Nightgrooves: Amsterdam [Import]

Nightgrooves: Amsterdam [Import]

Nightgrooves: Amsterdam [Import]

Track Listings
 
1. Breaking My Mind (Amsterdam Version)
2. Green Style (Coffe Shop Edit)
3. I've Got A Feeling That You... (Cool Jazz Rmx)
4. Presence
5. Inside My Heart
6. Musik (Delta Mix)
7. Stand By
8. To Be Free (Red Zone Version)
9. Happy Steps
10. Could Be (Still Couple Mix)
11. Pizzicato Sister
12. Flashlight (Deep Mark Remix)

Editorial Reviews
Product Description
Cosmopolitan Deep House for Your Late Night Listening. The Second of Five Volumes. "Nightgrooves" Captures the Nocturnal Sound of Five Reference Points of Worldwide Dance Each with Its Unique Sound and Ambiance. An Album for Both the Dancefloor and Home Listening. Includes Electro-house from Whip Culture "Breaking My Mind", Classy Deep House from Von Mondo "i've Got a Feeling that You...", Contagious Latin House of South Dolphins "Inside My Heart", Old Skool from Liongold "Submarine" and Soulful House from Raff and Mary F. "to Be Free". Nightgrooves is a Collection that Every Electronic Music Lover with Diverse Taste Should Possess to Be in Touch with the Global Vibe.

Nightgrooves: Amsterdam,Various Artists,Music Brokers/Pmb,Dance,Rock/Pop Collections
Beethoven at Bedtime: A Gentle Prelude to Sleep
Average customer rating: 4.5 out of 5 stars
  • Great but not for massage
  • Works on my kids
  • Wakes you up instead
  • Music for Life
  • musical morphine
Beethoven at Bedtime: A Gentle Prelude to Sleep

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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  1. Mozart for Meditation
  2. Bach at Bedtime: Lullabies for the Still of the Night
  3. Brahms at Bedtime: A Sleepytime Serenade
  4. Mozart at Midnight
  5. Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away

ASIN: B0000041CN
Release Date: 1995-04-11

Tracks:

  1. A Gentle Prelude to Sleep: Symphony No. 2 In D - Larghetto
  2. A Gentle Prelude to Sleep: Romance No. 2 In F
  3. A Gentle Prelude to Sleep: 'Emperor' Concerto - Adagio un poco mosso
  4. A Gentle Prelude to Sleep: 'Pastoral' Symphony - Scene By The Brook
  5. A Gentle Prelude to Sleep: 'Pathetique' Sonata - Adagio cantabile
  6. A Gentle Prelude to Sleep: String Quartet No. 13 In B-Flat - Cavatina
  7. A Gentle Prelude to Sleep: Fur Elise
  8. A Gentle Prelude to Sleep: Violin Concerto In D - Larghetto
  9. A Gentle Prelude to Sleep: 'Moonlight' Sonata - Adagio sostenuto

Customer Reviews:

4 out of 5 stars Great but not for massage.......2007-03-10

TRY, just TRY to do a massage to Fur Elise. It just can't be done! It wasn't very relaxing. I felt like I should be doing tapotement or something. Threw my rhythm way off.

BUT as a CD, it's lovely. :)

5 out of 5 stars Works on my kids.......2006-12-26

I'm purchasing my second copy of the CD. My kids listen to it every night to lull them to sleep - they usually don't make it through the first piece. It is true that some of the music doesn't seem very conducive to sleep, but by the time one hears those selections, one is fast asleep.

1 out of 5 stars Wakes you up instead.......2006-03-09

This CD was supposed to be soft, easy music that would help you go to sleep. I did go to sleep almost immediately but not because of the music--I was just very tired. However, the music actually woke me up a couple of times when it got just a little louder. Maybe it's me, but I didn't find this product to do as promised.

5 out of 5 stars Music for Life.......2006-03-09

Thanks to the Philips Set Your Life to Music series, we don't have to set aside a concert hour to experience great music. Beethoven at Bedtime gives us the music when we need it to enrich our quiet moments. As with the other titles in this series, the performance is pure and sensitive enough to satisfy the most intellectual listener. One has only to read the list of artists and listen to the clips. What a treasure!

5 out of 5 stars musical morphine.......2005-08-18

this album will definately put you out unless youre manic or all cranked up or something.but why go to sleep? youd miss out on a bunch of beethovens most beautiful music ever written.and being as how hes only the second of 7 musical geniuses ever,no true music lover can be without this many spleandored collection.its got all the great slow songs beethoven did on it like the "moonlight sonata" used on the beatles song "because" and the video game "shadow man".im sure youve heard it somewhere."for elise" is another easily recognizable song.it was on the movie "bill and teds excellent adventure".theres some more musical bliss with his violin piece and even the all important "pathetique sonata".thats the real clencher.if youre not pretty drowsy after that beautiful but utterly sedating ditty perhaps you should seek out a drs prescription before you play it because youre an isomniac.it will put most anybody out though and is plum full of a number of the most beautiful songs ever!
Simply Baroque
Average customer rating: 5 out of 5 stars
  • Simply the Best
Simply Baroque

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Yo-Yo Ma - Simply Baroque II ~ Bach & Boccherini / ABO, Koopman
  2. Vivaldi's Cello
  3. The Dvorak Album
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  5. Bach: The 6 Unaccompanied Cello Suites

ASIN: B0000CD5G9
Release Date: 2003-09-30

Tracks:

  1. Sei Lob Und Preis Mit Ehren
  2. Erbarme Dich
  3. Jesu, Joy Of Man's Desiring
  4. Ertot' Uns Durch Dein' Gute
  5. Ich Ruf' Zu Dir, Herr Jesu Christ
  6. Kommst Du Nun, Jesu, Vom Himmel Herunter
  7. Lab Mein Herz Die Munze Sein
  8. Dein Blut, Der Edle Saft
  9. 'Air On A G String'
  10. Cello Concerto In G Major
  11. Cello Concerto In G Major
  12. Cello Concerto In G Major
  13. Cello Concerto In D Major
  14. Cello Concerto In D Major
  15. Cello Concerto In D Major
  16. Cello Concerto In D Major
  17. Was Gott Tut, Das Ist Wohlgetan
  18. Aria From Goldberg Variations
  19. Wachet Auf, Ruft Uns Die Stimme

Customer Reviews:

5 out of 5 stars Simply the Best.......2005-05-31

I can only say, that as far as I am concerned, this is just some of the best music I have ever heard.... Im guessing this is the way Bach intended his music to sound in the first place, and who better for that than the AMO and Koopman...and of course YO YO... if u love classic music, you are absolutly going to LOVE this cd..I highly recommend it
Vivaldi's Cello
Average customer rating: 4.5 out of 5 stars
  • Say Hey-ho for Yo-yo No Disappointment Here
  • Super Enjoyable
  • Absolutely Amazing
  • You mouth open in Awe.
  • Hard to believe!
Vivaldi's Cello

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001IN11Q
Release Date: 2004-03-30

Tracks:

  1. Allegro
  2. Largo
  3. Allegro
  4. Largo
  5. Allegro
  6. Largo
  7. Allegro
  8. Cosi Sugl' Occhi Miei
  9. Allegro
  10. Largo
  11. Allegro
  12. La Gloria Del Mio Sangue
  13. Allegro Non Molto
  14. II. Adagio
  15. III. Allegro Ma Non Molto
  16. Noli, O Cara, Te Adorantis
  17. Laudamus Te
  18. Quanto Magis Generosa
  19. Dite Oihme

Amazon.com

The great Yo-Yo Ma has recently (in addition to his world music explorations) moved to the baroque cello, a so-called period instrument, and his transition has been remarkably smooth. He is indeed a musical polyglot, and this CD finds him solidly in the heart of the Baroque period, with music by Vivaldi. In addition to three concerti the composer wrote for cello, there are some fascinating transcriptions. The Largo violin solo from the "Winter" concerto of the Four Seasons is here beautifully played on cello, its darker tone added substituting gravity for chill in the wintry landscape. A concerto originally for viola d'amore, lute and strings has been transformed into one for cello, organ, strings and continuo, with Baroque expert Ton Koopman as transposer and organist (and sympathetic, energetic conductor throughout). And oddest of all, Koopman has created cello solos out of arias (one of which is helped by a perky bassoon) originally composed for female voice from a couple of operas, the oratorio Juditha Triumphans, and the familiar "Laudamus te" from the famous "Gloria." Leave it to these musicians to re-invent Vivaldi with respect and a clear ear for musical values--not to mention sheer entertainment and a forward propulsion which makes it all so invigorating. --Robert Levine

Customer Reviews:

4 out of 5 stars Say Hey-ho for Yo-yo No Disappointment Here.......2007-03-05

I often play European-classical music during massage treatments. My clients love hearing this CD again and again!

4 out of 5 stars Super Enjoyable.......2007-01-03

Very nice. If you're a novice to classical, you'll really enjoy this CD. Perfect for a Sunday morning coffee or rainy afternoon.

5 out of 5 stars Absolutely Amazing.......2006-01-27

I love this album from beginning to end. RV 531 will blow your socks off, especially the first and third movements! Yo-Yo and Ton have done it again, thank you for such a wonderful record. You will not be disappointed with this purchase.

5 out of 5 stars You mouth open in Awe........2005-06-15

This album is complete. My mouth was open in Awe when I heard Allegro off this album, it's no.1 on this album. I couldn't stop picturing them all playing this. The piece was astouding! The dynamics, accents, just everything! I don't know what else to say about this album!

5 out of 5 stars Hard to believe!.......2005-04-23

This album is just exquisite... At times there are no words to describe the depth and beauty -- his incredible bow control, intensity and passion, impeccable pitch, sense of dynamic movement... It's all there! The first time I heard "Largo" from Winter I had to hold my breath -- it is such a dazzling rendition! I say that this album deserves twice as many ears as there are people in the world today!
New Amsterdam: Live at Heineken Music Hall
Average customer rating: 4 out of 5 stars
  • Friggin excellent album
  • It's a great performance and all, but ONE freaking hit
  • Are you ready to folk rock?
  • its good but....
  • An intimate evening caught on tape
New Amsterdam: Live at Heineken Music Hall
Counting Crows
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Across A Wire: Live In New York City
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ASIN: B000FII32O
Release Date: 2006-06-20

Tracks:

  1. Rain King
  2. Richard Manuel Is Dead
  3. Catapult
  4. Goodnight LA
  5. Four White Stallions
  6. Omaha
  7. Mami
  8. Hazy
  9. Good Time
  10. St. Robinson In His Cadillac Dream
  11. Perfect Blue Buildings
  12. Hanginaround
  13. Goodnight Elisabeth
  14. Hard Candy
  15. Holiday In Spain

Customer Reviews:

5 out of 5 stars Friggin excellent album.......2007-07-05

For the REAL die hard fans-this is the one to get man.I bought it and got home with it qued the cd and played every song on a Fender Strat.Even the songs I'd not heard were real easy to figure out. If anyone needs chords @ lyrics------email me and I'll copy them off and mail them to you -----no charge.Rock on everybody!!!!!!!!!!!!!Lenny

2 out of 5 stars It's a great performance and all, but ONE freaking hit.......2007-02-15

Are you kidding me?! It's a great performance and all, but ONE freaking hit or remotely recognizable song ("Hanginaround) out of 15?! They don't even perform "Mr. Jones." Wasn't the idea to have this show in New Amsterdam spawned from the opening line of that song? Would be better off as an internet only release, rather than a Nation-wide one.

5 out of 5 stars Are you ready to folk rock?.......2007-01-05

I don't review a lot of CD's - I'd rather just enjoy them, or not. Counting Crows have always been a favorite, but never to the point where I'd waste my precious time reviewing something for an online store.

The disk is well recorded, and the band was very much "on" when the recordings were made. There isn't a bad track on the CD, but in particular, I liked "Holiday in Spain", which always carries a nice, wistful vibe, and is particularly good here.

The real measure of how much I enjoyed the CD is that I purchased it as a gift for another music dweeb (I already had all of the tracks in MP3 format).

If you like the Crows, or live music in general, this album is a worthy investment.

3 out of 5 stars its good but...........2007-01-01

Counting Crows is a great band to see life. Their performances are filled will energy, emotion, and a wealth of alternate lyrics. That being said this CD (while good, dont get me wrong) isnt really indicative of that. Heres hoping the next time they decide to come out with a bootleg album its from a little more noteworthy show.

4 out of 5 stars An intimate evening caught on tape.......2006-11-08

If you're a CC-fan, you certainly want to buy this album.

I was in the Heineken Music Hall with two friends on one of the evenings this recording was made and it's the best concert if've ever been to. Allthough the HMH has a capacity of 5000 people, Counting Crows manages to create an intimate atmosphere unlike any other band. And it's that intimate atmosphere that makes this album special.

I'm not saying that these are the best individual live recordings of each and every song (non of the songs is streched over more than 10 minutes like Round Here and Anna Begins have been in the past) but the total cd is certainly worth the money.
Shostakovich: Symphonies no 5 and 9 / Haitink
Average customer rating: 5 out of 5 stars
  • One of my favourite symphonies
  • Five stars for a sparkling, vivacious Ninth, but set a snooze alarm for the Fifth
  • A Soviet Artist's Response to Just Criticism?!
  • Superb interpretation and ultra superb recording
  • Incredible!!!
Shostakovich: Symphonies no 5 and 9 / Haitink

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  4. Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99
  5. Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony

ASIN: B00000IP35
Release Date: 2000-07-18

Tracks:

  1. Symphony No.5 In D Minor, Op.47: I. Moderato
  2. Symphony No.5 In D Minor, Op.47: II. Allegretto
  3. Symphony No.5 In D Minor, Op.47: III. Largo
  4. Symphony No. 5 In D MInor, Op.47: IV. Allegro non troppo
  5. Symphony No.9 In E-Flat Major, Op.70: Allegro
  6. Symphony No.9 In E-Flat Major, Op.70: Moderato
  7. Symphony No.9 In E-Flat Major, Op.70: Presto
  8. Symphony No.9 In E-Flat Major, Op.70: Largo
  9. Symphony No.9 In E-Flat Major, Op.70: Allegretto - Allegro

Amazon.com

Gorgeously recorded so that all of Shostakovich's eerieness of texture (and harps) can be heard, Haitink's performance of the Fifth symphony is pretty wonderful. The bare landscape of the first movement, with its lonely oboe solos, leads into the very Mahlerian, faux-fun second movement with creepy ease. The Largo is introverted but poignant, with handsome, sustained pianissimo playing, and the finale has great energy, but not quite enough of the grotesque--it's a bit too well-groomed. The Ninth, on the other hand, is ideal, with a finale to rollick over, and a refusal to turn the sometimes sappy second movement into empty emotion. It's one of those moments when Haitink's coolness pays off. A good buy. --Robert Levine

Customer Reviews:

5 out of 5 stars One of my favourite symphonies.......2007-01-24

I'm not going to debate who's interpretation of Shostakovich's symphonies is best as some reviewers have. I'll simply say this: the fifth symphony is among my favourite of all symphonies by anyone. I highly reccomend it, whether it is this recording or another one. However, without going into issues of interpretation, I will say that the recording quality on this CD is very good.

5 out of 5 stars Five stars for a sparkling, vivacious Ninth, but set a snooze alarm for the Fifth.......2006-07-20

Here we have one triumphant Shostakovich performance and one nearly inexcusable one. The praise that Haitink's Shostakovich Fifth has garnered here is inexplicable--this is a plodding reading that barely gets on its legs for the entire first movement. Don't the reviewers below detect the total absence of rhythmic vitality and pace? I guess not. Oh well, one person's nobility is another's long nap.

The Scherzo clumps along well enough, but without bite or satire. The centerpiece of Haitink's interpertation is a hushed, singing slow movement expressed with great refinement, if a bit blandly. The finale, needless to say, is among the slowest, but there's so much impact in the brass playing that excitement is generated without undue speed. It will appeal to the tortoise-wins-the-race crowd. The Concertgebouw plays beautifully throughout, and is strikingly captured by Decca's engineers.

Fortunately, the skies brighten with Haitink's Shostakovich Ninth from the London Phil., his second orchestra. It's so good-humored and light on its feet that you are constantly smiling. Tempos are fast, the mood sprightly--Haitink was wise, I thin, not to take the more serious approach adopted by Bernstein and Gergiev. Good as the sonics are for the Fifth, these are of demonstration quality, with loads of inner detail and perfect clarity. The orchestra seems to relish every bar. They should send condolence notes to their counterparts in Amsterdam.

How odd of Decca to pair the very worst of Haitink's cycle with the very best.

5 out of 5 stars A Soviet Artist's Response to Just Criticism?!.......2006-02-25

The Symphony No. 5 is one of Shostakovich's greatest masterpieces, which can hardly be ascertained from its origins as a piece to satisfy the Soviet state's artistically stifling demands in music (for example, all other aspects of music had to be subordinate to melody). The previous year Shostakovich was savagely attacked in the Pravda for his opera `Lady Macbeth of Mtsensk District', primarily because Stalin was shocked by its graphic sex and violence, and the fifth symphony was Shostakovich's reaction to this scathing criticism. (He was undoubtedly aware that the article extended further than trying to damage his confidence, if he didn't produce music along the lines of the states prerequisites he would be imprisoned or killed.)

It received the expected reaction: Rostropovich claimed that the ovation lasted for an hour. Whatever optimism and buoyancy the Soviet authorities may have seen in it; to me it seems more like a comic satire. The opening of the quasi-triumphant finale seems like a bitter, lacerating march fit to represent snide ridicule at its own hollow pomposity. This soon gives way to angry explosions in the brass which speak more of fury and violence than joyous optimism. Shostakovich himself said, `There is a feeling of rejoicing, but it is one of forced rejoicing. It is as if someone is hitting you over the head with an iron bar telling you "Your business is rejoicing" over and over again. Eventually, you walk away muttering "My business is rejoicing".'

The first movement is sombre and claustrophobic with its incessantly repeated, probing string melodies which for me speak of desolation and broken, empty landscapes, dead trees etc. etc. ... There are searching, melancholy oboe solos, warm horn chords, urgent string crescendos, pizzicato strings, pseudo-miliatary trumpet and snare drum jollity, and massive anger expressed through explosive brass. But it is also undoubtedly beautifully melodic, as is the entire symphony, and the symphony features enough material in major keys to bespeak at least forced hopefullness.

The second movement is brisk, occasionally pungently Russian, and bursting with Shostakovich's `forced' joy: an effect which is achieved through near superimposition of the melancholy and the mirthful; the minor and the major etc. The third movement can be summarised as one of subdued melancholy.

Haitink's performance is excellent, crystal clear, never over dramatic, and expressing the music with perfect musicianship and feeling. In comparison with this performance Bernstein's is demure, seeming like a piece designed more at ostentatious display than power and dignity. All I can say is buy this disk!!! You won't regret it.




5 out of 5 stars Superb interpretation and ultra superb recording.......2006-01-09

I wish that Haitink made more amazing recordings like this one of the 5th and 9th symphonies by Shostakovich. He is usually thought of as being in the top rank of conductors, but by hearing this disc, you might think that he's just about the best. Maybe the amazing sound quality kind of makes him look good, but not really, this is just a greatly played superb interpretation. The Concertgebouw (which by the way is my favorite Orchestra at the present time) are on their toes throughout this version of the 5th. They are just truly amazing here, just as they are on most occasions. Did you know that this recording won the Gramaphone top prize for it's sound engineering? That was no surprise to me! Haitink alternated between the Concertgebouw and London Philharmonic for this symphony cycle, and of course the Londoners are in really fine form also, but still not the equal (in my opinion) of this fine dutch orchestra. I've never been quite so impressed with a classical cd's sound quality, except for a few cds of the conductors Christopher Hogwood and Trevor Pinnock. I haven't heard more than 8 or 9 different versions of the 5th, but this and Semyon Bychkov's version with the BPO in 1986 are my favorites at the present time. I think the Bychkov version has almost as good sound quality, and it's severely underrated, because I've never heard the Penguin Guide or any other classical magazine rate it, which is quite crazy, because it's a bold blistering performance that does deserve very high praise. This is also one of the best 9th's out there, but that is a symphony that I have not listened to very much to this point in my life, though I plan to listen to it more very soon. Haitink pretty much can't do wrong when he's conducting Bruckner or Shostakovich, but it you haven't listened to his Bruckner or Shostakovich, do yourself a favor and buy some, because he's definitely one of the top interpreters there are. If nothing else buy this for the demonstration sound quality, and I'm sure you'll fall in love with this incredible disc. ENJOY!!!

5 out of 5 stars Incredible!!!.......2004-09-16

Few superlatives can match the incredible performances which Haitink achieves in Number 5...this has long been one of my favorite recordings for various reasons. Simply put the winds and brass and strings are all on the same waveleagnth...there is not a single phrase in this performance that isn't perfect. On top of this are the incredible heights of the DECCA recording which matches perfectly the great scores.

As to Nine I also love Bernstein in NY...here it also well recorded too. The London Phil plays brilliantly here as well!!
Haydn: The London Symphonies, Vol. 2
Average customer rating: 4.5 out of 5 stars
  • Comparison - Jochum's Set vs. Colin Davis'
  • Haydn's London Symphonies
  • Excellent, but beware of Davis' groaning
  • GOOD, BUT!
  • Grand, Warm, Rich, Mature Symphony
Haydn: The London Symphonies, Vol. 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Haydn: The London Symphonies, Vol. 1
  2. Haydn: Paris Symphonies
  3. Haydn: Symphonies Nos. 88 - 92
  4. Haydn: String Quartets Op. 76, Nos. 1-3
  5. Mendelssohn: 5 Symphonies; 7 Overtures

ASIN: B0000041AR
Release Date: 1994-10-11

Tracks:

  1. Symphony In D: Adagio - Allegro assai - Joseph Haydn
  2. Symphony In D: Largo cantabile - Joseph Haydn
  3. Symphony In D: Menuetto. Allegro - Joseph Haydn
  4. Symphony In D: Finale. Presto ma non troppo - Joseph Haydn
  5. Symphony In E Flat: Adagio -- Vivace assai - Joseph Haydn
  6. Symphony In E Flat: Adagio - Joseph Haydn
  7. Symphony In E Flat: Menuetto. Allegretto - Joseph Haydn
  8. Symphony In E Flat: Finale. Vivace - Joseph Haydn
  9. Symphony In G: Adagio - Joseph Haydn
  10. Symphony In G: Andante - Joseph Haydn
  11. Symphony In G: Menuetto - Joseph Haydn
  12. Symphony In G: Finale - Joseph Haydn

Tracks:

  1. Symphony In G: 1. Adagio - J. Haydn
  2. Symphony In G: 2. Andante - J. Haydn
  3. Symphony In G: 3. Menuetto - J. Haydn
  4. Symphony In G: 4. Finale - J. Haydn
  5. Symphony In C: 1. Adagio - Vivace - J. Haydn
  6. Symphony In C: 2. Adagio ma non troppo - J. Haydn
  7. Symphony In C: 3. Menuetto. Allegretto - J. Haydn
  8. Symphony In C: 4. Finale. Presto assai - J. Haydn
  9. Symphony In D: 1. Adagio - J. Haydn
  10. Symphony In D: 2. Andante - J. Haydn
  11. Symphony In D: 3. Menuetto - J. Haydn
  12. Symphony In D: 4. Finale - J. Haydn

Amazon.com

Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Customer Reviews:

5 out of 5 stars Comparison - Jochum's Set vs. Colin Davis'.......2006-02-23

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

5 out of 5 stars Haydn's London Symphonies.......2005-12-21

I have been listening to many of Haydn's earlier symphonies on the ongoing cycle of the complete series on Naxos. But for the final set of twelve, Haydn's masterpieces in the form, I wanted Sir Colin Davis conducting the Royal Concertgebouw Orchestra. Davis has recorded the twelve London symphonies on two mid-priced Phillips "duo" CDs. The performances are outstanding and filled with ebullience. They will make a good introduction to Haydn for those new to his music and will delight long-term lovers of Haydn.

Beginning when he was about 25, Haydn composed for the wealthy and music-loving Esterhazy family. His fame gradually spread throughout Europe and, with the "Paris" symphonies, Haydn began to write works for a public broader than his aristocratic patron. With the death of Nicholas Esterhazy in 1790, Haydn received an invitation to visit London. He visited twice, in 1791-1792 and again from 1794-1795. His twelve "London" symphonies are the result. These are full-scaled symphonic creations showing the consummate mastery Haydn had acquired over the years. The works are joyous and lively and were immediately welcomed by Haydn's London audiences. They are also highly sophisticated and endlessly creative works of art which will reward careful listening and study. For those listeners wanting a more detailed, yet non-technical overview of the twelve London symphonies than that found on liner notes, I suggest consulting their treatment in Michael Steinberg's valuable work, "The Symphony: A Listener's Guide."

This two-CD set includes six of the London symphonies: nos. 93, 94, 97, 99, 100, and 101. Let me mention a few features of each.

Haydn's most famous symphony is probably the 94th in G major, the "Surprise". The theme of the second movement, with the large "bang" at the end of the repetition of the opening phrase is one of the best-known moments of music, familiar to children. This remains an excellent work to introduce young people to music. The "surprise" movement proceeds with a lovely set of variations, and there is much to get to know, including more surprises, in the remaining three movements as well.

Symphony no. 100 is also in G major and is known as the "Military" for the martial tone of the second movement, replete with drums, cymbals, and triangle. In addition to the "Military" movement, this symphony features a vicacious finale replete with timpani, a contrapuntal section, and some soft moments of reflection hidden within the lively theme.

The "Clock" symphony, no 101 in D major is named for the tick-tock accompaniment figure in the second movement which is forever endearing. This movement gradually rises to a moment of passion as it develops. The work also features a lively opening movement, a lengthy minuet, and an outstanding finale that works from an inocuous opening to complex counterpoint.

The symphonies with nicknames are the easiest way to introduce the London set, but the symphonies without these names are on the same high plane. The first of the London set is symphony no. 93, also in D major. A memorable moment of this work is the opening of the second movement, which Haydn scores for a string quartet. The movement becomes rather introspective as it proceeds, but Haydn brings it back to earth with a toot on the bassoon at the close. The symphony opens with a slow. detailed introduction followed by an opening movement that develops two lively and lyrical themes.

The 97th symphony is the last of twenty Haydn symphonies in C major, a key he used for regal, ceremonial effect. The work opens with a surprisingly quiet slow introduction followed by an opening movement that develops broadly from many repetitions of the basic chord of C major.

The 99th symphony in E-flat major is the first in which Haydn used clarinets and, from the opening chord, clarinets play a major role in the texture of this work. This is one of the more complex symphonies of the London set, with a harmonically adventurous slow introduction followed by a movement that emphasizes the second of its two major themes. The slow movement is deeply intense and also stresses the second of the two primary themes on which it is based. After a lyrical, restrained opening, the movement turns to the minor key in a dramatic section before returning to the opening material, substantially embellished. The minuet combines elements of both courtliness and earthiness while the finale is rapid and culminates in a fugal passage. The 99th is one of the finest symphonies of an outstanding series.

This set, and its companion recording of the remaining six London symphonies, make a wonderful introduction to a great composer.

Robin Friedman

5 out of 5 stars Excellent, but beware of Davis' groaning.......2005-02-23

Excellent recordings in general, as pointed out by others.

But Davis' groaning is very audible and ANNOYING in places. He does the same on most of his more recent LSO recordings.

Why do conductors groan/grunt away and spoil their recordings so often?

Jochum/DG is another great set of the London symphonies, and doesn't have conductor noises!

4 out of 5 stars GOOD, BUT!.......2004-07-15

This set is good of course, but if you are looking for great performances for EACH of Haydn's 12 London symphony, you may want to buy individual discs. Here is my collection of the 12 'London' Masterpieces.
Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

5 out of 5 stars Grand, Warm, Rich, Mature Symphony.......2003-05-07

Culmination of a marvelous life in composition are these London Symphonies.

Here, in one of the highest rated collections Sir Colin Davis leads the Royalo Concertgebouw Orchestra in over 150 minutes of some of the premier symphonic sounds of all times. There is style and substance in their treatment and the crisp, clean recording is marvelous at any price, but even better at this mid-range bargain.

I especially have fond of No. 93 and of course, No. 102 with its melodic richness and inventive harmony. His element of surpirse is always robust and mysterious, as here the third note spells departure.

How good can one set at this price be? Supremely good and satisfying Hadyn!
Haydn: The London Symphonies, Vol. 1
Average customer rating: 4.5 out of 5 stars
  • Comparison - Jochum's Set vs. Colin Davis'
  • Haydn's London Symphonies
  • This is a good bargain but I don't recommend the performance
  • GOOD, BUT!
  • Thrill of Playing/Listening to Great Symphonic Composure
Haydn: The London Symphonies, Vol. 1

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Haydn: The London Symphonies, Vol. 2
  2. Haydn: Paris Symphonies
  3. Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner
  4. Mozart: Piano Concertos Nos. 24 & 25
  5. Schubert: Piano Quintet "Trout"; Mozart: Clarinet Quintet

ASIN: B0000041AQ
Release Date: 1994-10-11

Tracks:

  1. Symphony In C Minor, Hob. I:95: 1. Allegro moderato
  2. Symphony In C Minor, Hob. I:95: 2. Andante
  3. Symphony In C Minor, Hob. I:95: 3. Menuetto
  4. Symphony In C Minor, Hob. I:95: 4. Finale. Vivace
  5. Symphony In B Flat, Hob. I:98: 1. Adagio - Allegro
  6. Symphony In B Flat, Hob. I:98: 2. Adagio
  7. Symphony In B Flat, Hob. I:98: 3. Menuetto. Allegro
  8. Symphony In B Flat, Hob. I:98: 4. Finale. Presto
  9. Symphony In D, Hob. I:104: 1. Adagio - Allegro
  10. Symphony In D, Hob. I:104: 2. Andante
  11. Symphony In D, Hob. I:104: 3. Menuetto. Allegro
  12. Symphony In D, Hob. I:104: 4. Finale. Spiritoso

Tracks:

  1. Symphony In D, Hob. I:96: 1. Adagio - Allegro
  2. Symphony In D, Hob. I:96: 2. Andante
  3. Symphony In D, Hob. I:96: 3. Menuetto. Allegretto
  4. Symphony In D, Hob. I:96: 4. Finale. Vivace assai
  5. Symphony In B Flat, Hob. I:102: 1. Largo - Vivace
  6. Symphony In B Flat, Hob. I:102: 2. Adagio
  7. Symphony In B Flat, Hob. I:102: 3. Menuetto, Allegro
  8. Symphony In B Flat, Hob. I:102: 4. Finale, Presto
  9. Symphony In E Flat, Hob. I:103: 1. Adagio - Allegro con sirito
  10. Symphony In E Flat, Hob. I:103: 2. Andante piu tosto allegretto
  11. Symphony In E Flat, Hob. I:103: 3. Menuetto
  12. Symphony In E Flat, Hob. I:103: 4. Finale, Allegro con spirito

Amazon.com

Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Customer Reviews:

5 out of 5 stars Comparison - Jochum's Set vs. Colin Davis'.......2006-05-03

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

5 out of 5 stars Haydn's London Symphonies.......2006-01-28

Haydn's twelve London Symphonies represent the culmination of Haydn's long and slow development as a symphonist. They remain among the greatest most varied set of symphonies ever written. Haydn composed them in two sets of six, for two lengthy trips to London in 1791 --1792 and 1794 -- 1795. The symphonies have been recorded in their entirety by many conductors, including Beecham, Scherchen,Bernstein, Jochum, and Van Karajan, but the set by Sir Colin Davis conducting the Royal Concertgebouw Orchestra is justly renowned. Davis's readings are available on two two-CD sets from Phillips, each of which sell at a modest price. There is no better way for the newcomer to get to know Haydn's masterworks. The first of the Phillips volumes, which I discuss here includes three of the earlier symphonies of the group, nos. 95,96, and 98, together with the magisterial final three symphonies, nos 102, 103, and 104.

Haydn's music speaks to the beginner in music (Remember the slow movement of the "surprise" symphony, known to every child.) as well as to the most demanding listener. The London audience for which he wrote them consisted both of people who knew little of music together with highly knowledgeable and sophisticated music lovers. Haydn had the ability to please both. The London symphonies are full of memorable and simple tunes, concertante solos for many instruments, jokes, and gimmicks. But they also include great musical variety, highly original slow introductions which become deeply integrated with the body of the work, deep slow movements, great development of material, creative orchestration, and extensive use of counterpoint. The symphonies have best been described as exemplifying a "sense of grandeur". They are large-scale, serious compositions, full of ease and mastery. They are also very much products of the Enlightenment as they move from their slow and mysterious openings through to their lively, positive, and triumphant conclusions.

The earliest of the London symphonies is the Symphony no. 96 in D major sometimes called the "Miracle". This is a simpler work than most of its companions. It opens with a fanfare slow introduction followed by a lively theme. Moments to listen for include the oboe solos at the end of the introduction and in the trio of the third movement, the counterpoint in the minor key in the slow movement, and the solos for flute and violin near the end of the slow movement.

The symphony no 95 in C minor is the only one of the London symphonies in a minor key and the only one without a slow introduction. It juxtaposes major and minor key elements coming to a major, triumphal close in the first movement. The first movement consists of an angular, angry minor key opening theme, followed by a long, lyrical theme in a major key. The second movement is a theme and variation while the minuet returns to the minor. The solo cello has large roles in the two middle movement. The finale is in the major with a great deal of fugal writing.

The symphony no 98 in B flat major is together with the following symphony no. 99, on of my favorites of the first nine of these symphonies. The slow introduction is, unusually, in the minor key and it is followed by a movement of great lightness with much counterpoint. The slow movement is one of Haydn's most sublime, probably written to commemorate the death of Mozart, with echoes of the slow movement of Mozart's "Jupiter" symphony. The minuet includes a trio for wind soloists while the swirling, humorous finale includes solo passages for the violin and, at the end, for the piano. (Haydn accompanied from the keyboard during the initial performances of these works.)

The final three symphonies of the "London" set are large-scaled masterpieces, the summit of the series. They were written for performance at the Opera Hall; and Haydn took full advantage of the orchestra and accoustics available to him to say his last word in symphonic form. There is much to hear and rehear in these symphonies.

The sympnony no. 102 in B flat major opens with a slow, largo introduction for the strings followed by a fast movement with two contrasting themes and a large-scaled development. The second movement is probably Haydn's best, as it glows with feeling and romance. The finale is a perpetuum mobile, developed canonically, with a theme that is tossed continually among the various instruments of the orchestra.

The "Drum-roll" symphony no. 103, opens with the instrument for which it is named followed by a growling introduction in the lower strings. In many ways, this symphony is similar to Haydn's Oratorio, "The Creation", composed subsequent to the London symphonies, with its movement from darkness to light. Unusually, the opening introductory material returns at the conclusion of the first movement. In the minuet of this symphony, Haydn moves from some simple, rustic writing for woodwinds to an immediately following theme for the violins of great urbanity. Haydn develops his final movement from some simple material, which he uses contrapuntally and with variety.

With its combination of depth, sophistication,wit,and highest mastery, the London symphony, in D major, No. 104, is my favorite of the set. It is a large work which begins with a minor-key and solemn introduction followed by an unusually lively and triumphant opening allegro. The slow movement is song-like with a darker middle section in the minor key. The minuet again features solos for winds in the trio, but the highlight of this symphony is its finale. Over a continuous drone, the orchestra articulates a theme, possibly derived from an English street tune, and develops it thoroughly from wit to grandeur. It is an apt conclusion to Haydn's symphonic career.

This is a set that can be heard many times, with increasing pleasure and discovery. Haydn's London Symphonies are among music's lasting joys. They are beautifully performed by Sir Colin Davis and the Amsterdam Concertgebouw.

Robin Friedman

3 out of 5 stars This is a good bargain but I don't recommend the performance.......2004-11-17

One of my favorite conductors, Colin Davis, is not at his best here. The Dorati and Bruggen sets are both preferable.

4 out of 5 stars GOOD, BUT!.......2004-07-15

This set is good of course, but if you are looking for great performances for EACH of Haydn's 12 London symphony, you may want to buy individual discs. Here is my collection of the 12 'London' Masterpieces.

Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

5 out of 5 stars Thrill of Playing/Listening to Great Symphonic Composure.......2003-05-17

Imagine the thrill of Haydn finally hearing his work played the outstanding orchestra of Salomon in London, and for these musicians?

What a result for us to inherit these magnificent works performed by Sir Davis and the Royal Concertgebouw recorded at such an outstanding value by Philips.

I especially love the cello part in the Minuet of Sym.95 as well as the Adiago from the 98th. How hard is it to pick and choose though from this magnificent sounds? I find myself conducting as I listen as in Sandy Bottom Orchestra with the dairy manager.

Must have set!
Fiesta
Average customer rating: 4.5 out of 5 stars
  • Fabulous
  • Andre Rieu "Fiesta"
  • Fiesta
  • Not the best versions available
  • This is a great album!
Fiesta
André Rieu , Johann Strauss Orchestra , Georges Bizet , Gioachino Rossini , Mikis Theodorakis , Pascual Marquina , Vincent Youmans , Leo Ferré , E. Ramirez , Filippo Marchetti , Emmerich Kalman , Jacob Gade , P. Shott , Gerhard Winkler , Louis Louiguy , Glanzberg , Vincent Scotto , Luigi Denza , Scottish Traditional , Friedrich Schroder , and Anonymous
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by TheodorakisAll Works by Theodorakis | Theodorakis, Mikis | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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Rieu, AndreRieu, Andre | ( R ) | Featured Performers, A-Z | Classical | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
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Similar Items:
  1. The Vienna I Love, Waltzes From My Heart
  2. Andre Rieu in Concert
  3. At The Movies
  4. Roses from the South
  5. Tuscany

ASIN: B000031WXB
Release Date: 2000-01-01

Tracks:

  1. Clavelitos
  2. Espana Cani
  3. Cielito Lindo
  4. Seventh Heaven Of Love
  5. Carmen: Ov
  6. Hava Nagila
  7. Tea For Two
  8. Moulin Rouge/Paris Canaille
  9. Sirtaki (Zorba's Dance)
  10. Fascination
  11. The Gipsy Princess Medley: Love, Love, Love!/The Swallow Song/How Could I Know?/Love, Love, Love!
  12. William Tell: Ov
  13. Jalousie
  14. The Canals Of Amsterdam
  15. Let's Go To Varasdin
  16. Chianti-Lied
  17. La Vie En Rose/Padam Padam/Sous Les Ponts De Paris
  18. Funiculi Funicula
  19. Auld Lang Syne

Customer Reviews:

5 out of 5 stars Fabulous.......2005-10-23

This DVD is spectacular. Andre Rieu is absolutely fascinating to listen to and the costumes of the orchestra as gorgeous. Well worth every penny.

5 out of 5 stars Andre Rieu "Fiesta".......2005-09-20

This CD is absolutely fantastic. There is no musician quite like Andre Rieu. His music does indeed lift the spirit.

5 out of 5 stars Fiesta.......2005-09-12

The music lifts my spirits! It is fun and lighthearted. I sincerely recommend this CD by Andre Rieu.

1 out of 5 stars Not the best versions available.......2002-02-12

First of all, why call this recording
"Fiesta"? only for the first four latin-american
works? because the rest of the cd is of
German music.I you want a real "Fiesta"
disc, I recomendation is that disc
of Keith Lockhart, is much more fun and
much more in a fiesta spirit than this one.

5 out of 5 stars This is a great album!.......2002-01-02

I highly recommend this album. Andre Rieu is a great violinist. If you buy this album you will not be dissappointed. I'd give it ten stars if I could.
Brahms at Bedtime: A Sleepytime Serenade
Average customer rating: 4.5 out of 5 stars
  • pre bedtime music
  • Great For Bedtime
  • A true disappointment
  • Naptime
  • A good choice for quiet time and nap.
Brahms at Bedtime: A Sleepytime Serenade

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach at Bedtime: Lullabies for the Still of the Night
  2. Beethoven at Bedtime: A Gentle Prelude to Sleep
  3. Mozart for Meditation
  4. Mozart at Midnight
  5. Debussy for Daydreaming: Music to Caress Your Innermost Thoughts

ASIN: B0000041FU
Release Date: 1996-10-15

Tracks:

  1. Lullaby
  2. Piano Concerto In B-Flat - Piu adagio
  3. Violin Concerto In D - Adagio
  4. 'Double' Concerto In A Minor - Andante
  5. Clarinet Quintet In B Minor - Adagio
  6. Piano Quartet In C Minor - Andante
  7. As Melodies Were Passing By
  8. Sonata In D Minor - Adagio
  9. Trio In C Minor - Andante grazioso (Excerpt): Piano Trio In C Minor - Andante grazioso (Excerpt)
  10. Intermezzo No. 1 In E-Flat
  11. Fantasy No. 4 In E
  12. Variations & Fugue On A Theme By Handel - Variation V
  13. Waltz No. 15 In A-Flat
  14. Lullaby: Lullaby (Reprise)

Customer Reviews:

4 out of 5 stars pre bedtime music.......2007-05-30

Great music for helping you unwind after a long day so you can be more relaxed at bedtime.

5 out of 5 stars Great For Bedtime.......2005-12-15

A few years ago I started having trouble sleeping at night. It was probably due to my new husband's snoring! I remembered how when I worked at a daycare, we would play classical music while the children took naps. So I thought I would give it a try. I have tried a couple different CD's and so far this is my favorite! All of the music is soothing. There aren't any songs that get loud or fast. The only weird thing is that the first and last song are the same. I repeat the CD all night and it really does help me to sleep! If the power goes out I notice immediately because my soothing music is gone! I highly recommend this CD!

2 out of 5 stars A true disappointment.......2004-11-04

Amazingly this compilation has managed to get together some of the most untallented performances of Brahms' music. With a few exceptions the moto of this CD can be summed up as 'no understanding and appreciation for a musical genius'. The choice of music is also quite perfunctory. There are many Brahms pieces that could have served better the bedtime purpose. Buy at your own risk. My only fear is that some people will get their first impressions of Brahms from this CD...

5 out of 5 stars Naptime.......2003-04-18

I love to listen to this cd if I'm tired and need to take a nap or just rest for a while. It is very soothing.

5 out of 5 stars A good choice for quiet time and nap........2000-09-27

This is one of my favorite nap and quiet time choices. It is very mellow and soothing. My three year old frequently falls asleep listening to it, and even turns it on again for herself if she wakes up in the middle of the night and can't get back to sleep!
Bach for Relaxation
Average customer rating: 4.5 out of 5 stars
  • Bach for Relaxation
  • Peaceful and Beautiful
  • Bach to knit up your raveled sleeve of care
  • My favorite...
  • Wonderful for baby!
Bach for Relaxation

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mozart for Relaxation
  2. Beethoven for Relaxation
  3. Chopin For Relaxation
  4. Vivaldi for Relaxation
  5. Debussy for Relaxation

ASIN: B000003G7C
Release Date: 1998-01-13

Tracks:

  1. Jesu, Joy Of Man's Desiring
  2. Suite BWV1012: Allemande
  3. Brandenburg Concerto No. 6: Adagio ma non tanto
  4. The Well Tempered Clavier, Book 1: Prelude In C
  5. Trio Sonata No. 4, BWV1079: Andante
  6. Violino solo e Basso l'accompagnato
  7. Sonata BWV1005: Largo
  8. Brandenburg Concerto No. 4: Andante
  9. Violin Concerto BWV1041: Andante
  10. Flute Sonata BWV1034: Andante
  11. The Goldberg Variations: Aria
  12. Lute Suite No. 1 BWV996: Courante
  13. Sonata No. 1 For Violin And Harpsichord BWV1014: Andante
  14. The Well Tempered Clavier, Book 1: Prelude In E - Flat Minor (excerpt)
  15. Concerto For Flute, Violin, And Harpsicord BMV 1044: Adagio
  16. Brandenburg Concerto No. 2: Andante
  17. Sonata BWV1001: Siciliano
  18. Prelude In D Minor BWV999
  19. Orchestral Suite No. 3 BWV1068: Air On The G-String

Customer Reviews:

5 out of 5 stars Bach for Relaxation.......2007-03-09

This is a great CD of instrumental Bach music. I listen to it very often

5 out of 5 stars Peaceful and Beautiful.......2002-11-01

I have purchased this CD twice, first for myself to listen to during labor and secondly for a friend who has a new, very stressful job. I love the music on this CD, it is wonderfully played and listening it to it during labor was very helpful and uplifting. Now both my daughter and I enjoy listening to it, and during fussy days it calms her down a bit, which is very nice. The music truly brings on a serene feeling without making one sleepy, which means its great for anytime you just need to relax yet stay alert. I'll be giving it to my friend for the holidays, and I'm sure she'll love it as much as we do.

5 out of 5 stars Bach to knit up your raveled sleeve of care.......2001-12-19

What better way to begin 'Bach for Relaxation' than with "Jesu, Joy of Man's Desiring." This CD is not dumbed-down Johann Sebastian Bach just because it advertises itself as relaxation music (which was my initial fear before purchase). Good orchestras and soloists perform the nineteen well-chosen chamber works, ranging from the deceptively simple "Prelude in C" from "The Well-Tempered Clavier, Book 1" (Sviatoslav Richter, piano) to selections from the powerful Brandenburg Concertos.

This is Bach in his most serene, mathematically perfect form. None of his mighty organ or choral works will disturb your contemplative mood as you drift through the sixty-eight minutes of this CD.

I'm usually asleep by track fifteen, the adagio from "Concerto for Flute, Violin & Harpsichord BWV 1044."

Another very good CD in this 'relaxation' series from BMG RCAVictor is "Cello for Relaxation."

4 out of 5 stars My favorite..........2000-11-21

This is one of my favorite classical CD's. It is a composition of soft, calmer Bach, and is perfect for almost any occassion. This is a great CD for first time classical listeners or long time fans ... It functions as perfect dinner background music, or to listen to alone. I highly recommend this compilation of Bach.

5 out of 5 stars Wonderful for baby!.......1999-12-04

We received this as a baby gift and it has been a godsend. Our newborn relaxes to the sound of this when nothing else works. We also love it for ourselves; the CD contains the best of Bach's less fiery works, and the musical interpretation and recording quality are outstanding.

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