon's purely American accent heard in the film.

As far as Broadway vs London MFL recordings, I would have to agree with the others who are in favor of the "white" Broadway album. While both are very good, the Broadway album does appear to be less "forced" than the London album due, most likely, to the fact that it was recorded before the cast had exhausted themselves singing the score after a few years on the stage. Both Rex Harrison and Julie Andrews appear to be more "natural" in the Broadway album, and Andrews does definitely lose a bit of the innocence in her voice in this recording.

All in all, I would recommend that any MFL collector invest in both the Broadway and London cast recordings to make your own opinions. Yet, for someone looking to buy only one album, I would stick with the Broadway version. In all situations, save yourself some money and skip buying the film soundtrack.

It's good but,.........2003-07-26

If I had never heard the 1956 recording I would have thought this one was great....but to me, compared to its mono counterpart, this performance sounds more like a Wednesday matinee in the middle of a long run. The performers are all still wonderful, but it's very relaxed and and lacks the vivid characterizations found in the original. Any fan of "My Fair Lady," however, will want to have them both and decide for themselves!

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Orchestral Selections
Lerner , Loewe , and Hayman & His Orchestra
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music

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ASIN: B00006B1KH
Release Date: 2002-09-17

Tracks:

My Fair Lady (Selection)
Ascot Gavotte
Why Can't the English?
The Rain In Spain
You Did It
Get Me To The Church On Time
Gigi (Selections)
I Talk To The Trees (From Paint Your Wagon)
They Call The Wind Maria
Brigadoon (Selection)
Gigi (Main Theme)
Camelot (Selections)

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