Built to Last

built to last

Track Listings
1. Monster Truck
2. Best
3. Nowhere
4. Hold You Tight
5. Religion
6. Hit and Run
7. Old Ink
8. Cryin
9. Rock N Roll Ruin
10. Million Miles
11. Alone on Sunday
12. Life of Sin
13. Song 13

Built to Last,Rocket 350,Rock Roll Purgatory,Pop,Rock,Rock/Pop,Rockabilly Revival

Built to Last
Instruments of the Orchestra
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  • Instruments of the Orchestra - Great Reference Material!
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 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Built to Last
Average customer rating: 3 out of 5 stars
  • Every team has a bad game, even the Dead.
  • This is Not what the Dead are About
  • through the years
  • rest in peace, Brent
  • last studio record
 Built to Last
Grateful Dead
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rock | Styles | Music
Rock Jam BandsRock Jam Bands | Jam Bands | Rock | Styles | Music
Psychedelic RockPsychedelic Rock | Classic Rock | Styles | Music
Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
GeneralGeneral | Classic Rock | Styles | Music
Arena RockArena Rock | Classic Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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  1. In the Dark
  2. Workingman's Dead
  3. Go to Heaven
  4. American Beauty
  5. Aoxomoxoa

ASIN: B000002VG7
Release Date: 1989-10-17

Tracks:

  1. Foolish Heart
  2. Just A Little Light
  3. Built To Last
  4. Blow Away
  5. Victim Or The Crime
  6. We Can Run
  7. Standing On The Moon
  8. Picasso Moon
  9. I Will Take You Home

Customer Reviews:

1 out of 5 stars Every team has a bad game, even the Dead........2006-10-23

Even the best teams in sports can have a bad game. So too can be said of the work of some of the best bands. Built to Last has earned Dead Last place in my Dead collection. It is the only CD in my extensive Dead collection for which I truly regret my purchase.

1 out of 5 stars This is Not what the Dead are About.......2005-09-17

Thank God Brent croaked before he could further tarnish the Dead catalog.

4 out of 5 stars through the years.......2005-07-24

alot of poeple don't feel this was a good disc.i would have to disagree with that.i've been a dead head sence i was about 15,i'm now 42.in that 27 year time span i've seen the band grow.60's with pig pen as the front man,and jerry evoving in to that slot as they eased into the 70's. around 1973-74 they were inspired to record things like "blues for allah" and "wake of the flood".both very creative albums.and the shows that followed were made of the same magic.
then brent started to find his place in the band ,in the 80's.he and jerry were on the same plain and complamented each other so well.
then at around the time of "in the dark" the band felt it was time to give brent the spotlight.and how he did shine!his music brought a new creativity to the music ,not felt sence that mid 70's time period.
the very first time i heard "i will take you home",it was at the buffalo july 4th ,1989 show.i was wowed.tears filled me up alittle (i was not alone in that)a year or so later the new disc came out.i went straight to that track to see if the studio version was as good.it was.
so i've seen the band grow over the years ,and dig every new turn they took.thats was the grate thing about the band .it alway continued to grow.
so maybe if you listen to the disc with the history in mind ,you'll come away with a little different perspective.

2 out of 5 stars rest in peace, Brent.......2004-05-14

This album was very disappointing for me. I bought it the day it was released and I was very excited, I had seen the Dead perform "Victim" and "Blow away" on their previous tour and I was expecting greatness. The production is good, and Jerry is in fine form, but these songs, with the exceptions of "Victim, Blow away, and Standing on the moon" they just don't make it for me. The rest of the songs are all filler, as far as I'm concerned. Don't think I'm not a Brent fan, I loved Brent and miss him very much. I think that of all the Dead's keyboard players that Brent was the one that had that magical connection with Jerry. Maybe it was the opiates, I don't know but it seems like Brent and Jerry were on the same wavelength, they were in perfect harmony with each other. Brent WAS a Deadhead, unlike Vince or Bruce. Unfortunately, Brent was not a very strong songwriter, with the exception of "Blow away." This is a great song that worked very well live. Check out "Blow away" on the Dead's "Dozin' at the Knick" set and you'll see what I mean. Brent really kicked ass at that show, man. He is and will be missed for a long, long, time by many Deadheads like myself that appreciated his sparkling, cosmic playing that worked so well with my favorite band of all time.

3 out of 5 stars last studio record.......2002-11-04

This cd isn t one of the most favorites by Heads in consensus, but it conjures a beautiful snapshot of what fed a lot of the late 80 s shows of this band. Foolish heart, Picasso moon, so on..

Also, if you get a chance to read the making of this record in the book 'skeleton key', it'll give you a good inside on how it was recorded and the work that went behind it.
Built to Last
Average customer rating: 4 out of 5 stars
  • Just look around, does anything stand up against it?
  • definitely built to last
  • One word , "BUSTED".
  • This cd is horrible
  • The best in 90's hardcore
 Built to Last
Sick of It All
Manufacturer: East/West Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
HardcoreHardcore | Hardcore & Punk | Alternative Rock | Styles | Music
PunkPunk | Hardcore & Punk | Alternative Rock | Styles | Music
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Similar Items:
  1. Scratch the Surface
  2. Yours Truly
  3. Call to Arms
  4. Life on the Ropes
  5. Death to Tyrants

ASIN: B000002HOD
Release Date: 1997-02-11

Tracks:

  1. Good Lookin' Out
  2. Built To Last
  3. Closer
  4. One Step Ahead
  5. Us Vs. Them
  6. Laughingstock
  7. Don't Follow
  8. Nice
  9. Busted
  10. Burn 'Em Down
  11. End The Era
  12. Chip Away
  13. Too Late
  14. Jungle

Customer Reviews:

5 out of 5 stars Just look around, does anything stand up against it?.......2003-07-13

From my point of view this is Sick Of It All at thier very best. Polished just right by RATM producer GGGarth, never had the band been so tight and explosive. Lyrics are my favorite of any hardcore cd out there, catchy, uplifiting but raw and aggressive. Perfection in hardcore, the machine only gets tighter from here on out. The best place to start when digging in the SOIA treasure trove. One Step Ahead, Good Lookin' Out, Burn 'Em Down, Closer... pretty much all the songs on here are great, just let it all sink in. Oh and BTW this has not left my CD stack for 5 or 6 years so... Built To Last, TRUTH.

5 out of 5 stars definitely built to last.......2003-03-08

some people may complain about an album being overproduced, but that is just lame. this cd is very well produced. yes their older rougher sounding stuff is underproduced and all of it is still phenomenal. but so is this even if it sounds cleaner. their newer stuff is just as clean as well on fat. it is just how they want to sound now. this cd stands the test of time and is one of their best offerings.

4 out of 5 stars One word , "BUSTED"........2000-08-24

Ahhh Yes, Sick Of It Alls Final album on a major label. Not that it matters but GGGarth was enlisted to produce this album which at the time I thought was way out of left field for them but I can understand why a HUGE label like Elektra would have them work with a big name producer. Anyway, Sick of it all pretty much continues where they left off on Scratch The Surface except (this is the reason for the 4 star review) the production is well..... a little too slick. The Beauty of Sick of It Alls previous albums was the raw power of the songs combined with a Very raw but well produced recording. This dosen't make the songs on this album any less important at all but GGGArths over-produced effort does have a bit of a negative impact on BUILT TO LAST. If you can overlook the production there are some really good tracks on this album (Built To Last, Busted, Nice, One Step Ahead, Don't Follow, Us Vs Them and Jungle - features some really good tribal percussion). Craig sings on "BUSTED" which is the rawest track on the CD. Definitely not a CD to bypass.

1 out of 5 stars This cd is horrible.......1999-11-08

Do not buy this cd. It is the worst excuse for music that i have ever heard in my life. THe lyrics are horrible and my four year old brother can play the guitar better than those sorry muscians if that's what you consider them.

5 out of 5 stars The best in 90's hardcore.......1999-04-06

As of late, hardcore bands have been slipping further and further away from punk, displaying more metallic influences. It seems that the only thing that modern hardcore bands have that differ from other "metal" bands is a certain attitude. Showing someone "Breed the Killers", Earth Crisis' latest offering, in attempt to show them what hardcore is may not get the point across as the untrained ear would immediately assume "oh, so hardcore is like Machine Head and Napalm Death". Sick of it All still whips out as much punk as metal and this is one of the most stellar albums I have encountered in the genre. In my cd collection of over 200 discs, this one gets played at least twice a week. I also find that it is far more exciting than Earth Crisis and Snapcase (personal opinion of course).
Built to Last
Average customer rating: Not rated
    		Built to Last
    The Grateful Dead
    Manufacturer: Grateful Dead / Wea
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rock | Styles | Music
    Rock Jam BandsRock Jam Bands | Jam Bands | Rock | Styles | Music
    Psychedelic RockPsychedelic Rock | Classic Rock | Styles | Music
    Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
    GeneralGeneral | Classic Rock | Styles | Music
    Arena RockArena Rock | Classic Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
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    1. In the Dark
    2. Go to Heaven
    3. From the Mars Hotel
    4. Shakedown Street
    5. Terrapin Station

    ASIN: B000EOTFFI
    Release Date: 2006-04-11

    Tracks:

    1. Foolish Heart
    2. Just A Little Light
    3. Built To Last
    4. Blow Away
    5. Victim or the Crime
    6. We Can Run
    7. Standing on the Moon
    8. Picasso Moon
    9. I Will Take You Home
    10. Foolish Heart (Live) (Bonus)
    11. Blow Away (Live) (Bonus)
    12. California Earthquake (Whole Lotta Shakin' Goin' On) (Live) (Bonus)
    What Makes It Great?: Mozart's Eine Kleine Nachtmusik
    Average customer rating: 4.5 out of 5 stars
    • Interesting and engaging
    • Rob Kapilow reveals hidden depths
    		 What Makes It Great?: Mozart's Eine Kleine Nachtmusik

    Manufacturer: Artemis Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Children's Music | Styles | Music
    GeneralGeneral | Instructional | Miscellaneous | Styles | Music
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    1. What Makes It Great?: Mozart's Jupiter Symphony
    2. Green Eggs & Hamadeus
    3. An Introduction to Mozart's "The Marriage of Figaro"
    4. This Is Your Brain on Music: The Science of a Human Obsession
    5. Misquoting Jesus: The Story Behind Who Changed the Bible and Why (Plus)

    ASIN: B0002C4IEA
    Release Date: 2004-07-27

    Tracks:

    1. Welcome To 'What Makes It Great?'
    2. Music For An Occasion
    3. A Breathtaking Pace Of Invention
    4. Let's Look Behind The Scenes
    5. From Ordinary To Great - Step By Step
    6. Suprises Are Everywhere
    7. A Simple Serenade
    8. Mozart Finds Possibilities Everywhere
    9. Emotion In A Few Simple Notes
    10. It's All In The Details
    11. The Essence Of Mozart - One Extra Note
    12. Utterly Terrifying Mozart
    13. 'Not-Fast-Notes?'
    14. And The Suprises Keep On Coming
    15. Conclusion: A Letter To His Father
    16. Allegro
    17. Romanze
    18. Menuetto
    19. Rondo

    Customer Reviews:

    4 out of 5 stars Interesting and engaging.......2004-12-31

    This CD combines a lecture and musical examples by Ron Kapilow with a recording of Eine Kleine Nachtmusik. Mr. Kapilow's talk is interesting and he is an engaging speaker. He briefly discusses the structure of the movements and points out details that "make it great." Mr. Kapilow also plays short passages of EKN re-written in a correct but more pedestrian style which highlight Mozart's genius. These negative examples are quite interesting and helped me hear this very familiar piece with new ears.

    Three problems kept me from giving this 5 stars. First, the lecture is so brief that it is rather superficial. I would have preferred a bit more depth. Second, some sort of written materials would have been helpful. Including a brief written outline of the movements, with timings, and comments by Mr. Kapilow would make the CD more useful and not add much to the cost. Finally, in the actual performance of EKN on the CD, the tracks for the 2nd and 3rd movements (Romanze and Minuetto) are reversed, which is a confusing mistake, especially, I would think, for those not very familiar with the music who try to match up Mr. Kapilow's lecture with the actual performance.

    Overall this CD is quite worthwhile and even those who have heard EKN many times will no doubt learn something new.

    5 out of 5 stars Rob Kapilow reveals hidden depths.......2004-07-28

    I have been listening to Eine Kleine Nachtsmusik for five decades now but after listening to Kapilow's analysis of it and his guide to its structures and subtleties, I now feel as if I am hearing it for the first time. These insights not only deepen one's appreciation of glorious music such as this familiar Mozart masterpiece, they also educate the amateur ear to listen to other music with greater understanding of what has gone into it, thus enormously increasing one's musical pleasure. Ideal listening for the classroom, the old folks' home and just about everything and everybody in between!
    William Bolcom: Songs
    Average customer rating: 4.5 out of 5 stars
    • Sensational Vocal Album by Carole Farley and William Bolcom
    • Great Songs, but Mind the Singer
    • The Songs of William Bolcom
    		 William Bolcom: Songs
    Carole Farley , William Bolcom , Farley , and Bolcom
    Manufacturer: Naxos American
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Bolcom, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
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    GeneralGeneral | Jazz | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
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    1. William Bolcom - Songs of Innocence and of Experience (William Blake) / Slatkin, University of Michigan School of Music
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    5. William Bolcom: Symphony No. 1; Symphony No. 3; Seatlle Slew Orchestral Suite

    ASIN: B0009F4UBQ
    Release Date: 2005-06-21

    Tracks:

    1. You Cannot Have Me Now - Or, the Military Orgy
    2. Night, Make My Day
    3. The Digital Wonder Watch
    4. My Father The Ganster
    5. The Last Days Of Mankind
    6. This Is A Face
    7. Since I Have You
    8. The Rabbit
    9. I Am Not Free
    10. For Me
    11. From Wandering
    12. Beware
    13. I Wouldn't Die
    14. I Remember
    15. For Everything
    16. I Have Climbed
    17. Pity Me Not Because The Light Of Day
    18. How To Swing Those Obbligations Around
    19. The Crazy Woman
    20. Just Once
    21. Never More Will The Wind
    22. The Sage
    23. O To Be A Dragon
    24. The Bustle In A House
    25. Night Practice
    26. I Saw Eternity
    27. The Fish
    28. Costa Del Nowhere
    29. Table
    30. Mary
    31. River Song
    32. Messing About In Boats
    33. Rat's Song
    34. When We Built The Church

    Customer Reviews:

    5 out of 5 stars Sensational Vocal Album by Carole Farley and William Bolcom.......2007-02-13


    Carole Farley and William Bolcom have recorded this landmark CD, and I can easily understand why this CD received a GRAMMY nomination in the "Best Vocal Recording of the Year" and a 2nd GRAMMY nomination in the "Best Engineered Recording of the Year" category. It's indeed one of the best vocal albums of contemporary songs ever made. Carole Farley, who made her MET debut in the MET's first LULU production, seems to be just at home with Puccini, Poulenc, Tchaikovsky, Shostakovich and even Latin American popular songs (her Lecuona songs album is extremely beautiful).
    William Bolcom's accompaniment is brilliant, and the songs are a revelation.
    J.B. (Pittsburgh, Pa)

    4 out of 5 stars Great Songs, but Mind the Singer.......2006-07-04

    This is one of those discs where the listener has to balance the advantages of the program with the disadvantages of the performance. Bolcom is one of this country's most versatile and brilliant composers, and those qualities are demonstrated to great effect in the songs on this album. His piano playing is, as one would expect, also solid and expressive. The drawback here is Carole Farley. Although her diction and intonation are good, as far as tone-color goes, she seems to be a one-trick pony; and if you don't like that trick (opera singer trying to sound like what she thinks a musical theater singer sounds like), listening to her can get very tiring. So while I highly recommend the disc for its content, I suggest listening to excerpts first before buying just to make sure that the singer's voice doesn't drive you batty.

    5 out of 5 stars The Songs of William Bolcom.......2006-02-14

    The American composer William Bolcom (b. 1938) is best-known for his large-scale setting of William Blake's "Songs of Innocence and Experience," which is available on a 3-CD Naxos set. This new collection of Bolcom's songs also on Naxos shows the composers's lifelong fascination with Blake. It includes an early lyrical setting of Blake's poem, "Mary" which deals with a beautiful and intelligent young woman and her rejection by her society. In the several torch and cabaret-style works it includes, the collection also shows Bolcom's attempts to fuse classical with popular styles of music. Bolcom also has done so in his piano music, much of which is heavily influenced by ragtime.

    The songs on this CD are performed and selected by soprano Carole Farley with Bolcom himself at the piano. Ms. Farley has also recorded for Naxos' "American classics" series a selection of the songs of Ned Rorem with Rorem at the piano. Ms. Farley and Naxos are doing listeners a service by introducing them to the world of the American art song.

    The highlight of this CD is the 20-minute song-cycle "I will breathe a mountain" in which Bolcom sets 11 poems by American women. The poems were selected by Alice Fulton, and they include Fulton's own "I will swing those obligatos around" in which the young singer describes a come-on from a boor. The song writing is declamatory in character with many twists, turns, and shouts in the vocal line. Only the setting of H.D.'s "Never More Will the Wind" is lyrical and flowing. Besides Fulton and H.D. the settings include poems by Millay, Gwendolwn Brooks (a poem called "The Crazy Woman" with appropriately wild shrieks) Anne Sexton, Denise Levertov, Marianne Moore (listen to what Ms. Farley makes of the poets wish to be a DRA' GON), Emily Dickinson (in a moving poem of the stillness of a home after death),Louise Bogan, May Swenson, and Elizabeth Bishop. "I will breathe a mountain" is an outstanding and moving contemporary American song-cycle and is in itself sufficient reason for hearing this recording.

    The CD also includes a second exquisite cycle, "Songs to Dance" which sets ten miniature poems by George Montgomery. This is a work to be danced as well as sung, and it has apparently been performed live only once, by the composer, his wife, the soprano Joan Morris, and dancer, Dan Wagoner. It has never been recorded before. The work deserves to be heard and seen.

    Many of the remaining works on this CD are cabaret-style theatrical pieces that Bolcom composed in collaboration with lyricist Arnold Weinstein. The best of these are two torch songs from a show called "Casino Paradise": Night Make my Day (a parody of the torch style which is sometimes performed straight) and "My Father the Gangster", in which a young woman laments how men are, understandably, worried about her father and afraid to approach her. The collection opens with a scream by Ms. Farley in the erotic novelty "You cannot have me now", about the affairs of the wife of a German officer, sung with a heavily inflected German accent and also set to words by Weinstein.

    I enjoyed Bolcom's short setting of May Swenson's poem "The Digital Wonder Watch" with the tick-ticking in the piano. This song is a satire of technology, with the poet describing the features of her "wonderful watch" while asking: "Does it show how to wind up/a broken heart?" The other songs on the CD include the passionate "The Last Days of Mankind", conceived for rock singer Marianne Faithful, two eloquent settings of poems by Richard Tillinghast, and four concluding early collaborations between Bolcom and Weinstein.

    This CD offers an opportunity to explore the world of American song in the works of a leading contemporary composer. The cycle, "I will breathe a mountain" will be a lasting achievement in American art song.

    Robin Friedman
    Historic Organs of North Carolina
    Average customer rating: Not rated
      		Historic Organs of North Carolina

      Manufacturer: Organ Hist. Society
      ProductGroup: Music
      Binding: Audio CD

      Bach, J. C. F.Bach, J. C. F. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      Clérambault,Louis-NicolasClérambault,Louis-Nicolas | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
      Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      FantasiesFantasies | Forms & Genres | Classical | Styles | Music
      Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
      CanzonesCanzones | Sonatas | Forms & Genres | Classical | Styles | Music
      SuitesSuites | Forms & Genres | Classical | Styles | Music
      ToccatasToccatas | Forms & Genres | Classical | Styles | Music
      VariationsVariations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
      OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
      ViolinViolin | Strings | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
      Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      GermanGerman | Languages | Opera & Vocal | Styles | Music
      RussianRussian | Languages | Opera & Vocal | Styles | Music
      GeneralGeneral | Soundtracks | Styles | Music
      ASIN: B0006A9GJA
      Release Date: 2004-11-30
      Built to Last
      Average customer rating: Not rated
        		Built to Last
        Grateful Dead
        Manufacturer: Bmg Japan
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Rock | Styles | Music
        Rock Jam BandsRock Jam Bands | Jam Bands | Rock | Styles | Music
        Psychedelic RockPsychedelic Rock | Classic Rock | Styles | Music
        Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
        GeneralGeneral | Classic Rock | Styles | Music
        Arena RockArena Rock | Classic Rock | Styles | Music
        Pop RockPop Rock | Pop | Styles | Music
        Classic RockClassic Rock | Imports | Stores | Music
        RockRock | Imports | Stores | Music
        ASIN: B00004Z3B5
        Release Date: 2000-07-11

        Tracks:

        1. Foolish Heart
        2. Just a Little Light
        3. Built to Last
        4. Blow Away
        5. Victim or the Crime
        6. We Can Run
        7. Standing on the Moon
        8. Picasso Moon
        9. I Will Take You Home

        Album Description

        Japanese reissue of the 1989 release from the San Francisco legends, this limited edition features a miniature paper LP sleeve reproduction of the original artwork.

        Album Details

        Japanese Version featuring a Limited LP Style Slipcase for Initial Pressing. K2 Remastering.
        Built to Last - Dead in a Deck { Cd & Cards }
        Average customer rating: Not rated
          		Built to Last - Dead in a Deck { Cd & Cards }
          Grateful Dead
          ProductGroup: Music
          Binding: Audio CD
          ASIN: B000PFYOCU

          Product Description

          A SPECIAL "BUILT TO LAST", LIMITED EDITION COLLECTORS KIT. INCLUDES A DELUXE FOLD-OUT PACKAGE CONTAINING A FULL COLOR GRATEFUL DEAD PICTURE DISC CD, ALL NEW EXCLUSIVE PHOTOS OF THE BAND, PLUS A DECK OF GRATEFUL DEAD PLAYING CARDS.
          Built to Last
          Average customer rating: Not rated
            		Built to Last

            Manufacturer: Resurrection Records
            ProductGroup: Music
            Binding: Audio CD
            ASIN: B000AL5D9W

            Rock Music:

            1. Bulletproof [Import]
            2. Bunny Sigler
            3. Burdened Hands
            4. Burn Burn [CD-single] [Import]
            5. Burning
            6. Burning Love: Best [Original recording remastered] [Import]
            7. Burn It Off [CD-single] [Import]
            8. Burn Piano Island Burn [Import]
            9. Bury My Heart at Wounded Knee [Import]
            10. Bus Stop [CD-single] [Import]

            Rock Music

            rock music