2 Million & Rising [Import]

2 Million & Rising [Import]

2 Million & Rising [Import]

Editorial Reviews
Product Description
Despite being firmly rooted in the d&b scene, 2 Million And Rising is an album that goes beyond boundaries of styles and is packed with musical refrences, increasing its appeal well beyond jungle circles. Formation. 2005.

2 Million & Rising,Influx UK,Drum & Bass
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Ragtime (1981 Film Soundtrack)
Average customer rating: 5 out of 5 stars
  • One of my best soundtracks...ever
  • Rating
  • Ragtime (1981 Film Soundtrack)
  • A beautiful achievement
  • Absolutely brilliant.
 Ragtime (1981 Film Soundtrack)

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Ragtime
  2. The Natural (1984 Film)
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  4. Good Old Boys (Bonus CD) (Dlx)
  5. The Sting: Original Motion Picture Soundtrack

ASIN: B000065DV8
Release Date: 2002-05-21

Tracks:

  1. Main Title
  2. Newsreel
  3. I Could Love a Million Girls
  4. Train Ride
  5. Tateh's Picture Book
  6. Lower East Side
  7. Delmonico Polka
  8. Coalhouse and Sarah
  9. Waltz for Evelyn
  10. One More Hour
  11. Sarah's Responsibility
  12. Change Your Way
  13. Clef Club No. 1
  14. Atlantic City
  15. Clef Club No. 2
  16. Sarah's Funeral
  17. Denouement / Morgan Library Takeover / Rhinelander Waldo / Coalhouse's Prayer
  18. Ragtime
  19. Ragtime Theme (Demo)

Album Description

Available for the first time on CD! From 2002 Academy Award Winner Randy Newman-the complete 1981 soundtrack restored in digital sound and featuring the bonus track 'Ragtime Theme' (Demo).

Customer Reviews:

5 out of 5 stars One of my best soundtracks...ever.......2007-03-30

Newman's music is both rousing and plaintive. "One More Day" is worth the price of admission alone. Quite simply, beautiful.

5 out of 5 stars Rating.......2007-03-08

Since this stuff is sold out in Europe, it was good to find it at your place. Shipment etc. was all OK and meanwhile we enjoy the music.
Thanks a lot.

5 out of 5 stars Ragtime (1981 Film Soundtrack).......2007-02-20

Beautiful music. It sets a mood throughout that is rather sad no matter what the words say.

5 out of 5 stars A beautiful achievement .......2006-02-25

The excelent Milos Forman timepiece on the 20's based on the Doctorow novel has a marvelous musical translation in this soundtrack close to perfection. It gets the time and mood of the movie, and reflects its main dramatic moments. I would dare to say that this soundtrack is one of the finest coming out from a movie of the 80's. Besides, it sounds great in this digitally remastered version. Do not hesitate to get it. It's a real beauty.

5 out of 5 stars Absolutely brilliant........2005-12-28

I first came across this soundtrack when looking for Donald O'Connor songs - I'm a big fan of his, and I'm trying to track down all the songs he's ever recorded. It just so happens he has one of the most delightful songs on this soundtrack, "I could love a Million Girls". Apparently it's from a Disney film called Summer Magic, but I don't think Disney would approve of how dirty this song is if you think about it! Donald O'Connor was around 55 or so when he recorded this song, so his voice isn't as great as it was once, but he still does a fantastic job.

Now, onto the other songs. "Ragtime" (the song listed on the soundtrack) is hauntingly beautiful - it really captures the feeling and mood of the time, and puts you right back there. Same with most of the other "score" tracks. This is definately one of the best scores out there, and it's a pity it didn't do better. I guess it's almost ahead of it's time a little, considering this was the time period that gave us films like The Blues Brothers and other such early SNL comedies which didn't require scores like Ragtime needed. It really should've done better, but for now enjoy the soundtrack because I doubt you'll get another release of it!
Jerry Goldsmith: 40 Years of Film Music
Average customer rating: 4.5 out of 5 stars
  • Awesome Set!
  • Elmer Bernstein Film Music Collection
  • Overall a strong Goldsmith sampler
  • Jerry Goldsmith - 40 years of pleasure
  • Almost the perfect compilation
 Jerry Goldsmith: 40 Years of Film Music
Jerry Goldsmith
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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ASIN: B0009KIYDG
Release Date: 2005-08-09

Tracks:

  1. Blue Max, The
  2. Blue Max, The
  3. Blue Max, The
  4. Blue Max, The
  5. Blue Max, The
  6. The Man From U.N.C.L.E.: Doctor Kildare / Room 222 / Waltons, The / Barnaby Jones / Television Themes Medley
  7. In Harm's Way
  8. The Sandpebbles: Chinatown / Patch Of Blue, A / Poltergeist / Papillon / Wind And The Lion, The / Motion Pictures Medley
  9. Generals, The
  10. Tora! Tora! Tora!
  11. Wild Rovers, The
  12. Pursuit
  13. Wind And The Lion, The

Tracks:

  1. QB VII
  2. QB VII
  3. QB VII
  4. QB VII
  5. QB VII
  6. Waltons, The
  7. Papillon
  8. Police Story
  9. Omen, The
  10. Capricorn One
  11. Swarm, The
  12. Boys From Brazil, The
  13. , The (First) Great Train Robbery
  14. Alien
  15. Star Trek The Motion Picture

Tracks:

  1. Masada
  2. Poltergeist
  3. First Blood - Rambo II
  4. Twilight Zone: The Movie
  5. Under Fire
  6. Under Fire
  7. Under Fire
  8. Under Fire
  9. Gremlins
  10. Baby - Secret Of The Lost Legend
  11. Legend
  12. Lionheart
  13. Rambo III
  14. Total Recall

Tracks:

  1. Star Trek Voyager
  2. Basic Instinct
  3. Russia House, The
  4. Gremlins II
  5. Medicine Man
  6. Shadow, The
  7. Forever Young
  8. First Knight
  9. Powder
  10. Airforce One
  11. L.A. Confidential
  12. Mummy, The
  13. Haunting, The

Album Description

Jerry Goldsmith's death in 2004 marked the end of one of the greatest careers in film composing. This lavish 57 track 4 CD set traces the path of his astonishing achievements and includes recordings conducted by Goldsmith himself. Featuring The City Of Prague Philharmonic Orchestra, The Philharmonia Orchestra, The National Philharmonic Orchestra, and The Daniel Caine Orchestra. Includes over 280 minutes of music.

Customer Reviews:

5 out of 5 stars Awesome Set!.......2007-07-01

I am a huge fan of Jerry Goldsmith. They did a great job preserving his vision. I can listen to this collection for hours. Great music!

5 out of 5 stars Elmer Bernstein Film Music Collection.......2006-11-03

This is compilation of hit film music from one of the greatest composers in motion pictures. What is surprising though is the music not included like the Ghost And The Darkness, the 13th Warrior, Rudy and others. To be sure, 4 discs are not enough for a composure of this stature. THe recording, however, is an "engineering masterpiece" which makes the music even more enjoyable than when you first heard it at the movies. When are we ging to get the music that was omittd from this compilaton?

4 out of 5 stars Overall a strong Goldsmith sampler.......2006-04-11

Okay, this is a CD review, so the focus is on music, but I've got to say this first: this has got to be a contender for the ugliest cover art ever. I mean, come on...instead of a tribute to the composer, the cover looks like someone spilled a glass of merlot over a NASA photo.

Fortunately, even an ugly cover will not ruin good music. And the good news is that I'd say about 75 percent of the music is good....and on a 4 cd set, that's a lot. Like other Silva compilations, the strength of this compilation is the variety. There are selections from the big releases (Star Trek, Omen, Rambo), but there is also a healthy dose of tracks from the smaller releases(Under Fire, Lionheart, The Swarm).

Two examples come to mind. Capricorn One and The Great Train Robbery are two movies that are not exactly household names today, but are dominated by two of Goldmith's finest main themes. The City of Prague Philharmonic come through with terrific renditions. And there are plenty of other strong performances...a few being concert versions conducted by Goldsmith himself. Suprisingly, "The Wind and the Lion" works, which is no small accomplishment given the ferentic original performance of "Raisuli Attacks".

It's not a complete success. A few of the performances fall flat, particularly some of the more inventive scores. Total Recall is just bad, mangling the performance with poor percussion and synthesizer choices to boot. Also a letdown is the Klingon Attack from the first Star Trek movie. The Prague Philhamonic attempt doesn't sound bad--it's just that once you've heard the original soundtrack's "blaster beam" with enough bass to rattle your teeth...well let's just say Silva's version is a little tinny in comparison.

But I shouldn't dwell on the negative. Overall, this is a strong sampler of Goldsmith's variety. There are plenty of quality performances here, and despite a few omissions (noticeably Planet of the Apes)this is a very good release from Silva.

4 out of 5 stars Jerry Goldsmith - 40 years of pleasure.......2006-02-22

It was wonderful to hear Mr. Goldsmith's music that went all the way back to The Man from UNCLE, The Waltons, Dr Kildare, etc. And then to hear his music up to the present. The man was a genius!

4 out of 5 stars Almost the perfect compilation.......2005-12-31

Age has its value.... This sweeping collection of compositions brings back so many great memories. This collection shows how significant Goldsmith was for both the movie screen and the small screen. With such a grand collection, every reader can be assured that at least one movie or TV program they like or remember had Goldsmith's contribution. It was an amazing life and the collection well worth having.

However, as sweepig as it is, there are a few holes in the selection. "First Contact", one of the sweetest and richest compositions from the Star Trek is absent. "The Ghost and the Darkness" is missing and the "Medicine Man" music should include the theme song. By dwelling on several selections from the Blue Max, these were squeezed out. Three full and important movie themes got the axe.

However, all but "The Ghost and the Darkness" are readily available and not overly expensive as is the "Ghost" CD. This is a must have for the TV and movie music fan.

Before there was Hans Solo there was Napolean Solo, before ER there was Dr. Kildare. Jerry Goldsmith IS Sci-Fi. "Resistance is futile.. you MUST assimilate this CD collection."
Red Hot Ragtime Volume 1
Average customer rating: 4 out of 5 stars
  • Red Hot, Yes; Old, No
  • A ragtime pioneer
  • The King of Ragtime
  • CD Review: Red Hot Ragtime, Vol 1
 Red Hot Ragtime Volume 1
Johnny Maddox
Manufacturer: Crazy Otto Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
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  1. Red Hot Ragtime Volume 2
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  4. Honky Tonk Piano
  5. Dixieland Blues

ASIN: B00004VXCG
Release Date: 2000-06-30

Tracks:

  1. The Crazy Otto Medley
  2. San Antonio Rose
  3. Music! Music! Music!
  4. The Entertainer
  5. Beer Barrel Polka
  6. The Old Piano Roll Blues
  7. Under The Double Eagle
  8. Yes Sir! That's My Baby
  9. Down Yonder
  10. Red Wing
  11. Frankie & Johnnie
  12. 12th Street Rag
  13. Glow Worm
  14. Sweet Georgia Brown
  15. When You & I Were Young Maggie Rag

Album Description

Crazy Otto Music, Inc. is an independent label started in July of 2000. Based in Memphis, Tennessee, Crazy Otto Music specializes in ragtime, Dixieland and other early American music, particularly those genres that are, or were, Memphis based or influenced.

Customer Reviews:

3 out of 5 stars Red Hot, Yes; Old, No.......2007-04-06

Somehow I thought the sound would convey a turn of the century feel alas it did not. The tunes were great though. It's a good place for beginning amateurs like me I suppose.

4 out of 5 stars A ragtime pioneer.......2005-11-16

In the 1950s, Johnny Maddox almost single-handedly (you know what I mean) spearheaded that decade's honky-tonk ragtime revival. His many recordings on the Dot label sold very well and are still highly regarded today. I have quite a few of them and count myself among his many admirers.

This CD was recorded in the late 1980s and features Maddox at the keys of a 1908 upright piano. This isn't Rifkin-style "classical" ragtime. As the title of the CD indicates, this is "Red Hot" saloon-style ragtime. The piano is slightly out-of-tune and the hammers hit the strings with that percussive "tinny" sound. I typically don't care as much for this honky-tonk style, but for what it is, this CD (and its companion Volume 2) is quite good. Maddox's arrangements of these standard tunes are nothing spectacular, but they capture the saloon atmosphere nicely--they are enough to keep me interested in each piece from beginning to end. While Maddox's playing is quite accurate note-wise, he seems to have trouble keeping a steady rhythm in spots. Some of the pieces feel unsteady. Still, I'm glad that the CD presents Maddox on his own: there's no drum acompaniment or bass player added as on many other honky tonk piano albums.

The sound quality is very nice--many recordings of this kind of music have been made by budget or independent labels that often leave a lot to be desired sound-wise. Not so here! The piano is well-miked and has a great "presence." Unfortunately, the CD contains no real liner notes in its 4-panel insert, just a brief paragraph about Maddox, a track listing, and short credits blurb.

The disc is also a little on the short side, just 39:30. That's not necessarily a bad thing. It's good to pull this CD out and play a few tracks at a time, but I find that my ears typically tire of this rinky-tink, honky-tonk ragtime after five or six tracks. The arrangements and tempos are so similar that soon I'm longing for a slow ballad, maybe a waltz, or something else to add a little variety to the playlist.

As I write this, Johnny Maddox is still alive and well, and performing ragtime regularly--some fifty-five years after his pioneering ragtime recordings if the early 1950s. Here's to many more, Johnny!

5 out of 5 stars The King of Ragtime.......2003-04-19

The name Johnny Maddox is about as close as there is to a brand name in the revival of ragtime music of the 1950s and `60s. This CD reissue is the first in a series that includes some of the great recordings of Maddox's LPs, with a healthy sampling of the staples of ragtime music, both from the original era and the later years of pop music in the ragtime genre. The first track is the now famous "Crazy Otto Medley", and it's the logical choice to lead off the series. Formed from a number of composers, it is the perfect mood setter for what's to come.

Along the way we get to hear once again such Maddox classics as his rendition of "San Antonio Rose", "Yes Sir! That's My Baby", and "Beer Barrel Polka." The classic rag of Scott Joplin, "The Entertainer", and contemporaneous "Red Wing" of Kerry Mills hark back to earlier times. As always with Johnny's play lists, there is a nice mixture of the unexpected but perfectly appropriate, such as "Music! Music! Music!" and the light classic entry "The Glow Worm", by the German composer of cakewalks and ragtime, Paul Lincke.

Maddox's light-hearted approach and even glimpses of humor are spread throughout his music. Try the famous musical fable, "Frankie and Johnny" (no relation!) that includes at the end a couple of the best piano-played gun shots I've heard. Johnny Maddox is really at the top in this music, the result of vast knowledge, research, enthusiasm and, of course, terrific musicianship.

By David Reffkin, Director, The American Ragtime Ensemble; Producer/Host, "The Ragtime Machine" (KUSF, San Francisco)

5 out of 5 stars CD Review: Red Hot Ragtime, Vol 1.......2003-04-10

The name Johnny Maddox is about as close as there is to a brand name in the revival of ragtime music of the 1950s and `60s. This CD reissue is the first in a series that includes some of the great recordings of Maddox's LPs, with a healthy sampling of the staples of ragtime music, both from the original era and the later years of pop music in the ragtime genre. The first track is the now famous "Crazy Otto Medley", and it's the logical choice to lead off the series. Formed from a number of composers, it is the perfect mood setter for what's to come.

Along the way we get to hear once again such Maddox classics as his rendition of "San Antonio Rose", "Yes Sir! That's My Baby", and "Beer Barrel Polka." The classic rag of Scott Joplin, "The Entertainer", and contemporaneous "Red Wing" of Kerry Mills hark back to earlier times. As always with Johnny's play lists, there is a nice mixture of the unexpected but perfectly appropriate, such as "Music! Music! Music!" and the light classic entry "The Glow Worm", by the German composer of cakewalks and ragtime, Paul Lincke.

Maddox's light-hearted approach and even glimpses of humor are spread throughout his music. Try the famous musical fable, "Frankie and Johnny" (no relation!) that includes at the end a couple of the best piano-played gun shots I've heard. Johnny Maddox is really at the top in this music, the result of vast knowledge, research, enthusiasm and, of course, terrific musicianship.

By David Reffkin, Director, The American Ragtime Ensemble; Producer/Host, "The Ragtime Machine" (KUSF, San Francisco)
Artistry of Elly Ameling (Coll)
Average customer rating: 5 out of 5 stars
  • Elly Ameling now more available
  • Delight in every note
  • While they last...
  • Treasures From a Treasure
  • More than fully earned praise for an exceptional singer.
 Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by EllingtonAll Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00007KMSJ
Release Date: 2003-10-14

Tracks:

  1. Matthaus-Passion
  2. Johannes-Passion
  3. Weihnachts-Oratorium
  4. Juditha Triumphans
  5. Messiah
  6. Crudel Tiranno Amor
  7. Die Schopfung
  8. Orlando Paladino
  9. 7 Lieder
  10. Le Nozze Di Figaro
  11. Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
  12. Misera! Dove Son! K369
  13. 18 Lieder
  14. Frauenliebe Und- Leben
  15. 11 Lieder
  16. 20 Morike-Lieder

Customer Reviews:

5 out of 5 stars Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

5 out of 5 stars Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

5 out of 5 stars While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

5 out of 5 stars Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

5 out of 5 stars More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!
Red Hot Ragtime Volume 2
Average customer rating: 5 out of 5 stars
  • The King of Ragtime
  • CD Review: Red Hot Ragtime, Vol 2
 Red Hot Ragtime Volume 2
Johnny Maddox
Manufacturer: Crazy Otto Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
GeneralGeneral | Jazz | Styles | Music
RagtimeRagtime | Traditional Jazz & Ragtime | Jazz | Styles | Music
GeneralGeneral | Blues | Indie Music | Stores | Music
GeneralGeneral | Jazz | Indie Music | Stores | Music
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  1. Red Hot Ragtime Volume 1
  2. Jo Anne Castle - 22 Greatest Ragtime Hits
  3. Honky Tonk Piano
  4. Dixieland Blues
  5. The Greatest Ragtime of the Century

ASIN: B00004VXCH
Release Date: 2000-06-30

Tracks:

  1. Dixie Medley
  2. When the Saints Go Marching In
  3. Alley Cat
  4. In the Mood
  5. Glad Rag Doll
  6. Ballin' the Jack
  7. If you Knew Susie, Like I Know Susie
  8. Red Rose Rag
  9. Five Foot Two
  10. Basin Street Blues
  11. Melody In F Rag
  12. The Third Man Theme
  13. Humoresque
  14. Whistling Rufus
  15. Some of These Days
  16. Bye Bye Blackbird

Album Description

Crazy Otto Music, Inc. is an independent label started in July of 2000. Based in Memphis, Tennessee, Crazy Otto Music specializes in ragtime, dixieland and other early American music, particularly those genres that are, or were, Memphis based

Customer Reviews:

5 out of 5 stars The King of Ragtime.......2003-04-19

By David Reffkin, Director, The American Ragtime Ensemble; Producer/Host, "The Ragtime Machine" (KUSF, San Francisco)

Volume 2 in this series picks up with more of the mix of pop sources found in Volume 1. Some of the classics of ragtime arrangements created by Johnny Maddox are included in this 16-track disc. The dynamic opening, "Dixie Medley", is followed by "The Saints" and "Alley Cat", two pieces that will immediately bring to mind the golden era that Maddox helped to define. And it is important to remind the prospective audience, most of whom by now includes a crowd younger than that which lived through the era, that Johnny Maddox was one of the original artists of the genre, helping to define this exciting music that was such an inspiration to the other piano players of the day. When you hear the current crop of ragtime players on the festival or concert scene, you are hearing a number of `students' of Maddox, whether they are playing in the style or became excited about ragtime or piano playing just from hearing Johnny Maddox.

The Crazy Otto Music series is bringing back much of the repertoire previously issued on LP, such as the many Dot recordings that were best sellers. These pieces include not only the big ragtime hits but also the deserving lesser-known titles. A perfect example of the latter would be "Humoresque", the light classic of Antonin Dvorak that underwent a number of `ragtime desecrations' as they used to be called. In Johnny Maddox's hands, not only are the finer elements of the piece all seamlessly tied into a sparkling whole, but through intelligent chord choices and melodic turns of phrase, the performance is distinctive and memorable.

Johnny's 45 albums and 11 million-sales figure, including 9 gold singles, provides the treasure chest of music now being re-released on the Crazy Otto label. Many fans will appreciate having these classic performances back in the form of CD reissues, with the sonically satisfying remasterings from Bay Records' Mike Cogan.

5 out of 5 stars CD Review: Red Hot Ragtime, Vol 2.......2003-04-10

Volume 2 in this series picks up with more of the mix of pop sources found in Volume 1. Some of the classics of ragtime arrangements created by Johnny Maddox are included in this 16-track disc. The dynamic opening, "Dixie Medley", is followed by "The Saints" and "Alley Cat", two pieces that will immediately bring to mind the golden era that Maddox helped to define. And it is important to remind the prospective audience, most of whom by now includes a crowd younger than that which lived through the era, that Johnny Maddox was one of the original artists of the genre, helping to define this exciting music that was such an inspiration to the other piano players of the day. When you hear the current crop of ragtime players on the festival or concert scene, you are hearing a number of `students' of Maddox, whether they are playing in the style or became excited about ragtime or piano playing just from hearing Johnny Maddox.

The Crazy Otto Music series is bringing back much of the repertoire previously issued on LP, such as the many Dot recordings that were best sellers. These pieces include not only the big ragtime hits but also the deserving lesser-known titles. A perfect example of the latter would be "Humoresque", the light classic of Antonin Dvorak that underwent a number of `ragtime desecrations' as they used to be called. In Johnny Maddox's hands, not only are the finer elements of the piece all seamlessly tied into a sparkling whole, but through intelligent chord choices and melodic turns of phrase, the performance is distinctive and memorable.

Johnny's 45 albums and 11 million-sales figure, including 9 gold singles, provides the treasure chest of music now being re-released on the Crazy Otto label. Many fans will appreciate having these classic performances back in the form of CD reissues, with the sonically satisfying remasterings from Bay Records' Mike Cogan.

By David Reffkin, Director, The American Ragtime Ensemble; Producer/Host, "The Ragtime Machine" (KUSF, San Francisco)
Emo Diaries, Vol. 2: A Million Miles Away
Average customer rating: 3.5 out of 5 stars
  • fade away compilation
  • Emo: Yes, Stereotypical Emo: NO
 Emo Diaries, Vol. 2: A Million Miles Away
Various Artists
Manufacturer: Deep Elm
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
PunkPunk | Hardcore & Punk | Alternative Rock | Styles | Music
Punk RevivalPunk Revival | Hardcore & Punk | Alternative Rock | Styles | Music
EmoEmo | Hardcore & Punk | Alternative Rock | Styles | Music
PunkPunk | Compilations | Alternative Rock | Styles | Music
Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
GeneralGeneral | Compilations | Rock | Styles | Music
1990s1990s | By Decade | Pop | Styles | Music
1990-19991990-1999 | Decades | Compilations | Miscellaneous | Styles | Music
GeneralGeneral | Blues | Indie Music | Stores | Music
Similar Items:
  1. Emo Diaries, Vol. 1: What's Mine Is Yours
  2. Emo Diaries, Vol. 3: Moment of Truth
  3. Emo Diaries, Vol. 4: An Ocean of Doubt
  4. Emo Diaries, Vol. 6: The Silence In My Heart
  5. Emo Diaries, Vol. 5: I Guess This Is Goodbye

ASIN: B000005YV1
Release Date: 1998-04-14

Tracks:

  1. Writing It Down For You - Pop Unknown
  2. Max - Appleseed Cast
  3. Incomplete - Seven Storey Mountain
  4. Cold Night In Virginia - The Blacktop Cadence
  5. Holly Park - Brandtson
  6. The Wrath - Shooters & Senders
  7. After Dark - Buford
  8. S. E. G. - The Jazz June
  9. Life Without Ambition - Plain
  10. Somedays - Magstatic
  11. Kayla Learns To Dance - My Favorite Citizen
  12. Nova - Strike Force
  13. Teenage Unity Song - The Miracle Of 86

Customer Reviews:

2 out of 5 stars fade away compilation.......2000-06-12

this compilation is a classic fade away album. the first song, "writing it down for you" by pop unknown is a classic "emo" song. it sets the bar quite high. unfortunately, the bar is only topped once throughout the rest of the album. it is topped in the track "holly park" by brandston. i am prejudiced since this is one of my favourite bands, but they recorded the best song of their career (barring anything yet to come). the melody and one of the best harmony duos carry this song through somewhat depressing lyrical content (being apart from the one you love). from this point on (track five), the album fades into oblivion. there is nothing of import to comment on. the songs do nothing to separate themselves from the typical "emo" fare. however, it is worth the buy for the brandston track (unless you can find the "holly park/black boys on mopeds" seven inch).

5 out of 5 stars Emo: Yes, Stereotypical Emo: NO.......1999-01-06

If you appreciate music from a rock point of view or from a mellodic point of view or even from a raging point of view, then pick up either of the emo diaries compilations, you won't be disappointed. Pop Unknown start off the cd right with some terrific instrumenal music, but as the vocals chime in, the song seems to fall in place. I also liked the next three tracks, which absolutely defines from anyway you look at it, what emo is all about...expressing emotion through music. The collection, which by the way will be extented with a third comp. entitled "The Moment of Truth" will blow about any rock/pop/punk/indie fan.
The First Million Miles, Vol. 2
Average customer rating: 5 out of 5 stars
  • The Folk Singer of Our Times!
  • One of the best cd's of 1998
 The First Million Miles, Vol. 2
Bill Staines
Manufacturer: Rounder Select
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Contemporary Folk | Folk | Styles | Music
Singer-SongwritersSinger-Songwriters | Contemporary Folk | Folk | Styles | Music
GeneralGeneral | Folk | Styles | Music
Traditional FolkTraditional Folk | Folk | Styles | Music
Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Rounder RecordsRounder Records | Specialty Stores | Music
GeneralGeneral | Folk | Indie Music | Stores | Music
Similar Items:
  1. The First Million Miles
  2. Second Million Miles
  3. The Happy Wanderer
  4. Bridges
  5. The Whistle of the Jay

ASIN: B000005YW2
Release Date: 1998-05-05

Tracks:

  1. Rodeo Rose
  2. Only A Song
  3. January Snow
  4. Sunny Road
  5. Redbird's Wing
  6. The Shores Of Prudhoe Bay
  7. Bird In The Wind
  8. Border Blues
  9. Sunshine Islands
  10. First Lullabye
  11. Sweet, Sunny South
  12. Heart Alone
  13. Northland
  14. Gambler's Game
  15. Stone Face
  16. Coyote
  17. Last Margarita At Monterey
  18. Lovers and Losers
  19. Spirit Song

Customer Reviews:

5 out of 5 stars The Folk Singer of Our Times!.......1999-02-13

Bill Staines' tunes run deep to the core of your soul through his poetic lyrics and his smooth comforting music. You will have hours and hours of enjoyement listening to Staines. Try to catch one of his performances on the road. He will dazzle you with charm and warm you with song.

5 out of 5 stars One of the best cd's of 1998.......1998-10-14

Bill Staines is a classic folk artist that rarely sings a dud, so a "best of" cd is difficult to compile because it requires leaving out so many good songs. Consequently, the 'best of' release "The First Million Miles" has now been supplemented by this new release, "The First Million Miles, Volume 2" which picks up many of the tracks left off of the first volume. You may expect these to be the less essential Staines songs; however, this cd is actually better than the first compliation. If you are only going to own one Bill Staines cd or want a sampler of his music, this cd is the place to start.
Rebirth of Mothra 3
Average customer rating: Not rated
    		Rebirth of Mothra 3

    Manufacturer: Adv Films
    ProductGroup: Music
    Binding: Audio CD

    Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    Anime & Video Game SoundtracksAnime & Video Game Soundtracks | Soundtracks | Styles | Music
    GeneralGeneral | Vocal Pop | Pop | Styles | Music
    Similar Items:
    1. Rebirth of Mothra 2
    2. Rebirth of Mothra
    3. Rebirth of Mothra 1&2
    4. Godzilla - Final Wars

    ASIN: B0000DFZYW
    Release Date: 2003-10-28

    Tracks:

    1. Opening/The Legend Is Set Free
    2. Eerie Swarm of Meteors
    3. Strange Meteorite
    4. Mothra Song
    5. Second Coming of the Greatest Foe
    6. Appearance of Mothra
    7. Meeting With Mothra
    8. Sound of the Blade of Sadness
    9. Setting Off on Our Journey Through Space and Time
    10. Haora Mothra [Moll Version]
    11. One Last Request
    12. Soaring High 130 Million Years Ago
    13. Strange Dome
    14. Cretaceous Period Battle 1
    15. Risk Your Life
    16. Cretaceous Period Battle 2
    17. Haora Mothra [Lora Version]
    18. Requiem
    19. Return of King Ghidorah
    20. Tragic Battle
    21. Appearance of the Armored Warrior
    22. Last Battle
    23. Last Metamorphosis
    24. Power of the Legend
    25. Ending/Touch My Heart
    Hammer Film Music Collection, Vol. 2
    Average customer rating: Not rated
      		Hammer Film Music Collection, Vol. 2

      Manufacturer: Import [Generic]
      ProductGroup: Music
      Binding: Audio CD

      Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
      GeneralGeneral | Soundtracks | Styles | Music
      GeneralGeneral | Vocal Pop | Pop | Styles | Music
      SoundtracksSoundtracks | Imports | Stores | Music
      ASIN: B00002MU7G
      Release Date: 2000-12-19

      Tracks:

      1. The Satanic Rites Of Dracula-John Cacavas
      2. Demons Of The Mind-Harry Robinson
      3. The Mummy's Shroud-Don Banks
      4. Frankenstein And The Monster From Hell-James
      5. Dracula Has Risen From The Grave-James Bernard
      6. The Witches-Richard Rodney Bennett
      7. The Vengeance Of She-Mario Nascimbene
      8. The Evil Of Frankenstein-Don Banks
      9. The Plague Of The Zombies-James Bernard
      10. Fear In The Night-John McCabe
      11. Frankenstein Created Woman-James Bernard
      12. The Pirates Of Blood River-Gary Hughes
      13. To The Devil A Daughter-Paul Glass
      14. Quatermass 2-james Bernard
      15. The Curse Of The Warewolf-Benjamin Frankel
      16. The Abominable Snowman-humphrey Searle
      17. Dracula AD 1972-Michael Vickers
      18. The Hound Of The Baskervilles-James Bernard
      19. Vampire Circus-David Whitaker
      20. The Lost Continent-Roy Phillips
      21. Slave Girls-Carlo Martelli
      22. The Phantom Of The Opera-Edwin Astley
      23. Crescendo-Malcolm Williamson
      24. Rasputin The Mad Monk-Don Banks
      25. One Million Years BC-Mario Nascimbene

      Album Description

      Collection of 25 digitally remastered original recordings from some of Hammer Films' finest horror movie themes. This second volume features music from motion pictures that starred Peter Cushing and Christopher Lee. Contains music from 'Plague Of The Zombies', 'Slave Girls', 'To The Devil A Daughter', 'The Abominable Snowman', 'Dracula AD 72', 'One Million Years BC', 'Hound Of The Baskervilles' and many others. 1999 release.

      Album Details

      Digitally Remastered. Includes: 'mummy's Shroud'& 'dracula Has Risen from the Grave'.

      Music Review:

      1. 20th Century Masters - The Millennium Collection: The Best of Soraya [Original recording remastered]
      2. Arena
      3. At Midnight: Tk Dance Classics Remixed for the '90's
      4. Baby's on Fire/ Take Me Away [Import]
      5. Bang the Loop Pt.1 [CD-single] [Import]
      6. Bassliebe [CD-single] [Import]
      7. Beatroot [Import]
      8. Dance for the Celestial Beings
      9. Dance Odyssey, Vol. 2
      10. Deepa Suenos

      Music Review

      music review