Woman Trouble [CD-single] [Import]

Woman Trouble [CD-single] [Import]

Track Listings

1. Woman Trouble (Original Version Radio Edit)

2. Woman Trouble (Radio Edit)

3. Sunship Bombastic Radio Edit

4. Sunkids Future Discotech Edit

Editorial Reviews
Product Description
New single from the artist behind the huge dance hits 'Re-Wind' and 'Movin' Too Fast'. Tracks include 'Original Version Radio Edit', 'Radio Edit', 'Sunship Bombastic Radio Edit', 'Sunkids Future Discotech Edit' and the enhanced video. 2000 release. Slimline jewel case.

Tracks:

2001
Rebecca
Citizen Kane
That Hamilton Woman
Anna and the King of Siam
Captain From Castille
A Streetcar Named Desire
Viva Zapata!
The Trouble With Harry
Peyton Place
Vertigo
The 7th Voyage of Sinbad
The Twilight Zone
Psycho
The 3 Worlds of Gulliver
Breakfast At Tiffany's
To Kill A Mockingbird
Marnie
Hamlet

Tracks:

The Agony and the Ecstasy
The Sand Pebbles
Who's Afraid of Virginia Woolf?
Born Free
Fahrenheit 451
Patton
Tora! Tora! Tora!
Jaws
Midway
Superman: The Movie
Star Trek: The Motion Picture
Somewhere In Time
Body Heat
Out of Africa
Platoon
Star Wars: Shadows of the Empire
Taras Bulba
Agony and the Ecstacy (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
Sand Pebbles (Overture) - Jerry Goldsmith, Royal Scottish National Orchestra
Who's Afraid of Virginia Woolf? (Moon and Main Title) - Jerry Goldsmith, National Philharmonic Orchestra
Playtime [Born Free Dub Mix II] - Royal Scottish National Orchestra, Frederic Talgorn
Road [From Fahrenheit 451] - Joel McNeely, Royal Scottish National Orchestra, Seattle Symphony Orchestra
Patton (Entr'acte) - Jerry Goldsmith, Royal Scottish National Orchestra
Tora! Tora! Tora! (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
Man Against Beast - Joel McNeely, Royal Scottish National Orchestra
Midway (Main Title and End Title) - Royal Scottish National Orchestra, Rick Wentworth
Superman The Movie (Love Theme) - John Debney, Royal Scottish National Orchestra
Enterprise [Star Trek: The Motion Picture] - Jerry Goldsmith, Royal Scottish National Orchestra
Somewhere in Time (Theme) - John Debney, Royal Scottish National Orchestra
Body Heat (Main Title) - The London Symphony Orchestra, Joel McNeely
Out of Africa (Main Title) - Joel McNeely, Royal Scottish National Orchestra
Platoon (Theme) - Georges Delerue
Shadows of the Empire (Xizor's Theme) [Star Wars] - Joel McNeely, Royal Scottish National Orchestra
Ride of the Cossacks [Taras Bulba] - Cliff Eidelman, Seattle Symphony Orchestra

Customer Reviews:

Varèse Sarabande à son meilleur!.......2003-04-17

Robert Townson célèbre ici le 500ème cd à être édité par Varèse Sarabande en créant une compilation receuillant les nombreux réengistrements que Varèse Sarabande sut faire au travers des dernières années. Regroupant du matériel de Jerry Goldsmith, Bernard Herrmann, John Williams, Alex North et plusieurs autres, In Session propose un parcours éclectique au travers des années de compositions de chacune des bandes sonores présentées au sein de la compilation. Le voyage commence à avec la musique rejetée de 2001 d'Alex North, pour faire un parcours passant par Rebecca, Citizen Kane (Félicitons ici le FABULEUSE voix de la soprano Janice Watson et la direction impécable de Joel McNeely), Viva Zapata!, Psycho, The Sand Pebbles, Patton, Jaws, Platoon (Autre musique rejetée du regreté Georges Delerue, pastiche du célèbre Adagio pour cordes de Samuel Barber), Star Wars: Shadows of the Empire (Musique composée par Joel McNeely pour le livre se déroulant entre The Empire Stricke Back et The Return of the Jedi) pour finalement clore avec Tara's Bulba. Il s'agit ici d'une sélection très riche, des morceaux d'une durée appréciable et d'une direction et d'une sonorité incroyable. Il s'agit ici d'un merveilleux cadeau de Robert Townson et Varèse Sarabande (Label qui célèbre en 2003 son 25ème anniversaire. Surveillez aussi la compilation de Varèse Sarabande (4 cds pour le prix de un!) qui verra le jour le 22 avril 2003) et c'est une compilation que toute personne sensible à la musique doit posséder! Chapeau Varèse!

A copy in every household . . ........2003-02-09

This disc is so chock-full of classic scores from classic films that every movie-and-music lover should own a copy. Thanks to Robert Townson for producing this collection and the entire Varese film score catalog. My favorite tracks from this disc are "Who's Afraid of Virginia Woolf"; "Star Trek: The Motion Picture"; and "Midway".

A sampler feat. some of the greatest film scores in history........2001-09-06

Words cannot convey what a collection like this means to a film music collector such as myself. Varese Saraband has been releasing quality film scores and music for the last 20 plus years. My vinyl and CD collections burst with so much great stuff from Varese. One day I was looking in the bins of my local record store and noticed this little gem of a collection. I looked at it and saw a virtual cornucopia of the great film score cues for only $ (and 2 discs). So I purchased it and opened it up. Much to my surprise, the booklet is chock full of information about each scoring session and pictures to boot. I also learned more about some of these wonderful pieces as well. Well thanks to Mr. Townson and this nice collection, I plan to purchase some of the recordings these cues were released on since I don't own classics like Viva Zapata, Alex North's 2001, Superman (not the Varese version, I do have the other release), and Patton. Guess I will have to save a few pennies, but it will be worth it. I recommend this collection to anybody who wants to discover and learn about the history of film music. I also think it's a great listen from the first song to the last on both discs. My compliments to Varese on a great collection of classics (and keeping it under $).

"the man behind Varese Sarabande ~ Robert Townson".......2001-04-06

The music that this label releases is without a doubt in a class by themselves, always perfection. Here we have the 500th CD release from ~ "The Man Behind The Music" ~ Mr. Robert Townson. So much care is taken with each album, that you feel you are witnessing the birth of a newborn baby, and that may be just what it is.

For those of us who buy each album ~ people who work to create them ~ the artwork ~ musicians ~ and a list of some of the most talented composers and conductors ~ John Barry, Elmer Bernstein, John Debney, Georges Delerue, Cliff Eidelman, Jerry Goldsmith, Bernard Herrmann, Michael Lang, Henry Mancini, Joel McNeely, Alfred Newman, Alex North, Miklos Rozsa, Dimitri Shostakovich, Frederic Talgorn, Franz Waxman, Rick Wentworth and John Williams ~ and as always the sound quality and performances by the Royal Scottish National Orchestra, Seattle Symphony Orchestra, London Symphony Orchestra and National Philharmonic Orchestra is dynamically flawless and simply superb.

This economically priced 2-CD-Set ~ pure film score sampling ~ is worth it's weight in gold. One should not have a favorite from this vast collection, but if asked ~ it would be "TO KILL A MOCKINGBIRD" (1962) composer Elmer Bernstein took it to the limit and beyond, the story-line, cast and score was the perfect marriage.

A big, big thank you to ~ Matthew Joseph Peak (cover/session photography) ~ Jonathan Allen, Geoff Foster, Bernie Kirsh, Mike Ross, Mike Sheady and Al Swanson (recording engineers) ~ Rich Breen (mastering engineer) ~ and for the extensive 28 page liner-note booklet featuring "behind the scenes" memories of these past 500 albums, may we look forward to future classics on the next 500 CD's from producer...ROBERT TOWNSON!

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Average customer rating:

Pure Honky Tonk

Trouble Is a Woman
Julie Reeves
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music
ASIN: B00000JHJ9
Release Date: 1999-06-29

Customer Reviews:

Pure Honky Tonk.......1999-09-12

Trouble Is A Woman is as honky tonkin' as you can get. This song is great to dance to and to sing along with. Great video as well.

Average customer rating:

Woman's Trouble Blues
Bessie Smith
Manufacturer: Recall Records UK
ProductGroup: Music
Binding: Audio CD

Classic Female Vocal Blues | Blues | Styles | Music

General | Blues | Styles | Music

Traditional Blues | Blues | Styles | Music

General | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music
ASIN: B0000457A7
Release Date: 2000-02-21

Tracks:

Aggravatin' Papa
'Tain't Nobody's Business If I Do
Mama's Got The Blues
If You Don't Know Who Will
Nobody In Town Can Bake A Sweet Jelly Roll Like
I'm Going Back To My Used To Be
Any Woman's Blues
Mistreating Daddy
Easy Come Easy Go Blues
Sorrowful Blues
Boweavil Blues
Lou'siana Low Down Blues
House Rent Blues
Weeping Willow Blues
Woman's Trouble Blues
The St Louis Blues
Sobbin' Hearted Blues
You've Been A Good Ole Wagon
Cake Walkin' Babies (From Home)
Nashville Women's Blues
Careless Love Blues
I Ain't Goin' To Play Second Fiddle
Nobody's Blues But Mine
I've Been Mistreated And I Don't Like It
Preachin' The Blues
Back Water Blues
Muddy Water
There'll Be A Hot Time Tin The Old Town Tonight
Sweet Mistreater
A Good Man Is Hard To Find
Empty Bed Blues Part 1
Empty Bed Blues Part 2
Me And My Gin
I'm Wild About That Thing
You've Got To Give Me Some
Nobody Know You When You're Down And Out
On Revival Day
Need A Little Sugar In My Bowl
Do You Duty
Gimme A Pigfoot

Album Description

Two disc, 40 track collection from 'The Empress of Blues' one of the first major blues and jazz singers on record. Featuring the hit 'Nobody Know You When You're Down And Out'and 'Need A Little Sugar In My Bowl'. Digitally mastered. 8 page booklet with informative liner notes. 2000 release. Double slimline jewel case.

Average customer rating:

This Song is sooo good!

Woman Trouble
Artful Dodger , Robbie Craig , and Craig David
Manufacturer: Import [Generic]
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Rock | Styles | Music

Dance & DJ | Imports | Stores | Music
ASIN: B00004W18H
Release Date: 2000-10-31

Album Description

New single from the artist behind the huge dance hits 'Re-Wind' and 'Movin' Too Fast'. Tracks include the 'Radio Edit, 'Wideboy's Pickapocket Or Two Radio Edit', 'Original Version CD Edit' and 'Sunkids Latin Thumper Edit'. 2000 release. Slimline jewel case.

Album Details

Featuring Craig David.

Customer Reviews:

This Song is sooo good!.......2004-04-22

Being from London, this is my style of music but I'd recommend it to anyone who likes to dance to a beat. Artful Dodger are a fab artist and for them to make a song with Craig David and Robbie Craig totally rocks it! The video to this song is soo cool, Robbie Craig is the main guy in the video (the office worker who keeps suffering hallucinations!) but Mark Hill (one of the guys behind Artful Dodger) could be seen mixing in the background....shame Craig David didn't appear!
One of the best dance tunes ever made and i recommend you buy the album (like I did)!!

Average customer rating:

sakurita you are wrong
Beautiful, Baby, Beautiful! :)

Woman Trouble
Artful Dodger & Robbie Craig Featuring Craig David
Manufacturer: Import [Generic]
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Rock | Styles | Music

Dance & DJ | Imports | Stores | Music
ASIN: B00004VXLV
Release Date: 2000-11-07

Tracks:

Woman Trouble (Original Version Radio Edit)
Woman Trouble (Radio Edit)
Sunship Bombastic Radio Edit
Sunkids Future Discotech Edit

Album Description

New single from the artist behind the huge dance hits 'Re-Wind' and 'Movin' Too Fast'. Tracks include 'Original Version Radio Edit', 'Radio Edit', 'Sunship Bombastic Radio Edit', 'Sunkids Future Discotech Edit' and the enhanced video. 2000 release. Slimline jewel case.

Album Details

Featuring Craig David.

Customer Reviews:

sakurita you are wrong.......2002-07-28

That is not Artful Dodger singing it is Craig David. The Artful Dodger is the finest UK garage DJ around, not singer/vocalist.

Beautiful, Baby, Beautiful! :).......2000-08-24

Even though for a single the CD maybe a little pricy, but it is well worth it. I first heard this song when my sister came back from England and downloaded half the song onto her computer. Ever since then we have been looking for the whole song. This CD includes the Original song and three different remixes. The Artful Dodger can also sing really well, which always makes a song even better. If you like dancing, upbeat songs, and hearing people who can actually sing, then you will love this CD! ;)

Average customer rating:

Wicked!!

Woman Trouble
Artful Dodger , and Robbie Craig
Manufacturer: Ew
ProductGroup: Music
Binding: Audio CD
ASIN: B00004ZTSS
Release Date: 2000-07-31

Album Details

Featuring Craig David.

Customer Reviews:

Wicked!!.......2001-08-17

Moonlighting as a DJ now and then, this CD is always in my bag. It is probably Artful Dodgers best thing to date. This is also what remixing was meant to be. Each track is a gem of its own. Don't get fooled by Craig Davids name on the cover. Although he did co-write the song, his vocal appearance is very limited. The vocals by Robbie Craig however are the perfect match with the floor filler music. Why don't we hear more of this man? Also look for Woman Trouble CD Nr. 2, (available through Amazon.co.uk) featuring the video and the mother of all remixes: 'Sunkids future discotech edit'.

Average customer rating:

Woman Trouble #2
Artful Dodger
Manufacturer: Phantom Sound & Vision
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
ASIN: B000BRHR4O
Release Date: 2000-11-20

Average customer rating:

Woman Trouble #1
Artful Dodger
Manufacturer: Phantom Sound & Vision
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
ASIN: B000BRHQ40
Release Date: 2000-11-20

Music Review:

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