It's 15 to 23
It's 15 to 23
Track Listings
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1. It's 15 to 23
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2. Nex Factory
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3. Delta Modulation
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It's 15 to 23,X-Dee,Cybertech,Dance,Rock/Pop Collections
Average customer rating:
- Wonderful, but not my first choice
- THE BEST recording of the BEST oratorio ever...
- Too bad there are so few recordings of Elijah
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Mendelssohn: Elijah
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Franz Joseph Haydn: The Creation
- Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
- Mahler: Das Lied von der Erde
- Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
- Brahms: Ein deutsches Requiem [A German Requiem]
ASIN: B0002XV31A
Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Average customer rating:
- A musical treasure-box
- a beautiful journey into melancholy
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
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Similar Items:
- Dowland: Complete Lute Works, Vol.1-5
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ASIN: B000004CYV
Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
A musical treasure-box.......2006-09-10
Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
- Nice Collection
- PERFECT!
- Great singing and excellent value for money
- More than two hours of beautiful 17th century 'ayres'
|
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Purcell, Henry
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Similar Items:
- Essential Purcell
- Purcell: The Fairy Queen
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- English and Italian Renaissance Madrigals
- Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
ASIN: B000059LOH
Release Date: 2001-06-05 |
Tracks:
- O Solitude - Nancy Argenta/Nigel North
- Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
- Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
- Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
- Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
- Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
- From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
- Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
- I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
- Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Fairest Isle - Nancy Argenta/Nigel North
- O Solitude - Nancy Argenta/Richard Boothby
Tracks:
- Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
- Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
- Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
- See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
- Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
- Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
- Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
- To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
- O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
- Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Music For A While - Nancy Argenta/John Toll
- If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
- Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
- When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
- Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
- Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North
Customer Reviews:
Nice Collection.......2007-03-05
I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.
PERFECT!.......2006-10-26
There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.
Great singing and excellent value for money.......2004-09-19
This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!
More than two hours of beautiful 17th century 'ayres'.......2001-08-02
Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.
Average customer rating:
|
Roger Quilter: O Mistress Mine; To Daisies; Julia's Hair; Go, Lovely Rose
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Chamber Music
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Similar Items:
- Songs by Roger Quilter
- Roger Quilter: Complete Folk-Song Arrangements; Complete Part-Songs for Women's Voices
- Gerald Finzi: I Said to Love; Let Us Garlands Bring; Before and After Summer
- English Song Series 1
- English Song Series 3
ASIN: B00009WQUH
Release Date: 2003-09-23 |
Tracks:
- It Was A Lover And His Lass, Op. 23 No. 3
- Take, O Take Those Lips Away Op. 23 No. 4
- O Mistress Mine Op. 6 No. 2
- How Should I Your True Love Know Op. 30 No. 3
- Orpheus With His Lute Op. 32 No. 1
- Hark! Hark! The Lark
- Ca' The Yowes To The Knowes
- Charlie Is My Darling
- Ye Banks And Braes
- I Arise From Dreams Of Thee Op. 29
- Music When Soft Voices Die Op. 25 No. 5
- Love's Philosophy Op. 3 No. 1
- Spring Is At The Door Op. 18 No. 4
- Passing Dreams Op. 10 No. 2
- Autumn Evening Op. 14 No. 1
- An Old Carol Op. 25 No. 3
- I. I Will Go With My Father A-Plowing
- II. Cherry Valley
- III. I Wish And I Wish
- Go Lovely Rose Op. 24 No. 3
- A Last Year's Rose Op. 14 No. 3
- Amaryllis At The Fountain Op. 15 No. 2
- I Dare Not Ask A Kiss Op. 28 No. 3
- Now Sleeps The Crimson Petal Op. 3 No. 2
- Prelude
- I. The Bracelet
- II. The Maiden Blush
- III. To Daisies
- IV. The Night Piece
- V. Julia's Hair
- Interlude
- VI. Cherry Ripe
- Love Calls Through The Summer Night
Average customer rating:
- You call this electronic? BULL!
|
Switched on Classics: Classics With a Beat
Manufacturer: Madacy Records
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Binding: Audio CD
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- Hooked On Classics
ASIN: B000000LDT
Release Date: 1995-04-16 |
Tracks:
- Flight Of The Bumble Bee, Hungarian Dance No. 5 - Light Cavallerie, Carmen: Flight Of Carmen
- The Moldau, Sheherazade, Nabucco: Soul And Sound
- Umbra Mai Fu, From Xerxes: Largo For Lovers
- Air, Pathetique, Solveig's Song: Solveig's Air
- Sonatas In C Major, A Major (Rondo Alla Turca): Amadeus Up To Date
- Nocturne In E Flat Major, Prelude In A Major, Mazurka In A Flat Major Op. 9,2 - 28,7 - 24,3: Blue Hour With Frederic
- Poem, Ave Maria: Mary's Poem
- Etude In A Major Op. 10,3 - Moonlight Sonata Op. 27,2: Moonlight Fantasy
- Trumpet Voluntary, Trumpet Tune In B Flat Major: Old Trumpet Sound
- Ave Verum KV 618: Mozart's Prayer
- Porgy And Bess: Summertime
- West Side Story: America
Tracks:
- Swan Lake, Capriccio Italien, Romeo & Juliet (Overture), Pathetique, Nutcracker Suite (Trepak, The Sugar Plum Fairy, The Reed Flutes), Romeo & Juliet (Finale): Russian Sounds
- Preludes In C Major And Minor, Italian Concerto BWV 846, 847, 971: The Well - Tempered Bach
- Emperor Waltz, Hunters Polka, Perpetuum Mobile, Tritsch-Tratsch Polka, Pizzicato Polka, Thunder & Lightining Op. 437, 373, 257, 214, 324: Vienna In Rhythm
- In C Major, A Minor, B Flat Major BWV 772, 784, 785: John Sebastian's Inventions
- Inpromptu In A Flat Major Op. 142,2: Always All Ready
- Aida (Temple Scene & Romance) Rigoletto (Violetta): Aida In The Background
- Aria In F Minor, March From 'Sciplo', Allegro In F Minor: Festive Baroque
- Song Of India
- Can't Buy Me Love
- It Ain't Necessarily So
- Nabucco Slave's Chorus, Gefangenchor - Tannhauser
- For Elise, Symphony No. 9, Ode To Joy
Tracks:
- A Fifth Of Beethoven
- Reverie (Traumerei)
- Serenade KV 330, Serenade From Sonata KV 284, Turkish March KV 331
- Largo From Symphony No. 9: New World
- Symphony No. 40 In C Minor
- Can Can, Thunder & Lightning (Polka), Hungarian Dance, Galop, Medley, Staccato, Orpheus In The Underworld
- Moonlight Sonata: Blue Moon
- A Little Night Music
- Also Sprach Zarathustra
- Waltz In A Minor Op.39
- From Tales Of Hoffmann: Barcarole
- Toccata Spectrum
- Melody In F
- Fantasy
- Serenade
Customer Reviews:
You call this electronic? BULL!.......2003-01-26
I think I know what electronic classical music is, considering I made an album called Kulture. This does not sound electronic, if it does, it uses drums = not good. It sounds way too classical.
Average customer rating:
- Finally a Messiah with fervor!
- Great recording!
- Good and Bad
- This is a great recording!
|
Handel: Messiah
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
All Works by Handel
| Handel, George Frideric
| ( H )
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ASIN: B00002R16A
Release Date: 1999-11-30 |
Tracks:
- Messiah: No. 1 Overture
- Messiah: No. 2 Arioso For Tenor
- Messiah: No. 3 Air For Tenor
- Messiah: No. 4 Chorus
- Messiah: No. 5 Recitative For Bass
- Messiah: No. 6 Air For Bass
- Messiah: No. 7 Chorus
- Messiah: No. 8 Recitative For Alto
- Messiah: No. 9 Air For Alto And Chorus
- Messiah: No. 10 Arioso For Bass
- Messiah: No. 11 Air For Bass
- Messiah: No. 12 Chorus
- Messiah: No. 13 Pifa (Pastoral Symphony)
- Messiah: No. 14a Recitative And No. 14b Arioso For Soprano
- Messiah: No. 15 Recitative For Soprano
- Messiah: No. 16 Arioso For Soprano
- Messiah: No. 17 Chorus
- Messiah: No. 18 Air For Soprano
- Messiah: No. 19 Recitative For Alto
- Messiah: No. 20 Air For Alto And Soprano
- Messiah: No. 21 Chorus
- Messiah: No. 22 Chorus
- Messiah: No. 23 Air For Alto
- Messiah: No. 24 Chorus
- Messiah: No. 25 Chorus
- Messiah: No. 26 Chorus
Tracks:
- Messiah: No. 27 Arioso For Tenor
- Messiah: No. 28 Chorus
- Messiah: No. 29 Recitative For Tenor
- Messiah: No. 30 Air For Tenor
- Messiah: No. 31 Recitative For Tenor
- Messiah: No. 32 Air For Tenor
- Messiah: No. 33 Chorus
- Messiah: No. 34 Recitative For Tenor
- Messiah: No. 35 Chorus
- Messiah: No. 36 Air For Alto
- Messiah: No. 37 Chorus
- Messiah: No. 38 Aria For Soprano
- Messiah: No. 39 Chorus
- Messiah: No. 40 Air For Bass
- Messiah: No. 41 Chorus
- Messiah: No. 42 Recitative For Tenor
- Messiah: No. 43 Air For Tenor
- Messiah: No. 44 Chorus
- Messiah: No. 45 Air For Soprano
- Messiah: No. 46 Chorus
- Messiah: No. 47 Recitative For Bass
- Messiah: No. 48 Air For Bass
- Messiah: No. 49 Recitative For Alto
- Messiah: No. 50 Duet For Alto And Tenor
- Messiah: No. 51 Chorus
- Messiah: No. 52 Air For Soprano
- Messiah: No. 53 Chorus
- Messiah: Amen
Customer Reviews:
Finally a Messiah with fervor!.......2005-10-20
I've hunted a thrilling performance of The Messiah through 240 versions so far. This is the best I've found. Some are self-conscious, dutifully singing as instructed. Some are almost childish in their lilt. Some are overblown with so much bombast that you can barely hear the heart of the music. Some are concentrated on faithfulness to the original instruments. If you want a performance that will make you shiver with the power and joy of the music, this is the one. The singers are singing about GLORY. They sound as if they are ecstatic. The musicians are at one with the music and they create a virtual cathedral wherever this CD is played, just close your eyes. Or, let your own imagery, be it celestial, or of great oceans...carry you away.
Great recording!.......2003-09-22
There are so many performances of the Messiah out there that it is very difficult to point to a difinative one, but I'd put this in the catagory of the "very good" ones. As other reviewers have said, every performance is different and has its own character. Each has stronger and weaker points. Here the conductor and musicians have made good, solid musical choices. There is an amazing attention to detail which is not so obvious the first listen through but which makes the piece shine. The tempos seem to be right on, and there is no frivolous over-embellishment by the soloists. There is no attempt to be showey. The dramatic dynamics in the first section of the overture are interesting, but seem to work after you hear it a few times. This performance also includes sections which are often omitted (Second half of "He shall feed his flock," "Thou art gone up on high," "Great was the company of the preachers," and "Death where is thy sting"). I prefer the more intimate quality of a small ensemble of musicians to the mega-performances by the London Philharmonic, Vienna State Opera Orchestra, etc.. As with this performance, the smaller group lends a clarity to the music, where the larger ensembles can get a little "muddy" at times. Just my personal preference. Overall, this is a very good performance, and certainly the low price (being on the Naxos lable) makes this a clear choice.
Good and Bad.......2000-04-09
I was more interested in "The Messiah" for the religious content than as a music critic, but this was too much. The strings are tinny. The orchestra is plodding. The soloists and choir are thankfully very good and seem to understand the meaning of the words. It is a shame the sound mix is uneven. The male parts come across loud and clear, but the poor women. For instance, No. 9 Oh thou that tellest..., the soloist sounded like she was singing in an echo chamber far from the mike. This is one of the most disappointing versions of "The Messiah" I have heard in a long time.
This is a great recording!.......2000-02-11
I was really surprised with the new that the Messiah's New World premiere was held at Trinity Church in October 1770, twenty-eight years after it was written. This fact only will make one proud in having this CD among his collection.
Anyhow, this is nothing more than a historic detail and would not count if this recording had not an outstanding first-rate ensemble of singers. Without doubt there is no definitive version of Messiah. Each one has its own distinctive touch and feeling and exploring it is always a pleasant journey through imagination.
As stated by the conductor: "we must concede that performing Messiah with twenty singers and an appropriately balanced instrumental ensemble represents, at best, an imperfect comprimise", it will be easy to understand that this recording does not stand among the greatest and will probably carry some imperfections. I will mention two that kind of disppointed me a little bit. The Overture and the Chorus Worthy is the Lamb, for some reason misses the habitual vigor and strenght. Everything else is great and this is definitely a worth buying.
Average customer rating:
- great, great!!!
- ALL THE MUSIC YOU EVER NEED!!
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Sacred Music Complete
Purcell , King , and Kings Consort
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
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Similar Items:
- The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
- Complete Secular Songs (3cd)
ASIN: B00006RHQJ
Release Date: 2002-12-10 |
Customer Reviews:
great, great!!!.......2006-12-05
This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.
ALL THE MUSIC YOU EVER NEED!!.......2003-05-23
This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
Average customer rating:
- Another, more unknown side, of King Henry VIII
- Good King Harry's Musical Hits!
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All Goodly Sports: Music of Henry VIII
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
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Partsongs
| Vocal Non-Opera
| Opera & Vocal
| Styles
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General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
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| Music
Similar Items:
- Henry VIII: If Love Now Reigned (His Music - His Love Letters to Ann Boleyn) - Isaak Ensemble Heidelberg / Theo Stemmler
- Royal Lewters: Music of Henry VIII & Elizabeth I's
- Music from the Reign of Henry VIII
- English Music from Henry VIII to Charles II
- Henry VIII & His Six Wives
ASIN: B00000AFTK
Release Date: 1998-09-15 |
Tracks:
- The Complete Music Of Henry VIII: 'Wherto shuld I expresse'
- The Complete Music Of Henry VIII: Consort XXIII
- The Complete Music Of Henry VIII: 'Thow That Men Do Call It Dotage'
- The Complete Music Of Henry VIII: 'Grene Growith The Holy'
- The Complete Music Of Henry VIII: Consort V
- The Complete Music Of Henry VIII: 'Withowt Dyscord'
- The Complete Music Of Henry VIII: Consort II
- The Complete Music Of Henry VIII: 'Helas Madam'
- The Complete Music Of Henry VIII: Consort XII
- The Complete Music Of Henry VIII: 'Alac, Alac, What Shall I Do'
- The Complete Music Of Henry VIII: Consort XIV
- The Complete Music Of Henry VIII: 'Pastyme With Good Companye'
- The Complete Music Of Henry VIII: 'The Tyme Of Youthe'
- The Complete Music Of Henry VIII: Consort IV
- The Complete Music Of Henry VIII: 'Departure Is My Chef Payne'
- The Complete Music Of Henry VIII: Consort XVI
- The Complete Music Of Henry VIII: 'Lusti Yough Shuld Us Ensue'
- The Complete Music Of Henry VIII: En Vray Amoure
- The Complete Music Of Henry VIII: 'Whoso That Wyll For Grace Sew'
- The Complete Music Of Henry VIII: Consort XIII
- The Complete Music Of Henry VIII: 'Adew Madam Et Ma Mastres'
- The Complete Music Of Henry VIII: Tandernaken
- The Complete Music Of Henry VIII: 'Alas, What Shall I Do For Love?'
- The Complete Music Of Henry VIII: Consort VIII
- The Complete Music Of Henry VIII: 'It Is To Me A Ryght Gret Joy'
- The Complete Music Of Henry VIII: Consort XV
- The Complete Music Of Henry VIII: 'O My Hart'
- The Complete Music Of Henry VIII: 'Whoso That Wyll All Feattes Optayne'
- The Complete Music Of Henry VIII: Gentil Prince De Renom
- The Complete Music Of Henry VIII: 'Though Sum Saith That Yough Rulyth Me'
- The Complete Music Of Henry VIII: Consort III
- The Complete Music Of Henry VIII: 'If Love Now Reynyd' (Version 1)
- The Complete Music Of Henry VIII: If Love Now Reynyd (Version 2)
- The Complete Music Of Henry VIII: Consort XXII
Customer Reviews:
Another, more unknown side, of King Henry VIII.......2006-02-08
Mention King Henry VIII and most of us picture a bloated King Bluebeard, grossly fat, surrounded by luxury, gazing at the world through small piggy eyes and a pursed mouth. He disposed of his wives and courtiers when they became inconvenient, and married four times in just over eleven years, with two of his wives being executed for treason and adultery.
But there is another side to this rather gory picture of a murderous king. Henry VIII was one of the most artistic of the Renaissance kings. He adored spectacle, and loved to take part in masques -- a form of staged entertainment with costumes, set pieces and music that had a theme, drawn from classical or folkloric literature. He also wrote quite a few ballads, and love songs, as well as music that is classified as a consort -- music that was instrumental, perhaps played as part of a masque or to dance to.
In All Goodly Sports the group Sirinu takes the known songs and compositions of King Henry VIII and gathers it all together into a lovely collection of English Renaissance courtly music. Sirinu is a group of five musicians, who provide the vocals and play a variety of period instruments, from woodwinds, strings, percussion and keyboards. The various vocal pieces are interspersed with the 'consorts' -- short, instrumental breaks, all taken together in a long, smooth progression. That's one of the drawbacks of this cd, that many of these compositions are less than a minute or two long, with only a few of the ballads lasting longer than three minutes.
This is a rather amazing collection of songs and verses. Sirinu, with guest tenor Hugh Wilson, gives it all much verve and style. The liner notes give some details on the history of the manuscript that these compositions were found in . Included in the notes -- which are written in French, English and German -- are the lyrics, which are transcribed into the same languages. Most of the ballads are in English, with several that were originally in French. While there are translations, sadly, most of the background on the instruments and songs are lacking, so to figure out some of the more obscure terms, a hunt through a book on Renaissance and medieval music is required.
For those who enjoy music from the Renaissance, this is a must have for a collection. It gives a well rounded look at the music of Henry VIII's court, and evokes the romance and elegance of the period. Happily recommended.
Good King Harry's Musical Hits!.......2002-09-06
The perfect background music for your next royal banquet or joust! Many people forget that Henry Tudor was an accomplished musician and this CD captures that very well. A welcome and novel addition to your classical collection.
Average customer rating:
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Enclosure Two: Harry Partch
Manufacturer: INNOVA
ProductGroup: Music
Binding: Audio CD
Ballets
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Partch, Harry
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Similar Items:
- The Harry Partch Collection, Volume 1
- The Harry Partch Collection, Volume 2
- Enclosure Five: Harry Partch
ASIN: B000004AF9
Release Date: 2000-12-06 |
Tracks:
- I am Harry Partch - Harry Partch
- By the Rivers of Babylon - Harry Partch
- Texts and Music: A Wagnerian Wrestling Match - Harry Partch
- Ten Li Po Lyrics: 1 - A Dream - Harry Partch
- Ten Li Po Lyrics: 2 - An Encounter in the Field - Harry Partch
- Ten Li Po Lyrics: 3 - On Hearing the Flute - Harry Partch
- Ten Li Po Lyrics: 4 - The Intruder - Harry Partch
- Ten Li Po Lyrics: 5 - I am a Peach Tree - Harry Partch
- Ten Li Po Lyrics: 6 - With a Man of Leisure - Harry Partch
- Ten Li Po Lyrics: 7 - A Midnight Farewell - Harry Partch
- Ten Li Po Lyrics: 8 - Before the Cask of Wine - Harry Partch
- Ten Li Po Lyrics: 9 - On the Ship of Spicewood - Harry Partch
- Ten Li Po Lyrics: 10 - By the Great Wall - Harry Partch
- The Use of English in Serious Music - Harry Partch
- Barstow - Eight Hitch-Hiker's Inscriptions. . . - Harry Partch
- San Francisco - Newsboy Cries - Harry Partch
- Life is too precious to spend it with important people - Harry Partch
- U. S. Highball - A Musical Account of Slim's Transcontinental Hobo Trip - Harry Partch
- While my Heart Keeps Beating Time - Harry Partch
- San Francisco II - Harry Partch
Tracks:
- I'm going to start right off by giving you some sounds - Harry Partch
- Two Settings from Joyce's Finnegan's Wake: 1 - Isobel - Harry Partch
- Two Settings from Joyce's Finnegan's Wake: 2 - Annah the Allmaziful - Harry Partch
- Dark Brother - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 1 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 2 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 3 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 4 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 5 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 6 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 7 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 8 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 9 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 10 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 11 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 12 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 13 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 14 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 15 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 16 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 17 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 18 - Harry Partch
- A Quarter-Saw Section of Motivations and Intonations - 19 - Harry Partch
Tracks:
- June 11, 1935 - Santa Rosa, California - H. PARTCH
- June 12 - Federal Shelter, Stockton - H. PARTCH
- June 13 - H. PARTCH
- June 14 - H. PARTCH
- June 16 - Huntington Ranch, San Joaquin - H. PARTCH
- June 17 - H. PARTCH
- July 4 - H. PARTCH
- July 14 - H. PARTCH
- July 16 - H. PARTCH
- July 19 - H. PARTCH
- July 20 - Heading north, between Sacramento and Redding (Later incorporated into The Wind) - H. PARTCH
- July 24 - Federal Shelter, Portland - H. PARTCH
- July 25 - Blue Ox Lodge, Seattle, Washington - H. PARTCH
- July 27 - H. PARTCH
- July 29 - H. PARTCH
- July 30 - H. PARTCH
- August 7 - Between Grants Pass and Klamath Falls, Oregon - H. PARTCH
- August 15 - H. PARTCH
- October 22 - Nearing Monterey (reworked in 1943 as The Letter) - H. PARTCH
- October 24 - Leaving Big Sur - H. PARTCH
- October 25 - Near Slate's Hot Springs (Now the Esalen Institute) - H. PARTCH
- October 26 - H. PARTCH
- October 27 - H. PARTCH
- October 28 - H. PARTCH
- October 29 - H. PARTCH
- October 30 - Big Creek - H. PARTCH
- November 12 - Santa Barbara - H. PARTCH
- November 14 - H. PARTCH
- November 15 - Leaving Santa Barbara - H. PARTCH
- November 16 - Ojai - H. PARTCH
- November 17 - H. PARTCH
- November 23 - Los Angeles - H. PARTCH
- November 28 - H. PARTCH
- December 4 - H. PARTCH
- December, 1935 - H. PARTCH
- Feburary 1, 1936 - San Bernardino - H. PARTCH
Tracks:
- Yankee Doodle Birds - H. PARTCH
- Y.D. Fantasy - On the Words of an Early American Tune - H. PARTCH
- O Frabjous Day! - H. PARTCH
- You are charged with being guilty. Are you drunk or not drunk? - H. PARTCH
- Ring Around the Moon - A Dance Fantasm for Here - H. PARTCH
- Bless This Home - H. PARTCH
- Harrys Wake - H. PARTCH
Amazon.com
Enclosure 2, all four cds, is curated as a sprawling notebook filled with sounds and speech instead of sketches and words. Of any Partch recording extant, it gives the best picture of the man--as the curmudgeonly, extremely innovative misanthrope that he was, as the composer who was impossibly unlike anyone else before or since. The essence of Partch's music reflects the history of the world--from his particular perspective--the imaginings of ancient Greece to the influence of Chinese musical melodrama, all propelled by homemade instruments based on a 43-tone scale named things like the "Kithara" and the "Boo." These recordings also give the best sense of his philosophy of language in music. Lamenting the whole time how text in music had become detached from the language of everyday life, Partch ran music alongside newsboys' cries and hobos' diaries, following the forms, cadence, and dynamics of speech, rather than the other way around. From his juvenilia (a wonderful song he wrote at 18) to a 45-minute segment of his wake in 1974, the first steps towards exploring Partch's sparkling works fully are made here. --Robin Edgerton
Average customer rating:
- I've been thinking about the way smooth music goes.
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The Makers of Smooth Music
Tom Ardolino Presents: The Makers of Smooth Music
ProductGroup: Music
Binding: Audio CD
ASIN: B000Q44V8M |
Customer Reviews:
I've been thinking about the way smooth music goes........2007-06-27
The full title of this CD is "Tom Ardolino Presents: The Makers of Smooth Music (MSR Madness Vol. 2)". MSR Madness Vol. 1 was titled "The Beat of the Traps" and was released on vinyl only. But fear not, 12 of the 16 tracks from The Beat of the Traps are included here, with the remaining 4 tracks included on the MSR Madness Vol. 3 CD. So, what the heck does MSR Madness mean anyway? Well, MSR Records was the leading producer of song-poem records. Okay, so what are song-poems? They are lyrics which have been set to music for a fee. Typically, the service was promoted through small display ads in popular magazines, comic books, tabloids, men's adventure journals and similar publications with a headline reading (essentially) Send in Your Poems - Songwriters Make Thousands of Dollars - Free Evaluation. The term lyrics was avoided because it was assumed potential customers would not understand what the term meant. People who sent their poetry usually received notice by mail that their work was worthy of recording by professional musicians, along with a proposal to do so in exchange for a fee. The melodies were either improvised or recycled and musicians often recorded dozens of songs per recording session using minimal resources, often in one take. The recordings were then duplicated on 45 RPM vinyl singles or compilation LPs with dozens of other songs by amateur lyric writers. Copies were sent to the customer. Promises that they would also be sent to radio stations or music industry executives were rarely if ever kept -- partly because the recordings would not have been taken seriously by professionals. The practice played off the intense desire of unsophisticated people to realize their ambitions of making money from writing popular songs. In the 1990s, some record collectors "rediscovered" these recordings. The main attraction of them is how kooky some of them are. Some these songs have really bizarre lyrics and off-kilter performances. If you enjoy hearing oddball music, you'll probably get a kick out of this CD.
Music Review:
- Jeopardy [CD-single]
- Jock Jams, Vol. 4
- Latin Pride
- Latino Party, Vol. 2 [Import]
- Lush Life Electronica [Import]
- Lust Provider [Import]
- Machinery of Destruction [Import]
- Man or Myth?
- Mephisto: Subterranean Sound of San Francisco [Import]
- Miambient, Vol. 1: Continuous Mix from the Womb
Music Review
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