Another Way

another way

Track Listings

1. On Commence

2. Dead Can Sing

3. The Last Song

Editorial Reviews
Product Description
The Parisian composer François RIBAC is the author of various modern operas, orchestrated and directed with numerous musicians. His new works "Qui est Fou?" was created on the 12th January 2002 on the National Stage in Niort. For it, he teamed up with the British singer Martin NEWELL (XTC). The mini-CD "Another Way" includes as exclusive tracks, three compositions taken from this.

Another Way,Francois Ribac & Martin Newell

Another Way

An Introduction to Der Ring des Nibelungen

Average customer rating:

Ring introduction critique
FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
Welcome back to a classic analysis
Essential for Understanding Wagner's Ring Cycle
Very Functional

An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baritones | Voices | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Wagner's Ring: Turning the Sky Round
Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti
Decoding Wagner: An Invitation to His World of Music Drama (includes 2 CDs)
Wagner - Der Ring des Nibelungen / Levine, Metropolitan Opera (Complete Ring Cycle)
Ring of the Nibelung

ASIN: B00000424H
Release Date: 2005-09-13

Tracks:

Of All Great Musical Compositions... (Examples 1-4)
The Fundamental Symbol... (Examples 5-11)
Returning Now To The Nature Motive... (Examples 6, 12-16)
A Number Of Further Motives... (Examples 5, 17-21)
A Second, Much Smaller Family... (Examples 22-25)
So Much For Nature. (Examples 26-38)
The Cause Of The Deterioration... (Examples 39-44)
The Other Transformation... (Examples 45-48)
Several Other Motives... (Examples 49-52)
Two Further Motives... (Examples 41, 53-61)
The Basic Motive Associated With The Spear... (Examples 62-68)
Along Another, More Complex Line... (Examples 69-72)
In Act Two Of Walkure... (Examples 69, 73-75)
Returning Now To Act Two Of Walkure... (Examples 76-79)
Love Is Another Of The Central Symbols... (Examples 80-83)
Later In The Same Scene... (Examples 84-87)
Freia's Motive Has Two Independent Segments... (Examples 88-91)
The Label 'Flight'... (Example 92)
When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
A Little Later In The Interlude... (Examples 99-103)

Tracks:

The Other New Motive... (Examples 104-109)
There Are Several Independent Love-Motives... (Examples 110-114)
The Characters In Whose Lives... (Examples 115-120)
One Further Motive Belongs... (Example 121)
The Sword Motive Recurs... (Examples 122-130)
Ironically, This Phrase... (Examples 131-135)
Closely Associated With Gutrune's Motive... (Examples 136-140)
Here We Come To The End... (Examples 141-146)
Complemtary To This Symbol... (Examples 147-149)
One Last Central Symbol... (Examples 150-157)
One Further Motive Connected... (Examples 158-161)
There Are One Or Two Motives... (Examples 162-168)
These Motives Of Alberich And Mime... (Examples 169-171)
Quite A Number Of The Subsidiary Motives... (Examples 172-176)
Besides This Family Of Motives... (Examples 177-180)
Our Final Example... (Examples 10, 181, 182)
In The Final Scene Of Gotterdammerung... (Examples 181-183)
Even More Masterly... (Examples 184-188)
Now If We Return... (Examples 189-191)
This Masterly Way... (Examples 192, 193)

Amazon.com

When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

Customer Reviews:

Ring introduction critique.......2006-11-04

This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

Welcome back to a classic analysis.......2006-05-28

Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

Essential for Understanding Wagner's Ring Cycle.......2006-05-15

I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

Very Functional.......2006-03-19

This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.

The Premiere Collection: The Best Of Andrew Lloyd Webber (Original Cast Compilation)

Average customer rating:

Musical Pleasure
The Premiere Collection
beautiful
Fair Album with 1 starlight and 0 aspects
Superb collection

The Premiere Collection: The Best Of Andrew Lloyd Webber (Original Cast Compilation)

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Disco | Dance & DJ | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Gold: The Definitive Hits Collection
The Very Best Of Andrew Lloyd Webber: The Broadway Collection
Andrew Lloyd Webber: The Premiere Collection Encore
Michael Crawford Performs Andrew Lloyd Webber
The Andrew Lloyd Webber Collection

ASIN: B000002O5W
Release Date: 1990-10-25

Tracks:

Phantom Of The Opera
Take That Look Off Your Face
All I Ask Of You
Don't Cry For Me Argentina
Magical Mr. Mistoffeles
Variations 1-4
Superstar
Memory
Starlight Express
Tell Me On A Sunday
The Music Of The Night
Another Suitcase In Another Hall
I Don't Know How To Love Him
Pie Jesu

Amazon.com essential recording

There are many, many Andrew Lloyd Webber albums out there, including cut-and-paste compilations and songbooks from individual artists, most notably Sarah Brightman, Michael Crawford, and even Jose Carreras. The Premiere Collection is probably as authentic as you can get in a hits album, however. In addition to the most popular selections from the original casts of Evita, Cats, and Jesus Christ Superstar, the 57-minute album includes two selections from Tell Me on a Sunday (also recorded by Bernadette Peters as Song and Dance), the title tune from Starlight Express, the "Pie Jesu" from the Requiem, and a snippet from the Paganini Variations, thereby allowing you to hear the good stuff without having to spring for the complete albums. Note that the three selections from Phantom of the Opera are the 1986 pop singles instead of the cast recordings, meaning Steve Harley rather than Crawford sings with Brightman on the title tune and Cliff Richard subs for Steve Barton on "All I Ask of You." (Crawford does sing "The Music of the Night," of course.) This 1989 compilation was too early for Aspects of Love or Sunset Boulevard, and Joseph and the Amazing Technicolor Dreamcoat is ignored, but these omissions are rectified in the follow-up album The Premiere Collection Encore, and the American-slanted version, The Very Best of Andrew Lloyd Webber: The Broadway Collection. --David Horiuchi

Customer Reviews:

Musical Pleasure.......2007-07-03

I enjoy all of this music, listening frequently. Some not original cast members, so less than 5 star. Product exactly as advertised.

The Premiere Collection.......2007-01-17

My sister had this and it got destroyed. She wanted an other, This was the only place I have found it!! Very hard to find! I have been to every music store in my area. She loved it!! And was so happy to have it again. Anyone who loves Andrew Lloyd Webber will love this. As it has many songs from some of his most famous plays with the original cast. Great item.

beautiful.......2006-12-21

This CD is a great compilation of some of Andrew Lloyd Webber's hits. If you are just looking for a "quick fix" for your Broadway craving, this is a great value.

Fair Album with 1 starlight and 0 aspects.......2004-07-09

I think this album is F-A-I-R because it has one starlight express song and zero aspects of love songs. This is why i liked the album The reason i said that this is a fair album is that I like Starlight Express better. Song i like are "The Phantom of the Opera", "Take That Look off Your Face", All I Ask of You", "Don't Cry For Me Argentina", "Mr. Mistofflees," "Superstar," "Memory", "Starlight Express", "Tell Me On A Sunday", "Music of the Night", "Another Suitcase in Another Hall", and "I Don't Know How To Love Him". I dislike the following songs:" Track 6" and the last one because the last one was hard to understand and track 6 is instrumental.

Superb collection.......2003-08-11

... It is a collection of the best of ALW's creative efforts, and a collection of great performances. Anyone who loves "Broadway" should have this disk in their collection.

Average customer rating:

Unworthy of This Show
Great.
Deserves a place in your Sondheim Discography
Dashed high hopes
Letdown from the original

Assassins (2004 Broadway Revival Cast)
Stephen Sondheim , Neil Patrick Harris , Marc Kudisch , Michael Cerveris , Denis O'Hare , and James Barbour
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Sweeney Todd (2005 Broadway Revival Cast)
Assassins
Assassins (1991 Original Off-Broadway Cast)
The Frogs (2004 Broadway Cast)
The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)

ASIN: B0002B161Y
Release Date: 2004-08-03

Tracks:

Everybody's Got The Right
Ballad Of Booth
Ladies And Gentlemen, A Toast!
How I Saved Roosevelt
What Does A Man Do...?
Gun Song
Ballad Of Czolgosz
Unworthy Of Your Love
I Am A Terrifying And Imposing Figure...!
Ballad Of Guiteau
Have It Your Way
Another National Anthem
Take A Look Lee
Something Just Broke
Everybody's Got The Right

Amazon.com

"Everybody's got a right/To their dream." So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey Oswald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and "Squeaky" Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but also oddly uninvolving. (Many fans prefer the recording of the 1991 Off-Broadway version, though "Something Just Broke," which was added to the 1992 London production, makes its recorded debut here.) Still, there are several high points. In "Unworthy of Your Love," for instance, Hinckley and Fromme wax poetic about their unrequited love for Jodie Foster and Charles Manson, respectively, in a Burt Bacharach-style ballad that's deliberately (I hope!) sappy. And of course as with most Sondheim shows, the cast of this revival--Michael Cerveris, Mario Cantone, Becky Ann Baker, Marc Kudisch, Denis O'Hare--is very good. --Elisabeth Vincentelli

Customer Reviews:

Unworthy of This Show.......2007-03-01

Assassins is a masterpiece of American theatre. Through a revue of skits and songs, it examines ideas we don't want to face, and shows us the flip side of the American Dream. The score rates as one of Sondheim's best, and the overall effect, when the show is performed well, is incredibly powerful. For years, people have wanted to mount a production on Broadway.

Given this result, they needn't have bothered.

I am still amazed at how much this production got wrong. The principal cast is nothing short of dreadful: the acting is almost laughably overwrought; the pacing keeps getting disrupted by pauses held too long and lines spoken too slowly; some singers are frequently behind the tempo (notably Michael Ceveris as Booth), while others are painful to listen to (like Jeffrey Kuhn as Zangara and Mario Cantone as Sam Byck); the new orchestrations allow for more musicians in the pit, but are much less effective than the earlier arrangements.

To top it all off, this production includes "Something Just Broke", a song sung by the Ensemble as various "average" Americans of different time periods recalling where they were when the president was shot. The song was introduced in the London production, presumably for people who didn't understand the show to have something to latch on to, but it was mercifully kept out of the published vocal score and libretto. It's not a bad song in and of itself, but musically it does not fit in with the rest of the score, and dramatically it doesn't fit in with the rest of the script. Worse, it is placed right between the Kennedy assassination -- the climax of the show -- and the finale, thus skewing all the dramatic momentum and depriving the show of an effective resolution.

The result of all this is that the comic moments aren't funny, the powerful moments fail to move, and the wonderful music is left ho-hum.

I realize that the extraordinary cast of the original production of Assassins presents a dauntingly high standard for everyone else to compare to, but the college productions I've seen were better than this.

Great. .......2006-11-08

What an amazingly talented cast! Neil Patrick Harris, Marc Kudisch, Alex Gemignani (The new Valjean in the revival of Les Miserables) and of course, the former demon barber of Fleet Street, Michael Cerveris (in the role that won him a Tony)...Just to hear these giants of musical theatre perform together as an ensemble alone is worth the price of this recording. This recording is so wonderfully done, and I can't recommend this enough.

'Unworthy of your Love' and 'The Ballad of Booth' are heartbreakingly beautiful, strange that I say that considering the subject matter, but it's true, those two songs alone will stay with you for days on end. The Ballad of Booth has poetic and tragic lyrics like 'Damn my soul, if you must, let my body turn to dust, let it mingle with the ashes of my country...What I did, I did well, and I did it for my country. Let them cry 'Dirty Traitor!', they will understand later...'. and the hauntingly gorgeous melody that goes with those lyrics is just so well, romantic! But then you have the tongue-in-cheek, slightly macabre numbers like 'The Gun Song' and 'Everybody's Got The Right' with lyrics like, 'Everybody's got the right to be happy. Life's not as bad as it seems! Everybody deserves a little sunshine...' and 'All you have to do is, move your little finger...and you can change the world!'

What a rollarcoaster of emotion! I mean, seriously, who else but Sondheim could pull that off and make it the brilliant masterpiece that it clearly is?

One of my biggest regrets is not seeing this during it's brief run in 2004. :(

Deserves a place in your Sondheim Discography.......2006-07-28

Like other reviewers I was fortunate enough to see Roundabout's revival production but perhaps unfortunate that my total enjoyment of that production may bias my critical listening. I can't help but recall the proprietor (Marc Kudish) caressing a pistol into the hand of each assassin when listening to the opening Everybody's Got The Right.

However, while fans of Sondheim and musical theater will argue over every nuance, I find that both this and the original are excellent in their own way. Yes, the voices in the first recording are more refined, yet this recording seems to better capture the character's mannerisms in the vocal stylization, whether the twitchy madness of Guiteau (Dennis O'Hare) or the depressed howl of Sam Byck (Mario Cantone).

This is a worthwhile recording and one that provides me with a reprise of the excellent staging and acting of this quirky play.

Dashed high hopes.......2006-07-14

Assassins is a fascinating and surprising show. You can't imagine a more unlikely topic for a musical and yet, when you hear and/or see the show, you can't help to be impressed by the entire production. Maybe if I'd never heard the original cast recording, I would have given this a higher rating, but, to be frank, this recording suffers in comparison to the original recording in nearly every way.

While the diction on this recording is often impressive...especially Neil Patrick Harris's...too often it is accomplished at the price of tempo. Too many times the musical director has made the choice to slow down portions of the songs to the point of sluggishness. Absolutely NONE of the performances is superior to the original. That doesn't mean that any of the newer performances are horrible, it's just that they don't measure up. The one who comes the closest is Neil Patrick Harris whom I find naturally charming and vulnerable in anything he does.

The best addition to this recording is Mario Cantone's rant as Sam Byck. Unfortunately, I can't recommend getting this recording based solely on that. The biggest mis-step is the omission of the full, final, Kennedy scene. Hearing it on the original recording for the first time is an absolutely thrilling and chilling experience. Not having it all here is a MAJOR disappointment.

Buy the original recording first and check this one out from the library.

Letdown from the original.......2006-04-10

I have been a huge fan of Assassins since it first came out back in '91. While I've never had the pleasure of seeing the play in person, I've read it several times and listened to the original cast recording so often one can hardly believe it. So when I saw "Broadway Cast Recording" I was thrilled. Then I listened to it. I went from thrilled to appalled.

John Weideman, who wrote the music, seems to prefer the Broadway cast recording--at least he says so in its liner notes. I'm not sure why. While some of the songs are still excellent (like the Hinckley-Fromme duet "Unworthy of Your Love"), many of them are just plain painful to listen to. Most of the time the singing vaccilates between being totally flat of affect (most notably Moore in "The Gun Song") to hyperbolic melodrama. Booth mumbles to the point of near-unintelligibility in several songs; Zangara sounds eerily like the mob boss from 'Johnny Dangerously' that keeps calling everyone "farging bastages"; Moore sings nearly the whole time as if she'd OD'd on sedatives; and Guiteau sounds so stereotypically gay that GLAAD should be suing the producer.

It almost seems as if the cast are not sure what do do with their characters. The cast of the Original Cast Recording hit the characters perfectly--an outstanding mix of suffering, despair, anger and hostility. The Broadway cast can't seem to, in the language of the musical, "connect" to the characters. For me this is a huge failing, as the "charcaters" here are real individuals; if the performers can't connect to them, how can we be expected to?

There are also some content differences between this recording and the original. Several brief additions are made from elsewhere in the musical, and the new song "Something Just Broke" written for the Broadway revival is included on the recording. However, about half of the last act (which is included on the original) is cut out. Sadly, the material cut out is far more moving, unsettling and significant than the material added. Also, "Something Just Broke", while a fine song (and performed better than most of the rest of the material), unfortunately breaks up the natural link between the Kennedy assassination's triumphalist ending and the closing version of "Everybody's Got the Right".

I gave this three stars because I love Assassins. It is a brilliant and unnerving drama. But the Original Cast Recording is immensely superior to the Broadway Cast Recording in its ability to reveal this to the audience. I'm glad it was revived, and I'm glad it won three Tony awards--now it can get the recognition it deserves; but for me, I'll stick to the original version I fell in love with years ago. If only the Broadway recording has found a way to be "worthy of your love"...

Kiss Me, Kate (1948 Original Broadway Cast)

Average customer rating:

The best and maybe the last CD of this great musical.
Beautiful remastering of historic original cast recording
the peerless original cast
Who Put The Shake In Shakespeare?
TIMELESS BROADWAY SHOW

Kiss Me, Kate (1948 Original Broadway Cast)
Cole Porter , Alfred Drake , and Patricia Morison
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Classic Musicals | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Kismet (1953 Original Broadway Cast)
South Pacific (Original 1949 Broadway Cast)
My Fair Lady (1956 Original Broadway Cast)
The King and I: A Decca Broadway Original Cast Album (Original 1951 Broadway Cast)
Gypsy - A Musical Fable (1959 Original Broadway Cast)

ASIN: B000007OHT
Release Date: 1998-06-02

Tracks:

Act I: Overture
Act I: Another Op'nin', Another Show
Act I: Why Can't You Behave?
Act I: Wunderbar
Act I: So In Love
Act I: We Open In Venice
Act I: Tom, Dick Or Harry
Act I: I've Come To Wive It Wealthily In Padua
Act I: I Hate Men
Act I: Were Thine That Special Face
Act II: Too Darn Hot
Act II: Where Is The Life That Late I Led?
Act II: Always True To You (In My Fashion)
Act II: Bianca
Act II: So In Love (Reprise)
Act II: Brush Up Your Shakespeare
Act II: I Am Ashamed That Women Are So Simple
Act II: Finale: Kiss Me, Kate
Kiss Me, Kate Overture

Amazon.com

Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli

Customer Reviews:

The best and maybe the last CD of this great musical........2006-02-20

Now is the perfect time to buy the CD of this.

Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.

The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.

(See also the original broadway CD of Out of This World.)

Beautiful remastering of historic original cast recording.......2004-05-24

Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.

The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.

The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.

The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.

KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.

the peerless original cast.......2004-03-04

KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".

Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.

KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.

A must-own.

Who Put The Shake In Shakespeare?.......2001-04-11

Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!

The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!

The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.

Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!

The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!

There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.

Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!

TIMELESS BROADWAY SHOW.......2001-01-11

COLE PORTER'S most famous musical play hasn't lost none of it's power over the years;it's one of those few shows in which all the elements clicks:cast,songs,libretto, to make a great entertainment product.Without getting to cynical,KISS ME KATE has enough good songs to fill 3 BROADWAY shows of today ,and i am not kidding,it's a fact.While the revival is also of interest,it's always a delight to hear the original with PATRICIA MORRISSON and ALFRED DRAKE, both terrific in their parts.I can assure you that you'll play this record more than twice.It's not only WUNDERBAR ,it's WONDERFUL!You can't actually single out one number because they are all good.All right, if we have to choose one, it's SO IN LOVE.

Elton John And Tim Rice's Aida (1999 Concept Album)

Average customer rating:

I would order from you again.
Loved it!!!
good variety and feeling
Sour Concepts
Living Elaborate Lives...

Elton John And Tim Rice's Aida (1999 Concept Album)
Jimmy Johnson , Juliet Haffner , Regis Iandiorio , Tony Kadleck , Elena Barere , Blackwell, Virgil , and Clark, John
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Soft Rock | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Contemporary | Vocal Pop | Pop | Styles | Music

General | Adult Contemporary | Pop | Styles | Music

General | Rock | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

1990s | By Decade | Soundtracks | Styles | Music

General | Classical | Styles | Music

Album-Oriented Rock (AOR) | Classic Rock | Styles | Music

Pop | Styles | Blowout Music | Stores | Music

Classic Rock | Styles | Blowout Music | Stores | Music

Rock | Styles | Blowout Music | Stores | Music

Broadway & Vocalists | Styles | Blowout Music | Stores | Music

Soundtracks | Styles | Blowout Music | Stores | Music

Classical | Styles | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
Similar Items:

Aida (2000 Original Broadway Cast)
Elton John and Tim Rice's Aida: The Making of the Broadway Musical
The Muse: Original Motion Picture Soundtrack
Made in England
A Single Man

ASIN: B00000IFTH
Release Date: 1999-03-23

Tracks:

Another Pyramid - Sting
Written In The Stars - Elton John/LeAnn Rimes
Easy As Life - Tina Turner ft. Angelique Kidjo
My Strongest Suit - Spice Girls
I Know TheTruth - Elton John/Janet Jackson
Not Me - Boyz II Men
Amneris' Letter - Shania Twain
A Step Too Far - Elton John/Heather Headley/Sherie Scott
Like Father Like Son - Lenny Kravitz
Elaborate Lives - Heather Headley
How I Know you - James Taylor
The Messenger - Elton John/Lulu
The Gods Love Nubia - Kelly Price
Enchantment Passing Through - Dru Hill
Orchestral Finale - Elton John

Amazon.com

Following hot on the heels of their enormously successful collaboration for The Lion King, Elton John and Tim Rice have once again culled their talents to create another Disney contemporary musical, based this time on Verdi's opera Aida. The album, recorded by some of the biggest talents of pop, country, and R&B, features songs from the stage show, which recounts the well-known tale of a love triangle further complicated by slavery, royalty, and the armed forces. John duets to great effect with country crooner LeAnn Rimes, the enchanting Janet Jackson, and the lovely Lulu of To Sir with Love fame. Lush and lively, the soundtrack hits a hoot of a (decidedly not highbrow) high point with the infectious pop of the Spice Girls warbling the merits of undergarments on "My Strongest Suit" ("Always wear underwear/Anytime, anywhere"). Lenny Kravitz funks things up with "Like Father Like Son." Shania Twain's husky emoting makes a fine pop ballad of the brief "Amneris' Letter." "Not Me" chronicles the goodness of love as Boyz II Men coo dreamily, their harmonies nestling into John's sumptuous score. --Paige La Grone

Customer Reviews:

I would order from you again........2007-01-27

Product arrived in a timely manner in new condition, still wrapped in plastic. Thank you.

Loved it!!!.......2006-09-07

I'm so impressed with this album for several different reasons.
3) It's Elton John
2) I loved all but two of the songs!
1) I usually hate the original broadway cast albums and movie soundtracks. They don't do the songs justice. They usually have chopped up versions of the songs and include unnecessary dialouge.

I'd love to see every musical (broadway or movie) done this way!
I appreciate the b'way versions, but I don't want to listen to them in my car...

good variety and feeling.......2004-06-24

This is a very good CD. "Written in the Stars" is an extremely emotional song, and it is my favorite on the album. I would like to see the show on Broadway, but I have to say I don't think it can be too much better than this CD

Sour Concepts.......2003-06-29

It takes so much to try to get a musical to make its way upon Broadway. Sometimes you really need to understand how to make it really happen within the passion of the storytelling music. In that case with Elton John, he nearly seemed to make it with Aida. While the music for Broadway always seems to have at least something completely mgaical and a dash of power in it. Sometimes, you really need to understand it, to make it happen, and others don't see it from the start. Although Elton John has had great music for years, at least once in a era, something goes a little flat.

The 1999 Aida, was not a studio album from Elton, but a preview from what was happen on Broadway. The various artists record contains so many different artists in the record including Tina Turner, Boyz II Men, Dru Hill, and the upcoming Heather Headley. Before Heather made it as a singer, she made it right here in Aida, on this record. The only decent song that was a hit was Written In The Stars, which Elton performed with Leann Rimes. The song was also the last song Elton cracked Billboard's Top 40. Still, there really wasn't a lot of enjoyment within most of the record, and it fell into a sleeper. Considering that Elton is already planning on making another smash musical on Broadway, hopefully he'll do better with the concept record.

When it does come to making it on Broadway, it isn't really anything exciting, unless it truly is a smash, and Aida is a smash on Broadway, just not the record. Still, if you're a die hard fan of Aida, buy this record. Otherwise, it could be a hitless miss.

Living Elaborate Lives..........2002-11-02

Aida was Elton John and Tim Rice's baby, providing a concept soundtrack album before even setting the stage on fire, the tracks are generally sweeping show ballads.
Elton teams up with several lovely and talented ladies, in LeAnn Rimes, Janet Jackson, and Lulu. "Written In The Stars" could be a vocal gladiator battle, the way LeAnn and Elton sing it. Janet and Lulu prove themselves as more mellow duet partners.
Kelly Price makes "The Gods Love Nubia" her own, the song is tied up in soul with her voice being smooth as silk. The far too short "Amneris' Letter" shows off Shania Twain's voice to perfection also. Pop culture phenomenon the Spice Girls turn "My Strongest Suit" into the most obvious pop stomper of this set. Another strong point is Heather Headley's solo "Elaborate Lives". A rich ballad, Headley recently embarked on an R&B singing career with the track "He Is". The legendary Tina Turner provides a fiery perfomance, her track being the powerful "Easy As Life" with Angelique Kidjo.
Duds are also present, Sting and Dru Hill's tracks are admitted stinkers. James Taylor, Boyz II Men, Sherie Scott, and Lenny Kravitz also deliver perfomances on the album. This album is well put together, with strong tunes and a short-list of superstars presenting them. A fun buy.

Average customer rating:

Peter Pan Flying High
Great revival to the Original
Cathy Rigby Is Peter Pan
excellent studio recording of PETER PAN
A great revival

Peter Pan (1997 Studio Cast)
Jule Styne , and Cathy Rigby
Manufacturer: Jay Records
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music

General | Soundtracks | Indie Music | Stores | Music
Similar Items:

Peter Pan: Original Broadway Cast Recording (1954 New York Cast)
Peter Pan
Peter Pan (2005 Studio Cast) - Leonard Bernstein
Peter Pan (2000 Television Soundtrack)
The Musical Adventures Of Peter Pan (1996 Studio Compilation)

ASIN: B000006C5V
Release Date: 1998-02-03

Tracks:

Overture
Prologue
Tender Shepherd
I Gotta Crow
Neverland
I'm Flying
Pirate March
A Princely Scheme (Hook's Tango)
Wendy
Another Princely Scheme (Hook's Tarantella)
I Won't Grow Up
Ugh-A-Wug
Distant Melody
Hook's Waltz
I Gotta Crow (Reprise)
Finale Act Two

Amazon.com

Mary Martin created Broadway's most famous "trousers" role in the original 1954 cast of Peter Pan, but former Olympic gymnast Cathy Rigby has proven to be a worthy successor. She earned a Tony nomination for the 1991 revival, has toured extensively, and starred in the 2000 video production. While the classic J.M. Barrie story of the boy who wouldn't grow up has seen many musical treatments (including Leonard Bernstein in 1950 and Disney in 1953), this version is probably the best known, with such Moose Charlap-Carolyn Leigh songs as "I Gotta Crow," "Tender Shepherd," "I'm Flying," and "I Won't Grow Up," plus some additional material by Jule Styne and Betty Comden and Adolph Green (most notably "Neverland"). It's a charming family show well represented in this 1997 recording featuring Rigby along with Elisa Sagardia (Wendy) and Paul Shoeffler (Hook). --David Horiuchi

Customer Reviews:

Peter Pan Flying High.......2006-03-03

My daughter is playing Wendy in a community youth theater production of Peter Pan. She has been singing along with the CD ever since we received it in the mail. Wonderful sound quality.

Great revival to the Original .......2005-03-14

Ever since I saw Cathy Rigby play Peter Pan in the 1997 production I was like Holy crap she plays this role very well!
The production on this CD is very well done! Unlike Mary Martin's CD! Mary Martin's CD is the worst Peter Pan CD I've ever heard! Cathy Rigby on the other hand she beats Mary Martin's production by a huge landslide! They also add parts of the play into the CD which makes the CD even more exciting! I saw Cathy Rigby on her final tour of Peter Pan and she was so amazing! Cathy Rigby Rules!!!!!!!!!!!!!!!!!!!

Cathy Rigby Is Peter Pan.......2004-12-20

Cathy Rigby is a very good Peter Pan. Her recording surpasses Mary Martin's by a landslide! Her voice is very good on this recording. She also has a DVD out for her production of Peter Pan. Cathy Rigby Rules

excellent studio recording of PETER PAN.......2004-01-21

This 1997 studio cast album of PETER PAN is a fine testament to this magical musical. Cathy Rigby, star of various Broadway runs and national tours of the show, gives thrilling voice to the title character, and is joined by a first-rate supporting cast.

Paul Schoeffler, also a veteran of the Broadway/national tour, is a great Captain Hook, especially during "Hook's Waltz" and "Hook's Tango". Traditionally, he also portrays the bombastic Mr Darling.

Elisa Sagardia is, like Rigby and Schoeffler, reprising her role of Wendy from the Broadway/national tour. She gives a lovely weight to "Tender Shepherd" and "Distant Melody". She also has a great voice.

Rounding out the cast are Susan Lamontagne as Tiger Lily, Lee Honey-Jones as John, Myles Anderson as Michael, Helen Hobson as Mrs Darling, Anne McVey as Liza, Susan Dale as Jane, Julian Forsythe as Smee and Jenny Agutter as the Narrator. [CDJAY 1280]

A great revival.......2000-12-31

Forty some ye3ars ago I saw Peter Pan on its premier performance on television. I bought the record with Mary Martin and I have loved it. I have to say that the Cathy Rigby recording is even better. Cathy beings a youthful presence in her songs. The recording itself is technologically better. The recording includes bits from the play not on the original. And the whole recoding seems to have a life the original does not have. "I'm Flying" is exhilerating. "Once Upon a Time Long Ago" has a more haunting ache. The timing of the songs is different, but not worse than the original. Ms. Rigby is not trying to copy Ms. Martin. Which means for Peter Pan lovers there are two distinctive performances to appreciate. I wish I could see Ms. Rigby on stage. I saw Sandy Duncan some years ago and she was good. This is a great recording.

Average customer rating:

Modern Rock 1982-1983
1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars various artists , 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country , 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx , 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes , and 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses
ProductGroup: Music
Binding: Audio CD

New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
ASIN: B000NHZHKS

Product Description

Year: 1982 Track Title 1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses

Average customer rating:

A Time of Hope: Broadway 1935-1946

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

The Decca Records Store | Specialty Stores | Music

4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Center Stage: Broadway 1947-1958
Broadway Magic: Broadway 1968-1980
Put on a Happy Face: Broadway 1959-1967
The British Invasion: Broadway 1981-1992
Broadway Today: Broadway 1993-2005

ASIN: B0007ZENZG
Release Date: 2005-04-26

Tracks:

Oh! What A Beautiful Mornin'
Summertime
I Could Write A Book
It Never Entered My Mind
I Can Cook Too
Make It Another Old Fashioned, Please
If I Loved You
My Heart Belongs To Daddy
Thou Swell
I Left My Heart At The Stage Door Canteen
There's No Business Like Show Business
South American Way

Average customer rating:

This is the most original singer/songwriter today.
The best Radney Foster album!
"Sparks" fly from this one too
Another Way to Go--Radney Foster
Just Great

Another Way to Go
Radney Foster
Manufacturer: Dualtone Music Group
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

General | Pop | Styles | Music

General | Rock | Styles | Music
Similar Items:

Are You Ready for the Big Show?
This World We Live In
Del Rio, Texas, 1959
See What You Want to See
Labor of Love

ASIN: B00006AL1F
Release Date: 2002-09-10

Tracks:

Real Fine Place to Start
Everyday Angel
Again
Sure Feels Right
Disappointing You
I Got What You Need
Tired of Pretending
What It Is That You Do
Scary Old World (with Georgia Middleman)
Love Had Something to Say About It
What Are We Doing Here Tonight
Just Sit Still
Another Way to Go

Amazon.com

Ever since the late 1980s, when he was half of the Nashville duo Foster & Lloyd, Radney Foster has been a master at commingling rock and country influences in a manner sophisticated and timely, yet earthy and soulful. And he's done it once again on Another Way to Go. In fact, it's his most fully realized work since his fine 1992 solo debut, Del Rio, Texas, 1959, and perhaps his best ever. Foster, now 43 and a settled family man, hits some enticing grooves while serving up thick slices of everyday pathos and rock-solid life lessons on first-rate originals like "Everyday Angel," "Just Sit Still," "What Is It That You Do," and the spicy, bluesy "I Got What You Need." An added treat is a spirited duet with old friend Chely Wright on "Scary Old World," a song Foster wrote with late Nashville legend Harlan Howard shortly before Howard's death. --Bob Allen

Product Description

1. Real Fine Place To Start
2. Every Day Angel
3. Again
4. Sure Feels Right
5. Disappointing You
6. I Got What You Need
7. Tired Of Pretending
8. What It Is That You Do
9. Scary Old World
10. Love Had Something To Say About It
11. What Are We Doing Here Tonight
12. Just Sit Still
13. Another Way To Go

Format: CD

Customer Reviews:

This is the most original singer/songwriter today........2007-04-11

Townes Van Zant would have been proud of this work, I think. This CD has the depth and honesty of TVZ and in some spots this CD is a bit disconcerting. "Disappointing You" [track 5] is the new standard by which all other 'heartbroke songs' should be judged. Our boy from Del Rio Texas has done us a favor. He opens for us the mind of a true song writer genuis that has become the matured version of our own Radney Foster. I'm just sorry that I was so late in purchasing a CD. I was actually looking to buy "Everyday Angel" as a single for pod use. When I couldn't find the single I bought the whole bannana and I'm glad I did. I can't remember the last time I put a CD in my vehicle player and just let it play through again and again and again. I'm listening to it now as I write. "A Real Fine Place to Start" kicks the CD off followed by "Angel" and tracks 3, 4 & 5 are just fine songs. "Love had something to say about it" is a great tune too [track 10]. I catch a trend with this CD and the Rodney Crowell CD "The Outsider" in that there is an esoteric message throughout both works. Now 'that' is a movement in your standard, everyday C&W, but I like it. And if you like Radney Foster you'll love this offering. I know I do.

The best Radney Foster album!.......2007-02-12

I can listen to this album over and over, and it gets better with each listen. Every song is great in it's own way. I have all of the Radney Foster albums, and I like this one best. Just the song, "Again" is worth the price of admission. Radney's uncanny ability to craft melodies that stick in your head, and create real-life characters that you recognize is so refreshing in today's cookie-cutter music industry.

"Sparks" fly from this one too.......2006-01-04

Yet another wonderful piece of artistry from Radney. Damn, I wish he came closer to Mississippi more!

Another Way to Go--Radney Foster.......2005-09-01

Can this guy get any better? I don't think so. Age has only improved his voice and delivery. I'd actually forgotten about him for a few years--what a joy to hear him again. I'll be ordering his last few CDs.

Just Great.......2005-06-01

This is really music for people who have lived and loved. This is not kids' stuff and therefore it's not on the radio. I listen to this endlessly in the car. There's only one song I skip - "Disappointing You," not because it's bad - no, far from it. It's just such a painful song that I just can't take it all the time. In a saner world, Radney Foster would be a huge star along the lines of Bruce Springsteen. Honestly. Pick this one up. It's one of those CDs that's better the 50th time you've heard it than it was the first. I'm sure folks like Tim McGrew and Keith Urban will pillage this CD like crazy for material.

Average customer rating:

What!? How is this possible?
Beauty and grace, charm and wit - Maury's got it all
A perfect marriage of music and lyrics
The Maury Yeston Songbook
One of the best broadway/composer compilations ever made!

The Maury Yeston Songbook
Maury Yeston , Christine Andreas , Brent Barrett , Betty Buckley , Liz Callaway , Alice Ripley , Sutton Foster , Brian d'Arcy James , and Philip Chaffin
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

Pop Rock | Pop | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

The Maury Yeston Songbook
The Drowsy Chaperone (2006 Original Broadway Cast)
Jule Styne in Hollywood
December Songs
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00008H2LJ
Release Date: 2003-04-08

Tracks:

Please Let's Not Even Say Hello - Alice Ripley
Only with You - Brent Barrett
I Want to Go to Hollywood - Sutton Foster
Danglin' - Johnny Rodgers
I Had a Dream About You - Betty Buckley
My True Love - Philip Chaffin
A Call from the Vatican - Alice Ripley
Now and Then - Laura Benanti
You're There Too - Christopher Fitzgerald
Is Someone Out There? - Eden Espinosa
New Words - Brent Barrett
My Grandmother's Love Letters - Christine Ebersole
By the River - Christine Andreas
I Am Longing - Philip Chaffin
Home - Laura Benanti & Robert Cuccioli
Another Day in the Modern World - Michael Holland
Simple - Liz Callaway
Unusual Way - Brian d'Arcy James
Be On Your Own - Betty Buckley
No Moon - Howard McGillin

Amazon.com

Despite racking up Tony nominations and/or box-office success with Nine, Grand Hotel, and Titanic, Maury Yeston remains a relatively unknown Broadway auteur. And yet, what a fabulous songwriter he is. Listen to "Home," for instance: This excerpt from Phantom (the other adaptation of Phantom of the Opera) has great melodic hooks, along with natural sweep and unrestrained emotion. Like every song on this CD, it also has such dramatic drive that it easily stands on its own outside of its regular narrative frame. This collection of new recordings provides an excellent overview of Yeston's talent, juxtaposing numbers from his three best-known scores (though there's only one from Titanic) with rarities and a generous selection from his 1991 song cycle December Songs. Christine Ebersole, Liz Callaway, and Betty Buckley turn in expectedly strong performances, but watch also for Laura Benanti (the star of the 2003 revival of Nine), Christine Andreas, and Foster Sutton, who completely make the material theirs. --Elisabeth Vincentelli

Description

The Tony Award-winning composer/lyricist -- who's given us the smash hit musicals Titanic, Phantom and Grand Hotel, and whose first stage show, Nine, is currently being revived in New York with Antonio Banderas -- is celebrated in song by the best stars o

Customer Reviews:

What!? How is this possible?.......2007-01-20

How could one put together a Maury Yeston Songbook cd without a track from Andrea Marcovicci? He wrote a song cycle for her. Granted there are some great singers here but a grave oversight to not include Ms Marcovicci.

Beauty and grace, charm and wit - Maury's got it all.......2006-11-14

Maury Yeston may be musical theatre's unsung genius to the public at large, but I've heard his praises sung many times. A friend convinced me to buy the original Broadway cast of "Nine", and while there were some fantastic songs and an undeniable melodic gift throughout, it left me lukewarm. The same with "Grand Hotel". And I couldn't stand "Titanic" - too big, too self-important, too reliant on booming low brass and bombastic orchestral swells.

"Phantom" was the only one of his scores that touched something other than distanced admiration in me. It was everything Sir Lloyd Webber's popera travesty could never quite aspire to - epic yet human, beautiful and touching, with songs that showed actual details and emotions. So it was with that in mind that I purchased this, figuring that maybe Maury could prove me wrong, shorn from the restrictions of a book musical format.

And by God, did he prove me right and then some.

Maybe it's the singers. Maybe it's the perfect orchestrations. Maybe it's just the absence of a plot to follow. More than likely, it's all three, but this is one of the most gorgeous, enjoyable, heartbreaking albums I've ever purchased. Yeston has assembled an impressive cast to give voice to his music - such heavy Broadway hitters as Alice Ripley, Brent Barrett, Betty Buckley, Christine Ebersole and Howard McGillin mix with up-and-comers like Eden Espinosa, Sutton Foster, and Brian d'Arcy James. But the most impressive turns are given by people I'd never heard of before - Johnny Rodgers (who?) has a voice spun from gold, and he's absolutely perfect in "Danglin'", a simple and powerful song despite some odd lyric choices by Yeston. Likewise Philip Chaffin in "My True Love" and "I Am Longing", and Michael Holland displays a warm and untrained performance of "Another Day in the Modern World". These three men, who I'd never heard of before, absolutely stole the show. It doesn't hurt that they're given some of the best songs from the album.

Of course, the rest of the ensemble uniformly turns in worthwhile performances. The professionalism of Broadway is gloriously evident here, each singer making their song uniquely theirs. Brent Barrett made me hear "Only With You" as if for the first time. Betty Buckley is surprisingly vulnerable in "I Had A Dream About You". Alice Ripley is her usual bundle of raw emotion in "Please Let's Not Even Say Hello", and turns in a rare comic performance in "Call From The Vatican" to great effect (listen to that surprise high note near the end! Wow, Alice!). Christine Ebersole is heartbroken, elated, vulnerable, and tough all in the course of "Grandmother's Love Letters"' 4 minutes.

There are some weak spots - Eden Espinosa is mostly one-note during her song, and while it's certainly a high note, it's nothing you haven't heard her do better elsewhere. Laura Benanti's "Now and Then" goes by without much notice, which is a shame for this talented actress. And Betty Buckley goes back to her usual high-volume stridence in "Be On Your Own", which despite its chilling music deserves a more nuanced performance than Buckley gives here. But these songs would be standouts on any other album, and it's only the company they keep that prevent them from being excellent.

Oh, and "Unusual Way", possibly Yeston's best-known song, is so beautifully performed here by Brian d'Arcy James and a three-piece band that I nearly cried hearing it. And that's quite a feat for a song that I swore never to listen to again after the seventeenth girl in a day auditioned with it (badly). But the gender swap works perfectly, and d'Arcy James' golden Irish tenor swings through the music effortlessly.

As for the band - there are no missteps here. Each song is given exactly what it needs, from the Romantic-with-a-capital-R string section on "Home", to the jazzy saxophone on "Letter From the Vatican", to "Be On Your Own", which is given a Herrmann-esque string section. Some particular touches stand out - that lovely acoustic guitar on "Danglin'", the simple piano line on "Modern World", and the sublime cello/piano outro in "Unusual Way" really stuck with me after the album stopped playing. And the recording is without fault - crisp, encompassing, personable and expansive as the mood requires. The whole album sounds fantastic.

There is such a wide range of style and substance here that each song would deserve purchasing individually. As a collection? It's bliss. If you're a fan of theater music, appreciate great vocals, or just need something to keep you company on long nights, this is required purchase.

A perfect marriage of music and lyrics.......2006-09-07

I think Yeston must be the most underrated talent in music theatre. And not just music theatre ... for as far as I know, "Danglin'" is not from a show - a jewel of a song ... and a disarmingly honest rendition from Johnny Rogers (what a beautiful voice! Why hasn't he made more CD's?) Some other favourites are "New Words" (not enough parent-child love songs out there ... and I can't imagine it could be sung any better than this), "You're there too" (with a charming and unexpected twist), "Simple" (Callaway is superb), "Only With You" (loveable rogue!) ... to name but a few. Inspired music theatre writing. A must for any musical buff, composer or singer seeking repertoire that will help them stand out from the crowd.

The Maury Yeston Songbook.......2006-08-30

A good album sung by good singers. I have been an admirer of Maury Yeston for a number of years . I am a great fan of "Nine"
which I consider his best work.(If possible try to listen to the
Australian Cast Recording with John Diedrich) I enjoy listening to artists like Alice Ripley, Brent Barrett, Sutton Foster,and my very favourite singer Liz Callaway. All in all a great CD to just sit back ,relax and enjoy Les Breen

One of the best broadway/composer compilations ever made!.......2006-06-29

There are so many brilliant performances on this CD that I don't even know where to begin. From start to finish, this CD sweeps you away on a rollercoaster of emotions. Now, this CD isn't perfect by any means; a few of the artists are performing songs that aren't really suited to their abilities, but the heart is there and that's really all that matters in the end.

If you love Broadway, if you love GOOD music in general, and you want to be moved by songs rather than merely entertained, you must get this CD.

Rock Music:

Rock Music

rock music