Enough of This?!

Enough of This?!

Track Listings

1. Intro (Beyond Possession)

2. Psychoville (feat. Mark Stewart)

3. Edinburgh

4. Day In The Café (feat. Martin Peter)

5. Hatefuckkillwar

6. Bypass (feat. Alec Empire)

7. Killerstrip (feat. Felix Neuenhoff)

8. Cherrybox

9. No Means Land (feat. Felix Neuenhoff)

10. Rise Up

11. Superstar (feat. Felix Neuenhoff)

12. Beefeater (feat. Martin Peter)

13. Magenta Depth

14. Honeymoon (feat. Felix Neuenhoff)

15. Kill Gucci Punks

16. Biker (feat. Diskette)

17. In Love

Editorial Reviews
Product Description
What is the average 12 year-old kid doing in the middle of the 80's? Yep, he's collecting Metal, Punk, Industrial and Wave records, visiting all the former legends in concert and trying not to be like a virgin. And what is this average kid called Martin Peter doing some years later when smilies and the TB-303 are increasingly contaminating the planet? Exactly, Martin forms a live-pa along with a friend under the name of Filter, which results in a wild bunch of Acid, Breakz and Techno and he's still listening to Hardcore, Indie, Metal, Punk and Crossover. And after improving his studio skills with his mechanical friends Atari and Akai, he starts to release on different labels (like 77Rec or Exun Rec) different styles of electronic music... and is still a Hardcore and Metal fan... But now there's one very important thing new on the list: This guy is using a guitar… but no fucking electroclash!!!!! Instead, his new studio baby Enough Of This?!, on the new division of Compost, Angora Steel, is a home-recorded piece of Punk/Metal/Indie with just enough electronica to kick ass in the new millennium. Not only coz of its guest-masterminds: among them the notorious founder of Atari Teenage Riot, Alec Empire and Mark Stewart, of busting punk-funk-avantgarde combo The Pop Group.

On stage Martin Peter is performing the album live along with a fully-equipped band (no Laptop-nerdism!!!) and yes, Martin Peter is still rocking dancefloors with his DJ sets, playing the dodgiest "rock´n roll disco shit" around.

Tracks:

The Orphan
Children of God
Forgiveness
The Graveyard
Sweet Liberty
Secrets of the House
Act One: Perfectly Nice
Act One: As Good As You
Secret Soul
Finer Things
The Pledge
Sirens
Things Beyond This Earth
Painting Her Portrait
In the Light of the Virgin Morning
The Gypsy
The Proposal
Slip of a Girl
Sirens (Reprise)
Farewell, Good Angel
My Maker
Rain
The Voice Across the Moors
Poor Sister
Brave Enough for Love

Amazon.com

Here's another to join the parade of page-to-stage musicals inspired by 19th-century fiction. This ambitious adaptation of Charlotte Brontë's haunting classic Jane Eyre for the musical theater seems to be part of a trend represented most famously by Les Misérables. It also reflects the increasing pressure to schedule an original cast recording release as close as possible to a new show's Broadway opening: in this case, in fact, the CD was both recorded and released prior to the show's opening in December 2000 at the Brooks Atkinson Theatre. But what's most significant for the artistic character of Jane Eyre: The Musical is found in yet another pattern: like a number of his colleagues, composer-lyricist Paul Gordon comes to the project from a pop music industry background (best known for his hit "Friends and Lovers"). And quite a few of the show's numbers benefit from Gordon's catchy craftwork, weaving melodies that are clearly destined to be whistled long past curtain. Yet the effect is sometimes too facile, not diving as deep as we would like into the emotional predicaments of Brontë's characters. You begin to crave a more deftly defined and imagined variety of sound worlds (especially for the darker aspects of Thornfield Hall) than what is hinted at. Gordon doesn't forge any new paths, but his melodic fluency does have its moments of payoff--especially in the moving final duet "Brave Enough for Love," which is also strong enough to stand on its own.

Gordon's predilections as a would-be son of Sondheim are nevertheless clear, and he's telescoped the story into mostly effective lyrics, with some thoughtful juxtapositions of material. Most importantly, he understands that this is more than a Gothic romance, foregrounding the central message of forgiveness that Jane learns as a girl. He attempts to explore the injured sense of self shared by both Jane and Rochester and sets them on a painful, mutual voyage of discovery.

The creative team also includes the veteran duo John Caird (book and direction) and John Napier (scenic design), who have collaborated on such epics as Les Mis and Nicholas Nickleby (not to mention the Las Vegas Siegfried and Roy extravaganza). And the show's creators seem to share a vision geared toward the more operatic end of the spectrum (it was opera composers, after all, who early on claimed 19th-century Gothic fiction for the stage, as in Donizetti's Lucia di Lammermoor), with an actual parody of coloratura in one showstopper ("The Finer Things") given to Blanche Ingram. Fortunately, the two principals have large, richly expressive voices to encompass the large, complicated emotions of these characters. Marla Schaffel singswith unusual beauty and brings dimension to her Jane, while James Barbour (whose resumé includes Beauty and the Beast) is never really threatening as Rochester, but rather a tortured soul who is sweet-voiced even at his most cynical. Mary Stout is a stitch as the blustery Mrs. Fairfax. While the show has already undergone a lengthy evolution from its very first workshops, the viability of its final, fully staged realization has yet to be determined. But this cast recording conveys an authentic sense of the musical's atmosphere and emotional scope. --Thomas May

Customer Reviews:

Great Buy!.......2007-06-08

Not only was this CD super cheap, it also arrived at my house 3 days later!

Perfect Match.......2007-03-16

The music in this album really gave me the feeling of reading the book. I think the songs were well chosen and well written, except of course for the songs sung by Mrs. Fairfax... I could have done without those. Jane and Mr. Rochester's songs carry the story well and they sound lovely. For any musical lover, or romance fan I definitely recommend this album.

Probably the most beautiful musical of all time.......2007-02-16

This is a hidden gem and if you buy it and listen to it, I don't see how you can not love it. I have bought many, many Broadway cast albums but I still am a popster at heart. With all that said, this is a cast album that soars above the crowd.

I bought this several years ago and have listened to it repeatedly since I got it. Why do I love it so much? First of all, the lyrics are full of heart and emotion and tell the story ably. But it is the music and the performances that are truly remarkable here. The melodies are memorable and absolutely exquisite. The orchestration is lush but not sappy. The performances by the two leads are nothing less than stunning.

I never get bored with this wonderful cast album and it is very, very highly recommended.

Beautiful!.......2007-01-28

I listen to this soundtrack all the time and I never get tired of the songs. If Charlotte Bronte story was written as a musical, then this would definitely be it.

A good musical.......2006-07-20

if you like old-fashioned romantic stuff, this one's for you. Some songs are very inspired, the music is,for the most part, quite beautiful, and the story line keeps the essence of the Bronte novel. I heard this right after "Wuthering Heights: the musical", which is quite good, yet this is superior. Give it a try and you might be nicely surprised. I would highly recommend it to the ones who know the novel and to English Literature students: it offers a different and interesting approach to the novel.

Average customer rating:

Chris Michie's Music Is A Beautiful Partner To The Film
Inspirational Music Touches the Heart
Thumbs Down For Max
The music is GOOD
Great Music

The Wild Parrots of Telegraph Hill
Chris Michie
Manufacturer: Catch a Rabbit
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Wild Parrots of Telegraph Hill: A Love Story . . .with Wings
The Wild Parrots of Telegraph Hill
Tough Love
Elsewhere in the Land of Parrots
Parrots in the City: One Bird's Struggle for a Place on the Planet

ASIN: B00081U66O
Release Date: 2005-03-29

Tracks:

Cherry Blossoms
It's Magic
El Coto
Grasshopper
North Beach
Canary Wings
Canary Wings Two
Going Home
Connor Intro
The Gardens
Connor's Theme
One Whole
Connor and Sophie
Man of the Year
The Great
The Mansion
Sand Hill
The Flying Dutchman
Palo Alto
The Count
The Sanctuary/Take Me Alive

Album Description

The soundtrack, written and performed by Chris Michie, to the remarkable movie that is the true story of a Bohemian St. Francis and his remarkable relationship with a flock of wild red-and-green parrots. Mark Bittner, a dharma bum, former street musician in San Francisco, falls in with the flock as he searches for meaning in his life, unaware that the wild parrots will bring him everything he needs.

"I watched them for several years with tremendous curiosity. What were wild parrots doing in San Francisco? Then one day a few of them flew to my fire escape, and my whole life changed." From Mark Bittner's memoir "The Wild Parrots of Telegraph Hill" Published in January, 2004 by Harmony Books.

Customer Reviews:

Chris Michie's Music Is A Beautiful Partner To The Film.......2007-04-16

This sound track is a beautiful, sensitive, lovely dance partner to Judy Irving's film, "The Wild Parrots of Telegraph Hill." From "Cherry Blossoms", to "Connor's Theme" and "Sophie and Connor", each melody transcends and compliments the film maker's art, one blending into the other perfectly. That Judy and Mark dedicated the film to Chris Michie and his music says so much about the quality, the personification, and the magic the music brought into focus. Contrary to the negative review, I can't think of a more appropriate kind of music than this moving, serene yet evocative guitar playing that blends so well with the key elements of the film: a parrot flock in flight; human interaction with nature; and preservation of the natural order. In a life filled with music, this sound track has to be considered Chris Michie's most significant work. When you listen to the music, you feel the musical interpretation of the events captured in the film-the highest compliment to give. Five stars for this one!

Inspirational Music Touches the Heart.......2006-07-21

The subject of the movie in the trailer drew me in first and motivated me to see it right away - Awesome work, Judy! Well investigated, well documented, and well shared. And thank you, Mark! You are an inspiration! I must say though, the music motivated me to take the next step: I want the soundtrack! It fit the movie so well and created a remarkable atmosphere. I want Chris' music in my home!

Was I surprised by Max's comments! So much so I went to check him and his taste out. Sorry, what a waste of time! Max likes to hear himself write. Too bad he stopped by...

Thumbs Down For Max.......2006-03-18

Max - what does "realistic dialogue (corrected your spelling)" mean, in a documentary? Are you mixing your metaphors? ALL dialogue in a documentary is realistic, or it is not a documentary. Get your terms straight before you start slagging something. And HOW, pray tell, did the editing ruin the movie? There is no meat in your argument, let alone brain tissue! Try to make your thoughts cogent, and worth the time to read. Did you have a different kind of composer's music in mind, and who and what. Etc. ad nauseam.

If you have not heard the album, and need a "similar" tag, my wife says Chris Michie's music is akin to a wilder form of Craig Chaquico, who I thought had been the guitar player for the opening sequence of film.

The film was dedicated to Chris Michie, who died after making this wonderful music. If the filmmaker and the subject of the film are satisfied with Michie's product, pay more attention to that. Mark was too kind.

The music is GOOD.......2006-02-23

I'm Mark Bittner, the human subject of "The Wild Parrots of Telegraph Hill. I want to clear up the reason Judy (with some input from me) chose Chris Michie's music for the film: We LIKED it--a lot. To give it only one star and call it cheesy and campy is ludicrous. No matter what he thinks of the music, one star demonstrates "attitude," which makes Miller-loran's review untrustworthy. I especially love the opening track "Cherry Blossoms." Fluid playing, good melody, integrated parts, interesting harmonies. It's great stuff, sincere stuff. I've played professionally, and I've listened to everything from Buell Kazee to Ornette Coleman, and I know that all that really matters in music (or any other art) is sincerity. I avoid like the devil commercialism and hipness, equally useless qualities. I'm guessing that Max has a hipness problem.

Great Music.......2006-01-31

Unless you have heard the soundtrack and agree with the previous reviewer don't pay any attention to it. Chris Michie was a great talent as anyone who is framiliar with his music and bio would know.

This is a great soundtrack.

Average customer rating:

Witty and Charming

Ill-Conceived PDQ Bach Anthology

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Percussion | Instruments | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Miscellaneous | Styles | Music

General | Comedy | Miscellaneous | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

The Wurst of P.D.Q. Bach
1712 Overture & Other Musical Assaults
P.D.Q. Bach: The Short-Tempered Clavier
Music for an Awful Lot of Winds and Percussion
P.D.Q. Bach in Houston - We Have a Problem!

ASIN: B00000FDBK
Release Date: 1998-11-24

Tracks:

This Is Professor Pete
1712 Overture (S. 1712)
Introduction
II. Aria With Chorus: 'Howdy There'
Recitative: 'It Wasn't Long'
III. My Heart
Recitative: 'When Oedipus Heard'
VI. Chorale And Finale
Introduction
Love Me
WTWP Station ID
Oo-La-La Introduction
Oo-La-La: Cookin' French Like The French Cook French - Dana Krueger
Introduction: The Musical Sacrifice (S. 50% Off)
I. Fuga Meshuga - Susan Palma
Introduction
Classical Rap (S. 1-2-3) - Grandmaster Flab
Introduction
I. C Major - Christopher O'Riley
Introduction
II. Simply Grand Minuet
Introduction
Little Bunny Hop Hop Hop
Introduction
Minuet Militaire
Enough Already

Customer Reviews:

Witty and Charming.......2000-08-15

This CD is fun and action packed as much as you could hope for in a CD. He uses quotes from many famous folk and classical songs and implements them into his own compositions with a bit of a twist. For example, in Classical rap, where he raps about being the best rapper in the world with terrific brass interludes between the verses. The orchestra plays a clip from Vivaldi's "Spring" and then he twists it into a record "wicky-wicky" to the same tune. He introduces every peice before it is played in a hilarious manner in which he talks about the peice and something else that was going on in the composers mind as he wrote the peice. Starting at the begining-

This is Professor Pete- Peter Schickele introduces himself as well as P.D.Q.

1712 Overture- A takeoff of the 1812 overture of course, with snatches of some famous folktunes thrown in here and there.

Oedipus Tex- A parady of the Greek Myth Oedipus Rex where he murders his father who is the King. Oedipus Tex lives a life like his brother but in Texas style.

The next tracks are more comedy than exactly music like the WTWP station giving options over the phone about how you would like to hear a certain peice of music. Cooking French... is a woman cooking a French gourmet meal but flubbing up the entire time.

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

Average customer rating:

Wonderful
Pure joy
Copland's vocal work

A Copland Celebration Vol. 3

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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A Copland Celebration Vol. 2
A Copland Celebration Vol. 1
The Copland Collection: Orchestral Works, 1948-1971
Copland: Old American Songs/Canticle Of Freedom/Four Motets
The Copland Collection: Orchestral & Ballet Works, 1936-1948

ASIN: B000050HWV
Release Date: 2000-11-07

Tracks:

Old American Songs, Sets 1 & 2: The Boatmen's Dance - William Warfield
Old American Songs, Sets 1 & 2: The Dodge - William Warfield
Old American Songs, Sets 1 & 2: Long Time Ago - William Warfield
Old American Songs, Sets 1 & 2: Simple Gifts - William Warfield
Old American Songs, Sets 1 & 2: I Bought Me A Cat - William Warfield
Old American Songs, Sets 1 & 2: The Little Horses - William Warfield
Old American Songs, Sets 1 & 2: Zion's Walls - William Warfield
Old American Songs, Sets 1 & 2: The Golden Willow Tree - William Warfield
Old American Songs, Sets 1 & 2: At The River - William Warfield
Old American Songs, Sets 1 & 2: Ching-A-Ring Chaw - William Warfield
Twelve Poems Of Emily Dickinson: I. Nature, The Gentlest Mother - Aaron Copland
Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle - Aaron Copland
Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven? - Aaron Copland
Twelve Poems Of Emily Dickinson: IV. The World Feels Dusty - Aaron Copland
Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him - Aaron Copland
Twelve Poems Of Emily Dickinson: VI. Dear March, Come In! - Aaron Copland
Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be - Aaron Copland
Twelve Poems Of Emily Dickinson: VIII. When They Come Back - Aaron Copland
Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain - Aaron Copland
Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes - Aaron Copland
Twelve Poems Of Emily Dickinson: XI. Going To Heaven! - Aaron Copland
Twelve Poems Of Emily Dickinson: XII. The Chariot - Aaron Copland
In The Beginning - Aaron Copland
Lark - Aaron Copland

Tracks:

The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Gently Flowing - Aaron Copland
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderate Tempo: 'Once I Thought I'd Never Grow Tall As This Fence' - Joy Clements
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately Fast: 'Do You Suppose They're Makin' Food In There?' - Richard Fredericks
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Somewhat Faster: 'We've Been North'/'We've Been South' - Richard Cassilly
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): With Motion: 'Halloo, Halloo' - Norman Treigle
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately: 'If You Boys Work As Smooth As You Talk, We'll Make Good Time In The Fields' - Norman Treigle
The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Trifle Slower: 'The Promise Of Living With Hope And Thanksgiving' - Richard Cassilly
The Tender Land: Act Two: That Evening: Lively And Rough - Aaron Copland
The Tender Land: Act Two: That Evening: Quite Slow: 'Thank You, Thank You All' - Joy Clements
The Tender Land: Act Two: That Evening: Very Broadly: 'Ah, Laurie, You Are A Puzzle' - Norman Treigle
The Tender Land: Act Two: That Evening: Briskly: 'Stomp Your Foot Upon The Floor' - Richard Cassilly
The Tender Land: Act Two: That Evening: Somewhat Slower: 'The World Seems Still Tonight' - Richard Cassilly
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Introduction: Starting Slowly - Aaron Copland
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): As At First: 'Daybreak Will Come In Such A Short Time' - Richard Cassilly
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Fast Tempo: 'That's Crazy!' - Richard Fredericks
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Broadly: 'The Sun Is Coming Up As Though I'd Never Seen It Rise Before' - Joy Clements
The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): (Still Slower): 'You Are Strange To Me' - Claramae Turner

Customer Reviews:

Wonderful.......2007-04-22

I must confess I am unfamiliar with Copland's "The Tender Land" except for this reissue, which I find to be absolutely magnificent. I realize this is a truncated performance, eliminating what I assume to be a fair amount of spoken dialogue. But I don't care. What is presented here is simply one of the finest American compositions - forget American - one of the finest compositions of the 20th century. Period.

Pure joy.......2005-07-29

The recording of Copland's The Tender Land is alone worth getting this disc. The rest of the vocal works are just a bonus, a very good bonus! Copland directs a definitive account of his opera, and in this compressed version leaves out all the spoken parts of the full length opera, no doubt depriving us of a lot of good music but on the other hand giving listeners a very concise version that is even stronger musically (although dramatically a little lacking in logic because of the missing parts - for example without knowing of the confrontation during the party scene you would find the boys' departure the next morning puzzling, and the CD notes does not elaborate on the plot, which is about the only negative thing you can say about this set). Listening to the opera in this abridged version gives you the feeling of one hit after another, there is not a single weak point in the score and Copland has a gift for word-setting that can turn clumsy texts such as "girls come and go, some are good, some are not so good" into goosebumps stuff (a lovely dedication to Laurie sung by Grandpa). Other high points include the stunning transformation of the traditional Walls of Zion into the quartet piece The Promise Of Living and a rollicking Party Scene, which contains the best in Copland's clever orchestration and rythmic vitality - it seems all of the composers best traits have all come together in this work. Martin's Act 2 Song 'Laurie...You Know, Laurie' is a rare gem or an aria and beautifully sung. Other hidden gems include the comical 'We've Been North'. The cast is impeccable and the entire performance is flawless. Add to that one of those scores that simply win you over from start to finish, and you can't but fall in love with this music. I once thought that nothing could better Appalachian Spring but that was before I discovered this neglected work.

Copland's vocal work.......2002-08-08

And so on this third set of the celebration of Aaron Copland's music, all attention is on his vocal work including the opera, "The Tender Land".

I can't completely explain why I give this five stars after giving the first two sets four stars each. This is just the way the opera, in particular, strikes me. I'm no great opera fan, and to my knowledge, America just has not yet proved itself in the operatic field although it's tried. It will take time, but I do see Copland's work as someday being considered the best example of American opera. This is all subjective opinion, obviously, and I'm sure there are those more knowledgeable who will disagree. So be it.

Tracks:

This Town Ain't Big Enough for Both of Us [DVD]
This Town Ain't Big Enough for Both of Us [DVD]
This Town Ain't Big Enough for Both of Us [DVD]

Album Description

British Whale is Justin Hawkins from the group the Darkness and this is his first solo venture. The title track 'This Town Ain't Big Enough For The Both Of Us' is a cover originally done by the Sparks. The title track is backed by 'America, 'a collaboration with Chas Bayfield (E-Wing, The Christian Playboys) plus Video & Making-of the Video footage. Atlantic. 2005.

Album Details

British Whale is the Darkness' Lead Singer Justin Hawkins' Solo Project Debut. This Cover of Sparks' "this Town Ain't Big Enough for Both of Us" is a Powerful, Organic Home Studio Recording, Has Had the Ultimate Seal of Approval from Sparks Ron and Russell Mael, who Appreciate the Care and Craftsmanship that Has Been Lavished Upon the Arrangement. It also Has the Thumbs Up from World Darts Champion, Phil `the Power' Taylor. Both Sparks and Taylor Appear in the Hilarious Promotional Video that features an Imaginary Darts Tournament, a Sport that Hawkins is Quite Passionate About.

Customer Reviews:

The Description is Not Necessarily the Product.......2005-12-21

My wife is a big fan of Phil "the Power" Taylor, perhaps the best darts player in the world. He is featured on the cover of the cd and in the video. So when the product description stated that this item included the video, I ordered it as a gift. Unfortunately, the video does not appear to be there. So Phil Taylor fans are probably better off going through amazon.uk and getting the DVD from there. I have not yet listened to the music, but at least the cover is great.

The worst single of 2005?.......2005-10-24

It's a tough call, what with some of the slop that's been released this year, but I think old Gollum teeth here manages it. It's a remake of the old Sparks song, and some people seem to think just because it has the two guys from Sparks in the video it's some kind of seal of quality, like its got their approval. Let's be honest here, these old coots might as well have "will appear in snuff movies for cash" pinned on their chests.

It's really quite sad just how dated and awful Justin Hawkins already is. I'm mighty glad I didn't follow the rest of the sheep and buy "Permission To Land", calling it "album of the year" or whatever, because hooo boy, is he sounding tired now. I imagine that LP won't have many repeat listens to it through the years.

Anyway, one album in and already Hawkins sounds like a weak self-parody. It actually sounds like a radio DJ doing one of those spoof songs, it's THAT weak. Justin Hawkins, ladies and gentlemen - the single biggest (bad) one trick pony in ten years.

The new Darkness LP is out in a few months time, after months of troubled production and band fallouts and members leaving. Something tells your old pal The Curmudgeon that's it not going to be the mass unit shifter Hawkins is hoping for. But expect it to get the old one star treatment from The Irresponsible Hate Monger all the same.

The_Curmudgeon_Hates_You@yahoo.co.uk

A Little More Darkness.......2005-09-07

The new Darkness record has been too long delayed. Producers have been hired and fired, bass players have left, and in the meantime we've only got their new re-recorded version (By Roy Thomas Baker) of "Take Your Hands Off My Woman...Again" to show for it. Being a Darkness fan had been very frustrating in 2005.

However, Justin knew that, and recorded some solo material under the excellent name British Whale (who have an equally excellent logo)! "This Town..." is Justin's first single under the British Whale flag, and what a joyous single it is.

If you don't know this song by Sparks, perhaps you're one of the Faith No More fans who picked up their version--strikingly similar to Justin's in that both are duets with Ron Mael of Sparks! As Justin hinted on tour with his "gui-board" keyboard, it's all about the 80's here. The second track, "America" is more of this, with that 80's sound and production, and layers and layers of vocals. Fantastic!

I wish there was a third track on this single, now we all just want to hear the album itself even more.

Average customer rating:

On Broadway [Hybrid SACD]

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00003ZA8O
Release Date: 2001-02-28

Average customer rating:

GREAT RECORDING, BUT THE PRICE...

Janácek: Osud (Fate)

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
Similar Items:

Leos Janácek: The Cunning Little Vixen - Lucia Popp / Eva Randová / Dalibor Jedlicka / Vienna Philharmonic / Vienna State Opera Chorus / Sir Charles Mackerras
Janacek - From the House of the Dead / Mackerras
Janácek: The Cunning Little Vixen

ASIN: B00001T6K3
Release Date: 1999-10-26

Tracks:

Osud (Fate): Act I: Orchestra
Osud (Fate): Act I: 'Free As A Bird I Bask In The Sunshine'
Osud (Fate): Act I: 'Heavens, It's Him!' (Mila)
Osud (Fate): Act I: 'Is It Your Child You've Come For?' (Mila)
Osud (Fate): Act I: 'Sun In The Heavens Up On High'
Osud (Fate): Act I: 'We're Back Too Late' (Zivny)
Osud (Fate): Act I: 'The Sun's Vanished' (Mila)
Osud (Fate): Act I: 'Never Will I Forget This Fleeting Moment!'
Osud (Fate): Act II: 'Slumber On Undisturbed In The Shadow' (Zivny)
Osud (Fate): Act II: 'I Do, I Do!' (Mila)
Osud (Fate): Act II: 'We're Married Now' (Zivny)
Osud (Fate): Act II: 'Mummy, Mummy!'
Osud (Fate): Act II: 'Unspoken Thoughts Go Far Beyond Words' (Mila's Mother)
Osud (Fate): Act III: 'Listen To The Thunder Over The Horizon'
Osud (Fate): Act III: 'Endless The Pain I Must Suffer'
Osud (Fate): Act III: 'Enough Of That!'
Osud (Fate): Act III: 'Mummy, Mummy! Do You Know What Love Is?'
Osud (Fate): Act III: 'People Said It Must Have Been His Falling In Love' (Zivny)
Osud (Fate): Act III: 'Bitter Memories' (Zivny)
Osud (Fate): Act III: 'It Seems To Be So Clear' (Zivny)

Customer Reviews:

GREAT RECORDING, BUT THE PRICE..........1999-12-01

This is 20th century opera at its most vivid. Once considered a failure, Osud was resurrected in an English translation that actually improves upon the original libretto. The music is as vital as anything in Janacek: the piece starts a churning riff strangely reminiscent of Philip Glass; the ending is equally memorable -- startlingly brusque and humorous. Throughout, we get musical drama tied to the quick of spoken language; conversations overlap, or suddenly fall silent. At times the story is ridiculous, but the production rides over any problems. Philip Langridge, as always, is great. My only qualm: this was originally a single disc CD on EMI, for a single disc price. Though the package is nice, the price is steep for some 70:00 odd minutes.

Average customer rating:

A masterpiece

On Broadway

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
Beautiful Hollywood
That's Entertainment: Pops on Broadway
Broadway's Greatest Hits
From the Heart

ASIN: B00000ILWX
Release Date: 1999-04-27

Tracks:

On Broadway From Smokey Joe's Cafe
Suite From Miss Saigon: The Heat Is On In Saigon - Why God, Why? - The Last Night Of The World - Bui Doi - This Is The Hour
He Lives In You From The Lion King
Lily's Eyes From The Secret Garden
You're Nothing Without Me From City Of Angels
Children Will Listen From Into The Woods
Gimme Love From Kiss Of The Spider Woman
Suite From Les Miserables: At The End Of The Day - I Dreamed A Dream - Master Of The House - Bring Him Home - Do You Hear The People Sing?
Seasons of Love From Rent
Ragtime From Ragtime
This Is The Moment From Jekyll And Hyde
Into The Fire From The Scarlet Pimpernel
The Grand Waltz From Grand Hotel
Cross The Line From Big
Hooker's Ball From The Life
Give A Man Enough Rope From Will Rogers' Follies
The Latest Rag From Titanic
Godspeed From Titanic

Customer Reviews:

A masterpiece.......2004-02-03

The melody that gives the title to this cd, "On Broadway" is a masterpiece of arrangement: every instrument is on the very right key and it truly makes you live that very special feeling that you only get every once in a while with very special music. Listen to it, you will buy it instantly.

Music Review:

Music Review

music review