111
Track Listings
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1. Ciento Once
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2. Perverso
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3. Tardes Negras
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4. Ti Voglio Bene
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5. En el Baņo Al Aeropuerto
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6. No Me lo Puedo Explicar
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7. Mi Abuela
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8. Piegamenti!
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9. Temple Bar
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10. Giugno '84
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See all 15 tracks on this disc
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1. Documental de Rojo Relativo [DVD]
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2. Documental de Ciento Once [DVD]
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3. Tardes Negras [DVD] [Multimedia Track]
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4. Sere Nere [DVD]
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5. Imbranato [DVD] [Multimedia Track]
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6. Fotografias Exclusivas [DVD]
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111 Ciento Once,Tiziano Ferro,Italian Pop,Latin Pop/Rock
111
Average customer rating:
- Lost is Found, finally
- Martha Argerich CD
- Fabulous recording
- Excellent
- A restored jewel in the Argerich catalog
|
Martha Argerich Plays Chopin: The Legendary 1965 Recording
Martha Argerich
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000IWVS
Release Date: 1999-05-18 |
Tracks:
- Piano Sonata No.3 In B Minor, Op.58: I. Allegro maetoso
- Piano Sonata No.3 In B Minor, Op.58: II. Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III. Largo
- Piano Sonata No.3 In B Minor, Op.58: IV. Finale: Presto, non tanto
- Mazurka No.36 In A Minor, Op.59 No.1
- Mazurka No.37 In A-flat, Op.59 No.2
- Mazurka No.38 In F-sharp Minor, Op.59 No.3
- Nocturne No.4 In F, Op.15 No.1
- Scherzo No.3 In C-sharp Minor, Op.39
- Polonaise No.6 In A-flat, Op.53
Amazon.com's Best of 1999
Record-label politics prevented this awesome recording of Argentinean pianist Martha Argerich from being released for 34 years. The spitfire musician delivers a powerful set of Chopin's best-loved works that still sounds riveting today. Intense and gorgeous. --Jason Verlinde
Amazon.com essential recording
How can it be that a recording by one of today's indisputably unequaled pianists performing some of her prime repertory--made fresh within months of her triumph in the 1965 Warsaw International Chopin Competition--could languish for decades in the vaults before its official release? Chalk it up to the exclusivity clauses of rival recording companies and legal constraints from which not even Wotan with the help of Loge could extricate himself. Thankfully this belated EMI release--recorded in a few sessions at the Abbey Road studios--is finally available.
It's a significant complement to Argerich's other accounts of Chopin on disc. From the white-hot intensity of Argerich's way with the composer, you can easily extrapolate a sense of what had recently wowed the jury in Warsaw. The Argentinean pianist undertakes the Third Sonata as a vast, big-voiced, far-reaching statement that encompasses both molten power and moments of almost unbearably intimate lyricism (listen closely to her gestures of illumination in the Largo). With a characteristically unforced spontaneity, Argerich sounds the shattering chords that launch the finale (recorded in one take); her sense of flow in the Nocturne No. 4 is a perfect mesh for the illusion of improvising that is so central to Chopin. She commands the logic--both emotional and musical--of the composer's skittish turns in the Scherzo No. 3 and crafts three of the mazurkas into perfectly chiseled character pieces. The sheer force of Argerich's personality might seem overwhelming to those accustomed to a tamer Chopin--listen to how she dives into the A-flat Polonaise--but it's always at work dusting off tired clichés and uncovering the music's expressive wealth. For those who know about Argerich's artistry, this disc is indispensable; anyone who has yet to make that enviable discovery will find it (together with the Argerich anthology in Philips' Great Pianists series) a great place to begin. --Thomas May
Customer Reviews:
Lost is Found, finally.......2007-07-08
This Argerich Chopin performance, recorded by EMI in 1965 while she was actually under contract to DG is formidable for an artist so early in her career. Both the artistry and sound are superb and it's a shame we fans had to wait so long for this recording to appear. These Chopin performances completely justify the competition judges decision to award her the grand prize at the 1965 Warsaw International Chopin Competition. It's a collection must have!
Martha Argerich CD.......2007-06-12
Excellent service -- speedy, just as described, well-packaged. I'd definitely buy from this seller again.
Fabulous recording.......2007-04-12
A most interesting history in the liner notes and a fabulous recording. One of the best for a piano CD collection.
Excellent.......2007-04-12
Only one word: Excellent.
Though someone might have different feeling, I'm crazy on this 1965 recording.
A restored jewel in the Argerich catalog.......2006-09-03
If I had to pick a single CD to win awed admiration for Martha Argerich, this Chopin recital would be it. Only 24 when she made these long-suppressed recordings, Argerich's musicality and dazzling technqiue defy belief. Every ounce of praise for her Third Sonata is deserved--it's spontaneous, flexible, intense, by turns tender and declamatory. The most blessed quality is that she doesn't bang or harangue us--not always the case in later years. Her sense of urgency doesn't become eckless; the bursts of excitment aren't oerly explosive.
My only caveat would be for audiophiles. Although an Abbey Road studio recording, you get the feeling somewhat that Argerich is performing in a boomy hall. Also, in the loudest fortes there's mircophone shatter. For many listeners these drawbacks won't matter a whit, not in the face of an undisputed keyboard genius.
Average customer rating:
- Opera for Aficianados as well as Newbies
- superb!
- beatiful music
- Best Opera CD ever
- Rapture
|
Rapture: Opera's Most Heavenly Moments
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Release Date: 2002-10-08 |
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Customer Reviews:
Opera for Aficianados as well as Newbies.......2007-06-11
If you are looking for peaceful, beautiful music this is for you. It is a delightful mix of some of opera's most memorable moments. Long time opera fans will be familiar with most of the arias and newcomers to opera will recognize music that has become identified with movies and commercials.
superb! .......2007-05-12
If you love wonderful operatic moments then this cd is a great buy for all of the wonderful and spectacular music on it. You get two cds for the price of one great opera cd, and all of the talented singers that were taken and put on these tracks do definate justice to all of the composers listed. A great cd to add to your collection especially if you are an aspiring singer or a student in music. Absolutely Fantastic!
beatiful music.......2007-02-23
former reviews are no exaggeration, this is the most beautiful music I have come across. I have many opera CDs but this is one I never tire of.
I listen to the CD everyday and it is always soothing, uplifting and inspiring. I wish I could find another as wonderful.
Best Opera CD ever.......2007-02-16
I have orderd plenty of classical CD's and DVD's on this webside.
Most were phantastish but this one is the best.
I listen so often to this CD that it should have grooves.
I never get tired of it.
I recommend this CD highly.
Roswitha
Rapture.......2007-01-24
Wonderous---Melodious----
This compilation of Opera's finest moments is positively wonderful!!!!Unquestionably the best buy I have made in Opera Music..No kidding,I have trays full of CDs covering every facet of Opera,but none as beautiful...A full 2 1/2 hours of the best of the best....Heavenly Moments says it ALL...I vote 6 stars!!!!!
Average customer rating:
- The Most Relaxing Classical Album In the World Eveer, Volume II
- Great music listein to while you read in bed
- A must buy for the non-snobbish classical music fan.
- A bliss of spirit.
- Boring
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The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Release Date: 2003-03-11 |
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Customer Reviews:
The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28
Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.
Great music listein to while you read in bed.......2005-08-21
I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.
A must buy for the non-snobbish classical music fan........2004-10-22
I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!
A bliss of spirit........2004-09-18
That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!
Boring.......2004-05-11
Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !
Average customer rating:
- A Wonderful Collection
- Celebrate Mozart's 250th at a Budget Price
|
Little Night Music - Ultimate Mozart Collection [20 CD Set]
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B00012QLTG
Release Date: 2003-12-09 |
Tracks:
- Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
- Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
- Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
- Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
- Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Tracks:
- Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
- Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
- Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
- Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
- Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Tracks:
- Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
- Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal
Tracks:
- Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
- Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Tracks:
- Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
- Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
- Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
- Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
- Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Tracks:
- Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
- Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
- Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
- Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
- Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
- Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
- Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
- Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
- Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Tracks:
- String Quartet in a Major K.464: Allegro - Petersen Quartett
- String Quartet in a Major K.464: Menuetto - Petersen Quartett
- String Quartet in a Major K.464: Andante - Petersen Quartett
- String Quartet in a Major K.464: Allegro - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
- String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett
Tracks:
- Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
- Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V
Tracks:
- Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
- Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Tracks:
- Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
- Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori
Tracks:
- Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
- Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Tracks:
- Ave Verum Corpus, K.618 - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
- Exsultate, Jubilate, K.165 - Gabrielle Fuchs
- Church Sonata in C, K.328 - Robert Kuppelwieser
- Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
- Fantasy in F Minor, K.608
- Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
Tracks:
- Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
- Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
- Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
- Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
- Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
- Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
- Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
- Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
- Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
- Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
- Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk
Tracks:
- Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
- Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Tracks:
- Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
- Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
- Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
- Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
- Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
- Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
- Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
- Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Tracks:
- Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
- Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
- Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
- Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
- Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
- Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
- Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
- Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
- Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Album Description
Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!
Customer Reviews:
A Wonderful Collection.......2007-04-11
As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.
Celebrate Mozart's 250th at a Budget Price.......2006-01-11
This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.
This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.
If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED
Average customer rating:
- Barenboim's Beethvoen
- One of the very best ever
- dead in the water
- Sublime expression nourished by a colossal vision!
- Performed with great enthusiasm
|
Beethoven: Complete Piano Sonatas / Daniel Barenboim
Manufacturer: EMI Classics
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Similar Items:
- Mozart:The Complete Piano Sonatas and Variations
- Beethoven - The Complete String Quartets / Alban Berg Quartet
- Beethoven: The Complete Symphonies and Piano Concertos
- Schubert: The Piano Sonatas
- Chopin: The Piano Works
ASIN: B00000C2KP
Release Date: 1998-10-20 |
Tracks:
- Sonata No.1 In F Minor, Op.2 No.1: Allegro
- Sonata No.1 In F Minor, Op.2 No.1: Adagio
- Sonata No.1 In F Minor, Op.2 No.1: Menuetto: Allegretto
- Sonata No.1 In F Minor, Op.2 No.1: Prestissimo
- Sonata No.2 In A Major, Op.2 No.2: Allegro vivace
- Sonata No.2 In A Major, Op.2 No.2: Largo appassionato
- Sonata No.2 In A Major, Op.2 No.2: Scherzo: Allegretto
- Sonata No.2 In A Major, Op.2 No.2: Rondo: Grazioso
- Sonata No.3 In C Major, Op.2 No.3: Allegro con brio
- Sonata No.3 In C Major, Op.2 No.3: Adagio
- Sonata No.3 In C Major, Op.2 No.3: Scherzo: Allegro
- Sonata No.3 In C Major, Op.2 No.3: Allegro assai
Tracks:
- Sonata No.5 In C Minor, Op.10 No.1: Allegro molto e con brio
- Sonata No.5 In C Minor, Op.10 No.1: Adagio molto
- Sonata No.5 In C Minor, Op.10 No.1: Finale: Prestissimo
- Sonata No.6 In F Major, Op.10 No.2: Allegro
- Sonata No.6 In F Major, Op.10 No.2: Allegretto
- Sonata No.6 In F Major, Op.10 No.2: Presto
- Sonata No.7 In D Major, Op.10 No.3: Presto
- Sonata No.7 In D Major, Op.10 No.3: Largo e mesto
- Sonata No.7 In D Major, Op.10 No.3: Menuetto: Allegro
- Sonata No.7 In D Major, Op.10 No.3: Rondo: Allegro
- Sonata No.22 In F Major, Op.54: In tempo di Menuetto
- Sonata No.22 In F Major, Op.54: Allegretto - Piu allegro
Tracks:
- Sonata No.4 In E Flat Major, Op7: Allegro molto e con brio
- Sonata No.4 In E Flat Major, Op7: Largo con gran espressione
- Sonata No.4 In E Flat Major, Op7: Allegro
- Sonata No.4 In E Flat Major, Op7: Rondo: Poco allegretto e grazioso
- Sonata No.9 In E Major, Op.14 No.1: Allegro
- Sonata No.9 In E Major, Op.14 No.1: Allegretto
- Sonata No.9 In E Major, Op.14 No.1: Rondo: Allegro comodo
- Sonata No.10 In G Major, Op.14 No.2: Allegro
- Sonata No.10 In G Major, Op.14 No.2: Andante
- Sonata No.10 In G Major, Op.14 No.2: Scherzo: Allegro assai
Tracks:
- Sonata No.11 In B Flat Major, Op.22: Allegro con brio
- Sonata No.11 In B Flat Major, Op.22: Adagio con molta espressione
- Sonata No.11 In B Flat Major, Op.22: Menuetto
- Sonata No.11 In B Flat Major, Op.22: Rondo: Allegretto
- Sonata No.12 In A Flat Major, Op.26: Andante von variazioni
- Sonata No.12 In A Flat Major, Op.26: Scherzo: Allegro molto
- Sonata No.12 In A Flat Major, Op.26: Marcia funebre sulla morte d'un Eroe: Maestoso andante
- Sonata No.12 In A Flat Major, Op.26: Allegro
- Sonata No.13 In E Flat Major, Op.27 No.1: Andante - Allegro
- Sonata No.13 In E Flat Major, Op.27 No.1: Allegro molto e vivace
- Sonata No.13 In E Flat Major, Op.27 No.1: Adagio con espressione - Allegro vivace
Tracks:
- SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Grave - Allegro molto e con brio
- SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Adagio cantabile
- SONATA NO.8 IN C MINOR, OP.13 'PATHETIQUE': Rondo: Allegro
- Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Adagio sostenuto
- Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Allegretto
- Sonata No.14 InC Sharp Minor, Op.27 No.2 'Moonlight': Presto agitato - Adagio - Presto agitato
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro assai - Piu allegro
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Andante con moto
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': Allegro ma non troppo - Presto
Tracks:
- Sonata No.15 In D Major, Op.28 'Pastoral': Allegro
- Sonata No.15 In D Major, Op.28 'Pastoral': Andante
- Sonata No.15 In D Major, Op.28 'Pastoral': Scherzo: Allegro vivace
- Sonata No.15 In D Major, Op.28 'Pastoral': Rondo: Allegro ma non troppo
- Sonata No.21 In C Major, Op.53 'Waldstein': Allegro con brio
- Sonata No.21 In C Major, Op.53 'Waldstein': Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)
- Sonata No.19 In G Minor, Op.49 No.1: Andante
- Sonata No.19 In G Minor, Op.49 No.1: Rondo: Allegro
- Sonata No.20 In G Major, Op.49 No.2: Allegro ma non troppo
- Sonata No.20 In G Major, Op.49 No.2: Tempo di menuetto
Tracks:
- Sonata No. 16 In G Major, Op. 31 No. 1: Allegro vivace
- Sonata No. 16 In G Major, Op. 31 No. 1: Adagio grazioso
- Sonata No. 16 In G Major, Op. 31 No. 1: Rondo: Allegretto - Adagio - Presto
- Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Largo - Allegro
- Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Adagio
- Sonata No. 17 In D Minor, Op. 31 No. 2 'The Tempest': Allegretto
- Sonata No.18 In E Flat Major, Op.31 No.3: Allegro
- Sonata No.18 In E Flat Major, Op.31 No.3: Scherzo: Allegretto vivace
- Sonata No.18 In E Flat Major, Op.31 No.3: Menuetto: Moderato grazioso
- Sonata No.18 In E Flat Major, Op.31 No.3: Presto con fuoco
Tracks:
- Sonata No.24 In F Sharp Major, Op.78: Adagio cantabile - Allegro ma non troppo
- Sonata No.24 In F Sharp Major, Op.78: Allegro vivace
- Sonata No.25 in G major, Op.79: Presto alla tedesca
- Sonata No.25 in G major, Op.79: Andante
- Sonata No.25 in G major, Op.79: Vivace
- Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Das Lebewohl (Les Adieux): Adagio - Allegro
- Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Abwesenheit (L'Absence): Andante espressivo
- Sonata No.26 In E Flat Major, Op.81a 'Les Adieux': Wiedersehn (Le Retour): Vivacissimamente - Poco andante - Tempo 1
- Sonata No.27 In E Minor, Op.90: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
- Sonata No.27 In E Minor, Op.90: Nicht zu geschwind und sehr singbar vorzutragen
Tracks:
- Sonata No.28 In A Major, Op.101: Allegretto ma non troppo
- Sonata No.28 In A Major, Op.101: Vivace alla Marcia
- Sonata No.28 In A Major, Op.101: Adagio, ma non troppo, con affetto - Tempo del primo pezzo - Allegro
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Allegro
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Scherzo: Assai vivace - Presto - Tempo 1
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Adagio sostenuto
- Sonata No.29 In B Flat Major, Op.106 'Hammerklavier': Largo - Allegro - Prestissimo - Allegro risoluto (Fuga a tre voci, con alcune licenze)
Tracks:
- Sonata No.30 In E Major, Op.109: Vivace, ma non troppo - Adagio espressivo - Tempo 1
- Sonata No.30 In E Major, Op.109: Prestissimo
- Sonata No.30 In E Major, Op.109: Tema: Andante molto cantabile e espressivo - Variazioni 1-6
- Sonata No.31 In A Flat Major, Op.110: Moderato cantabile, molto espressivo
- Sonata No.31 In A Flat Major, Op.110: Allegro molto
- Sonata No.31 In A Flat Major, Op.110: Adagio ma non troppo
- Sonata No.31 In A Flat Major, Op.110: Fuga: Allegro ma non troppo - L'istesso tempo di arioso - L'istesso tempo della Fuga - Meno allegro
- Sonata No.32 in C minor, op.111: Maestoso - Allegro con brio ed appassionato
- Sonata No.32 in C minor, op.111: Arietta: Adagio molto semplice e cantabile - Variazioni
Customer Reviews:
Barenboim's Beethvoen.......2007-06-27
I heard Bachaus play all Beethoven recitals at Carnegie Hall, in NYC. At that time he was the acknowledged master of the Beethvoen Sonata. With Barenboim, the old order changeth, yielding place to new. These recordings have fire, tempestuousness and passion, all emotions that belong in Beethoven.
One of the very best ever.......2007-02-15
This set has to be experienced. The clarity of these performances is beyond belief. If it's not the best set of Beethoven Sonatas, it is certainly among the very best. Take for example the first movement of Sonata number 21. It is so easy to have a performer play all the notes just as Beethoven wrote them and yet leave the listener in a morass of confusion without the slightest idea of what he had in mind. Not here. The ideas pour forth in a white light that has to be experienced. It really has to be experienced!! I love these performances. I will play them until I die. Oh...and the recordings are technically excellent. At least when played through Levinson electronics and Maggies....superb!
dead in the water.......2007-01-12
Sorry, I just don't like Barenboim's renditions. Beethoven is my favourite composer, depending on my mood that is, and nothing moves me as his music can. But I just don't get Barenboim's renditions... doesn't do a thing for me. Something of Beethoven's depth and richness gets totally "lost in translation".
Better off finding a better performance of these if you really want to be "blown away". My favorite "Beethoven" conductor would have to be Herbert von Karajan; and as for individual pianists my all time favorite is Maurizio Pollini, whose performances are exquisite, in both technique and expression! If you are a music lover you should really check his work out if you haven't already. My favorite Beethoven CD by him is "Die Spaten Klaviersonaten" (Beethoven) by Deutsche Grammophon in their "legendary recordings" series. It is a real gem! (the sound quality is excellent also)
Sublime expression nourished by a colossal vision!.......2006-03-23
Thanks to this immense and untiring activity in the field of the orchestral direction, his vision as pianist has enriched himself quite a lot: Barenboim performs these well known Sonatas with a splendid architectural construction; according Schnabel `s tradition.
And that is a very remarkable good point in this musical moment where the pianist technique is eclipsing and even annulling the personal approach in the most of pianists all over the world. Honesty, conviction, vision and commitment dress those interpretations loaded of expression and personality.
In the great tradition of the great Beethovenian keyboard giants of the past, Daniel explores and plays every little bar with that well felt intensity of someone who in Beethoven `s there is much more than simple music. In Beethoven the music is not a goal by itself; but a revelation superior to any philosophy; all his musical legacy possess values that are placed of the standards. There is not art without second intention and that is precisely what Barenboim has made with this fabulous cycle of Beethoven Sonatas.
If you really want to listen remarkable performances far beyond of the trivial conventionalisms, go for this record.
Performed with great enthusiasm.......2004-05-16
This is classic early Barenboim (he was just 24 when he started recording this set in 1966). He is very enthusiastic and expressive (if you don't like him, he "takes liberties" and "shows off"). The slow movements are veerrry slow, and the fast ones really rip. Pianissimo is extremely soft, and fortissimo rattles the windows! [My wife insists that I wear headphones for late-night listening.]
Personally, I think his style is just right for Beethoven (but perhaps just a bit much when he plays Mozart). I'm very glad that I bought this set, but some might prefer Brendell's (Phillips) or Kempff's (DG) more sedate versions.
Average customer rating:
- Wonderful collection and price!
- Awesome collection!
- Helicopters? Marines?
- A great addition to my music collection
- Quintessential Wagner
|
Twilight of the Gods: The Essential Wagner Collection
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
All Works by Wagner
| Wagner, Richard
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Similar Items:
- Wagner: Overture & Preludes
- The Best Of Wagner
- Wagner: The "Ring" Without Words
- Wagner without Words
- 25 Thunderous Classics
ASIN: B000009ON7
Release Date: 1998-08-11 |
Tracks:
- The Valkyries: Ride Of The Valkyries
- Twilight Of The Gods: Siegfried's Funeral March
- Lohengrin: Prelude to Act III
- The Flying Dutchman: Overture
- The Flying Dutchman: Sailors' Chorus
- The Rheingold: Journey Down To Nibelheim
- The Mastersingers Of Nuremberg: Overture
- Tannhauser: Overture
- Tannhauser: Entry Of The Guests
- Tannhauser: Tannhauser's Pilgrimage
- Siegfried: Act III Orchestral Interlude
- Twilight Of The Gods: Siegfried's Rhine Journey
- Twilight Of The Gods: Finale
- The Rheingold: Entry Of The Gods Into Valhalla
Tracks:
- Lohengrin: Prelude To Act I
- Lohengrin: Bridal Chorus
- Parsifal: Prelude to Act I
- Parsifal: Good Friday Music
- Parsifal: Transformation Scene
- Tannhauser: Venusberg Music
- Tannhauser: Pilgrims Chorus
- The Mastersingers Of Nuremburg: Prelude To Act III
- The Rheingold: Vision Of Valhalla (Scene II Introduction)
- Siegfried Idyll
- Siegfried: Brunnhildes Awakening
- Tristan And Isolde: Prelude To Act III
- Tristan And Isolde: Death Of Isolde
Amazon.com
If you like your Wagner served up in bleeding chunks or if you're simply in a hurry to hear the tunes, then this compilation is for you. The performances, drawn from the Polygram (mainly Deutsche Grammophon) back catalog, are for the most part authoritative. They feature the likes of Herbert von Karajan, with the Berlin Philharmonic, and Karl Böhm, with the Bayreuth Festival Orchestra (and chorus), in extracts from recordings of complete operas, and conductors Giuseppe Sinopoli, Otto Gerdes, and Antal Doráti in some of the more familiar overtures and preludes. Singing, without which it is impossible to get the full flavor of Wagner's work, is skirted whenever possible: this is an unapologetic tribute to Wagner the orchestral genius. At times the salesmanship is a little overblown--the glitzy packaging includes a cover shot of the helicopters from Apocalypse Now--and the sound, some of it from very good originals, seems to have been juiced with a little added digital reverb, resulting in an overall glassiness. The gaps between tracks are minimized, disco style, so there's no dead air, and the whole thing has an Entertainment Tonight feel to it. Were he around, Wagner would have screamed bloody murder, then happily taken his cut of the action. For today's on-the-go listener, this may well be the most practical way to enjoy Wagner's music, but we won't be happy until it motivates at least one newcomer to seek out a recording of a complete opera. Anyone who does that will find out what "apocalypse" really means. --Ted Libbey
Customer Reviews:
Wonderful collection and price!.......2007-05-11
I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!
Awesome collection!.......2007-01-10
This is a great collection of some of Wagner's most memorable songs for those of you who do not want to buy the whole opera's for some of his works.
Helicopters? Marines?.......2006-12-05
Do those infotainment marketing mavens ever get it right? Talk about Hollywood disconnect! Not only are the helicopters irrelevant, but to quote from the gushy drivel on the jacket, "The gripping power of Richard Wagner's music was demonstrated with spectacular effect in...Apocalpse Now, when the "Ride of the Valkyries' became synonymous with the chilling journey of Marine 'Huey' helicopters into battle..."
Marine? Marine? Them Hueys in the movie was ARMY Air Cav, slick! "First of the ninth--air mobile." If you're going to dally down that primrose path, at least get it right.
Better yet, drop the choppers. Most people who listen to Wagner probably realize that quality of an artistic work has a mystically inverse relationship to the number of helicopters contained in it.
As for the music, it is good, but the operatic equivalent of sound bites, which may be just right for people who are new to Wagner or just can't take very much of him. Hmm...perfect for a helicopter ride, perhaps?
A great addition to my music collection.......2006-07-20
This CD takes the place of all my other Wagner music. VERY well done. Somehow I didn't realize that there were two cds in the package--what a pleasant surprise! Of the two cds, I like the first one best, but they are both good. I listen to this cd daily on my way to work. Stirring! I am so glad that I purchased this. Some purists might have a problem with the fact that some of the selections are not there in their entirety. I have no problem with that though. I recommend this to anyone who loves Wagner.
Quintessential Wagner.......2006-05-15
Okay, so I like Wagner. I LOVE "Ride Of The Valkyries". Do I want to go out and buy every single stinkin thing Wagner did? No. If you are a die-hard Wagner fan you probably will not think much of this collection.
But if you like Wagner and appreciate "Ride Of The Valkyries", and maybe require it in just a little more substance than what is included in "Apocolypse Now Redux", then this is what you want. The extra tracks are bonuses and are quite good. Meets my needs, presentation great, performance excellent. I recommend it for anyone that needs a Wagner fix.
Average customer rating:
- Great set, with a couple let-downs.
- Serious sound issues
- You must, among others, have this set.
- Returning the "night" to the night piece
- Don't know what to make out of it
|
Chopin: The Complete Nocturnes And Impromptus
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
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Fantasies
| Forms & Genres
| Classical
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Impromptus
| Short Forms
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Nocturnes
| Short Forms
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Arrau, Claudio
| ( A )
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Similar Items:
- Chopin: Favorite Piano Works
- Beethoven: Piano Sonatas
- Beethoven: Favourite Piano Sonatas / Vladimir Ashkenazy
- Chopin: Waltzes Nos. 1-14
- Mozart: The Great Piano Concertos, Vol. 2
ASIN: B0000041ND
Release Date: 1997-08-12 |
Tracks:
- Nocturnes: No. 1 In B Flat Minor, Op. 9 No. 1
- Nocturnes: No. 2 In E Flat, Op. 9 No. 2
- Nocturnes: No. 3 In B, Op. 9 No. 3
- Nocturnes: No. 4 In F, Op. 15 No. 1
- Nocturnes: No. 5 In F Sharp, Op. 15 No. 2
- Nocturnes: No. 6 In G Minor, Op. 15 No. 3
- Nocturnes: No. 7 In C Sharp Minor, Op. 27 No.1
- Nocturnes: No. 8 In D Flat, Op. 27 No. 2
- Nocturnes: No. 9 In B, Op. 32 No. 1
- Nocturnes: No. 10 In A Flat, Op. 32 No. 2
- Nocturnes: No. 11 In G Minor, Op. 37 No. 1
- Nocturnes: No. 12 In G, Op. 37 No. 2
- Nocturnes: No. 13 In C Minor, Op. 48 No. 1
Tracks:
- Nocturnes: No. 14 In F Sharp Minor, Op. 48 No. 2
- Nocturnes: No. 15 In F Minor, Op. 55 No. 1
- Nocturnes: No. 16 In E Flat, Op. 55 No. 2
- Nocturnes: No. 17 In B, Op. 62, No. 1
- Nocturnes: No. 18 In E, Op. 62 No. 2
- Nocturnes: No. 19 In E Minor, Op. 72 No. 1
- Nocturnes: No. 20 In C Sharp Minor, Op. Posth.
- Nocturnes: No. 21 In C Minor, Op. Posth.
- Impromptus: No. 1 In A Flat Major, Op. 29
- Impromptus: No. 2 In F Sharp Major, Op. 36
- Impromptus: No. 3 In G Flat Major, Op. 51
- Impromptus: No. 4 In C Sharp Minor, Op. 66
Amazon.com
Claudio Arrau considered the Nocturnes among Chopin's deepest, most searching works, rather than mere descriptive mood paintings, and he plays them that way. The same can be said vis-à-vis Arrau's Impromptus, with brooding textures and cosmic breadth that leave the drawing room behind. --Jed Distler
Customer Reviews:
Great set, with a couple let-downs........2007-05-31
Having owned the set for about a year now, I'm sorry to be giving it four stars, as Arrau brings something special to almost every one of Chopin's nocturnes. In short, his playing is occasionally labored, but for the most part he does carry melodic lines very well (and has a very natural and satisfying sense of rubato). The recorded sound isn't terrific, and all things considered I'm giving the CD four stars.
I'd like to add that I don't understand some other reviewer's complaints about heavy breathing or extraneous noises, as on my high-end speaker system I hear nothing out of the ordinary.
Serious sound issues.......2007-05-16
Most other reviewers here are, thankfully, much better qualified to review Mr Arrau's talents and interpretative strategies than I. However, what no one has mentioned up here (to my knowledge anyway) is the abysmal static issue on both discs. Almost every ten seconds a static wave obtrudes itself onto the sound--you can anticipate it and you will cringe every time you hear it (at least I did). It makes Chopin's beautiful numbers unbearable at parts, for Chopin relies so much on a pure and clear atmosphere of pensive motion--and this cannot be maintained on discs encumbered with such noxious static. Stand warned.
You must, among others, have this set........2006-11-24
Arrau's playing is unique, a throwback to the age of the romantic virtuoso of a century long gone. This set is rightfully famous, and is, with the 60's collection by Rubinstien and the 90's set by Pires, the three I have always most loved and recommended, though each is very different in its approach. Of the three, Rubinstein's is the most faithful to the "letter" of Chopin's score, but even then, Rubinstein's indomitable personality shines through. Pires takes some liberties with speed and dynamics-- so she rests nominally in the middle.
Then there is Claudio Arrau, and I agree with another reviewer that the pianist indeed treats each note as if matters. Does he dwell too much, slide into notes, take different dynamic turns, play with a rubato just this side of Paderewski or Busoni, and bathe the music in pedal at times?--yes, all of that. But let's face it, there is no "right" Chopin, and no recorded collection that is the be-all--because if so, it would sell Chopin's genius far short of its due. I and others choose to listen to all the above sets on their own terms and love all of them-- likewise the Cortot, and available selections of Horowitz, Godowsky, Friedman, Hofmann, etc. (Not to mention more recent, sublime interpretations in the concert hall by Tzimon Barto.) In any event, this 70's Arrau set holds its own,in its own way, with any and all of the above.
For years, this was the set I listened to on LP, both at home and transferred to cassette to play in the car. Rubinstein's later became a favorite for me, finally Pires's. For purposes of sound, either of the latter two are preferable, but sound is definitely a secondary issue. Regarding that, I must say that the CD remastering of the Arrau has heightened not only the breathing issues, but also the too-close miking of the keyboard, so that, especially in one channel of the stereo mix, the sound the piano mechanism itself is often heard. That's close miking, too close really, but so what. I can live with it and with Arrau's exchange of breath for the individual quality of his music.
In summary, this set should be in every collection, but so should the others, and perhaps three or four more that could be mentioned-- Cortot, perhaps Ashkenazy and Zimmerman too. Why so many? These pieces are part of the bedrock of romantic pianism, and far deeper in intellectual and spiritual intent than they are often credited with. On that, I agree with Arrau, that Chopin starts here, and should, after a wide foray, also finish here.
Returning the "night" to the night piece.......2006-09-10
Arrau's playing of the Chopin nocturnes emphasizes the extent to which these wonderfully well-crafted works belong to the realm of the night in all its Romantic mystery and, especially, longing (what an odd-seeming word for the 21st century!). Despite what some have claimed, his exquisite rubato is always musically justified and recalls Chopin's pupil Mikuli's comment that "Chopin's rubato possessed an unshakeable emotional logic. It always justified itself by a strengthening or weakening melodic line, by exaggeration or affectation." Always observing a fine cantilena, Arrau repeatedly works wonders in these marvellous pieces, making each into its own unique little self-contained variegated musical universe. In doing so, he fully realizes Liszt's apt depiction of Chopin as "a divine aristocrat, a feminine archangel with prismatic wings!"
Don't know what to make out of it.......2006-06-07
I've always had mixed feelings about Arrau's playing. While at times it can be indescribably beautiful and revealing, which is often the case with his sublime, if controversial, interpretations of Liszt, Arrau nonetheless seems to lack the necessary technique (I don't think that's the case) or the proper understanding to play certain works. Even though his uncanny ability to grasp the spirit of each composer whose music he plays is widely stressed, I think he's not that respectful of Chopin's music on this record - he does turn it into something else. To be sure, Chopin's works are obviously open to various interpretations and it would be risky to finger such or such pianist as having reached the 'true', 'real' Chopin - no one knows exactly what Chopin sounded like and the best we can do here is guessing - but this openness can't be understood as meaning that anything goes, that one interpretation is as good as the other, that there are no bounds or limits to interpretation. Here I think Arrau overasserts himself at the expense of what we know about Chopin's musical identity, as it were, though we can surely be proven wrong in the future. Who knows?
Average customer rating:
- Great easy listenening
- Help trying to figure out the title of a song
- omitted song
- Where's Van Morrison?!
- The Royal Tenenbaums Soundtrack
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The Royal Tenenbaums (Collector's Edition)
Various Artists
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Life Aquatic with Steve Zissou
- The Royal Tenenbaums (The Criterion Collection)
- The Life Aquatic Studio Sessions
- Rushmore
- Eternal Sunshine of the Spotless Mind
ASIN: B000068TNT
Release Date: 2002-07-02 |
Tracks:
- 111 Archer Avenue - Mark Mothersbaugh
- These Days - Nico
- String Quartet In F Major - Ysaye Quartet
- Me And Julio Down By The Schoolyard - Paul Simon
- Sonata For Cello And Piano In F Minor - The Mutato Muzika Orchestra
- Wigwam - Bob Dylan
- Look At That Old Grizzly Bear - Mark Mothersbaugh
- Look At Me - John Lennon
- Lullaby - Emitt Rhodes
- Mothersbaugh Canon - Mark Mothersbaugh
- Police & Thieves - The Clash
- Scrapping And Yelling - Mark Mothersbaugh
- Judy Is A Punk - Ramones
- Pagoda's Theme - Mark Mothersbaugh
- Needle In The Hay - Elliott Smith
- Fly - Nick Drake
- I Always Wanted To Be A Tenenbaum - Mark Mothersbaugh
- Christmas Time Is Here - Vince Guaraldi Trio
- Stephanie Says - The Velvet Underground
- Rachel Evans Tenenbaum (1965-2000) - Mark Mothersbaugh
- Sparkplug Minuet - Mark Mothersbaugh
- The Fairest Of The Seasons - Nico
- Hey Jude - The Mutato Muzika Orchestra
Amazon.com
The magical triad behind Rushmore's spunky, starry-eyed soundtrack--music supervisor Randall Poster, composer Mark Mothersbaugh, and director Wes Anderson--leaps forward a decade from that beloved soundtrack's '60s gems, in the process adopting a more pensive feel for The Royal Tenenbaums' musical backdrop. It may lack the euphoric sing-along feel of, say, Creation's "Makin' Time," but the rock and folk tracks here perfectly match the film's crumbling characters and their dilapidated relationships. The Ramones' "Judy Is a Punk" is a burst of nostalgic rebellion but surely causes a sad twinge in light of Joey Ramone's untimely death in 2001; gloom-folker Nick Drake's "Fly" and Elliott Smith's excellently depressing "Needle in the Hay"--which is used to chilling effect during a wrist-slashing scene--further deepen the dark thread running through Tenenbaums. But those who prefer the sunny disposition of Rushmore will be thrilled by the calming concoctions of Mothersbaugh, who heralds the coming of a new scene with graceful woodwind/string parts ("Scrapping and Yelling") and playful sitar pieces ("Pagoda's Theme"). Throw in the Clash's squalling "Police & Thieves" and the Velvet Underground's petal-soft "Stephanie Says" and you've got another winning soundtrack from the film biz's most in-tune music lovers. Tenenbaum or not, you can go home again. --Kristy Martin
Customer Reviews:
Great easy listenening .......2007-02-02
I like this soundtrack because its very laid back. Enjoyable songs that help you relax.
Help trying to figure out the title of a song.......2006-04-17
Hey, maybe you guys can help me, does anyone know the title of the song playing on a radio while owen wilson is getting high (or preparing to do so) with his friends and his dad and brother step in and tell him they want to help him. I really love that song and i have no idea what the title is
omitted song.......2006-02-01
For anyone interested, one song which was omitted from the soundtract which has not been mentioned is:
Emitt Rhodes - Lullabye
A beautiful track played in the scence where Royal is lying in his bed sucking down a shake and reading a book when Chas say "lights out old man" and switchs off the light. One of my fav songs in the movie along side the rolling stones - she smiled sweetly. sadly both songs were omitted but still a beautiful soundtrack.
Where's Van Morrison?!.......2005-03-16
This is a near-perfect collection of 60's and 70's pop and folk. The sad but hopeful vibe of the songs fits the movie's tone perfectly and you can't really agrue with songs like "Stephanie Says." it's also nice to hear the two Nico cuts since Nico's solo work really doesn't get the acclaim it deserves these days. My problem with this album is that it favors symphonic songs from the film instead of pop songs also used in it such as "Ruby Tuesday" and Van Morrison's "Everyone." I'm really bummed about the exclusion of "Everyone" because i thought it closed the movie so well. They should have released the score and the soundtrack separately so all these great songs could be included.
The Royal Tenenbaums Soundtrack.......2005-03-14
The Collector's Edition Soundtrack leaves out two great Rolling Stones' tunes She Smiled Sweetly & Ruby Tuesday. Also left to the winds is John Lennon's Look at Me, the Clash's Rock the Kazbah. The First Edition leaves a few tunes off too but it is a far better Soundtrack. Puckstar
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Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Manufacturer: Delta
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Binding: Audio CD
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