Nativi Redienti Di [Import]
Nativi Redienti Di [Import]
Track Listings
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1. Milancholia
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2. New Beginning (Mandala Rmx)
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3. Limbo
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4. Muzik
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5. Amour Tu Me Tues
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6. Smiles Of Jade
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7. Aria (Straight Edit)
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8. Bittersweet Mistery
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9. La Notte
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10. Call From Venus
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11. Facce Sporche
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12. Vocalism
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13. Il Gatto Va (Partenza Ver3.0)
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14. Bali Dreams
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15. Way To Love
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Nativi Redienti Di,Various Artists,Milano,Dance
Average customer rating:
- Rysanek is a goddess.
- A great recital disc!!!
- Unbelievable
- Astonishing
- A SHINING SOPRANO IN A STUNNING RECITAL
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Opera Arias
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003GB6
Release Date: 1997-09-16 |
Tracks:
- La forza del destino:: Pace, pace, mio Dio
- TOSCA: Vissi d'arte
- Aida: Ritorna vincitor
- Aida: Qui Radames verra; O patria mia
- Andrea Chenier: La mamma morta
- Turandot: In questa reggia
- Cavalleria Rusticana: Voi lo sapete
- Otello;: Canzone del salce
- Otello;: Ave Maria
- Un Ballo in Maschera: Ma dall arido stelo divulsa
- Un Ballo in Maschera: Morro, ma prima in grazia
- Macbeth: 'Nel di della vittoria...'; Vieni! t'affretta! accendere
- Macbeth: La luce langua
- Otello: Gia nella notte densa
Customer Reviews:
Rysanek is a goddess........2006-06-05
As a few other reviewers have written, this was also my introduction to Leonie Rysanek. My dad bought this disc for me when I finally realized that Beverly Sills wasn't the be all, end all of the opera world, and I had started listening to Nilsson, Callas, and Sutherland. He said that I should check out this soprano, so I happily took the CD and listened to the whole thing straight through. It starts with one of Verdi's most exciting and gorgeous arias for Dramatic Soprano, "Pace, pace, mio Dio," which showcases a lot of Leonie is about. Beautiful pianissimo high notes, which became one of her trademarks, and then a thrilling high note at the end.
I was instantly in awe of her voice. I eagerly listened to the rest of the recital CD. I think the highlights of this recital are the arias from Macbeth and Otello. Even though Leonie specialized in German Rep, singing roles like Chrysothemis in Elektra, The Empress in Die Frau Ohne Schatten, and Salome in Salome, she also made Lady Macbeth and Desdemona her own! "Nel dì della vittoria...Vieni! t'affretta! accendere," is the best track on the album. This is Leonie at her best, singing the role she made her Met debut singing. She handles the runs with ease and hits every note thrillingly. Leonie always said she was intimidated by Nilsson and refused to sing Isolde and Brunhilde for that reason, but Nilsson has nothing on her as Lady Macbeth.
Leonie does have her weaknesses, but they're easily looked over once you hear her HUGE upper register, and in roles that her voice fits very well in, the sharpness and breathiness in her lower and middle register are not as evident. She is a soprano that every opera fan should know and listen to. She and Nilsson truly are, in my humble opinion, the greatest Wagnerian Sopranos of the post war era...well...besides like Flagstad...but whatever. Anyway, get this recital disc, and once you're done with it, buy any Die Frau Ohne Schatten with Leonie, preferably the early one, and one of her Salome recordings. You won't regret it!
A great recital disc!!!.......2003-11-01
This recital was my introduction to the fabulous artistry of Leonie Rysanek. Having read so many good things about this soprano, I decided to buy this disc and hear for myself. This disc was a very pleasant surprise.
Rysanek has a huge, rich, soaring soprano voice. Her voice's glory is its intense, powerful, immense upper register. Hearing her top B's, B-flats, and C's on disc definitely makes one wonder about the effect this voice had in the opera house. The speakers of my stereo were barely able to contain her awesome high notes. Rysanek's voice has two other registers and they, unfortunately, are not as strong as her upper register. Her middle register is a bit thick and slow-moving, while her lower register is almost non-existent. As a result, low notes, such as the ones in "Mai nessun, nessun m'avrà" in "In questa reggia", are barely audible. Her tendency to sharp on middle register notes is well known and is evident here. However, nothing here goes terribly awry pitch-wise. Hearing her glorious, soaring high notes is ample compensation. Rysanek's middle register did eventually strengthen and her lower register did fill in, which allowed her to embark on a second singing career as a mezzo-soprano.
Besides her wonderful, if slightly marred, singing, what impresses me most about her is her dramatic commitment. Every aria here, as well as the duet from "Otello", is given its dramatic due. Her interpretation of each one is unique. From hearing about Rysanek being a true creature of the stage, one can only imagine how effective she must have been in an opera house. I really wish that I could have been able to see her in a live opera performance in her prime. Oh well.
A few of the disc's highlights:
There is a beautifully floated, pianissimo high B-flat in "Pace, pace, mio Dio". A powerful high B-flat at the end of "Vissi d'arte". Gorgeous soft singing in the last section of "Ritorna vincitor". A super-powerful forte high C at the climax of "O patria mia" that leaves the listener breathless with awe. Believe me, after hearing her blast out this note, you will be glad that she didn't follow Verdi's pianissimo marking for this note. Great high notes in "In questa reggia". The aria itself is beautifully sung, with Rysanek sounding like a vulnerable princess instead of sounding like a cruel and ice-cold one. A very affecting Willow Song and "Ave Maria", both full of shimmering pianissimos. Dramatically exciting and vocally thrilling accounts of "Vieni! t'affretta!" and "La luce langue", complete with blazing high notes. Her reading of the letter reveals a beautiful speaking voice and perfectly pronounced Italian. A wonderful "Già della notte densa" from "Otello". Jon Vickers, despite sounding a bit strained, is wonderful in this duet and Rysanek really shines as Desdemona.
A few drawbacks:
Some unidiomatic Italian diction is present in her singing. Her account of "Ma dall'arido stelo divulsa" reveals this. Rysanek does not pause to prepare for the final "Signor" in "Vissi d'arte". This lessens the excitement of the following high B-flat. The difficult last phrase in "O patria mia" is broken up for breath, which dampens its effect. Montserrat Caballé, in her studio recording of "Aïda", takes this phrase in one breath and the effect is marvelous.
I have greatly enjoyed listening to this disc and recommend it to all fans of great singing.
Unbelievable.......2003-10-02
You'll never believe that anyone can sing like this. Magnificent. The top B's, C's and D flats are taken with conssumate ease. It is as if no difficulties exist for Rysanek. This would rank with Joan Sutherland's "The Art of Prima Donna" as one of the best ever recital committed to recording.
Astonishing.......2003-08-30
Leonie Rysanek was one of the greatest dramatic sopranos ever. Sad to say, her recorded legacy is kind of sparse. She disliked the recording studio and chose not to record a lot of her parts in studio. For example, she declined recording Chrysothemis with Birgit Nilsson in Solti's Elektra, which is really a great pity because her presence would have made that set unbeatable. Thankfully, she recorded Leonore with Fricsay (DG), Senta with Dorati (Decca), Lady Macbeth with Leinsdorf (RCA - some arias included in this selection), Desdemona with Serafin (RCA), Sieglinde with Bohm (DG), the Empress with bohm (Decca & DG), Elektra with Bohm (Unitel film soundtrack). And we have 'live' recordings from broadcasts in superb stereo of her incomparable Salome with Bohm (RCA) and Kempe (Golden Melodram) and her Klytamnestra. We have her Herodias with Sinopoli (DG), her 'live' Chrysothemis with Nilsson, James Levine at the Met on DVD, her Ortrud again at the Met on DVD. Sad to say, she never commercially recorded Aida, Turandot, Tosca or Amelia or La Forza del destino, the Marschallin or Ariadne. This recital disc helps to fill that gap. Here, we have arias from La forza del destino, Tosca, Aida, Otello (from her recording with Serafin), Macbeth (from her recording with Leinsdorf), Un ballo in maschera, Turandot, Andrea Chenier and Cavalleria rusticana.
The recording is in superb stereo and her rich voice comes through thrillingly. Leonie Rysanek says "If there is a single record with which I'm largely satisfied, it is this recital of Italian arias". This coming from Rysanek herself, who disliked the studio, is an understatement. The fact of the matter is that her performances here are all on fire - thrillingly intense. Those high C's and top notes are rich and super intense - something only Birgit Nilsson can match. It is really sad that really good singers often get overlooked while squally singers get their name on every other opera recording of commercial recording companies. Leonie Rysanek could have sung Brunnhilde, Isolde, Elektra (she did but not on stage or on CD but on a film sound track), triumphed in all those roles and given Birgit Nilsson a run for her money. But she did not. Thankfully, we have this recital record and some of her other 'live' radio broadcasts. Do I recommend this? Of course, it is compulsory listening for all opera lovers. You don't know what is a dramatic soprano is capable of until you hear this!! (Birgit Nilsson was a different type of dramatic soprano and most opera listeners have heard her in her full splendour as Isolde or Brunnhilde or Elektra or Turandot).
Also compulsory listening for opera lovers:
Rysanek's Salome with Kempe on Golden Melodram in superb stereo.
Her Leonore with Fricsay on Deutsche Grammophon, her Sieglinde with Bohm on Philips, and her Empress with Bohm on both Decca and Deutsche.
If you want further listening apart from the compulsory list above, get her Lady Macbeth, Senta, Chrysothemis, Elektra, Klytamnestra, Desdemona and Ortrud as I listed above.
A SHINING SOPRANO IN A STUNNING RECITAL.......2000-05-08
Although remembered today as a Wagner and Strauss specialist, Leonie Rysanek, who died last year at age 71, sang many Italian operatic roles in the earlier portion of her career, and still retained a few of them well beyond then. She had, in her absolute vocal prime, the exact type of voice that Richard Strauss loved to write for ----- high, clear, radiant, at at it's best, thrilling. These are the precise vocal qualities that Rysanek brings to the Italian operatic arias heard on this CD. All of the Verdi arias presented here (from Aida, Ballo, Forza del Destino, and Macbeth) are performed with vocal mastery and complete authority, and the "Cavalleria Rusticana" has the sound of real heartbreak and pathos. The highlight of this recital for me was the "In Questa Reggia" from Puccini's "Turandot", which concludes with one of the most spectacular top C's I've ever heard from ANY soprano. Certainly the versions of all of the arias and scenes heard here have been performed with great distinction by such great sopranos as Tebaldi, Callas, Price, Nilsson, Milanov, etc, but there is something very unique and special in the way Rysanek performs them. There is some truly stunning singing to be heard here from a great artist whose career is now remembered for having specialized in a vastly different repertoire, but it is the very unique sound that made her so suited to the Wagner/Strauss repertoire that makes these Italian operatic items so interesting and special.
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Lotte Lehmann: Wolf, Duparc, Schubert, Brahms
Manufacturer: RCA
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ASIN: B00000E6FA
Release Date: 1990-10-25 |
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New Melody for the Herdsmen
Manufacturer: Silverwolf
ProductGroup: Music
Binding: Audio CD
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ASIN: B0007XBMSE
Release Date: 2005-04-12 |
Tracks:
- New Melody For The Herdsmen
- The Happy Competitions
- Theme For Countryside
- Polka Dance
- The Oriole Showed Up Its Wings
- A Picture Of Village
- Song Of The Native Land
- Zigeuner Weisen
- Wu-Pang-Tsu
- In Praise Of The Hometown
- Riding Fast To Carry Provisions
- Song Of A Cowherd
- Having Pleasure Of Bumper Crop
Album Description
This CD presents renowned Chinese solo music, played on the bamboo flute. Jian Guang-I's work has attained great popularity in China, Japan, Germany, Italy, Australia, New Zealand, Hong Kong and France. Originally composed in 1966, this is a re-presentation of his most noted work.
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Lotte Lehmann: The Complete Victor Recordings (1935-1940)
Manufacturer: Romophone
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ASIN: B000001S3G
Release Date: 1995-11-22 |
Tracks:
- An Chloe, K.524 - Lotte Lehmann/Erno Balogh
- Die Verschweigung, K.518 - Lotte Lehmann/Erno Balogh
- Die Schone Mullerin: Ungeduld, D.795, No.7 - Lotte Lehmann/Erno Balogh
- Im Abendrot, D.799 - Lotte Lehmann/Erno Balogh
- Die Kartenlegerin, Op.31, No.2 - Lotte Lehmann/Erno Balogh
- Liederkreis: Waldesgoesprach, Op.39, No.3 - Lotte Lehmann/Erno Balogh
- Der Tod Das Ist Die Kuhle Nacht, Op.96, No.1 - Lotte Lehmann/Erno Balogh
- Therese, Op.86, No.1 - Lotte Lehmann/Erno Balogh
- Meine Liebe Ist Grun, Op.63, No.5 - Lotte Lehmann/Erno Balogh
- Anakreons Grab - Lotte Lehmann/Erno Balogh
- In Dem Schatten Meiner Locken - Lotte Lehmann/Erno Balogh
- Do Not Chide - Lotte Lehmann/Erno Balogh
- My Native Land - Lotte Lehmann/Erno Balogh
- Midsummer - Lotte Lehmann/Erno Balogh
- Fa La Nanna, Bambin - Lotte Lehmann/Erno Balogh
- Canto Di Primavera - Lotte Lehmann/Erno Balogh
- Ich Liebe Dich - Lotte Lehmann/Erno Balogh
- Schlafe, Mein Susses Kind - Lotte Lehmann/Erno Balogh
- D'Une Prison - Lotte Lehmann/Erno Balogh
- Vierges D'Athens - Lotte Lehmann/Erno Balogh
- Gretel - Lotte Lehmann/Erno Balogh
- Selige Nacht - Lotte Lehmann/Erno Balogh
- Storchenbotschaft - Lotte Lehmann/Erno Balogh
- Der Gartner - Lotte Lehmann/Erno Balogh
- Du Denkst Mit Einem Fadchen Mich Zu Fangen - Lotte Lehmann/Erno Balogh
- Fur Musik, Op.10, No.1 - Lotte Lehmann/Erno Balogh
- Gute Nacht, Op.5, No.7 - Lotte Lehmann/Erno Balogh
- Lehn' Deine Wang' An Meine Wang' - Lotte Lehmann/Erno Balogh
- Gretchen Am Spinnrade, D.118 - Lotte Lehmann/Erno Balogh
- Schlafe, Schlafe 'Weigenlied', D.498 - Lotte Lehmann/Erno Balogh
- Du Bist Wie Eine Blume, Op.25, No.24 - Lotte Lehmann/Erno Balogh
- Liederkreis: Fruhlingsnacht, Op.39, No.12 - Lotte Lehmann/Erno Balogh
Tracks:
- Alte Laute, Op.35, No.12 - Lotte Lehmann/Erno Balogh
- Botschaft, Op.47, No.1 - Lotte Lehmann/Erno Balogh
- Das Madchen Spricht, Op.107, No.3 - Lotte Lehmann/Erno Balogh
- Mein Madel Hat Einen Rosenmund, No.25 From 49 Volkslieder - Lotte Lehmann/Erno Balogh
- Visions (Tonerna) - Lotte Lehmann/Erno Balogh
- Drink To Me Only - Lotte Lehmann/Erno Balogh
- Gebet - Lotte Lehmann/Paul Ulanowsky
- Nun Lass Uns Frieden Schliessen - Lotte Lehmann/Paul Ulanowsky
- Fruhling Ubers Jahr - Lotte Lehmann/Paul Ulanowsky
- Auf Ein Altes Bild - Lotte Lehmann/Paul Ulanowsky
- In Der Fruhe - Lotte Lehmann/Paul Ulanowsky
- Auch Kleine Dinge - Lotte Lehmann/Paul Ulanowsky
- Und Willst Du Deinen Liebsten Sterben Sehen - Lotte Lehmann/Paul Ulanowsky
- Peregrina I - Lotte Lehmann/Paul Ulanowsky
- Der Knabe Und Das Immlein - Lotte Lehmann/Paul Ulanowsky
- Heimweh - Lotte Lehmann/Paul Ulanowsky
- Er und Sie, Op.78, No.2 - Lotte Lehmann
- So Wahr Die Sonne Scheinet, Op.37, No.12 - Lotte Lehmann
- Unterm Fenster, Op.34, No.3 - Lotte Lehmann
- Familien - Gemalde, Op.34, No.4 - Lotte Lehmann
- Ich Denke Dein, Op.78, No.3 - Lotte Lehmann
- Winterreise: Die Nebensonnen, D.911, No.23 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Die Post, D.911, No.13 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Der Sturmische Morgen, D.911, No.18 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Der Lindenbaum, D.911, No.5 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Der Wegweiser, D.911, No.20 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Die Krahe, D.911, No.15 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Das Wirtshaus, D.911, No.21 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Tauschung, D.911, No.19 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Mut! D.911, No.22 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: In Dorfe, D.911, No.17 - Lotte Lehmann/Paul Ulanowsky
- Winterreise: Ruckblick, D.911, No.8 - Lotte Lehmann/Paul Ulanowsky
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Russian Piano School, Vol. 11-20
Manufacturer: Melodiya
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Mazurkas
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| Rachmaninov, Sergei
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| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Domenico Scarlatti
| Scarlatti, Domenico
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Scriabin, Alexander
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Prokofiev
| Prokofiev, Sergei
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ballads
| Forms & Genres
| Classical
| Styles
| Music
Etudes
| Forms & Genres
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Nocturnes
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Toccatas
| Forms & Genres
| Classical
| Styles
| Music
Passacaglias
| Variations
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Scriabin, Alexander
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Sonatas
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Lullabies & Berceuse
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Barcarolles
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B000001HDA
Release Date: 1996-09-17 |
Music Review:
- Natural Born Techno, Vol. 5: Psyched
- Natural Collection-Funky [Import]
- Night of Darkness [Import]
- Phials of Acid Jazz [Import]
- Progressive House Attack2 [Import]
- Progressive Nation 3rd Ge [Import]
- Pure Soul V.2 [Import]
- React Test V.5 [Import]
- Revenge of the 50 Ft. Monogroove
- Sally's Photographic Memory
Music Review
music review