That Sound [CD-single] [Import]
That Sound [CD-single] [Import]
Track Listings
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1. Radio Edit
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2. Nitrogen Blast Mix
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3. Darkstrumental Mix
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4. Masculine Dub
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5. Dark And Sexy Dub
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That Sound,Rosabel,Zyx/House Nation,5"CD Singles,Dance
Average customer rating:
- Yes, it is THAT bad
- More victory at sea
- Victory At Sea
- More Victory at Sea
- Victory at Sea Volumes 1 and 2
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Rodgers: More Victory at Sea
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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Similar Items:
- Victory at Sea (Music from the Original Television Series)
- Victory at Sea
- Selections from Victory at Sea and Other Favorites
- Victory at Sea - The Legendary World War II Documentary (History Channel)
- Grofé: Orchestral Works
ASIN: B000003F8B
Release Date: 1992-08-11 |
Tracks:
- More Victory At Sea: Allies On The March
- More Victory At Sea: Voyage Into Fate
- More Victory At Sea: Peleliu
- More Victory At Sea: The Sound Of Victory
- More Victory At Sea: Rings Around Rabaul
- More Victory At Sea: Full Fathom Five
- More Victory At Sea: The Turkey Shoot
- More Victory At Sea: Ships That Pass
- More Victory At Sea: Two If By Sea
- More Victory At Sea: The Turning Point
- More Victory At Sea: Symphonic Scenario
Customer Reviews:
Yes, it is THAT bad.......2007-06-08
Why, why is it so difficult to reissue the originals, in full? The music is wonderful--well, if you're a fan, you know that already--but the sound effects really are laughably bad. And as the sound effects were integral to the atmosphere of several tracks, it really does matter. Now, instead of the jungle sounds that accompanied the original track, you get to listen to some house sparrows chirping and flitting cheerfully from tree to tree, as if you were sailing toy boats in the park instead of slogging through the jungles of New Guinea. If the original sound effects are missing, minimal effort from RCA could have secured at least reasonably realistic substitutes. Instead, we get this pathetic garbage. Really a shame. That second star is only because the original music is so good.
More victory at sea.......2007-03-26
It's ok, but much of it was cut from the original album. I have the complete set of 33 1/3 albums,there were three, the cd is ok but lacks the original sounds put on when recorded.Sounds were added that were not originally there.It can't compare to the original.
Victory At Sea.......2007-03-09
This time honored musical composition is without a doubt the best in its depiction of war in the Pacific. The music tells the real story!!
More Victory at Sea.......2007-01-04
The quality of the digitally remastered music on this CD is far and above what I was expecting. The entire CD plays flawlessly without so much as a hint of unwanted background noise. My experience in purchasing this CD was very good. Shipment was almost immediate and delivery prompt. I can find absolutely nothing to complain about and am very happy with my purchase. Thanks a million.
Victory at Sea Volumes 1 and 2.......2006-12-14
What an utter disappointment. I've got the originals on vinyl, and this sad excuse for a reissue was not worth the money I spent. Most of the sound effects from the original have been left out, and the final 10-minute-plus piece, "Symphonic Scenario", bears not even a passing resemblance to the original. Don't waste your time and money.
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- Eerie and dark music for the soul
- Fantastic!
- great music
- very cool
- Excellent Atmospheric c.d.
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The 13th Hour
Midnight Syndicate
Manufacturer: Entity Productions
ProductGroup: Music
Binding: Audio CD
Goth
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Similar Items:
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ASIN: B0009S52ZG
Release Date: 2005-06-07 |
Tracks:
- Mansion in the Mist
- Forgotten Path
- Time Outside of Time
- Fallen Grandeur
- Hands of Fate
- The Drawing Room
- Mausoleum d' Haverghast
- Family Secrets
- Last Breaths
- Vertigo
- The Watcher
- Cellar
- Cold Embrace
- Hand in Hand Again
- Harvest of Deceit
- Footsteps in the Dust
- Veiled Hunter
- Sinister Pact
- Grisly Reminder
- Deadly Intentions
- The Lost Room
- Living Walls
- Gruesome Discovery
- Return of the Ancient Ones
- The 13th Hour
Product Description
Over the past eight years, Midnight Syndicate has defined the gothic/horror soundscape genre and redefined the Halloween music industry. Their unique blend of dark orchestral movie-style instrumental music and carefully crafted sound effects make their "soundtracks for the imagination" truly interactive listening experiences, earning them a diverse worldwide following in the gothic music, Halloween, horror music, haunted attraction, and gaming industries.
Customer Reviews:
Eerie and dark music for the soul.......2007-03-08
Midnight Syndicate's 13th HOUR is the perfect album to listen to while you write; its dark mood and somber atmosphere are inspiring to me when I write a horror tale. It also serves as great background music to your Halloween party or gothic evening among friends.
This was the first album I got from them and I want all the others too because I'm hooked now. They recently re-released their early works under the title OUT OF THE DARKNESS. Also, check out VAMPYRE and GATES OF DELIRIUM.
Whether you're the Goth type or a casual fan wanting some cool music to set the ambiance at a party, 13th HOUR is an awesome symphonic horror album.
Fantastic!.......2007-02-03
I write gothic horror stories and love to listen to music that "puts me into another world". I'm so glad that I found this CD. It has definately inspired some of my best writing.
great music.......2007-01-11
used for a Halloween party, it was perfect really set the mood
very cool.......2007-01-10
I'm a halloween fan from wayyy back and this is the best cd I've found for just the occasion.
Excellent Atmospheric c.d........2007-01-08
We had this playing in all the rooms of our house during our Halloween party last year, all the tracks going in different order in a continuous loop. This set quite a mood! Everyone commented on the music and how great it was. Just the right amount and use of sound effects. So many Halloween type c.d.'s go too far and become just corny and that wrecks the mood you're trying to create in the first place. After the party, when everyone left but for my cousins and us, we just had this playing in the library and had a ball scaring the wits out of each other with our own "personal" ghost stories. We're not into the whole goth culture thing, but we can appreciate what M.S. is doing. To listen to this at only Halloween is a mistake, you're short changing yourself. Put this on curled up with you're favorite suspense, thriller or horror book for an added dimension to the experience.
Average customer rating:
- Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound
- Crystalline
- Best Chanticleer CD Yet
- How Angry the Sound?
- This CD is the bomb!
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How Sweet the Sound: Spirituals & Traditional Gospel Music
Chanticleer
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00029CZPW
Release Date: 2004-09-14 |
Tracks:
- Jesus Hits Like An Atom Bomb
- Surely God Is Able
- Amazing Grace
- Medley: Soon One Mornin' - What You Goin' Do When The World's On Fire? - You Can't Hide - Run On For A Long Time
- Didn't It Rain
- Sit Down Servant - Plenty Good Room
- Keep Your Hand On The Plow (Hold On)
- My Soul Is A Witness
- There Is A Balm In Gilead
- Medley: Sometimes I Feel Like A Motherless Child - Poor Pilgrim Of Sorrow - Walk In Jerusalem
- Be Still And Know That I'm God
Amazon.com
Chanticleer's repertoire ranges through many centuries. On this recording, the group again proves its infinite versatility in a program of gospel music and spirituals. The singing is so authentic that one feels like a participant in a gospel meeting, swaying to the rhythm with the crowd. Contributing greatly to the impact is Chanticleer's guest, Yvette A. Funder. Possessor of a voice remarkable for its range, power, and flexibility, she brings to the music the empathy and authority of one born and raised in the tradition, whether leading call-and-response, engaging in improvisations that soar high above the chorus, crooning softly in meditation, or shouting in ecstasy. (She is also an active Bishop ministering to the poor and afflicted, and the founder of various social service agencies in California.) Several songs include soloists drawn from the chorus as well, most notably a tenor, a countertenor and a bass who provides a rhythmic ostinato. The program, designed for maximum variety of tempo, mood, character and texture, includes many favorite songs and spirituals, such as "Amazing Grace," "There is a Balm in Gilead," "Sometimes I Feel like a Motherless Child." The arrangements by Joseph Jennings, Chanticleer's Music Director for 20 years, are admirably simple and very good; only a few are marred by awkward modulations or overly sophisticated, Hollywood-inspired effects. Most of them are for a cappella voices. Jennings also contributes a new original composition: "Be still and Know that I'm God." Repeating these words like an invocation, it builds a cumulative drama with increasingly wild, elaborate improvisations in call-and-response between soloist and chorus; supported by a prominent piano part that includes solos, chordal and running passages, it ends with a rousing climax. --Edith Eisler
Customer Reviews:
Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound.......2006-02-10
On this standard red book 16-bit CD we are offered that rare and special invitation: Come now, pilgrim - take yet another good step forward in gospel praise or supplication. How can we progress in our individual and collective spiritual journeys towards whatever transcendent glories ground us, revive us, and lead us on despite life's challenges, unless we sing?. Are you having set backs? This CD is good medicine, and it is both a worthy addition to the gospel music shelf and perhaps just the sort of musical medicine that turns out to be good for you, on more than one level of body, mind, and soul. Not a bitter root aftertaste, nor a nagging fishy oil payback in any of this welcome elixir. I guess that is why we call it, Good News.
The arrangements of new and old gospel standards have been set by counter-tenor Joseph Jennings - a leading Chanticleer member of long standing - intently drawing upon both the florid improvisations of the soloists and gospel groups climbing ever so dazzlingly into the fiery chariots that sacred texts say carried off the prophet; and yes, rooted as well in the impeccably crafted close harmonies and inwardly solid strength of gospel quartets and ensembles like Fisk University's Jubilee Singers and many other exemplars.
So, when you listen to this one you will be immediately surrounded by that amazing and great, gathering could of witnesses. The messages are familiar: Keep your hands on the plow. Surely God is able. There is a balm in Gilead.
Like the famous vocal work by Ralph Vaughan Williams, his Serenade to Music as written for a star-crossed group of well-known British soloists of the era; so this gospel outing brings the small male ensemble Chanticleer to the fore - both as a vocal group and as a fabulous collection of solo voices who are prodigiously gifted vocal stars in their own rights. Capping off Chanticleer as an embarrassment of riches is a guest turn by San Francisco's own Bishop Yvette Flunder. She is the real deal, too, as both an ordained minister whose leadership in black churches has blazed fireworks in celebration of melding religion with social justice, and a Jen-U-Wine good news singer who can preach and pray and moan with the best of them.
Only the superhumanly perfected intonation of their cappella group singing, as well as the superb blend and polish of the Chanticleer dozen, will remind a listener than this group is as famous for its Flemish medieval polyphony or its unerring Purcellian clarity, as any other ensemble of twelve voices now appearing before us.
So, forget all the categories and musicology boxes which would seal off gospel music from pre-Bach cathedral masters of polyphony. With this CD we can just revel in the mysteries of good music, regardless. Yeah, Josquin, I'm talking bout you - Sit down servant, there's plenty good room.
Five stars. Highly recommended.
Crystalline.......2005-04-08
I'm not a huge fan of gospel, because I find it to be led by emotion, and musically undisciplined. Rousing, yes - but a little goes a long, long way. I've also found most gospel recordings to be sonically challenged. Almost as if microphones were incapable of capturing the music with clarity. None of this holds true for "How Sweet the Sound." This is a beautifully recorded cd, and every tune is both musically precise, and emotionally resonant. It is, however, a little hard to listen to in one sitting because of the "sameness" of the arrangements. That's a small quibble - who says any cd has to be experienced all at once - and "There is a Balm in Gilead," alone is worth the price of admission.
Best Chanticleer CD Yet.......2005-02-01
This is the Best Chanticleer CD yet. I have listened to it dozens of times. Money well spent. I have even given copies to several of my friends.
How Angry the Sound?.......2005-01-02
My daughter gave me this CD, because, while I'm not religious, I'm a long time fan of gospel music. The first pass through the record, I found myself wandering off to other tasks. So, the second time I put it on the player I forced myself to sit completely through the record. I'm not familiar with Chanticleer, so I had no idea whey she thought I'd like it, but she's is right more often than not. This would be one of the "not" times.
I guess this as an attempt to make gospel music "hip." With songs like "Jesus Hits Like An Atomic Bomb" and "What You Gon' Do When the World's On Fire?" the lyrics are like walking a American urban street being threatened by strangers. Far from being uplifting, the songs are decidedly unfriendly. The feel of the music reminded more of the howling noises I suffered as a forced member of my parent's Kansas Methodist Church than the sweet, honest sounds of real gospel music. That intangible thing I get from listening to gospel music that is heartfelt and painfully honest, even if deluded, was nowhere to be heard in "How Sweet the Sound." Instead, the music is chant-like, monotonous, and cold.
I would not recommend this record to anyone outside of the Midwest. If you miss the sterile sounds of a Midwestern protestant church in full howl, this might be your cup of weak wine. If gospel music is what you're looking for, look elsewhere.
This CD is the bomb!.......2004-11-28
From "Jesus Hits Like an Atom Bomb" to "Amazing Grace", this CD is packed with glorius gospel spirituals and terrific talent. Highly recommend to music lovers of all faiths!
Average customer rating:
- Another Dungeon Master's opinion
- The coolest Gaming and Riding
- A GameMaster's Review
- Midnight Syndicate Critique
- Only a gamer can make a class act sound track.
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Dungeons & Dragons - Official Roleplaying Soundtrack
Midnight Syndicate
Manufacturer: Entity Productions
ProductGroup: Music
Binding: Audio CD
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- Necronomicon
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ASIN: B0000BZYIS
Release Date: 2003-08-12 |
Tracks:
- Prelude
- Troubled Times
- Ride to Destiny
- The Fens of Sargath
- Descent into the Depths
- Stealth and Cunning
- Behind Door #1
- Skirmish
- Eternal Mystery
- Heroes Valor
- Relic Uncovered
- Deep Trouble
- Chant
- Craft of the Wizard
- Beasts of the Borderlands
- Secret Chamber
- Lair of the Great Wyrm
- Ancient Temple
- How Strange . . .
- Army of the Dead
- Final Confrontation
- Ruins of Bone Hill
- City of Sails
Album Description
MIDNIGHT SYNDICATE brings you the first-ever officially licensed soundtrack to the roleplaying classic that started it all.
Ancient underground temples, dark knights, mysterious labyrinths, sorcerors, forgotten tombs, enchanted forests, and creatures await you on this new release containing over an hour of orchestral music from the masters of gothic/horror soundscape. It's the ultimate musical accompaniment to the DUNGEONS & DRAGONS roleplaying game, and promises to take listeners on an epic adventure through the darkest corners of their imagination.
Working closely with the game designers at Wizards of the Coast, this CD is a simple yet dynamic way for gamers to take their adventuring sessions to the next level.
Customer Reviews:
Another Dungeon Master's opinion.......2005-05-17
This disc really delivers! Not only is it great background for gaming sessions but the music definitely stands on it's own as cool listening/driving music. Dynamic pieces, a lot of instrumental variety, and just enough sound effects to enhance the mood.
As far as it's application to a game situation - I have to say this is the best fantasy RPG soundtrack I've ever heard (that seems to be the general consensus from the other DMs I've talked to on the convention circuit). The other soundtrack attempts before this one really pale in comparison in my opinion.
When I have the time, I like to go through all of my soundtracks and piece together a custom soundtracks for my games. This disc mixed with some Conan and any of the LOTR scores makes for a powerful combo.
More than often I don't have the time to devote to that. I'm pleased to say that in every session where I've JUST played this disc in the background, it's worked very well. A bit on the dark side but for a dungeon crawl I can think of no better music.
The coolest Gaming and Riding.......2005-01-21
I went to Amazon looking for more afordable book than the ones I had just bougth at Hastings and suddenly, I met a CD by the name of Dungeons and Dragons. I was not a Midnight Syndicate fan before mind you, but after hearing this CD in converted and now I am looking forward to gettineg other CDs by them. The tracks in it are great 2/3 of them are not gloomy or rather mysterious. But this makes sence when you are "descending into the depths" or looking in a secret chamber. I love the"Prelude" because it sets the mood of a Fantasy like wolrd, the harp is really cool too. I loved "Craft of the Wizard" and the one also after that. It is like a march and then there is some catapults hurling stones. I also like the sword sound effects. They sound metally but hey most swords are thin (except Claymores):> But the Best song of them all would have to be "City of Sails" It is great, It sounds like Final Fantasy VIII a little but its great. The great thing about this music is that you can picture the action thats going on. I pictured myself riding a horse to victory. It is also great listening to it while in the car, especially in the morning because it wakes you up and puts you in a "triumphant" mood. Also I wrote some poetry while listening to "Ruins of Bone Hill" and when i read it aloud with the music it gave it a great effect.
So all in all This is One of the few great buys that i have loved right off the bat.
I hope you enjoy it as well.
A GameMaster's Review.......2004-10-12
I agree in great part with the review by Ryan Marshall. I'll note that I have not listened to any other Midnight Syndicate works before this one, but I am making an effort to be objective.
My favorite tracks are the two `bonus' tracks, Ruins of Bone Hill and City of Sails.
The quality of this music (if you don't mind that it's synthesized and can appreciate this sort of thing) is a 4/5, which is a fairly high rating from me.
But as far as this music can be applied to roleplaying is a 2/5 at best...
Here's the problems:
1) The music all seems to have the dark/eerie flavor that seems to be the staple of Midnight Syndicate. This severely limits the themes, moods, and instrument sets that were used. The only exception is City of Sails. While this does not detract from the quality of the music itself, it would still be nice to have more variety in a collection that is supposedly `official roleplaying music'.
2) I rarely found that the intended setting for each track actually suited the music, but the sound effects that were included made it unusable for anything else.
For example, Beasts of the Borderland seemed to me to be a great track for an army on the march, until I started hearing strange `beast' noises that seemed out of place.
3) Speaking of out of place sound effects, I found that many of the sound effects were ambiguous, unfulfilling, or outright mood-spoiling.
For example, in both Skirmish and Final Confrontation, you hear the `clash of swords' at certain times. However, these `swords' sound like pieces of tin slapping against one another with minimal force rather than actual swords. Who uses tin swords? Besides, not all `skirmishes' in roleplaying actually involve swords...
Side Note: Many portions of the melodies were familiar and some outright recognizable as being nearly identical to some of those used in older console RPGs. Perhaps it was from such games that they drew their inspiration. It would have to be a very big coincidence otherwise.
If you are a roleplayer and/or enjoy background music and aren't penny pinching or if you are a Midnight Syndicate fan, then you will probably want to buy this anyway. But I would not recommend this collection to anyone else.
Midnight Syndicate Critique.......2004-09-22
I would give this product a 4 1/2 if I could. I will be honest, Its not the most spectacular album in the world, but it does fit its purpose exactly. From the core of your game until its over...You will enjoy this product completely! Th attitude and ambience it creates for RPG gamers (particularly D&D) just what the Master ordered. It fits extremely well into any game, as well as car or relaxation music. Overall: great product!
Only a gamer can make a class act sound track........2004-08-17
Midnight syndicate does it again with their sound track for the D&D game. The music is thoughful, playful, and powerful. Perfect for any campaign or a drive in the car.
Once again it is a great feeling seeing another home grown product from the Midnight Syndicate. After all they started as gamers and have not forgotten their roots.
See them in person at their booth every Dragon Con in Atlanta Georgia.
Best:
David
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Pretty good...but repetitive.
- Very Atmospheric (feels like being somewhere both beautiful and dark)
- Beyond good
- Some Kind of Strange -- Inspiration divine!
- definitely worth buying!
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Some Kind of Strange
Collide
Manufacturer: Noise Plus Music
ProductGroup: Music
Binding: Audio CD
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- Chasing the Ghost
- Vortex
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ASIN: B000090PEX
Release Date: 2003-04-22 |
Tracks:
- Crushed
- Euphoria
- Modify
- Somewhere
- Slither Thing
- Inside
- Mutation
- Tempted
- Shimmer
- Complicated
- So Long
Album Description
Sensual, powerful, exotic, and alluring ...
The orchestrated layers of sound and emotion unravel an expressive journey, exploring one's place within themselves and the universe. Meaningful lyrics and hypnotic vocals combine with an aural sculpture to form a unique listening experience. "Some Kind of Strange" is seductively captivating on many levels from the primal to the sublime. Collide creates a distinctive harmony and clashing of sounds.
Customer Reviews:
Pretty good...but repetitive........2007-04-18
Let me start off by saying that Collide is a truly amazing band. Their release "Chasing the Ghost" was beyond anything I've ever heard before. I've had it for about a year now, and still I can listen to the whole album in one session without getting the slightest bit bored with it. I would definitely suggest "Chasing the Ghost" for those of you who are new to Collide.
Now for this album: It wasn't horrible. "Crushed" is very a catchy song with an atmosphere of subtle vengefulness to it. "Euphoria" is also another amazing song that has a nice sultry and down-tempo, shoe-gazing type of feel to it sided with an electronic edge. The song seems very mellow at first, but around the third repeat of the chorus it picks up a bit and really climaxes, leaving you completely hypnotized with the song's ending.
The rest of the album isn't bad either and has its high and low points like any other album. After the first two songs, the rest of its tracks pretty much maintain one constant tempo, which is undoubtedly part of Collide's magic, but can get a bit monotonous after awhile. I guess the listener's own preferences would play a part in whether or not they can tolerate some slight monotony. I must say though, the down tempo feel really creates a carthartic atmosphere.
There are some other good songs to this album too, such as "Tempted" and "Slither Thing" which takes on a different and almost unexpected feel...and a few other, also.
Overall this album was pretty good...not Collide's best....but certainly not horrible. I'd only suggest it to those who have already been exposed to Collide, however. Chasing the Ghost would have to be the suggested album for those just discovering this band.
Very Atmospheric (feels like being somewhere both beautiful and dark).......2007-04-13
Some Kind of Strange is a mesmerizing. Collide are very successful at creating atmospheric music that is slow and beautiful. Music of this kind can often get repetitive and cause the listener to lose interest. Collide avoids this pitfall. This album is captivating.
Some of my personal favorites include:
"Euphoria", "Somewhere", "Slither Thing", "Complicated"
Also, "Vortex" (A double disc Collide remix album) is definitely worth checking out. It is probably one of the most interesting remix albums I have ever heard.
Beyond good.......2007-04-13
I visited a friend of mine i hadn't seen since october, and she immediatly began raving about some CD's i had given her. I realized then that I myself had been listening to Collide since beginning of october and have not stopped since i got "chasing the ghost"
The music of collide is sensual and energetic and is just beyond anything that music today has to offer. The maturity of sound and lyrics is in scope with stuff from Nine Inch Nails.
Recently i began buying other albums by this phenomenal group and Some Kind of Strange has captivated me. Euphoria is one of the best songs on the album but its not the only thing it has to offer.
Describing the sound and energy isn't enough, it can only be experianced.
-CoucH
Some Kind of Strange -- Inspiration divine!.......2007-04-13
To those familiar with the band it's no surprise to find the haunting vibes within each and every song. This Cd absolutely has to be one of the most inspiring of all the Cd's I own. In fact, one of the songs on the Cd actually sparked an inspiration..an idea for a novel actually. It's not completed at this time, but I remember hearing the song and the story instantly coming to life..as if the lyrics had been written with the main character in mind. There is simply so much personality in Collide's music, and Some Kind of Strange is a mover---meaning, you simply can't just listen to the cd without feeling.. something.
definitely worth buying!.......2006-06-15
I have never been a heavy listener of industrial/gothic/electronica until I found Collide. "Crushed" was the first song I ever listened to and after that I was hooked. Despite other reviews that I have read about being repetetive or lacking in meaningful lyrics, I believe every song on Some Kind of Strange is unique and takes you on a trip you'll never want to come back from. I love every song, though I do have my favorites which include Crushed, Euphoria, Inside, Tempted, and Complicated. But I promise you, every song is worth a listen!
Collide is quite possibly one of the best bands I've heard in a while. I can't listen to modern radio much anymore. Everything sounds the same to me. But Collide stands out with their trippy, dreamlike songs and sounds and deep and sometimes completely random lyrics.
kaRIN's sexy, dark, soft, yet powerful vocals alone should lure you in. I'd try to compare her to another singer, but I don't know of any that come close to sounding like her, making her all the more enjoyable to listen to! Combined with Statik's "noise", which consists of multiple beats, instruments, and sounds that clash in such a way that it can only sound good coming from him. I was impressed how Statik used sounds that alone, one would normally dislike or find annoying, but added to a beat could make music out of it! Truly amazing and unique. I highly recommend this band!
Average customer rating:
- takes me to nirvana
- Sounds of Light was better
- Inaccurate, but a good listen
- Very good if you like Indian mantras
-
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Travelling the Sacred Sound Current: Divine Chants & Sacred Tones for Healing & Meditation
Deborah Van Dyke
Manufacturer: Sound Current
ProductGroup: Music
Binding: Audio CD
General
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Meditation
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Similar Items:
- Travelling the Sacred Sound Current: Keys for Conscious Evolution
- SOUNDS OF LIGHT: The Pure Tones of Crystal Singing Bowls
- Chords of the Cosmos: Harmonies of the Zodiac with Crystal Bowls for Chakra Balancing, Meditation & The Healing Arts
- Seven Metals Singing Bowls of Tibet
- Chakra Healing Chants
ASIN: B00005NVWC
Release Date: 2001-08-08 |
Tracks:
- Awakening
- Gayatri Mantra
- Kadosh
- Om Nama Shivaya
- Yod He Vav He
- Om Mani Padme Hum
- Journey
- Sound Current
- Ceremony of the Seven Rays
Amazon.com's Best of 2001
Following her remarkably beautiful and top-selling crystal-bowl meditation CDs, heralded by critics, customers, and even Dr. Wayne Dyer, sound healer and teacher Deborah Van Dyke presents Travelling the Sacred Sound Current, audio companion to her instructive and finely wrought book of the same name. Van Dyke's musical offering, used in conjunction with the book or as a standalone tool, moves beyond relaxation and entertainment value into the realm of spiritual and therapeutic practice and purpose. Based on sound scientific principle--Dr. Andrew Weil's Sound Body, Sound Mind is highly recommended to this end--Van Dyke uses frequencies and tones to promote maximal benefit to body, mind, and spirit. These nine pieces bring together ancient mantras and chants, crystal bowl tones, drums, and didgeridoo, as well as nature sounds and Peruvian whistles, to create the thread-work of a profoundly interactive listening experience. Travelling the Sacred Sound Current resonates with deep beauty, peace, and truth. Neither far afield in woo-woo content nor loftily academic, Van Dyke's work is a welcome invitation, likely to appeal to both the intensive meditation student and the casual or novice seeker. --Paige La Grone
Album Description
Newest release from CRYSTAL VOICES creator & sound healer DEBORAH VAN DYKE - this is the Companion CD to her new definitive Book on sound healing: "Travelling the Sacred Sound Current: Keys for Conscious Evolution" (available through Amazon.com books). Recorded live in her healing sanctuary, the essence of sacred ceremony is captured in this authentically beautiful CD. It offers an exquisite treasure of timeless healing mantras & chants, crystal bowl tones, drums, gongs, didjeridoo, nature sounds, and Peruvian whistling vessels, which provide a deep vibrational sound journey for inner attunement and healing. Includes a powerful shamanic drum experience as well as a twenty minute crystal bowl meditation. Sit back , relax, and be prepared to embark on an inner voyage of transformation with this sacred ceremonial music and Deborah's compelling and soulful vocals. You will be soothed and transported to a place of deep inner peace. This CD is truly a sound vision quest for awakening, purification, and opening gateways of consciousness. Music created with a sacred healing intention - an frequency-shifting, soul-enriching experience.
PLANETLIGHTWORKER Magazine, Oct/03, Editor's review: "Sometimes in life when I'm faced with the experience of otherworldly beauty I am simply awestruck, - to the point of being left speechless. This is one of those moments.
Deborah Van Dyke has created one of the most glorious New Age recordings I can remember. Crafted through the use of some very natural textures, its poetic rhythms are sensual and astonishingly pure. There is a complexity to the CD that is as unique as each human life. In just the first few breaths of listening I could feel the sweetest altering of my physical body taking place. A shift in posture, an expansion of my senses, and a fluttering of excitement in my heart's heart. The naturalness, the eloquent harmony and echo, all come together to offer such a tremendous gift to creation. For centering, grounding, gifting, doing healing work with others, Travelling the Sacred Sound Current intuitively knows the listener's need and exceeds that requirement with a universal gift of transformation".
*****UPDATE: Deborah's NEWEST CD RELEASE now available on Amazon.com: 'CHORDS OF THE COSMOS: Harmonies of the Zodiac with Crystal Bowls for Chakra Balancing, Meditation & the Healing Arts'.
Customer Reviews:
takes me to nirvana.......2007-01-29
Great for yoga and/or meditation. The only thing I'd change is the talking on the last track--I find it's distracting. Otherwise, I'd rate it five stars. My classes love it.
Sounds of Light was better.......2006-12-26
There's too much caterwauling in this one. Not for meditation, maybe as a quiet background for ambience, I dunno. It didn't quite inspire any transcendental experiences for me.
Inaccurate, but a good listen.......2005-11-08
I like this album, it is soothing and meditative. The music is compelling and the vocals are pleasant. Unfortunately, I can't give it a higher rating, because some of the Sanskrit words are incorrectly pronounced. I'm not trying to be picky, but you'd think that Deborah who's written a book on healing music would know how to pronounce the lyrics of her songs. With that in mind, the album is quite good.
namaste :)
Very good if you like Indian mantras.......2005-08-12
The album is very enjoyable to listen to. If you like a meditative type of music. Several songs are chants (or mantras) that have been put to music. I liked this one very much.
.......2005-01-31
I learned to pronounce Divine names I read in spiritual books,
but never heard chanted before, from this CD.
As a woman, following the voice of a women guide
was easier for me to echo, then male chants.
It is the perfect CD to play and chant along while ringing
my own crystal bowls and sets a relaxing, prayerful mood
before going to sleep, for me.
Average customer rating:
- WOW
- Soothing. Peaceful.
- Amazing Soulful Yoga Music
- brilliant masterpiece
- Just love it!
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The Lover & The Beloved
Donna De Lory
Manufacturer: AJNA MUSIC
ProductGroup: Music
Binding: Audio CD
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- Bliss
- Dakshina
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- Love Is Space
- Kirtan: The Art and Practice of Ecstatic Chant
ASIN: B0001DHQNA
Release Date: 2004-01-31 |
Tracks:
- Ganapati Om
- Om Nama Shivaya
- He Ma Durga
- Hare Krishna
- Govinda Jaya Jaya
- Samba Sadashiva
- Govinda Jaya Jaya (Mac Quayle Mix)
Amazon.com
Donna de Lory has several solo albums out, but she's still best known as a back-up singer for Madonna, fleshing out choruses since the mid 1980s. There's more than a little bit of Madonna in De Lory's voice, at once fragile and vulnerable, yet still powerful, with a gospel-like yearning. On her own, De Lory has crafted artful pop on albums like Bliss and In the Glow, but she also tends toward the mystical and began incorporating Sanskrit mantras or Kirtans into her songs, a tact culminated on The Lover & the Beloved, a full-fledged Mantra journey. De Lory draws from the golden oldies of mantras, including "Hare Krishna," but revs them up with electronica beats, verse-chorus arrangements, multi-tracked vocals, and electronic textures sprinkled in with the sitars and tablas. Cameron Stone weaves his processed cello through De Lory's melodies and harmonium in serpentine rivulets, tying together the tablas of Girish Gambhira and the answering chants of Kirtan singer, Dave Stringer. Endowed with the materiel girl's sense of pop form and irresistible hooks, De Lory posits a confluence between pop and spiritual music, in which a repeated chorus has the same mantric effect as a chant. Her chants could be hymns to Krishna or a plea to a lover, but they are equally ecstatic and powerful. --John Diliberto
Album Description
These Sanskrit mantras bubble with a groove and atmosphere that takes tradition to heaven and back. Donna's voice resonates with ether and earth, beauty that asks you to join in, become one with the sound of deep celebration.
Customer Reviews:
WOW.......2007-06-26
This is a wonderful CD of chants that are both up to date and ancient at the same time. It is calming to the soul to listen to, and later in the day you will find youself chanting the words.....
Soothing. Peaceful. .......2006-09-12
I love all these songs! Soothing and tranquil.
They last a long time which is perfect for use as background music while working or while chatting with friends.
It makes it easier to relax to the melody,let your cares float away as the music wraps around you.
It's one of my favorites, I'm so glad I took a chance and got this one:)
Amazing Soulful Yoga Music.......2006-03-18
Donna De Lory has a beautiful, soulful voice and her music is perfect to practice yoga to or to unwind and get into that zenlike spirit. I ordered the rest of her CDS.
brilliant masterpiece.......2005-09-12
This album is a brilliant masterpiece. Extremely uncommon music, farly outrunning the present. A listener is experiencing a deep feeling of being, also as each piece here, so long, is being changed several times in movement and style. At this web page the short mp3 shows are only presented in one such a style and movement, more torrential but less oriental. The most varied piece is the last seventh: Govinda Jaya Jaya (Mac Quayle Mix). And what's more, the box for the CD is not the traditional plastic, but it is made quite else and I do not mean to disclose, how. For me it was an eye-opener and I wish you the same excitment. It is no lesser masterpiece than the music itself. So I recommend this album to everybody and thank the authors very much for this great experience. You're real masters.
Just love it!.......2005-04-11
A lovely album. Donna brings a sense of creativity, melody and bkathi (devotion) to each of the songs. It starts with a catchy Ganapathi OM, continuing with the same catchiness with Om Namah Shivaya. He Ma Durga brings out the delicacy of her voice. I loved Govinda Jaya Jaya, which is ideal for a group chant that brings a lot of energy into the singing.
I found all the songs to be melodious. The lyrics are simple for anyone to remember easily. The tune is catchy and lingers on after listening. There is a nice blend of western and Indian instruments providing soothing background music. As in many Indian songs/chants, you will find repetition within each song, which is a nice thing. You probably will not notice it as it encourages you to remember the tune/song much easily.
I use this album in my Yoga classes regularly and come away humming for a long time. Just love it!
Average customer rating:
- This is awesome!
- Awesome CD!!
- I absolutely LOVE this!
- Vienna Boys do it again
- Wow
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The Best of the Vienna Boys' Choir (Box Set)
Manufacturer: Delta
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- Luminosa
ASIN: B00000IGUW
Release Date: 2000-12-06 |
Tracks:
- Mass in C major K. 317 'Coronatoin' Mass: I. Kyrie
- Mass in C major K. 317 'Coronatoin' Mass: II. Gloria
- Mass in C major K. 317 'Coronatoin' Mass: Ave verum corpus KV 618 - K. 618
- Requiem KV 626 (Auszuge) - K. 626: Dies irae
- Requiem KV 626 (Auszuge) - K. 626: Lacrimosa
- Requiem KV 626 (Auszuge) - K. 626: Agnus Dei
- Requiem KV 626 (Auszuge) - K. 626: Lux aeterna
- Ave Maria
- The Creation: Terzett: 'In holder Anmut stehn'
- The Creation: Terzett mit Chor: 'Der Herr ist gross in seiner Macht'
- Locus iste
- Ave Maria
- Abendsegen
- Pueri concinite
- Messiah: No. 03 Chorus: ' And the glory of the Lord shall be revealed'
- Messiah: No. 06 Chorus: 'And he shall purify'
- Messiah: No. 42 Chorus: 'Hallelujah'
- Messiah: No. 51 Chorus: 'Worthy is the Lamb that was slain' - 'Amen'
Tracks:
- The Blue Danube
- Annen - Polka Op. 117
- Walzer - Tales from the Vienna Woods, Waltz
- Tritsch - Tratsch Polka
- Village Swallows from Austria
- Pizzicat - Polka
- Morning papers, waltz
- Radetzky - Marsch
- Thousand and one night, waltz
- Heidenroslein
- The Magic Flute: Trio
- Innsbruck, I must leave thee
- Aba Heidschi Bumbeidschi
- Edelweiss
- Do - Re - Mi
Customer Reviews:
This is awesome!.......2002-12-13
I love this bos set, especially the second one Edelweiss is simply great, it's filled with passion and truly shows the beauty of music.But if you had already bought Ave Maria and Edelweiss please don't buy this one, they are the same, this CD is just perfect!
Awesome CD!!.......2002-06-07
Wow...That was my first word when I listend to this CD.
I like classical numbers more than like traditional songs of
other countries, so the 1st one was wonderful
(Of course as well as the second one.)
When you want to relax, you may choose the 1st one, but
if you want to be excited, choose 2nd one!!
You will feel as if you were out of this world.
I absolutely LOVE this!.......2002-02-20
When I received this album, I found that it was much, much more than I had expected. The angelic, pure, innocent yet DEFINED voices of these boys add the spark to your day. (at least to mine!)
The first CD is absolutely beautiful choral music which is really relaxing. I DO prefer boys' singing to adults, because it just sounds so much better.
When I bought the CD, I wasn't expecting much out of the second CD because I bought it for the first CD's sake, but the second CD turned out to be my real favorite.
Not that I don't adore the first one, but the second one is SO IRRESISTABLY CUTE!! whenever I listen to it, I keep on smiling and going "awww. isn't this cute!"
It is REALLY sweet and fun to listen to. I just LOVE this CDs and want to give 10 stars out of 5, but obviously there are limitations, so..
Well, if you like choral music, you won't regret getting this one.
Vienna Boys do it again.......2001-08-18
Their performance is just superb. If you like classical music. I find this elevating my spirits.
Wow.......2000-09-06
What can really be said about this two CD set except "Wow." The tone quality and emotion contained in the music is incredible, and I don't think there's another boys' choir out there who can match it. The rendition of Schubert's "Ave Maria" alone is worth buying the CD. Amazing. Between the two CD's there is a great variety of music as well, ranging from the soft, sad "Locus Iste," to Johann Strauss' polkas. There is a piece for every mood. These CDs are more than worth the money and rank among the favorites in my collection.
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