Weep No More

Weep No More

Weep No More

Track Listings
 
1. Pins and Needles
2. Backstreet Gods
3. Sad Sombrero Song
4. Like the Wind
5. Zig Zag
6. Weep No More
7. Davy Jones' Blues
8. Marinate
9. Ghostown
10. Zephyr
11. Sad Sombrero [Maintain Mix]
12. Transatlantic

Weep No More,Moonshine,Arcane,Hip-Hop,Rap,Soul/Reggae/Rhythm & Blues
All At Once Well Met: English Madrigals; The King's Singers
Average customer rating: 4.5 out of 5 stars
  • Very pleased
  • Sumptuous and mellow
  • One of the Best Collections of English Madrigals
  • A Delightful Collection of English Madrigal
  • A wide variety
 All At Once Well Met: English Madrigals; The King's Singers
John Dowland , Thomas Morley , Thomas Weelkes , John Wilbye , William Byrd , John Farmer , and The King's Singers
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. English and Italian Renaissance Madrigals
  2. The King"s Singers: English Renaissance
  3. Olde English Madrigals & Folk Songs at Ely Cathedral
  4. Madrigal History Tour
  5. Annie Laurie ~ Folksongs of the British Isles / Barrueco · The King's Singers

ASIN: B000002RPZ
Release Date: 1990-10-25

Tracks:

  1. English Madrigals: A Little Pretty Bonny Lass
  2. English Madrigals: Weep No More, Thou Sorry Boy
  3. English Madrigals: Shoot False Love
  4. English Madrigals: Now Is The Month Of Maying
  5. English Madrigals: Four Arms, Two Necks, One Wreathing
  6. English Madrigals: Hark, All Ye Lovely Saints Above
  7. English Madrigals: Since Robin Hood
  8. English Madrigals: Though Philomela Lost Her Love
  9. English Madrigals: O Wretched Man
  10. English Madrigals: Weep, O Mine Eyes
  11. English Madrigals: The Nightingale, The Organ Of Delight
  12. English Madrigals: Come, Sirrah Jack, Ho!
  13. English Madrigals: Cruel, Behold My Heavy Ending
  14. English Madrigals: Fair Phyllis I Saw Sitting All Alone
  15. English Madrigals: Sing We And Chant It
  16. English Madrigals: On A Fair Morning
  17. English Madrigals: Oft Have I Vowed
  18. English Madrigals: Is Love A Boy?
  19. English Madrigals: Say, Love, If Ever Thou Didst Find
  20. English Madrigals: All At Once Well Met
  21. English Madrigals: Construe My Meaning
  22. English Madrigals: Lord! When I Think
  23. English Madrigals: Cruel, Wilt Thou Persever
  24. English Madrigals: Fine Knacks For Ladies
  25. English Madrigals: Strike It Up, Tabor
  26. English Madrigals: I Love, Alas I Love Thee
  27. English Madrigals: Farwell, Dear Love
  28. English Madrigals: See, See The Shepherd's Queen
  29. English Madrigals: Have I Found Her
  30. English Madrigals: Lady Your Words Do Spite Me
  31. English Madrigals: Were I A King
  32. English Madrigals: Come Again
  33. English Madrigals: Tan Ta Ra, Cries Mars
  34. English Madrigals: Why Should I Love?
  35. English Madrigals: This Sweet And Merry Month Of May

Customer Reviews:

4 out of 5 stars Very pleased.......2007-06-10

I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.

5 out of 5 stars Sumptuous and mellow.......2002-11-28

The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.

5 out of 5 stars One of the Best Collections of English Madrigals.......2002-03-27

Any fan of the King's Singers will regret not having this album in their collection.

This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.

Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.

This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.

4 out of 5 stars A Delightful Collection of English Madrigal.......2000-08-16

With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.

4 out of 5 stars A wide variety.......2000-04-28

This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
 Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
The Piano Album
Average customer rating: 4.5 out of 5 stars
  • Good, not great.
  • Incredible!
  • overly rich nostalgic pieces and particles of the piano
 The Piano Album

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Stephen Hough's New Piano Album
  2. Stephen Hough Piano Collection
  3. York Bowen: Piano Music
  4. Karl Czerny: The Art of Finger Dexterity, Op. 740
  5. Stephen Hough's English Piano Album

ASIN: B00000C2KC
Release Date: 1998-10-20

Tracks:

  1. Hexentanz
  2. Chant Polonais No. 1 In G 'Maiden's Wish'
  3. The Crimson Petal
  4. The Fuchsia tree
  5. Capriccio In F Minor, Op. 28 No. 6
  6. Minuet In G, Op. 14 No. 4
  7. Nocturne, In B Flat, Op. 16 No. 4
  8. Etude In A-Flat Major, Op. 1 No. 2
  9. Melodie In E
  10. Caprice-Burlesque
  11. My Favorite Things
  12. Kashmiri Song
  13. Music Box
  14. The Swan
  15. Papillons
  16. The Gardens Of Buitenzorg- (From 'Java Suite', Book 3)
  17. Waltz In A, Op. 2
  18. En route, Op. 9
  19. Sicilliano, Op. 42 No. 2
  20. Caprice espagnol, Op. 37

Tracks:

  1. Variations Brillantes Op. 14
  2. The Enchanted Nymph
  3. Der Kontrebandiste
  4. Melody In F
  5. Gargoyles, Op. 29: I. Presto
  6. Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato
  7. Gargoyles, Op. 29: III. Allegro moderato
  8. Gargoyles, Op. 29: IV. Presto feroce
  9. The Musical Snuffbox
  10. The Musical Snuffbox
  11. Etude de style, Op. 40 No. 1 'Agilite'
  12. Till I Wake
  13. Weep You No More
  14. March Of The Siamese Children
  15. Valse mignone
  16. Serenata, Op. 15 No. 1
  17. Bourree (From Violin Sonata No. 2)
  18. Erinnerungen (Triakontameron No. 25)
  19. Adagietto (From 'L'Arlesienne')
  20. Ungarishe Zigeunerweisen

Customer Reviews:

4 out of 5 stars Good, not great........2002-05-22

I got this double cd, since a fellow reviewer of Hamelin's Kaleidoscope said he couldn't fully endorse that disc, since this cd would be so much better. Wrong again, sewer boy!

Thanks to Arthur Schnabel complete recordings of Sonatas, Concertos and Variation Works have become the mainstay of the recorded piano repertoire. Nowadays, it is hard to imagine that this has not always been the case. Yet, just have a look at the complete Rachmaninov recordings on RCA to see that even this giant mostly recorded little trifles, since the record buyers of his time prefered snacks over meals.

This generous and economic double cd contains a compilation of mostly romantic smaller scale works, that Rachmaninov's clientele would have enjoyed. Some are obscure, others e.g. Ljadov's snuff box and Taussig's Gypsy tunes are pretty well known.

Hough-a man from the splendid 1961 vintage, just like Hamelin and your's truly- is a highly accomplished pianist. His playing is good, yet not up to the Hamelin standards. The repertoire, however, started to bore the hell out of me after a while. I admit, that there are true exceptions like the Liebermann Gargoyles, but for me this set was simply too much of a good thing.

The interpretations vary from decent to good. I used to own an lp of the French virtuoso Setrak, that contained both the Ljadov and Taussig mentioned above and believe you me those interpretations dwarfed what we get here.

In conclusion, a generous compilation of smaller scale pianoworks. Good clean piano playing and more than adequate recordings.

5 out of 5 stars Incredible!.......2001-01-12

I am a pianophile and longtime record collector, and this is one of the most awe-inspiring recordings I have ever heard. Stephen Hough's pianism - and I don't mean to be hyperbolic - simply exhausts all adjectives one might try to use to describe it. This is the kind of album to listen to not so much for the music (though these are charming and now-rarely heard pieces) but for the artistry of the performer. For stunning virtuosity, listen to the final measures of the Moszowski piece or to the MacDowell; for rich tone and melting legato listen to Hough's own transcriptions of the two Roger Quilter songs. Out of hundreds of CDs I have heard, this is one of my absolute favorites - and a steal at the price. Stephen Hough is the modern day Cortot, Gieseking, Rachmaninoff, and Joseph Levine, for he has it all - drama, precision, color, intellect, raw strength, and yes - delicacy. I rarely make recommendations like this, but you absolutely must hear this recording.

5 out of 5 stars overly rich nostalgic pieces and particles of the piano.......2001-01-06

This is music that seems to have lapsed into a forgotten time warp, like when you open that old wood truck in the attic to find odd bits and particles,objects,dolls and photographs that immediately transports you into another fantasia place. That's what this music does. Hough has selected for the most part fast filigreed,rapid cascades and ribbons of pieces. Each however has its own narrative,its own special tale to reveal, a special musical texture,an endearing melody. Needless to say most of the composers here are those you've never heard before,like Ignaz Friedman, whose "Music Box" is not what you think, yes it has that timbre of forever moving tickly tones,for a ballerina popping out of a ceramic box. But there is a large pallette of sophistication here as well with the unique timbre of the piano. Every piece does this admirably. The Hexentanz of MacDowell (arr.Liszt) is a helter-skelter piece never stopping,scaling the upper regions of the keyboard,and this would be an encore work. It keeps you on the edge of your upholstered chair.Leoplold Godowsky is not an unfamiliar name,he is a specialist in the art of the arragement trying to capture a timbre, and here in Camille Saint-Saens forever memorable "Swan"the final days of post-romantic Louis Napoleon the Third era is handled with just a few more ripples in the pond than before almost imperceptible.

When played in consecutive order all these works I found myself bored,this music inhabits such a rich timbral world that it's message overspends itself, overspills into the next work. A modernist voice of Lowell Lieberman is here, a postmodern specialist in this genre of the new tonality, or the past revisited. Proust taught us the rich chasms of remembering, and the process of reoccurence of time returning in differnt guises. Lieberman's "Gargoyles" has its own sardonic charm.,equally at home compliasant with his timbral brethren.
Dowland: Lute Songs
Average customer rating: 5 out of 5 stars
  • a voice teacher and early music fan
  • A marvelous interpretation!
 Dowland: Lute Songs

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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  1. Songs from the Labyrinth (Music by John Dowland)

ASIN: B0000AOVOL
Release Date: 2003-10-14

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2006-10-29

John Dowland is valued today as the first English composer of solo songs, mostly because no one in England has exceeded his output; he may have been equalled by Purcell. However, his distinctive blend of poem, melody and harmony remains unsurpassed. In addition, by underplaying the role of the voice, the listener's attention is directed to the poem. This de-emphasis of the voice was favoured by Elizabethans who relished the new-minted language of Shakepeare's contemporaries. Dowland has his brighter side, but his music is preponderantly melancholy. "Lachrimae" became his signature tune. The accompanying group 'The Consort of Six' was a peculiarly English invention of the 1580's. Six different instruments-treble and bass viols, flute, lute, cittern and bandora; it was in fact the first orchestra. The titles of the instrumental pieces give us some idea of the wide range of society in which Dowland moved; very "upper class". John Dowland was typical of composers of that time in that he earned his living by playing, and he was very much sought after by both amateurs and professionals. Alfred Deller, the most legendary of countertenors issued the very essence of melancholy of the 17th century English songs. One has to mention that he was a primary influence in the development of the countertenor voice and as such was a performer who traveled all over the world showing to all that this voice was to be looked upon and accepted as an authentic and singular entity in itself, to which I totally agree. Therefore, he paved the way for an entire generation of singers such as James Bowman, Michael Chance, David Daniels, Gerard Lesne and Phillipe Jarousky to name only a few. This recording is a landmark in music; the singing is skilled; the accompaniment superb and the song selection significant.

5 out of 5 stars A marvelous interpretation!.......2005-07-05

This is a superb CD set. Deller is amazing and the Lute Songs have deep feelings, that send us to immemorial ages... If you love old sacred music you must have this Set.
John Dowland: In Darkness Let Me Dwell
Average customer rating: 4 out of 5 stars
  • Neither fatal nor glorious
  • Atmosphere and drama reign.
  • Dowland with saxophone: interesting at first, wears down
  • Dowland Lover
  • Surprising, delightful mix of the old and the new
 John Dowland: In Darkness Let Me Dwell
Stephen Stubbs , and John Surman
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00002DEH6
Release Date: 2000-02-01

Tracks:

  1. In Darkness Let Me Dwell: Weep You No More, Sad Fountains
  2. In Darkness Let Me Dwell: In Darkness Let Me Dwell
  3. In Darkness Let Me Dwell: Lachrimae Verae
  4. In Darkness Let Me Dwell: From Silent Night
  5. In Darkness Let Me Dwell: Come Again
  6. In Darkness Let Me Dwell: The Lowest Trees Have Tops
  7. In Darkness Let Me Dwell: Flow My Tears
  8. In Darkness Let Me Dwell: Come Heavy Sleep
  9. In Darkness Let Me Dwell: Fine Knacks For Ladies
  10. In Darkness Let Me Dwell: Flow My Tears
  11. In Darkness Let Me Dwell: Now, O Now I Needs Must Part
  12. In Darkness Let Me Dwell: Lachrimae Tristes
  13. In Darkness Let Me Dwell: Go Crystal Tears
  14. In Darkness Let Me Dwell: Lachrimae Amantis

Amazon.com's Best of 2000

Centuries before Lennon and McCartney, English Renaissance composer John Dowland was a master of song craft who penned the most popular tune of his time. His music, steeped in melancholy even deeper than was the fashion of the time, has inspired the Hilliard Ensemble's John Potter and colleagues to perform a visionary collaboration for In Darkness Let Me Dwell, a collection that imparts the power and profundity of Dowland's music. --Thomas May

Amazon.com

The past cross-fertilizes with the present on this album, and the result is music-making of profound beauty. Tenor John Potter, a core member of the Hilliard Ensemble, here sets out to "reclaim" for today's audience the music of John Dowland. Even considering the Elizabethan penchant for melancholy, the saturnine Dowland stands out as an artist preoccupied with death and intimate with despair in all its varieties. Music--as against our postmodern antidepressants--was the perfect anodyne, to which Dowland devoted himself both as performer (he was a famous lutenist) and composer; with his collection Lachrimae ("Tears"), he produced one of the single greatest landmarks of Western instrumental music predating the high baroque, centering around the famous melody Dowland gave to his malady (also heard in the two versions here of the song "Flow My Tears"). In Darkness Let Me Dwell juxtaposes numbers from Lachrimae with some of Dowland's songs, in which Potter becomes so steeped in each mood that it tells in wonderfully plaintive phrasing. Dowland originally wrote for lute and a consort of viols, but it's typical of this disc's innovatory spirit to hybridize baroque violin and lute with a quasi-"jazzy" double bass, saxophone, and bass clarinet, inspiring a high order of improvisatory gestures. Sometimes the whole ensemble takes on a gritty, darkly reedy cast, while it can change to sunnier colors in the more radiant moments of "Lachrimae Amantis." These performances highlight the songs' directness and universality, drawing you in deeper with each hearing, and replaying the eternal paradox of sadness turning to solace. --Thomas May

Customer Reviews:

4 out of 5 stars Neither fatal nor glorious.......2007-02-14

Dowland is a composer who can grow wearisome. The LP, with 20 to 25 minutes on a side, was perfect, and I still own a couple from way back then. But his lachrymose songs eventually wear me down, no matter how excellent the performers. One long evening was spent at an all Dowland barrage, in as traditional a performance as scholarship can imagine. I was just bored by the end, despite the excellence of all on stage. This collection is similar, though in different ways. I have taken this CD and mixed it into some vocal compilations, for individually there are tracks that are splendid. "Come Again" is perfect, a blend of old and new that works spectacularly. Indeed, this is not pure old music, but a weird and wonderful updating with a charmingly gloomy reed or two. Other cuts are nearly as good, and for those tracks alone, this is a keeper.

However, on some songs, the sound just grates, and I'm not sure John Potter's voice is strong enough to hold the show alone. Several of these annoy to the point of exasperation. So though I have no inherent objection to a sax and baroque violin pairing off, this is not a perfect CD. Sound is very good (the buzzing mentioned elsewhere does not bother me, nor the rasping of bow on string.) Musicians are excellent, especially the versatile Stephen Stubbs on the not-very-versatile lute. He fills and surrounds and enhances with the gentlest plucks, supporting and amplifying all the others. The six star stuff shines, but for the rest, the material offers too little modulation. Eventually it starts to sound like whining, and the ear (or at least this ear) tunes it out.

4 out of 5 stars Atmosphere and drama reign........2002-07-31

This is a very special disc. The blend of old and new instrumentation is highly successful and might even appeal to some of those who are usually more inclined towards truly authentic approaches.
I am not altogether sure why there are two versions of Flow My Tears included. Both are outstanding interpretations (one mysterious, the other almost menacing), but I would have prefered one version of this, leaving room on the disc for another of Dowland's wonderful songs.
Potter sings beautifully throughout and each instrumentalist is on top form, adding fantastic, surreal tonal colors to the whole.
I could imagine these treatments as dramatic interpretations for a movie on the life of Dowland. Drama and atmosphere are aplenty in these fine performances. Well done to all concerned.

3 out of 5 stars Dowland with saxophone: interesting at first, wears down.......2002-07-28

When in 1992 for the first time I went to London for a conference in pathology, as a Pole I was hoping to learn something (like anecdotes) about John Dowland (or other Brithish Renaissance masters like Thomas Tallis, or William Byrd). Unfortunately, none of the educated Britons I met has heard about these composers. This is the state of music today: people are exposed to droppings from the stages of some [bad] British pop music but know little about Dowland.
This Dowland recording is interesting: vocals are classic but some instruments, like saxophone, are not. I like it.
I am now rewriting this review. After listening to this CD 10 times, this peculiar blending of old(er) and new becomes less fresh, not to say annoying. I am now not sure if I am at all happy with this CD. Dowland in its original does not raise such doubts.

5 out of 5 stars Dowland Lover.......2001-02-09

I have had a affection for Dowland for a very long time. I loved "In Darkness Let Me Dwell" the minute I heard it and have played it repeatedly. I enjoy the liberties that were taken with this recording... they are surprising, and only enhance the sentiment of the work. I have many recordings of "Come Again",and this one is different than any other. The instrumental bridge, with it richness, is a wonderful contrast to the linear tenor voice. I am usually a purist with most music that I am familiar with... and it is rare that a new recording exceeds with a new take on the expected.

5 out of 5 stars Surprising, delightful mix of the old and the new.......2000-08-15

I bought this on a lark, at the recommendation of Amazon.com's software matchmaker; I didn't know any of the players, but I am familiar with Dowland's work. I popped it in the player along with several other new CDs and went about my business. An hour or so later this disc began to play, and I was stopped in my tracks: there's something so modern and playful about the performances, layered on top of Dowland's familiar sorrowful melodies.

I think the period performance purists will give this one a miss, but anyone with eclectic musical tastes should find plenty to like. Makes me grin every time I put it on, which is quite something for a disc subtitled 'In Darkness Let Me Dwell'.
I Salonisti Play Music From Titanic, Casablanca, The Godfather, Schindler's List, Sense And Sensibility And More
Average customer rating: 4.5 out of 5 stars
  • Good CD;
  • Music to my ears ...
  • Familiar music with good performance
 I Salonisti Play Music From Titanic, Casablanca, The Godfather, Schindler's List, Sense And Sensibility And More

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  5. Serenata / Salon Musik

ASIN: B00000JLNF
Release Date: 1999-07-13

Tracks:

  1. Casablanca: 'As Time Goes By'
  2. The Godfather: 'The Godfather Waltz'
  3. Schindler's List: 'Theme'
  4. Sense and Sensiblity: 'Weep You No More Sad Fountains'
  5. Titanic: 'My Heart Will Go On'
  6. A Man And A Woman: 'A Man And A Woman'
  7. Breakfast At Tiffany's: 'Moon River'
  8. Once Upon A Time In The West: 'Finale'
  9. Black Orpheus: 'Manha de Carnaval'
  10. Modern Times: 'Smile'
  11. The Wizard Of Oz: 'Over The Rainbow'
  12. Monsieur Hulot's Holiday: 'How Is The Weather In Paris?'
  13. LA STRADA: 'La Strada'
  14. The Blue Angel: 'Falling In Love Again'
  15. Zorba The Greek: 'Zorba's Dance'
  16. Titanic Medley: 'Never An Absolution' - 'Take Her To Sea, Mr. Murdoch' - 'Hymn To The Sea' 'Titanic'

Customer Reviews:

5 out of 5 stars Good CD;.......2007-06-09

Excellent music & musiciansI Salonisti Play Music From Titanic, Casablanca, The Godfather, Schindler's List, Sense And Sensibility And More

5 out of 5 stars Music to my ears ..........2007-03-12

This is one of the greatest instrumental talents I've heard in years. This cd has some of my all-time favorite movie tunes including 'Moon River', 'Somewhere Over the Rainbow', and a very beautiful version of 'My Heart Will Go On'. This is the actual band that played in the 1997 movie Titanic and I'm truly thankful that they made this recording for everyone to enjoy. I'll cherish it for years to come. Thank you!

4 out of 5 stars Familiar music with good performance.......1999-10-03

This CD contains many familiar music from films and the performance of the musicians is very good particularly track 16. I also find the music very relax and enjoyable and can bring the memory of those films if one has ever seen them.
Silent Noon
Average customer rating: 4 out of 5 stars
  • Memories of Kathleen Ferrier
  • Silent Noon
  • disappointed
  • Silent Noon never sounded better.
  • Silent Noon, Too big a voice
 Silent Noon
Bryn Terfel
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bryn Terfel - The Vagabond & other songs by Vaughan Williams, Butterworth, Finzi & Ireland
  2. Bryn Terfel - Simple Gifts
  3. Bryn Terfel Sings Favorites
  4. Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon)
  5. Bryn Terfel - We'll Keep a Welcome

ASIN: B00076QG4Q
Release Date: 2005-04-12

Tracks:

  1. Come Away, Death
  2. O Mistress Mine
  3. Blow, Blow, Thou Winter Wind
  4. Sleep
  5. Three Salt-Water Ballads: I. Port Of Many Ships
  6. Three Salt-Water Ballads: II. Trade Winds
  7. Three Salt-Water Ballads: III. Mother Carey
  8. The Cloths Of Heaven
  9. Silent Noon
  10. Linden Lea
  11. Now Sleeps The Crimson Petal
  12. Weep You No More
  13. Go, Lovely Rose
  14. A Shropshire Lad: I. Loveliest Of Trees The Cherry Now
  15. A Shropshire Lad: II. When I Was One-And-Twenty
  16. A Shropshire Lad: III. There Pass The Careless People
  17. A Shropshire Lad: IV. The Summer-Time On Bredon
  18. A Shropshire Lad: V. The Street Sounds To The Soldiers' Tread
  19. A Shropshire Lad: VI. On The Idle Hill Of Summer
  20. A Shropshire Lad: VII. White In The Moon The Long Road Lies
  21. A Shropshire Lad: VIII. Think No MOre, Lad; Laugh, Be Jolly
  22. A Shropshire Lad: IX. Into My Heart An Air That Kills
  23. A Shropshire Lad: X. The Lads In Their Hundreds
  24. Money, O!
  25. The Lord's Prayer
  26. The Salley Gardens
  27. Oliver Cromwell
  28. The Foggy, Foggy Dew
  29. Captain Stratton's Fancy
  30. Love Is A Bable
  31. The Cloths Of Heaven
  32. The Aquiline Snub
  33. The Compleat Virtuoso

Amazon.com

Featuring both renowned and lesser-known English composers who flourished between the mid-19th and mid-20th centuries, this collection is indispensable for lovers of great songs and great singing. It comprises 33 songs of great variety: Elizabethan plaints of love and death, Roger Quilter's famous settings of Shakespeare, Tennyson and Waller; the lovely title song and "Linden Lea" by Vaughan Williams; and A. E. Housman's moving lament for young lives lost, "A Shropshire Lad," in Arthur Somervell's beautiful setting. Surprisingly, the two most venerable composers, Hubert Parry and Charles Stanford, are represented respectively by a parody on love and two Edward Lear nonsense songs. There are Benjamin Britten's charming folksong arrangements, settings of John Masefield's roistering sea shanties by Frederick Keel and Peter Warlock, and two settings of Yeats' magical "The Cloths of Heaven," one by Thomas Dunhill, the other by the Welsh composer Dilys Elwyn-Edwards, the only woman included on the record. Michael Head creates his own contrast with a swaggering song about money and a setting of the Lord's Prayer. The music throughout is utterly enchanting. Its melodic and harmonic contours and pastoral atmosphere make it unmistakably, though indefinably, "English." The performance is beyond praise. With Martineau as matchless collaborator, Terfel can color and adapt his glorious voice to fit every mood, character, and expression, from dreamy, yearning tenderness to decisive vigor. He ranges from full sonority to a delicate, floating mezza voce; there is mournful nostalgia and drunken defiance, as well as passionate ardor and humorous, sarcastic rapid-fire patter-songs. Terfel's diction is so clear that one hardly needs the texts. --Edith Eisler

Album Details

Silent Noon is Bryn's Long-awaited Return to this Repertoire - with Songs Representing the Heyday of English Song in the Early 20th Century. · the Beauty and Colourfulness of this Music Which, at Some Points Almost Sounds Like Tunes from Musicals, have Everything to Appeal to Bryn's Fans. And this is all Thanks to that Gorgeous Voice and Character - These Songs Demand Great Communicative Power with a Wide Range from Humour to Sweet Elegy, and He is the Ideal Artist to Bring them to Life.

Customer Reviews:

5 out of 5 stars Memories of Kathleen Ferrier.......2006-02-24

I bought this CD because it contained "Now Sleeps the Crimson Petal" and "Silent Noon". It should have contained "Fair House of Joy". I had heard Kathleen Ferrier sing these songs previously with such exquisite beauty that I thought that no other rendition would satisfy me. Bryn Terfel sings these songs with such grace, style and beauty that I doubt that his performance could be easily surpassed. His and Kathleen Ferriers' styles are so embracingly warm, discerning, affectionalte and tender that it is difficult for me to pick between them. So guess what I play them one after the other, alternating whose CD I play first. This is one you should purchase!

4 out of 5 stars Silent Noon.......2006-02-10

Silent Noon~ Bryn Terfel is a very well done recording of English songs. Terfel is a quite accomplished singer and vocalist but some of the tracks sound a bit alike and some of the lyrics are less then stellar. And sometimes his deep vocals some out of place with songs that were meant to be sung by amateurs and not opera singers and this becomes apparent on many tracks. The book-let is well done and the photos are nice (if a bit boring and his clothes look drab). Even so this is a good album not to be missed for his stunning (if sometimes over the top) vocals.

1 out of 5 stars disappointed.......2005-09-20

considering the magnitude of Bryn Terfel as a star, it's almost a let down. Granted the songs are beloved by some, still does not fully validate to create an album.

5 out of 5 stars Silent Noon never sounded better........2005-08-05

This is one of my fvorite collection af art songs and Bryn Terfel does a fantastic job of interpretating this great classic song cycle. His voice is dramatic enough yet gentle enough to allow the listener to feel what the composer is portraying.

4 out of 5 stars Silent Noon, Too big a voice.......2005-07-14

Those familiar with Bryn Terfel could hardly argue that his physical and vocal presence is generally enormous! If we can travel back fifteen years to his early days at the Welsh National Opera, we would hear this enormous presence combined with delicate subtleness in the great character bass-baritone roles of Mozart such as Figaro, Masetto, and Leporello. An enormous open-throated voice combined with sensitive heart-felt interpretations have made Bryn Terfel the most celebrated and commanding baritone voice of his generation. Only in his early forties, Bryn Terfel has made legendary recordings of Don Giovanni, Le Nozze di Figaro, Falstaff, Elijah, and the Brahms Requiem.

However, Opera megastars such as Bryn Terfel do not always portray art song well. This may be due to the intimate settings of art song, particularly English art song, and the mammoth instruments that try to interpret them.

Let us speak of the Victorian English Art songs found on this CD. Many of these songs were written for the amateur singer to be performed at his/her home. Typically, accompaniments in this style are light and often lack inner voice movements. Many times they are chordal, and vocal lines often float on the fifth of a chord. These characteristics yield to very colorful, lyrical, and sensitive singing. The title track, Vaughan William's Silent Noon, ought to be one of the highlights of the disk. Instead, Bryn's voice is rather thin in color (maybe trying to blend with the light accompaniment) and we loose the intensity of the singing voice and the beauty of the vocal line.
Generally lighter voices do not overpower accompaniments while maintaining the intensity in their singing. Very often they bring a more appropriate dynamic range to this subtle genre. Take a listen to Stephen Varcoe or Stephan Roberts; you'll see what I mean.
On Terfel's latest album Silent Noon, the accompanist Malcolm Martineau plays wonderfully while trying to compliment the robust nature of Bryn's singing. Notable favorites on this disk include Roger Quilter Elizabethan songs and Arthur Somervell's rarely heard version of A Shropshire Lad.
It is worth a spot on your collection but it should not be remembered as Bryn's greatest recording.
Roger Quilter: Complete Folk-Song Arrangements; Complete Part-Songs for Women's Voices
Average customer rating: 1 out of 5 stars
  • Quilter deserves better...
 Roger Quilter: Complete Folk-Song Arrangements; Complete Part-Songs for Women's Voices

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Roger Quilter: O Mistress Mine; To Daisies; Julia's Hair; Go, Lovely Rose
  2. English Song Series 1

ASIN: B0007XHL0M
Release Date: 2005-04-19

Tracks:

  1. Drink To Me Only - David Wilson-Johnson
  2. Over The Mountains
  3. My Lady Greensleeves
  4. Little Moth
  5. Love Calls Through The Summer Night
  6. If Love Should Pass Me By
  7. The Rose Of Tralee - Philip Langridge
  8. Believe me, If All Those Endearing Young Charms - David Wilson-Johnson
  9. Oh! 'Tis Sweet To Think - David Wilson-Johnson
  10. Come Lady-Day
  11. The Starlings
  12. To A Harebell By A Graveside
  13. It Was A Lover And His Lass
  14. Ye Banks And Braes
  15. Charlie Is My Darling
  16. Ca' The Yowes To The Knowes
  17. Where Go The Boats?
  18. Windy Nights
  19. Summer Sunset
  20. Le Pauvre Laboureur - David Wilson-Johnson
  21. L'Amour De Moi - David Wilson-Johnson
  22. Joli Mois De Mai - David Wilson-Johnson
  23. Daisies After The Rain (Solo Version)
  24. My Heart Adorn'd With Thee
  25. The Passing Bell
  26. Blossom-Time
  27. Daisies After The Rain (Duet Version)
  28. Weep You No More
  29. I Gotta Robe - David Wilson-Johnson
  30. 'Tis St. Valentine's Day
  31. What Will You Do My Love - Philip Langridge
  32. The Jolly Miller
  33. Barbara Allen
  34. Three Poor Mariners - David Wilson-Johnson
  35. Since First I Saw Your Face - David Wilson-Johnson
  36. The Ash Grove

Customer Reviews:

1 out of 5 stars Quilter deserves better..........2005-11-10

Was this recording of Quilter songs (Complete Folk-Song Arrangements and Complete Part-Songs for Women's Voices) a vanity project for soprano Amanda Pitt? It is hard to explain in any other terms, for her voice is not pleasant to hear. It is a pinched, badly produced, squally sound - the sort of standard one would expect in a not very gifted singing student. Why Naxos permitted this travesty of a recording under their label is a mystery.

The majority of the songs on this CD are sung by the aforesaid Amanda Pitt (soprano). The other singers in this project are of a better standard - in the case of Philip Langridge, beautiful to listen to. This recording is not worthy of his excellent career and lovely tenor voice. The other two singers - mezzo Joanne Thomas and baritone David Wilson-Johnson - are not bad, either, although the mezzo doesn't get a single solo. The lack of a solo for Ms Thomas is glaringly evident when compared to the ten (10) solos which Ms Pitt sings. (10 out of 21 solos - definitely an unfair ratio. Of these ten solos, several could have been given to the mezzo to sing - they were certainly not beyond the average mezzo range.)

The rest of the album consists of duets - thirteen of them. Eleven of the thirteen duets are soprano/mezzo, and in spite of the mezzo's voice (from what one is permitted to hear of it) isn't bad, the duet performances are frankly awful, chiefly because of Ms Pitt. Even the superior quality of Philip Langridge's singing cannot save the two duets he sings with Amanda Pitt.

It's artistically an insulting and atrociously unbalanced distribution of material.

Look for the John Mark Ainsley/Lisa Milne recording of Quilter songs & arias. Admittedly, it doesn't include most of the duets on this CD, but oh, the sheer pleasure of hearing well-trained and lovely voices give Quilter a worthy treatment!
Of Gods and Demons
Average customer rating: 4.5 out of 5 stars
  • Well sung and varied repertoire from a legend.
  • Terrifying, Thrilling, Gorgeous!
  • Satanic!
 Of Gods and Demons

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000029U5
Release Date: 1997-01-14

Tracks:

  1. Faust: 'Le veau d'or'
  2. La Damnation de Faust: 'Mephistopheles' Serenade'
  3. Mefistofele: 'Ecco il mondo'
  4. The Demon: 'Ne plach', ditya'
  5. Patrie: 'Pauvre martyr obscur'
  6. Thais: 'Voila donc la terrible cite'
  7. Don Quichotte: Act V (Complete) - Massenet
  8. Prince Igor: 'Ni sna, ni otdykha'
  9. Boris Godunov: 'Dostig ya vysshei Vlasti'
  10. Boris Godunov: 'Uf, tyazhelo! Dai dukh perevadu'
  11. Das Rheingold: 'Abendlich strahlt der Sonne Auge'
  12. Die Walkure: Wotans Scheidegruss und Feuerzauber
  13. The Emperor Jones, Op. 36: 'Standin' In The Need Of Prayer'
  14. Goethe: 'Pesnya Mefistofely o blokhe' - Mussorgsky

Customer Reviews:

4 out of 5 stars Well sung and varied repertoire from a legend........2005-09-21

I first heard London as Wotan in a recording of das Rheindgold under Solti. I remember the voice as if resembling molten lava containing vast amounts of energy yet never too quick to release it. The voice was magnificent! When I read that its owner was passed his prime at the time of recording the role, I got quite excited and looked forward to getting to know this voice at the highpoint of its years portraying ( as is it is nicely put) gods and demons.

I value this CD mostly as a historic document of an artist not too well known, because I am missing the emotional build up and thus my own emotional engagement in the music. This is ofcourse often the case with anthologies such as this.

This being said, as I tread my way through more and more complete productions of operas I can see myself coming back to this recording comparing styles, textual insights and ofcourse the vocal techniques used by the different singers in the arias.

It does not sound as if George Londong did anything half heartedly and I believe his renditions are most definately to be reckoned with.

5 out of 5 stars Terrifying, Thrilling, Gorgeous!.......2003-08-29

George London is my idol as far as singing goes. I'm a bass-baritone, myself and I've always admired him. I particulary love the Mussorgsky and Wagner selections. The 'Clock Scene' was absolutely terrifying and the two Wagner songs were majestic and powerful.
London could take any song and do amazing things simply because of the sheer vocal quality of his voice. Not to mention his great acting ability.

5 out of 5 stars Satanic!.......2003-07-14

This is an excellent collection of a some of London's best roles, plus the recordings are clear and lively. His voice is very focused and totally overwhelming. While his "Le veau d'or" can't compare to that of Christoff, London still makes for a great devil.. and his acting is superb. It's unfortunate that they didn't include London's Scarpia (see the 1960 recording of Tosca with Tebaldi and del Monaco) or one of his villains from the Tales of Hoffmann. This CD is a necessity for all fans of one of the century's finest bass-baritones and actors!
Dowland: Farewell, Unkind
Average customer rating: 4 out of 5 stars
  • Patchy, with some fine moments
  • Brilliant and alive!
 Dowland: Farewell, Unkind
John Dowland , Christopher Tye , Rene Clausen , Anne Azema , Karen Clark , Olav Chris Henriksen , Joel Frederiksen , William Hite , and Robert Mealy
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005E3V
Release Date: 1996-04-09

Tracks:

  1. I Invocation: Psalm 100
  2. II In The Presence Of A Queen: Lady Laiton's Almain
  3. II In The Presence Of A Queen: Humour, Say: A Dialogue
  4. II In The Presence Of A Queen: The Most Sacred Queen Elizabeth, Her Galliard
  5. II In The Presence Of A Queen: Say, Love, If Ever Thou Didst Find
  6. III My Love Doth Wake: Galliard On 'Awake, Sweet Love'
  7. III My Love Doth Wake: Come Away, Come Sweet Love
  8. III My Love Doth Wake: III Sleep, Wayward Thoughts
  9. III My Love Doth Wake: Come Heavy Sleep
  10. IV To Die With Thee: Captain Digorie Piper's Galliard 'If My Complaints'
  11. IV To Die With Thee: Pavan A 4
  12. IV To Die With Thee: Can She Excuse My Wrongs
  13. IV To Die With Thee: Lady, If You So Spite Me
  14. IV To Die With Thee: Come Again, Sweet Love Doth Now Invite
  15. V Go, Crystal Tears: Go, Crystal Tears
  16. V Go, Crystal Tears: Stay, Time, Awhile Thy Flying
  17. V Go, Crystal Tears: If That A Sinner's Sighs
  18. V Go, Crystal Tears: Weep You No More, Sad Fountains
  19. VI Then Farewell, O Farewell: Mr George Whitehead His Almand
  20. VI Then Farewell, O Farewell: Wilt Thou, Unkind, Thus Reave Me
  21. VI Then Farewell, O Farewell: Tarleton's Riserrectione
  22. VI Then Farewell, O Farewell: Far From Triumphing Court
  23. VI Then Farewell, O Farewell: Lasso Vita Mia
  24. VI Then Farewell, O Farewell: The Frog Galliard
  25. VI Then Farewell, O Farewell: Now, Oh Now I Needs Must Part
  26. VI Then Farewell, O Farewell: Farewell, Unkind

Customer Reviews:

3 out of 5 stars Patchy, with some fine moments.......2003-06-14

The lively tracks fare best here. There is a lot to like about those particular tracks and the period tongue (loov instead of love, coom instead of come, etc) is not nearly as cumbersome as it might have been, due to the convincing performances of the singers.
However, the slower numbers are often, in my opinion, rather sour.
Having heard this disc several times, it strikes me that it becomes less attractive over time, with the novelty of the approach soon wearing thin.
Still, some tracks are very lively and the artists are obviously having fun bringing a rather unique angle to these pieces, so it might well appeal to those who like something unusual.
Recording quality is fine, though the final fade-out is clumsily managed.

5 out of 5 stars Brilliant and alive!.......2002-10-07

This is a fresh, vibrant recording of a cross-section of Dowland's music, and will quickly dispel any myth of Dowland always being a composer of melancholy!
The singers use Elizabethan pronunciation, which can be quite revelatory.

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