Tribute to Meters [Import]

Tribute to Meters [Import]

Tribute to Meters [Import]

Track Listings
 
1. Sosphiscated Cissy
2. Cissy Strut
3. Just Kissed My Baby
4. Handclapping Song
5. 9 To 5
6. Cardova
7. Ease Back
8. Same Old Thing
9. Tippie Toes
10. Rigormortis
11. I Don't Know What It Is (But It Sure Is Funky)

Tribute to Meters,Killer Meters,Pony Canyon,Dance,Jazz
Wind Shadows
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    		Wind Shadows

    Manufacturer: New World Records
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    ElectronicElectronic | Instruments | Classical | Styles | Music | Computer
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
    Similar Items:
    1. Henry Brant: Music for Massed Flutes
    2. Unjust Malaise

    ASIN: B000ASATPI
    Release Date: 2005-09-06

    Tracks:

    1. In Memoriam Stuart Marshall (1993/rev. 2003)
    2. 40 Rooms (1996)
    3. In Memoriam Jon Higgins (1984)
    4. Letters (1992)
    5. Q (1996)
    6. A Tribute to James Tenney (1986)
    7. Bar Lazy J (2003)
    8. Fideliotrio (1987)
    9. Wind Shadows (1994)

    Product Description

    The music on these CDs takes us into a new realm of music making, one that Alvin Lucier (b. 1931) has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in the usual sense of this term. On the contrary, it is the physical behavior of sound itself that he so elegantly reveals, each work unveiling an otherwise hidden or ephemeral aspect of aural phenomena and allowing us time to witness its beauty. He achieves this by ruthlessly excluding any trace of self-expression, or indeed anything extraneous to the phenomenon itself. The Barton Workshop has been the only group to really work closely with Lucier in terms of doing “portraits” of his work (the first in 1995), commissioning new works (40 Rooms, Bar Lazy J, and Q) and performing older/extant pieces. This 2-CD set is the fruit of this long collaborative process. Of related interest: 80604 Alvin Lucier—Vespers

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