20 Historicos Del Dance V.2 [Import]

20 Historicos Del Dance V.2 [Import]

Track Listings

1. Desenchantee

2. Another Day

3. Heaven

4. Don't Stop

5. Voices

6. Oceans

7. Sexy

8. Castles In The Sky

9. Look @ Me Now

10. Freed From Desire

11. Super

12. Fascinated

13. Sing A Song Now Now

14. Australia

15. Bel Amour

16. Time To Rock

17. Hypnotic Tango

18. Time After Time

19. Back To Life

20. Hard To Say I'm Sorry

Tracks:

Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
Turkish March - Mozart, Wolfgang Amadeus
Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus

Tracks:

Overture No. 4 In Major: Rejouissance - J.S.Bach
Overture No. 3 In D Major: Air - J.S.Bach
Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
Jesu, Joy Of Man's Desiring - J.S.Bach
Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
Prelude In C Major - J.S.Bach
Toccata And Fugue In D Minor - J.S.Bach
Prelude In C Minor - J.S.Bach
Overture No. 1 In C Major: Passepied - J.S.Bach
Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
Violin Concerto In E Major: I. Adagio - J.S.Bach
St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach

Tracks:

Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
Fur Elise - Ludwig Van Beethoven
Violin Romance No. 2 - Ludwig Van Beethoven
'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
Minuet - Ludwig Van Beethoven
Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
Coriolan: Overture - Ludwig Van Beethoven
Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
Egmont: Overture - Ludwig Van Beethoven

Tracks:

Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
Wine, Woman And Song - Johann Strauss
Tritsch Tratsch Polka - Johann Strauss
The Blue Danube - Johann Strauss
The Gypsy Baron: Introduction - Johann Strauss
Annen Polka - Johann Strauss
Vienna Blood - Johann Strauss
The Gypsy Baron: Einzugsmarsch - Johann Strauss

Tracks:

Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC

Tracks:

Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
String Serenade: Waltz - Peter Tchaikovsky
Violin Concerto: Andante - Peter Tchaikovsky
The Sleeping Beauty: Introduction - Peter Tchaikovsky
The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
The Sleeping Beauty: Waltz - Peter Tchaikovsky
Capriccio italien Op. 45 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
Siciliano - VIVALDI, Antonio
Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio

Tracks:

Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
Waltz In E Flat Major, Op. 18 - Frederic Chopin_
Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_

Tracks:

Ave Maria - Franz Schubert
Impromptu In E Flat Major - Franz Schubert
Standchen - Franz Schubert
Trout Quintet: Tema con variazioni - Franz Schubert
'Rosamunde': Entr'acte No. 1 - Franz Schubert
Moment Musical In A Flat Major - Franz Schubert
'Rosamunde': Entr'acte No. 2 - Franz Schubert
Moment Musical No. 3 In F Minor - Franz Schubert
'Rosamunde': Ballet Music No.2 - Franz Schubert
Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert

Tracks:

Nabucco: Overture - Verdi, Giuseppe
Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
Aida: Prelude - Verdi, Giuseppe
II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
Aroldo: Overture - Verdi, Giuseppe
La Traviata: Prelude - Verdi, Giuseppe
La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
La forza del destino: Overture - Verdi, Giuseppe

Customer Reviews:

masters of classical music.......2007-03-26

A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.

A good basic collection.......2006-11-10

With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.

An excellent introduction to classical music.......2006-10-18

This is an excellent introduction to classical music. Well performed and presented.

Very Beautiful!!!!!1.......2006-10-05

If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.

Still Stuck on Beethoven.......2006-08-22

I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...

My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.

I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!

I think this set is a wonderful introduction to classical music!!!!!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Amazon.com

The vastly improved sonics which the Deutsche Grammophon production team achieves with its 24/96 remastering of the guitarist's 1952-1969 mono and stereo performances for Decca allow listeners to finally experience the rich tonal palette and intimate nature of Segovia's performance art in a manner commensurate with the fidelity of the original LP releases (minus the edgy digital glare and graininess of the MCA reissues). What emerges is a portrait of the artist as a lightning rod for great composers, such as Manuel Ponce, Federico Torroba, Mario Castelnuovo-Tedesco, Isaac Albéniz, and Enrique Granados, all of whom enriched the 20th-century repertoire of solo and chamber works by custom-crafting works for this innovative guitarist (Segovia's interpretation of Joaquín Rodrigo's "Fandango" is a paradigm for his role in popularizing the modern Spanish idiom). Likewise, Segovias's work as an arranger in recasting baroque and medieval works for modern guitar, as well as his deep affection for 19th-century masters of the instrument such as Dionisio Aguado and Fernando Sor, shines forth on discs two and three. However, it is Segovia's romantic touch in transposing Bach's Partitas for Solo Violin--as on his virtuoso turns on the "Chaconne in D Minor"--that best illustrate his poetic conception of the instrument. --Chip Stern

Customer Reviews:

Above All Others.......2006-10-16

John Williams, David Russell, Christopher Parkening, Julian Bream, et. al. all owe a great deal to this now departed giant. If you own ANY classical guitar recordings, you should purchase this collection. It's not only the finest remastering available, but an equisitely fine selection of Segovia's contribution to the genre and the art.

The Great Master, of Masters.......2005-06-28

Andrés Segovia was the great master of classical guitar. This set show us 400 years of music taken for the guitar, he was the first in give the guitar place like a cult instrument in 20th century through his works invaluable transcriptions of several instruments (cello, lute, etc.) of composers like Bach, Dowland, Manuel M. Ponce, Fernando Sor, Tárrega, etc.

The scope from Segovia has leaved footsteps in the great world of classical music, for his research and investigations about it. In this set we can listen pieces like "six pavanas" from the ending Age Middle of Luis Milán, and begginig of Rennasaince like Dowland's songs togheter Roncali Ludovico between others on CD 3.
Also show us the great spanish composer Enrique Granados, Torroba, Sor, icons of guitar music. I Basically bought this cd for "Pavane" 1-6 and that better found it in this GREAT SET. If you're a lover of Classical Music, or classical guitar this one of the greatest set box ever made in any genre!!!.

Andrés Segovia, Marquis of Salobreia, was born near Jaen, Granada, Spain. He became a guitarist against the double opposition of his parents. First, they opposed his learning the guitar and got him cello and piano teachers instead. When he persisted in teaching himself guitar, they opposed his becoming a musician. He sought a guitar teacher at the Granada Institute of Music when he studied there, but found none, so continued learning the instrument on his own. He made his debut at the Centro Artística in Granada at the age of 15. He played so skillfully that he was urged to become a professional soloist. He played in Madrid in 1912, at the Paris Conservatory in 1915, and in Barcelona in 1916, and made a wildly successful tour of South America in 1919. He made his formal debut in Paris on April 7, 1924, in a program which included a new work written for him by Albert Roussel, named Segovia. It was the first of many works which were written for him by distinguished composers, enriching the instrument's repertory as Segovia had elevated its artistic potential. His U.S. debut was at Town Hall, New York, on January 8, 1928.

Being self-taught, his technique was unique. It was, in fact, superior to that which was being taught at the time, and extended the flexibility and expressive possibilities of the instrument. The main difference was in the method of using the right hand for strumming and picking the strings: Segovia's method paid much attention to the means of attack: whether hard parts of the fingers, fleshy parts, or the nails were used; other subtleties that affected the dynamics of the instrument; and an economy of motion that allowed longer and more sustained playing. There were classical guitarists before him, and distinguished ones even when he appeared, but it was not an instrument that was regarded as a serious vehicle for classical music. Segovia personally changed that, and not by accident. No doubt affected by his parents' attitude toward his chosen career, he had a driving desire to make it so. He wrote numerous transcriptions of older music for lute and for the Spanish vihuela. He transcribed music of Bach, Haydn, Mozart, Chopin, Handel, and others. He commissioned works by Castelnuovo-Tedesco (notably the great suite Platero and I), Falla, Turina, Tansman, Villa-Lobos, Torroba, Ponce, and Rodrigo, whose Fantasia para un gentilhombre was written for him. His reinstatement of the guitar as a solo instrument was sealed by his becoming one of the great teachers of music history. He established guitar schools or courses at the Accademia Musicale Chigiana, Siena, Santiago de Compostela, and the University of California in Berkeley. His students included Alirio Diaz, Oscar Ghilia, and John Williams.

Segovia become one of the great names in classical music, whose mere name was enough to sell out houses worldwide. He received numerous awards and honors during his lifetime, including the Grand Cross of Isabela and Alfonso, the Gold Medal of the Royal Philharmonic Society of London, and many honorary degrees. The house where he was born had a commemorative plaque attached to it in 1969 proclaiming him the "leading son of the city." King Juan Carlos of Spain ennobled him as the Marquis of Salobreia in 1981, and in the same year a Segovia International Guitar Competition was established in his honor. He continued to give recitals and concerts until an advanced age, and had the rare opportunity, in 1984, of playing at a gala concert honoring the 75th anniversary of professional debut.

THIS GORGEOUS GUITAR MUSIC BEGS FOR LISTENING. . ........2004-02-24

__________________________________________________________________________________

. . . and I literally begged for this boxed set as a gift a while back and got lucky. The technical quality of the remastering is exquisite - the first 2 CD's especially sound as if you're in a recording studio with the master himself. (disc one includes "Fantasia Para Un Gentilhombre" & "Concierto Del Sur" and disc two "Castillos De Espana")

I've found they are now selling the individual CD's separately in the same packaging, so if you're on a limited budget you can collect them at your own speed or limit yourself to those selections you most want. I sincerely recommend them all however and if you buy the boxed set you get the added bonus of an excellent booklet.

There are very few CD's in my collection that I derive as much sheer pleasure listening to. This is indeed a 5 star Segovia collection!

beautiful selection of the decca segovia.......2003-10-02

there probably wasn't a classical guitarist alive in the 1950's and 60's who didn't know by heart all of segovia's decca albums and julian bream's spectacular recordings for rca and westminster. this set will be a stroll down memory lane for everyone with segovia schott editions in the attic, and essential listening for anyone interested in the classical guitar or in discovering a genuine musical genius -- the equal on his instrument of casals, rubenstein or heifitz on theirs.

segovia literally created the 20th century classical guitar out of an instrument with a cachet not far above the banjo. the booklet to the boxed set gives a fine overview of segovia's career and recording practice, though omitting many key details. (segovia innovated guitar concerts in large concert halls because he was among the first to use his fingernails, rather than bare fingertips, to pluck the strings, and pushed guitar makers to build larger, brighter and more sonorous instruments.)

each of the 4 separately cased cds generously samples (up to 80 minutes each) from (1) the guitar concerto; (2) 20th century compositions dedicated to segovia; (3) pieces for lute, vihuela and 19th century guitar, with some albeniz transcriptions thrown in; and (4) segovia's transcriptions of pieces by j.s. bach.

the digital sound in these recordings (almost all from the 1950's) is really superb, giving contour to every detail of the master tapes. it also reveals the changing recording standards of the early lp: though the sound is consistently vivid and balanced, the guitar is sometimes distant and echoy (a "tile bathroom" sound characteristic of the earliest lp's), or intimate but slightly muffled, or bright and contrasty with a hint of added reverb at the top. i was a little taken aback by the uneven dynamics and nail clatter that i hadn't noticed years ago in segovia's playing: modern recording and performance practice have changed expectations toward a more homogenous and finished sound. but there is a spontaneity, fire, grace, color, imagination and wit in segovia's playing that you won't find anywhere else ... well, excepting julian bream.

it's picky to second guess editorial decisions in a set as generous as this ... but what the heck: i really missed tansman's lovely suite of polish dances ("cavatina"), regretted the absence of a complete sonata or suite by manuel ponce, and would trade the boccherini "guitar" (transcribed cello) concerto for the castelnuovo-tedesco guitar concerto. that said, the performances here of rodrigo's "fantasia para un gentilhombre" and ponce's "concerto del sur" are among the best available, and the generous sampling sor etudes will remind all us graying guitarists of the many happy hours we spent practicing these pieces from the only edition then available -- segovia's own.

deutsche grammaphon has also released a 2-cd set of segovia recordings ("the art of andres segovia"), which duplicates only four pieces from this 4-cd boxed set, and veers more toward colorful transcriptions and single movement selections from longer works. together they make a 6 cd collection of many of the finest recordings by the man who started it all, spawned thousands of heirs and imitators -- and set the bar for them very, very high.

There's Only One Segovia.......2002-07-19

This is the PERFECT retrospective boxed set. DG has outdone itself with this career retrospective of Spanish classical guitar legend Andres Segovia. The set was released on the 15th anniversary of Segovia's death in 1987. From the famous "Fantasia para un gentilhombre" to transcriptions of J.S. Bach for the guitar, all four CDs showcase nothing but the genius of Segovia. The remastered DG recordings sound terrific and the accompanying booklet, complete with photographs from throughout the master's life in Spain, is excellent. If you love Spanish classical guitar and adore the 19th-Century romantic style of playing championed by Segovia, buy this set. You won't be disappointed. VERY HIGHLY RECOMMENDED.

Average customer rating:

"Best Harpsichord Recording"
Great
a must-have for harpsichord lovers
keeno
The Most Superb Harpsichord Sampler

Greatest Hits: Harpsichord

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Pavanes | Ballets & Dances | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

$6.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Bach: Harpsichord Concertos 1
Essential Baroque
Complete Harpsichord Concertos
Rameau: Harpsichord Music (Complete), Vol. 1
Bach: Harpsichord Concertos 2

ASIN: B000002C0U
Release Date: 1995-08-22

Tracks:

Air And Variations In E Major From Harpsicord Suite No. 5: The Harmonious Blacksmith
Keyboard Suite No. 11 In D Minor: Sarabande
Greensleeves (16th Century)
Lavolta
The Earl Of Salisbury: Pavan, The Earl Of Salisbury
Ut re mi fa sol la, In F
The King's Hunt
The Nightingale (17th Century)
For Two Virginals
The Prince Of Denmark's March
The 18th Order (3rd Book Of Pieces For Harpsicord): Le tic-toc-choc, No. 6
The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Choisi, No. 4
Le Tambourin
La poule
Le Coucou
Sonata In D Minor, 'Pastorale'
Sonata In E Major, 'Capriccio'
Sonata in D Major
Goldberg Variations, BWV 988: Aria
The Well-Tempered Clavier, Book 1, BWV 846: Prelude and Fugue No. 1 In C Major
Italian Concerto In F Major, BWV 971: III. Presto
The Anna Magdalena Notebook: Minuet In G Major, BWV Anh. 114
Sonata No. 11 In A Major, K. 331: III. (Rondo) Alla Turca
Wo0 10, No. 2: Minuet in G Major
Trumpet Tune 'Martial Air'
Round O (Rondo)
The 6th Order (2nd Book Of Pieces For Harpsichord): Les baricades misterieuses, No. 5
The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Taverni, No. 5
Cuckoo Toccata

Customer Reviews:

"Best Harpsichord Recording".......2005-11-05

I have always loved the sound of the Harpsichord and for many years hearing poorly recorded or played Harpsichord this treasure is a must have. From the fine compositions to the good sound quality this CD is definately a keeper.
Plenty of music for a moderate price as well.

Great.......2005-08-09

This CD is very very good just what I was looking for. I highly recommend this CD if you are planning on purchasing a Harpsicord CD, this one is the best.

a must-have for harpsichord lovers.......2004-04-30

I love the sound of this most unusual instrument, the harpsichord. Especially the fast intricately melodic songs. Very enjoyable. This "Greatest Hits" includes many compositions perfectly suited to this wonderful old predecessor to the piano. There's even a little funny trivia thrown in: on the song sheet is written: Q:"what did the famous conductor Sir Thomas say that the harpsichord sounds like? A: "Like two skeletons screwing on a hot tin roof" :)

David Rehak
author of "Love and Madness"

keeno.......2001-01-08

This is a fun cd. BYRD, BULL, BACH ETC come through great Scarlatti bits sound like a flock of unhappy cows running of a field of burnt popcorn but those bits generally do unless played on the African Kalimba [or thumb piano] in Africa where I need not hear them.

This is a well engineered CD. Many featuring the harpsichord demand a level of equipment beyond that of any regular person with bills, which means this disk sounds just fine on a boom box. Everybody in the family will like some part of this disk `cept for the 13 year old whose lost to punk rock or hip hop.

The Most Superb Harpsichord Sampler.......2000-07-27

I can't imagine a better sampler of harpsichord 'hits' played by one of the great stereo-era masters. A full complement of emotions is displayed here, from the most delicate and sparing texture to the most rip-roaring martial roar. If you're wondering what the harpsichord is about, or if you're already a fan and want a great sampler to play for your own delight and amusement, you cannot go wrong with this recording.

Average customer rating:

Outstanding music and great value!!
Excellent
Very Highly Recommended

Guitarra española

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Bach J.S.: Works For Lute [Germany]
Romance D'Amour
Tárrega: Recuerdos De La Alhambra; Lágrima; Danza mora; Etc. [Germany]
Malagueña: Spanish Guitar Music
Liszt: Works for Piano and Orchestra

ASIN: B0000B09Z5
Release Date: 2004-03-09

Customer Reviews:

Outstanding music and great value!!.......2006-04-02

Narciso Yepes is my favorite classical guitarist. I was delighted to hear a couple guitar concertos I had never heard before. Ohana, Bacarisse, and Ruiz-Pipo were great discoveries. Again, Yepes is the BEST. Strongly recommended.

Excellent.......2005-08-22

The late Narciso Yepes is perhaps my favorite guitarist- Spanish or otherwse. With each of his recordings there is the sense of a madman, master, and poet at one with his instrument. I recently purchased "Guitarra espagnola" and have found endless enjoyment listening critically and as background while I work. This is the perfect "not background music" background music to play when you have guests. You and your guests will find yourself withdrawing from lively conversations to enjoy a poignant, sweet, or sinister moment with the music. This is a compilation of recordings from the past 20 to 30 years. The compositions span from the 17th to 20th century. The quality of the recordings is very good but at times varied. The availability of the compilation is very limited. Get it while you can! I also recommend Alirio Diaz and John Williams.

Very Highly Recommended.......2004-05-08

I cannot recommend this retrospective of just a small amount of Yepes's work highly enough.

No matter what popular and lay opinions may be about Williams, Bream, Segovia, and others, the greatest classical guitarist of the 20th century was Narciso Yepes. It is a pity and a shame that the fear of the older generation of guitarists and their associates made Yepes a marginal figure.

He was a consummate technician and a knowledgeable interpreter of all musical idioms from the Middle Ages through to the height of the 20th Century avant-garde. His playing was characterized by intelligence, sensibility, clarity, power, majesty, poetry, and a devilish ability to separate and sustain contrapuntal lines.

In this box of 5 CDs you will find the definitive performance of Rodrigo's now famous "Aranjuez" concerto, which, incidentally, was first recorded and made famous by Yepes. There are also 2 CDs with rare concertos by Salvador Bacarisse, Antonio Ruiz-Pipo, and Maurice Ohana.

The other 3 CD's contain generally the best performances of the canon of solo guitar works that you are likely to find. The composers include Sanz, Mudarra, Narvaez, Soler, Sor, Albeniz, Granados, Tarrega, De Falla, Turina, Bacarisse, Rodrigo, Llobet, Pujol, Moreno Torroba, Montsalvatge, Ohana, and Ruiz-Pipo.

Every guitarist and every lover of the instrument should own this set. If it is not available, also refer to a similar box set with the ASIN number B00006L6RN or another B000026ZRL.

Average customer rating:

Very touched
In Memorium
Priceless Souvenirs from a Rare Genius: Ave Atque Vale
Poetry without words
What Is Technically Difficult Is Not Always Pleasant To Hear

William Kapell Edition (Box Set)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Ecossaises | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

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Prokofiev: Sonata No.7/Toccata, Op.11/Barber: Sonata, Op.26/Kabalevsky: Sonata No.3/Fauré: Nocturne No.13/Poulenc: Pr
William Kapell, Vol.I: Rachmaninov/Khachaturian
Plays Schubert
Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore
A State of Wonder: The Complete Goldberg Variations (1955 & 1981)

ASIN: B00000B9MR
Release Date: 1998-09-29

Tracks:

Mazurkas: Op. 6, No. 2
Mazurkas: Op. 7, No. 2
Mazurkas: Op. 7, No. 5
Mazurkas: Op. 17, No. 2
Mazurkas: Op 17, No 3
Mazurkas: Op. 17, No. 4
Mazurkas: Op. 24, No. 1
Mazurkas: Op. 24, No. 3
Mazurkas: Op. 30, No. 3
Mazurkas: Op. 33, No. 1
Mazurkas: Op. 33, No. 3
Mazurkas: Op. 33, No. 4
Mazurkas: Op. 41, No. 1
Mazurkas: Op. 41, No. 2
Mazurkas: Op. 50, No. 2
Mazurkas: Op. 50, No. 3
Mazurkas: Op. 56, No. 3
Mazurkas: Op. 59, No. 1
Mazurkas: Op. 59, No. 2
Mazurkas: Op. 63, No. 2
Mazurkas: Op. 63, No. 3
Mazurkas: Op. 67, No. 2
Mazurkas: Op. 67, No. 3
Mazurkas: Op. 67, No. 4
Mazurkas: Op. 68, No. 2
Mazurkas: Op. 68, No. 3
Mazurkas: Op. 68, No. 4
Mazurkas: Op posth. - 'Notre temps'
Mazurkas: Op posth - In B Flat

Tracks:

Sonata No. 3, Op. 58 In B Minor: Allegro maestoso
Sonata No. 3, Op. 58 In B Minor: Scherzo: Molto vivace
Sonata No. 3, Op. 58 In B Minor: Largo
Sonata No. 3, Op. 58 In B Minor: Finale: Presto, non tanto
Waltz, Op. 18 In E Flat Major
Sonata No. 2, Op. 35 In B-Flat Minor: Grave; Doppio movimento
Sonata No. 2, Op. 35 In B-Flat Minor: Scherzo
Sonata No. 2, Op. 35 In B-Flat Minor: Marche funebre
Sonata No. 2, Op. 35 In B-Flat Minor: Presto
Nocture, Op. 9, No. 1 In B Flat Minor
The Sheperd's Complaint: No. 5, Songs Without Words, Op. 67
Romance, Op. 28, No. 2 In F Sharp
Sonata No. 16, K. 570 In B Flat: II. Adagio

Tracks:

Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace; Variation I: (Precedente)
Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Varation II: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Varation III: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Varation IV: Piu Vivo
Rhapsody On A Theme Of Paganini, Op. 43: Varation V: Tempo precedente
Rhapsody On A Theme Of Paganini, Op. 43: Varation VI: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Varation VII: Meno mosso, a tempo moderato
Rhapsody On A Theme Of Paganini, Op. 43:: Varation VII: Tempo 1
Rhapsody On A Theme Of Paganini, Op. 43: Varation IX: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Varation X: Poco marcato
Rhapsody On A Theme Of Paganini, Op. 43: Varation XI: Moderato
Rhapsody On A Theme Of Paganini, Op. 43: Varation XII: Tempo di minuetto
Rhapsody On A Theme Of Paganini, Op. 43: Varation XIII: Allegro
Rhapsody On A Theme Of Paganini, Op. 43: Varation XIV: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43:: Varation XV: Piu vivo scherzando
Rhapsody On A Theme Of Paganini, Op. 43: Varation XVI: Allegretto
Rhapsody On A Theme Of Paganini, Op. 43: Varation XVII: [Allegretto]
Rhapsody On A Theme Of Paganini, Op. 43: Varation XVIII: Andante cantabile
Rhapsody On A Theme Of Paganini, Op. 43: Varation XIX: A tempo vivace
Rhapsody On A Theme Of Paganini, Op. 43: Varation XX: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Varation XXI: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Varation XXII: Un poco piu vivo (Alla breve)
Rhapsody On A Theme Of Paganini, Op. 43: Varation XXIII: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Varation XIV: A tempo un poco meno mosso
Concero No. 2, Op. 18 In C Minor: Moderato; Allegro
Concero No. 2, Op. 18 In C Minor: Adagio sostenuto
Concero No. 2, Op. 18 In C Minor: Allegro scherzando
Prelude, Op. 3, No. 2 In C Sharp Minor
Preludes, Op. 34: No. 24 In D Minor
Preludes, Op. 34: No. 10 In C Sharp Minor
Preludes, Op. 34: No. 5 In D Major

Tracks:

Concerto No. 3, Op. 26 In C: Andante; Allegro
Concerto No. 3, Op. 26 In C: Tema: Andantino
Concerto No. 3, Op. 26 In C: Variation I: Listesso tempo
Concerto No. 3, Op. 26 In C: Variation II: Allegro
Concerto No. 3, Op. 26 In C: Variation III: Allegro moderato (poco meno mosso)
Concerto No. 3, Op. 26 In C: Variation IV: Andante meditativo
Concerto No. 3, Op. 26 In C: Variation V: Allegro giusto
Concerto No. 3, Op. 26 In C: Tema: Listesso tempo
Concerto No. 3, Op. 26 In C: Allegro ma non troppo
Concerto: Allegro mastoso
Concerto: Andante con anima
Concerto: Allegro brillante
Preludes, Op. 34: No. 14 In E Flat Minor
Preludes, Op. 34: No. 10 In C Sharp Minor
Preludes, Op. 34: No. 5 In D Major

Tracks:

Concerto No. 2, Op. 19 In B Flat Major: Allegro con brio
Concerto No. 2, Op. 19 In B Flat Major: Largo
Concerto No. 2, Op. 19 In B Flat Major: Rondo: Allegro scherzando
Moment Musical: Moment Musical In F Minor, D. 780, No. 3
Waltz: Waltz In B Major, D. 145, No. 2
Waltz: Waltz In B Major, D. 145, No. 6
Waltz: Waltz In E Major, D. 365, No. 26
Waltz: Waltz In F Major, D. 365, No. 32
German Dances: German Dance In B Flat Major, D. 783, No. 6
German Dances: German Dance In B Flat Major, D. 783, No. 7
Waltz: Waltz, In F Major, D. 365, No. 34
Landler: Landler, In G Major, D. 734, No. 1
Landler: Landler, In D Major, D. 734, No. 2
Impromptu: Impromptu In A Flat Major, D. 935, No. 2
Romance: Romance In F Sharp Major, Op. 28, No. 2
Intermezzo: Intermezzo In E Major, Op. 116, No. 6
Sonetto No. 104 del Petrarca - Liszt
Hungarian Rhapsody No. 11 - Liszt
Mephisto Waltz No. 1 - Liszt

Tracks:

Partita No. 4 In D Major, BWV 828: Ouverture
Partita No. 4 In D Major, BWV 828: Allemande
Partita No. 4 In D Major, BWV 828: Courante
Partita No. 4 In D Major, BWV 828: Aria
Partita No. 4 In D Major, BWV 828: Sarabande
Partita No. 4 In D Major, BWV 828: Menuet
Suite In A Minor, BWV 818: Allemande
Suite In A Minor, BWV 818: Courante
Suite In A Minor, BWV 818: Sarabandes 1 & 2
Suite In A Minor, BWV 818: Gigue
Sonata In E Flat Major, K. 380 - L. 23
Sonata In B Flat Major, K. 570: 2. Adagio
From Iberia: Evocacion
Piano Playtime: No. 1: Waltz Of The Rainbow
Piano Playtime: No. 4: By The Brook
Piano Playtime: No. 5: Dancing Bagpipes
Piano Playtime: No. 6: Tricky Trumpet
Children's Corner: Dr. Gradus ad Parnassum
Children's Corner: Jimbo's Lullaby
Children's Corner: Serenade For The Doll
Children's Corner: The Snow Is Dancing
Children's Corner: The Little Shepherd
Children's Corner: Golliwog's Cakewalk
Toccata ostinato

Tracks:

Sonata In G Minor, Op. 19: Lento; Allegro moderato
Sonata In G Minor, Op. 19: Allegro scherzando
Sonata In G Minor, Op. 19: Andante
Sonata In G Minor, Op. 19: Allegro mosso; Meno mosso; Moderato; Piu vivo
Sonata In F Minor, Op. 120, No. 1: Allegro appassionato
Sonata In F Minor, Op. 120, No. 1: Andante un poco adagio
Sonata In F Minor, Op. 120, No. 1: Allegretto grazioso
Sonata In F Minor, Op. 120, No. 1: Vivace
Sonata In D Minor, No. 3, Op. 108: Allegro
Sonata In D Minor, No. 3, Op. 108: Adagio
Sonata In D Minor, No. 3, Op. 108: Un poco presto e con sentimento
Sonata In D Minor, No. 3, Op. 108: Presto agitato

Tracks:

Piano Sonata (1941): Molto moderato
Piano Sonata (1941): Vivace
Piano Sonata (1941): Andante sostenuto
Nocturne In E - Flat - Op 55, 2
Mazurka In C - Op 33, 3
Polonaise-Fantasie In A - Flat - Op 61
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: The Gnome
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: The Old Castle
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Tuileries
Pictures At An Exhibition: Bydlo
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Ballet Of The Unhatched Chicks
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle
Pictures At An Exhibition: Promenade
Pictures At An Exhibition: Limoges - The Market
Pictures At An Exhibition: Catacombs
Pictures At An Exhibition: Con mortuis In lingua Mortua
Pictures At An Exhibition: The Hut On Fowl's Legs
Pictures At An Exhibition: The Great Gate At Kiev
No 1 - Kinderszenen: About Foreign Lands And People
Sonata In E (K 380) - L. 23

Tracks:

Partita No. 4 In D Major, BWV. 828: Allemande (Beginning)
Sonata No. 10 In C Major, K. 330: 1. Allegro moderato (Beginning)
Sonata No. 3 In B Minor, Op. 58: 1. Allegro maestoso (Beginning)
Sonata No. 3 In B Minor, Op. 58: 3. Largo
Mazurka In A Flat Major, Op. 17, No. 3
Sonata No. 3 In D Minor, Op. 108: 2. Adagio
No. 4, Songs Without Words, Op. 67: Spinning Song
Interview With William Kapell

Amazon.com essential recording

Blessed with transcendent technique and an affinity for big, bold Romantic works, William Kapell has been hailed as America's greatest homegrown pianist. This comprehensive collection of his complete recorded output, previously unreleased recordings, and broadcast tapes adds luster to a reputation that's become legendary since his tragic death in a plane crash at age 31. The earliest recordings, from the mid-1940s, bristle with raw energy and virtuosic flourishes tempered by an innate musicality that rises above mere display.

The disc coupling Khachaturian and Prokofiev concertos is charged with excitement; the Rachmaninoff pairing of the Paganini Variations and the Concerto No. 2 weds the Grand Romantic style to poetic lyricism; and an inspired Liszt group is charged with dynamic energy. Best may be the two Chopin discs: spontaneous, rhythmically flexible sonatas and mazurkas. The later recordings demonstrate the repose that comes with artistic maturity, and the "live" broadcasts reveal Kapell's warmth and spontaneity in concert. Splendid transfers help make this long-awaited set appealing to music lovers in general, as well as piano buffs. --Dan Davis

Customer Reviews:

Very touched.......2006-09-24

I wrote my doctoral dissertation on William Kapell (we share the same school, and my teacher was a student of his), and to still see the outpouring of admiration and love for Kapell's art is still very moving for me.

In Memorium.......2005-10-29

I heard William Kapell play the Rachmaninov Rhapsody on a Theme by Paganini with the fledgling Atlanta Symphony Orchestra in the late 1940's or very early 1950's. My only memory of the occasion is that I was enthralled. Kapell has held me in thrall ever since.

A few years later, in the middle 50's, I bought Kapell's recording of the same work, with Fritz Reiner and the Robin Hood Dell Orchestra (alias of The Philadelphia Orchestra). I still have that LP, though I wore it out long ago. It was the beginning of my musical education. But since 1998, we have had this wonderful box of reissues from the vaults of RCA. The sound is mostly excellent, considering the age of the monophonic originals. To this day, Kapell's Rachmaninov Rhapsody remains-in my opinion-the most impassioned, yet the most musical, reading of the piece ever recorded. No one had, or has, Kapell's combination of white-hot temperament, technical brilliance, and musical insight. We have had musical geniuses; technical wizards abound. It is the combination of these gifts, as Kapell possessed them in particular, married to his incendiary passion, that made him unique.

He was still learning, and he was learning at such an astounding rate! He had moved from Khachaturian to the most unforgettable Chopin B minor Sonata ever recorded in little more than a decade. His deep throated, noble, and articulate Bach has caused some to speculate that Glenn Gould might have found his inspiration in Kapell. One Gould biographer, and a New York critic, wrote that the reverse was true. The critic acknowledged the error, in print, noting that Kapell could not have been influenced by Gould's style since he had been dead for two years by the time of Gould's debut recital in New York City in 1955.

The lyrical side of romantic music is not what Kapell was or is known for, not his "style" as people remember him now. But listening to the lyrical music in this set shows a side of him that was, nevertheless, as real as any, and perhaps more revealing. It also gives us a notion of what we might have expected of William Kapell had he lived a normal span of years and played a normal variety of music. In a live performance, he plays Chopin's Nocturne, Op. 9, No. 1, with melting legato and exquisite timing: his innate sense about when to tug on the beat and when to surge forward makes the music breathe. His use of dynamic variety demands the greatest respect: at one point, the repetition of a melodic phrase is but a pale echo of its first statement. His tonal palette is no less wondrous. When a deep bass note suddenly appears, early in the A section of the ABA structure, it sounds-not loud nor quiet, not muffled nor distinct-but awesomely subterranean. Kapell begins the piece without much sustaining pedal, but in the B section, he subtly adds more and more. Then, when the A section returns near the end, the pedal disappears. This dramatic change in color-along with Chopin's change of key-seems like the parting of clouds. We are in the hands of two masters here, Chopin and Kapell. Kapell gave this performance in Carnegie Hall in February of 1945, when he was twenty-two years old.

In the Bach and Chopin works I've discussed, the steely, percussive tone that some speak of is nowhere to be heard. Rather, we hear a full, rich, and complex piano tone. In the Chopin Sonatas, the Debussy pieces, and the Schubert, Schumann, Mendelssohn, Debussy, and Albeniz, the sound Kapell produces is beautiful and varied.

He was a chamber musician of the first order, as his collaborations with Heifetz prove. (He was one of the very few musicians who had the force of personality to make Heifetz accompany HIM. And you can hear it.) And if you've never heard Rachmaninov's great Cello Sonata, played here with the grand Russian/German cellist Edmund Kurtz, you're in for a treat. There are several fine, modern stereo recordings, but this one is special. The piano part is very important-Rachmaninov did write it, after all-and Kapell is magnificent. This was Rachmaninov's next published work after the 2nd Piano Concerto, to give you an idea of its melodic grandeur. If there is a flaw here, it is that the piano is recorded too far back, relative to the cello.

Kapell died on October 30, 1953. He had just turned thirty-three. He played his last recital in Geelong, Australia, on the 22nd. It included the Chopin 2nd Piano Sonata which contains the well-known "Marche funèbre." That performance is included here, transferred from the original acetates. It is a great performance but very hard to listen to now, in light of what was to follow just over a week later. I am writing this one day short of the 52nd anniversary of Kapell's death. Had he lived until today, he would be younger than either Earl Wild or Ivan Moravec, both of whom are still making magnificent music. For those of us who love William Kapell's music, it is heartbreaking to consider, and fruitless. Thank Heaven we have recordings like the ones in this set. They are essential for any lover of good music.

John Pendley

Priceless Souvenirs from a Rare Genius: Ave Atque Vale.......2005-10-28

During the last century we have had many tragic losses in the arts, often affecting men and women who are at the peak of their careers, shimmering with excellence, only to be silenced by death and all too often, by accidental death. The names of Anton Webern, Fritz Wunderlich, WG Sebald, Sylvia Plath, Dinu Lipatti, and so many others arise, but none as tragic as the death of William Kapell in 1953.

William Kapell is still considered by most as the America's greatest pianist, even fifty odd years after his death at the age of 31 in a plane crash. Those who heard him perform still rhapsodize over the magic he created. Those of us who are left with only recordings, such as this spectacular boxed set of all of his recordings, can only be uplifted by the man's genius, his extraordinary technical facility, and his intuitive, profound approach to the great works of music.

All styles of music were easily accessible to Kapell. Listen to the Mozart, Bach, Scarlatti, Paganini and Mendelssohn and try to imagine performances of more clarity and finesse than these. His Chopin is well represented in this set and glows with the uncanny power and tenderness that Chopin combined in his works. His works for solo piano by Rachmaninov and Shostakovich are the gold standard, and yet his Schubert, Schumann, Brahms, Mussorgsky and Liszt raise the bar for excellence that has since not been excelled. Joyously this set includes concerti including Prokofiev, Beethoven, Khachaturian, and Rachmaninov with the various conductors who saw Kapell's gifts and championed them.

The memory of this great artist is felt throughout the year, but never as acutely as on October 29th which marks the date of his cruel death. The world was brightened for too short a time by William Kapell, yet because of his recorded legacy his legend lives on. This is an impossibly fine box set of treasures. Highly Recommended. Grady Harp, October 05

Poetry without words.......2004-12-14

In listening ot this collection, I think of the other 20th century pianistic genius who died tragically young: Dinu Lipatti (d. 1950). Both men excelled at Chopin but each had a thoroughly individual sound. In addition to Chopin, the Rachmaninoff and Prokofiev are especially fine. Highly recommended.

What Is Technically Difficult Is Not Always Pleasant To Hear.......2004-10-02

Piano enthusiasts might find this set incredible, but I prefer my music to be pleasant. Consider your tastes before buying.

Average customer rating:

Incredible
Crap
classic digital disaster
Innovative interpretation of many overplayed classics.

Café del Mar: Classics

Manufacturer: Cafe Del Mar
ProductGroup: Music
Binding: Audio CD

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Café del Mar: Classics, Vol. 2
Café del Mar, Vol. 12
Café del Mar Dreams, Vol. 3
Café del Mar: Dreams, Vol. 2
Cafe Del Mar Volumen Once

ASIN: B0000691A9
Release Date: 2002-08-26

Tracks:

Thais, Opera: Meditation
Suite for Orchestra No 3 in D Major, BWV 1068: Air
King Arthur, Or, The British Worthy, Semi-Opera, Z: Fairest Isle
Swan Lake, Ballet, Op. 20: Scene 2. Swan Lake
Gymnopedie for Piano No.1, For Piano
Contes d'Hoffmann, Opera in 4 Acts: Belle Nuit, O Nuit d'Amour, ...
Adagio for Organ/Violin & Strings in G Minor
Peer Gynt Suite for Orchestra (Or Piano or Piano,: Morning Mood
Prince Igor, Opera: Choral Dance
Piano Sonata No. 14 in C Sharp Minor ("Moonlight"): Adagio
Armide, Opera in 5 Acts, WQ. 45: C'est l'Amour Que Retient Dans ...
Serenade No. 13 for Strings in G Major ("Eine Klei: Andante

Album Details

A Change of Pace for this Ibiza Inspired Series that Now Takes on a Mix of Classical Pieces for Maximum Chillout Effect.

Customer Reviews:

Incredible.......2005-01-14

Unlike other reviewers, I got this album being AFRAID it would be the same old classical songs. Luckily it wasn't exactly. All of the songs are the same old classical pieces, but enhanced beautifully to make them surround you in brilliance. Each piece is aided with a soft lounge beat.

Saying this is some techno remix album would be lying. Imagine your favorite classical songs, and then imagine your favorite Cafe Del Mar CD. When you mix the two, you have the best music ever heard. I reccomend this, and Classics 2, over any of the other Cafe Del Mar CDs, or any other chill out CD out there.

Crap.......2004-09-28

I made the mistake of purchasing this CD "sound unheard" online and am heartily wishing I could get my $2.25 back. Rather than being what I thought it would be--a compilation of some of my favorite classical music tracks, perfect for that late-night cooldown session--this disc is a veritable horror house of techno remixes gone awry. Brevity and indignation preclude from giving but one example (in fact there are twelve): listen to Gymnopedie for piano No. 1, by Erik Satie: a fine example of beauty through simplicity and understatement. Now, making sure you are seated, listen to what is labeled "Gymnopedie for piano No.1, for piano [sic]" on this CD. For some thoroughly inexplicable reason, CDM contrived to butcher this masterpiece with a cacophony of electronica-ish buzzing noises that sound like a bee farting, awful-crappy piano samples, and, if I'm not mistaken, Kenny G on melody. One hopes the French will press charges.

1 star instead of 0 since the pieces and composers are listed on the back--in the event you can make out remnants of the original works over all the bee farting, you'll know where to turn for the real thing.

classic digital disaster.......2003-07-02

This is by far is the worst cafe del mar cd that I have ever bought. Upon purchasing I expected it more to be like the Aria cd's but was extremely dissapointed. It is more a digitaly remasterd version of many classical songs which butchers their quality and sound and does them no justice. I would recommend not buying this cd if you truely are a cafe del mar fan, and if you do not own Aria 1 and 2 then buy them for they are really worth the listening.

Innovative interpretation of many overplayed classics........2002-09-16

This is an excellently enhanced CD compilation of many extremely familiar classical pieces with additional basslines, percussions, and a deluge of other interesting nuances for a chill out feel. You will enjoy this no matter what mood you're in. Even those who don't appreciate the classics will actually give this a good listen and respond to it positively, although it may offend the classical purists. My only problem with this CD is that it's so overpakaged! I'm beginning to wonder of the steep price tag is primarily due to the cumbersome packaging that makes removing and replacing the Cd back in ints case a test on motor dexterity. Although, I maintain that the package is done in poor taste, the music is just gorgeous.

Average customer rating:

Big Music-Little Money

Piano Classics

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

Gavottes | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

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General | Classical | Styles | Music

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Tracks:

Pno Son in C, K.545: I. Allegro - Marta Deyanova
Pno Son in C, K.545: II. Andante - Marta Deyanova
Pno Son in C, K.545: III. Rondo: Allegretto - Marta Deyanova
Pno Son in A, K.331/300j: I. Andante Grazioso - Marta Deyanova
Pno Son in A, K.331/300j: II. Menuetto & Trio - Marta Deyanova
Pno Son in A, K.331/300j: III. Alla Turca: Allegretto - Marta Deyanova
Pno Son in F, K.332/300k: I. Allegro - Marta Deyanova
Pno Son in F, K.332/300k: II. Adagio - Marta Deyanova
Pno Son in F, K.332/300k: III. Allegro Assai - Marta Deyanova
Fant in c, K.475: Adagio - Allegro - Andantino - Marta Deyanova

Tracks:

Son No.8 in C, Op.13 'Pathetique': Grave - Allegro Di Molto Con Brio - Bernard Roberts
Son No.8 in C, Op.13 'Pathetique': Adagio Cantabile - Bernard Roberts
Son No.8 in C, Op.13 'Pathetique': Rondo - Allegro - Bernard Roberts
Son No.14 in c#, Op.27 No.2 'Moonlight': Adagio Sostenuto - Bernard Roberts
Son No.14 in c#, Op.27 No.2 'Moonlight': Allegretto - Bernard Roberts
Son No.14 in c#, Op.27 No.2 'Moonlight': Presto Agitato - Bernard Roberts
Son No.21 in C, Op.53 'Waldstein': Allegro Con Brio - Bernard Roberts
Son No.21 in C, Op.53 'Waldstein': Intro: Adagio Molto - Rondo: Allegretto Moderato - Bernard Roberts
Son No.26 in E flat, Op.81a 'Les Adieux': Das Lebewohl: Adagio - Bernard Roberts
Son No.26 in E flat, Op.81a 'Les Adieux': Abwesenheit: Andante Espressivo - Bernard Roberts
Son No.26 in E flat, Op.81a 'Les Adieux': Das Widersehen: Vivacissimamente - Bernard Roberts

Tracks:

Impromptus, Op.142 D.935: No.1 in f: Allegro Moderato - Marta Deyanova
Impromptus, Op.142 D.935: No.2 in A flat: Allegretto - Marta Deyanova
Impromptus, Op.142 D.935: No.3 in B flat: Andante (Theme And Vars) - Marta Deyanova
Impromptus, Op.142 D.935: No.4 in f: Allegro Scherzando - Marta Deyanova
Six Moments Musicaux, Op.94 D.780: No.1 in C: Moderato - Marta Deyanova
Six Moments Musicaux, Op.94 D.780: No.2 in a flat: Andantino - Marta Deyanova
Six Moments Musicaux, Op.94 D.780: No.3 in f: Allegretto Moderato - Marta Deyanova
Six Moments Musicaux, Op.94 D.780: No.4 in c#: Moderato - Marta Deyanova
Six Moments Musicaux, Op.94 D.780: No.5 in f: Allegro Vivace - Marta Deyanova
Six Moments Musicaux, Op.94 D.780: No.6 in A flat: Allegretto - Marta Deyanova
Impromptu, Op.90 D.899: No.3 in G flat: Andante - Marta Deyanova

Tracks:

Caprice in a, Op.33 No.1 - Martin Jones
Andante And Rondo Capriccioso, Op.14 - Martin Jones
Prld and Fugue in e, Op.35 No.1: Allegro Con Fuoco - Martin Jones
Prld and Fugue in e, Op.35 No.1: Andante Espressivo - Martin Jones
Study No.2 in F: Allegro Con Moto - Martin Jones
Prld And Fugue in f, Op.35 No.5: Andante Lento - Martin Jones
Prld And Fugue in f, Op.35 No.5: Allegro Con Fuoco - Martin Jones
Fant in e, Op.16 No.2: II. Scherzo-Presto - Martin Jones
Songs Without Words: Book I, Op.19: No.1 in E: Andante Con Moto - Martin Jones
Songs Without Words: Book I, Op.19: No.3 in A: Molto Allegro E Vivace (Hunting Song) - Martin Jones
Songs Without Words: Book I, Op.19: No.6 in g: Andante Sostenuto (Venetian Gondola Song) - Martin Jones
Songs Without Words: Book II, Op.30: No.4 in b: Agitato E Con Fuoco - Martin Jones
Songs Without Words: Book IV, Op.53: No.4 in F: Adagio - Martin Jones
Vars Serieuses in d, Op.54 - Martin Jones
Songs Without Words: Book V, Op.62: No.5 in a: Andante Con Moto - Martin Jones
Songs Without Words: Book V, Op.62: No.6 in A: Allegretto Grazioso (Spring Song) - Martin Jones
Songs Without Words: Book VI, Op.67: No.4 in C: Presto (Spinning Song) - Martin Jones
Songs Without Words: Book VII, Op.85: No.1 in F: Andante Espressivo - Martin Jones
Songs Without Words: Book VIII, Op.102: No.3 in C: Presto - Martin Jones
Songs Without Words: Book VIII, Op.102: No.4 in g: Un Poco Agitato, Ma Andante - Martin Jones
Seven Characteristic Pieces, Op.7: No.7 in E: Presto - Martin Jones
Klavierstucke: No.2 in g - Martin Jones

Tracks:

Etudes Symphoniques, Op.13: Theme - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude I - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude II - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude III - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude IV - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude V - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude VI - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude VII - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude VIII - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude IX - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude X - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude XI - Shura Cherkassky
Etudes Symphoniques, Op.13: Etude XII - Shura Cherkassky
Carnaval, Op.9: Preamble (Quasi Maestoso) - Marta Deyanova
Carnaval, Op.9: Pierrot (Moderato) - Marta Deyanova
Carnaval, Op.9: Arlequin (Vivo) - Marta Deyanova
Carnaval, Op.9: Valse Noble (Un Poco Maestoso) - Marta Deyanova
Carnaval, Op.9: Eusebius (Adagio) - Marta Deyanova
Carnaval, Op.9: Florestan (Passionato) - Marta Deyanova
Carnaval, Op.9: Coquette (Vivo) - Marta Deyanova
Carnaval, Op.9: Replique (L'istesso Tempo) - Marta Deyanova
Carnaval, Op.9: Papillons (Prestissimo) - Marta Deyanova
Carnaval, Op.9: A.S.C.H.-S.C.H.A. Lettres Dansantes (Presto) - Marta Deyanova
Carnaval, Op.9: Chiarina (Passionato) - Marta Deyanova
Carnaval, Op.9: Chopin (Agitato) - Marta Deyanova
Carnaval, Op.9: Estrella (Con Affetto) - Marta Deyanova
Carnaval, Op.9: Reconnaissance (Animato) - Marta Deyanova
Carnaval, Op.9: Pantalon Et Colombine (Presto) - Marta Deyanova
Carnaval, Op.9: Valse Allemande (Molto Vivace)/Paganini: Intermezzo (Presto) - Tempo I - Marta Deyanova
Carnaval, Op.9: Aveu (Passionato) - Marta Deyanova
Carnaval, Op.9: Promenade (Comodo) - Marta Deyanova
Carnaval, Op.9: Pause (Vivo) - Marta Deyanova
Carnaval, Op.9: March Des Davidbundler Contre Les Philistins (Non Allegro) - Marta Deyanova
Toccata in C, Op.7: Allegro - Mark Anderson

Tracks:

Vars On A Theme Of Paganini, Op.35: Book I - Martin Jones
Vars On A Theme Of Paganini, Op.35: Book II - Martin Jones
Hungarian Dances: No.1 Allegro - Martin Jones
Hungarian Dances: No.3 Allegretto - Martin Jones
Hungarian Dances: No.5 Allegro - Martin Jones
Hungarian Dances: No.10 Presto - Martin Jones
Gavotte - Martin Jones
Rhap in B, Op.79 No.1 - Martin Jones
Ballade in D, Op.79 No.1 - Martin Jones
Intermezzo in E flat, Op.117 No.1 - Martin Jones
Romanze in F, Op.118 No.5 - Martin Jones
Intermezzo in e flat, Op.118 No.6 - Martin Jones
Intermezzo in b, Op.119 No.1 - Martin Jones
Rhap in E flat, Op.119 No.4 - Martin Jones

Tracks:

Scherzo No.3 in c#, Op.39 - Vlado Perlemuter
Berceuse in D flat, Op.57 - Vlado Perlemuter
Ballade No.2 in F, Op.38 - Vlado Perlemuter
Etude in E, Op.10, No.3 'Tristesse' - Vlado Perlemuter
Etude in G flat, Op.10, No.5 'Black Key' - Vlado Perlemuter
Etude in c, Op.10, No.12 'Revolutionary' - Vlado Perlemuter
Etude in G flat, Op.25, No.9 'Butterfly' - Vlado Perlemuter
Etude in a, Op.25, No.11 'Winter Wind' - Vlado Perlemuter
Nocturne in c, Op.48 No.1 - Vlado Perlemuter
Nocturne in D flat, Op.27 No.2 - Vlado Perlemuter
Son No.2 in b flat, Op.35: Marche Funebre - Vlado Perlemuter
Prld in D flat, Op.29 No.15 'Raindrop' - Vlado Perlemuter
Prld in c, Op.28 No.20 - Vlado Perlemuter
Prld in A, Op.28 No.7 - Vlado Perlemuter
Prld in c#, Op.45 - Vlado Perlemuter
Barcarolle in F#, Op.60 - Vlado Perlemuter

Tracks:

Rhap Espagnole (Folies D'Espagne Et Jota Aragonesa) - Mark Anderson
Zwei Konzertetuden: Walderauschen - Mark Anderson
Zwei Konzertetuden: Gnomenreigen - Mark Anderson
Annees De Pelerinage - Troisieme Annee: Les Jeux D'eau A La Villa D'Este - Mark Anderson
Legendes: St. Francois D'Assise 'La Predication Aus Oiseau' - Mark Anderson
Legendes: St. Francois De Paule Marchant Sur Les Flots - Mark Anderson
3. Mephisto - Waltzer - Mark Anderson
Vier Kleine Klavierstucke: I. Sehr Langsam (Adagio) - Mark Anderson
Vier Kleine Klavierstucke: II. Moderato - Mark Anderson
Vier Kleine Klavierstucke: III. Sehr Langsam (Adagio) - Mark Anderson
Vier Kleine Klavierstucke: IV. Andantino - Mark Anderson
Annees De Pelerinage - Deuxieme Annee: Sonetto 104 Del Petrarca - Mark Anderson

Customer Reviews:

Big Music-Little Money.......2001-05-28

Most amount of songs for the least amount of money...its great...i still haven't listened to all of them because there is so much music on these cd's...its great...get this!! its a must have for the collector of classical music...

Average customer rating:

Sunday With the Times

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Tracks:

Four Seasons: 'The Spring': Allegro
Canon In D
Water Music: Alla Hornpipe
Arioso
'Brandenburg' Concerto No. 3: Allegro
Flute Concerto, Op. 44, No. 11: Largo
Piano Concerto No. 21: Andante ('Elvira Madigan' Theme)
String Quintet In E Major, Op. 13, No. 5: Minuet
Impromptu In A-Flat Major
'Emperor' String Quartet, No. 3: Poco Adagio
Swan Lake: Scene: Enchanted Lake
On The Beautiful Blue Danube: Excerpt
The Carnival Of The Animals: The Swan
The Afternoon Of A Faun: Prelude
Appalachian Spring: Variations On A Shaker Dance

Tracks:

'Brandenburg' Concerto No. 5: Allegro
Air For The 'G' String
'Xerxes': Largo
Concerto For Two Violins And Orchestra, 'Double': Vivace
Sheep May Safely Graze
'Moonlight' Sonata: Adagio sostenuto
'Eine kleine Nachtmusik': Romanze: Andante
Symphony No. 6 'Pastoral': Andante molto mosso
Polovstian Dance No. 17: Excerpt
Symphony No. 9m 'From The New World': Largo
'Cavalleria rusticana': Intermezzo
La Boheme: Musetta's Waltz
Trois Gymnopedies: Lent et douloureux

Tracks:

Solomon: Arrival Of The Queen Of Sheba
Orchestral Suite No. 2: Minuet And Badinerie
Prelude And Fugue In C Major
Adagio For Strings And Organ
Violin Concerto In E Major: Allego assai
Jesu, Joy Of Man's Desiring
Fur Elise
Clarinet Concerto: Adagio
Violin Concerto: Allegro
Peer Gynt: Dawn
Symphony No. 4, 'Italian': Introduction
Serenade For Strings: Waltz
Thais: Meditation
Concierto de Aranjuez: Adagio

Tracks:

Canzona per Sonare No. 2
Orchestral Suite No. 3: Overture
Highlights From Oboe Concerto: Adagio
Highlights From Oboe Concerto: Presto
Harpsichord Suite No. 5: Air And Variations ('The Harmonious Blacksmith')
Symphony No. 40: Molto allegro
Piano Concerto No. 20: Romance
Symphony No. 1: Adagio molto; Allegro con brio
Various Waltzes: No. 1, Op. 18
Various Waltzes: No. 7, Op. 64
Various Waltzes: No. 11, Op. 70
Voices Of Spring
Aida: Celeste Aida (Heavenly Aida)

Sony Classical: Great Performances 1903-1998

Average customer rating:

What I Bought From Sony Companies
Strange interpretation of "classical"
An interesting mix...
A touch of history....
A touch of history....

Sony Classical: Great Performances 1903-1998

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Octets | Chamber Music | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Marches | Miscellaneous | Styles | Music

Classical | Box Sets | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Jazz: The Definitive Performances
Pop Music: The Modern Era 1976-1999

ASIN: B00000K2EX
Release Date: 1999-10-12

Tracks:

Il Barbiere di Siviglia: 'Largo Al Factotum'
Mazurka In G Major, 'Obertass,' Op.19, No.1
Contrasts For Violin, Clarinet And Piano: II. 'Piheno'
String Quartet In C Minor, Op.18, No.4: IV. Allegro - Prestissimo
Bachiana Brasileira No.5: Aria - Cantilena
Violin Concerto In E Minor, Op. 64: Allegro Molto Vivace
Rigoletto: 'La Donna E Mobile'
String Quartet No.4: II. Prestissimo, Con Sordino
Carnival Of The Animals: 'Fossils'
Concerto For Violin And Orchestra: III. Rondo. Allegro Spirituoso
Le tombeau de Couperin: I. Prelude
Hermit Songs: 'The Desire For Hermitage'
Variation 30 A 1 Clav. Quodlibet
From 'Goldberg' Variations: Aria
The Threepenny Opera: 'Mack The Knife'
Symphony No. 36 In C Major, K. 425 'Linz': III. Menuetto - Trio
Piano Concerto No. 21 In C Major: III. Allegro Vivace Assai
Symphonie espagnole In D Minor, Op. 21: V. Rondo (Allegro)
'Battle Hymn Of The Republic'
Madama Butterfly: 'Un Bel Di'

Tracks:

Le Sacre du printemps: 'Danse Sacrale'
El Amor Brujo: 'Ritual Fire Dance'
Rodeo (Four Hour Dance): 'Hoe-Down'
Fugue In G Minor, BWV 578 'Little'
The Well-Tempered Clavier, Book I: Prelude No. 1 In C Major, BWV 846
Syphony No. 8 In F Major, Op. 93: II. Allegretto Scherzando
Slavonic Dance No. 8 In G Minor, Op. 46
Symphony No.2 In C Minor 'Resurrection': IV. 'Urlicht'
Chichester Psalms: I. Psalm 108
Octet In E-Flat Major, Op.20: III. Scherzo: Allegro Ieggierissimo
Etude In C-Sharp Minor, Op. 2, No.1
Etude In A-Flat Major, Op. 72, No.11
Concierto de Aranjuez: I. Allegro Con Spirito
Karelia Suite, Op.11: III. Alla Marcia. Moderato
Canzon Septimi Toni No.2
Fanfare For The Common Man
'Beau Soir'
Suite For Flute And Jazz Piano: 'Baroque And Blue'
Piano Concerto No. 20 In D Minor, K. 466: III. Rondo. Allegro Assai
Daphnis et Chloe: 'Danse Generale'

Tracks:

Eubie's Classical Rag
Intermezzo In B Minor, Op. 119, No. 1
III. Alegro
Behind The Gardens - Behind The Wall - Under The Tree
Perhaps Love
Facades
O mio babbino caro
Passo pel prat
III. Finale. Allegro
I. Allegro
Promenade (Walking The Dog)
Sonata No.5 In D Major For Cello And Piano: III. Alegro fugato
Turangalila II
IV. Rondo alla Zingarese. Presto
Mazurka In C Minor , Op. 56, No.3
String Quartet In D Minor, Op. 56 'Voces intimae': II. Vivace
Ch'ella mi creda libero e lontano

Tracks:

Main Theme From Star Wars
Andante
Salut d'amour, Op. 12
Minuet
Appalachia Waltz
Appalachia Waltz
Gershwin,
All The Delights Of The Season
Steam Engine
Summon The Heros
Prelude To Suite No. 1 In G Major
Brunnhilde's Battle Cry
Sonata In A Major
A Suite For Strings: The Murder
Flight Of The Bumblebee
Prelude To Suite No. 3 IN E
Libertango
Angel (Lust)
Theme From Schindler's List
I. Allegro ben ritmato e deciso
La donna e mobile
Gymnopedie No. 3
Song Of Peace

Customer Reviews:

What I Bought From Sony Companies.......2005-08-20

Bach, Goldberg Variations, Gould, Haydn, L. Mozart, Hummel, Wynton Marsalis, Leppard, Joseph Haydn, Walter (Japanese), Mozart Piano Concertos & Rondos, Murray Perahia, Mozart Quartets by Ax, Stern, Laredo, and Ma, Mozart Concerto Violin, Zukerman, Chopin, Concertos Piano, Gilels, Ormandy, Watts, Schippers, Bruckner, L'Archibudelli, Johannes Brahms, Gould, Brahms, Stern, Trios and Quartets, Brahms, Ax, Ma, Bizet, Carmen and L'Arlesienne suites, Bernstein, Dvorak, Herbert, Ma, Masur, Faure, Quartets, Ax, Stern, Laredo, Ma, Janacek, String Quartets, Alban Berg, Lyric Suite, Juilliard String Quartet, Copland Collection, Debussy, nocturnes, Upshaw, Esa-Pekka Salonen, Canteloube, John Williams Plays Barrios, Ligeti Edition, Claude Bolling, suites and such Jazz, 4 CDs, Joshua Bell, Bernstein, West Side Story. Albert, Bartok, Bloch, Ma, Zinman, John McLaughlin, Concerto for Guitar, and with Katia Labeque, Kathleen Battle.Wynton Marsalis, Baroque Duet,Kathleen Battle Jean-Pierre Rampal in Concert, Bobby McFerrin paper music, with Yo-Yo Ma in Hush, Katia & Marielle Labeque, Love of Colours, Wynton Marsalis, Baroque Music for Trumpets, and Elliot Goldenthal, Fire Water Paper, A Vietnam Oratorio.
I list these because I am trying to figure out what of value is in the Columbia, CBS, and Sony sound legacy in case they come back to the U.S. and revive classical music recording in this country.
Duane Crawford

Strange interpretation of "classical".......2005-01-17

I bought this CD because it contained some songs I was having a hard time finding elsewhere, such as Passo pel prat, Chants d'Auvergne sung by Fredrica Von Stade. However, some of the songs on this CD do not seem to belong e.g. all three songs by John Williams, Mack the Knife, Barbra Streisand, and the Psycho Murder Theme for starters, and many more.

I gave the CD 4 stars only because I was happy that I was able to find a few somewhat rare tracks.

An interesting mix..........2002-05-18

This is a sampler in the truest meaning of the word. I bought this 4 CD work primarly for two tracks, but also because I was interested to see what else was out there without investing a fortune in CD's I wouldn't like! I was surprised by the wide diversity of music ranging from true classical and jazz to contemporary compositions and interpretations.

While I find some tracks divine (Williams's _Schindler's List_), I find other tracks unsettling (_Beau Soir_ performed by Barbra Streisand). But when you are trying to span 100 years of music, you will (and should) encounter all tastes and styles. Overall, I really enjoy listening to this set. My only regret is that I don't have a CD changer...

A touch of history...........2002-01-28

An exceptional set. The history of music making of the 20th century in 4 CDs. Even from the first track with Giuseppe Campanari and Charles Adams Prince you can see that people put much time in collecting the best interpretations and putting together an amazing collection. Other highlights include the "Mack The Knife" with Lotte Lenya, the Bachiana Brasileiras, The Fanfare For The Common Man with LSO conducted by the composer and so many more. An undespiuted *****

A touch of history...........2002-01-28

Music Review:

Music Review

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