Give Me a Break

Give Me a Break

Track Listings

1. Buck Raas

2. Ain't It Good To Ya

3. Blurble

4. Give A Flying Funk

5. Broken Word

6. I Got Rhythm Remix

7. Raas Bucket

8. Nitty Gritty

9. Plip Plop You Don't Pop

Editorial Reviews
Product Description
After over 15 years immersed in the world of house music one of the UK tech-house scene's prodigal sons finally delivers his debut solo artist album. Famous for his collaborations with the likes of Nils Hess (as Get F@#ked for Eukahouse), Matthew "Bushwacka!" B. (of Layo &… fame), Asad Rivzi, and Terry Francis, Nathan is also a top notch producer and artist in his own right. Give Me A Break is a collection of some of his work from the last two years and is brimming with that tech-funk sound that he has become famous for the world over.

Spread across nine tracks the album features four exclusives, one hot new remix and four previously released tracks and reflects what Nathan does best: tight tech-based rhythms that are designed to work dancefloors. Whether it's the main room at Fabric or a warehouse in southeast London, Nathan's sound is one for purists and never fails to get bodies moving.

Give Me a Break,Nathan Coles,10 Kilo (Studio K7),Dance,Dance Music,Hip-Hop,Pop

Mendelssohn: Elijah
Average customer rating:

Wonderful, but not my first choice

THE BEST recording of the BEST oratorio ever...

Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
Oratorios | Opera & Vocal | Styles | Music
Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Franz Joseph Haydn: The Creation

Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel

Mahler: Das Lied von der Erde

Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw

Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

The amazing Jessye Norman
Amazing Grace
Superb! As Always, superb!
Uplifting and Timeless
Why was I such a fool?

Amazing Grace: Jessye Norman

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Gospel | Christian & Gospel | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Norman, Jessye | Divas | Opera & Vocal | Styles | Music
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Spirituals in Concert
Jessye Norman - Christmastide
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
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Jessye Norman Classics

ASIN: B00000413L
Release Date: 1991-09-12

Tracks:

Amazing Grace: Amazing Grace (traditional)
Amazing Grace: Gesu Bambino
Amazing Grace: Ave Maria (Op. 52 No.6)
Amazing Grace: Sweet Little Jesus Boy
Amazing Grace: Let Us Break Bread Together
Amazing Grace: There's a Man Going Round
Amazing Grace: Mary Had a Baby
Amazing Grace: Panis Angelicus
Amazing Grace: Greensleeves
Amazing Grace: Great Day
Amazing Grace: Steal Away
Amazing Grace: Were You There
Amazing Grace: Calvary
Amazing Grace: City Called Heaven
Amazing Grace: Give Me Jesus
Amazing Grace: O Divine Redeemer
Amazing Grace: He's Got the Whole World
Amazing Grace: Amazing Grace (traditional)

Customer Reviews:

The amazing Jessye Norman.......2007-06-18

Oh what a joy to listen to one of the richest voices of our time! A truly great singing legend. Breathtaking depth and effortless power!

Amazing Grace.......2007-05-08

Don't Know. Holder had a CD of Ludwig con Beethoven! Awaiting the real thing.

Superb! As Always, superb!.......2003-12-27

There's not enough words that can express how wonderful Miss Jessye Norman's vocal talent is. What a wonderful opera diva! I thought the George Bizet's Carmen (CD) was magnificient but then when I got this (CD), I was thrown back. The range and style in "Ave Maria" is splendid, so is "Let's Break Bread Together," "Amazing Grace," and many more songs found on this CD. Miss Jessye Norman, Ms. Leontyne Price, Miss kathleen Battle, Miss Joan Sutherland are top opera divas on my list. So you know I have a fine taste of hearing great vocals; you can't go wrong in purchasing this CD. It's a treasure to listen to.

Uplifting and Timeless.......2003-09-08

Jessye Norman is one of my favorite opera singers. I hope that she may release another CD of Gospel songs very soon. We have waited too much!!! How about to revisit Marian Andersons' Gospel recordings!!!

Why was I such a fool?.......2003-06-17

Okay, if you look at my other recommendations, you'll see that I'm a conservative. So, before my full embrace of the classical vocal artistry, and when I was just beginning to grasp politics (I'm only 21 now), I heard a beautiful voice and rejected it because it was singing at the inauguration of Bill Clinton.

I've learned a little since then. I've learned to ignore an artists political leanings, because they don't tell you much about quality (contrast the Republican South Park creators Matt Parker and Trey Stone with the Democrat Robert Redford). I've also learned to (sometimes) listen to the recommendations of friends. And well, after a friend heard me laud Reneé Fleming, Kathleen Battle, and Leontyne Price, she told me I needed to try Jessye Norman. So I did.

Tracks:

Sanctus
Ave Maria, Op.52/6
Panis Angelicus
O Divine Redeemer
The Holy City
Amazon Grace
Greensleeves (What Child Is This)
Let Us Break Bread Together
I Wonder As I Wander
Sweet Little Jesus Boy
Gesu Bambino (When Blossoms Flowered)

Tracks:

I Couldn't Hear Nobody Pray
My Lord, What A Morning
Do Lawd, Oh Do Lawd
There's A Man Going Round - Jessye Norman
Ev'ry Time I Feel De Spirit - Dalton Baldwin
There Is A Balm In Gilead - Dalton Baldwin
Gospel Train - Dalton Baldwin
Great Day - Dalton Baldwin
Mary Had A Baby
Live A-Humble
Walk Together Children
Were You There - Jessye Norman
Hush! Somebody's Callin' My Name
Soon Ah Will Be Done
Give Me Jesus

Average customer rating:

W.C. Fields

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music
ASIN: B000004CPR
Release Date: 2003-06-17

Tracks:

W.C.: Fifty Years - Al Carmines/Paul Rounsaville
W.C.: I'll Still Be There - Alice Playten
W.C.: You Could - Al Carmines/Alice Playten
W.C.: Give Me An Old Tune - Al Carmines
W.C.: NEver Give A Sucker An Even Break - Debbie Damp
W.C.: Why Do Women Always Choose The Wrong Man? - Bill Daugherty
W.C.: You Come First - Debbie Damp
W.C.: Bring On The Booze - Al Carmines/Quartet
W.C.: I'll Follow My Star - Alice Playten
W.C.: Serenade - Bill Daugherty
W.C.: Love Can Get You Down - Alice Playten
W.C.: Dummy Juggler - Al Carmines
Promenade: Promenade - Theme - Maria Irene Fornes/Al Carmines
Promenade: I Saw A Man - Alice Playten
Promenade: Capricious And Fickle - Alice Playten
A Carmen's Bouquet: Wedding Blues - Al Carmines
A Carmen's Bouquet: My Old Man - Al Carmines
A Carmen's Bouquet: No Room At The Inn - Al Carmines/Quartet

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

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This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

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RCA MET 100 Singers, 100 Years

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FFT
Release Date: 1993-09-14

Tracks:

Ardon Gl'Incensi (Mad Scene) - Marcella Sembrich
Vissi D'arte - Emma Eames
Devant La Maison (Serenade) - Pol Plancon
Les Tringles Des Sistres (Gypsy Song) - Emma Calve
A Vos Jeux, Mes Amis (Mad Scene) - Nellie Melba
All'erta, Marinar: II Vento Cangia!; Adamastor, Re Dell'acque - Giuseppe Campanari
O Pretres De Baal (Prison Scene) - Ernestine Schumann-Heink
Come Paride Vezzoso - Antonio Scotti
Jo-Ho-Hoe!; Traft Ihr Das Schiff (Senta's Ballad) - Johanna Gadski
Vecchia Zimarra - Marcet Joumet
Voce Di Donna - Louise Homer
Rachel, Quand Du Seigneur - Enrico Caruso
Se In Voi Cotanto Forte Fosse L'amor' I1 Cor Nel Contento - Geraldine Farrar, Hermann Jadlowker
It Is Almost Midnight (Sung In German) - Emmy Destinn
Eri Tu - Pasquale Amato
Ed Io Non Ne Godevo; Sempre Cosi - Frances Alda
Mein Vater! (Amfortas' Prayer) - Clarence Whitehill

Tracks:

Qual Fiamma Avea Nel Guardo!; Stridono Iassu (Ballatella) - Alma Gluck
Lunge Da Lei; Dei Miei Bollenti Spiriti - John McCormack
Caro Nome - Luisa Tetrazzini
Tutto Tace (Cherry Duet) - Miguel Fleta, Lucrezia Bori
Lontano Eco Della Mia Giovinezza (Lenski's Air) - Giovanni Martinelli
E Il Di Che Zar Saro (Garden Scene) - Paul Althouse, Margarete Ober
Di Provenza Il Mar - Giuseppe De Luca
Pace, Pace, Mio Dio! - Rosa Ponselle
Mi Batte Il Cor; O Paradiso - Beniamino Gigli
Bellah! Capretta Adorata; Si Carino (Slumber Song) - Amelita Galli-Curci
Gluck, Da Mir Verblieb (Marietta's Lied) - Maria Jeritza
Largo Al Factoum - Titta Ruffo
Una Parola Sola; Or Son Sei Mesi - Edward Johnson
Sieh' Evchen! Dacht' Ich Doch - Friedrich Schorr, Elisabeth Rethberg

Tracks:

Meco All'altar - Giacomo Lauri-Volpi
Nay, Marcus, Lay Him Down - Lawrence Tibbett
Regnava Nel Silenzio - Toti Dal Monte
Dir Tone Lob - Lauritz Melchior
Deh, Vieni Alla Finestra - Ezio Pinza
Depuis Le Jour - Grace Moore
Depuis Heir Je Cherche; Que Fais-Tu? - Gladys Swarthout
Salut A Toi (Hymnn To The Sun) - Lily Pons
Adina Quest'oggi; Adina Credimi - Tito Schipa
Ah, Malgre Moi - Rose Bampton
Je Suis Seul!; Ah! Fuyez, Douce Image - Richard Crooks
I Know You Better; This Very Vivid Morn - Helen Jepson
Mild Und Leise (Liebestod) - Kirsten Flagstad
Pres Des Remparts De Seville (Seguidilla) - Bruna Castagna
So Its Es Denn Aus Mit Den Ewigen Gottern - Kerstin Thorborg
Giunse Alfin Il Momento; Deh Vieni, Non Tardar - Bidu Sayao
Einsam In Truben Tagen (Elsa's Dream) - Helen Traubel

Tracks:

La Mamma Morta - Zinka Milanov
Ah, Guai A Chi La Tocca!; Guardate, Pazzo Son - Jussi Njoerling, Enrico Campi
Ist Ein Traum - Rise Stevens, Erna Berger
O Saint Medaille; Avante De Quitter Ces Lieux - Leonard Warren
Clock Scene (Sung In Russian) - Alexander Kipnis
Elle A Fui, La Tourterelle! (Antonia's Romance) - Jarmila Novotna
Con Onore Muore (Death Of A Butterfly) - Licia Albanese
To Leave, To Break (Quintet) - Eleanor Steber, Rosalind Elias, Regina Resnik, Nicolai Gedda, Giorgio Tozzi, George Cehanovsky
Tombe Degli Avi Miei; Fra Poco A Me Ricovero - Jan Peerce
Oui, Pour Ce Soir; Je Suis Titania (Polonaise) - Patrice Munsel
Se Quel Guerrier; Celeste Aida - Richard Tucker
L'ho Abbandonato Senza Un Saluto; In Quelle Trine Morbide - Dorothy Kirsten
Felice Ancor; Per Me Giunto - Robert Merrill
Si, Pel Ciel - Ramon Vinay, Giuseppe Valdengo

Tracks:

Morgenlich Leuchtend Im Rosgen Schein (Prize Song) - Set Svanholm
Studia Il Passo; Come Ddal Ciel Precipita - Jerome Hines
Che Gelida Manina - Giuseppe Di Stefano
Ah, Non Giunge - Roberta Peters
Ecco Ridente - Cesare Valletti
Re Dell'abisso - Marian Anderson
Credo In Un Dio Crudel (Iago's Creed) - Tito Gobbi
O Figli, O Figli Miei! Ah, La Paterna Mano - Carlo Bergonzi
Una Macchia E Qui Tuttora (Sleepwalking Scene) - Leonie Rysanek, Gerhard Pechner, Carlotta Ordassy
Addio Del Passato - Anna Moffo
In Questa Reggia - Birgit Nilisson, Jussi Bjoerling
Recitar!; Vesti La Giubba - Jon Vickers
Give Me My Robe - Leontyne Price

Tracks:

La Fleur Que Tu M'avais Jetee (Flower Song) - Franco Corelli
In Fernem Land - Sandor Konya
Ah! Tu Dei Vivere! Aida A Me Togliesti - Grace Brumbry, Placido Domingo
Je Dis Que Rien Ne M'epouvante - Mirella Freni
Mia Madre Aveva Una Povera Ancella (Willow Song) - Renata Scotto
Too Weak To Kill - Sherrill Milnes
Mi Chiamano Mimi - Montserrat Caballe
La Donna E Mobile - Alfredo Kraus
Stride La Vampa - Fiorenza Cossotto
Fia Dunque Vero; O Mio Fernando - Shirley Verrett
L'anima Ho Stanca - Placido Domingo
O Isis Und Osiris - Martti Talvela
Cruda Sorte, Amor Tiranno - Marilyn Horne
Come Scoglio Immoto Resta - Kiri Te Kanawa
Ave Maria - Katia Ricciarelli

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String Quartet Tribute to the Doors

Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The String Quartet Tribute to the Beatles
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Opening Doors: A Jazz Tribute To The Doors
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ASIN: B0007ZEP6I
Release Date: 2005-04-19

Tracks:

Hello I Love You
Light My Fire
Love Me Two Times
Break On Through
Riders On The Storm
People Are Strange
Touch Me
Twentieth Century Fox
Love Her Madly
Unknown Soldier
When The Music's Over
Give It Up To Me

Product Description

Tracks:

It's Time For A Love Song
The World Is In My Arms
I Want A New Romance
Medley: Everything I Have Is Yours/ Your Head On My Shoulder
Poor You
Open Your Eyes
I Hear Music
The Happiest Day Of My Life
The Lady's In Love With You
Where Have I Seen Your Face Before
Don't Let It Get You Down
It Happens EveryTime
Look Who's Here
Medley: Hurry, It's Lovely Up Here
Medley: On The S.S. Bernard Cohn
Medley: Melinda
Medley: Dancing Lesson
Medley: She Wasn't You
Medley: Tosy And Cosh
Medley: Wait Till We're Sixty-Five
Medley: What Did I Have
Medley: Come Back To Me
Medley: On A Clear Day

Customer Reviews:

Music of Burton Lane.......2006-02-18

This CD is a real delight as Michael Feinstein is one of my favorite performers. He does a great job with this music by Burton Lane. I have both Volumns of music by Burton Lane and I enjoy listenting to both of these CD's

Great CD!.......2000-11-26

It took awhile for me to enjoy the songs on this CD, but once I did, I couldn't stop listening. There are romantic songs, funny songs, powerful songs. A little something for everyone. If you don't enjoy it at the first listen - don't give up! This CD will definately grow on you!

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Give Me a Break
Nathan Coles
Manufacturer: 10 Kilo
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

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ASIN: B00078801Q
Release Date: 2005-03-29

Tracks:

Buck Raas
Aint It Good To Ya
Blurble
Give A Flying Funk
Broken Word
I Got Rhythm Remix
Raas Bucket
Nitty Gritty
Plip Plop You Dont Pop

Album Description

After over 15 years immersed in the world of house music one of the UK tech-house scene's prodigal sons finally delivers his debut solo artist album. Famous for his collaborations with the likes of Nils Hess (as Get F@#ked for Eukahouse), Matthew "Bushwacka!" B. (of Layo &… fame), Asad Rivzi, and Terry Francis, Nathan is also a top notch producer and artist in his own right. Give Me A Break is a collection of some of his work from the last two years and is brimming with that tech-funk sound that he has become famous for the world over.

While other producers opt for big sounds and lead riffs Nathan goes in the other direction, preferring percussive samples, abstract rhythms and crazy vocals to great effect. Whether it's the old school vibe of "Plip Plop You Don't Pop", the acid house feel of "Blurble", or the pure tech-funk of his remix of Will Saul's "I Got Rhythm" this album is all about jacking rhythms and machine funk. Anything less and it just wouldn't be Nathan Coles!

Give Me a Break
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Great stuff

Viva la revolution de Bill House!

A Big Fan from Atascadero,Ca

A Big Fan from Atascadero,Ca

Give Me a Break
Bill House
Manufacturer: Bmg/RCA
ProductGroup: Music
Binding: Audio CD
ASIN: B00004TAIF
Release Date: 2000-03-23

Tracks:

Your No Better Than A Common Shelf
Bad Luck Into Good Times
Damage Is Done
Atranta
Love Had Got It's Hold On Me
We Could Be So Good Together
Matthew Of The Canyon
Jennie
You're My What
He's A Bad Man
If I've Won Or If I've Lost

Album Details

Japanese Exclusive Release. K2 Mastering.

Customer Reviews:

Great stuff.......2006-06-03

Atlanta (Spelled right this time) strong song.
The damage is done is one of my all time faves

Viva la revolution de Bill House!.......2004-07-25

They did not translate the song titles correctly for this album. It is "You're no better than a Common (Thief)" "Love ha(s) got its hold on me" and "At(l)anta." I had no idea Bill House had a fan! Actually guys, Bill House is nothing more than a novelty. I found this record in my grandparent's attic. The back cover is Bill and his "crew" leaning on like a railing or something with Bill looking like Mike Myers in Wayne's World with a pathetic face that says "Give Me a Break." I listened to this album once and I regret it. It is pathetic, average "music."

A Big Fan from Atascadero,Ca.......2000-06-28

I have played my vinyl till it has turned white. So now I need to replace it with a CD. I just love the whole album I don't think there is a bad cut on it I just wished Bill would come out again. There are a lot of us here in Central California who would love to here some new stuff if he is at all recording. Keep up the GREAT TUNES"""" REALLY LOVE YOUR STUFF!

A Big Fan from Atascadero,Ca.......2000-06-28

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