Perrier [Import]

Perrier [Import]

Track Listings

1. Clive The Runner

2. Calevera Sol

3. Your Number

4. Do You Dream (Kraak & Smaak Remix)

5. Warning Shots

6. Deep Ocean

7. Cafe Monte Carlo Feat. Dixon

8. Take My Hand

9. Happy (Soul Mekanik Mix)

10. Fast And Loud Feat. Juliette Oz.

11. You're Not Alone

12. Make My Day

13. Lenda

Editorial Reviews
Product Description
After several volumes of the famous lounge compilation series, 'Hotel Costes', Stephane Pompougnac goes to work for the sparkling water company Perrier. From jazzy influences, to bossa, break beat, pop rock, house, & even hip hop, he offers 13 original tracks featuring Bobby Hughes Combination, Thunderball, Bazille Noir, Thievery Corp. feat. Sleepywonder & Gunjan and more. Digipak. 2005.

Tracks:

Ich Bin Der Welt Abhanden Gekommen
Ich Atmet' Einen Linden Duft
Um Mitternacht
Alto Rhapsody, Op. 53
Gestillte Sehnsucht, Op.91 No.1
Geistliches Wiegenlied, Op.91 No.2
Vier Ernste Gesge, Op.121 (1)
Vier Ernste Gesge, Op.121 (2)
Vier Ernste Gesge, Op.121 (3)
Vier Ernste Gesge, Op.121 (4)

Customer Reviews:

GREATEST CONTRALTO OF THE CENTURY.......2006-11-21

I FIRST HEARD THIS INCOMPARABLE VOICE OVER A HALF CENTURY AGO BUT DID NOT EVEN KNOW OF THE EXISTENCE OF THE RECORDING OF THE FOUR SERIOUS SONGS UNTIL THIS DISC PRESENTED ITSELF.THAT MUSIC,ALONE,IS WELL WORTH THE PRICE OF THE CD.ALL THE OTHER MUSIC IS MORE FAMILIAR AND GENERALLY RECOGNIZED AS THE FINEST PERFORMANCES AVAILABLE.THE ALTO RHAPSODY AND THE MAHLER SONGS ARE UNEQUALED FOR THE FEELING IN THAT RICH,AMBER VOICE DESPITE THE AGE OF THE RECORDINGS.
WHAT ASTONISHES ME ABOUT THE BRAHMS SONGS IS THE QUALITY OF THE REPRODUCTION.IT APPROACHES ANYTHING CURRENTLY BEING DONE ALTHOUGH,OF COURSE,IN MONO AND 50 YEARS OLD.

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Gluck: Orfeo ed Euridice

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter
Mahler: Das Lied von der Erde / Bruno Walter
Company (2006 Broadway Revival Cast)
Lorraine Hunt Lieberson: Handel Arias
Bach: Cantatas BWV 82 and 199

ASIN: B00064N8RW
Release Date: 2005-01-11

Tracks:

Sinfonia
Ah! Se Intorno A Quest'Urna Funesta
Amici, Quel Lamento
Ballo Dei Pastori E Delle Ninfe
Ah! Se Intorno A Quest'Urna Funesta
Chiamo Il Mio Ben Cosi
Voi Delle Ombre Oscura
Amore Assistera L'Infelice Marito!
Gli Sguardi Trattieni
Che Disse? Che Ascoltai?
Ballo Delle Furie/Chi Maai Dell'Erebo
Deh! Placatevi Con me
Misero Giovane!
Mille Pene, Ombre Sdegnose
Ah! Quale Incognito

Tracks:

Danza Degli Eroi Ed Eroine/Ballo Degli Eroi Ed Eroine
E Quest'Asile Ameno E Grato
Che Puro Ciel! Che Chiaro Sol!
Vien A'Regni Del Riposo
Ballo Degli Eroi Ed Eroine
Oh Voi, Ombre Felici
Torna, O Bella
Ah Veni, O Diletta, Vien Con Me
Vieni! Vieni Con Me, Vieni, O Cara!
Ah, Dovess'io Saper
Che Fiero Momento
Ah! Per Me Il Duol Ricomincia!
Che Feci Mai?
Che Faro Senza Euridice?
Ah! Finisca E Per Sempre
Non Piu! Che Fai Tu?
Gaudio, Gaudio Son Al Cuore
Trionfi Amore

Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter

Average customer rating:

Buen documento para conocer y disfrutar a Kathleen Ferrier
The incredible Kathleen Ferrier recordings!
A Terrible Beauty
What is to say - It's Ferrier...
How can you go wrong?

Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter
Kathleen Ferrier , Bruno Walter , Vienna Philharmonic , and Isobel Baillie
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Great Recordings Of The Century - Janet Baker Sings Mahler / Barbirolli, et al

ASIN: B00000I7W5
Release Date: 1999-03-09

Tracks:

Birthday Ode For Queen Mary: Soun The Trumpet
The Indian Queen: Let Us Wander, Not Unseen
King Arthur: Shepherd, Shepherd, Cease Decoying
Ottone: Spring Is Coming
Ottone: Come To Me, Soothing Sleep
Orfeo ed Euridice: Chiamo il mio ben cosi (Act 1)
Orfeo ed Euridice: Deh! placatevi con me (Act 2)
Orfeo ed Euridice: Che puro ciel! (Act 2)
Orfeo ed Euridice: Che feci mai?...Che faro senza Euridice? (Act 3)
O Praise the Lord
I will lay me down in peace
I would that my love, Op. 63 No. 1 - Felix Mendelssohn
Greeting, Op. 63 No. 2 - Felix Mendelssohn
Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
Kindertotenlieder: Wenn dein Mein tritt zur Tein
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
Kindertotenlieder: In diesem Wetter, in diesem Braus

Amazon.com essential recording

Even before her tragic death at 41 (in 1953), Kathleen Ferrier became a legend for her incomparable voice, her simplicity and sincerity of expression, and her indomitable courage. This compilation of recordings originally made in the 1940s includes four arias from Gluck's Orfeo ed Euridice recorded live in Holland, which show why Euridice was one of her signature roles. Two beautifully sung Handel arias, two sacred songs by Maurice Greene, and delightful duets by Purcell and Mendelssohn (sung in English with another beloved English singer, Isobel Baillie) are greatly enhanced by the inimitable pianist Gerald Moore. But the core of this recording is the Mahler cycle. Here, Ferrier's voice takes on a new warmth and intensity; her deeply inward, direct expressiveness gives the bereaved parent's grief and anguish a devastating impact. Her reading of the last song could be a bit more spooky, but the end is heartbreaking in its submissive resignation. The Vienna Philharmonic and Bruno Walter are in their native element. --Edith Eisler

Customer Reviews:

Buen documento para conocer y disfrutar a Kathleen Ferrier.......2004-03-27

Este disco realiza un repaso bastante acertado a la carrera de la mitica contralto Kathleen Ferrier, una de esas voces que hicieron historia y que pasaron a la historia, y con razon.
Junto a unos duetos de Purcell y Mendelshon, y otras canciones, asi como unas arias de Haendel, en las que Ferrier ya va mostrando su gran talento, lo mejor de este disco esta indudablemente en la seleccion del 'Orfeo ed Euridice' de Gluck, tomada de unas funciones en directo a principios de los 50. La Ferrier sienta catedra en la interpretacion del personaje: lo lleva dentro, y lo canta de una forma admirable. Sin duda esta es una de las mejores encarnaciones de 'Orfeo' jamas escuchadas.
El otro pilar del disco son los 'Kindertotenlieder' de Mahler, otra de las maximas especialidades de Ferrier, de los que realiza una version antologica, por voz, diccion y expresion, magistralmente dirigida por Bruno Walter. Un lujazo, vamos.
El disco se consigue actualmente a precio medio, y las remasterizaciones son de calidades variadas (puesto que las grabaciones son de años diferentes) pero el nivel general de las mismas es bastante bueno.
Indudablemente este es un disco que hay que poseer, ya que quizas se trate de uno de los mejores documentos existentes para apreciar el tremendo talento de la gran Kathleen Ferrier.

The incredible Kathleen Ferrier recordings!.......2003-05-20

Voice fans, rejoice -- EMI has finally remastered these recordings and released them as one CD at budget price!
While Mahler's "Kindertotenlieder" would be the chief reason for purchasing this CD right away, it also contains several morsels, equally fascinating. Purcell and Mendelsohn's duets, Handel's arias, Greene's spirituals, and 3 live arias from Gluck's "Orfeo ed Euridice". In general, particularly Mahler, the sound is nothing short of phenomenal. BUT why could not these engineers do the same for "Orfeo" selections? There's a lot of noise on these. On all the selection Ferrier's exceptionally dark mezzo (or contralto with a huge upper register) shines brilliantly. Of course, Mahler's songs bemoaning the death of children are not an easy listen by any means. But the melodies are amazingly harmonious and Bruno Walter's superb orchestra provides ideal background for them, with Ferrier's voice blending gorgeously with strings. Only Mussorgsky could take a subject such as this and make it so breathtakingly captivating. It's actually frightening in by itself. Gerald Moore (well-known for his collaboration with Dietrich Fischer-Dieskau) accompanies expertly on Purcell and Mendelsohn's selections.
It would be a treat to hear Ferrier in more alto repertoire; I am just not sure how many were commercially available at the time. Right now, Vivica Genaux is the leading artist in this area, but it would be fascinating to compare these two.
For the sheer vocal marvel experience, do not delay in getting this CD.

A Terrible Beauty.......2002-11-14

Nothing will change my opinion that Mahler should be approached with caution. Like Wagner, the scale and power of his work means that it is simply not for everyone, but inspite of that, this recording is an indespensible part of any serious music lover's collection. Music like this simply is not made any more, but rather this is a glimpse into a past where artists and not accountants ran the music industry.

Mahler's wife Alma bitterly opposed his setting of Ruckert's Kindertotenlieder to music and considering the death of their daughter soon after, it's doubtful if she ever forgave him for it. But the finished work has an indescribable beauty that Kathleen Ferrier and Mahler's protégé Bruno Walter give full expression to in away that no other interpreter's have even approached. More than 50 years on this is both a lasting tribute to the artists involved and an indictment of the decline in standards since.

What is to say - It's Ferrier..........2002-03-31

I bought the CD for the Kindertotenlieder and that's what I am going to write about (though the rest of the program is equally impressive). Ferrier's Mahler interpretations are always in the 5+ star area. When Walter is accompanying her the results are even better (unlike the case of Klemperer). The first song - Nun Will Die Sonn'... the darkness of the music is so prominent, it's breathtaking. All the rest Kindertotenlieder come in the same fashion. If interested in a release with better sound but not these Olympian contritutors, Janet Baker and Christa Ludwig have made some very good discs

How can you go wrong?.......2001-10-22

I said it before, in my review of the Ferrier/Walter performance of Das Lied von der Erde, recently rereleased by Decca; Ferrier is the authoritative interpreter of Mahler songs--and I have never heard anything to equal this performance of Kindertotenlieder.

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Kathleen Ferrier Sings Bach; Handel

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006M4RNI
Release Date: 2005-03-08

Mahler: Das Lied von der Erde / Bruno Walter

Average customer rating:

One the greatest of all time.
The Da Mahler Code
DESERVEDLY A CLASSIC BUT...
My thoughts.....
Not a first choice, but still a must-have

Mahler: Das Lied von der Erde / Bruno Walter
Gustav Mahler , Bruno Walter , Kathleen Ferrier , Julius Patzak , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Mahler: Das Lied von der Erde
Mahler: Das Lied von der Erde / Bernstein, Vienna Philharmonic Orchestra
Mahler: Symphony No6; Rückert Lieder
Mahler: Symphony No. 9

ASIN: B00004XQ8E
Release Date: 2000-11-14

Tracks:

Das Lied Von Der Erde: I. Das Trinklied Vom Jammer Der Erde - Julius Patzak
Das Lied Von Der Erde: II. Der Einsame Im Herbst - Kathleen Ferrier
Das Lied Von Der Erde: III. Von Der Jugend - Julius Patzak
Das Lied Von Der Erde: IV. Von Der Schonheit - Kathleen Ferrier
Das Lied Von Der Erde: V. Der Trunkene Im Fruhling - Julius Patzak
Das Lied Von Der Erde: VI. Der Abschied - Kathleen Ferrier
3 Ruckert-Lieder: Ich Bin Der Welt Abhanden Gekommen - Julius Patzak
3 Ruckert-Lieder: Ich Atmet' Einen Linden Duft - Kathleen Ferrier
3 Ruckert-Lieder: Um Mitternacht - Julius Patzak

Customer Reviews:

One the greatest of all time........2006-05-20

There are times when you can't let something pass. I've heard this nonsense about how Bruno Walter "didn't understand Mahler." The fact that Walter knew Mahler well and worked with him gave him far better insight into the composer than those commenting almost a century after the fact. The poetry in this performance is there for those whose who are capable of hearing it. Stating that Ferrier was past her prime seems odd in that she was about 40 when this recording was made and if made in 1951 it would have been two years before her death. She was a true contralto (the voice for which the music was written)with a tonal color that any mezzo-soprano can only approximate. Regarding this not being opera it might do well to remember that Mahler was primarily a conductor of opera. Would this have influenced how he may have wanted this work performed? I think so.

The Da Mahler Code.......2006-01-10

This is probably a minority report, but I could never understand why the Walter/Ferrier recordings of the "Das Lied" are considered to be the best Songs of the Earth. Probably because everyone else says so.

Yes, it's not bad, but certainly not at the top of the list.

The question is why is it so overrated? Our culture loves drama and hates death. Ferrier sang her Farewell in 1951 when she was dying of cancer and she knew it. In the 1947 performance of the same work, she burst into tears in the middle of the Abshied. OK, I understand what's the fuss and drama about, but what does it have to do with the music itself?

The Das Lied is not an opera, a fact that Walter and Ferrier (and also Bernstein amongst others) failed to understand, making this work sound overly dramatic and over-sentimental. It is *poetry*, pure p-o-e-t-r-y, and demands an entirely different approach to the one that many musicians have been taking over the years (yes, forget the misery of Mahler's life, as well. A musician's life is one thing, his output another.)

Bruno Walter himself said that "Kathleen Ferrier's performance in Das Lied remains among the deepest and happiest experiences of my musical life. The lovely timbre of her voice moved me as hardly any other sound has. And she had a soul as well as a voice. That soul knew and resounded the very soul of Mahler's work. I have often thought how much it would have meant to him to hear the profound understanding in her performances."

Contrary to that statement, both Walter and Ferrier did not understand Mahler. (BTW, neither did Bernstein, whose recording of the Das Lied with Fischer-Dieskau is certainly one of the worst Das Lied recordings ever.)

Ferrier probably was someone with a soul indeed, and a great singer, but this work did not suit her. Walter a great conductor, but this Das Lied is a clear case of mystification of the public, something analogous to the Da Vinci code (in this case the Da Mahler Code) and the smile of La Giogonda. There's no mystery. Only preconceived ideas.

I would go for the Boulez/Urmana, Klemperer/Ludwig or Tennstedt/Baltsa recordings, instead. Top of the list (also the Janet Baker and Jochum/Merriman, too.)

DESERVEDLY A CLASSIC BUT..........2006-01-08

Now this recording is out of copyright it is beginning to turn up on several labels (e.g. Naxos). It is, after all, a classic recording. However, it was Decca who recorded it and they therefore are the ones who have access to the originals. So this is probably the best transfer, worth the extra cost over its rivals.

Its status as a classic is well deserved. Walter was a close colleague of the composer, talked through the work with him and conducted the world premiere after Mahler's death. It was a piece he had lived with for more than 40 years by the time this recording was made and his interpretation therefore at least deserves serious respect. Of course, it merits much more than that. Walter loved this music and invested it with all the depth of humanity he brought to everything he conducted. There is appropriate weight and thrust to the opening Trinklied, a logically consistent flow to the meandering melodic lines of the Einsame im Herbst, Schubertian delicacy in Von der Jugend and so on right through to the yearnings and final resigned acceptance of Der Abschied. This, as you might expect from Walter, is a Das Lied viewed from the Mozart, Schubert, Brahms end of the telescope rather than as the forerunner of Schoenberg, Berg, Webern and beyond. To that extent he could be said to smooth out some of the more abrasive orchestration, to soften the impact of the clashing harmonies in the great Funeral March and to try to integrate the often disparate and apparently unrelated contrapuntal melodic lines. For a contrasting point of view, you need to turn to Rattle, Boulez or, interestingly, Horenstein.

One of the chief raisons d'etre for this recording, of course, was the special relationship that had developed between Walter and Kathleen Ferrier. In the unique sound of that voice and in her special artistry, Walter felt he had at last found the perfect vehicle for this piece. And she doesn't disappoint. She gives a near-definitive performance of her three songs and especially of Der Abschied. The last outburst of love and regret for the `liebe Erde' and the ensuing resignation that drifts into an infinity of repeated `ewig...ewigs' over Mahler's achingly unresolved sixths in the harmony, these are heart-rending moments. If there is just the slightest note of reservation in my praise, it is that Ferrier (as her letters show) was rather in awe of Dr. Walter, particularly in this piece which was so much a part of his life. As a result she always seems to be following Walter's lead in this performance, without quite allowing herself the interpretive freedom she shows even in her live New York performance with him. But in her live performance with Barbirolli (on APR) the sympathy - empathy even - between the two close friends leads to greater freedom still, greater risk-taking on both their parts that I find all the more moving, despite the pretty dreadful sound quality.

Julius Patzak is also an integral part of this Vienna performance. The tenor role is a tough one, having to scale the heldentenor heights of the opening movement, the porcelain delicacy of the third and the drunken abandon of the fifth. Patzak doesn't have quite the ideal heft for the Trinklied and occasionally gets submerged in the orchestral swell, but he does bring a wonderfully plangent colouring to his voice in the `Dunkel ist das Leben' refrain. There's a wealth of experience behind the subtle word-painting of Von der Jugend, however, and the Drunkard in Spring is also a perfect blend of singing off the words and the notes.

This recording is deservedly a classic of the gramophone, a great performance which displays roots that reach directly back to the composer himself. However, if you can listen through bad sound quality, I'd urge you to listen to Ferrier's performance with Barbirolli as well.

The three Ruckert Lieder also included on this disc are also wonderfully done - especially Ich bin der Welt anhanden gekommen. Um Mitternacht, too, is mightily imposing. Only Janet Baker (again with Barbirolli) runs them close.

My thoughts............2005-07-13

For a performance more than 50 years old, it sounds really good. Kudos to the engineers; I never knew the early 50s recording can be that good. Kudos too to Bruno Walter, a close friend and great interpreter of Mahler, and the Vienna Philharmonic Orchestra, certainly one of the world's finest orchestras.

Personally, I didn't really like Julius Patzak on the tenor. He sounded to mellow, less dramatic compared to James Kings on a rivalling performance done by Bernstein with the same orchestra (and the same label) 14 years later.

Kathleeen Ferrier, on the other hand, is an absolute winner. There's something really special about her performance that really makes me want to cry, particularily in the "Farewell" movement. She sounded very rich and warm when she was singing in moderate registers, but very sweet and delicate - fragile even as if she know she was going to live no longer - whenever she took the higher notes. By the time she sings "Everywhere the lovely earth blossoms" I was in tears, knowing that this would be one of her glorious moments in her career before dying of cancer. Fischer-Dieskau's performance (with Lenny) was touching in one thing, but Ferrier's performance was an excrutiating experience...

May her performance touch others... for ever... and ever.

Not a first choice, but still a must-have.......2004-08-07

I own nine different recordings of Mahler's Das Lied Von Der Erde, and I would probably rate this somewhere in the middle, with Kubelik, Sanderling, and Klemperer ahead of it, and close to on-par with the Horenstein.

This is an excellent and deservedly legendary performance. Patzak and Ferrier both give extremely artistic performances. There is great charisma and depth to their singing and interpretation of the words and melodies. However, technically, there are far better performances out there (they were both past their prime). Fritz Wunderlich, Peter Schrier, and Waldemar Kmentt as tenor and Janet Baker and Alfreda Hodgson as alto come to mind immediately. Bruno Walter gives a very moving reading of the song cycle, but the Vienna Philharmonic Orchestra does not perform very well. It sounds rather unrehearsed and unrefined (and not in a good "fresh" way).

What you have here is a very moving, very magical performance of Das Lied Von Der Erde that should be heard by everyone. But it saddens me to think that many people would purchase this as their "only" recording of this piece (due to the justifiably positive reviews) and feel they can explore this piece sufficiently with it.

I highly recommend checking out the Kubelik/Baker/Kmentt recording. It is an absolutely essential recording with a brilliant conductor, excellent orchestra and sound, the best alto performance available for this work (Baker!), and an excellent tenor. Klemperer and Sanderling give equally amazing readings with two of the best tenors you will ever hear perform this piece (Schrier and Wunderlich, respectively).

Although I find this recording to be far inferior to the three mentioned above, I truly believe one must own several recordings of this work, and in that respect, this Walter/Ferrier deserves the shelf space.

Average customer rating:

Gift
Simple, Sublime

Edition V8 / Blow the Wind Southerly
Kathleen Ferrier
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

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Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter
A Tribute
Debussy: La Mer; Elgar: Enigma Variations
Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
The History Boys

ASIN: B00000E4XK
Release Date: 1992-04-01

Tracks:

Ma Bonny Lad
The Keel Row
Blow The Wind Southerly
I Have A Bonnet Trimmed With Blue
My Boy Willie
I Know Where I'm Goin'
The Fidgety Bairn - Kathleen Ferrier/John Newmark
I Will Walk With My Love
Ca' The Yowes - Kathleen Ferrier/John Newmark
O Waly, Waly
Willow, Willow
The Stuttering Lovers
Now Sleeps The Crimson Petal
The Fair House Of Joy
The Daisies
Over The Mountains
Have You Seen The But A Whyte Lillie Grow?
Ye Banks And Braes
Drink To Me Only
Down By The Salley Gardens
The Lover's Curse

Customer Reviews:

Gift.......2006-11-07

Item received in ample time for presenting, and the receiver of the present seems to be very satisfied with it!

Simple, Sublime.......2005-01-11

I first bought this recording 20 years ago, and it has never lost it's appeal for me. The singing is simple - as suits these simple yet eloquent songs - unmannered, lovely, with that incredible warmth that was intrinsic to everything this great singer recorded. When I am overwrought - as I am from time to time - nothing is as soothing to me as Ferrier singing "O Waly, Waly" or "Now Sleeps The Crimson Petal".

Average customer rating:

World of Kathleen Ferrier V.1
Kathleen Ferrier
Manufacturer: Decca/Universal
ProductGroup: Music
Binding: Audio CD

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A Tribute
Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter
Mingus Ah Um

ASIN: B000027BHT
Release Date: 1990-10-08

Tracks:

Blow The Wind Southerly - Traditional
Keel Row - Traditional
Ma Bonny Lad - Traditional
Bridge - Go Not Happy Day - The Bridge
Come You Not From Newcastle - Traditional
Kitty My Love - Traditional
Art Thou Troubled - George Frideric Handel
Ombra Mai Fu - George Frideric Handel
What Is Life- - Gluck
Woe Unto Them - Mendelssohn
Rest In The Lord - Mendelssohn
Have Mercy, Lord On Me
Grethen Am Spinnrade
Die Junge Nonne
An Die Musik
Der Musensohn
Brahms - Sapphische Ode
Botschaft
Um Mitternacht

Kathleen Ferrier Ovation #3: Gluck/Handel/Bach/Mendelssohn/Pergolesi

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Kathleen Ferrier Ovation #3: Gluck/Handel/Bach/Mendelssohn/Pergolesi
Kathleen Ferrier
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

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Kathleen Ferrier Sings Bach; Handel

ASIN: B00000E4XF
Release Date: 1992-04-01

Tracks:

Orfeo Ed Euridice: What Is Life - Kathleen Ferrier
Rodelinda: Art Thou Troubled? - Kathleen Ferrier
St. Matthew Passion: Have Mercy, Lord, On Me - Kathleen Ferrier/David McCallum
Cant No.11: Ah, Tarry Yet, My Dearest Saviour - Kathleen Ferrier
Serse: Ombra Mai Fu - Kathleen Ferrier
Elijah: Woe Unto Them - Kathleen Ferrier
Elijah: O Rest In The Lord - Kathleen Ferrier
Stabat Mater: Stabat Mater Dolorosa - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Cujus Animam Gementem - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: O Quam Tristis Et Afflicta - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Quae Moerabat Et Dolebat - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Quis Est Homo, Qui Non Fleret - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Vidit Suum Dulcem Natum - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Eja Mater, Fons Amoris - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Fac Ut Ardeat Cor Meum - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Sancta Mater Istud Agas - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Fac Ut Portem Christi Mortem - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Inflammatus Et Accensus - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor
Stabat Mater: Quando Corpus Morietur - Kathleen Ferrier/Joan Taylor/The Nottingham Oriana Chor

Average customer rating:

Das Lied Von Der Erde
Mahler , Ferrier , Walter , Patzak , and Vpo
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B00000E2XF
Release Date: 1990-10-25

Average customer rating:

Mahler: Das Lied Von Der Erde [Germany]
Ferrier , Suanholm , Walter , and New York Philharmonic Orchestra
Manufacturer: Meisterwerke
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B0006SNGPM
Release Date: 2006-05-04

Tracks:

Das Trinklied Vom Jammer Der Erde
Der Einsame In Herbst
Von Der Jugend
Von Der Schonheit
Der Trunkene Im Fruhling
Der Abschied

Music Review:

Music Review

music review