I May Be Small, I May Be Sweet [CD-single] [Import]

I May Be Small, I May Be Sweet [CD-single] [Import]

Track Listings

1. I Maybe Small, I Maybe Sweet

2. Don't Eat Me (Eat Lam!)

3. I Maybe Small, I Maybe Sweet [Karaoke Version]

4. Don't Eat Me (Eat Vlam!) [Karaoka Version]

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating:

Oscar Hammerstein Legacy: Musicals

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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Camelot (1960 Original Broadway Cast)

ASIN: B0000520X7
Release Date: 2001-02-27

Tracks:

State Fair: It's A Grand Night For Singing - Dick Haymes
Show Boat: Why Do I Love You? - Tony Martin/Frances Langford
Show Boat: Can't Help Lovin' Dat Man - Ella Fitzgerald And Her Famous Orchestra
Show Boat: Ol' Man River - Frank Sinatra
Show Boat: I Still Suits Me - Paul Robeson/Elizabeth Welch
High, Wide And Handsome: The Folks Who Live On The Hill - Bing Crosby
State Fair: It Might As Well Be Spring - Dick Haymes
Centennial Summer: All Through The Day - Doris Day
Carousel: If I Loved You - Perry Como
Oklahoma: People Will Say We're In Love - Frank Sinatra
Show Boat: Make Believe - Tony Martin
South Pacific: I'm In Love With A Wonderful Guy - Mary Martin
South Pacific: Bali Ha'i - Juanita Hall
South Pacific: Some Enchanted Evening - Frank Sinatra
High, Wide And Handsome: Can I Forget You? - Bing Crosby
Roberta: I Won't Dance - Guy Lombardo And His Royal Canadians
Show Boat: Bill - Helen Forrest
Sunny: Who? - Tommy Dorsey And His Orchestra
Oklahoma: Oh, What A Beautiful Morning - Frank Sinatra
South Pacific: Happy Talk - Juanita Hall
Sweet Adeline: Why Was I Born? - Vic Damone
Very Warm For May: All The Things You Are - Tony Martin
Carousel: You'll Never Walk Alone - Judy Garland

Average customer rating:

The Greatest Tenor
THE GREAT MARIO SINGS BEAUTIFULY!
The good and the bad in one collection
New Fan
Another CD from the best!

Artists of the Century

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000J915
Release Date: 1999-06-15

Tracks:

Be My Love
Drink, Drink, Drink
Rigoletto: Act IV: La Donna E Mobile
Danny Boy
Granada
Because You're Mine
Ave Maria
Valencia
The Loveliest Night Of The Year
Song Of India
Because
O Sole Mio
The Donkey Serenade
I Paggliacci: Act I: Vesti La Giubba
Serenade
Funiculi, Funicula
Golden Days
Arrivederci Roma
You'll Never Walk Alone
Beloved
Come Prima
Tosca: Act III: E Lucevan Le Stelle
Santa Lucia
I'll Walk With God

Tracks:

And This Is My Beloved
Cielo E Mar (La Gioconda)
If I Loved You
Deep In My Heart
Core 'Ngrato
Una Furtiva Lagrima (L' Elisir D'Amore)
Ah! Sweet Mystery Of Life
Canta Pe' Me
Santa Lucia Luntana
Memories
With A Song In My Heart
O Paradiso! (L' Africana)
Temptation
Aida: Act I: Celeste Aida
Feneste Che Lucive
A Night To Remember
Non Ti Scordar Di Me
Somewhere A Voice Is Calling
Softly, As In A Morning Sunrise
All The Things You Are
Passione
One Night Of Love
La Danza

Customer Reviews:

The Greatest Tenor.......2004-05-25

I'm more a fan of classic popular standards than of classical music, but as the classical numbers give Mario Lanza a little more opportunity to show off his glorious voice, I find myself enjoying these fully as much as the popular selections.

His approach to popular song is admittedly on the operatic side, and it's fascinating to hear how well such pieces translate into a more classical orchestration. And Lanza's versions stand as equals alongside the popular versions (by such greats as Perry Como, Frankie Laine, Kate Smith, Georgia Gibbs, Dean Martin, Vic Damone and Vaughn Monroe) that have been among my favorites for many years.

The spoken introductions on the selections from his show are an added bonus, and (contrary to one of the reviews below) these songs are beautifully done. The fact that they are live and only minimally rehearsed only makes them all the more amazing.

The 2-cd set consists of high quality recordings of 47 songs and is a real bargain at the price.

THE GREAT MARIO SINGS BEAUTIFULY!.......2002-03-03

THIS IS A WINNER THE MUSIC GREAT! THIS IS A REALY GREAT CD! HE SINGS SO WELL IN ALL THE MUSIC. I GAVE IT 4 STARS. ENJOY!

The good and the bad in one collection.......2001-09-02

This is (unintentionally, I'm sure) a warts-and-all illustration of Mario Lanza. True, there are magnificent recordings scattered throughout (Serenade, Beloved, E Lucevan Le Stelle, Passione, etc) but the overall impression one is left with is of a sloppy and undisciplined singer who just happened to possess a great voice. The fault lies squarely with BMG and their predilection for selecting the very worst of Lanza, and placing it next to the best. Many of the inferior choices come from Lanza's Coca-Cola radio show, recorded between 1951 and 1952, and featuring prominently on Disc Two. (Disc One is a more consistent selection, and repeats the same tracks from the British one-CD set "The Ultimate Collection", reviewed elsewhere on this site.)

The "Coke" shows were generally under-rehearsed, and represent what in many respects was the most chaotic period of Lanza's short life. Thus it's not surprising that the tenor often sounds unfamiliar with his material, is sometimes off-key, and also makes numerous stylistic lapses. Never intended to be heard beyond their initial broadcast, these supposedly "one-off affairs" nevertheless did produce the occasional gem, but one needs to look elsewhere for examples of those. The three exceptions on this set are the gloriously romantic If I Loved You, One Night of Love, and the poignant Memories. Danny Boy also deserves honorable mention, although the ending should have been remade.

O Paradiso, Somewhere a Voice is Calling, Core 'Ngrato, Deep in My Heart, and With a Song in My Heart represent low points from the Coke Shows. Other poor choices include And This is My Beloved, from the disastrous Lanza on Broadway LP; a rough-as-old-boots Una Furtiva Lagrima; and an off-pitch Cielo E Mar (ironically the one studio recording on this set that *is* inferior to Lanza's Coke Show rendition).

Mario Lanza was blessed with the most spectacular natural tenor voice of the 20th century. Is it too much to expect for BMG to honor his memory more selectively? Where are Lanza's sublime recordings of Che Gelida Manina from "La Boheme", his M'appari, the Improvviso from Andrea Chenier and his unsurpassed Otello Monologue? Or the fabulous Some Day, the gorgeous 'A Vucchella and Lanza's own favorite recording, the haunting Voce E Notte? For the very best of Mario Lanza, buyers will need to look elsewhere.

New Fan.......2000-08-27

I am an 18-year old student. I bought this album after I heard a few of Lanza's songs in the Peter Jackson film, "Heavenly Creatures" and I must say that it is one of the best albums I have ever bought. Lanza was a master of his vocal instrument, drawing every ounce of feeling and energy from the notes and words to create a masterpiece of every song. The resulting pieces in this album combine to make up a beautiful and varied work, with something for every mood you may be in. The classics (such as "Ah, Sweet Mystery of Life"), are obviously appealing, but the lesser-known pieces (my favourite: "Una Furtiva Lagrima") make this a wonderfully enlightening experience. This is a truly Great album.

Another CD from the best!.......2000-03-18

When I heard that Mario Lanza had died so many years ago, I was a college student who already owned five or six LP's of his songs. I was truly brokenhearted We had lost such a fine singer at such an early age. This CD is one of the best because of the diversity of songs, all marvelous.A fine addition to any collection.

Enduring Light: 60 Inspirational Favorites

Average customer rating:

Enduring Light: 60 Inspirational Favorites

Manufacturer: Sound Exchange
ProductGroup: Music
Binding: Audio CD

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Tracks:

Handel's 'Messiah': Overture - The London Philharmonic Orchestra/Walter Susskind
Handel's 'Messiah': And The Glory Of The Lord - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Behold A Virgin Shall Conceive - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': For Unto Us A Child Is Born - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': There Were Shepherds Abiding In The Field - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': He Shall Feed His Flock Like A Shepherd - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Behold The Lamb Of God - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': He Was Despised And Rejected Of Men - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Lift Up Your Heads, O Ye Gates - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Why Do The Nations So Furiously Rage - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Hallelujah - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Since By Man Came Death - The London Philharmonic Choir/Frederick Jackson
Handel's 'Messiah': Worthy Is The Lamb That Was Slain/Amen - The London Philharmonic Choir/Frederick Jackson

Tracks:

The Lord's Prayer
Old Rugged Cross
Onward Christian Soldiers
Rock Of Ages
How Great Thou Art
Praise God From Whom All Blessings Flow
I Believe
Lord Hear Our Prayer
Now The Day Is Over
Amazing Grace
Ave Maria
Let Us Humbly Sing Our Praises
O Holy Night
Praise, Praise The Lord
Praise My Soul The King Of Heaven
Oh Lord Most Holy
Unfold Your Portals
Jesu Joy Of Man's Desiring
The Lord Is My Shepherd
All The People That On Earth Do Dwell
A Mighty Fortress Is Our God
Oh God Our Help In Ages Past
Holy, Holy, Holy
Battle Hymn Of The Republic
Keeping Faith

Tracks:

A Dream Of Peace
All In This April Evening
Our Wedding
Bless This House
Bridge Over Troubled Waters
Climb Every Mountain
Day By Day (Theme From Godspell)
Down By The Riverside
The Impossible Dream
Swing Low Sweet Chariot
The Day Is Gently Sinking To Close
Jesus Christ Superstar
Abide With Me
March On
Peace In The Valley
Go Tell It On The Mountain
Born Free
American Trilogy
Sunrise, Sunset
I Don't Know How To Love Him
Blessed Be The Tie That Binds
Enduring Light

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Average customer rating:

I May Be Small, I May Be Sweet
Chicken Charlie
Manufacturer: Zyx Records
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Dance & DJ | Imports | Stores | Music
ASIN: B0007UPSDM
Release Date: 2005-07-12

Tracks:

I Maybe Small, I Maybe Sweet
Don't Eat Me (Eat Lam!)
I Maybe Small, I Maybe Sweet [Karaoke Version]
Don't Eat Me (Eat Vlam!) [Karaoka Version]

Purcell: The Fairy Queen (Abridged); Dido & Aeneas

Average customer rating:

Dido and Aeneus Personal Review

Purcell: The Fairy Queen (Abridged); Dido & Aeneas

Manufacturer: Opera D'oro
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Customer Reviews:

Dido and Aeneus Personal Review.......2001-10-11

This Cd was magnificent. Purcell's composing was directed well and had all the right components to accompany the singing. I have just been exposed to an Opera piece I am pleased with. I was exposed from a friend who took a Music Appreciation class. The singing was calm and soothing unlike other operas which are loud and proclaiming. I immediately fell in love with Dido and Aeneus. For any opera enthusiasts, I would highly recommend this CD.

Average customer rating:

Legendary

Manufacturer: BMG International
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music
ASIN: B000060P0U
Release Date: 2002-03-12

Tracks:

Be My Love
Drink, Drink, Drink
Rigoletto: Act IV: La Donna E Mobile
Danny Boy
Granada
Because You're Mine
Ave Maria
Valencia
Loveliest Night of the Year
Song of India
Because
O Sole Mio
Donkey Serenade
I Pagliacci: Act I: Vesti la Giubba
Serenade
FuniculFunicul
Golden Days

Tracks:

Tosca: Act III: E Lucevan le Stelle
Come Prima
Beloved
Santa Lucia
I'll Walk With God
Lord's Prayer
And This Is My Beloved
Cielo E Mar (La Gioconda)
If I Loved You
Deep in My Heart, Dear
Core 'Ngrato
Una Furtiva Lagrima [From l'Elisir d'Amore]
Ah! Sweet Mystery of Life
Canta Pe' Me
Santa Lucia Luntana
Memories
You'll Never Walk Alone

Tracks:

With a Song in My Heart
O Paradiso (L'Africaine) [From Because You're Mine]
Temptation
Aida: Act I: Celeste Aida
Feneste Che Lucive
Night to Remember
Non Ti Scordar Di Me
Somewhere a Voice Is Calling
Softly, As in a Morning Sunrise
All the Things You Are
Passione
One Night of Love
Danza
Trembling of a Leaf
Look for the Silver Lining
Arrivederci Roma

Music Review:

Music Review

music review