Scories [Import]

Scories [Import]

Track Listings

1. Walking Slowly

2. Along the Line

3. Ghost Groove

4. Terra Alba

5. Pass the Potatoes

6. Scories

7. Comprovisation à Ixelles [Live]

Scories,DJ Olive Vs JP Dessy,Sub Rosa,Ambient Dub,Dance Music,Electronic,Modern Creative,Pop

Hannah Montana 2: Meet Miley Cyrus
Average customer rating:

No. 1 With a Bullet. :)

A Very Good Second Album

can somebody...

Far Better than it has the Right to Be

Fantastic!

Hannah Montana 2: Meet Miley Cyrus
Hannah Montana , and Miley Cyrus
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Hannah Montana - Pop Star Profile

High School Musical 2

Hannah Montana: 2-Disc Special Edition Soundtrack

Headstrong

High School Musical, The Concert - Extreme Access Pass

ASIN: B000OYC3L6
Release Date: 2007-06-26

Tracks:

We Got the Party
Nobody's Perfect
Make Some Noise
Rock Star
Old Blue Jeans
Life's What You Make It
One in a Million
Bigger than Us
You and Me Together
True Friend

Tracks:

See You Again
East Northumberland High
Let's Dance
G.N.O. (Girl's Night Out)
Right Here
As I Am
Start All Over
Clear
Good and Broken
I Miss You

Amazon.com

Tweens aren't often heralded for their good judgment and excellent taste (Heelys--hello), but if any young starlet can redeem them, it's Hannah Montana. On this, the second soundtrack from the Disney Channel series, Miley Cyrus takes her cues from her TV alter ego, who has an alter ego of her own: Disc 1 features Miley as Hannah, hair-tossing pop princess by weekend, likable schoolgirl by weekday (see "Old Blue Jeans" and "True Friends" to get a sense of each episode's un-cloying sweetness). But disc 2 is the start of something new, as her friends over on the High School Musical set might say: Miley sings strictly as her spunky, truth-telling self. This yields a number of pepped-up pop tracks bound to vibrate through the walls of pink bedrooms everywhere--"See You Again" is a boy-centric song instantly relatable to anyone who's ever been in seventh grade and suffered a bout of bashfulness, "East Northumberland High" puts a punk spin on an I'm-just-not-into-you tale, and "Clear" bounces on a reggae beat while canceling any doubt about our heroine's ability to stand up for herself. Like Hannah before her, Miley makes the best of both worlds--this well-worth-it set, by turns rockin' and reflective, is a masterful example. --Tammy La Gorce

Hannah Montana Photos

Album Description

This 2-disc set features 10 all new Hannah Montana songs from the #1-rated Disney Channel series, as well as a 2nd CD including 10 brand-new original songs by Miley Cyrus!

Customer Reviews:

No. 1 With a Bullet. :).......2007-07-13

The two-disc _Hannah Montana 2: Meet Miley Cyrus_ release is a worthy successor to her no. 1 album of last year (see: the _Hannah Montana_ soundtrack album, 2006). As of this writing, at least seven of the songs from that first album have cracked the top 100 (Billboard). Additionally, the _Hannah Montana 2: Meet Miley Cyrus_ album placed no. 1 on the Billboard charts during its first week of release.

My family and I thoroughly enjoy this collection. There are twenty songs (ten by Hannah Montana and ten by Miley Cyrus), and the styles represented are quite eclectic. There appears to be a humble maturity occurring in her vocals and in a number of the 'Miley' texts being set to music; indeed, some of them are philosophical, while others are retrospective and (speculatively speaking) apparently prophetic, to a degree. Although the album is enjoyable to hear and digest on its own merits, in the opinion of this writer a number of tracks require repeated listenings in order to grasp some of the more subtle nuances, both musical and textual. Perhaps it is this aspect of the double-CD album that is most impressive: the quality of the work presented here by Miley and her entourage of writers is musically engaging and challenging to the listener.

The tunes on this double CD set, like those included on the initial soundtrack release, are again cleverly written. Among the genres and styles covered are ballads ("One In a Million" and "Make Some Noise"), rock, techno-pop, and a smidge of hip-hop, as well as songs containing both Spanish ("Let's Dance") and reggae ("Clear") elements. There are also some tracks (e.g. "Old Blue Jeans" and "See You Again," among others) which incorporate slightly more complex harmonies--harmonies that should keep those whom are musically inclined engaged and attentive. Among the ballads represented, it is pleasing to note that not all are about the all-too-common subject of love (e.g., "Make Some Noise").

Some semi-technical musical aspects:

The transition (from Hannah to Miley) I spoke of when reviewing her first album is deliberate on this stylistically-diverse collection. The new 'Hannah' tunes are as energetic and forward-moving as any of the power-rockish songs on the first album, while the cuts recorded by Miley continue to be imaginative and thought-provoking musically, especially with regard to the harmonic progressions being used. The melodies contain a relatively balanced mix of conjunct and disjunct movement, with some being diatonic (e.g., "Start All Over") and others encompassing more angular intervals (such as with the pronounced agogic accents that articulate the opening of "Life's What You Make It"). Particularly engaging and memorable to this listener, at least, is the unfolding locrian-esque ascending melodic line (built upon the third degree of the mode in which the tune resides) of "Start All Over" and the rhythmic movement accompanying the embedded pair of descending perfect fourths (F-C and C-G) included in the instrumental and vocal opening to "Life's What You Make It."

There is a decidedly less preponderant use of E major on this album, with keys such as C-sharp minor ("Nobody's Perfect"), G major ("Life's What You Make It"), A major ("Right Here"), A minor ("See You Again"), C major ("Clear"), G minor ("East Northumberland High"), and F-sharp minor ("Let's Dance") being used. {It must be noted that it was for me difficult to determine the precise key a given tune was written in as the tracks often sound a half step higher or lower depending upon the medium (DVD player, radio, or television) or format (CD or DVD) being used. But the relative, if not the absolute, pitch of the keys used is extremely varied.} The 'signature' E major framework is not entirely absent, however, as it is used on a couple of songs, one of which is "Bigger Than Us," a tune first heard by this writer performed in a different iteration (and in a different style and tempo) by Billy Ray Cyrus on the hit television show, "Hannah Montana." Speaking of which, another of the tunes on the 'Hannah' portion of this most recent effort, "Rock Star," is a trademark song of hers stylistically, and is sure to make its way to the television series as have several others to date.

As was the case with her first album, I again noticed--and appreciated--how different the vocal timbre of Miley Cyrus can be depending on the key being employed. Significantly, there are a few times where she cautiously extends her vocal range upward, and in so doing continues to attack her notes with excellent intonation and with what I perceive to be a modicum of ease. I am still hopeful that we will one day hear a more extensive (and melodically protracted) use of her lower range; the vocal quality is markedly different and may lend itself to a plethora of styles not yet represented on either of her first two albums.

The performances of "Nobody's Perfect" (the melody was heard initially as the "Bone Dance" on the television show, albeit with a different and more script-specific text) and "Life's What You Make It" are particularly engaging. It seems to me that both tunes (with a nod to "Make Some Noise" in 6/8 meter, and the harmonically compelling "Old Blue Jeans") are among the most imaginative and ambitious of any performed by Hannah thus far. Interestingly, "Make Some Noise" is the second tune of Miss Montana to use the barcarolle-like 6/8 meter; the first being the jointly-performed (with her father) "I Learned From You," the final cut to grace her premiere album, and a song which is interesting for its sporadic yet well-positioned use of hemiola. {N.B.: The songs by Miley are perhaps even more ambitious than those of Hannah Montana, with such gems as "See You Again," the dark (dare I say sardonic?) "East Northumberland High," and the somewhat flamenco-esque "Let's Dance" residing within and/or flirting tenuously with the minor mode; tangental cuts such as "Right Here" and the reggae-like "Clear" employ the unlikely melodic interval (performed vocally) of the ascending major seventh(!).} Curiously, and yet refreshingly, Miss Cyrus in some of the repeated sections of the pointedly melancholic "See You Again" chooses to vacillate between the raised (and eventually lowered) leading tone degree. The tension produced by the (albeit protracted, depending on one's musical memory) cross-relationship makes the tune somewhat modally ambiguous. Combined with her judiciously placed upward and downward slurring occurring on several of the phrases, and with the performance of the beginnings and endings of these segments being spot on with regard to pitch, the result tends to drive the music forward with a measured tenacity, which in the opinion of this writer is one mark of musicality occurring on the album. It is also noteworthy to mention that the first three tracks on the final CD--"See You Again," "East Northumberland High," and "Let's Dance"--each occupy a minor mode sound world.

Although I have given a cursory review of "Nobody's Perfect" elsewhere, it is important to reiterate that the tune is performed remarkably well, with Miss Montana's stage presence and accompanying rhythmic synchronizations (hand gestures and choreography) augmenting an already intriguing piece of writing. The track may interest those who enjoy relatively uncommon chord progressions in pop music. It begins and ends in C-sharp minor, but meanders effortlessly through a B minor/D major framework, eventually gravitating toward E major. The combination and succession of pitch centers--and especially the harmonic tension created between the opening and closing key of C-sharp minor and the B minor/D major/G(!) major constructs within which the second major section of this work vacillates--provides a stark yet musically engaging contrast.

I continue to appreciate the image Hannah Montana/Miley Cyrus has thus far portrayed as well. As a father of several children (including four daughters, each of whom loves her music), it is gratifying to see a positive role model (with talent to burn) coming out of the Disney stable. I and my family wish her all the best in the years to come.

A Very Good Second Album .......2007-07-10

Miley/Hannah produce some catchy songs on this great follow-up to the first album. In many ways this two-disc set is better than the first Hannah Montana album (there is no filler from other groups or singers) and there are many age-appropriate songs that adults will find themselves singing along to. They have included so many songs that not every song is a winner (some of the slow ones are boring) and songs that Miley wrote show that she is still learning how to songwrite. She also oversings a couple tunes. But overall this is very good, well produced and recommended.

can somebody..........2007-07-07

scan these plzzz

-Fron Cover
-Booklet
-Back of the Booklet
-CD
-Other CD
-Back Cover
-Anything Else Inside

It would be REALLY helpful, thanx!!!

P.S.:
I only rate it 1 star becuz i don't have the cd...yet

Far Better than it has the Right to Be.......2007-07-06

Everyone above who is complaining that "this isn't real music" and that it is only a marketing ploy are people who haven't actually listened to the CD. The first disc (the "Hannah") side is completely how it is described. Just a boring collection of Disneyesque pop made to advertise a TV show. But somewhere along the way, someone let the album get good. The "Miley" disc is far, far better than it has any right to be. If it wasn't packaged with "Hannah Montana" it would be getting the rave reviews that follow fellow popsters Kelly Clarkson, Gwen Stefani and Robyn, because it is just as good, if not better, then them all. Unfortunately too many people like to go on and on about the end of the music business and want to keep their street cred, so they fail to actually listen to music. Pop Music isn't a bad word, and this certainly isn't bad pop music. Hopefully Pitchforkmedia, long the perveyors of too-cool-for-you indie rock, but also champions of slick-as-hell pop music will catch wind and help out the cause.

Fantastic!.......2007-07-06

I just got a copy of this CD and can easily say I liked it. A lot of good beats and great singing. Certainly a good buy.

Best tracks (In my opinion)

1. We got the party
2. Good and broken
3. Start all over
4. Old blue jeans
5. Rockstar

Average customer rating:

Once
Best film score of the year..
Once
Amazing Film Amazing Songs
Glen Hansard and Marketa Irglova Are Spectacular

Once
Original Soundtrack
Manufacturer: Columbia
ProductGroup: Music
Binding: Audio CD

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Instant Karma: The Amnesty International Campaign to Save Darfur

ASIN: B000PFU7OO
Release Date: 2007-05-22

Tracks:

Falling Slowly
If You Want Me
Broken Hearted Hoover Fixer Sucker Guy
When Your Minds Made Up
Lies
Gold
The Hill
Fallen from the Sky
Leave
Trying to Pull Myself Away
All the Way Down
Once
Say It to Me Now

Amazon.com

Even those allergic to musicals may be won over by Once, a tender-hearted Irish romance with songs by Czech Republic-born Markéta Irglová and Frames frontman Glen Hansard. (The film's director, John Carney, actually used to play bass in the group.) The trick here is that Irglová and Hansard also play the leads; because their characters are shown busking, writing music, or rehearsing, the songs are smoothly integrated in the film. The overall acoustic mood won't surprise fans of the Frames--some tracks ("Say It to Me," "When Your Mind's Made Up") have even popped up on the band's albums, though the arrangements are more pared-down here, befitting the scruffy, street-musician setting. Being the lesser-known entity, Irglová feels like a revelation; she sounds a bit like a folkie Björk on "If You Want Me," and her song "The Hill" is downright heartbreaking. Irglová and Hansard had already made the 2006 album The Swell Seasontogether, so their collaboration here feels really organic--they sound particularly good together on the title track, for instance. Now that's the kind of magic you want from musicals. --Elisabeth Vincentelli

Customer Reviews:

Once.......2007-07-13

I saw the movie and immediately ordered the soundtrack. I play it all the time. The music is great and the CD well balanced. I can't wait for the DVD.

Best film score of the year.........2007-07-12

I agree with the critics that this lovely movie has the best music of any film in years.

Once.......2007-07-12

This CD captures the beauty and power of the songs from the movie. I still get goosebumps when I listen to Say It To Me Know and When Your Mind's Made Up. You will not be disappointed by purchasing this soundtrack.

Amazing Film Amazing Songs.......2007-07-12

Once you see the film "Once" the music will stay in your head for days. The soundtrack captures the magic of the film and the music is 85% of the story. Wonderful music.

Glen Hansard and Marketa Irglova Are Spectacular.......2007-07-07

After seeing the movie Once and being haunted by its beautiful, lyrical music, I had to buy the CD. The songs are simple, yet powerful, with folk and ballad undercurrents. Once is my favorite CD purchase of the year. Thank you Glen and Marketa for listenng to your muses!

Hairspray (Soundtrack to the Motion Picture)

Average customer rating:

DISAPPOINTED
WEAK!
Feel Good Soundtrack to Feel Good Film
My FAVORITE cd!
Great Soundtrack, and it doesn't have to be the Broadway Cast

Hairspray (Soundtrack to the Motion Picture)

Manufacturer: New Line Records
ProductGroup: Music
Binding: Audio CD

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High School Musical 2
110 in the Shade (2007 Broadway Revival Cast)

ASIN: B000PUAID4
Release Date: 2007-07-10

Tracks:

"GOOD MORNING BALTIMORE" - Nikki Blonsky
"THE NICEST KIDS IN TOWN" - James Marsden
"IT TAKES TWO" - Zac Efron
"(THE LEGEND OF) MISS BALTIMORE CRABS" - Michelle Pfeiffer
"I CAN HEAR THE BELLS" - Nikki Blonsky
"LADIES' CHOICE" - Zac Efron
"THE NEW GIRL IN TOWN" - Brittany Snow
"WELCOME TO THE 60's" - Nikki Blonsky & John Travolta
"RUN AND TELL THAT" - Elijah Kelley
"BIG, BLONDE & BEAUTIFUL" - Queen Latifah
"BIG, BLONDE & BEAUTIFUL reprise" - John Travolta & Michelle Pfeiffer
"(YOU'RE) TIMELESS TO ME" - John Travolta & Christopher Walken
"I KNOW WHERE I'VE BEEN" - Queen Latifah
"WITHOUT LOVE" - Zac Efron, Nikki Blonsky, Elijah Kelley & Amanda Bynes
"(IT'S) HAIRSPRAY" - James Marsden
"YOU CAN'T STOP THE BEAT" - Nikki Blonsky, Zac Efron, Amanda Bynes,
"COME SO FAR (GOT SO FAR TO GO)" - Queen Latifah, Nikki Blonsky, Zac
"COOTIES" - Aimee Allen
"MAMA, I'M A BIG GIRL NOW" - Nikki Blonsky, Marissa Jaret Winokur & Rikki Lake

Amazon.com

What fun! This soundtrack of the film adaptation of the Broadway musical overflows with glossy, ol' fashioned '60s-style pep. It won't win any awards for innovation, but it may well be one of the most feel-good releases of the year. While not quite as super-energetic as the original Broadway cast, the new crew ain't too shabby: Nikki Blonsky delivers as Tracy Turnblad and Zac Efron (High School Musical) makes for a devoted boyfriend, and the supporting cast gleefully embraces the show's silly-but-generous spirit. John Travolta (who gets to utter the particularly ironic line "it's been years since someone asked me to dance") goes drag as Tracy's mom, Edna, while Michelle Pfeiffer's slight stiffness is appropriate for her uptight character, especially on the cha-cha "(The Legend of) Miss Baltimore Crabs." After Mama Morton in Chicago, Queen Latifah puts in another brassy turn as Motormouth Maybelle ("Big, Blonde and Beautiful," which is then reprised by Travolta and Pfeiffer). The show's authors, Marc Shaiman and Scott Wittman, have written three new numbers for the movie: the rollicking (and first single) "Ladies' Choice," "New Girl in Town" and "Come So Far." In addition, the CD also includes two tracks that aren't in the film but were in the show: "Cooties," sung by Aimee Allen, and "Mama, I'm a Big Girl Now," sung by all three Tracy Turnblads: Blonsky, Ricki Lake (from the source movie) and Marissa Jaret Winokur (from the original Broadway cast). --Elisabeth Vincentelli

Album Description

The Hairspray soundtrack will feature 17 songs from the film, including three original numbers that were created specifically for the film version of the hit Broadway musical - "Ladies' Choice," "New Girl In Town," and "Come So Far." Also featured on the soundtrack are the songs "Good Morning Baltimore," "Welcome to the `60s," "Nicest Kids In Town," and "You Can't Stop The Beat." The songs are performed by cast members John Travolta, Queen Latifah, Michelle Pfeiffer, Zac Efron, Amanda Bynes, Brittany Snow and Elijah Kelley among others.

The Hairspray soundtrack is produced by Marc Shaiman and features music by Shaiman and lyrics by Scott Wittman and Shaiman. It features tracks mixed by Ed Cherney (Rolling Stones, Bette Midler) and Peter Mokran (Pussycat Dolls, Christina Aguilera).

Sixteen years after the release of the original film, New Line Cinema is bringing a feature film adaptation of the Tony Award-winning Broadway production of Hairspray to life. Featuring new and original material based on John Waters' 1988 cult classic about star-struck teenagers on a local Baltimore dance show, the comedy features a remarkable collection of talent including John Travolta, Queen Latifah, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, Allison Janney, Brittany Snow, Zac Efron, Elijah Kelley, producers Craig Zadan and Neil Meron (Chicago), and director Adam Shankman (Bringing Down The House). The new screenplay for Hairspray was written by Leslie Dixon (Freaky Friday, Outrageous Fortune).

Customer Reviews:

DISAPPOINTED.......2007-07-13

Having just purchasesd and listened to the Hairspray soundtrack, I was very disappointed about how flat it all sounds? While the broadway show and the movie should be judged as two separate entities (due to casting), I enjoyed the broadway soundtrack because there was a sense of joy, enthusiasm and fun in the voices of the cast. This cast, however, only seems to be "singing" the songs, but the feeling just isnt there. While everyone is praising Queen Latifah, I found her renditions just lacking any emotion. Dont get me started on John Travolta...and Amanda Bynes? Michelle Pfeifers version is just too droll....but Zac Efron does a very good job of bringing his songs to life. If this is any indication of the movie, I might be avoiding it.

WEAK!.......2007-07-13

This is weak compared to the original broadway sdtk! I'm a huge Hairspray fan...There is a definate lack of energy on the movie sdtk...I hope the movie doesn't turn the same fate.

Feel Good Soundtrack to Feel Good Film.......2007-07-13

Saw a sneak preview last night of the film and it was fun! Did not have high expectations after seeing Hairspray on Broadway and again on a touring show but it was great. I like Nikki Blonsky's Tracy over Marissa Winokur's Tracy. This soundtrack as additional songs and sounds better than the orginal Broadway cast. Only wish Cooties was in the movie, hopefully it will be on the DVD version whenever. Glad it made it on the CD. See the movie, buy the soundtrack. John Travolta was OK as Edna, better than I expected but sometimes his voice reminded me of Mike Myers's Dr. Evil somehow. His dancing in "fat" costume was funny.

My FAVORITE cd!.......2007-07-13

I got this cd the day it came out! I got the last one! I put it in as soon as i got home, and now take it everywere in my cd player! If you like show, or dance music, by this! There are also VERY good dance songs on this!

The key songs to this cd are.......

1. You cant stop the beet.....A awsome dance song, my favorite!
2. Ladies choice.......I like to sing this one, it's very catchy!
3. Good morning boltamore......Just a fun song, nice beet!
4. Moma i'm a big girl now.....The chorus is very fun!
5. With out love......Clever writing, and a nice tune, i like it a lot!

Great Soundtrack, and it doesn't have to be the Broadway Cast.......2007-07-12

Most of these reviews go on about either this recording or the original Broadway Cast are better. Well I think they are missing the point. The Broadway Cast with Marissa Jaret Winokur and Harvey Fierstein was fantastic and special because it was the first time many of us heard most of these songs. It did a great job of transferring the vitality of the live production to the recording and is one of my favorites for that very reason, but the Motion Picture recording takes those same songs and tweaks them so that they work on the screen and give us something changed and just as wonderous. They are just different and I love them both. And isn't that the point of "Hairspray"? That we should allow people (and performers and possible soundtrack albums) to be different and still appreciate their special qualities and individuality?

Nikki Blonsky, Queen Latifah, Zac Efron, James Marsden and the rest of the cast do a spectacular job making a Motion Picture Soundtrack of the Musical "Hairspray" (I just wish John Travolta had more to sing and "yes" it would have been a blast to have heard this cast do "The Big Doll House", but I'm not sure I would have been willing to exchange it for "Come So Far (Got So Far To Go)"). The new songs and arrangements of the retained songs hit the same high quality as the Broadway recording achieved.

While I would have loved to have seen a video recording with the original cast, it just didn't happen (unless you YouTube it), but you cannot really complain about this cast and production team, because they really are all on the top of their games.

So quit your bitchin' and "Viva la difference!"

Pirates Of The Caribbean: At World's End

Average customer rating:

Pirates Of The Caribbean:At World's End CD
Beyond words
Pirates of the Caribbean: At World's End
The best of the three?
Fantastic Zimmer!

Pirates Of The Caribbean: At World's End

Manufacturer: Walt Disney Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000P0J02E
Release Date: 2007-05-22

Tracks:

Hoist the Colours
Singapore
At Wit's End
Multiple Jacks
Up Is Down
I See Dead People In Boats
The Brethren Court
Parlay
Calypso
What Shall We Die For
I Don't Think Now Is the Best Time
One Day
Drink Up Me Hearties

Amazon.com

The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth Vincentelli

Customer Reviews:

Pirates Of The Caribbean:At World's End CD.......2007-07-13

The music that Hans Zimmer has written for this movie is outstanding. Once you have seen the movie, you realize the music fits it perfectly. There are several favorites that bring to mind the favorite scenes during which they're played so it's almost like watching the movie while listening to the CD. I have the CD's from all three Pirates movies and, while I love them all and listen to them regularly, the music from AWE is a different type of music. I recommend it highly.

Beyond words.......2007-07-09

I can't even explain how I feel about the Pirates of the Caribbean soundtracks, especially the third disc. I can't imagine how someone can be so talented to be able to connect you to the story through this music, I just really can't understand. "At Wit's End" is definitely a masterpiece, however every single song on this disc, along with all the others are absolutely outstanding. I love soundtracks, but I am aware of Hans's talent, and knowing he was one of the composers of these tracks I knew it would be a win win situation, and I knew I was not to be disappointed. I have never caught myself listening to a soundtrack..over and over.....and over again. Literally, I even watch the movies over and over so that I can listen to the soundtracks on it. Amazing stuff, just like I said, BEYOND WORDS!!

Pirates of the Caribbean: At World's End.......2007-07-07

The 1st Pirates cd is my all time favorite, however I really enjoy this cd also. I've put all three cd's on MP3 and listen to them when I need a lift in spirits.

The best of the three?.......2007-07-03

I love this CD, in my opinion it is the best of the three movies and it certainly benefits from the full orchestral treatment.

I have no knowledge of musical theory but very much enjoy the way that the differing themes appear throughout the soundtrack and how, when they are played on varying instruments and to changed tempos, they present such different feelings. It is also fun to be able to recognise themes that have appeared in the soundtracks for the first and second movies.

If you are a fan of movie soundtracks I would definitely recommend Pirates of the Caribbean: At World's End

Fantastic Zimmer!.......2007-07-03

Once again Hans Zimmer proves that he is good at his job. He has the talent to make the music both sad and enjoyable at the same, and all the songs have their own amazing sound. If you liked POTC score 1 and 2, you will definetly love this album! And Zimmer fans, like myself, will not be disappointed!

Average customer rating:

La Vie en Rose

La Vie en Rose: La Mome

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Once

ASIN: B000MEYIBG
Release Date: 2007-05-22

Tracks:

Heaven Have A Mercy
Milord
Rien De Rien
La Foule
Cri Du Coeur
La Vie En Rose (English version)
Padam Padam
Mon Dieu
L'Hymne A L'Amour
Mon Manege A Moi
Non, Je Ne Regrette Rien
L'Eveil
Mon Legionnaire (piano solo)
Lisieux
La Mort De Leplee ("Mon Legionnaire")
Apparition
L'ABC
L'Arrestation ("Mon Legionnaire")
L'Idylle
Derniere Nuit
Mon Homme (interpreted by Jil Aigrot)
Les Momes De La Cloche (interpreted by Jil Aigrot)
Les Hiboux (interpreted by Jil Aigrot)
Fascination (interpreted by Maya Barsoni)
Il M'a Vue Nue (interpreted by Mistinguett)
La Poupee
Vie En Rose (accordeon)

Amazon.com

As befits the soundtrack of a music biopic, most of the heavy lifting here is done by the movie's subject: iconic French singer Edith Piaf. She was the Gallic Judy Garland, a natural performer who overcame one personal tragedy after another and was never more alive than on stage, forging an uncommon bond with both material and audience. Since actress Marion Cotillard lip-synchs in the film, the first 11 tracks on the CD are by Piaf herself, and give a good overview of her biggest hits (though we get the English version of the title track) and her feverish, ultra-dramatic style. But Piaf wasn't only a tragedienne of song: Her lighter side is represented by "Rien de Rien" and "Mon Manège à Moi," which she infuses with wonderful flair. Tracks 12-20 are made up of Christopher Gunning's richly symphonic original score (check out "La Mort de Leplée"). The last third of the album offers Piaf without Piaf, with contemporary singers Jil Aigrot and Maya Barsoni performing her songs (apparently because the originals' poor sound quality meant they would have stuck out in the movie). Watch out, however, for Mistinguett's hilarious "Il m'a vu nue," a slice of French music-hall history preserved in amber. --Elisabeth Vincentelli

Album Description

Official motion picture soundtrack to the film La Vie En Rose, the dramatic real-life story of French chanteuse Edith Piaf, starring Marion Cotillard and Gerard Depardieu. This release contains 27 tracks featuring 11 of Piaf's most popular songs remastered including "La Vie En Rose", "Hymne A L'amour" "Milord" and "Non, Je Ne Regrette Rien", plus the original score by Christopher Gunning.

Customer Reviews:

La Vie en Rose.......2007-07-06

The soundtrack to the movie by the same title is excellent. The restoration was superb. The voice of Edith Piaf is masterful.

Average customer rating:

High School Musical 2
Original Soundtrack
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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ASIN: B000QCTGIE
Release Date: 2007-08-14

Album Description

High School Musical 2 is the follow up to the Music Phenomenon of 2006! Featuring the #1 hit single "What Time Is It"

Average customer rating:

The Problem Is - I Want More
Music and Lyrics CD
Music and Lyrics Soundtrack
What's Wrong with a Bit of Meaningless Fluff?
Hugh, Drew, and Haley-an awesome musical pair!!

Music and Lyrics

Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000M5B6Q0
Release Date: 2007-02-13

Tracks:

Pop! Goes My Heart
Buddha's Delight - Haley Bennet
Meaningless Kiss
Entering Bootytown - Haley Bennet
Way Back Into Love (Demo Version)
Tony The Beat - The Sounds
Dance With Me Tonight
Slam - Haley Bennet
Don't Write Me Off
Way Back Into Love
Different Sound - Teddybears
Love Autopsy

Amazon.com

Writer-director Marc Lawrence's romantic comedy gently satirizes the music industry's past and present via Hugh Grant's Alex Fletcher, a has-been Rock of the '80s icon given another shot at the charts by young pop diva Cora Corman (newcomer Haley Bennett). Grant gives some surprisingly credible--if often gently tongue-in-cheek--performances in his musical debut; indeed, he carries better than half the soundtrack with his earnest vocal charms. The production gets key help from Fountain of Wayne's Adam Schlesinger, who contributes a delicious, loving send-up of Wham! courtesy of "Meaningless Kiss," the emotive piano confessional "Don't Write Me Off," and two versions of "Way Back into Love," the comeback ballad/duet that drives the story line. A playful demo version of the latter pairs Grant with co-star Drew Barrymore (playing the florist who becomes Fletcher's unlikely songwriting foil), while Grant's ultimate duet with young Bennett evokes contemporary pop conceits with a keen, affectionate flair that also graces the young singer's Britney-esque "Buddha's Delight," "Slam," and the more obviously snarky "Entering Bootytown." Rounding out the collection are a pair of complimentary tracks by Swedish pop acts: The Sounds' bouncy "Tony the Beat" and the club-slinky groove of Teddybears' "Different Sound." Highlighted by Grant's sympathetic vocals and a knowing musical sensibility that never quite lapses into mere parody, it's a pop-lover's delight from start to finish. --Jerry McCulley

Customer Reviews:

The Problem Is - I Want More.......2007-07-12

This is another instance where I thought the movie was, ".....eh", but I love the soundtrack.

I was a little irked at what I felt was another attempt to show that the 80s was nothing more than a vapid, superficial decade which only produced goofy, forgettable, lightweight fluff. Yes, there was a lot of that, but there were also many serious, moving, culture-defining moments as well. If we want to assume that "My Humps" summarizes all of the music produced during the current decade, then I'll buy in that "Wake Me Up Before You Go-Go" was what the 80s was all about.

Anyway, half of songs here are designed to sound like they came out in the mid-80s; obviously the ones Hugh Grant sings on are supposed to be like the equivalent of Wham! (not that Wham! was a synth-pop band, but whatever). And I have to say - they're great songs, and it's a pleasant surprise that Hugh sings; his voice works well with these songs!

When I went to see this movie, people in the audience were laughing at the "music video" for "Pop Goes My Heart", and I was like, "Why are you laughing?? Videos were in its infancy back then, so many of them by today's standards appear kind of goofy!" Awesome song; love the "crash" after "Pop" during the chorus. "Meaningless Kiss" is a great knock-off of "Careless Whisper" (whatever happened to the infamous saxophone solos anyway?). "Tony The Beat" is reminiscent of "Push It" by Salt N' Peppa, and for the longest time I couldn't decide if the singing during the chorus was annoying or not; eventually I decided it wasn't (although just barely).

Now, on the "current day" songs, I love the Haley Bennett songs; the best being "Buddha's Delight" and especially "Entering Bootytown." I know these songs were written to sound like the typical Britney Spears/teen pop music from a few years back, but they're great songs regardless. There's no reason why these songs wouldn't (or shouldn't) be as popular as songs by the artists in which they were inspired by.

I was angered that Haley's songs were so wonderful, but that she was just playing a character for this movie and I'd never hear anything else from her. However, I see that she will be coming out with her own album soon.

I have to commend the writers of the songs on this soundtrack. They wrote songs as if to sound like they came from a specific time period, but still they created some great songs. However the problem with loving songs by these fictional characters is that - you want more, and unfortunately it's just relegated to this one album. If Haley's material sounds anything like what appears on this soundtrack, at least that will pacify my desire to hear more from her.

Music and Lyrics CD.......2007-07-11

Excellent collection of lighthearted songs from the movie. I never knew Hugh Grant had such talent! I memorized all the songs within the first week after buying the CD.

Music and Lyrics Soundtrack.......2007-07-07

I loved this movie, and I have watched it over and over again. The CD is also one of my favorites that I listen to constantly. I was very impressed by the duet, "Way Back Into Love," with Hugh Grant and Haley Bennett. All of Haley's songs were great, especially "Entering Bootytown." This little girl is a cutie, and I expect to see her become a big hit when she releases her first CD, soon. I think Hugh's solo, "Don't Write Me Off," is very good. I had no idea he could sing so well, and Drew Barrymore didn't do bad, either, with her demo version of "Way Back Into Love." It was worth the money just to hear the Haley/Hugh duet of "Way Back Into Love." They made a great team, and the song has wonderful lyrics, with a haunting melody. Loved it, loved it, loved it!

What's Wrong with a Bit of Meaningless Fluff?.......2007-07-06

Oh people...this has NO redeeming features except extraordinary chemistry between always-cute-and-sexy Hugh Grant and remarkably-focused Drew Barrymore in a simply silly but very lovely tale of a self-proclaimed has-been Eighties rocker (Grant)who commandeers his plant-care lady (Barrymore) to write some lyrics he badly needs in 48 hours.

And why does he need these lyrics? Because the greatest female pop icon of all time, Cora (played brilliantly by newcomer Haley Bennett, hilarious as a cross between Britney Spears and Christine Aguilerra) has invited him to join her on her upcoming world tour--IF he can write the "perfect song." This would mean goodbye to performances at county fairs--goodbye to has-been-hood and hello to resurrected rock-hood!

Can they do it? Can they write THE song when they only know each other's names, are completely different in age, temperament, and just about everything else? Hey--this is Hollywood.

Just fun all the way through, and the songs (both from Grant's mythical Eighties band "Pop" and his "new" hits) are actually catchy. Very enjoyable.

Hugh, Drew, and Haley-an awesome musical pair!!.......2007-07-01

When I think of Hugh Grant I think of Elizabeth Hurley's ex with the proper British accent and the 90's floppy hair. I never expected such a beautiful voice!! Wow!!! The songs are beautifully written and Grant's soothing voice over the 80's pop melodies and beautiful piano ballads was addicting! Drew Barrymore and newcomer Haley Bennet, each with their different voices, made listening to the different versions of "Way Back Into Love" very enjoyable.

Average customer rating:

Hannah Rox ya`ll
Go Hannah!
Hannah Montana is genuine and talented.
We want Hannah . . . not those other guys.
Just go ahead and show your child how to set to auto-repeat...

Hannah Montana
Original Soundtrack
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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High School Musical

ASIN: B000K2V7BY
Release Date: 2006-10-24

Tracks:

The Best Of Both Worlds
Who Said
Just Like You
Pumpin' Up The Party
If We Were A Movie
I Got Nerve
The Other Side Of Me
This Is The Life
Pop Princess - The Click Five
She's No You - Jesse McCartney
Find Yourself In You - Everlife
Shining Star - B5
I Learned From You - Billy Ray Cyrus

Amazon.com

If the 9-year-old in your life hasn't alerted you already, consider this your heads up: Not since Hilary Duff has Disney delivered the masses a tween sensation as hot as the double-life-leading Miss Hannah Montana. More important for speaker-blowing second- to seventh-graders and the parents forced to buy them CDs, though, no small-screen sensation transcends the tube more convincingly. Part party girl and part plain old good girl, Montana--a sweet-voiced, playful performer--never skimps on the pipes. Country fans will chalk that up to our rhyme-named heroine's lineage; 14-year-old Miley Cyrus, who plays Montana, is the daughter of Nashville star Billy Ray Cyrus (who duets on this disc's sentimental, twang-resistant last track). The rest of the world, though, is apt to find itself belting along based on Hannah's unsinkable hooks and frothy Ashlee-meets-Hilary vocals alone: theme song "Best of Both Worlds" bumps around off a Joan Jett-reminiscent springboard; "Who Said" rips a page from the emo diaries; and "Just Like You" ladles on harmonies sweet enough to attach a stick to. Additional tracks like Jesse McCartney's "She's No You" and B5's Earth Wind & Fire redo "Shining Star" are first-rate complements to the proceedings, but make no mistake: this dance-happy hybrid belongs to the reigning pop princess alone. --Tammy La Gorce

Customer Reviews:

Hannah Rox ya`ll.......2007-07-02

This is a totaally cool CD! I have both Hannah Montana 1 and Hannah Montana2 Cd!
They are awesome CD`s the songs on the Hannah Montana CD ( Her first CD)
Is about how she wishes you could see who she really is. Here are the names of the songs
The Best of Both Worlds
This is the LIfe
Just Like You
Who Said
The Other Side of me
Pumpin up the Party
If we Were A Movie
I got Nerve
I give it 5 stars

Go Hannah!.......2007-06-27

Daughter of Billy Ray Cyrus, Hannah's production values are good. Bought for my daughter, Hannah is musical and fun.

Hannah Montana is genuine and talented........2007-06-19

My family and I love the CD and DVD we purchased of Hannah Montana last year. The soundtrack album is very well produced. We are awaiting the new CD and DVD release, and have ordered both several weeks in advance. Since she already debuted a half dozen tunes which cracked the top 100 in the first week, it will not surprise me if she does even better with this next album.

Her tunes are cleverly written, and they seem to stay with you similarly to (as one write above mentioned) the tunes of the Beatles. I cannot recall very many solo acts or groups that hinted at perhaps one day being as consistent as the Fab Four were. Granted, this is only the beginning of what could be a very successful career, but my guess is that with her pipes, her stage presence and genuine musical talent, and these catchy songs--written by some writers whom really know how to craft tunes with the right balance of unity and variety (including such imaginative B sections)--she will be on top for several years. Furthermore, we will most likely see a transition from Hannah Montana to Miley Cyrus (this may already be occurring with the new release, given 'who' is singing what songs on the album) in the near future.

Musically, I have observed that she uses a preponderance of E major, and that even when the melodies are diatonic they are not always easy to memorize after a couple of hearings. Interestingly, her voice sounds quite different when she strays into other keys, such as G major in "Life's What You Make It" (not included on the current album), in which it is a tad more raspy; and C-sharp minor in "Nobody's Perfect" (also not included on this album, but see below) in which her timbre is brazen yet controlled. I hope that she eventually explores the lower range of her voice as she becomes more creative (maybe even writing more of her own material and performing with guitar in hand as the years progress). On the rare (albeit brief) occasions when she has ventured into the lower gamut, the tone quality is far different and compliments her 'normal' ambitus very nicely.

Those who like this CD may want to pick up the _Hannah Montana: 2-Disc Special Edition Soundtrack_ as well. Sure, the tracks are nearly identical, but there is additional footage (exclusive Hannah Montana Backstage Secrets), autographed snapshots of Miley Cyrus, and a bonus track (audio) and live performance (video) of "Nobody's Perfect," a solid rocker which in the opinion of this writer is almost worth the price of the CDs itself. The track is arguably the most ambitious to date for the young singer. (N.B.: This review is being written before having heard the majority of the tracks on the just-released _Hannah Montana 2: Meet Miley Cyrus_ CD.) "Nobody's Perfect" is performed remarkably well, with Miss Montana's stage presence and accompanying rhythmic synchronizations (hand gestures and choreography) augmenting an already intriguing piece of writing. The tune may interest those who enjoy relatively uncommon chord progressions in pop music. It begins and ends in C-sharp minor, but meanders effortlessly through a B minor/D major sound world, eventually gravitating toward E major. The combination and succession of pitch centers--and especially the harmonic tension created between the opening and closing key of C-sharp minor and the B minor/D major/G(!) major constructs within which the second major section of this work vacillates--provides a stark yet musically engaging contrast.

I appreciate the image Miss Montana has thus far portrayed as well. As a father of several children (including four daughters, each of which loves her music), it is gratifying to see a positive role model (with talent to burn) coming out of the Disney mindset. I wish her all the best in the years to come.

We want Hannah . . . not those other guys........2007-05-25

First of all, I give Hannah Montana 5 stars, at least I would, but they mix in all those other guys, Jesse McCartney, Everlife, B5, etc. But Hannah Montana sings only 8 songs. She should wait until she has more songs of her own before making an album. Plus she just came with her special edition soundtrack-$10 more and only 1 more song and a couple pictures-not worth it! If your a fan, get it. But if not, stick with other singers, like Hilary Duff. But if your saving your money wait 'till her second one comes out-10 new songs by Hannah Montana including Nobody's Perfect, Make Some Noise, and 8 never before heard songs! Plus a 2nd disc with 10 songs by Miley Cyrus (who plays Hannah.) So it depends on how big a fan you are.

Just go ahead and show your child how to set to auto-repeat..........2007-05-24

My daughter loves this CD. It was one of her favorite Christmas gifts, and she's played it four thousand times, it seems.
If you are looking for positive music for girls, with a singer who doesn't look like a hooker on stage, this is the album I'd recommmend! Hannah Montana is a great value for little girls, and her songs manage to focus on being who you are, not following peer pressure, and super-innocent attraction to a boy. This is truly girl music that a parent can get behind!

Harry Potter and the Order of the Phoenix

Average customer rating:

Time to BRING BACK JOHN WILLIAMS!!
Noise noise noise noise
Hooper Drops the Wand
SKIP IT
A fine effort and a great improvement over Doyle

Harry Potter and the Order of the Phoenix

Manufacturer: Warner Bros/Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B000OLGCHA
Release Date: 2007-07-10

Tracks:

Fireworks
Professor Umbridge
Another Story
Dementors in the Underpass
Dumbledore's Army
The Hall of Prophecies
Possession
The Room of Requirements
The Kiss
A Journey to Hogwarts
The Sirius Deception
Death of Sirius
Umbridge Spoils a Beautiful Morning
Darkness Takes Over
The Ministry of Magic
The Sacking of Trelawny
Flight of the Order of the Phoenix
Loved Ones and Leaving

Amazon.com

For its fifth cinematic installment, the Harry Potter franchise gets a new composer as England's Nicholas Hooper (a usual collaborator of new director David Yates) succeeds Patrick Doyle and John Williams. The screeching electric guitar that suddenly irrupts on the very first track, "Fireworks," lets the listener know that all is not quiet on the Hogwarts front. The kiddies are growing up, evil is spreading: which is worse?! But actually this modern sonic touch is deceiving: Hooper works within an old-school format and mostly sticks to tried-and-true effects. His score is best when it goes for tension and unease, particularly in its use of low, rumbling tones: A choir starts by humming in a menacing manner in "Dementors in the Underpass"; the sound at the beginning of "The Death of Sirius" feels as if it's being belched out from some deep, dark, scary place, creating an effective atmosphere of dread. Elsewhere, the beginning of "Possession" feels as if it belongs in a J-horror movie, and then the track becomes deceptively calm before the storm hits again. Keen listeners will recognize Williams' "Hedwig's Theme" in "Another Story," but mostly Hooper is his own man. Just like the overall series, which gets darker and darker as it goes along, this CD makes for a rather brooding listening experience--the pizzicato violins on "Umbridge Spoils a Beautiful Morning" provide one of the few jaunty touches. --Elisabeth Vincentelli

Album Description

Featuring a colorful and inspiring score by Nicholas Hooper, the soundtrack to Harry Potter and the Order of the Phoenix takes the movie-goer to the next level of magical enchantment right along with Harry and his friends.

Customer Reviews:

Time to BRING BACK JOHN WILLIAMS!!.......2007-07-13

Sadly, this soundtrack turned many of John Williams' beautiful themes into death marches and left nothing new to be desired. It was much like a bunch of sound effects rather than a score meant to tie the movie together into an artistic whole. Obviuosly, Warner Brothers is trying to make the Harry Potter movies as cheap as possible since they know the fans will come no matter how poorly they make the films. John Williams has said that he would love to do Harry Potter again, and they need him to strenthen his wonderful themes to tie all the movies together before it's too late.

Noise noise noise noise.......2007-07-12

Received the soundtrack prior to having a chance to see the movie since the movie just came out for us yesterday. I was disappointed in the sound track since from Williams' first the HP music has been fun to listen to even as background music while working or whatever. But HP 5 just seemed tune-less. The Umbridge theme is there and annoying as it was designed to be -- increasingly so -- as designed to be -- but this is well, annoying music. Good job. Well, I waited to see the movie before making a judgment on the soundtrack since after all it is music for the movie and the main thing it should do is work well with the movie. And while watching the movie I noticed that it is appropriate noise for the movie -- but, and I realize one of the rules of music is to be not only invisible but inaudible -- not distract from the action -- it is never distracting. It seems never good enough to distract attention from the action. Is this how the science of directing our emotional sense during the movie is going? There will be little point in buying soundtrack noise then. So this is a disappointment. I miss Williams' themes even if they remind us of Star Wars or Indiana Jones or Close Encounters. You can sing some of those. With HP 5 the only thing I can sing is annoying.

Hooper Drops the Wand.......2007-07-12

When the soundtrack for "Harry Potter and the Goblet of Fire" was released in 2006, John Williams fans rose up in outrage. They didn't appreciate composer Patrick Doyle's big, loud, unvarying score. They demanded back the whimsy and nuance that lost out to tense and ominous overtures in "Goblet of Fire". And they were rewarded with...Nicholas Hooper, and a soundtrack filled with whim and nuance...but not much else.
Don't get this reviewer wrong--there are some brilliant moments in the soundtrack. "Dolores Umbridge" is filled with over-the-top cuteness--and it carries over well onto the big screen. "Journey to Hogwarts" is a reminder of Williams' theme, and plays out with a touch of urgency that lends itself well to the listening experience. And when Hooper wants his score to be tense, it's tense.
Unfortunately, those moments are few and far between. While I can forgive Hooper for choosing to rearrange the track order for better effect, the interesting bits remain quite sparse and aren't enough to keep someone listening through the rest of the score, which, when not filled with complete silence, consists of instruments playing so softly and unmelodically that you could swear Hooper was simply running the orchestra up and down scales for all anyone could tell.
Despite its shining moments, "Harry Potter and the Order of the Phoenix" fails to reach the musical heights achieved by John Williams and makes Patrick Doyle's sweeping and grandiose soundtrack look like a giant by comparison. Everyone who has ever caught a scene from a film sans music knows how much its soundtrack is worth--when well done, music adds layer upon layer of depth, emotion and intensity to a scene. But Hooper does not achieve this, and it's unfortunate because the film could have been much more interesting had he done so. Ultimately, the final track, "Loved Ones and Leaving", sums up the entire disc--it plays a few quiet strains, has no climax, and quietly fades away, leaving but the faintest of an impression.
Let's hope Warner Bros. decides to rethink their director/composer duo come "Half-Blood Prince".

SKIP IT.......2007-07-12

With all the incredible talent out there, why this guy was selected for the score reminds us that directors and the guys in the suits usually don't know anything about the power of REAL film music.
Stick to TV shows, Mr. Hopoper.

A fine effort and a great improvement over Doyle.......2007-07-12

Well, I've long since stopped mourning the loss of John Williams from the Harry Potter series. After composing the best score yet for "Azkaban," the prolific Williams left the Harry Potter fandom to wallow in the cutesy waltzes and themeless chromatic atmospherics of "Goblet."

But "Order of the Phoenix" sees yet another composer: Nicholas Hooper. I'll admit I was wary at first (I believe I wrote a blog on him a long time ago), but after listening to the entire score streaming through AOL Music, my opinion has changed.

Although nowhere near the quality of Williams, Hooper brings a new atmosphere to the soundtrack series. Although his darker tracks like Darkness Takes Over and Possession may get a little boring with the endless, near silent violin tremolos, puncuated by the occasional bang that makes you jump out of your seat, it's the lighter tracks and the more emotional core of the soundtrack that really impressed me.

For the first time in the entire series, Hooper has hesitantly used a piano at the forefront of one track, accompanied by violins, and the result is heart-wrenching. Recorded beautifully as well, I reluctantly say that these bits may have served the Mirror of Erised scene in "Philosopher's Stone" much better than the numerous repetitions of "Hedwig's Theme" or "Harry's Wondrous World." I wish Hooper had used more solo piano on the album as it is some of the best stuff on there. Another emotional point in the album uses the flute and soaring violins, possibly to depict Harry and Sirius's close relationship.

The opening cue, Fireworks, is comparable to the Quidditch World Cup cues from "Goblet." Staunchly Irish in its rhythms and melodies, the cue has an energy to it befitting the scene which it scores.

The Dumbledore's Army music is some of the best, and really suggests a fun time, with great learning, and underscores the idea of a rebellion, but not something like Guy Fawkes, but something you'd expect from school kids. I sorely wish Hooper had expanded on that more, but sadly, you only hear about a minute of it on the entire album.

The Umbridge music fits very well, even if it is a bit reptitive, but I really liked the Room of Requirement music (which has been incorrectly named the Room of Requirements). It's mysterious and quirky at the same time, and evokes a hidden, ancient magic that has a mischeivous mind of its own. And knowing that Hooper will probably be back for "Half-Blood Prince," because the David Yates, the director will as well, I know he'll be able to weave the slightly naughty Requirement theme into a much darker tapestry when Malfoy uses it to break into Hogwarts.

One great aspect of the score is Hooper's willingness to revisit Williams' lasting mark on the score: Hedwig's Theme. He uses it subtly, but noticeably, paying homage to the old master, but also varying it and changing its mood from dark to light to moody where it is needed.

The music for the famous kissing scene suffices, in my opinion, and I'm sure it works well with the on-screen visuals, but I don't feel the magic in it very much, or nearly as much as I did when I read the scene in the books. I think it could have done with a few more flute trills and runs, possibly some soaring violins to depict the fluttering of Harry's heart, but it's a much slower, calmer piece with a few long chords and modest bells.

The driving music found in the climactic cue Sirius Deception really reminded me a great deal of the better action movies of late. I can't wait to hear it in conjunction with the film's visuals. I can just see Harry and co. marching down to the forest and then soaring away on the thestrals, whose music gives me goosebumps, because it really feels like an epic flight. Next to Williams' amazing cue Buckbeak's Flight in "Azkaban," I'd say this cue comes closest to matching that swooping feeling in the pit of your stomach when you soar into the air.

The cue for the death of the major character (I won't spoil it for those that haven't read the book) is very unsatisfying. It is one of those moments where dark atmospherics take precedence over melody, and as a result, the emotional impact that the cue should have is conspicuously absent. I'm sure it works well in the film, but I still would have expected something more gut-wrenching and heartbreaking. Then the cue launches into an ugly boisterous section which I can only imagine depicts Harry launching himself into a heated duel with Bellatrix. I can only describe it as noisy. In its final moments, the cue tries to become emotional, but it doesn't try hard enough and it only sounds like a weak attempt at tears.

Being a flute player, I love the opening of Umbridge Spoils a Beautiful Morning, because it is a lovely flute serenade, which then breaks into a string pizz version of Umbridge's bouncy, insidious theme.

The Ministry of Magic music is very funny in its quirky, bouncy sense, and is almost reminiscent of Sorcerer's Apprentice. Although I would not have thought the Ministry of Magic would warrant bouncyness, perhaps the method in which it is depicted calls for such motifs. The amazement at the Ministry's massive size is somewhat poorly scored, relied on somewhat idiotic downward arpeggios that seems a bit obvious. The mischief continues through to the end of the track, however.

The one thing that annoyed me was how the music for Trelawney being sacked fit more with the emotional impact of the big death in the film.

The Flight of the Order of the Phoenix, which depicts the Order's picking up Harry and flying back to headquarters, was okay in the sense that it was flying music, but it somehow felt too ordinary.

The horn is also used to create a sense of deep, tragic loss, and great scope, as it always will be, but its effect is somewhat diminished as Hooper shies away from the more soaring, incredible chords and triads that the horn does so well with.

The ending of the album finally hints at a somewhat great, emotional, soaring happiness, but it is never fully developed to be truly appreciable.

I know I make it out to be a horrible album, and I admit, if it wasn't Harry Potter, I would not have picked it up. I only feel that it doesn't come anywhere close to the perfection that was "Azkaban." Having said that, this score really isn't too bad, although the current masters of today like Elfman, Williams, and (I can't believe I'm saying this, but the Pirates 3 score was phenomenal) Zimmer would easily have done a better job, I think Hooper has done an admirable job of rescuing the score from Patrick Doyle.

An essentially dark score, puncuated by light, bouncy, quirkiness, the music shines at certain moments and snores at others. Overall, I would give it a 7 out of 10.

~ Adhish

Pirates Of The Caribbean: The Curse Of The Black Pearl

Average customer rating:

Great music
This soundtrack will make you feel like a pirate
yes, all true, but the sound!!!
awesomee
Pirates Of The Caribbean: The Curse Of The Black Pearl

Pirates Of The Caribbean: The Curse Of The Black Pearl

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Pirates Of The Caribbean: Dead Man's Chest
Pirates Of The Caribbean: At World's End
Pirates of the Caribbean - The Curse of the Black Pearl (Two-Disc Collector's Edition)
Pirates of the Caribbean - Dead Man's Chest (Two-Disc Collector's Edition)
The Lord of the Rings: The Return of the King

ASIN: B0000A1RJI
Release Date: 2003-07-22

Tracks:

Fog Bound
The Medallion Calls
The Black Pearl
Will and Elizabeth
Swords Crossed
Walk the Plank
Barbossa Is Hungry
Blood Ritual
Moonlight Serenade
To the Pirates' Cave!
Skull and Crossbones
Bootstrap's Bootstraps
Underwater March
One Last Shot
He's a Pirate

Amazon.com

Loosely based on the popular Disney theme park audio-animatronic ride, one might expect a modicum of good-natured "Yo-ho-ho-ing"--or maybe a little rousing Korngold/Errol Flynn/Captain Blood orchestral romanticism--here. Instead composer Klaus Badelt initially entices us with some sparing Celtic folk charm, then unleashes a furious broadside of symphonic and choral thunder to rival his ominous score for K-19. The composer's fellow German mentor is an obvious influence throughout (the album is credited with a wink as "Score overproduced by Hans 'Long John' Zimmer") but Badelt brings his own muscular instincts to bear throughout. Perhaps shrewdly realizing that genre cliches are nothing if not for reinventing, Badelt delivers his rhythmically nervous Eurocentric sensibilities--sort of Holst duels Shostakovich on the Spanish Main--with the subtlety of a scorching cannonball. It's seasoned with a little romantic respite in the final act, if a bit gingerly, and could no doubt profit by some of Korngold's sparkling melodic verve. But it's a loud, unabashed Summer Blockbuster score at heart; alert the neighbors. --Jerry McCulley

Customer Reviews:

Great music.......2007-07-08

A great soundtrack from a wonderful movie. Too bad the second and third pirates movies weren't as good as the first. Regardless, great soundtrack.

This soundtrack will make you feel like a pirate.......2007-07-07

i saw the movie which i recommend to buy now from amazon,i recommend to buy the three movies and have all the selection of pirates of the caribbean,this soundtrack is something that put you in the movie,words can't describe this cd,click,buy and you will see

yes, all true, but the sound!!!.......2007-06-28

I agree with the other reviewers about the music, which is fine, but also want to point out that this is a terrific work-out for sound systems with REAL sub woofers (not the scrawny boxes that say they are, but aren't). If you have a room shaker system, down to like 15 Hz, this is for you. The deepest and most sustained bass I have ever heard.

Secret - listen for hints of Gladiator and Mission Imossible. He helped with those films - maybe they are little inside jokes?

awesomee.......2007-06-21

I'm not a huge fan of classical music, but many of the songs in this soundtrack melted my heart. :) Some were not *that* good, but some were just very incredible, which makes it worth five stars !

Pirates Of The Caribbean: The Curse Of The Black Pearl.......2007-05-15

I love this soundtrack!
The music is perfect to listen at work or driving.

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