No. 3 [Import]

No. 3 [Import]

Track Listings

1. Burn A Hole In The Night

2. It's Gonna Be Easy

3. What A Day That Was

4. Milk For Revolution

5. Take It Home

6. (Wascha Raj)

7. Keep On Running

8. Drop The Anchor

9. Counting Down Your Dreams

10. Big Buck

11. Evil Man

12. There's No Other Place

13. So, The Circus Is Back In Town (Bonus Track)

14. Song Remains The Same/Lovesick (Bonus Track)

15. Deadbeat (Bonus Track)

16. Kick Out The Jams (Bonus Track)

Editorial Reviews
Product Description
Australian edition includes 4 previously unreleased bonus live tracks, recorded live in Sweden and including the band's hits 'So, The Circus Is Back In Town', 'Deadbeat' and 'Lovesick', as well as storming versions of the MC5's 'Kick Out The Jams' and the intro to Led Zeppelin's 'The Song Remains The Same. 16 total tracks. Rogue. 2005.

Tracks:

Cd-1 (1-4) (The 6 Haydn-Quartets 1-12 ) String Quartet In G Major, K.387
Cd-1 (5-8) String Quartet In D Minor, K.412 (217b)
Cd-1 (9-12) String Quartet In B-Flat Major, K.458 "The Hunt"
Cd-2 (1-4) String Quartet In E Major, K.428 (421b)
Cd-2 (5-8) String Quartet In A Major, K.464
Cd-2 (9-12) String Quartet In C Major, K.465 "Dissonant"
Cd-3 (1-4) (The 6 String Quintets 1-12) String Quintet No.1 In B-Flat Major, K.174
Cd-3 (5-8) String Quintet No.2 In C Minor, K.406 (516b)
Cd-3 (9-12) String Quintet No.2 In C Major, K.515
Cd-4 (1-4) String Quintet No.4 In G Minor, K.516
Cd-4 (5-8) String Quintet No.5 In D Major, K.593
Cd-4 (9-12) String Quintet No.6 In E-Flat Major, K.614

Album Details

4CD Box set. Columbia Legends Series.

Customer Reviews:

Unmissable!.......2005-06-13

Perhaps you should remove one star or two for production values, which are not state of the art; the sound feels very thin, missing quite a lot in body. The playing, however, is the very, very best. The world will never get a string quartet with such an understanding of Mozart! The tempos are generally brisk, but it never sounds hurried. I am used to the Quartetto Italiano on this stuff, and that played rather slowly, wonderfully as such, but slowly. The Budapest Quartet is playing quickly, but it always feels easy, elegant and relaxed.
The nerve on the quintet K. 516 is very exiting. In spite of being recorded by the mid 40ies, I've never wanted any other recordings of the quintets.
The 'Haydn' quartets are recorded by the mid 50ies, but here I would like some better sound. I've preferred the Quartetto Italiano for almost ten years; know I only listen to the Budapest. I guess that my mind now is able to add the sound which is missing on the recording.
My five stars because you should not miss this - and in some years this collection perhaps will be out of print...

A knockout bargain.......2005-05-22

How can I review the greatest string quartet ever? The recording is quite decent, a remastering of LPs that were already excellent. Don't think scratchy reissue.

And the performance? My god, these guys are total quartetness--I just listened to the Dissonant Quartet, and there is a rhythmic thrust beyond others, no matter when recorded. The proof is in the astounding gasps--there's no more accurate term--in the last movement. There may have been equally good performances that I'll never know because they were early 20th century, but thanks there are these great performances that got the benefit of good recording.

Average customer rating:

Beethoven: Complete String Quartets
Juilliard String Quartet
Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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The Beethoven Quartet Companion
Beethoven: The String Quartets
Complete String Quartets
Beethoven: Symphonies Nos. 1-9; Overtures; Violin Concerto (Limited Edition)
Beethoven: Complete String Quartets

ASIN: B00006OA6A
Release Date: 2002-11-11

Tracks:

1-4 String Quartet No.1 In F Major, Op. 18 No.1
5-8 String Quartet No.2 In G Major, Op.18 No.2
9-12 String Quartet No.3 In D Major, Op.18 No.3
1-4 String Quartet No.4 In D Minor, Op. 18 No.3
5-8 String Quartet No.5 In A Major, Op.18 No.5
9-12 String Quartet No.6 In B-Flat Major, Op.18 No.6
1-4 String Quartet No.7 In F Major, Op.59 No.1
1-4 String Quartet No.8 In E Minor, Op.59 No.2
5-8 String Quartet No.9 In C Major, Op.59 No.3
1-4 String Quartet No.10 In E-Flat Major, Op. 74 "Harp"
5-8 String Quartet No.11 In F Minor Op.95
1-4 String Quartet No.12 In E-Flat Major, Op.127
5-11 String Quartet No.13 In C-Sharp Minor, Op. 131
1-7 String Quartet No.14 In B-Flat Major, Op. 130
1-5 String Quartet No.15 In A Minor, Op.132
6-9 String Quartet No.16 In F Major, Op. 135

Beethoven: Symphonies Nos. 1-9; Overtures; Violin Concerto (Limited Edition)

Average customer rating:

Bernstein's First, Quite Possibly, Best, Beethoven Symphony Cycle
Bernstein's early Beethoven makes an enticing bargain

Beethoven: Symphonies Nos. 1-9; Overtures; Violin Concerto (Limited Edition)

Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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Beethoven: The 9 Symphonies
Sibelius: The Complete Symphonies
Tchaikovsky: The Complete Symphonies

ASIN: B00006OA68
Release Date: 2002-10-28

Tracks:

Symphony No.1 In C Major, Op.21
Symphony No.2 In D Major, Op.36
Symphony No.4 In B-Flat Major, Op.60
Symphony No.6 In F Major, Op.68
Symphony No.9 In D Minor, Op.125
Concerto For Violin And Orchestra In D Major, Op.61

Customer Reviews:

Bernstein's First, Quite Possibly, Best, Beethoven Symphony Cycle.......2007-05-23

For those wondering why Leonard Bernstein was such an important, exciting conductor, there's no better introduction than these fine early stereo recordings he made with the New York Philharmonic Orchestra. Critics have celebrated these as exciting, revelatory accounts, almost as memorable as those from George Szell and The Cleveland Orchestra and Herbert von Karajan and the Berliner Philharmoniker, which were recorded almost at the same time as Bernstein's. The only reason why I'd give higher recommendations to Szell's and Karajan's cycles lies primarily with the acoustical qualities of the recording studios (In Karajan's case the converted Berlin church where he made most of his 1960s and 1970s recordings with the Berliner Philharmoniker was sonically the best at that time.) and the overall quality of the musicianship of their respective ensembles, which I would have to rate slightly higher than the New York Philharmonic's. The two finest recordings from Bernstein's New York Philharmonic cycle are those with of the 3rd and 5th symphonies which remain two of the most dramatic recordings of these pieces that I've heard. Overall, I think this set deserves favorable comparisons with his mid 1970s Deutsche Grammophon cycle recorded with the Wiener Philharmoniker during live performances at Vienna's Musikverein; the only exceptional differences are the slightly warmer acoustics of the orchestra and concert hall in the 1970s cycle, and Bernstein's usage of slightly quicker tempi and smaller orchestral forces. If you're looking for an alternative traditional Beethoven symphony cycle, then you won't miss by acquiring this early Bernstein cycle.

Bernstein's early Beethoven makes an enticing bargain.......2007-02-20

I wonder if Leonard Bernstein was the first American conductor to record a complete Beethoven cycle? He must have been, and two of these performances--the Eroica and the Fifth Sym. -- were made famous as vehicles for LB's television talks in the Fities and Sixties. Millions of post-war kids learned from them and I'm one. In retrospect Bernstein's Beethoven wasn't as propulsive and exciting as memory made them. But these performances are full-boded, direct, and satisfying. Perhaps the authority of Karajan and the Berlin Phil. isn't present, but even so, Sony is offering the cycle as a tremendous bargain, all the more so if you buy it used at Amazon Marketplace. Several overtures are thrown in, along with Isaac Stern's excellent account of the Violin Concerto (conductor and soloist are in sympathy, as always, but this is one of their poorest sounding recordings, unfortunately).

LB used a big orchestra for his Beethoven, and the Columbia Records engineers caught them in a big, reverberant space. If you want to hear this music on a modest scale or with historical touches, lok elsewhere. After he decamped to Europe, Bernstein made a second Beethoven cycle with the Vienna Phil. that's leaner, faster, but somewhat lacking in the excitment of discovery that one heard the first time around.

Average customer rating:

Highly recommended

Coloratura Assoluta

Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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French Coloratura Arias

ASIN: B00000DFNQ
Release Date: 1998-10-20

Tracks:

'Chacun Le Sait'
'Il Faut Partir'
'Et Mon Coeur La Changer
La Fille Du Regiment: 'Salut A La France'
Sadks: 'Song Of India'
Lakme: 'Pourquoi Dans Les Grands Hois?'
Dinorah: 'Ombre Legere' (Shadow Song)
'Regnava Nel Silenzio...Quando Rapita In Estasi'
Lucia Di Lammermoor: 'Il Dolce Suono Mi Colpi...Ardon Gl'Incensi'
Rigoletto: 'Caro Nome'
Lakme: 'Ou Va La Jeunne Hindoue' (Bell Song)
Mireille: 'O Legere Hirondelle'
Romeo Et Juliette: 'Je Veux Vivre'
La Traviata: 'Ah, Fors'e Lui...Sempre Libera'

Tracks:

Le Coq D'Er: 'Hymne Au Soleil'
Les Contes D'Hoffmann: 'Les Oiseaux Dans La Charmille'
Zemire Et Azor: 'La Fauvette'
Mignon: 'Jesuis Titania'
I Puritani: 'Son Vergin Vezzosa'
Linda Di Chamounix: 'O Luce Di Quest' Anima'
La Sonnambula: 'Ah, Non Credea..Ah, Non Giunge'
Porgy And Bess: 'Summertime'
'The Russian Nightingale'
'Fledermaus Fantasy'
'Les Roses D'Ispahan'
'L'invitation Au Voyage'
Chansons De Rensard: 'A Une Fountaine'
Chansons De Rensard: 'A Cupidon'
Chansons De Rensard: 'Tais-Toi, Babillarde'
Chansons De Rensard: 'Dieu Vous Gard'
'Clair De Lune' - Frank La Forge
'Fantoches' - Frank La Forge
'Plaisir D' Amour'
'Home, Sweet Home'

Amazon.com

In many respects, Lily Pons was the Galli-Curci of her generation: a winning combination of good looks, charm, an appealing and non-confrontational timbre, and easy facility in the stratosphere. Those who learned the "Mad Scene" from Lucia di Lammermoor or the "Bell Song" from Lakmé via the original 78s back in the 40s will be bowled over by the vivid detail and lack of background noise in these stunning Sony restorations. First-time listeners will marvel at her effortless passagework and high notes (she often transposed her arias up on records); but may be put off by a slight thinness in the middle register (not evident in her Odeon recordings from the late 20s), sketchy intonation at times, and expedient aspirating in downward scales. Although these selections encompass a gamut of stylistic and emotional contrasts, you'd scarcely know it from the singer's pleasant but characterless interpretations, which tickle the ear without quite racking the brain. --Jed Distler

Customer Reviews:

Highly recommended.......2007-07-09

This could have been recorded yesterday, the sound quality is excellent and without blemish. By far the best recordings of Pons I have, and I would like to have others. She reminds me of Jo, separation of notes, clear, real trills, a range to rival Sumac, flexibility to perfection, and always that today neglected once standard fare of the coloratura, the requisite leap to the top note at the end of an aria. And a pretty sound. I love this album.

Average customer rating:

Beethoven Best

Beethoven: Piano Concertos Nos. 3 & 5

Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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Beethoven: Piano Concertos Nos. 2 & 4
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ASIN: B0000AH3EM
Release Date: 2003-09-01

Tracks:

Allegro Con Brio
Largo
Rondo. Allegro
Allegro
Adagio Un Poco Moto
Rondo. Allegro

Album Details

First Time on CD. Digitally Remastered.

Customer Reviews:

Beethoven Best.......2004-10-27

This is my First review! [Oh, Boy! Mentality Ahoy!] Over twenty five years ago My Father [who passed away in Nov. 2001] gave me a 100 lp set produced by the Franklin Mint [which I shall treasure always(I Love You Daddy!)]. I have been trying to get the performances from the Franklin Mint set on regular commercial CD's[trying & trying!]. Beethoven's Fifth Piano Concerto with Rudolf Serkin is on the Franklin Mint set and now on this CD! I would like to share Igor Kipnis's brief notes on this concerto and this performance. Remember: notes are over 25 years old! [from the Frankln Mint set]"The Concerto 'Beethoven began this concerto in an unorthodox manner, reminiscent of the solo piano opening to his Fourth Concerto, which, rather than starting with the usual orchestral exposition, began with the piano making the first statment. In the "Emperor" the composer commences with a series of majestic orchestral chords between which the solo instrument plays cadenza-like passages of brilliant arpeggios, scales and trills. There are two main themes, the first involving both a triplet turn and a dotted rhythmic figure, the second a march-like subject played softly and staccato in the minor and then powerfully in the major. The movement is an exceptionally long one (there are nearly 600 bars), but in this beautifully proportioned Allegro, alternating between regal triumph and lofty serenity, the piano becomes a truly heroic protagonist with the orchestra. Interestingly, Beethoven dispenses with the usual extensive cadenza, preferring to integrate a briefer one just before the coda. E-flat Major represents the heroic key of the opening movement, and for the second movement Beethoven turns to a more remote B Major. The Adagio un poco mosso begins with a remarkably calm theme sustained by the strings; this alternates with a rhapsodic theme presented and elaborated by the solo instrument, both themes being expanded and varied during the course of the movement. At the coda, rather than simply concluding the movement, Beethoven has the bassons drop the tonality down a half step to B-flat, at which point the piano muses over a new, broken chordal figure in E-flat. This, speeded up, turns out to be the principal theme of the finale (Rondo: Allegro). If the first movement is basically regal in character, the concluding rondo, with its three main themes, is essentially exuberant, and brilliantly conceived in the writing for both the piano and orchestra. Born in Bohemia in 1903, Rudolf Serkin has had an exceptionally distinguished career, first in Europe and, after his American debut in 1933, in the United States. He has appeared with almost every major orchestra in the world, has headed the famed Marlboro Festival and most recently has been heard and seen on television, first on a seventy-fifth birthday recital and then again with the New York Philharmonic performing the Emperor Concerto. This justly famed recording with that orchestra under Leonard Bernstein was made on May 1, 1962. The pianist's authority in the music of the Viennese classics has long been held in the highest esteem, and his recording of this concerto in particular aptly demonstrates the deep, even physical intensity that is a hallmark of Serkin's style.'" Notes by Igor Kipnis for the Franklin Mint. Remember: the notes are over "25" years old! I Love these performances! The reissue of these concertos on CD are excellent! Mr. Kipnis's remarks on the Fifth's performance are "right on the target!" The Third Concerto is played in the same manner. The first and third movements are firmly in command by both Mr. Serkin and Mr. Bernstein. The second movement is absolutely serene! The other piano concerto by Beethoven in the Franklin Mint set is the Fourth with Rudolf Serkin and Eugene Ormandy conducting the Philadelphia Orchestra(stereo version). I found it once on "The art of interpretation" series (the same series the present CD comes from) on CD on the web, but could not afford it at the time. I have not been able to find it since! I hope some of the more experienced reviewers can help me find it! I need all the help I can get! But, I am grateful that I do have this CD of Beethoven's Third and Fifth Piano Concertos! Truly Beethoven Best! God Bless!

Average customer rating:

Truly amazing!
Nostalgia

Original Recordings
Wladyslaw Szpilman
Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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Chopin: Favorite Piano Works

ASIN: B00006JO9R
Release Date: 2002-10-21

Tracks:

Nocturne C# Minor
Prelude G# Minor Op.32, 12
Fantasie C Major
Concertino For Piano And Orchestra
Images, Set 1
Paraphrase Of A Waltz By Robert Stoltz
Cordoba
Liebesleid
Mazurka Op.17 - No.4
Partita BWV 1004 Chaconne D Minor
Nocturne C# Minor

Album Details

Original Recordings of the Legendary Polish Pianist and Composer.

Customer Reviews:

Truly amazing!.......2003-10-09

Perhaps one of the best pianists of the century plays the music that saved his life...

Highlights are the Bach recording, which is thrilling and brilliantly played, and the two (count them!) recordings of Chopin's nocturne. Played with tons of emotion--keep in mind this particular piece saved his life--the last recording especially is truly heart-rending.

For anybody who's ever heard a piano and liked it, or for any classical music person, this is an absolute must. I listen to it over and over, and never get tired of it. It's unfortunate he didn't record CDs and CDs and more CDs of stuff I could go out and buy. You need this CD.

Even if, like me, you have yet to see the movie.

And a special thanks to the Polish radio people, who salvaged these for our immense delight in listening!

Nostalgia.......2003-08-22

This is an 'enhanced' cd.

CD includes a video of Szpilman performing Chopin's Nocturne C# Minor (1980).

Tracks:

Symphony No. 1 In D Major - I. Presto
Symphony No. 1 In D Major - II. Andante
Symphony No. 1 In D Major - III. Finale: Presto
Symphony No. 2 In C Major - I. Allegro
Symphony No. 2 In C Major - II. Andante
Symphony No. 2 In C Major - III. Finale: Presto
Symphony No. 3 In G Major - I. Allegro
Symphony No. 3 In G Major - II. Andante Moderato
Symphony No. 3 In G Major - Menuet E Trio
Symphony No. 3 In G Major - Finale: Alla Breve
Symphony No. 4 In D Major - I. Presto
Symphony No. 4 In D Major - II. Andante
Symphony No. 4 In D Major - III. Finale: Tempo Di Menuetto
Symphony No. 5 In A Major - I. Adagio Ma Non Troppo
Symphony No. 5 In A Major - II. Allegro
Symphony No. 5 In A Major - III. Menuet E Trio
Symphony No. 5 In A Major - IV. Finale: Presto

Tracks:

Symphony No. 6 In D Major - 'Le Matin' - I. Adagio-Allegro
Symphony No. 6 In D Major - 'Le Matin' - II. Adagio-Andante
Symphony No. 6 In D Major - 'Le Matin' - III. Menuet E Trio
Symphony No. 6 In D Major - 'Le Matin' - IV. Finale: Allegro
Symphony No. 7 In C Major - 'Le Midi' - I. Adagio-Allegro
Symphony No. 7 In C Major - 'Le Midi' - II. Recitativo: Adagio
Symphony No. 7 In C Major - 'Le Midi' - III. Menuetto E Trio
Symphony No. 7 In C Major - 'Le Midi' - IV. Finale: Allegro
Symphony No. 8 In G Major - 'Le Soir' - I. Allegro Molto
Symphony No. 8 In G Major - 'Le Soir' - II. Andante
Symphony No. 8 In G Major - 'Le Soir' - III. Menuetto E Trio
Symphony No. 8 In G Major - 'Le Soir' - IV. 'La Tempesta': Presto

Tracks:

Symphony No. 9 In C Major - I. Allegro Molto
Symphony No. 9 In C Major - II. Andante
Symphony No. 9 In C Major - III. Finale: Menuetto-Allegretto
Symphony No. 10 In D Major - I. Allegro
Symphony No. 10 In D Major - II. Andante
Symphony No. 10 In D Major - III. Finale: Presto
Symphony No. 11 In E Flat Major - I. Adagio Cantabile
Symphony No. 11 In E Flat Major - II. Allegro
Symphony No. 11 In E Flat Major - III. Menuet E Trio
Symphony No. 11 In E Flat Major - IV. Finale: Presto
Symphony No. 12 In E Major - I. Allegro
Symphony No. 12 In E Major - II. Adagio
Symphony No. 12 In E Major - III. Finale: Presto

Tracks:

Symphony No. 13 In D Major - I. Allegro Molto
Symphony No. 13 In D Major - II. Adagio Cantabile
Symphony No. 13 In D Major - III. Menuet E Trio
Symphony No. 13 In D Major - IV. Finale: Allegro Molto
Symphony No. 14 In A Major - I. Allegro Molto
Symphony No. 14 In A Major - II. Andante
Symphony No. 14 In A Major - III. Menuetto E Trio: Allegretto
Symphony No. 14 In A Major - IV. Finale: Allegretto
Symphony No. 15 In D Major - I. Adagio-Presto-Adagio
Symphony No. 15 In D Major - II. Menuet E Trio
Symphony No. 15 In D Major - III. Andante
Symphony No. 15 In D Major - IV. Finale: Presto
Symphony No. 16 In B Flat Major - I. Allegro
Symphony No. 16 In B Flat Major - II. Andante Ma Non Troppo
Symphony No. 16 In B Flat Major - III. Finale: Presto

Tracks:

Symphony No. 17 In F Major - I. Allegro
Symphony No. 17 In F Major - II. Andante Ma Non Troppo
Symphony No. 17 In F Major - III. Finale: Allegro Molto
Symphony No. 18 In G Major - I. Andante Moderato
Symphony No. 18 In G Major - II. Allegro Molto
Symphony No. 18 In G Major - III. Tempo Di Menuet
Symphony No. 19 In D Major - I. Allegro Molto
Symphony No. 19 In D Major - II. Andante
Symphony No. 19 In D Major - III. Presto
Symphony No. 20 In C Major - I. Allegro Molto
Symphony No. 20 In C Major - II. Andante Cantabile
Symphony No. 20 In C Major - III. Menuetto E Trio
Symphony No. 20 In C Major - IV. Presto
Symphony No. 21 In A Major - I. Adagio
Symphony No. 21 In A Major - II. Presto
Symphony No. 21 In A Major - III. Menuetto E Trio
Symphony No. 21 In A Major - IV. Allegro Molto

Tracks:

Symphony No. 22 In E Flat Major - 'The Philosopher' - I. Adagio
Symphony No. 22 In E Flat Major - 'The Philosopher' - II. Presto
Symphony No. 22 In E Flat Major - 'The Philosopher' - III. Menuetto E Trio
Symphony No. 22 In E Flat Major - 'The Philosopher' - IV. Presto
Symphony No. 23 In G Major - I. Allegro
Symphony No. 23 In G Major - II. Andante
Symphony No. 23 In G Major - III. Menuetto E Trio
Symphony No. 23 In G Major - IV. Presto Assai
Symphony No. 24 In D Major - I. Allegro
Symphony No. 24 In D Major - II. Adagio
Symphony No. 24 In D Major - III. Menuetto E Trio
Symphony No. 24 In D Major - IV. Allegro
Symphony No. 25 In C Major - I. Adagio
Symphony No. 25 In C Major - II. Menuetto E Trio
Symphony No. 25 In C Major - III. Presto

Tracks:

Symphony No. 26 In D Minor - 'Lamentatione' - I. Allegro Assai Con Spirito
Symphony No. 26 In D Minor - 'Lamentatione' - II. Adagio
Symphony No. 26 In D Minor - 'Lamentatione' - III. Menuetto E Trio
Symphony No. 27 In G Major - I. Allegro Molto
Symphony No. 27 In G Major - II. Andante Siciliano
Symphony No. 27 In G Major - III. Presto
Symphony No. 28 In A Major - I. Allegro Di Molto
Symphony No. 28 In A Major - II. Poco Adagio
Symphony No. 28 In A Major - III. Menuetto E Trio: Allegro Molto
Symphony No. 28 In A Major - IV. Presto Assai
Symphony No. 29 In E Major - I. Allegro Di Molto
Symphony No. 29 In E Major - II. Andante
Symphony No. 29 In E Major - III. Menuetto E Trio: Allegretto
Symphony No. 29 In E Major - IV. Presto

Tracks:

Symphony No. 30 In C Major - 'Alleluja' - I. Allegro
Symphony No. 30 In C Major - 'Alleluja' - II. Andante
Symphony No. 30 In C Major - 'Alleluja' - III. Tempo Di Menuet, Piu Tosto Allegretto
Symphony No. 31 In D Major - 'Hornsignal' - I. Allegro
Symphony No. 31 In D Major - 'Hornsignal' - II. Adagio
Symphony No. 31 In D Major - 'Hornsignal' - III. Menuetto E Trio
Symphony No. 31 In D Major - 'Hornsignal' - IV. Moderato Molto
Symphony No. 32 In C Major - I. Allegro Molto
Symphony No. 32 In C Major - II. Menuetto E Trio
Symphony No. 32 In C Major - III. Adagio Ma Non Troppo
Symphony No. 32 In C Major - IV. Presto
Symphony No. 33 In C Major - I. Vivace
Symphony No. 33 In C Major - II. Andante
Symphony No. 33 In C Major - III. Menuetto E Trio
Symphony No. 33 In C Major - IV. Allegro

Tracks:

Symphony No. 34 In D Minor - I. Adagio
Symphony No. 34 In D Minor - II. Allegro
Symphony No. 34 In D Minor - III. Menuetto E Trio
Symphony No. 34 In D Minor - IV. Presto Assai
Symphony No. 35 In B Flat Major - I. Allegro Di Molto
Symphony No. 35 In B Flat Major - II. Andante
Symphony No. 35 In B Flat Major - III. Menuetto E Trio: Un Poco Allegretto
Symphony No. 35 In B Flat Major - IV. Presto
Symphony No. 36 In E Flat Major - I. Vivace
Symphony No. 36 In E Flat Major - II. Adagio
Symphony No. 36 In E Flat Major - III. Menuetto E Trio
Symphony No. 36 In E Flat Major - IV. Allegro-Presto
Symphony No. 37 In C Major - I. Presto
Symphony No. 37 In C Major - II. Menuet E Trio
Symphony No. 37 In C Major - III. Andante
Symphony No. 37 In C Major - IV. Presto

Tracks:

Symphony No. 38 In C Major - 'Echo' - I. Allegro Di Molto
Symphony No. 38 In C Major - 'Echo' - II. Andante Molto
Symphony No. 38 In C Major - 'Echo' - III. Menuet E Trio: Allegro
Symphony No. 38 In C Major - 'Echo' - IV. Finale: Allegro Di Molto
Symphony No. 39 In G Minor - I. Allegro Assai
Symphony No. 39 In G Minor - II. Andante
Symphony No. 39 In G Minor - III. Menuet E Trio
Symphony No. 39 In G Minor - IV. Finale
Symphony No. 40 In F Major - I. Allegro
Symphony No. 40 In F Major - II. Andante Piu Tosto Allegretto
Symphony No. 40 In F Major - III. Menuet E Trio
Symphony No. 40 In F Major - IV. Finale: Fuga
Symphony No. 41 In C Major - I. Allegro Con Spirito
Symphony No. 41 In C Major - II. Un Poco Andante
Symphony No. 41 In C Major - III. Menuet E Trio
Symphony No. 41 In C Major - IV. Finale: Presto

Tracks:

Symphony No. 42 In D Major - I. Moderato E Maestoso
Symphony No. 42 In D Major - II. Andantino E Cantabile
Symphony No. 42 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 42 In D Major - IV. Finale: Scherzando E Presto
Symphony No. 43 In E Flat Major - 'Merkur' - I. Allegro
Symphony No. 43 In E Flat Major - 'Merkur' - II. Adagio
Symphony No. 43 In E Flat Major - 'Merkur' - III. Menuetto E Trio
Symphony No. 43 In E Flat Major - 'Merkur' - IV. Finale: Allegro
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - I. Allegro Con Brio
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - II. Menuetto E Trio: Allegretto Canone In...
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - III. Adagio
Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - IV. Presto

Tracks:

Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - I. Allegro Assai
Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - II. Adagio
Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - III. Menuet E Trio: Allegretto
Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - IV. Finale: Presto E Adagio
Symphony No. 46 In B Major - I. Vivace
Symphony No. 46 In B Major - II. Poco Adagio
Symphony No. 46 In B Major - III. Menuet E Trio: Allegretto
Symphony No. 46 In B Major - IV. Finale: Presto E Scherzando
Symphony No. 47 In G Major - I. Allegro
Symphony No. 47 In G Major - II. Un Poco Adagio, Cantabile
Symphony No. 47 In G Major - III. Menuet E Trio Al Roverso
Symphony No. 47 In G Major - IV. Finale: Presto Assai

Tracks:

Symphony No. 48 In C Major - 'Maria Theresia' - I. Allegro
Symphony No. 48 In C Major - 'Maria Theresia' - II. Adagio
Symphony No. 48 In C Major - 'Maria Theresia' - III. Menuet E Trio
Symphony No. 48 In C Major - 'Maria Theresia' - IV. Finale: Allegro
Symphony No. 49 In F Minor - 'La Passione' - I. Adagio
Symphony No. 49 In F Minor - 'La Passione' - II. Allegro Di Molto
Symphony No. 49 In F Minor - 'La Passione' - III. Menuet E Trio
Symphony No. 49 In F Minor - 'La Passione' - IV. Finale: Presto
Symphony No. 50 In C Major - I. Adagio E Maestoso
Symphony No. 50 In C Major - II. Andante Moderato
Symphony No. 50 In C Major - III. Menuet E Trio
Symphony No. 50 In C Major - IV. Finale: Presto

Tracks:

Symphony No. 51 In B Flat Major - I. Vivace
Symphony No. 51 In B Flat Major - II. Adagio
Symphony No. 51 In B Flat Major - III. Menuet, Trio I, Trio II
Symphony No. 51 In B Flat Major - IV. Finale: Allegro
Symphony No. 52 In C Minor - I. Allegro Assai Con Brio
Symphony No. 52 In C Minor - II. Andante
Symphony No. 52 In C Minor - III. Menuetto E Trio: Allegretto
Symphony No. 52 In C Minor - IV. Finale: Presto
Symphony No. 53 In D Major - 'L'Imperiale' - I. Largo Maestoso-Vivace
Symphony No. 53 In D Major - 'L'Imperiale' - II. Andante
Symphony No. 53 In D Major - 'L'Imperiale' - III. Menuetto E Trio
Symphony No. 53 In D Major - 'L'Imperiale' - IV. Finale: Presto

Tracks:

Symphony No. 54 In G Major - I. Adagio Maestoso-Presto
Symphony No. 54 In G Major - II. Adagio Assai
Symphony No. 54 In G Major - III. Menuet E Trio: Allegretto
Symphony No. 54 In G Major - IV. Finale: Presto
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - I. Allegro Di Molto
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - II. Adagio, Ma...
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - III. Menuetto E Trio
Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - IV. Finale: Presto
Symphony No. 56 In C Major - I. Allegro Di Molto
Symphony No. 56 In C Major - II. Adagio
Symphony No. 56 In C Major - III. Menuet E Trio
Symphony No. 56 In C Major - IV. Finale: Prestissimo

Tracks:

Symphony No. 57 In D Major - I. Adagio-[Allegro]
Symphony No. 57 In D Major - II. Adagio
Symphony No. 57 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 57 In D Major - IV. Finale: Prestissimo
Symphony No. 58 In F Major - I. Allegro
Symphony No. 58 In F Major - II. Andante
Symphony No. 58 In F Major - III. Menuet Alla Zoppa E Trio: Un Poco Allegretto
Symphony No. 58 In F Major - IV. Finale: Presto
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - I. Presto
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - II. Andante O Piu Tosto Allegretto
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - III. Menuet E Trio
Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - IV. Allegro Assai

Tracks:

Symphony No. 60 In C Major - 'Il Distratto' - I. Adagio
Symphony No. 60 In C Major - 'Il Distratto' - II. Andante
Symphony No. 60 In C Major - 'Il Distratto' - III. Menuetto E Trio
Symphony No. 60 In C Major - 'Il Distratto' - IV. Presto
Symphony No. 60 In C Major - 'Il Distratto' - V. Adagio (Di Lamentatione)
Symphony No. 60 In C Major - 'Il Distratto' - VI. Finale: Prestissimo
Symphony No. 61 In D Major - I. Vivace
Symphony No. 61 In D Major - II. Adagio
Symphony No. 61 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 61 In D Major - IV. Prestissimo
Symphony No. 62 In D Major - I. Allegro
Symphony No. 62 In D Major - II. Allegretto
Symphony No. 62 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 62 In D Major - IV. Finale: Allegro

Tracks:

Symphony No. 63 In C Major - 'La Roxelane' - I. Allegro
Symphony No. 63 In C Major - 'La Roxelane' - II. Allegretto O Piu Tosto Allegro
Symphony No. 63 In C Major - 'La Roxelane' - III. Menuet E Trio
Symphony No. 63 In C Major - 'La Roxelane' - IV. Finale: Presto
Symphony No. 64 In A Major - I. Allegro Con Spirito
Symphony No. 64 In A Major - II. Largo
Symphony No. 64 In A Major - III. Menuet E Trio: Allegretto
Symphony No. 64 In A Major - IV. Finale: Presto
Symphony No. 65 In A Major - I. Vivace E Con Spirito
Symphony No. 65 In A Major - II. Andante
Symphony No. 65 In A Major - III. Menuetto E Trio
Symphony No. 65 In A Major - IV. Finale: Presto

Tracks:

Symphony No. 66 In B Flat Major - I. Allegro Con Brio
Symphony No. 66 In B Flat Major - II. Adagio
Symphony No. 66 In B Flat Major - III. Menuetto E Trio
Symphony No. 66 In B Flat Major - IV. Finale: Scherzando E Presto
Symphony No. 67 In F Major - I. Presto
Symphony No. 67 In F Major - II. Adagio
Symphony No. 67 In F Major - III. Menuetto E Trio
Symphony No. 67 In F Major - IV. Finale: Allegro Di Molto-Adagio E Cantabile
Symphony No. 68 In B Flat Major - I. Vivace
Symphony No. 68 In B Flat Major - II. Menuetto E Trio
Symphony No. 68 In B Flat Major - III. Adagio Cantabile
Symphony No. 68 In B Flat Major - IV. Finale: Presto

Tracks:

Symphony No. 69 In C Major - 'Laudon' - I. Vivace
Symphony No. 69 In C Major - 'Laudon' - II. Un Poco Adagio Piu Tosto Andante
Symphony No. 69 In C Major - 'Laudon' - III. Menuetto E Trio
Symphony No. 69 In C Major - 'Laudon' - IV. Finale: Presto
Symphony No. 70 In D Major - I. Vivace Con Brio
Symphony No. 70 In D Major - II. Specie D'un Canone In Contrapunto Doppio: Andante
Symphony No. 70 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 70 In D Major - IV. Finale: Allegro Con Brio
Symphony No. 71 In B Flat Major - I. Allegro
Symphony No. 71 In B Flat Major - II. Adagio
Symphony No. 71 In B Flat Major - III. Menuet E Trio
Symphony No. 71 In B Flat Major - IV. Finale: Vivace

Tracks:

Symphony No. 72 In D Major - I. Allegro
Symphony No. 72 In D Major - II. Andante
Symphony No. 72 In D Major - III. Menuetto E Trio
Symphony No. 72 In D Major - IV. Thema Con Variazioni: Andante-Presto
Symphony No. 73 In D Major - 'La Chasse' - I. Adagio-Allegro
Symphony No. 73 In D Major - 'La Chasse' - II. Andante
Symphony No. 73 In D Major - 'La Chasse' - III. Menuetto E Trio: Allegretto
Symphony No. 73 In D Major - 'La Chasse' - IV. La Chasse: Presto
Symphony No. 74 In E Flat Major - I. Vivace Assai
Symphony No. 74 In E Flat Major - II. Adagio Cantabile
Symphony No. 74 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 74 In E Flat Major - IV. Finale: Allegro Assai

Tracks:

Symphony No. 75 In D Major - I. Grave-Presto
Symphony No. 75 In D Major - II. Poco Adagio
Symphony No. 75 In D Major - III. Menuetto E Trio: Allegretto
Symphony No. 75 In D Major - IV. Finale: Vivace
Symphony No. 76 In E Flat Major - I. Allegro
Symphony No. 76 In E Flat Major - II. Adagio, Ma Non Troppo
Symphony No. 76 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 76 In E Flat Major - IV. Finale: Vivace
Symphony No. 77 In B Flat Major - I. Vivace
Symphony No. 77 In B Flat Major - II. Andante Sostenuto
Symphony No. 77 In B Flat Major - III. Menuetto E Trio: Allegro
Symphony No. 77 In B Flat Major - IV. Finale: Allegro Spiritoso

Tracks:

Symphony No. 78 In C Minor - I. Vivace
Symphony No. 78 In C Minor - II. Adagio
Symphony No. 78 In C Minor - III. Menuetto E Trio: Allegretto
Symphony No. 78 In C Minor - IV. Finale: Presto
Symphony No. 79 In F Major - I. Allegro Con Spirito
Symphony No. 79 In F Major - II. Adagio Cantabile
Symphony No. 79 In F Major - III. Menuetto E Trio: Allegretto
Symphony No. 79 In F Major - IV. Finale: Vivace
Symphony No. 80 In D Minor - I. Allegro Spiritoso
Symphony No. 80 In D Minor - II. Adagio
Symphony No. 80 In D Minor - III. Menuetto E Trio
Symphony No. 80 In D Minor - IV. Finale: Presto

Tracks:

Symphony No. 81 In G Major - I. Vivace
Symphony No. 81 In G Major - II. Andante
Symphony No. 81 In G Major - III. Menuetto E Trio: Allegretto
Symphony No. 81 In G Major - IV. Finale: Allegro, Ma Non Troppo
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - I. Vivace Assai
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - II. Allegretto
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - III. Menuetto E Trio
Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - IV. Finale: Vivace
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - I. Allegro Spiritoso
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - II. Andante
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - III. Menuetto E Trio: Allegretto
Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - IV. Finale: Vivace

Tracks:

Symphony No. 84 In E Flat Major - I. Largo-Allegro
Symphony No. 84 In E Flat Major - II. Andante
Symphony No. 84 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 84 In E Flat Major - IV. Finale: Vivace
Symphony No. 85 In B Flat Major - 'La Reine' - I. Adagio-Vivace
Symphony No. 85 In B Flat Major - 'La Reine' - II. Romance: Allegretto
Symphony No. 85 In B Flat Major - 'La Reine' - III. Menuetto E Trio: Allegretto
Symphony No. 85 In B Flat Major - 'La Reine' - IV. Finale: Presto
Symphony No. 86 In D Major - I. Adagio-Allegro Spiritoso
Symphony No. 86 In D Major - II. Capriccio: Largo
Symphony No. 86 In D Major - III. Menuet E Trio: Allegretto
Symphony No. 86 In D Major - IV. Finale: Allegro Con Spirito

Tracks:

Symphony No. 87 In A Major - I. Vivace
Symphony No. 87 In A Major - II. Adagio
Symphony No. 87 In A Major - III. Menuet E Trio
Symphony No. 87 In A Major - IV. Finale: Vivace
Symphony No. 88 In G Major - I. Adagio-Allegro
Symphony No. 88 In G Major - II. Largo
Symphony No. 88 In G Major - III. Menuetto E Trio: Allegretto
Symphony No. 88 In G Major - IV. Finale: Allegro Con Spirito
Symphony No. 89 In F Major - I. Vivace
Symphony No. 89 In F Major - II. Andante Con Moto
Symphony No. 89 In F Major - III. Menuet E Trio: Allegretto
Symphony No. 89 In F Major - IV. Finale: Vivace Assai

Tracks:

Symphony No. 90 In C Major - I. Adagio-Allegro Assai
Symphony No. 90 In C Major - II. Andante
Symphony No. 90 In C Major - III. Menuet E Trio
Symphony No. 90 In C Major - IV. Finale: Allegro Assai
Symphony No. 91 In E Flat Major - I. Largo-Allegro Assai
Symphony No. 91 In E Flat Major - II. Andante
Symphony No. 91 In E Flat Major - III. Menuet E Trio: Un Poco Allegretto
Symphony No. 91 In E Flat Major - IV. Finale: Vivace
Symphony No. 92 In G Major - 'Oxford' - I. Adagio-Allegro Spiritoso
Symphony No. 92 In G Major - 'Oxford' - II. Adagio
Symphony No. 92 In G Major - 'Oxford' - III. Menuetto E Trio: Allegretto
Symphony No. 92 In G Major - 'Oxford' - IV. Finale: Presto

Tracks:

Symphony No. 93 In D Major - I. Adagio-Allegro Assai
Symphony No. 93 In D Major - II. Largo Cantabile
Symphony No. 93 In D Major - III. Menuetto E Trio: Allegro
Symphony No. 93 In D Major - IV. Finale: Presto Ma Non Troppo
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - I. Adagio-Vivace Assai
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - II. Andante
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - III. Menuet E Trio: Allegro...
Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - IV. Finale: Allegro Di Molto
Symphony No. 95 In C Minor - I. Allegro Moderato
Symphony No. 95 In C Minor - II. Andante Cantabile
Symphony No. 95 In C Minor - III. Menuet E Trio
Symphony No. 95 In C Minor - IV. Finale: Vivace

Tracks:

Symphony No. 96 In D Major - 'Miracle' - I. Adagio-Allegro
Symphony No. 96 In D Major - 'Miracle' - II. Andante
Symphony No. 96 In D Major - 'Miracle' - III. Menuetto E Trio: Allegretto
Symphony No. 96 In D Major - 'Miracle' - IV. Finale: Vivace
Symphony No. 97 In C Major - I. Adagio-Vivace
Symphony No. 97 In C Major - II. Adagio Ma Non Troppo
Symphony No. 97 In C Major - III. Menuetto E Trio: Allegretto
Symphony No. 97 In C Major - IV. Finale: Presto Assai
Symphony No. 98 In B Flat Major - I. Adagio-Allegro
Symphony No. 98 In B Flat Major - II. Adagio
Symphony No. 98 In B Flat Major - III. Menuetto E Trio: Allegro
Symphony No. 98 In B Flat Major - IV. Finale: Presto

Tracks:

Symphony No. 99 In E Flat Major - I. Adagio-Vivace Assai
Symphony No. 99 In E Flat Major - II. Adagio
Symphony No. 99 In E Flat Major - III. Menuetto E Trio: Allegretto
Symphony No. 99 In E Flat Major - IV. Finale: Vivace
Symphony No. 100 In G Major - 'Military' - I. Adagio-Allegro
Symphony No. 100 In G Major - 'Military' - II. Allegretto
Symphony No. 100 In G Major - 'Military' - III. Menuetto E Trio: Moderato
Symphony No. 100 In G Major - 'Military' - IV. Finale: Presto
Sinfonia Concertante In B Flat Major - I. Allegro
Sinfonia Concertante In B Flat Major - II. Andante
Sinfonia Concertante In B Flat Major - III. Allegro Con Spirito

Tracks:

Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - I. Adagio-Presto
Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - II. Andante
Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - III. Menuetto E Trio: Allegretto
Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - IV. Finale: Vivace
Symphony No. 102 In B Flat Major - I. Largo-Vivace
Symphony No. 102 In B Flat Major - II. Adagio
Symphony No. 102 In B Flat Major - III. Menuetto E Trio: Allegro
Symphony No. 102 In B Flat Major - IV. Finale: Presto
Symphony 'A' In B Flat Major - I. Allegro
Symphony 'A' In B Flat Major - II. Andante
Symphony 'A' In B Flat Major - III. Allegro Molto

Tracks:

Symphony No. 103 In E Flat Major - 'Drum-roll' - I. Adagio-Allegro Con Spirito
Symphony No. 103 In E Flat Major - 'Drum-roll' - II. Andante, Piu Tosto Allegretto
Symphony No. 103 In E Flat Major - 'Drum-roll' - III. Menuetto E Trio
Symphony No. 103 In E Flat Major - 'Drum-roll' - IV. Finale: Allegro Con Spirito
Symphony No. 104 In D Major - 'London' - I. Adagio-Allegro
Symphony No. 104 In D Major - 'London' - II. Andante
Symphony No. 104 In D Major - 'London' - III. Menuetto E Trio: Allegro
Symphony No. 104 In D Major - 'London' - IV. Finale: Spiritoso
Symphony 'B' In B Flat Major - I. Allegro Molto
Symphony 'B' In B Flat Major - II. Menuetto E Trio: Allegretto
Symphony 'B' In B Flat Major - III. Andante
Symphony 'B' In B Flat Major - IV. Finale: Presto

Tracks:

Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - I. Presto
Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - II. Andante Grazioso
Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - III. Finale: Presto
Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending A - Finale. Capriccio: Moderato
Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending C - Presto
Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending D - 'Overture In D': Presto
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - I. Allegro
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - II. Allegretto 'La Roxelane'
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - III. Menuet E Trio: Allegretto
Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - IV. Finale: Prestissimo
Symphony No. 103 In E Flat Major - 'Drum-roll' - Alternative Ending - Finale: Allegro Con Spirito

Amazon.com

Another monument in the history of recording, this is the only set of Haydn symphonies that ever reached completion, and the performances are generally so good as to bear comparison with many of the best individual performances. The music itself is astounding--107 symphonies, all of them good, many of them shattering masterpieces. Haydn invented the Classical style, which, along with the contributions from his friend Mozart and his student Beethoven, became the standard by which all future music was measured. At a budget price, owning this set is like being able to have your own authentic copy of the "Mona Lisa" for a couple hundred dollars. Awesome! --David Hurwitz

Customer Reviews:

A superb milestone.......2007-05-01

Antal Dorati's pioneering, complete cycle of Haydn's symphonies is a milestone in recording history. Here it is incarnated on 33 CDs. What you get are outstanding, superb performances. The orchestra - Hungarica Philharmonia - is just wonderful, and the interpretations are remarkable in their attention to detail and structure. In addition, the Decca analogue sound has never been better than here. The booklet is also excellent.

Dorati's pioneering efforts included also the Haydn operas, which recently have been collected and released in two boxes from Philips, and the 24 Minuets (Decca).

What about the competition, then? Adam Fischer's Haydn project on Nimbus offers also a complete cycle, now on Brilliant Classics at a bargain price for a very big box with 33 CDs and a brief booklet. Well, for one thing, Dorati's set is the classic cycle. Further, Dorati's readings are less extravagant than Fischer's - and in my view preferable. The sound is also better in the earlier Dorati set: a warm analogue sound in contrast to Fischer's chilly, all-digital sound, which also is very uneven. But Fischer's Haydn is less expensive: you can get his cycle for less than $100 from second-hand dealers. Despite that, Dorati's cycle should be your first choice. Moreover, if shelf space is an issue, the Dorati box is one inch slimmer and a half inch less tall.

Furthermore, there are selections of symphonies from Jochum (DG) and Scherchen (DG), of which I hold the latter in higher esteem due to its idiosyncrasy. In retrospect, however, Dorati's complete cycle has a unique classic status and is as such unchallenged. Thus I warmly recommend it as a part of the foundation of your collection in addition to Beethoven, Schubert, Schumann, Brahms, Mahler, and Mozart symphony cycles, because this is delightful music that will last for a lifetime on a desert island.

[Note: this box is available brand new at amazon.co.uk, for £98.87.]

For the sheer pleasure of them all...........2006-11-11

In the mid seventies, my father purchased all of what had been released of this cycle on vinyl LP. As vinyl goes, the London discs were first rate, and a prized possession.

I lost the vinyl collection during a move in the mid 80's. It was an emotional impact; I had cherished them as a child, and as a gift, irreplaceable.

This release is true to my memory, and now I have the entire cycle.

I've performed many of these in various orchestras and loved them all.

There's a fresh energy to the performances, and an elegance to the collection quite rare and delightful.

As a set, it's actually quite affordable considering it's under $6 per disc, or under $2 per symphony.

Antal Dorati's Claim To Fame.......2005-10-14

If it wasn't for this massive recording project, Hungarian-born conductor Antal Dorati would not have been acknowledged as a first-classconductor at a time when such giants as Leopold Stokowski, Herbert Von Karajan, George Solti and Leonard Bernstein were still conducting. Dorati is an exemplary exponent of classical music, which is also to say Classical Era music (1750-1800). Nevertheless, even if Dorati has a superb touch for this kind of repertoire, he is equally as brilliant in 20th century music and Romantic Era music, as his Tchaikovsky symphonies and ballets have proven. At an expensive price, this recording is still worth it. It's a legend in recorded history of classical music. No other conductor dared to take on such a monumental project as to record all 100 and plus symphonies of Franz Joseph Haydn, the composer who by definition began the movement of Classical Era music. It was Mozart, who was his younger friend, that is better known today for this kind of music and moreover, musicologists believe he refined and perfected the style. But don't underestimate Papa Haydn. His music is beautiful, bursting with energy and lightness, elegance, warmth and melodic harmony that is so refreshing to hear especially in our own time which is full of stress.

Haydn's symphonies are not all similar sounding. Each symphony was unique, like the hand prints on people. Yes, at times they do tend to sound the same, possibly because so many of them were in the key of D. Nevertheless, they are music of individual merit. As his symphonies approached its later years and maturation, Haydn employed slights of ear and orchestral innovations that were considered new and bold in his time. The "surprise" in his "Surprise Symphony" is a thunderous "bang" in fortissimo by the orchestra after a melody that is rather bland and sleepy (which to me sounds like "Mary Had A Little Lamb"). The "Clock" Symphony is measured in a kind of "tick-tock" beat and is very very elegant and memorable, as it conjures up the image of a Rococco clock or a clock museum. The Paris Symphonies are an Austrian-German man's "trip" to Paris and his interpretation of French music. It sounds nothing at all like French music at the time although at times it nearly slips into the slow grandeur of the music of Baroque master Jean Baptiste Lully. The London Symphonies are among his best, with a kind of majesty and pomp typically associated with English royalty. If you listen carefully it's in the music. A similar thing occurs in the music to the "Oxford" Symphony. Haydn had visited Oxford to teach music and was awarded a doctorate. He composed music for that special event and the music is brooding, intellectual and somehow very very English.

Antal Dorati and his formidable Hungarica Philharmonica is at their very best in this set. The sound is crisp, gleaming and unbeatable. Even if you get the individualized sets of these symphonies, you will be treating yourself to some top-notch classical music. A must have for fans of Antal Dorati.

A major milestone in recorded music, stunning achievement.......2005-03-29

This complete cycle of the Symphonies of F.J. Haydn heralded a new era in recorded music. Everything about the project was first rate. The sound was among Decca's best. The playing of the little known Philharmonia Hungarica was close to perfect. Dorati's interpretations never disappointed. To top it off, Decca offered the cycle at budget prices and threw in unprecedented notes from H.C. Robbins Landon.

Many would comment "once you've heard one, you've heard them all" when asked about Haydn's vast symphonic output. They could not be more wrong. There isn't a dull symphony or poor performance in the lot. Try such unknowns as #26, or #33, or #51 and #52, to name a few of my lesser known favorites.

Those familiar with Haydn's more well known symphonies, such as the London Symphonies (93-104) were even astonished to find Dorati's performances giving more formidable orchestras and conductors a run for their money.

So what can be said of the set 30 years later?

Everything said earlier still stands, including the original liner notes. Only Graham Johnson's scrupulous notes with his various Hyperion lieder sets surpass Landon's astounding commentary. The digital transfers are from the late 80s, so they are not the best, but still quite serviceable. And the price is still quite reasonable.

Beware, though, that these are not period instruments. Dorati does use "period forces" as much as possible, meaning the number of instruments closely matches what would have been used originally.

So why do I say this set "heralded a new era in recorded music"? Because after the resounding success it enjoyed, many "complete" works projects of similar or greater magnitude got their chance. I doubt we would have any where near the volumes of "complete sets" we now enjoy had it not been for Dorati and Decca's Haydn cycle.

In short, a fabulous set that I would never part with.

Dorati blazed the trail for Haydn interpreters.......2004-11-12

I've owned this complete set of Haydn symphonies for at least a decade or more. While I enjoy period instrument sound and performance practice, you cannot get a complete set on period instruments (I was hoping Hogwood would finish his cycle but I understand it wasn't to be). In all honesty, I think the best period instrument interpretations outdo the modern instrument recordings in sheer energy amd agility, but in respect of modern instruments, Dorati, the pioneer, does an extraordinary job of bringing out the essential flavor and energy that was Haydn's symphonies. I don't like mixing and matching various orchestras and conductors, so buying this 32 CD set gets you all 104+ symphonies in one tidy package. The sound quality is very good considering the times, with a very forward midrange.

The Unforgiven II (Part 3 of a three CD set)

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The Unforgiven II (Part 3 of a three CD set)
Metallica
Manufacturer: Vertigo
ProductGroup: Music
Binding: Audio CD
ASIN: B000MW8QOS

Product Description

TRACKLIST: 1. The Unforgiven II 2. No Remorse (Live) 3. Am I Evil? (Live) 4. The Unforgiven II (Demo)

Beethoven: The Last 3 Piano Sonatas, Nos. 30-32

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A piano colossus plays Beethoven!
A BIT VARIABLE

Beethoven: The Last 3 Piano Sonatas, Nos. 30-32

Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000AH3EO
Release Date: 2003-09-01

Tracks:

(1-3) Sonata No. 30 In E- Flat Major, Op. 109 (1-3)
(4-6) Sonata No. 31 In A-Flat Major, Op. 110 (4-6)
(7-8) Sonata No. 32 In C Minor, Op.111 (7-8)

Album Details

First Time on CD. Digitally Remastered.

Customer Reviews:

A piano colossus plays Beethoven!.......2006-03-30

The Sonata No.30 may be well considered as part of an impressive Trilogy, in which languid flame of Beethoven begins to vanish. The profound homesickness is far to be self indulgent. Beethoven has come to the end of the road and searches untiringly an exit door. This autumnal character is visibly remarked by the composer through the employment of the Fugue form in every one of these three works. Beethoven opposes deliberated or unconsciously the Fugue as signal of resigned acceptation, cathartic refugee and warm memories and smartly contrasts with his fiery and thunderous attacks expressed as Fortissimos to carve in relief the untamed human spirit. Indeed you may easily realize the Farewell taste, because of the fact all these endings are achieved, just leaving float the bars, without that marked heroic affirmation of previous works such as Patetique or Appassionata for instance; on the contrary he accents the ebb tide and tepid atmosphere of the last breath, but loaded with infinite noblesse, without signals of despair, anguish or inner conflict ( as Tchaikovsky or Mahler).

I have always thought around the Sonata No. 31 that express like no other else, the "Memory Reverberation", but emancipated of any trace of nostalgia or pain. I would say Beethoven is hovering through his livings, early childhood dreams and illusions, adopting a similar attitude that you or me assume when open an old photographs album.

Finally the Sonata No.32 anticipates from the second Movement a journey without return; and that unstoppable sensation of unavoidable missing in the thickness of an unending night is only agreabled for a very brief motive that reminds us to the first seed of an unborn musical genre: the jazz. The last Movement is loaded of such dramatic density and furtive evanescence that engages even the most indifferent listener.

As you know, most of pianists accustom to follow the loyal tradition that has become a non sacred ritual, that consists in playing these last three Sonatas in tandem, without play any encore. The unsaid meaning would support my thesis about the unbreakable unity of these piano works.

The impeccable good taste and superb genius of Rudolf Serkin made possible to listen these unvaluable recordings keeping in mind all the previuos considerations, due Serkin was a thinker musician.

A BIT VARIABLE.......2005-03-08

Only one of these three performances strikes me as being top-class Serkin. What I had been hoping for was some hitherto-undiscovered early versions from him that had somehow escaped the compilers of the discography in the 2003 biography of Serkin by Stephen Lehmann, but what I have got is three performances from the 1970's that I already knew and owned. Serkin was a bit of a pain for recording performances and then deciding not to release them. How he arrived at his decisions in this matter is intriguing - I wouldn't have reached the same conclusions as he did in all cases. The most interesting issue is over the A flat sonata op 110. The version we have here is the one he actually did release, and it seems to me nowhere near as good as the one he sat on, available as part of the posthumous collection eventually issued with the agreement of Peter Serkin. That strikes me as one of the greatest Beethoven sonata renderings that I know, whereas the one here is a poor second. The touch lacks crispness, the dynamics are less well differentiated, the first movement is a little bit too slow and the fugal sections of the finale do not give the same thrilling sensation of great doors opening and closing. The E major op109 suffers from these characteristics to some extent as well. Surely this speed in the first movement is never 'vivace'? Serkin had recorded the work once before, and happily that reading is now available again as part of this same series. His earlier tempi in both the first movement and the following prestissimo are more my idea of what these indications require, and in the final andante, while the speed is slow in both performances, it convinces me more in the earlier one.

The last sonata op111 is more like the real thing - much more. There is no hint of tiredness here, the touch is the great Serkin touch as we know and love it at its best and there is a striking evenness about it too. Just what Serkin was not satisfied with is not at all clear to me, and we should heave a sigh of relief that this recording has been reprieved for us. The first movement is grand and effortless, but I will admit that it doesn't have quite the sense of fierce involvement that I get from a live 1990 performance from London by, of all people, Michelangeli - not as a rule my idea of a natural Beethoven interpreter. The arietta is sublime in every way, though, taking us away to some transfigured outer realm in its later stages.

Serkin is still Serkin and a unique prophet of Beethoven even at not quite his best. There is any amount to be learned from all three sonatas here. Nobody need have any hesitation in acquiring this record if the purpose is to understand Beethoven better. For the special followers of this great musician and player these are performances not to miss. He left us little enough.

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best complete sibelius symphonies
Amazing Sibelius Symphonies!!
A sincere tribute!

Sibelius: The Complete Symphonies

Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Tchaikovsky: The Complete Symphonies
Haydn: The 12 London Symphonies
Schumann: The 4 Symphonies
Brahms: Symphony 1 / Serenade 2 / Bernstein
Beethoven: The 9 Symphonies

ASIN: B00008PW43
Release Date: 2003-05-12

Tracks:

Symphony No.1 In E Minor, Op.39
Symphony No.1 In E Minor, Op.39
Symphony No.1 In E Minor, Op.39
Symphony No.1 In E Minor, Op.39
Symphony No.3 In C Major, Op.52
Symphony No.3 In C Major, Op.52
Symphony No.3 In C Major, Op.52
Symphony No.2 In D Major, Op.43
Symphony No.2 In D Major, Op.43
Symphony No.2 In D Major, Op.43
Symphony No.2 In D Major, Op.43
Luonnatar, Op.70
Pohjola's Daughter, Op.49
Symphony No.4 In A Minor, Op.63
Symphony No.4 In A Minor, Op.63
Symphony No.4 In A Minor, Op.63
Symphony No.4 In A Minor, Op.63
Symphony No.5 In E-Flat Major, Op.82
Symphony No.5 In E-Flat Major, Op.82
Symphony No.5 In E-Flat Major, Op.82
Symphony No.5 In E-Flat Major, Op.82
Symphony No.6 In D Minor, Op.104
Symphony No.6 In D Minor, Op.104
Symphony No.6 In D Minor, Op.104
Symphony No.6 In D Minor, Op.104
Symphony No.7 In C Major, Op.105

Album Details

4CD Box set. Columbia Legends series.

Customer Reviews:

best complete sibelius symphonies.......2006-01-30

I bought this set on a hunch that if all Bernstein's Sibelius performances were as good as his Pohjola's Daughter on a compilation disc which I've owned for some time, then the risk of a few pounds was worth it. Well I certainly wasn't disappointed! I listened to all four discs in one session through the night and found that LBs is the best complete Sibelius symphonies set I've ever encountered. Individual symphonies can be equalled by other conductors but as a complete survey this has to be the one, and I'm comparing LB to Karajan (who incidentally never recorded the Third Symphony), Ashkenazy, Maazel, Barbirolli, Paavo Berglund's 3 (!) sets, Colin Davis's RCA set, Rattle and Neeme Jarvi plus individual recordings by several others; altogether I'm comparing LBs 4 discs to about 40 'others'. I would be happy to part with most of the 40 in favour of LB. I won't try to describe any particular performance in detail because I think that any attempt to describe music in words is usually pointless. The one thing I would say though is that like all really successful Sibelius interpretations, LB's take you out of the concert hall and land you straight into the open air and the very nature that inspired this wonderful composer. Symphony No. 1 is as good as any. No. 2 I would prefer Barbirolli on Chesky, but LB is as good as any of the rest. No.3 I slightly prefer Jarvi on BIS, but LB is better in the important slow movement. No. 4 Karajan from the 1960s on DG is my preference but LB is pretty close. LB's No. 5 is fabulous, I can't think of a better version. No. 6 Karajan 1960's DG again, with Sakari on Naxos closely behind, but LB's is still a fine version. No. 7 was a revelation; I can think of no other work which has caused me more problems in trying to find a truly satisfying version in all my 35 years of classical music collecting. You wouldn't believe the number of versions I've heard (and got rid of) of this truly unique work of art! Frankly, in my search I really can't say what I was looking for, like with any music you just know when it's 'right'. Most versions fall completely flat and it seems that very few conductors can turn the printed notes into the magnificent paean to nature that is Sibelius's Seventh. That Sibelius wasn't able to successfully write another symphony after this has never surprised me (thank God that his muse lingered long enough for him to write Tapiola).There is only one Sibelius Seven to place alongside LBs - Paavo Berglund with the Bournemouth Symphony Orchestra, recorded by EMI in the early 70s and never, to my knowledge reissued, except in a Royal Classics full set of the symphonies. The Berglund complete set is very good indeed and it's one I wouldn't want to be without. There's a fresh straightforward unfussy honesty about Berglund's earlier versions which I like very much; his later efforts were not in the same league. As an aside, Berglund's BSO recordings of shorter Sibelius works on EMI are true bargains, as is his unsurpassed world premiere recording of Kullervo (with the BSO) on the same label. As for the Seventh though, I would give a joint 'first prize' to Bernstein NYPO and Berglund BSO; Bernstein for the slightly more rugged, dramatic route; Berglund taking the more serene but with eyes-wide-open-in-wonder approach, but both indispensable. The old CBS recordings have cleaned up nicely under Sony's reissue (thanks Sony)and although not up to 'modern digital standards' that's not necessarily a bad thing! The best recording is of the Fifth - better than any other version, and of the Seventh. Of the others, all are excellent for their age- bold and clear, rather warm and with very little harshness or tape-hiss. In any case I wouldn't for a moment let this put you off buying what is an incredible bargain. One final point,; Phylis Curtin, a soprano I've never encountered before is extremely good in Luonnotar; she really characterizes the narrative like no other soloist I've heard before in this work. It's just a pity that LB forces the music along at a pace which is just too fast. But if you like Sibelius what are you waiting for? Buy this set today.

Amazing Sibelius Symphonies!!.......2005-01-02

"The Complete Symphonies" captures definitive interpretations of the seven symphonies by the great Finnish composer Jean Sibelius conducted by the late maestro Leonard Bernstein.
Each symphony in this 4-disc set is presented in amazing remastered sound quality displaying full dynamic range and sharpness. The beauty of this music is definitely readily apparent from the opening notes through the very end.
In addition, the CD booklet includes a brief but highly informative essay in which the history behind each symphony is explained in just enough detail to understand its genesis.
All in all, this is a fantastic set of Sibelius's masterful symphonies wonderfully executed by the baton of Mr. Bernstein. Applause also must be given to Sony Music for compiling these symphonies into one complete set. Bravo.
It doesn't get much better than this.
Highly recommended!!

A sincere tribute!.......2004-07-08

This set has peak and lows. The second symphony has a hyper romantic approach ; that's its weak point. The third symphony is well built, besides it lacks the nature blow with its wildful force. The first symphony has always been a hazardous for many conductors. It has too much influence from Tchaikovsky ; and Bernstein knows it ; he avoids it , even the reading is warmth.
The best achievements in the set are the four and the sixth . I've never heard a sixth so well made ; the woodwinds , the strings give that atmosphere that demands this complex work. The fourth is unforgettable , but there's a performance of Beecham in the fifties with the Royal Philarmonic literally unique. The seventh is OK, but there are other options.
The fifth is weak , and my favorite versiona are two: Segerstam and Koussevitzki.
Anyway I bought this set eight years ago under The Royal Edition. I recommend you this set , Maazel Vienna , Segerstam and all you can get from Koussevitski.
If you request me by Anthony Collins - London Symphony (out of stock in the most of stores) I must confess, Collins has no equals in the Second .
The best first to me is Victor de Sabata (New York Philarmonic)(See my review about De Sabata)

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