All My Love's in Vain [Import]
All My Love's in Vain [Import]
Editorial Reviews
Product Description
20 years in the making, this is the debut album from blues guitarist Nigel Mooney. A veteran of the Irish blues scene, has played with BB King, Lowell Fulsom, Louisiana Red, Georgie Fame and Bobby Watson. 9 tracks. RWX. 2005.
All My Love's in Vain,Nigel Mooney,Dance
Average customer rating:
- Valuable compendium
- Rareties available on CD at last!
- Heavenly
- WHO ELSE CAN SING LIKE THIS TODAY?
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The Art of Joan Sutherland
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
All Works by Arne
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| Wagner, Richard
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Similar Items:
- Joan Sutherland: BBC-Recitals 1958, 1960, 1961
- The Art of the Prima Donna
- La Stupenda ~ The Supreme Voice of Joan Sutherland
- Serate Musicali
- The Voice of the Century
ASIN: B000654OUQ
Release Date: 2005-03-15 |
Customer Reviews:
Valuable compendium.......2007-01-24
This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.
Rareties available on CD at last!.......2006-03-29
While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").
While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.
I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.
Heavenly.......2006-01-31
I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.
WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10
This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.
Average customer rating:
- Fine reissue of a classic set
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Purcell: Theatre Music
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
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Similar Items:
- Cantatas for Solo Countertenor
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- Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
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- Lute Music, Vol. 2
ASIN: B0001Y4JHA
Release Date: 2004-10-12 |
Customer Reviews:
Fine reissue of a classic set.......2006-05-24
Think about the stupidest, most formulaic Hollywood movies you can think of: cheesy action pictures, fluffy, unfunny comedies, big but stiff epics. Now imagine that one of the greatest living composers was working in Hollywood, turning out astonishing, hauntingly beautiful and stirring musical scores for these throwaway movies. That's what you get with this set: music Henry Purcell composed for some two dozen often utterly forgettable plays (trust me--I've read a number of them!) Occasionally, when he teams up with a playwright worthy of his stature, such as John Dryden, Aphra Behn, or William Congreve, the results are even better, but for the most part you can enjoy the music here without knowing anything about the original plays.
This set originally appeared as separate LPs in the 70s and 80s, and has been long out of print. That's a pity, since Purcell spent a good deal of his short professional life in the theatre, either writing the incidental music contained on these CDs, or the music for his larger works, the semi-operas (King Arthur, The Fairy Queen, and the like). Almost all of these works are enjoyable gems; certainly, they represent a pinnacle of English 17th century music. Purcell had a genius for spinning musical gold out of the most leaden lyrics (check out his Odes and Welcome Songs on Hyperion if you don't believe me), and he does the same with the song texts in these plays.
Hogwood and the AAM offer clean, listenable performances, and the sound on these old analog discs has been cleaned up and brightened--although they were pretty good, even in the late 70s. As with most Hogwood, emotional extremes are kept to a minimum, so the "otherworldly" nature of late 17th century music, so often emphasised in more recent Baroque performances, doesn't come across here. It would be interesting to see what a group like The King's Consort would do with this music, but this set fills the major gap in the Purcell canon quite nicely.
My only beef with the reissue, as with many reissues, is that the liner notes are rather thin for a 6-cd set--the lyrics to the songs, for example, are especially missed. Still, it's a worthwhile set, and a must for fans of Purcell, English Baroque music, or anyone who just wants to experience a taste of the last days of the Restoration stage.
Average customer rating:
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Haendel: Saul [Hybrid SACD]
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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- Handel: Messiah [Hybrid SACD]
ASIN: B000A169OK
Release Date: 2006-01-10 |
Tracks:
- Symphony: Allegro - Larghetto - Allegro - Andante Larghetto
- 1. Chorus: How Excellent Thy Name, O Lord
- 2. Air (Soprano): An Infant Raised By Thy Command - 3. Trio (Alto, Tenore, Basso): Along The Monster Atheist Strode
- 4. Soprano, Alto, Tenore, Basso: The Youth Inspired By Thee, O Lord - 5. Chorus: How Excellent Thy Name, O Lord
- 6. Recit & 7. Air (Michal): He Comes, He Comes! - O God-Like Youth! - 8. Recitative (Abner, Saul, David): Behold, O King, The Brave, Victorious Youth
- 9. Air (David): O King, Your Favours With Delight - 10. Recitative (Jonathan): Oh Early Piety!
- 11. Air (Merab): What Abject Thoughts A Prince Can Have! - 12. Recitative (Merab): Yet Think, On Whom This Honour You Bestow
- 13. Air (Jonathan): Birth And Fortune I Despise!
- 14. Recitative (High Priest): Go On, Illustrious Pair! - 15. Air (High Priest): While Yet Thy Tide Of Bood Runs High
- 16. Recitative (Saul, Merab): Thou, Merab, First In Birth, Be First In Honour - 17. Air (Merab): My Soul Rejects The Thought With Scorn - 18. Air (Michal): See, With What A Scornful Air - 19. Air (Michal): Ah, Lovely Youth, Wast Thou Designed
- 20. Symphony: Andante Allegro - 21. Recitative (Michal): Already See The Daughters Of The Land - 22. Chorus: Welcome, Welcome, Mighty King!
- 23. Accompagnato (Saul): What Do I Hear? - 24. Chorus: David His Ten Thousands Slew - 25. Accompagnato (Saul): To Him Ten Thousands - 26. Air (Saul): With Rage I Shall Start Burst His Praises To Hear
- 27. Recitative (Jonathan, Michal): Imprudent Women! - 28. Air (Michal): Fell Rage And Black Despair Possessed
- 29. Recitative (High Priest): This But The Smallest Part Of Harmony - 30. Accompagnato (High Priest): By Thee This Universal Frame
- 31. Recitative (Abner): Racked With Infernal Pains - 32. Air (David): O Lord, Whose Mercies Numberless
- 33. Symphony: Largo - 34. Recitative (Jonathan): 'Tis All In Vain, His Fury Still Continues
- 35. Air (Saul): A Serpent, In My Bosom Warmed - 36. Recitative (Saul): Has He Escaped My Rage?
- 37. Air (Merab): Capricious Man
- 38. Accompagnato (Jonathan): O Filial Piety! - 39. Air (Jonathan): No, Cruel Father, No!
- 40. Air (High Priest): O Lord, Whose Providence - 41. Chorus: Preserve Him For The Glory Of Thy Name
- 42. Chorus: Envy! Eldest Born Of Hell!
- 43. Recitative (Jonathan): Ah! Dearest Friend - 44. Air (Jonathan): But Sooner Jordan' Stream, I Swear
- 45. Recitative (David, Jonathan): Oh Strange Vicissitude! - 46. Air (David): Such Haughty Beauties Rather Move
Tracks:
- 47. Recitative (Jonathan): My Father Comes - 48. Recitative (Saul, Jonathan): Hast Thou Obeyed My Orders
- 49. Air (Jonathan): Sin Not, O King, Against The Youth - 50. Air (Saul): As Great Jehovah Lives - 51. Air (Jonathan): From Cities Stormed, And Battles Won
- 52. Recitative (Jonathan, Saul): Appear, My Friend - 53. Air (David): Your Words, O King, My Loyal Heart - 54. Recitative (Saul): Yes, He Shall Wed My Daughter!
- 55. Recitative (Michal): A Father's Will Has Authorised My Love - 56. Duet (Michal, David): O Fairest Of Ten Thousand Fair - 57. Chorus: Is There A Man
- 58. Symphony: Largo - Allegro
- 59. Recitative (David): Thy Father Is As Cruel - 60. Duet (David, Michal): At Persecution I Can Laugh
- 61. Recitative (Michal, Doeg): Whom Dost Thou Seek - 62. Air (Michal): No, No Let The Guilty Tremble
- 63. Recitative (Merab): Mean As He Was, He Is My Brother Now - 64. Air (Merab): Author Of Peace, Who Canst Controul
- 65. Symphony: Allegro
- 66. Accompagnato (Saul): The Time At Length Is Come - 67. Recitative (Saul, Jonathan): Where Is The Son Of Jesse?
- 68. Chorus: Oh Fatal Consequence Of Rage
- 69. Accompagnato (Saul): Wretch That I Am - 70. Recit - Accompagnato (Saul): 'Tis Said, Here Lives A Woman
- 71. Recitative (With, Saul): With Me What Would'st Thou - 72. Air (Witch Of Endor): Infernal Spirits
- 73. Accompagnato (Samuel, Saul): Why Hast Thou Forced Me From The Realms Of Peace
- 74. Symphony: Allegro
- 75. Recitative (David, Amalekite): Whence Comest Thou? - 76. Air (David): Impious Wretch, Of Race Accurst!
- 77. March: Grave
- 78. Chorus: Mourn, Israel
- 79. Air (High Priest): Oh Let It Not In Gath Be Heard
- 80. Air (Merab): From This Unhappy Day
- 81. Air (David): Brave Jonathan His Bow Never Drew - 82. Chorus: Eagles Were Not So Swift As They
- 83. Air (Michal): In Sweetest Harmony They Lived! - 84. Solo (David And Chorus): O Fatal Day! - 85. Recitative (Abner): Ye Men Of Judah, Weep No More!
- 86. Chorus: Gird On Thy Sword, Thou Man Of Might
Average customer rating:
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Purcell: Airs & Duets
Manufacturer: Lyrichord Discs Inc.
ProductGroup: Music
Binding: Audio CD
Duets
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- Ignaz Holzbauer: Five Symphonies
ASIN: B0000022BJ
Release Date: 1996-09-24 |
Tracks:
- Let the Fifes and the Clarions - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Hark! The Ech'ing Air - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Beauty, thou Scene of Love - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
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- Saccharissa's Grown Old - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Sound the Trumpet - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Lord, What Is Man? - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Sweetness of Nature - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Be Welcome, Then, Great Sir - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Lovely Albina's Come Ashore - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- One Charming Night - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Here Let My Life - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
- Many, Many Such Days - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
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- Hail, Gracious Glorianna, Hail! - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
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- Las Cantigas de Santa Maria: Cantigas 36 - Russel Oberlin/Joseph Iadone
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Average customer rating:
- English is an asset and a drawback
- You Will Love Opera After Hearing Carmen In English
- A wholly credible "Carmen" -- finally!
- I love Carmen!
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Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
General
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Operettas
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- Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry
ASIN: B00007JGRN
Release Date: 2003-03-11 |
Tracks:
- Prelude
- In The Plaza
- Just Look At That Delicious Morsel
- Here Come Our New Soldier Boys
- Jose! There Was A Girl Here Looking For You Just Now
- Off With You Old Soldier Boys
- Corporal! Sir!
- We Have Heard The Bell Summon Us To Meet Here
- Ah, Just Look!
- But Why Hasn't She Come, Our Carmencita?
- Love's A Bird Wild As Any Rebel
- Carmen! We Will Follow You High And Low!
- The Cheek Of It!
- Give Me News Of My Mother!
- Your Dear Mother And I Were Leaving Church This Morning
- I See My Mother's Face!
- Wait A Moment - I'm Going To Read The Letter
- Come And Help
- So, Corporal: Tell Me What Happened
- Well, Carmencita: What Do You Have To Say For Yourself?
- Where Are You Taking Me?
- There's An Old Bar In The City
- Careful - It's Lieutenant!
- Entr'acte
- From Far Away Mysterious Sounds
- Bravo, Bravo! More! Keep Dancing!
- Hurrah! Hurrah! The Torero!
- Who's That? It's Escamillo, The Bullfighter From Granada
- Hurrah! Hurrah! The Torero!
- You're Most Kind
- We'll Come With You, Senor Torero
- Toreador, Be Ready!
- At Last! We Got Rid Of Them As Quickly As We Could
- There's A Little Job That We're Starting!
- Being In Love Is Not A Reason
Tracks:
- To Bid You Welcome To Our Bar
- La La La La La La La La...
- Back To Camp!... Go At Once!
- That Flow'r You Threw To Me I Treasured
- No, It's Not Love At All!
- Hello! Carmen!
- Lieutenant Fair, It's True
- The Sky Above The Open Road
- Entr'acte
- Keep Going, Dear Old Friend, Kep Going!
- Right! Let's Stop For A While
- Shuffle! Cut Them!
- In Vain You Would Avoid The Bitter Things They're Saying
- You're Back!
- As For That Man, It Should Be Easy!
- Is This The Place?
- I Say That There's Nothing To Fear
- It's Him! I'm Sure It's Him Over There!
- Escamillo Is My Name, And I Come From Granada
- She Had A Lover Here
- Hola! Hola! Jose!
- You Should Take Care, Carmen
- Alas! Jose, Your Mother Is Ill
- Entr'acte
- A Few Cuartos! A Few Cuartos!
- Here They Come! Here They Come!
- If You Love Me, Carmen
- It's You! It's Me!
- Viva! Viva! What A Corrida!
Customer Reviews:
English is an asset and a drawback.......2004-07-20
The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.
Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.
This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.
You Will Love Opera After Hearing Carmen In English.......2004-02-09
What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.
The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.
A wholly credible "Carmen" -- finally!.......2003-09-17
This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.
I love Carmen!.......2003-08-15
I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.
And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.
The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.
The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.
A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.
Average customer rating:
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The Early Byrd
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Byrd, William
| ( B )
| Featured Composers, A-Z
| Classical
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Variations
| Variations
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ASIN: B000000A60
Release Date: 1995-05-23 |
Tracks:
- Early Works For Voices, Viols And Virginals: Attollite portas
- Early Works For Voices, Viols And Virginals: Triumph With Pleasant Melody
- Early Works For Voices, Viols And Virginals: Oh Lord, How Vain
- Early Works For Voices, Viols And Virginals: All In A Garden Green
- Early Works For Voices, Viols And Virginals: Domine secundum actum meum
- Early Works For Voices, Viols And Virginals: Truth At The First
- Early Works For Voices, Viols And Virginals: Who Likes To Love
- Early Works For Voices, Viols And Virginals: Wolsey's Wilde
- Early Works For Voices, Viols And Virginals: Da Mihi Auxilium
- Early Works For Voices, Viols And Virginals: Farewell, False Love
- Early Works For Voices, Viols And Virginals: O Mistrys Myne
- Early Works For Voices, Viols And Virginals: Miserere mihi, Domine
- Early Works For Voices, Viols And Virginals: My Mind To Me A Kingdom Is
- Early Works For Voices, Viols And Virginals: La volta
- Early Works For Voices, Viols And Virginals: Ad Dominum cum tribularer
Average customer rating:
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Complete Secular Songs (3cd)
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
| ( P )
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| Purcell, Henry
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Similar Items:
- The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
- Sacred Music Complete
- Purcell: Complete Ayres for the Theatre
- Dowland - The Collected Works / The Consort of Musicke, Rooley
- Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys
ASIN: B0000DJENT
Release Date: 2004-01-13 |
Average customer rating:
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Dido and Aeneas / de Los Angeles, Glossop, Harper, ECO, Barbirolli
Henry Purcell , Sir John Barbirolli , John McCarthy , Victoria de Los Angeles , Peter Glossop , English Chamber Orchestra , Heather Harper , Patricia Johnson , Raymond Leppard , Ambrosian Singers , Sibyl Michelow , and Elizabeth Robson
Manufacturer: EMI Records [All429]
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
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| Purcell, Henry
| Composers
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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General Modern
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ASIN: B00002585D
Release Date: 2000-10-24 |
Tracks:
- Ov - ECO/Sir John Barbirolli
- Act One, Scene One: Shake The Cloud From Off Your Brow - Heather Harper
- Act One, Scene One: Banish Sorrow, Banish Care - Ambrosian Singers/John McCarthy
- Act One, Scene One: Ah! Belinda, I Am Prest With Torment - Victoria De Los Angeles
- Act One, Scene One: Grief Increases By Concealing - Heather Harper/Victoria De Los Angeles
- Act One, Scene One: When Monarchs Unite - Ambrosian Singers/John McCarthy
- Act One, Scene One: Whence Could So Much Virute Spring? - Victoria De Los Angeles
- Act One, Scene One: Fear No Danger To Ensure - Heather Harper/Elizabeth Robson/Ambrosian Singers/John McCarthy
- Act One, Scene One: See, Your Royal Guest Appears - Heather Harper/Peter Glossop/Victoria De Los Angeles
- Act One, Scene One: Cupid Only Throws The Dart - Ambrosian Singers/John McCarthy
- Act One, Scene One: If Not For Mine, For Empire's Sake - Peter Glossop
- Act One, Scene One: Pursue Thy Conquest, Love - Heather Harper
- Act One, Scene One: To The Hills And The Vales - Ambrosian Singers/John McCarthy
- Act One, Scene One: The Triumphing Dance - ECO/Sir John Barbirolli
- Act One, Scene Two: Wayward Sisters - Patricia Johnson/Clare Walmesley
- Act One, Scene Two: Harms's Our Delight And Mischief All Our Skill - Ambrosian Singers/John McCarthy
- Act One, Scene Two: The Queen Of Carthage, Whom We Hate - Patricia Johnson/Ambrosian Singers/John McCarthy
- Act One, Scene Two: Ruin'd Ere The Set Of Sun? - Clare Walmesley/Sybil Michelow/Patricia Johnson/Ambrosian Singers/John McCarthy
- Act One, Scene Two: But, Ere We This Perform - Clare Walmesley/Sybil Michelow
- Act One, Scene Two: In Our Deep Vaulted Cell - Ambrosian Singers/John McCarthy
- Act One, Scene Two: Echo Dance Of Furies - ECO/Sir John Barbirolli
- Act Two: Ritornelle - ECO/Sir John Barbirolli
- Act Two: Thanks To These Lonesome Vales - Heather Harper/Ambrosian Singers/John McCarthy
- Act Two: Oft She Visits This Lov'd Mountain - Elizabeth Robson
- Act Two: Behold, Upon My Bending Spear - Peter Glossop/Victoria De Los Angeles
- Act Two: Haste, Haste To Town - Heather Harper/Ambrosian Singers/John McCarthy
- Act Two: Stay, Prince! And Hear Great Jove's Command - Sybil Michelow/Peter Glossop
- Act Three: Come Away, Fellow Sailors - Robert Tear/Ambrosian Singers/John McCarthy
- Act Three: Sailors' Dance - ECO/Sir John Barbirolli
- Act Three: See The Flags And Streamers Curling - Patricia Johnson/Clare Walmesley/Sybil Michelow
- Act Three: Our Next Motion Must Be To Storm Her Lover - Patricia Johnson
- Act Three: Destruction's Our Delight - Ambrosian Singers/John McCarthy
- Act Three: Witches' Dance - ECO/Sir John Barbirolli
- Act Three: Your Counsel All Is Urg'd In Vain - Victoria De Los Angeles/Heather Harper/Peter Glossop
- Act Three: Great Minds Against Themselves Conspire - Ambrosian Singers/John McCarthy
- Act Three: Thy Hand, Belinda - Victoria De Los Angeles
- Act Three: When I Am Laid In Earth - Victoria De Los Angeles
- Act Three: With Drooping Wings - Ambrosian Singers/John McCarthy
Average customer rating:
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Serenade
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
Delius, Frederick
| ( D )
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All Works by Donizetti
| Donizetti, Gaetano
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| Gounod, Charles
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| Handel, George Frideric
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| MacDowell, Edward
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| Massenet, Jules
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| Mozart, Wolfgang Amadeus
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| Offenbach, Jacques
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| Rossini, Gioacchino
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London Philharmonic Orchestra
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ASIN: B00003E455
Release Date: 2000-01-11 |
Tracks:
- The Fair Maid Of Perth: Ser
- The Barber Of Seville: Dawn W. Her Rosy Mantle
- Don Giovanni: Dalla Sua Pace
- The Bohemian Girl: When Other Lips
- Frederica: O Maiden, My Maiden
- Lily Of Killarny: Eily Mavourneen
- The Bloom Is On The Rye
- My Sweetheart When A Boy
- La Belle Helene: The Shepherd's Song
- Annie Laurie
- Two Eyes Of Grey
- To A Wild Rose/Diaphenia
- To The Queen Of My Heart/Love's Philosophy
- To Mary
- Cosi Fan Tutte: Un' Aura Amorosa
- The Pearl Fishers: In Memory I Lie Beneath The Palms
- Faust: All Hail, Thou Dwelling
- L'Elisir D'Amore: Down Her Pale Cheek
- Diaphenia/The Sweet O' The Year
- Judas Maccabaeus: How Vain Is Man
- Manon: Dream Song
Average customer rating:
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Purcell: The Secular Solo Songs, Volume 3 / The King's Consort
Henry Purcell , Barbara Bonney , James Bowman , Robert King , The King's Consort , Susan Gritton , Rogers Covey-Crump , Charles Daniels , and Michael George
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
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| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
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Bonney, Barbara
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Similar Items:
- The Secular Songs of Henry Purcell, Vol. 2
ASIN: B000002ZUL
Release Date: 1994-10-25 |
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