2 Years on [Import]

2 years on [import]

Editorial Reviews
Product Description
Japanese reissue of 1971 album from one of the most successful brother acts in popular music. Universal. 2004.

2 Years on,Bee Gees,Rock/Pop

2 Years on [Import]

The Music of John Williams: 40 Years of Film Music

Average customer rating:

Very disappointing, considering what it could have been
Always a pleaser
JOHN WILLIAMS 40 Years of Film Music
Movie Music Magic & Memorabilia
John Williams: 40 Years of Outstanding Film Music

The Music of John Williams: 40 Years of Film Music

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

John Williams - Greatest Hits 1969 - 1999
The Essential Elmer Bernstein Film Music Collection
Jerry Goldsmith: 40 Years of Film Music
John Barry: The Collection
Summon the Heroes

ASIN: B0000C6K09
Release Date: 2003-10-07

Tracks:

The Sugarland Express-Main Theme
Jaws-Main Theme
Close Encounters Of The Third Kind-Suite
Raiders Of The Lost Ark-March
Raiders Of The Lost Arc-The Map Room:Dawn
E.T. The Extra-Terrestrail-Adventures On Earth
Indiana Jones And The Temple Of Doom-Mine Car Chase
Indiana Jones And The Temple Of Doom-End Credits
Empire Of The Sun-Exsultate Justi
Indiana Jones And The Last Crusade-Indy's First Adventure

Tracks:

Indiana Jones And The Last Crusade-End Credits
Always-Follow Me/Dorinda's Solo Flight
Hook-Main Themes
Jurassic Park-Main Themes
Schindler's List-Main Theme
Amistad-Dry Your Tears, Afrika
Saving Private Ryan-Hymn To The Fallen
A.I. Artificial Intelligence-Where Dreams Are Made
Minority Report
Catch Me If You Can

Tracks:

The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
Jane Eyre-Suite: The Jane Eyre Theme
Jane Eyre-Suite: To Thornfield
Jane Eyre-Suite: Restoration
The Cowboys-Overture
The Poseidon Adventure-Prelude
The Towering Inferno-Main Titles
Family Plot-End Titles
The Fury-Main Titles
Superman-Main Theme
Dracula-Main Titles & Storm
The River-Main Theme & Love Theme
The Witches Of Eastwick- Dance Of The Witches

Tracks:

Born On The Fourth Of July-End Credits
Presumed Innocent-End Titles
JFK-Arlington/End Titles
Harry Potter And The Philosopher's Stone-Hedwig's Theme
Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
Star Wars: A New Hope- Main Theme
Star Wars: The Empire Strikes Back-Hans Solo And The Princess
Star Wars: The Empire Strikes Back-The Imperial March
Star Wars: The Phantom Menace- Anakin's Theme
Star Wars: The Phantom Menace-The Flag Parade
Star Wars: Attack Of The Clones-Across The Stars
Star Wars: The Phantom Menace-Duel Of The Fates

Customer Reviews:

Very disappointing, considering what it could have been.......2007-04-20

Take a look at the running times:

Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes

What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.

C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.

Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.

This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.

Always a pleaser.......2007-03-31

I listen to music all day with patients in my dental chair. This one is a winner with everyone. Patients always comment on how they recognize a song. Who doesn't love John Williams? His music transcends time.

JOHN WILLIAMS 40 Years of Film Music.......2007-01-10

This 4 cd pack is an anthology of all John Williams works. From his earlier works "The Poseidon Adventure" and "Jaws" right through "Indiana Jones" and the most recent"Star Wars" prequel movies are included. Williams work in thriller and horror are also included. If you are into soundtracks and love movie music this is an essential buy. The quality of the music is excellent. With ten or more tracks on each cd it's well worth the money.

Movie Music Magic & Memorabilia.......2006-12-13

This four CD set expands on the previously released John Williams Greatest Hits. It's a grand collection of nearly four hours of famous music scores from over forty years. There are many songs never before available in any collection. The short liner notes tell a great tale of musical movie history and include all of his numerous award nominations and wins. Each song (oddly enough) mentions the actors and the director, so fond are John Williams's memories of his work with these people. All of the conductors are mentioned along with specific orchestras, choirs, arrangement and orchestration specialists and even the publishers (contractual, I am sure). The only things missing are his early television scores, such as those for "Lost In Space" (by Johnny Williams back then). But with four discs, one has nothing to complain about and everything to enjoy!

John Williams: 40 Years of Outstanding Film Music.......2006-11-28

I have been a huge fan of John Williams and I have known about his music for years. However, I never actually bought any of his music on CD. I was rather skeptical about purchasing this CD but when it arrived I knew I had made the right choice. The sound quality of the compilation is outstanding. The City of Prague Philharmonic Orchestra do a great job under the direction of Paul Bateman. The original London Symphony Orchestra CDs of John Williams' Star Wars Trilogy CDs are marginally better but this is still a great CD compilation. If you love ET, Star Wars, Indiana Jones and Harry Potter, you will love this compilation soundtrack. Buy it, listen to these CDs in the car and enjoy every minute of the collection!!!

Average customer rating:

Illuminating
Essential recordings
Exquisite
The "cool school" of guitar playing
Bach and others on the Guitar

300 Years of Guitar Masterpieces

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

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Essential Guitar: 33 Guitar Masterpieces
Baroque Guitar
Spanish Guitar Music
Classic Williams: Romance of the Guitar
Art of Segovia

ASIN: B000001K62
Release Date: 1992-11-04

Tracks:

Spanish Dances: No. 4 Villanesca
Spanish Dances: No. 12 Arabesca
Etudes For Guitar: No. 7 In E Minor
Etudes For Guitar: No. 3 In D Major
Etudes For Guitar: No. 5 In C Major
Etudes For Guitar: No. 12 In A Minor
Etudes For Guitar: No. 2 In A Major
Etudes For Guitar: No. 8 In C - Sharp Minor
Etudes For Guitar: No. 11 In E Minor
Etudes For Guitar: No. 1 In E Minor
Estudo No. 1
3 Pieces For Guitar: No. 1 Largo
3 Pieces For Guitar: No. 2 Tranquillo
3 Pieces For Guitar: No. 3 Un poco mosso
Suite populaire bresilienne: Mazurka - Choro
Suite populaire bresilienne: Schottish - Choro
Suite populaire bresilienne: Valsa - Choro
Suite populaire bresilienne: Gavotta - Choro
Suite populaire bresilienne: Chorinho

Tracks:

Sonata In D Major, K. 290, L. 206
Sonata In E Minor, K. 292, L. 24
Sonata In E Major, K. 380, L. 23
Sonata In A Major, K. 208, L. 238
Sonata In A Major, K. 209, L. 428
Sonata In D Minor
Sonata In A Major
Sonata In B Minor
Sonata In A Major, Op. 3, No. 1
Variations sur les Folies d'Espagne, Op. 45
Sonata In E Minor, Op. 3, No. 6
Gran Sonata Eroica In A Major, Op. 150: Allegro maestoso
Spanish Dances: No. 1 Minuetto
Spanish Dances: No. 5 Andaluza (Playera)
Spanish Dances: No. 3 Zarabanda

Tracks:

Suite No. 4 In E Major: Prelude
Suite No. 4 In E Major: Loure
Suite No. 4 In E Major: Gavotte en Rondeau
Suite No. 4 In E Major: Menuett
Suite No. 4 In E Major: Bourree
Suite No. 4 In E Major: Gigue
Suite No. 2 In A Minor: Preludio
Suite No. 2 In A Minor: Fuga
Suite No. 2 In A Minor: Sarabande
Suite No. 2 In A Minor: Gigue - Double
First Suite Espagnola, Op. 47: Granada (Serenata)
First Suite Espagnola, Op. 47: Cataluna (Curranda)
First Suite Espagnola, Op. 47: Sevilla (Sevillanas)
First Suite Espagnola, Op. 47: Cadiz (Cancion)
First Suite Espagnola, Op. 47: Cuba (Capricho)

Amazon.com

Manuel Barrueco is one of the best guitarists I've ever heard. Listen to his own arrangement of Albeniz's Suite Española and you'll have trouble believing it's only two hands on one guitar. But Barrueco doesn't use his technique to show off. He's a solid musician, as expressive in Bach as in Villa- Lobos. He also makes transcriptions that respect the origins of the music. This is a wide-ranging guitar collection, but all the music is worth hearing, especially in performances like these. The disc is one of the best bargains among all guitar recordings, and Vox's recordings still sound like a guitar. --Leslie Gerber

Customer Reviews:

Illuminating.......2007-07-04

I'm a thoughtful and introspective person with a diverse background. Of all the old countries, Spain's diverse background appealed to me. This music reflects that appeal.

Essential recordings.......2007-04-06

Not much else really to say about this. It is a collection of brilliant interpretations and the guitar has the most amazing sound I've ever heard on a recording. You will find yourself almost spiritually bound to share this recording with any classical guitar playing friends and aficionados.

Exquisite.......2006-12-14

I was browsing Amazon, shopping for gifts, and when I listened to the snippets of this, I couldn't resist ordering it for myself. It's a 3CD set of beautiful, varied music played by a brilliantly skilled and sensitive master. Barrueco has an extraordinary touch that seems perfect for each piece, from Bach to Paganini to Villa-Lobos. Anyone who likes classical guitar would treasure this set.

The "cool school" of guitar playing.......2006-10-26

This three CD collection is a reissue of Cuban born virtuoso Manuel Barrueco's early Vox LPs, recorded in the late 1970s to early 1980s. Included in this set is his stunning performance of selections by Spanish composers Isaac Albéniz and Enrique Granados. This 1978 Albéniz/Granados recording is perhaps the greatest example of what I call the "cool school" of guitar playing, eschewing color and warmth in favor of restraint, taste, and note perfect execution. One complaint: in this reissue VoxBox inexplicably spread the Albéniz/Granados selections over three CDs.

Bach and others on the Guitar.......2006-08-10

A wonderful combination between the Great Bach and a master of Guitar

Hand-Picked: 25 Years Of Bluegrass On Rounder Records

Average customer rating:

music
Bluest Bluegrass
MD
fantastic
Better than I had imagined

Hand-Picked: 25 Years Of Bluegrass On Rounder Records
Various Artists
Manufacturer: Rounder / UMGD
ProductGroup: Music
Binding: Audio CD

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Appalachian Stomp: Bluegrass Classics
Classic Bluegrass From Smithsonian Folkways
The Three Pickers
Classic Mountain Songs from Smithsonian Folkways
Bluegrass Breakdown: 14 Instrumentals

ASIN: B0000004DW
Release Date: 1995-09-19

Tracks:

The Old Home Place - J.D. Crowe And The New South
Along About Daybreak - Joe Val
High On A Mountain - Del McCoury
Barrel Of Fun - Country Cooking
West Virginia, My Home - Hazel Dickens
Blue Eyed Boston Boy - Bluegrass Cardinals
The Old Swinging Bridge - TED LUNDY
Golden Ring - Dry Branch Fire Squad
Things In Life - Don Stover
The Last Old Shovel - Phyllis Boyens
Sourwood Mountain - Allen Shelton
When Someone Wants To Leave - The Allen Brothers
I Ain't Broke (But I'm Badly Bent) - David Grisman
Take Me Back To Happy Valley - Bailey Brothers
Home Is Where The Heart Is - Connie And Babe And The Backwoods Boys
Drifting Too Far From The Shore - Boone Creek
Montana Cowboy - Hazel And Alice
At The End - Leon Morris And Buzz Busby
You Tried To Ruin My Name - Wilma Lee Cooper
I'll Be On That Good Road Someday - Butch Robins
Crazy Creek - Bill Keith
When Springtime Comes Again - Vern Williams
Old Train - Tony Rice
Ragtime Annie - Byron Berline
Blue Days, Black Nights - Tasty Licks
The Model Church - The Bluegrass Album Band

Tracks:

Leavin' - James King
Lonesome River - HERE TODAY
Hard Hearted - Jim And Jesse
My Better Years - The Johnson Mountain Boys
Second Wind - Claire Lynch
New Faces In The Field - IIIrd Tyme Out
New York Chimes - Tony Trischka
Is The Blue Moon Still Shining? - Laurie Lewis And Kathy Kallick
Flop Eared Mule - David Grier And Mike Compton
Every Time You Say Goodbye - Alison Krauss
Cold On The Shoulder - Tony Rice
Who's That Knocking At My Door? - Dreadful Snakes
Mr. Engineer - J.D. Crowe
You'll Get No More Of Me - Lynn Morris
Every Humble Knee Must Bow - Nashville Bluegrass Band
Mama's Hand - Hazel Dickens
Sleepy Eyed John/Tom And Jerry - Laurie Lewis And Tom Rozum
Whitewater - Bela Fleck
You're That Certain Someone - Warrior River Boys
I Feel The Blues Moving In - Del McCoury
When God Dips His Pen Of Love In My Heart - The Cox Family
River Of Jordan - Ricky Skaggs
We Believe In Happy Endings - Dry Branch Fire Squad

Amazon.com

Rounder compiled this superb 50-song set to serve as an introduction to bluegrass in general and to their own catalog in particular. Obvious marketing motives aside, the collection has few weaknesses and offers a broad look at the ever-morphing genre. Perhaps more than any other label, Rounder gave exposure to the renegade progressive and "newgrass" musicians who worshipped the style despite the fact that they weren't from the mountains. Folks like David Grisman, Bill Keith, Tony Trischka, and Bela Fleck push the music in new directions while others such as Del McCoury, Don Stover, James King, Jim & Jesse, and Vern Williams represent more-traditional concerns. Still others--Tony Rice, David Grier, J.D. Crowe, Nashville Bluegrass Band among them--adeptly fuse elements of tradition and innovation. This collection also highlights the important contributions of female artists including Hazel and Alice, Laurie Lewis, Claire Lynch, and Alison Krauss. --Marc Greilsamer

Customer Reviews:

music.......2007-03-27

There was some good music on these two CD's but I would NOT go out of my way to buy this one.

Bluest Bluegrass.......2007-02-24

No commercialization, trendiness, or frou-frou here: This is the straight stuff. A bountiful, outstanding collection, very reasonably priced.

MD.......2007-02-09

Good but not all I thought it might be. Singing is OK. This is original stuff so it is great BG material.

fantastic.......2006-12-22

I've had this album for several years and love it alot. Good choice of diverse songs, groovy styles.

Better than I had imagined.......2005-07-19

I was extremely pleased with this CD and recommend it to anyone who enjoys Bluegrass.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Moscow Nights
Average customer rating:

JUST PERFECTION!!

Hvorostovsky...........again, magic

hvorostovsky does it again

Moscow Nights

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Hvorostovsky, Dmitri | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
General | Classical | Styles | Music
General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
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Kalinka: Russian Folk Songs

Dmitri Hvorostovsky - Russian Songs of the War Years

I Met You, My Love

Dmitri Hvorostovsky in Concert 1998

ASIN: B0007SL1M6
Release Date: 2005-03-08

Tracks:

Kak molody my byli (How young we were)
Podmoskovnye vechera (Moscow nights)
Shum berioz (The whisper of birches)
Ne speshi (Do not hurry)
Nezhnost (Tenderness)
Zhdi menia (Wait for me)
Tri goda (Three years)
Vechernay pesnya (Evening song)
Ty moya melodiya (You are my melody)
Moskovskie okna (Moscow windows)
Kak mnogo devushek horoshih (There are so many girls)
Blagodariu tebia (I'm grateful to you)
Ia liubliu tebia, zhizn' (I love you, life)
Vecher na reide (Evening in the harbor)
S chego nachinaestia Rodina (Where does Motherland come from?)
Russkoe pole (Russian field)
Special Bonus Track: Rodina slyshit (Motherland hears)

Customer Reviews:

JUST PERFECTION!!.......2006-04-08

I have all of Dmitri's recordings and this is my favorite due to the quality of the songs, Dmitri's mastery of all of them and the really lush orchestrations. All of the songs are just gorgeous and his voice so beautiful that I listen to this all day at work on my portable CD player. I recently saw him in concert and purchased the DVD of the "War Songs" which were featured in the second half of his concert. Of course, I recommend the CD and the DVD as really stunning. However, if I could only listen to one of his CD's, this is my favorite. As a former singer who trained for 15 years, I can tell you that Dmitri's vocal technique is perfect, just perfect! The voice comes from heaven! Don't wait to get this one!

Hvorostovsky...........again, magic.......2006-02-14

Moscow Nights - This collection is emotionally draining, sad; the minor keys, the great poets and composers, an era unexpressed to Americans. It is a revelation, tended by one of the most beautiful of Russian voices. Listen to it in pieces, in a quiet space, and ponder. Dmitri commands an opera stage - two visits to Queen of Spades at the Met- can lead to no other conclusion. However, it is his quiet recollections of Russian folk music, Russian sacred music, and Soviet music that arouses his greatest talents. This is a recording to be treasured.

hvorostovsky does it again.......2005-05-01

This is the latest installment of the succesfull Hvorostosky/Orbelian collaboration. In "I met you my love" the spotlight was on the socalled Russian Romances, russian art songs of the 19e century. Then came " Where are you my brothers" a collection of Russian war songs. This title contains a collection of the best post war(50s&60s) songs. If you love melodious songs in minor key this is it.The selection is quiet varied and everybody will have his or her own favourites. For me there was'nt a redundant song. The singing is as always faultless and inspired, the Moscow Chamber Orchestra plays topnotch and the arrangments by Evgeny Stesyuk are as always beautifull. But be warned this cd can have a depressing effect because besides being beautifull this music is also mostly very moving. Buy if you love russian music and good musicianship you can't go wrong with this one.

Average customer rating:

their last essential release
rock & roll music to the world ten years after
goin' mainstream
An Essential Blues-Rock Album
TYA best ever!!! Standing at the Station is their best song

Rock & Roll Music to the World
Ten Years After
Manufacturer: Bgo - Beat Goes on
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Blues Rock | Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Rock | Indie Music | Stores | Music

Rock | Imports | Stores | Music
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Positive Vibrations
A Space in Time
Ssssh
Cricklewood Green
Recorded Live

ASIN: B000008820
Release Date: 1998-03-23

Tracks:

You Give Me Loving
Convention Prevention
Turned Off T.V. Blues
Standing at the Station
You Can't Win Them All
Religion
Choo Choo Moma
Tomorrow I'll Be Out of Town
Rock & Roll Music to the World

Album Description

Remastered 1997 BGO reissue of their deleted 1972 Chrysalis album, engineered by Chris Kimsey. Contains all nine original tracks, including 'You Give Me Loving' and 'Turned Off T.V. Blues'. Also features extensive sleeve notes and faithfully restored artwork. The full title is 'Rock & Roll Music To The World'.

Customer Reviews:

their last essential release.......2007-04-10

«Rock & Roll Music to the World» was the last essential release of the british blues rockers. Thirty five years after it's release, Ten Years After has been reduced to litte more than a bunch of fast, loud guitar runs in many people's minds. And there are memories of their stomping Woodstock performance. «Rock & Roll Music to the World» offers some blues, some ballads and of course the kind of simple rock an roll tunes Ten Years After always will be associated with: Choo Choo Mama, Tomorrow I'll Be Out of Town or the title track. Sure, this is the album of a band soon running out of steam. The strain of endless touring is beginning to tell. And sure, there's not much inspiration in Alvin Lee's guitar routines. But this is a suprisingly strong album. The band sounds tight and relaxed. Chick Churchill plays some interresting combination of synthesizer and organ lines. And there are even highlights like Standing at the Station or You Give Me Loving.

rock & roll music to the world ten years after.......2006-09-06

this a must for any fan of ten years after or anyone who enjoys booige based rock & roll

goin' mainstream.......2005-12-29

'Rock and Roll Music To the World' is Alvin Lee and Ten Year's After's ninth album, released in 1972. There would only be one more studio disc from the band, so by this point in time they were on the cusp of dissolving. Apparently there were strong personalities and a good deal of dissention within the band, which at times resulted in on-stage arguments complete with members refusing to play, or throwing bottles and other missiles at one another. You wouldn't know it to listen to the tight, blues-rock musicianship offered here, with all the tracks penned, sung, and in most cases defined by the lead guitar work of Alvin Lee.

Despite being a British band, Ten Years After only scored one top ten hit in their homeland, in June of 1970 when 'Love Like a Man' took them to number 10. In America, the Top-40 success was even leaner, with only one track, 'I'd Love To Change the World' (from their 1971 disc 'A Space In Time') barely reaching number 40. But the band was better known in America for two other achievements: being one of the most-toured bands circa 1970, and Alvin Lee's thrilling performance of 'I'm Going Home' at the Woodstock Festival.

While 'Rock and Roll Music To the World' is often panned as a shallow effort for Lee and Co., it stands as my favorite Ten Years After recording. I purchased the release on vinyl in 1972 due to the large number of quality tracks that were receiving airplay on the burgeoning FM radio dial. 'You Give Me Loving', 'Convention Prevention', 'You Can't Win Them All', 'Choo Choo Mama', and the title track all made the playlists. While a lot of the music is good, old-fashioned rock and roll, the compositions at times offer lyrical depth. 'Religion', for example, has the strongest philosophical bent, offering reasonings such as "once you're dead there's nothing left for giving, so life means fighting for your every breath". On 'Convention Prevention', one of my favorite tunes from the disc, Lee turns some nice phrases such as, "I'd like to reach out to you and learn just how do you do, so we can still relate; I'd like to open my mind so you can come inside, and see that we communicate". The 'dream' of the psycedelic '60's is given a final nod in 'Rock and Roll Music To the World' as Lee intones, "Give peace a chance, get up and dance". The album was for Lee what 'Court and Spark' was for Joni Mitchell: a cashing in on the total commercialization of the rock industry. No longer did bands view the music as art for art's sake, but were out to produce a salable product.

Fortuantely, Alvin Lee still had his lead guitar sensibilities adeptly in tow, cutting loose with exceptional lead guitar runs on nearly every track. Tracks 3, 4 and 8 are the weaker numbers, but each is worthy in their own right, the first two as blues-rock endeavors, with an emphasis on the rock ('Standing At the Station' gives keyboardist Chick Churchill and bassist Leo Lyons opportunities to solo), while 'Tomorrow I'll Be Out Of Town" queue's up as the lone country-rock track, again with an emphasis on the rock. The opener, 'You Give Me Loving', a six and 1/2 minute loping mass of metal and sound effects, and the roaring 'Choo Choo Mama' became staples at TYA concerts for a number of years to come.

For whatever reason, many of Ten Years After's discs are in relatively short supply. Most likely, people who purchase them tend to hold on to them. Not many are passed on for less than a ten-spot, although I was able to score my remastered, imported copy of this disc for only $6 (shipping included) on ebay, so deals can be had. The liner notes by Neil Slaven are fairly extensive, giving a detailed biography of the band, and the artwork from the original LP has been reproduced. This is one of those discs that you can count on to deliver the goods each time you slip it in the player. Alvin Lee and band always find that rock and roll groove. Six of the nine tracks warrant five stars, and the remaining three are three or four star efforts. No losers here, folks.

An Essential Blues-Rock Album.......2005-07-03

If the only Ten Years After songs you've heard were Goin' Home and the rather forgettable cut from Space in Time that for some reason the suits in NYC dictate their classic rock stations play into the ground, you're in for a very pleasant surprise when you put this album on. That not one of these songs gets airplay is good evidense that we're stuck with Top 40 re-hash pawned off as classic FM rock on commercial OTA radio. Convention Prevention, Religion and Standing at the Station (not to be confused with Joe's song of the same name) each are worth the price of this CD alone.

TYA best ever!!! Standing at the Station is their best song.......2005-06-21

I remember when this lp went out the reviews were not good at all. This surely did a lot of damage to the band, because in the first place, people like me did not take the band seriously because of the song "Going Home"....ok it is fast but?

I bought this record at the bargain table and since the first hearing I fell in love with it, particulary went crazy with the song "Standin at the Station". It is so brilliant and well played and developed...it is the "Stairway to Heaven" of Ten Years After..only that it never received the attention from radio programers...sad, very sad.
This cd sounds very clean and still it shows it was very well produced and recorded.
Since the first song "You Give Me loving", to the fast "Cho Cho Mama"...this is the best TYA record ever.

Get it now!!

Walk on the Wild Side: The Best of the Verve Years

Average customer rating:

Superb
Jazz organ at its best
love that soul groove
Verve Compilation Of The Champ
...it sure is funky pop!

Walk on the Wild Side: The Best of the Verve Years
Jimmy Smith
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Hard Bop | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

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The Cat
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ASIN: B0000046ZU
Release Date: 1995-09-26

Tracks:

Walk On the Wild Side
Blues For J
The Cat
Trouble In Mind
Funky Broadway
Milestones
The Christmas Song
Kenny's Sound
St. James Infirmary
Refractions
The Champ
Hobo Flats
Sagg Shootin' His Arrows
Organ Grinder's Monkey

Tracks:

Down By The Riverside
And I Love You So
The Boss
Got My Mojo Workin'
Groove Drops
Delon's Blues
OGD (Aka 'Road Song')
Ritual
Monlope (Aka 'Moonlore')
When Johnny Comes Marching Home
Blues And The Abstract Truth

Customer Reviews:

Superb.......2006-06-28

This is a wonderful compilation documenting Jimmy's broad range of musical interests. It is also a window into an era of urban sophistication that many jazz fans wish they could have touched. These discs feature Wes Montgomery, Oliver Nelson, a very young George Benson, Billy Hart, Clark Terry.....etc, etc.
But on top of it all is my favorite instrument played by the one who defines it. Highly recommended.

Jazz organ at its best.......2004-11-12

This is far and away the best jazz organ CD I have ever heard. When he starts playing The Cat it brings back memories of when I had The Cat record album years ago. My other favorites songs on this CD are Groove Drops and Delon's Blues. If you are looking to start a jazz organ collection this would be an excellent choice to start your collection with.

love that soul groove.......2001-10-19

This is an album that I would have never bought had it not been recommended by amazon. I guess they looked at what I had ordered in the past and thought it would be a good fit.
I buy a lot of jazz, but I'm always looking for something more up tempo with a bit more soul. Jimmy Smith delivers. 25 tracks of killer Hammond organ, and a great band to back him up. You won't be disappointed.

Verve Compilation Of The Champ.......2001-04-13

There have been many Verve compilations of Jimmy Smith's material over the last few years. I like this particular one the best because it is a 2 compact disc set and contains more material. Although some of this material has been reissued (thankfully!) on the individual albums, is still contains material from albums which have not yet been reissued to disc. Jimmy Smith is arguably the best and most influential jazz/blues organist. He was a MAJOR innovator with his instrument and popularized the use of the Hammond B-3 organ in jazz, blues and later through his influences rock music. These recordings span the years 1962 to 1973. The recordings are varied and contain both small group and big band performances. The songs themselves range from blues to jazz to funkier more commercial recordings. There are also some great live recordings from albums which regrettably (Verve are you listening!) have not as yet been reissued. The set contains his most well known Verve tracks "Walk On The Wild Side", "The Cat" and "Organ Grinder's Swing". The set also offers live versions of two of his earlier hits for Blue Note; "The Champ" and "When Johnny Comes Marching Home". Aside from these tracks my favorites include a version of Miles Davis' "Milestones" with Wes Montgomery, "The Boss" live with George Benson, and a version of Muddy Water's blues classic "Got My Mojo Workin". Another stellar musician who appears on this compilation is Kenny Burrell, a guitarist who excels at accompanying an organist. There are a few other Verve cuts I wish they would have included such as versions of "I'm An Old Cowhand", "Bashin'" and remakes of two more of his Blue Note hits "The Sermon" and "The Preacher". However, each person has their own personal favorites. Overall this 2 cd set provides a representative overview of Jimmy Smith's Verve recordings. I recommend it wholeheartedly and suggest further investigations into his earlier classic Blue Note recordings if you enjoy it!

...it sure is funky pop!.......1999-08-09

Jimmy Smith's work on Verve usually takes a back seat to his groundbreaking Bluenote sessions. Yes, a lot of this stuff strays into pop, but it sure is funky pop! & remember, many of his Verve albums were actually equal collaborations with arrangers such as Oliver Nelson, Lalo Schifrin, Al Cohn & Claus Ogerman, with Jimmy as the centerpiece. Even the novelties - few of which appear on this set - were often inspired choices. So I kinda miss "The Theme from The Munsters," Slaughter on 10th Avenue" or "Santa Claus Is Coming To Town." The best Jimmy Smith Verve collection would be the one you make for yourself, but if you need a sampling, try this. & you still get the rave up live "The Boss," featuring George Benson doing what he always did best.

Tracks:

Forever Blue
Song For Amy
Blue Rose
Comin' Home
Ashokan Farewell
A Lotta Colada
Just Before Dawn
Walk A Little Closer
Higher Ground
Georgia On My Mind

Amazon.com

Chuck Leavell admits to three passions: his family, his tree conservation, and his music. A bluesman to the core who's worked with the Allman Brothers Band, the Fabulous Thunderbirds, and Gov't Mule, the Georgia-based piano player touches the hearts of listeners here with solo performances of mostly original material. The title song pleases with Leavell's improvisations on blues sequences, his references to the history of blues piano tied together with an impressive craftsmanship. Genre-bender "A Lotta Colada," which he originally wrote for his blues-rock-jazz group Sea Level, displays even more of his creative musical mind. Leavell's "Song for Amy" points to the sunny jazz piano of Vince Guaraldi, and his ardor for life comes across most effectively on his Crescent City-directed boogie takeoff on the gospel staple "Walk a Little Closer." --Frank-John Hadley

Customer Reviews:

Rich, Soulful, Crisp Piano Work.......2003-12-08

I recently heard Chuck Levell on Piano Jazz with Marion McPartland and he played some of the best piano blues and standards I have heard in a long time. It was a wonderful show so I thought I 'd explore his solo recordings. I bought and love this album. It is all instrumental which in a way is too bad because Chuck has a nice singing voice. A one star hit from me due to the length. Many releases these days are similarly scant, but at only 37 minutes I had a need for more when it ended after a sweet rendition of "Georgia On My Mind." The music that is there is wonderful.

Just 88 keys, but a lot of soul.........2002-09-05

According to Chuck's liner notes, Forever Blue's opening title track was a quick improvisation he dashed off while the engineer was setting up to record. It's a simple basic blues tune, but brightly performed with some spirited embellishments and a light overall playfulness. This sets the tone for the rest of the record nicely; it's not groundbreaking, but it doesn't try to be anything other than 37 minutes of fun ivory-tickling. Never mind the grim bleakness of the cover, it's quite a cheerful little gem. We've got some upbeat boogie ("Walk a Little Closer"), some Southern gospel ("Higher Ground"), and a few beautiful meditative moments made for quiet reflection. And for mood-lifting sunniness, the joyous "A Lotta Colada" stands out as the brightest offering here. As his history (Eric Clapton, the Rolling Stones) attests, Chuck's musical personality is permanently tied to the blues, but the blues aren't always meant to be sad. This shows the joyful side of the coin, and it's one of the nicest quaint treasures I've discovered in a good long time. I'll be getting some mileage out of this.

If you like piano, you will LOVE this CD!.......2002-07-25

When you hear this album you will have a hard time beliving this is solo piano. It is not what you might expect. Not rock based but blues, jazz and N'orleans styles. It is more than the hard piano rifts from Sea Level and Gov't mule. Totally entertaining! So enjoyable you'll want to go out and "spread the word". Chuck is a master and I hope he does more solo work.

Best solo piano recording in ages.......2001-08-23

What a refreshing thing for the ears! Leavell has put together a diverse and satisfying set of tunes that gets better with every listening. The styles range from melodic to latin to boogie, all with a thread of the blues (thus the title). This is a classic, and if it doesn't get a grammy, there is no justice! Buy more than one copy! CAL

Solo Piano that touches the soul.......2001-07-10

Chuck Leavell is a superstar Rock and Roll pianist, his work has been heard shining through on albums and tours by the Allman Brothers, the Rolling Stones, Eric Clapton, Gov't Mule, and tons of other superstars. He steps out with this release on his own, with only his piano to express the deep soul that has enhanced the music of so many high profile bands.

Tracks:

Tchaikovsky's Pno Con in b flat (Tonight We Love)
Ravel's Pavanne (The Lamp Is Low)
Debussy's Reverie (My Reverie)
Chopin's Polonaise ('Til The End Of Time)
Grieg's Wedding Day (Strange Music)
Rachmoninoff's Pno Con No. 2 (Full Moon And Empty Arms)
Tchaikovsky's 6th Sym (Story Of A Starry Night)
Drigo's Serenade (Love Serenade)
Borodin's Prince Igor (Stranger In Paradise)
Brahms' Hungarian Dance No. 4 (As The Years Go By)
Rubenstein's Romance (If You Are But A Dream)
Ananymous (Alone Together)

Customer Reviews:

The Artistry of Nelson Eddy.......2006-11-04

Nelson Eddy's flawless singing and diction, with a modern orchestral accompaniment, make The Artistry of Nelson Eddy a romantic, sophisticated musical experience.

Artistry of Nelson Eddy.......2006-08-22

Contemporary music which is sung well but voice not as expected of Nelson Eddy. The true baritone of his voice missing. This may be the recording but CD received in good condition.

A Nelson Eddy Tour de Force: Magnificence here on earth.......2006-03-17

I have most of the movies of Nelson Eddy. Together with Jeanette MacDonald, this team produced some of the most romantic movie-operattas ever made. But the sound quality of those movies pale in comparison to the magnificence of this production.
Nelson Eddy has never sounded better, aided (1994) by more modern recording techniques, the quality here (even with a disclaimer) is beyond belief. He has got to be one of the premier baritones of all time. Singing Popular tunes adapted from classical themes, he may be without peer. I have a CD of the young Sinatra singing "Full Moon and Empty Arms" to Rachmaninoff's Piano Concerto No. 2. He is not in the same universe with Eddy, whose crisp diction, timbre, fullness, perfect pitch, and passion ~ YES! PASSION! ~ must be heard (hopefully on on quality audio) to be fully appreciated. This is AWESOME. Maybe the best it gets here on earth. This is a wholly magnificent CD if you appreciate really good music, a fantastic baritone, and have a romantic bone in your body. I am astounded. Until today, I had no idea that Nelson Eddy was this good. This CD proves he was.

For those who are already fans of N.E. only........2003-12-22

Nelson Eddy made these recordings when he was about 60 years old and it shows. He retained an excellent voice for a very long time, allowing him to perform successfully until the day he died. However, this particular recording seems to emphasize vocal decline, in terms of control and range. The problem may be that the songs presented here are mostly VERY GREAT classical orchestral pieces, to which are sung pop lyrics. In my opinion, most (but not all) of the lyrics to these songs are not worthy of their music and are incongruous. The last number, "Alone Together", an excellent Schwartz/Dietz song (which seems out of place with Rachmaninov and Ravel,) is actually a duet with Nelson's partner, Gale Sherwood. It was recorded a couple of years later than the other songs on this album, and is given a bossa nova background that in this mix, practically drowns out the singers! As to the overall sound quality, there are some light snaps and pops as on a record, but the music is loud and clear. I do not mean to discourage Nelson Eddy fans from buying this album. I think you need this album. I own this album. Buy this album, and encourage the release of more albums and radio recordings by Nelson Eddy. What I do mean to say, is that "The Artistry of Nelson Eddy" is not the best introduction to the artistry of Nelson Eddy. His recordings from the 30's, 40's or even 50's are a better purchase for the beginner. Once you love Nelson Eddy, then pick up this album.

A Surefire Way To Turn A Bad Day Into A Good One!.......2003-04-12

The music on this CD is so beautiful it brings tears to my eyes every time I listen to it. It proves that the music of Nelson Eddy is simply timeless. I have always loved his voice, but these arrangements bring out the very best of it. It is highly recommended.

Average customer rating:

Alias Soundtrack
i want the album!...
Another Excellent Follow-up to Alias' Season 1 Soundtrack
Not very exciting, I must say.

Alias - Season Two
Michael Giacchino
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Television Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Alias
Alias - The Complete Fourth Season
Authorized Personnel Only (Alias)
Alias - The Complete Fifth Season
Alias: 2006 Wall Calendar

ASIN: B00065JTBK
Release Date: 2004-11-16

Tracks:

Main Title (:27)
On the Train (2:59)
Mother of a Mother (1:38)
Rabat (2:22)
Over the Edge (3:03)
Emilys Eulogy (3:06)
Fond Memories (2:16)
Post A-Mortem (1:32)
Syds Best Alias Yet (3:44)
Going Down? (:51)
Sydney Implores Dixon (2:40)
Aftermath Class (4:14)
Sarkavator (:33)
Im So Promoted (2:28)
Im So Screwed (2:47)
Im So Demoted (1:39)
Inferno (2:33)
Do I Have To Do Another Eulogy? (6:16)
Something Fishy (2:37)
Sloanes Revelation (2:48)
Hitting the Fan (4:20)
Balboa and Clubber (1:10)
Almost Two Years (4:58)

Amazon.com

Fueled largely by the endlessly inventive original music chronicled in the first anthology from the hit TV series Alias, young composer Michael Giacchino's rising star quickly led to big screen success via his first major feature, Pixar's computer animated superhero spoof The Incredibles. The composer's rich eclecticism -- one that spans a thumping, contemporary techno club-savvy and brassy winks at the 60's spy-jazz canon in just its opening few cuts -- is still one of the major delights on this collection of cues from Alias' second season. But its second half largely becomes a more dramatically focused, if no less creatively restless showcase for Giacchino's orchestral writing, the scale of which impressively belies its small-screen origins. Its rare to hear TV music that evokes everything from the brooding classicism of Samuel Barber and Bernard Herrmann to more contemporary scoring masters like Goldsmith and Barry -- with a forceful nod to mixmeister Paul Oakenfold in the bargain -- but it's all here on this compelling showcase for one of film music's most promising new stars. --Jerry McCulley

Album Description

Featuring more of composer Michael Giacchino's thrilling music — sort of a techno/club take on the classic James Bond sound. Giacchino's scores for the episodes of Season 2 received even greater acclaim than his first 22 episodes. Also included is the heart-stopping main title theme composed by series creator J.J. Abrams.

Customer Reviews:

Alias Soundtrack.......2007-03-10

It came well packaged and was what I had ordered. Unfortunatley I didn't realize this was the orchestral soundtrack as I was looking for the soundtrack of songs they included in each episode. Good service though.

i want the album!..........2005-04-20

yes the score is very good but i think an album with a couple of songs heard on the show would be great to.trough the 4 seasons of the show,they featured a lots of great tunes from really talented artists (sarah maclachlan,u2,cat stevens,jet,etc...).SOi think the show deserves to have it own album like the rest of the TV shows of our time.The only thing i hope is that if they make one,they won't use those which totally not suit the spirit of the show like sex and the city and summerland soundtracks!...
the ideal soundtrack would be:
jet:last chance
kate bush:this woman's work
stars:going,going,gone
matt beckler:from the summer
hathaway:there's something better
daniel lenz:spy
josh canova:almost ran
the crystal method:starting over
U2:bad
jude:you all...everybody
debbie wesberg:home
michelle featherstone:stay
sarah maclachlan:worlds on fire (alias mix)
so what are you waiting for?!...

Another Excellent Follow-up to Alias' Season 1 Soundtrack.......2005-03-13

This is more wonderful music from soundtrack composer Michael Giacchino. There is a greater number of slower-paced, melancholy tracks than on the first season soundtrack, but it's a great progression nevertheless. The high-speed action techno tracks remain exciting as usual, while the slower ones are quite emotive. Unfortunately, like with the previous soundtrack, the music from the show's closing credits is not included (though the same melody is peppered throughout both CDs). Here's hoping for future soundtrack releases for Seasons 3 and 4!

Not very exciting, I must say. .......2005-03-13

As a huge Alias fan, I was ecstatic when I got this soundtrack. Sadly, the majority of it consisted of slow, sad songs that were honestly pretty boring. I was looking forward to more loud and exciting songs, but there's probably only about 4 or 5 of those on here. If you like all the musics on Alias though, I'd say go for it!

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