Natural Blues [Import]

Natural Blues [Import]

Track Listings

1. Natural Blues (Single Version)

2. The Whispering Wind

3. Sick In The System

4. Natural Blues (Perfecto Remix)

5. Natural Blues (Mike D Edit)

Editorial Reviews
Product Description
German edition of the fifth single from 'Play'. Tracks 'Natural Blues' (Single Verison), 'TheWhispering Wind', 'Sick In The System', 'Natural Blues' (Perfecto Remix & Mike D Edit). 2000 release. Slimline jewlcase.

Tracks:

Natural Blues [Perfecto Remix] - Moby
Natural Blues [Mike D Edit] - Bhagavan Das, Moby
Natural Blues [Peace Division Edit] - Moby

Album Details

Down Tempo. Includes a Perfecto Mix by Paul Oakenfold, a Rework by Beastie Boy Mike D featuring the Crazy Money Mark on Keyboards and Bhagazan Daz on Vocals and Finally a Remix by Peace Division.

Average customer rating:

Martha's best!!!!!!
Two early seventies albums
Worth The Wait
They Saved the Best for Last
Features Martha Reeves at her vocal peak

Natural Resources / Black Magic
Martha & the Vandellas
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Ridin' High/Sugar n' Spice
Dance Party/Watchout!
Come and Get These Memories/Heat Wave
Knight Time/A Little Knight Music
Silk & Soul/Nitty Gritty

ASIN: B0000647GT
Release Date: 2002-04-29

Tracks:

Something
Easily Persuaded
Didn't We
I'm in Love
Love, Guess Who
Everybody's Talkin'
Put a Little Love in Your Heart
Hurt Is Over (Since I've Found You)
Take a Look
Won't It Be So Wonderful
I Should Be Proud
People Got to Be Free
No One There
Your Love Makes It All Worthwhile
Benjamin
Tear It on Down
I've Given You the Best Years of My Life
Bless You
I Want You Back
In and Out of My Life
Anyone Who Had a Heart
Hope I Don't Get My Heart Broke
I Gotta Let You Go [Stereo Mix][#][*]
Earthquake [#][*]
People Got to Be Free [Alternative Version][Alternate Take][*]

Album Description

UK two-on-one remastered reissue includes 'Natural Resources' (1970) & 'Black Magic' (1972) plus three previously unreleased bonus tracks, 'I Gotta Let You Go' (Stereo Mix), 'Earthquake' & 'People Got To Be Free' (Alternative Version). Slimline 2CD case housed in a slipcase with one CD.

Album Details

Digitally Remastered Two Original Albums on a Single CD.

Customer Reviews:

Martha's best!!!!!!.......2006-03-30

These two albums are by far the best of Martha Reeves & The Vandellas. It is so refreshing to finally see them on CD. 'Natural Resources' is far better than 'Black Magic.' The best song I feel on the album is 'The Hurt is Over,' which would have skyrocketed to No.1 had it been released. Another standing out is 'Easily Persuaded,' which Reeves has said she thought could have been a No.1. Too bad Diana Ross squatted Berry Gordy. It's sad to say that sex gets you farther than talent, that of which Ross had very little of, if none at all. I also love the track 'Something,' which is filled soul, and 'Didn't We' which shows Martha can sing standards like the best of 'em. In fact ...all of the tracks not used on the album, were issued on the 'Spellbound: Lost & Found' 2-CD set. Those tracks are 'Talking 'Bout Love,' 'Build Your Love on a Strong Foundation,' 'Earthquake [stereo mix],' and 'There's Love in the World,' just to name a few. "Black Magic,' boasted two fine tracks, the highly collected 'No One There,' now a cult classic, and a very emotional 'Benjamin.'

Two early seventies albums.......2003-05-25

By the time these albums were recorded, Martha and the Vandellas were no longer the attraction they had been in the sixties, but the albums are still worth a listen by committed Motown fans.

The first album, Natural resources, was released in 1970. Only one single was released in America (I should be proud, which failed to chart) and no single was released in Britain. I should be proud is an anti-Vietnam song, which Martha delivers with real feeling. There are some covers here, including Something (Beatles), Put a little love in your heart (Jackie De Shannon) and Everybody's talking (Harry Nilsson), but most of the songs are original, though none are as impressive as I should be proud.

The second album, Black magic, was released in 1972. The cover of Something re-appeared on that album but is not duplicated here as no changes were made to it. The American singles from this album were Bless you, In and out of my life and I want you back. The British singles were Bless you and No one there. None of these singles climbed very high and some failed to chart at all. The only cover here is Anyone who had a heart.

Three bonus tracks include I gotta let you go, another minor hit, and an alternative version of People got to be free.

While this set could hardly be described as essential, it is enjoyable.

Worth The Wait.......2002-12-14

This compilation includes two of my favorite albums I purchased 30 years ago as a teenager. I don't think there's a bad track on either album with many of the songs favorites of mine until today. I'm sure many fans of early Motown have never heard these songs as neither album sold well at the time. I was thrilled to finally get remastered versions of two albums I wore out years ago.

They Saved the Best for Last.......2002-06-21

After criminally neglecting Martha Reeves in his obssessive quest to make Diana Ross the greatest star who ever lived, Berry Gordy Jr. began having second thoughts. In "Natural Resources" the Vandellas were allowed to move beyond albums of random tracks to something a little more ambitious mixing Motown originals with important material from outside the company and the orchestrators were given the go-ahead to be experimental and imaginative. "Natural Resources" glows with this freedom for the group, as does the cover which frees them from evening gowns and girl groupiness and lands the trio squarely in the middle of the back to nature movement. The album is terrific start to finish (the harmonies on "Something" are something!) and Martha finally is allowed to show she can do more than be a Vandella, that she can do ballads, showtype tunes, whatever, but the release went barely noticed as Motown was frying other fish. "Black Magic," with the best cover the Vandellas ever got, was strictly the result of Martha's own enterprise. The company had moved to L.A. and left her behind in Detroit but, again, had second thoughts. The idea was to put her on the new MoWest label out of L.A. working with the Jackson Five's producers the Corporation. That project never got completed, but some of the tracks ended up on this album. Beyond that, Martha got attention from George Gordy, resulting in one of her greatest records, "In and Out of My Life;" Ashford and Simpson for "Tear It on Down" and somehow got the gorgeous ballad "No One There," which opened the album and should have been a #1 single but--guess what--never got out AS a single in the U.S. Martha herself found some of the tracks at Motown and managed to get herself recorded with them and from this total botched mess comes surprisingly a beautiful piece of work. "Benjamin" is particularly noteworthy, showing Martha way, way beyond her shout days to being a thoughtful, deep singing actress. Meanwhile, Motown, mysterious as usual, repeated "Something" from the previous album while leaving off two amazing tracks, "Baby Don't Leave Me" and the followup to "In and Out of My Life," "I Won't Be Fooled The Way I Was Before." They appeared 30 years later. This album (originally to have been titled "Black Lace") got zip promotion and was hard to find. But together on C.D. these two albums represent a revelation--here is a truly great singer truly ignored by the record company she helped raise to success and, despite it all, she ends up triumphant. And doing better than ever now, thank you very much.

Features Martha Reeves at her vocal peak.......2002-05-20

Martha Reeves & The Vandellas always had a loyal cult following in Britain, so it's not surprising that Motown UK has finally reissued all their original albums as twofers in CD format. The good news is that they're all given the royal treatment (similar to the Supremes reissue), with annotated track listings, bonus tracks including alternative takes, glorious colour pictures on the covers and booklets and above all. great audio quality from digital remastering. The not-so-good news is that the albums themselves are of variable qaulity and not always essential to all but hardcore fans. The best of the 3 later releases is to my ears "Natural Resources/Black Magic", the weakest and least essential being "Riding High/Sugar & Spice". "Dance Party/Watchout" is worth buying if only for the dance set.

Released in the early 70s when the group was considered to have passed its sell by date, "Natural Resources/Black Magic" contained surprisingly some of the most accomplished and mature work Martha ever did with Motown. By then, the music scene had changed and the practice of loosely throwing together a bunch of familiar covers for an album release was considered passe for artistes who wanted to be taken seriously. So, with these two albums, Motown tried to upgrade the group's image a bit by getting them to record more contemporary material. The results were mixed. But vocally, Martha was in peak form. She never sounded better. On gems like "I Should Be Proud", she lets rip with a new confidence, allowing her gorgeous voice to soar and her passionate vibrato to convey emotions that must have registered on the richter scale. Her phrasing on some of her earlier recordings could be sloppy occasionally, but by the early 70s, she had tightened up professionally and was hitting the sweet spot with deadly accuracy.

The release of "Natural Resource" went virtually unnoticed. It yielded no hits. But even with its fair share of fillers, it was memorable for the half dozen songs that genuinely worked and showcased Martha's growing prowess as a vocalist. Aside from the devastating "I Should Be Proud" - a high watermark of the group's latter day work with Motown - Martha also experimented with jazz and come up with the goods on Jimmy Webb's "Didn't We" and a searing performance on "Love, Guess Who". Another particular highlight for me was the raunchy "Easily Persuaded" featuring some of the most impressive and soulful singing Martha ever did. Unfortunately, their covers of the Beatles ("Something"), Nilsson ("Everybody's Talking"), Jackie de Shannon ("Put A Little Love In Your Heart") and the Rascals ("People Got To Be Free"), though respectable, didn't work so well, reflecting Motown's own A & R limitations.

Nevertheless, the group went out in style with "Black Magic", which like its predecessor, wasn't perfect but delivered some truly good stuff. By 1972, the Jackson 5 was Motown's priority act, so Martha & the girls benefited from the spillover effect. "Bless You", written and produced by The Corporation, was their most catchy number in a long while and a modest sized Top 40 hit for them. Their cover of the Jacksons' "I Want You Back" was also different and interesting. But the piece de resistance was "Benjamin", an emotional ballad which showed off Martha's vocal dexterity to great effect. There was also Ashford & Simpson's "Tear It On Down", which once again distinguished Martha's choices from Diana's when they were picking from the same songbook. Martha always went for the heavier, grittier, though less tuneful stuff. The non-album single "I Gotta Let You Go" was a good bonus track.

Tracks:

Sometimes - Bessie Jones
Trouble So Hard - Vera Hall
Smokestack Lightning - Howlin' Wolf
Joe Lee's Rock - Boy Blue, Willie Jones, Joe Lee
Reconsider Baby - Lowell Fulson
Help Me - Sonny Boy Williamson [II]
My Babe - Little Walter
Bollweevil Holler - Vera Hall
High Heeled Sneakers - Tommy Tucker
We're Gonna Make It - Little Milton
I'm in the Mood - John Lee Hooker
Boogie Chillen - Boy Blue, , Joe Lee
Shake 'Em on Down - Mississippi Fred McDowell
Mannish Boy - Muddy Waters
Searchin' for a Woman - Albert King
Wang Dang Doodle - Koko Taylor
Walking By Myself - Jimmy Rogers
Bo Diddley - Bo Diddley
Confessin' the Blues - B.B. King
Walking the Blues - Willie Dixon
First Time I Met the Blues - Buddy Guy
Slow Down - Louis Jordan
So Many Roads, So Many Trains - Otis Rush
I'd Rather Go Blind - Etta James
Go to Sleep Little Baby - Bessie Jones
Death Have Mercy - Vera Hall

Album Description

UK compilation featuring the title theme from the TV series 'The Sopranos' 'Woke Up This Morning' (Chosen One Mix) by Alabama 3. Other highlights on this 22 track double CD are, John Lee Hooker, Etta James, Santana, ZZ Top, Muddy Waters, Nina Simone and Cream. Slimline double jewel case. 2001 release.

Average customer rating:

Dissapointed
very diverse

Natural Blues
Moby
Manufacturer: Import [Generic]
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SF6J
Release Date: 2000-05-23

Tracks:

Natural Blues (Single Version)
The Whispering Wind
Sick In The System

Album Description

Fifth single from 'Play'. Featuring 2 unreleased B-sides. Tracks 'Natural Blues' (Single Version), 'The Whispering Wind' & 'Sick In The System'. 2000 release. Slimline jewel case.

Album Details

Down Tempo. Includes Two Unreleased B-Sides.

Customer Reviews:

Dissapointed.......2004-07-28

the first track is an edited version of 'Natural Blues', track 8 on play, and this version trims it down, and removes some of the bet parts of the song, it's like taking the soul out of music. I didn't like how they edited that track. Track 2, 'The Whispering Wind' seems very sad, but it gets boring after a while, and the way moby edited his voice on that gets annoying after a while.
Track 3, 'Sick In The System' seemed odd for this single, but the song in itself i enjoyed the most out of all of the tracks on this cd.

very diverse.......2002-12-12

The first track (1.Natural Blues - single version) is like many of the singles from play, with the folk sounding sampling, electronic beats, and symphonic instruments to enhance the melody. this is a single well worth its A - side (track single is named after). The B - sides (extra tracks) are both non-lp tracks, so if you want them then you have to get this album. 2.The Whispering Wind is an almost ambient track. It has too many sounds to be truly ambient, but the sound gives you an ambient feel. Moby's voice gets breathy, and produces an echo. This song is almost haunting, and the feel of the song is new for him, he's never done one like this before. The third and final track 3.Sick In The System will remind you a bit of move (disco threat). This track has no words, and I would categorize it somewhere between techno and trance. this track is ok, it has two downfalls: 1. an annoying sound about every five seconds that sounds like a cat dying and 2. the ending with just a brite piano takes a little too long, he stratches it out a bit. Ultimately I think its one of his best techno-symphonic tracks. This entire single is quite diverse, and for three quality songs its well worth it, beleive me.

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