Bring It on Ep [Import]

bring it on ep [import]

Track Listings

1. Totally Average Band

2. Has-Been

3. Not Happy Jan

4. Bring It On

5. Gambler (Bonus Live Track)

Editorial Reviews
Product Description
Made Up of Australian National and State Cricketers, Brett and Shane Lee, Richard Chee Quee, Bradmcnamara and Gavin Robertson. Produced by Former Sherbet Member Garth Porter, it Featuresguest Vocals from Ex-screaming Jets Vocalist, Dave Gleason and Angels Main Man Doc Neeson.

Bring It on Ep,Six & Out,Shock,Rock

Bring It on Ep [Import]

Average customer rating:

Best Aaron Neville album in a long time
New Orleans....Proud to Call It Home
I just love Aaron Neville
Bring it on Home
The always fabulous Aaron Neville!

Bring It on Home... The Soul Classics
Aaron Neville
Manufacturer: Burgundy S
ProductGroup: Music
Binding: Audio CD

Contemporary Blues | Blues | Styles | Music

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Duets: An American Classic
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These Days

ASIN: B000H7J9M6
Release Date: 2006-09-19

Tracks:

Rainy Night In Georgia (featuring Chris Botti)
Ain't No Sunshine
(Sittin' On) The Dock Of The Bay
Stand By Me
You Send Me
Respect Yourself (featuring Mavis Staples)
When A Man Loves A Woman
Let's Stay Together (featuring Chaka Khan)
It's All Right
People Get Ready (featuring David Sanborn and Art Neville)
My Girl
Ain't That Peculiar
A Change Is Gonna Come

Amazon.com

Approach Aaron Neville's Bring it on Home ... the Soul Classics with anything but an open heart and you've missed the point. This is a serious CD, at once mournful, humble, and joyous, with no shortage of moments that recall the terribleness of Hurricane Katrina. One way of processing it is as a cataloging of classic songs that helped Neville's fellow New Orleanians soldier through: opener "Rainy Night in Georgia" with jazzman Chris Botti wrings beauty from soaking-wet despair, "Stand By Me" turns its heel on pleading in favor of promise-making, and "People Get Ready," with David Sanborn and brother Art, is a chill-sending reminder of how unity and perseverance can trump tragedy. Viewed from another lens, Soul Classics is Neville's attempt at climbing aboard the late-career, classic-covers bandwagon while weaving his bayou-soul heritage into the picture. The trouble with that theory, though, is that it feels like so much more. His voice flutters alongside Mavis Staple's on "Respect Yourself" with completely uncontrived tenderness, and Otis Redding's "(Sittin' On) The Dock of the Bay" becomes a meditation on stillness and ease that befits a boulder-sized lump in the throat. A tossed-together concept album this is not; a reflection of a soul man gifted with the ability to spin epic, unyielding sorrow into grace is more like it. --Tammy La Gorce

Album Description

Rooted in the fertile soil of rhythm-and-blues' rich past, Bring It On Home…The Soul Classics, is a landmark work by Aaron Neville. This platinum recording artist and renowned vocalist has created an album of his interpretations of 13 universally loved soul classics, including Otis Redding's "(Sittin' On) The Dock Of The Bay," Sam Cooke's "You Send Me" and Ben E. King's "Stand By Me." The album also features special guests Chaka Khan, Chris Botti, Mavis Staples, David Sanborn and Art Neville.

Customer Reviews:

Best Aaron Neville album in a long time.......2007-05-14

Keep them coming ....this is a great soul album...all the classic's and the great sound of Aaron Neville.
Enjoy....

New Orleans....Proud to Call It Home.......2007-02-26

This is truly a must. If you like R&B, Jazz, Motown, or just Aaron Neville's wonderful, distinctive voice - you will love this collection of songs well known to everyone. As a native New Orleanian, Aaron Neville makes me proud to call it home.

I just love Aaron Neville.......2007-02-01

It is hard for me to rate an Aaron Neville disc, because I just love the way he sings. It is very hard to find a song by him that he kills. And in this CD he took GREAT classic soul songs and sang them his style. Just wonderful!

Bring it on Home.......2007-01-16

Exellent mix of ballads and soul hits from a bygone era.

The always fabulous Aaron Neville!.......2007-01-14

You can't go wrong with Aaron Neville! His voice and these songs just transport you back in time! There just is no one out there like him. Sets a mood and keeps it! Love it!

Average customer rating:

Gomez are the best
Definitely grows on you
Gomez started a brilliant career with this one
Really cool psychedelic sound mixed with a bluesy sound
OK, but nothing like Liquid Skin

Bring It On
Gomez
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Liquid Skin
In Our Gun
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Out West
Five Men In A Hut (A's, B's and Rarities 1998-2004)

ASIN: B00000AETS
Release Date: 1998-09-08

Tracks:

Get Miles
Whippin' Piccadilly
Make No Sound
78 Stone Wobble
Tijuana Lady
Here It Comes The Breeze
Love Is Better Than A Warm Trombone
Get Myself Arrested
Free To Run
Bubble Gum Years
Rie's Wagon
The Comeback

Amazon.com

Recorded in the north of England in a cold garage by a batch of 20-year-olds before they'd ever played a lick live, Bring It On displays a remarkable maturity, quoting from a musical source that only folks twice their age are privy to. The insularity of the remote garage removes these lads from the territory of their bombastic Brit-rock peers, freeing them to seek inspiration beyond the shores of their isle. Strains of American groove rock (think Little Feat or Dr. John) run throughout: the opening track, "Get Miles," lopes along on a bourbon-infused jam and Ben Ottewell's deep, gravelly voice, and "78 Stone Wobble" sounds like a long-lost Doobie Brothers hit. But Gomez aren't mere revivalists. Their take on American boogie provides a stale genre with youthful verve. --Tod Nelson

Customer Reviews:

Gomez are the best.......2007-02-28

This album earned Gomez fame back in 1998 when they won the esteemed Mercury Music award with it.

They have been coined all variations of 'blues-folk-rock', and loads more to boot. I think their sound is fantastically original, and their albums have gone from strength to strength.

Bring it on is the corner stone in their outstanding portfolio, and is a marvelous achievement. I strongly believe that everyone needs Gomez in their lives, or at the very least should own this album.

Definitely grows on you.......2005-02-21

The first time I ever heard this album, I have to say, I was not blown away. Sure, there were some good songs, but it was not a spectacular album in my view. Then, after hearing it a few more times, it started to really grow on me and I realized what a great album it was. Don't give up on it after one listen, because you will be pleasantly surprised. It blends elements of blues, jazz, funk, and rock to make a potpourri of some great music. I think I might just like this album better than Split the Difference, although it is a very close race. I think my favorite tracks on this album are Tijiuana Lady, Rie's Car, Love is Better Than a Warm Trombone, and Get Myself Arrested. Overall, great album.. I hope you enjoy it.

Gomez started a brilliant career with this one.......2004-12-16

"Bring it on" wasn't recorded in a big studio. Gomez didn't have any celebrity treatment making this album. They were just high school kids making a phenomenal rock album in a garage.
It opens with the keyboard drone of "Get Miles" and gets started with the acoustic, even reggae sounding "Whippin' Picadilly" which explodes in bursts with a sing a long chorus. "78 Stone Wobble" is one of the best songs on the album, with the throaty voice of guitarist Ben Ottewell acing the lead vocal. "Tijuana Lady" is far and away the best song on the disc, it has spanish influences and creative lyrics. "Get myself arrested" is a hilarious story about a kid and his car. It ends with the long "Rie's wagon" and "The Comeback", which top off a terrific album. This first album set Gomez on a road to make great albums like "Liquid Skin" and recently the incredible "Split the Difference" Get this one, it's terrific.

Really cool psychedelic sound mixed with a bluesy sound.......2004-06-07

This CD has flavors of the late 60s/early 70s psychedelic sound incorporated into some modern alternative music. The first track Get Miles reminds me a little of the sound of Strawberry Alarm Clock's Incense & Peppermints, while Make No Sound, The Come Back and 78 Stone Wobble could have been extra songs from Sgt. Pepper's Lonely Hearts Club Band. Tijuana Lady and Bubble Gum Years reminds me a little of the old Pink Floyd sound when Syd Barrett was the lead signer. Tracks like Get Myself Arrested, Free To Run, and Rie's Wagon have a bluesy sound to them.

And finally, Whippin' Picadilly is just plain cool.

I am beginning to wonder if we are about to have another British/U.K. Invasion (I wasn't alive for the first one, but I do know my music history), as there is a lot of cool music coming from England again. Gomez is definitely included in that statement, as are bands like South London's The Koreans, Jem Coldplay, Supergrass, Snow Patrol, etc.

OK, but nothing like Liquid Skin.......2004-05-25

This album shows the potential that Gomez has, and Liquid Skin shows Gomez fullfilling that potential. It's not that this album is horible, it's just average. I would recomend anyone interested in Gomez to by Liquid Skin, than once your a fan, go back to this album and prepare to be disapointed. I was atleast.

Average customer rating:

Great guitars, great voice, great MUSIC!
Buy 2 copies, your spouse WILL steal the 1st one
Ditch Kresge
GREAT ALBUM - NOT PSYCHOBILLY
Not another cow in the Herd....

Bring It On!
HorrorPops
Manufacturer: Hellcat Records
ProductGroup: Music
Binding: Audio CD

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Hell Yeah
Return of the Loving Dead
Tiger Army
Brought Back to Life Again
Dead Girls Don't Cry

ASIN: B000AMJD7Y
Release Date: 2005-09-13

Tracks:

Freaks In Uniforms
Hit 'N Run
Bring It On!
It's Been So Long
Undefeated
You Vs. Me
Crawl Straight Home
Trapped
Walk Like A Zombie
Where You Can't Follow
Caught In A Blonde
S.O.B.
Who's Leading You Now

Amazon.com

The scariest thing about Horror Pops second album, might be the cover itself that looks like were promotional stills for some goth episode of Pee Wee's Playhouse. But the visuals are the most seditious part about these Danish punk psychobilly rockers. They elevate the often creepy genre with their smart lyrics, elegant nods to New Wave, careful attention to dynamics and a strong rhythmic structure that will find you nursing a bad case of whiplash from all the head bobbing. It's one of those rare albums that combines swaggering attitude, clean melodies and a skewed sense of humor in equal measure. And that's even before you're lulled into bittersweet submission by the voice of singer/bassist Patrica Day's whose voice is caught midway between Chrissie Hynde smart and seductive purr, Debbie Harry's saucy screech and Nico's dark mysteries. -- Jaan Uhelszki

Album Description

While never dropping their trademark sexy, horror-flick flair, their new CD, produced by Bad Religion's Brett Gurewitz, reveals new depths of songwriting. Brash, Link Wray guitars, singer Patricia's sultry petulance, throbbing standup bass; all served up in loving tribute to the brooding pop of '80s icons like Blondie and Siouxsie Sioux. With two European headlining tours, performances on BBC1 and Jimmy Kimmel, and a major Warped Tour under their belts, HorrorPops are set to build on the musical success of their 2004 debut, "Hell Yeah". And kick some ass.

Customer Reviews:

Great guitars, great voice, great MUSIC!.......2007-02-16

This album is great, I don't know why so many are complaining when this album is clearly better than Hell Yeah! ever was.

And their first album was great!

They did stray farther away from the rockabilly since the last album, but it's still really enjoyable, bouncy, fun music that embraces the right amounts of rock, punk, rockabilly, and a little bit of pop (Heck, if you told me "Hit and Run" was a cut from No Doubts "Tragic Kingdom" I wouldn't think twice). Patricia Day sounds even better on this album, sounding somewhat like a drunk, foreign Gwen Stefani. I love her voice, the way she chews and spits some of those words... She has to be one of the best female vocalists I've ever heard.

What makes Bring It On! it better than Hell Yeah! is that the songwriting is much better, and they all but dropped the goth imagery. The only horror themed song they have on here is "Walk Like A Zombie." The rest is much more varied, plenty of songs about love, a song about rebelling against musical conformity ("Freaks In Uniform" which lets you know from the start that this album isn't *going* to be a repeat of their debut), a song about overdrinking (the hilarious "Crawl Straight Home" featuring the line "coated tongue and hairy teeth/I guess I'm not so lady like"), and the gorgeous murder ballad "S.O.B." (great vocals on that song, she really puts some bite into those lines) just to give you an idea.

But what really *REALLY* sells this record for me is the guitar work. They apparently switched out a guitarist and replaced him with some dude from Tiger Army (the bass player, I heard) meaning you have two former bass players from other psychobilly bands playing guitar. It sounds weird, but I couldn't be happier with the results. The guitars on the album really shine thanks to some gorgeous arrangements and a smart sense of subtlety. I mean, they aren't doing anything technically impressive with them (in other words, no Eddie Van Halen soloing or anything like that), but the stuff they do with thier instruments is pretty inventive. Sometimes they're playing these spidery little lines over the chords, or they'll do some echoey, reverbed, surf-style chord swooping. There's a song ("You Vs. Me" I think) where they drop the chord progression in favor of just slashing a quick powerchord every fourth beat so you just hear a quick "chick" in the background for a verse. Man, there's so much stuff that I've noticed upon repeated listens, I can't begin to remember it all, but believe me when I say this whole album has lots of interesting sonic layers if you bother to look for them.

Whats impressive about that is they could have just been banging out power chords the whole time and still made a fun album, but the guitarwork clearly shows they put a lot of time and thought into this album. It shows a surprising amount of intelligence, and while some of this type of thing was on Hell Yeah! its much more apparent on Bring It On! which tells me the Horrorpops were really shooting for a high level of quality, and I'd say they achieved it by giving us a intelligent mutli-layered musical experience.

You could pop this album in an enjoy it right away for its catchy and fun songs, but you can also surround yourself with a decent stereo and look for all the little guitar parts you didn't notice the first time around popping out of your speakers.

In short, the HorrorPops are easily the best band on Hellcat since the Dropkick Murphys (and I dare say I enjoy the HorrorPops even better than DKM), and you'd be missing out if you didn't pick up Bring It On! right away.

Buy 2 copies, your spouse WILL steal the 1st one.......2006-11-11

There's a lot of nit-picking in these reviews about "they're not psychobilly" , "the first album was better", blah, blah, blah. The problem is that nobody else is putting out anything quite like this. You can't try to compare them to Kim's band or to Tiger Army. And please don't call them emo-billy as someone did elsewhere.

My tastes run from old time rockabilly all the way through the hard core punk of bands like the Nerve Agents, Sick of it All, etc. The simple point is that this is energetic and unique music that borrows from lots of styles. Some songs are astonishing but they are all likely to make you tap your feet and bob your head. There really seems to be something in their sound that would appeal to anyone that likes the twangy surf-guitar sound in rockabilly but wants a more up-tempo delivery. The occasional ghoulish lyric is simply a nice touch here as well.

If you already know you like them and can't wait for their next release go get Mad Marge and the Stonecutters.

Ditch Kresge.......2006-11-03

I feel that putting Geoff Kresge in charge of song writing can only be described as a gargantuan mistake. The songs are only ehhhhh... With one major exception. Walk like a Zombie is a song that is a worthy song. I found out the reason why that song is an exception. It was written when the first cd was put out and just did not get released on Hell Yeah. I still love the band and think that the skies the limit for them, but they really need to take the pen away from Kresge, maybe even the guitar. Hell, even get rid of Kamilla, since she's the one that brought her husband into the band. I feel that he brings a negative energy into the Horrorpops. Kim and Patricia are the Horrorpops.

GREAT ALBUM - NOT PSYCHOBILLY.......2006-05-08

This is a great sophmore effort for Horrorpops. The knock on this band is that they aren't psychobilly enough or that they aren't heavy enough. Enough for what? I remember Metallica getting the same rap once they started playing something with a melody line. "They sold out" or "they're not metal anymore" or some other garbage like that. What a load of crap! The first song on Bring It on is called Freaks In Uniforms. It's about people (and bands) tragically sticking to molds...not stepping out from them and showing individuality. The people that knock this band usually knock it for the wrong reasons - not because they're a bad band, because they don't conform to the preconceived notion of what "this type" of band should be. Horrorpops aren't psychobilly, though they do have psychobilly influences that are obvious. They are plenty heavy for what they do. Horrorpops are a POP spin on psychobilly, rockabilly, ska, and good old fashioned punk. If you don't like your music catchy and melodic, stay away from this band. If you like songs that stay in your head and that are fun to sing along to...this is it. If you like to see live bands that all look and act the same as you mosh around or skank, they aren't for you. If you like an element of glitz and flash, not unlike KISS was in the 1970's, you're going to LOVE Horrorpops.

Not another cow in the Herd...........2006-04-30

I'm not particularly a huge fan of the Horrorpops. That being said I own this album, I have heard this album and I have heard everyone's gripes about this album. I wouldn't call this 100% Psychobilly at all (although the slap-bass is apparent in some of the songs and not so apparent in others) and I agree with one of the reviews below that this band was not trying to sound 100% Psycho. With that I believe the Horrorpops have taken a new direction with this genre much like Tiger Army has with their third album and I comend them on this. Who wants to hear the same old Psychobilly that you can hear and buy for a dime a dozen these days...? It all sounds the same! This new Psycho/Rock/Punk hybrid music is a sigh of relief if you ask me... don't you agree?

Mulholland Drive: Original Motion Picture Score

Average customer rating:

In this dream, you are Betty Elms
Badalamenti does it again.
Take a drive through David Lynch's musical hell and deluding darkness...
dark and (often) beautiful
A dark journey through the sphere of horror.

Mulholland Drive: Original Motion Picture Score
Angelo Badalamenti , and David Lynch
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005PJ9K
Release Date: 2001-10-09

Tracks:

Jitterbug
Mulholland Drive
Rita Walks/Sunset Boulevard/Aunt Ruth
Diner
Mr. Roque/Betty's Theme
The Beast
Bring It On Home
I've Told Every Little Star
Dwarfland/Love Theme
Silencio
Llorando (Crying)
Pretty 50s
Go Get Some
Diane And Camilla
Dinner Party Pool Music
Mountains Falling
Mulholland Drive/Love Theme

Amazon.com

Director David Lynch's affection for kitschy lounge music and emotionally overwrought mid-century pop has long since proven to be more than trend or irony; indeed, it's often the uneasy spiritual axis of his films. The soundtrack of Mulholland Dr. turns on the usual Lynchian motifs (the brooding atmosphere of Angelo Badalamenti's ominous synth-and-orchestra cues tossed with a dash of Lynch's own off-center compositions), yet manages to evoke a sense of foreboding that's distinctly its own. Badalamenti leads off with a curve, the nervous orchestra swing-romp "Jitterbug," before descending into a dark soundscape that becomes murkier and more avant-goth at every turn. Bubbling through that morass are pop nuggets variously cheesy (Dave Cavanaugh's lounge-ready "The Beast"), lugubriously bluesy (Sonny Boy Williamson's take on Willie Dixon's "Bring It On Home"), and alternately innocent ("I've Told Every Little Star") and liturgical ("Llorando"). Three tracks of the director's own (cowritten with John Neff) skulking Lounge Music from Hell ratchet up the tension even further; it's the perfect garnish for this darkly delicious film-music cocktail. --Jerry McCulley

Customer Reviews:

In this dream, you are Betty Elms.......2007-01-13

The reviews here simply don't do justice to the soundtrack. It's very hypnotizing and elevates you to this reality that you indeed have the same mental energy displayed by the first character of Betty Elms, who Diane Selwyn identifies with as herself in a dream she is having. The dark scenery conveyed by this music puts you in her place, where through darkness you hold to your innocence. The movie and music interplay in this way to the effect of putting you in that darkness where you are the same girl that Diane is seeing in her dream, the girl she knows herself to be without the hellish reality she is in as a sort of resolve to the hell she's in. This Naomi Watts specifically conveyed what I thought is a part of me that may also be a part of you, and you will notice it in the way you look at things and how your face expresses your innocence to a dark world. Then there is the music for Rita. I also reviewed the movie, which I also recommend. My favorite track is the 9th one in this respect. Secondly, which you may find suitable for your funeral, is the last song. The rest I almost prefer watching the movie and appreciating it all while viewing, but it's music you must have after you've seen it.

Badalamenti does it again........2006-11-17

If you're a fan of Angelo Badalamenti's scores for David Lynch, you'll want to add this to your collection as well. Haunting synth pieces lull you into the dreamlike world Lynch created with this film, and there are some other types of music to jazz it up a little. Particularly striking is Rebekah Del Rio's cover of Roy Orbison's "Crying."

Take a drive through David Lynch's musical hell and deluding darkness..........2006-06-26

To start of, I regard "Mulholland Dr." as David Lynch magnum opus, his most masterfully created cinema of deceit, lust and darkness. Compelling, totally deranged, original, sometimes hilarious funny, and three minutes later scary as hell.

David Lynch's movies are always heavy set on atmosphere, and this is partly caused by the director's long time musical collaborator Angelo Badalamenti. From the jazzy, loungy tunes for the t.v. series "Twin Peaks" to the dark overtones of "Blue Velvet", Badalamenti knows wich buttons to push to make an eerie composition, a few notes of estrangeness and give the audience an unsetteling feeling.

"Mulholland Dr." is filled with music. Most of it is purely on the soundrack with Badalamenti's score coming very close to high quality dark ambient acts like Lustmord, Raison d'Etre or Hazard, others are sung "live" in the movie, like Linda Scott's sweet bubblegumish "I've told every little star", two very hip tunes ("The beast" by Milt Buckner and Sonny Boy Williamson's "Bring it on home") and of course Rebekah Del Rio's acapella performance of "llorando", the Spanish version of Roy Orbison's evergreen.

But the greatest surprise to me were three tracks by David Lynch himself in collaboration with one John Neff. And these three pieces are to be find on a solo cd by David Lynch called "Blue Bob".
I never knew before seeing "Mulholland Dr." that David Lynch is also a guiter player and singer. Now I know and I must say that his song "Mountains falling" is the most brooding, creeping, swirling and erotic sounding piece of electric guitar music I have ever heard.

So play this album and hit the road, Jack. And pray that indeed you will come back...

dark and (often) beautiful.......2005-11-25

anyone who has seen mulholland drive knows that the soundtrack lent a very important hand to the overall vibe of the movie. so you would think that it would be hard to enjoy one without the other, but this soundtrack suceeds very well on its own. alot of film scores are fine and enhance the movie while yr watching it, but are trash when taken alone and this sndtrk is kind of above that. i'm not really big on any of the lynch/neff tracks, but they work fine in the movie. the other songs that weren't written by badalamenti are pretty good and are a nice change of pace. my favorite tracks are dwarfland/love theme (especially the latter half), mulholland drive/love theme, llorando, and diane and camilla. i dont believe that diane and camilla was in the movie, but its a very beautiful piece that i think sums up the diane/camilla relationship quite well. anyway, i really like this cd and anyone who enjoyed the film would do well to pick this up

A dark journey through the sphere of horror........2005-10-26

It may not be a horror movie, but the score for Mulholland Drive could be a journey through the ultimate graveyard or haunted house on a stormy Halloween night. I have never even seen the movie, though I love David Lynch's movies for the most part. This score is a dark and haunting musical journey that might work well for a score to a creepy vampire movie or something. Some of it, including the heavy jazzy and dark rock pieces, might be better suited for a suspense thriller, which it is. But the more ambient dark themes could work in any supernatural thriller much as Mark Snow's music could. Enjoy the tour! Ha! Ha! Ha!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Deck The Halls With Broughs Of Holly
Lo, How A Rose E're Blooming
Bring A Torch, Jeanette, Isabella
The First Nowell
Angels We Have Hard On High
We Three Kings Of Oreint Are
O Come, All Ye Faithful
O Sanctissima
O Tannenbaum
O Come, O Come, Emmanuel
Good King Weceslas
Silent Night, Holy Night
Joy To the World
The Twelve Days Of Christmas
Conventry Carol
God Rest Ye Merry, Gentlemen
Hark! The Herald Angels Sing
It Came Upon A Midnight Clear
Good Christian Men Rejoice
O Holy Night
What Child Is This?
Wassial Song
O Little Town Of Bethlehem
Away In A Manger
We Wish You A Merry Christmas

Customer Reviews:

Nice music but..........2007-03-08

I liked the music and the performances a lot, but there is no booklet to depict the performers, nor analyse the music or the arrangements, which are superb

Great CD.......2007-02-16

This is a great holiday CD. We used it for several holiday dinners this year.

A Noble and Festive Christmas.......2007-01-21

This is the best Christmas album you could ever get. It is the most stable as you do not have to think about it. This is the album you really sing along to. Brass makes everything festive, grand and noble; so will your Christmas! A gem for every year!

Meat and Potatoes.......2007-01-18

Since the release of this fine recording in 1967 there have been many fine
brass groups:The Canadian Brass, the Empire Brass, just to name a few.
Whereas these latter groups have all resorted to "gimmicks" such as unique arrangements to sell their albums this group of brass players from the Philadelphia Orchestra give us an album of good old "meat and potatoes" playing spiced with fine tone,good ensemble playing, and good tempos.

Totally Awesome.......2007-01-12

I love listening to this cd at christmas. The brass is so crisp, almost like being right there. You have to add this to your holiday collection, and for those of you who like brass, you will love it. I play the french horn and I esp. love hearing the french horn in it.

Average customer rating:

Meh.
its okay...
missing all rocxk songs
Do You Wanna Go My Way Song
It doesn't have the total domination song but...

Bring It On (2000 Film)
Various Artists - Soundtracks
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Honey
Center Stage (2000 Film)
Save the Last Dance (2001 Film)
Coyote Ugly (2000 Film)
Stick It

ASIN: B00004WK35
Release Date: 2000-08-22

Tracks:

As If - Blaque
See Ya (Radio Mix) - Atomic Kitten
Mickey - B*Witched
Anywhere USA - P.Y.T.
U.G.L.Y. - Daphne & Celeste
Jump Up (If You Feel Alright) - Da Beat Bros.
Freakin' You - The Jungle Brothers
Cheer For Me - 95 South
What's A Girl To Do (Urban Mix) - Sister2Sister
Bring It All To Me (Remix) - Blaque
'Til I Say So - 3LW
2 Can Play That Game - Sygnature
As If - Blaque

Amazon.com

Maybe you can't find your Olivia Newton-John Physical album or don't want to get caught cranking the Jane Fonda Workout video, in which case the new Peyton Reed comedy about two rival cheerleading teams features a perfect soundtrack to get your butt bustin' a move in short order and in modern style. This breezy collection serves as a showcase for the many hip-hop R&B vocal groups currently on the Sony Music roster (Blaque, B*Witched, and Sygnature). Dublin's youthful teen group B*Witched revive and update Toni Basil's one-hit wonder, the cheerleader anthem "Mickey," while TLC's Lisa "Left Eye" Lopez's protégés Blaque contribute two versions of "As If" and a remix of "Bring It All to Me." Old-school New York City trio the Jungle Brothers add a Mardi Gras groove to "Freakin' You." Lauren Mayhew, who plays Marra on the afternoon soap Guiding Light, leads her group P.Y.T. with "Anywhere U.S.A," a blend of hip-hop beats and mainstream pop appeal. --Rob O'Connor

Customer Reviews:

Meh........2006-07-04

Basically, I think they sold out on this soundtrack. Alot of the songs that are prominently featured throughout the movie are missing (for example, Sum 41's Makes No Difference, Mest's What's The Dillio, Bis' Detour (Do You Wanna Go My Way?)) and instead, we find alot of songs of which we simply hear clips of during the competition mixes. Now, if they had actually featured the mixes in their entirety, it would be different. But instead we are left with a bunch of, quite honestly, mediocre songs.

its okay..........2006-07-02

the songs themselves are okay, but they dont capture the spirit of the movie. make sure you listen to the clips so you're not disappointed! and read the other reviews, so you can find the songs you're actually looking for. does anybody know the song they play when the go to either regionals or nationals, when missy's looking around at the other teams? it goes something like: ".... there she goes, slipping and sliding...."

missing all rocxk songs.......2006-06-27

where are all the rock songs? i need to know sum from sum 41 and mest, and any others thanks if someone could or would respond.

Do You Wanna Go My Way Song.......2006-03-01

For those who were/ are looking, the 'Do You Wanna Go My Way' song used in Torrance's spirit stick scene is really called "Detour" by bis. It's a great song, and I was a little disapointed that it was not on the soundtrack since it's such an intense scene/ great song. Hope that helps fellow searchers.

It doesn't have the total domination song but..........2005-07-26

Hey everyone that wants the total domination song u can get it on a different cd. and the real name of the song get ready for this and u get the cd of this site and the cd is called jock jams 1. ur welcome all of u that wanted this song cauise I have been lokking fior at leasst 3 years lkkking for this song and I finally found it and it's only 12.99. excellent or what.

A Festival Of Carols / Robert Shaw Chorale

Average customer rating:

Traditional Christmas Music
The quintessential Christmas recording
A Top List Christmas CD
The best
How do you describe perfection?

A Festival Of Carols / Robert Shaw Chorale
Robert Shaw Chorale
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Songs of Angels - Christmas Hymns and Carols
The Many Moods of Christmas (1963 RCA Victor Version) Robert Shaw Chorale and Orchestra
Joy to the World - Eugene Ormandy, Philadelphia Orchestra
A Robert Shaw Christmas - Angels on High
A Festival of Carols in Brass

ASIN: B000003EPA
Release Date: 1990-10-25

Tracks:

Medley: Good Christian Men - Rejoice - Silent Night - Patapan - O Come - All Ye Faithful
It Came Upon The Midnight Clear
O Come, O Come, Emmanuel
Shepherd's Carol
Go, Tell It On The Mountain
Medley: O Sanctissima - Joy To The World - Away In A Manger - Fum, Fum, Fum - March Of The Kings
I Wonder As I Wander
We Three Kings
My Dancing Day
Medley: What Child Is This? - Hark! The Herald Angels Sing - Bring A Torch - Jeanette - Isabella - Angels We Have Heard On High
Coventry Carol
God Rest You Merry, Gentlemen
Lo, How A Rose E'er Blooming
Carol Of The Bells
Medley: Break Forth - O Beauteous Heavenly Light - The First Nowell - O Little Town Of Bethlehem - I Saw Three Ships - Deck The Halls With Boughs Of Holly

Customer Reviews:

Traditional Christmas Music .......2007-01-24

If you love traditional Christmas music, done in traditional style (i.e., no rock or jazz influence), this CD is for you. The Robert Shaw Chorale, the "gold standard" of quality choral music, sings much loved carols, with some lesser-known pieces as well. Some are a cappella; some include a full orchestral accompaniment. My favorites on this CD are "We Three Kings," "Bring a Torch, Jeannette Isabella," and "I Saw Three Ships."

The quintessential Christmas recording.......2005-12-09

This recording seems to elicit universal and heartfelt praise. Who am I to dispute that? The performance is terrific, just as described by the other Amazon reviewers, no doubt about it.

However, I do have one bone to pick with this recording. There just isn't enough of it. With material as good as this, that is a real loss!

A Top List Christmas CD.......2004-12-28

I bought this cd long ago, and have enjoyed it immensely each year. It is the perfect blend of celebration and meditation. Orchestra and choir combine in four distinct groupings, and a capella arrangements complete the masterful collection. The orchestral arrangements will make the hairs on your neck stand up, and your stomach quiver with all the excitement you ever felt as a child at Christmas. Adeste Fidelis is performed as few other ensembles have ever come close. The a capella arrangements will all, without exception, be on your yearly list of must-hear holiday arrangements. Truly a top list Christmas CD, essential for every family who celebrates this feast.

The best.......2004-01-02

I own approximately 35 Christmas choral CDs - including choirs and groups such as the Cambridge Singers and the King Singers. I also own two Christmas albums with Robert Shaw and the Atlantic symphony. This performance with the Robert Shaw Chorale is old but it is still my favorite. The arrangements are magnificent, the sound is brilliant, and the choir and orchestra are precise with wonderful volume control. Buy and enjoy!

How do you describe perfection?.......2003-12-14

This is my favorite Christmas CD. Nothing comes close. I thoroughly enjoyed learning much of the music in high school choir over 30 years ago. The music has never left me. The four medleys are the arrangements of Robert Russell Bennett titled "The Many Moods of Christmas". The arrangements seem to have a freshness about them even after listening numerous times.

Interspersed with the medleys are a cappella carols.

All of this music is wonderfully performed by the Robert Shaw Chorale, the a cappella selections recorded in 1957 and the medleys in 1963.

Four decades have proven that this is the standard in choral music. The clarity of text, the richness of tone, the beauty of harmony combine to present the message of Christmas in the manner that only music can do.

These words are no surprise to those familiar with choral music in the United States. If you are not so familiar, but would like to enjoy Christmas music at its most beautiful, you can do no better than acquiring this CD.

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Average customer rating:

Arguably "The Best" English "Merry Widow "

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:

Johann Strauss II: Die Fledermaus; The Gypsy Baron (Highlights)

Offenbach: La Belle Hélène; Orpheus in the Underworld; La Vie Parisienne (Highlights)

Music of Sigmund Romberg

Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)

The Best of Operetta, Vol. 3

ASIN: B00009KHY2
Release Date: 2003-09-02

Customer Reviews:

Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.

Average customer rating:

Great CD
very good
Superb !!!
Surprise find!
The Ramblers Roar - Excellent Cajun/Western Swing/Jazz

Bring It on Down
Red Stick Ramblers
Manufacturer: Memphis Int'l
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Right Key, Wrong Keyhole
Blues de Musicien
La Musique
Pilette Breakdown
Belle Louisiane

ASIN: B0000CBLA5
Release Date: 2003-09-23

Tracks:

Bring It On Down To My House
Main Street Blues
What Do I Do?
Stay All Night
Belle
Two Step Des Condanmes
Rattle My Cage
Blue Drag
Dinah
Parting Waltz
16 Tons
When The Sugar Cane's Tall

Customer Reviews:

Great CD.......2007-04-12

Okay, sorry--lame review title.

So, it's a little swing, a little jazz, a little Cajun. They're great musicians, very polished but fun; the tunes and the words are both good (with English translations in the liner notes where needed for those of us whose Cajun is not up to par). A lot of the revival-esque bands out there now are good but not THIS good; these guys are the picks of the litter.

very good.......2006-08-25

Excellent cd. A little cajun, a little texas swing, a little old-time, a nice smattering of music.

Superb !!!.......2005-08-31

Keep your eye on these guy's, they are destined for great things. One of the best live performances I have seen for a while. Both albums are great. Met them in Philadelphia, real nice folks too.

Surprise find!.......2005-06-09

I heard the Red Stick Ramblers on WUMB Boston Folk and fell in love with them. I couldn't find the CD anywhere in Madison, WI so ordered it from Amazon.com. It's our "summer pick" for road trips this season. I would love to hear them in person. Thank you WUMB Boston Folk for turning me on to this fabulous group of musicians.

The Ramblers Roar - Excellent Cajun/Western Swing/Jazz.......2004-10-18

The Red Stick Ramblers hail from Louisiana and this CD showcases their collective talents that feature twin fiddles, a tight rhythm section, guitar, mandolin and strong vocals. This band offers a tasty blend of Cajun, Western Swing, and Django-style jazz. Three Western Swing tunes take the cake on this CD - the title cut (Bring It on Down to My House), Stay All Night, and Dinah. These tracks feature tight fiddling, strong vocals, and a rhythm section that pushes the band at just the right tempos. It's enough to make you say "aaaahhh". Talented fiddler Linzay Young provides lead vocals on many of the tunes and his vocal range and inflection are perfect for the arrangements. A number of originals including Main Street Blues and Rattle My Cage are very strong tunes. The mournful fiddle at the beginning of Rattle My Cage is very haunting, enough to deliver chills upon repeated listenings. Cajun tunes that show up here include Two Step des Condanmés (featuring Cajun accordion wizard Steve Riley) and Parting Waltz. If you enjoy music from southwest Louisiana and Texas, then you'll like this CD. On this release, this band of relatively young players proves that they really can bring it with the best. As an added note, the Ramblers have had some recent turnover in the band and the new players include Kevin Wimmer (from Balfa Toujours), one of the best fiddlers in SW Louisiana. I saw the band, complete with the new lineup, in mid-Sept. 2004 where they roared through a very nice set at Festivals Acadiens in Lafayette. If you get the chance to see the Ramblers live, be prepared to dance.

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