Voices of Drum & Bass [Import]

Voices of Drum & Bass [Import]

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CD Compilation featuring an All-star Cast of Aphrodite, Silver Beam, Nookie AKA Cloud Nine and Urban Soul Selective.

Voices of Drum & Bass,Various Artists,Mille

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Nothing but hits

Essential Hyperion, Vol. 2 Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Septets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Arnold | Arnold, Malcolm | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. 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$10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Classical | Imports | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Arne, Thomas Augustin | ( A ) | Composers, A-Z | Classical Music Blowout | Stores | Music Arnold, Malcolm | ( A ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Brahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Britten, Sir Benjamin | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Chausson, Ernest | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Debussy, Claude | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dufay, Guillaume | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Elgar, Sir Edward | ( E ) | Composers, A-Z | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mendelssohn, Felix | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Monteverdi, Claudio | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Purcell, Henry | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rossini, Gioacchino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Saint-Saëns, Camille | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Schubert, Franz | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Schumann, Robert | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tallis, Thomas | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Vivaldi, Antonio | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Essential Hyperion (Label Highlight Compilation) Essential Purcell ASIN: B00004RITB Release Date: 2001-01-09

Customer Reviews:

Nothing but hits.......2001-01-31

Average customer rating: A new musical Christmas tradition Christmas Songs from Many Nations - Flawlessly Sung

Christmas With the Trapp Family Singers The Trapp Family Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Opera & Vocal | Holiday | Miscellaneous | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music General Christmas | Holiday Music | Special Features | Music Similar Items: The Original Trapp Family Singers At Home with the Trapp Family Singers Christmas With the Von Trapp Children The Von Trapp Children, Vol. 2 Volume 1 ASIN: B0002KV296 Release Date: 2004-10-12

Tracks:

1. Es ist ein' Ros' entsprungen (Speierisches Gesangbuch, K 1599) - (German Chorale)
2. Hirrten, wachet auf!
3. Zu Bethlehem geboren
4. Deck the hall with boughs of Holly
5. A la nanita nana
6. Il est ne divin enfant
7. La canzone di natale
8. Es hat sich halt eret
9. Jesus Jesus Rest Your Head
10. Shepherds come a-running
11. Lobt Gott, ihr Christen alle gleich
12. Es wird schon glei dumpa
13. Nu det jul igen
14. Ihr Kinderlein, kommet
15. Der Scheibendudler
16. Carol of the Drum - Transcribed by C.R.W. Robertson
17. Deine Wangelen
18. Stille Nacht, heilige Nacht
19. Angelus ad pastores ait
20. In Nativitate Domini
21. Puer natus est nobis
22. Beata Viscera
23. Pastorale
24. Quem pastores - Den die Hirten
25. Senex Puerum Portabat

Customer Reviews:

A new musical Christmas tradition.......2004-12-14

Christmas Songs from Many Nations - Flawlessly Sung.......2004-10-14

Average customer rating: Buen documento para conocer y disfrutar a Kathleen Ferrier The incredible Kathleen Ferrier recordings! A Terrible Beauty What is to say - It's Ferrier... How can you go wrong?

Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter Kathleen Ferrier , Bruno Walter , Vienna Philharmonic , and Isobel Baillie Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Mahler: Das Lied von der Erde / Bruno Walter Edition V8 / Blow the Wind Southerly A Tribute Richard Strauss - Capriccio / Schwarzkopf, Wächter, Gedda, Fischer-Dieskau, Hotter, Ludwig, Moffo, Philharmonia Orchestra, Sawallisch Great Recordings Of The Century - Janet Baker Sings Mahler / Barbirolli, et al ASIN: B00000I7W5 Release Date: 1999-03-09

Tracks:

1. Birthday Ode For Queen Mary: Soun The Trumpet
2. The Indian Queen: Let Us Wander, Not Unseen
3. King Arthur: Shepherd, Shepherd, Cease Decoying
4. Ottone: Spring Is Coming
5. Ottone: Come To Me, Soothing Sleep
6. Orfeo ed Euridice: Chiamo il mio ben cosi (Act 1)
7. Orfeo ed Euridice: Deh! placatevi con me (Act 2)
8. Orfeo ed Euridice: Che puro ciel! (Act 2)
9. Orfeo ed Euridice: Che feci mai?...Che faro senza Euridice? (Act 3)
10. O Praise the Lord
11. I will lay me down in peace
12. I would that my love, Op. 63 No. 1 - Felix Mendelssohn
13. Greeting, Op. 63 No. 2 - Felix Mendelssohn
14. Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
15. Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
16. Kindertotenlieder: Wenn dein Mein tritt zur Tein
17. Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
18. Kindertotenlieder: In diesem Wetter, in diesem Braus

Amazon.com essential recording

Customer Reviews:

Buen documento para conocer y disfrutar a Kathleen Ferrier.......2004-03-27

The incredible Kathleen Ferrier recordings!.......2003-05-20

A Terrible Beauty.......2002-11-14

Mahler's wife Alma bitterly opposed his setting of Ruckert's Kindertotenlieder to music and considering the death of their daughter soon after, it's doubtful if she ever forgave him for it. But the finished work has an indescribable beauty that Kathleen Ferrier and Mahler's protégé Bruno Walter give full expression to in away that no other interpreter's have even approached. More than 50 years on this is both a lasting tribute to the artists involved and an indictment of the decline in standards since.

What is to say - It's Ferrier..........2002-03-31

How can you go wrong?.......2001-10-22

Average customer rating: Triumphant! Excellent Renaissance Faire. Buy it! Definitely Worth the Listening Superb musicianship on ancient instruments.... Piffaro Renaissance Band Superb

Canzoni e Danze: Wind Music from Renaissance Italy Joan Ambrosio Dalza , Heinrich Isaac , Francesco Bendusi , Giorgio Mainerio , Rossino Mantovano , Costanzo Festa , Anonymous , Fillippo Azzaiolo , Jacques Arcadelt , Vincenzo Ruffo , Orazio Vecchi , Lodovico Agostini , Giovanni Ferretti , Cesario Gussago , Aurelio Bonelli , Eric Anderson , Grant Gerreid , Adam Gilbert , Joan Kimball , Gwyn Roberts , Robert Wiemken , Thomas Zajac , Piffaro , and The Renaissance Band Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Similar Items: Chansons et Danceries (French Renaissance Wind Music) Los Ministriles: Spanish Renaissance Wind Music Los Ministriles: Spanish Renaissance Wind Music Panorama: Dances of the Renaissance Music From the Odhecaton ASIN: B0000057EX Release Date: 1995-11-14

Tracks:

1. Piva
2. Palle, Palle - Ne piu bella di queste - La mi la sol
3. Recorders: Pass'e mezo ditto il Romano - Moschetta - Bandera
4. La Parma - Un sonar de piva in fachinesco (Lirum bililirum)
5. Regem archangelorum - Alma, che scarca dal corporeo velo
6. Aldi, dolce ben mio - Bona via faccia barva (Venetiana) - Gentil madonna, del mio cor padrona
7. Donna, quando pietosa - El travagliato - La gamba in basso e soprano - Amor e foco e ghiaccio
8. Putta nera ballo furlano
9. All'arm', all'arm' - Com'al primo apparir - Sonata 'La facca'
10. Canzona 'Istrina' - Sonata 'La fontana' - Canzona 'Licori'
11. la morte de la ragione (Pavane) - La traditora (Gagliarda) - Bel fiore - La rocha el fuso (Gagliarda) - El desperato (Saltarello) - La lavandara (Gagliarda)

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Customer Reviews:

Triumphant!.......2006-12-01

Excellent Renaissance Faire. Buy it!.......2005-11-15

Definitely Worth the Listening.......2004-01-26

Superb musicianship on ancient instruments...........2001-10-03

Piffaro Renaissance Band Superb.......2001-05-20

Average customer rating:

Bach: Cantata 147; 6 Motet; Chorales & chorale preludes for Advent & Christmas Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Mendelssohn: Elijah Palestrina: Missa Hodie Christus natus est; Stabat Mater; Lasus: Missa Bell' Amfitrit' altera Vaughan Williams: An Oxford Elegy/ Flos Campi/ Sancta Civitas/ etc. Handel - Carmelite Vespers 1707 / Feldman · Kirkby · Van Evera · M. Cable · M. Nichols · Cornwell · Thomas · Parrott Bach: Cantatas Nos. 80, 140, 147; Motet ASIN: B0002XV2XE Release Date: 2005-02-15

Tracks:

1. Chorus: Herz Und Mund Und Tat Und Leben - John Shirley-Quirk
2. Recitative: Gebenedeiter Mund! - John Shirley-Quirk
3. Aria: Schame Dich, O Seele, Nicht - John Shirley-Quirk
4. Recit: Verstockung Kann Gewaltige Verblenden - John Shirley-Quirk
5. Aria: Bereite Dir, Jesu - John Shirley-Quirk
6. Chorale: Wohl Mir, Dass Ich Jesum Habe - John Shirley-Quirk
7. Aria: Hilf, Jesu, Hilf - John Shirley-Quirk
8. Recit: Der Hochsten Allmacht Wunderhand - John Shirley-Quirk
9. Aria: Ich Will Von Jesu Wundern - John Shirley-Quirk
10. Chorale: Jesus Bleibet Meine Freude - John Shirley-Quirk
11. Chorale BWV 140.VII - Andrew Davis
12. Chorale Prelude BWV 645 - Andrew Davis
13. Chorale BWV 36.VIII - Andrew Davis
14. Chorale Prelude BWV 659 - Andrew Davis
15. Chorale BWV 104.VI - Andrew Davis
16. Chorale Prelude, BWV 711 (Bicinium) - Andrew Davis
17. Chorale BWV 121.VI - Andrew Davis
18. Chorale Prelude, BWV 611 - Andrew Davis
19. Chorale From BWV 22.V - Andrew Davis
20. Chorale Prelude From BWV 601 - Andrew Davis
21. Chorale From BWV 248.IX - Andrew Davis
22. Chorale Prelude From BWV 700 - Andrew Davis
23. Chorale BWV, 151.V - Andrew Davis
24. Chorale Prelude BWV 609 - Andrew Davis
25. Chorale BWV 227.I - Andrew Davis
26. Chorale Prelude, BWV 610 - Andrew Davis
27. Chorale BWV 294 - Andrew Davis
28. Chorale Prelude BWV 605 - Andrew Davis
29. Chorale BWV 40.III - Andrew Davis
30. CHorale Prelude BWV 612 - Andrew Davis
31. Chorale BWV 65.II - Andrew Davis
32. Chorale Prelude BWV 603 - Andrew Davis
33. Chorale BWV 368 - Andrew Davis
34. Chorale Prelude BWV 729 - Andrew Davis

Tracks:

1. Singet Dem Herrn Ein Neues Lied - Choir Of King's College, Cambridge
2. Wie Sich Ein Vater Erbarmet - Choir Of King's College, Cambridge
3. Lobet Den Herrn In Seinen Taten - Choir Of King's College, Cambridge
4. Der Geist Hilft Unsrer Schwachheit Auf - Choir Of King's College, Cambridge
5. Der Aber Die Herzen Forschet - Choir Of King's College, Cambridge
6. Du Heilige Brunst, Susser Trost - Choir Of King's College, Cambridge
7. Jesu, Meine Freude - Choir Of King's College, Cambridge
8. Es Ist Nun Nichts - Choir Of King's College, Cambridge
9. Unter Deinen Schirmen - Choir Of King's College, Cambridge
10. Denn Das Gesetz Des Geistes - Choir Of King's College, Cambridge
11. Trotz Dem Alten Drachen - Choir Of King's College, Cambridge
12. Ihr Aber Seid Nicht Fleischlich - Choir Of King's College, Cambridge
13. Weg Mit Allen Schatzen - Choir Of King's College, Cambridge
14. So Aber Christus In Euch Ist - Choir Of King's College, Cambridge
15. Gute Nacht, O Wesen - Choir Of King's College, Cambridge
16. So Nun, Der Geist - Choir Of King's College, Cambridge
17. Weicht, Ihr Trauergeister - Choir Of King's College, Cambridge
18. Furchte Dich Nicht, Ich Bin Bei Dir - Choir Of King's College, Cambridge
19. Ich Starke Dich - Choir Of King's College, Cambridge
20. Furchte Dich Nicht - Choir Of King's College, Cambridge
21. Komm, Jesu, Komm - Choir Of King's College, Cambridge
22. Komm, Komm, Ich Will Mich Dir Ergeben - Choir Of King's College, Cambridge
23. Du Bist Der Rechte Weg - Choir Of King's College, Cambridge
24. Drum Schliess Ich Mich In Deine Hande - Choir Of King's College, Cambridge
25. Lobet Den Herrn, Alle Heiden - Choir Of King's College, Cambridge
26. Denn Seine Gnade Und Wahrheit - Choir Of King's College, Cambridge
27. Hallelujah! - Choir Of King's College, Cambridge

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Average customer rating: More primeval and minimalist than "Forgotten Peoples" Estonian Music fell beauty To put it simply - Beautiful Unbelievable 'Curse upon iron'

Veljo Tormis: Litany to Thunder Tonu Kaljuste , and Estonian Philharmonic Chamber Choir Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD All Works by Tormis | Tormis, Veljo | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music ECM Classical | ECM Records | Amazon.com Label Stores | Stores | Music ECM Jazz & World | ECM Records | Amazon.com Label Stores | Stores | Music Similar Items: Veljo Tormis: Forgotten Peoples Baltic Voices 2 Baltic Voices 1 / Kreek Sandstrom / Rautavaara / Part / Vasks Arvo Pärt: De Profundis Lamentate ASIN: B00002DEH5 Release Date: 2000-02-01

Tracks:

1. Litany To Thunder: How Can I Recognize My Home
2. Litany To Thunder: Singing Aboard Ship
3. Litany To Thunder: Curse Upon Iron
4. Litany To Thunder: The Singer's Childhood
5. Litany To Thunder: Songs Of The Ancient Sea
6. Litany To Thunder: The Bishop And The Pagan
7. Litany To Thunder
8. Litany To Thunder: The Lost Geese

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Customer Reviews:

More primeval and minimalist than "Forgotten Peoples".......2007-05-20

Estonian Music.......2004-09-22

fell beauty.......2003-07-25

To put it simply - Beautiful.......2003-02-07

Unbelievable 'Curse upon iron'.......2001-09-29

Average customer rating: Overall a strong Very Good CD

Calliope Dances: A Renaissance Revel Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande All Works by Michael Praetorius | Praetorius, Michael | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: Diversions Praetorius: Dances from Terpsichore Panorama: Dances of the Renaissance Praetorius: Dances from Terpsichore La Rocque 'n' Roll - Popular Music of Renaissance France / The Baltimore Consort ASIN: B000005IX7 Release Date: 1992-05-28

Tracks:

1. Terpsichore: Galliarde
2. Terpsichore: Three Voltas
3. Terpsichore: Galliarde
4. Terpsichore: Galliarde diminutions
5. Terpsichore: Ballet des anglois
6. Terpsichore: Bransle de la royne
7. Basse Dance - 'La brosse'
8. Henry VIII Of England: Taunder naken
9. La Spagna: Francisco de la torre
10. La Spagna: Guglielmo ebreo da pesaro
11. La Spagna: Heinrich Isaac
12. Two Galliardes
13. Pavane
14. Basse Dance 'Au pres de vous'
15. Three Bransles Gay
16. Bransle Simple
17. L'homme arme

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Customer Reviews:

Overall a strong Very Good CD.......2007-01-15

Average customer rating: A Richly Nuanced Performance of Shostakovich's Symphony of Death Please note: This isn't in Russian Shostakovich And Matters Of Death Utterly spiritual! Surprisingly, Perhaps, a Dimly-Burning Wick of Hope

Shostakovich: Symphony No 14, etc / Varady, Fischer-Dieskau, Wenkel; Haitink Dmitri Shostakovich , Bernard Haitink , Dietrich Fischer-Dieskau , Julia Varady , Concertgebouw Orchestra Amsterdam , and Ortrun Wenkel Manufacturer: Decca ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Dmitri Shostakovich: Symphony No. 15 / From Jewish Folk Poetry - Bernard Haitink Shostakovich: Symphony No. 11 Shostakovich: Symphony No. 8 Ovation--Shostakovich: Symphony No. 13 / Haitink Shostakovich: Symphonies No 6 & 12 /Haitink ASIN: B00000IP3J Release Date: 2000-08-08

Tracks:

1. Symphony No.14, Op.135: De profundis
2. Symphony No.14, Op.135: Malaguena
3. Symphony No.14, Op.135: Loreley
4. Symphony No.14, Op.135: Le Suicide
5. Symphony No.14, Op.135: Les Attentives I
6. Symphony No.14, Op.135: Les Attentives II
7. Symphony No.14, Op.135: A la Sante
8. Symphony No.14, Op.135: Reponse des cosaques zaparogues...
9. Symphony No.14, Op.135: O Delvig, Delvig!
10. Symphony No.14, Op.135: Der Tod des Dichters
11. Symphony No.14, Op.135: Schluss-Stuck
12. 6 Poems Of Marina Tsvetaeva, Op.143a: My Poems
13. 6 Poems Of Marina Tsvetaeva, Op.143a: Such Tenderness
14. 6 Poems Of Marina Tsvetaeva, Op.143a: Hamlet's Dialogue With His Conscience
15. 6 Poems Of Marina Tsvetaeva, Op.143a: The Poet And The Tsar
16. 6 Poems Of Marina Tsvetaeva, Op.143a: No, The Drum Beat
17. 6 Poems Of Marina Tsvetaeva, Op.143a: To Anna Akhmatova

Customer Reviews:

A Richly Nuanced Performance of Shostakovich's Symphony of Death.......2006-02-04

Please note: This isn't in Russian.......2005-09-29

Shostakovich And Matters Of Death.......2005-08-06

Utterly spiritual!.......2005-07-26

Surprisingly, Perhaps, a Dimly-Burning Wick of Hope.......2002-01-24

Most of the texts have to do with death, and almost none of the texts regards death in any light other than hopeless, or at the least sardonic. But there is one note something discordant to the otherwise unremitting gloom.

"O Delvig, Delvig!" always struck me as the heart of the fourteenth symphony, all the more for its warm, passionate cello choir, standing in stark contrast to the "flint-faced" sardonicism ("Malagueña," "Les Attentives I & II," "Réponse des cosaques zaporogues") and the externally-dramatic bleakness ("Lorelei," "À la Santé," and the bookends "De Profundis" and "Der Tod des Dichters") of most of the rest of the symphony.

And here at what, musically, I have always felt to be the quiet, self-effacing heart of the piece, we find a text which differs, not sharply perhaps, but significantly, from the unrelieved tone of despair-at-darkness of all the rest of the texts, which (with epochal significance) are more recent ... the sharp-relieved word-paintings of Garcia Lorca, the urbane rationalism and withering wit of Appolinaire. Here, in the company of some of the world's most highly-regarded poets (to add Rilke) we find a highly personal dedicatory poem, written by the unknown-outside-Russia Küchelbecker.

Baron Anton Antonovich Delvig (1798-1831) and Wilhelm Karlovich Küchelbecker (1797-1846) were both friends of Pushkin's, from their school days at the Imperial Lyceum at Tsarskoye Selo (where there still stands a magnificent palace with extensive grounds). All three were poets, men of education and refinement. Delvig was packed off to Siberia, and executed as a revolutionary.

O Delvig, Delvig! What reward is there
for noble deeds and verse?
Where and what is the joy in talent
amongst villains and fools?
In Juvenal's austere hand
the dreaded lash whistles at the villains
and wipes the color from their cheeks.
The power of the tyrants trembled

O Delvig, Delvig, what is persecution?
Immortality is the reward
both of valiant, inspired deeds
and of sweet singing!
Thus our union will not die,
proud, joyful and free!
In happiness and grief, firm is the union
of lovers of the eternal Muse!

The poem fits into Shostakovich's work with conveniently thorough aptness. The two obscurer poets were friends of Pushkin's, himself not only the Great Man of Russian letters, but an artist who found that his works needed to pass a censor. Delvig was a poet who got caught in the wheels of politics, and paid with his life.

Yet the message of the poem is not gloom alone; it is not simply a weeping at the injustices of society against Art and the Individual. It is an assurance that noble deeds and sweet singing are rewarded with immortality, and that the artistic bond of the friends will never die, either. The poem is actually a positive response to external grief.

For all the unrelenting gloom of the rest of the symphony, for all that Shostakovich is quoted as saying, "Death is it, after death, there is nothing" ... for all this, I don't believe that Shostakovich could have LIVED like that ... and certainly here in the fourteenth symphony, he did not quite write like that. This text, its musical treatment, and its place in the shape of the symphony, all this together is the dimly burning wick which would not be blown out.

And too, the one text set in the symphony which has nothing in particular to do with death ("Réponse des cosaques zaporogues") is about rage at, and contempt for, despots, expressed by a fiercely proud, free people. This reminds me that another piece of Shostakovich's which I have long meant to investigate is "The Execution of Stepan Razin," a cossack folk-hero who is a symbol of the spiritual power of free resistance against an oppressor.

And the ending of the fourteenth symphony is not the bleak, still resignation of "De Profundis/Der Tod des Dichters" ... but an ironic clip-clop "Conclusion"... and the closing musical gesture is a clipped, tutti, raging in the strings.

Certainly a great deal of his experience would teach Shostakovich despair, and it would have taken an extraordinarily strong and determined character to resist learning so.

Yet in this work, I see more than just the cynicism. You can be taught to say things, taught even to feel things as though they are practically inside you, and a lot of the life you step through can be about those things ... and yet, down underneath all the accreted layers, you may feel that, really, it isn't, cannot be, true.

Like Martin Luther King's "there cannot be great disappointment where there is not great love" ... I wonder if the sharpness, the bitterness, is a refusal to accept. At any rate, I do not see it as an idea he has come to peace with ... at least, not in the fourteenth symphony.

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