Cover to Cover

cover to cover

Track Listings

1. Shapes of Things

2. Stop Breakin' Down

3. Highway 49

4. As the Years Go Passing By

5. I'm Ready

6. Evil

7. Stuck in the Middle With You

8. Angel

9. Moon Is Full

10. Yer Blues

11. Communication Breakdown

12. Me and My Crazy Self

Cover to Cover,Jeff Healey Band,Collectables,Blues-Rock,Modern Electric Blues,Pop,Rock,Rock/Pop

Cover to Cover

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock

Average customer rating:

Ladies & gentleman: The Lord'n Savior, God Almighty
So Fashionable, and So Disappointing
A nice combination of period nad tradiitonal
Wait! Before you buy...
La mas bella y fidedigna interpretacion que se pueda obtener

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner
Beethoven: Symphony No 9 /ORR * Gardiner
Belcea Quartet ~ Debussy · Dutilleux · Ravel
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Handel: Messiah /Nelson * Kirkby * Watkinson * Elliott * Thomas * AAM * Hogwood

ASIN: B0000057DB
Release Date: 1990-10-25

Tracks:

Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
Messiah: Part One - 2. Accompagnato : Comfort Ye My People
Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
Messiah: Part One - 7. Chorus : And He Shall Purify
Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
Messiah: Part One - 11. Air : The People That Walked In Darkness
Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
Messiah: Part One - 13. Pifa (Pastoral Symphony)
Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
Messiah: Part One - 17. Chorus : Glory To God In The Highest
Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
Messiah: Part One - 20. Air : He Shall Feed His Flock
Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
Messiah: Part Two - Air : 23. He Was Despised

Tracks:

Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
Messiah: Part Two - 27. Accompagnato : All They That See Him
Messiah: Part Two - 28. Chorus : He Trusted In God
Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
Messiah: Part Two - 36. Air : Thou Art Gone Up On High
Messiah: Part Two - 37. Chorus : The Lord Gave The Word
Messiah: Part Two - 38. Air : How Beautiful Are The Feet
Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
Messiah: Part Two - 43. Air : Thou Shalt Break Them
Messiah: Part Two - 44. Chorus : Hallelujah
Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
Messiah: Part Three - 46. Chorus : Since By Man Came Death
Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
Messiah: Part Three - 48. Air : The Trumpet Shall Sound
Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
Messiah: Part Three - 51. Chorus : But Thanks Be To God
Messiah: Part Three - 52. Air : If God Be For Us
Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

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Cover to Cover
Jeff Healey Band
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

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See the Light
Hell to Pay
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Among Friends

ASIN: B00015HWPU
Release Date: 2004-04-27

Tracks:

Shapes of Things
Stop Breakin' Down
Highway 49
As the Years Go Passing By
I'm Ready
Evil
Stuck in the Middle with You
Angel
Moon Is Full
Yer Blues
Communication Breakdown
Me and My Crazy Self

Average customer rating:

Covers Too?
amazing
Fantastic album...Clapton, watch out!
Come on Jeff, Covers?
Jeffrey Lets it Rip!

Cover to Cover
Jeff Healey
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

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Hell to Pay
Feel This
Get Me Some
The Jeff Healey Band - Live at Montreux 1999

ASIN: B000002VOM
Release Date: 1995-06-13

Tracks:

Shapes Of Things
Stop Breakin' Down
Highway 49
As The Years Go Passing By
I'm Ready
Evil
Stuck In The Middle With You
Angel
The Moon Is Full
Yer Blues
Communication Breakdown
Me And My Crazy Self

Album Description

Arista. 1995.

Album Details

Includes Different Tracks from the American Version: 'Freedom', 'i Got a Line on You', 'Run Through the Jungle' and 'Badge'.

Customer Reviews:

Covers Too?.......2004-04-12

I couldn't understand before I purchased this album, why he did covers(Being as talented as he is) until I lisened to the cd. Now I know. He simply wanted to do some of his favorites and what a job he did. With his deep throaty vocals, and fiery lead guitar riffs, he sheds new light on these already famous tunes.
I'm not much for a band with an already great repertoire doing covers but he does the songs justice. Listening to him sing with passion and fire to an already great list of songs, he adds a twist to them that you haven't heard before.

amazing.......2002-03-17

great collection of covers from the yardbirds shapes of things to jimi hednrix angel. i have the domestic copy but i got the import for the four songs that are only on thr import, jeffs version of freedom by hendrix is worth the price of this cd

Fantastic album...Clapton, watch out!.......2000-12-25

This album is, as the title implies, a 'cover' album. And Jeff and his band do an incredible job on it. Whether it be Jimi Hendrix, Lennon and McCartney, Eric Clapton or any of the other artists he covers here, each and every song is brilliant. I think Clapton has some competition here! Jeff Healey is a fantasic guitarist, and to know that he is blind as well, makes him all the more amazing. On "Communication Breakdown" John Popper of Blues Traveller lends his harmonica playing skills, and on "Angel" Amanda Marshall is one of the backing singers. If you are a fan of blues/rock this album is highly recommended.

Come on Jeff, Covers?.......2000-09-07

Jeff Healey is a phenomenally talented and gifted guitarist who deserves attention beyond the borders of his Canadian homeland. With that understanding, it is somewhat puzzling to me that he would go into the studio to record 16 covers, 4 of which, "Freedom" (Jimi Hendrix), "I Got A Line" (Randy California), "Run Through The Jungle" (J.C. Fogerty) and "Badge" (Eric Clapton) appear only on the version released overseas. Moreover, how does "Stuck In The Middle With You" make it on a blues/rock CD?

Outside of Jeff's spectacular playing, there is nothing new hear whatsoever. I deduct 2 stars for the lack of original material and recommend the 1992 release 'Feel This" as an alternative.

Jeffrey Lets it Rip!.......2000-05-28

No time to do justic by this supberb blues-rock album, but suffice to say I recently rated it one of the 20 best albums of the decade. Whether burnin' his way through a blues classic such as Evil or I'm Ready, or revamping Led Zeppelin and Stealer's Wheel rockers, Mr. Healey and band smoke like few others on the planet are capable of. If there is any blues/rock guitarist who has inhertied Stevie Ray Vaughn's crown as both a incindiary guitarist and singer, it is Jeff. I highly recommend this and his first album, See the Light. I was disappointed by both Hell to Pay and Full Circle, but who cares when you have the other two to play! Jeff, why did you play so little of Cover to Cover in concert the other night?

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If you want a different take on Rush classics then this is 4 u

A Tribute to Rush
Run for Cover
Manufacturer: Eclipse (Big Daddy)
ProductGroup: Music
Binding: Audio CD

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Tom Sawyer
New World Man
Freewill
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Natural Science

Customer Reviews:

If you want a different take on Rush classics then this is 4 u.......2007-05-17

This an interesting little cd we have here. Members of various Rush tribute bands formed this "super group" of cover artists. They seem to have picked Rush fan favorite tracks to cover and do a nice job replicating the originals. The highlights probably are Limelight and The Trees, these two selections seems to have a little extra kick to them. The vocalist for the group sounds like a cross beteween Geddy Lee and the lead singer from the band Queensryche and does a good job hitting all the signature Geddy vocal high spots. All in all not a bad cd if your a fan of Rush it's a good variation on songs you've heard the original versions of probably 100 times already.

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Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000658H9
Release Date: 2002-05-07

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The Song Is You - Jamie Anderson
How'd You like To Spoon With Me? - Jane Lanier
The Land Where The Good Songs Go - Pamela Myers
All The Things You Are - Alan Campbell
The Folks Who Live On The Hill - Lee Lessack
She Didn't Say Yes - Marissa Jaret Winokur
Pick Yourself Up - Street Sounds
You Couldn't Be Cuter - Marsha Kramer
Shimmy With Me - Lea Thompson
They All Look Alike - Bruce Vilanch
There It Is Again - David Holladay
Remind Me - Ron Rifkin
In Love In Vain - Melissa Errico
Make Believe - Linda Michele
Ol' Man River - Brock Peters
You Are Love - Dale Kristien
I Won't Dance - Bonnie Franklin

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The Last Time I Saw Paris - Charles Busch
Long Ago (And Far Away) - Pam Dawber
They Didn't Believe Me - Pat Marshall
Look For The Silver Lining - Rod McKuen
A Fine Romance - Jane Carr
Sure Thing - Sally Kellerman
Don't Ever Leave Me/Why Was I Born - Joely Fisher
I'm Old Fashioned - Robert Morse
Yesterdays - Joan Ryan
Smoke Gets In Your Eyes - Dorian Harewood
In The Heart Of The Dark - Dale Kristien
Can't Help Lovin' Dat Man - Valarie Pettiford
The Way You Look Tonight - Hugh Panaro
Life On The Wicked Stage - Carole Cook
I've Told Every Little Star - Carole Cook
Till The Clouds Roll By - The Company

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Cover to Cover
Paul Hardcastle
Manufacturer: Trippin & Rhythm
ProductGroup: Music
Binding: Audio CD

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ASIN: B000P29B3K
Release Date: 1999-06-01

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Rain Forest
King Tut
Syndicate Theme
19
Jokers Wild
Urban Vibez
Paradise Cove
Could It Be Forever
Soul Swing
Crystal Seas
Kikin' Vibes
Shelbi

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Always There
Do It Again
Are You Ready
Love's Theme
Wishing on a Star
Money
Green Onions
It Seems to Hang On
Chi-Lites Love Combo
Superstition
Have Yourself a Merry Little Christmas

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Excellent Studio Covers!
Excellent Musician's covering classic favorites
Great Covers Collection from Neal Morse and friends.

Cover to Cover
Neal Morse , Mike Portnoy , and Randy George
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD

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ASIN: B000HLDESM
Release Date: 2006-09-19

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Badge
Maybe I'm Amazed
Where Do The Children Play
I'm The Man
Feeling Stronger Everyday
Rock And Roll Suicide
Where The Streets Have No Name
Day After Day
What Is Life?
I'm Free/Sparks
Tuesday Afternoon
Find My Way Back Home

Customer Reviews:

Excellent Studio Covers!.......2007-04-11

Hey, this you will enjoy without a doubt. It's well recorded. It's simple, but it's got a "feel" for old rock classics!

Excellent Musician's covering classic favorites.......2007-02-06

If you are a fan of any of the members of Neal's solo projects, you'll enjoy this collection of cover songs that they recorded over the years. This really shows the range of Neal's vocal abilities and as always gives Mike Portnoy a chance to let us know how the drums should have been played.

I do recommend this CD to anyone who enjoys Spock's Beard, Dream Theater, Transatlantic, and obviously Neal Morse's solo work.

Great Covers Collection from Neal Morse and friends........2006-11-14

Throughout the recording sessions for Neal Morse's last three concept albums, he and sidekicks Randy George and Mike Portnoy would drop their serious musical side to play cover versions of their favorite songs. The "Cover To Cover" disc is the end result of what they did during their spare time in the studio.
Compiled from the "?", "One" and "Testimony" sessions, "Cover To Cover" is an absolute blast to listen to from beginning to end. While the feel is loose and spontaneous, it's never sloppy or slack. If anything, we are given another prime example of just how well Neal, Mike and Randy play off each other in these songs. You can tell just how much fun they were having especially in the versions of The Monkees "Pleasant Valley Sunday" and Joe Jackson's "I'm The Man". The take on Chicago's "Feeling Stronger Every Day" kicks rear end with a guest horn section and an extended jam outro. Christian rock legend and guitar extraordinaire Phil Keaggy joins the action for George Harrison's "What is Life?" which sounds uncanningly like a duet between Lennon and McCartney - Neal sounding like John Lennon, Phil sounding much like Paul McCartney. Mike Portnoy shows off his Keith Moon influence in The Who's "I'm Free/Sparks" while Neal's trademark progressive side is heard in the closing medley of The Moody Blues "Tuesday Afternoon" and Blind Faith's "Find My Way Back Home".
Guaranteed, this is a fantastic CD and is great music for driving the vehicle with. For fans of Neal Morse and Mike Portnoy, this is definitely a must. For the casual listener, this is a must for you as well.

Handel - Messiah / Vyvyan · Sinclair · Vickers · Tozzi · Royal PO · Beecham

Average customer rating:

Beecham's noisy Messiah
The Big Victorian Handel 'Messiah': Indulge Yourself!
Comfort Ye!
Familiarity hasn't bred much affection
Thanks to Jon!

Handel - Messiah / Vyvyan · Sinclair · Vickers · Tozzi · Royal PO · Beecham
George Frideric Handel , Sir Thomas Beecham , Jennifer Vyvyan , Monica Sinclair , Royal Philharmonic Orchestra , Jon Vickers , and Giorgio Tozzi
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FB8
Release Date: 1992-07-14

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Messiah: Overture - Royal Philharmonic Orchestra
Messiah: Recit: Comfort Ye, My People (Tenor) - Jon Vickers
Messiah: Air: Every Valley Shall Be Exalted (Tenor) - Jon Vickers
Messiah: Chorus: And The Glory Of The Lord - John McCarthy
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Messiah: Air: But Who May Abide (Bass) - Giorgio Tozzi
Messiah: Chorus: And He Shall Purify - John McCarthy
Messiah: Recit: Behold, A Virgin Shall Conceive (Contralto) - Monica Sinclair
Messiah: Air & Chorus: O Thou That Tellest Good Tidings (Contralto) - John McCarthy
Messiah: Recit: For, Behold, Darkness Shall Cover (Bass) - Giorgio Tozzi
Messiah: Air: The People That Walked In Darkness (Bass) - Giorgio Tozzi
Messiah: Chorus: For Unto Us A Child Is Born - John McCarthy
Messiah: Pastoral Symphony - Royal Philharmonic Chorus
Messiah: Recit: There Were Shepherds Abiding (Soprano) - Jennifer Vyvyan
Messiah: Recit: And The Angel Said Unto Them (Soprano) - Jennifer Vyvyan
Messiah: Recit: And Suddenly There Was (Soprano) - Jennifer Vyvyan
Messiah: Chorus: Glory To God In The Highest - John McCarthy
Messiah: Air: Rejoice Greatly, O Daughter (Soprano) - Jennifer Vyvyan
Messiah: Recit: Then Shall The Eyes (Contralto) - Monica Sinclair
Messiah: Air: He Shall Feed His Flock; Come Unto Him (Contralto & Soprano) - Monica Sinclair
Messiah: Chorus: His Yoke Is Easy - John McCarthy

Tracks:

Messiah: Chorus: Behold The Lamb Of God - John McCarthy
Messiah: Air: He Was Despised (Contralto) - Monica Sinclair
Messiah: Chorus: Surely He Hath Borne Our Griefs - John McCarthy
Messiah: Chorus: And With His Stripes We Are Healed - John McCarthy
Messiah: Chorus: All We Like Sheep Have Gone Astray - John McCarthy
Messiah: Recit: All They That See Him (Tenor) - Jon Vickers
Messiah: Chorus: He Trusted In God - John McCarthy
Messiah: Recit: Thy Rebuke Hath Broken His Heart (Tenor) - Jon Vickers
Messiah: Air: Behold, And See If There Be (Tenor) - Jon Vickers
Messiah: Recit: He Was Cut Off Out Of The Land (Tenor) - Jon Vickers
Messiah: Air: But Thou Didst Not Leave (Tenor) - Jon Vickers
Messiah: Chorus: Lift Up Your Heads - John McCarthy
Messiah: Air: How Beautiful Are The Feet (Soprano) - Jennifer Vyvyan
Messiah: Chorus: Their Sound Is Gone Out Into All Lands - John McCarthy
Messiah: Air: Why Do The Nations So Furious Rage (Bass) - Giorgio Tozzi
Messiah: Chorus: Lets Us Break Their Bonds Asunder - John McCarthy
Messiah: Recit: He That Dwelleth In Heaven (Tenor) - Jon Vickers
Messiah: Air: Thou Shalt Break Them (Tenor) - Jon Vickers
Messiah: Chorus: Hallelujah! - John McCarthy
Messiah: Part III - Air: I Know That My Redeemer Liveth (Soprano) - Jennifer Vyvyan
Messiah: Chorus: Since By Man Came Death - John McCarthy
Messiah: Recit: Behold, I Tell You A Mystery (Bass) - Giorgio Tozzi
Messiah: Air: The Trumpet Shall Sound (Bass) - Giorgio Tozzi
Messiah: Chorus: Worthy Is The Lamb - John McCarthy

Tracks:

Messiah: Recit: Unto Which Of The Angels (Tenor) - Jon Vickers
Messiah: Chorus: Let All The Angels Of God Worship Him - John McCarthy
Messiah: Air: Thou Art Gone Up On High (Bass) - Giorgio Tozzi
Messiah: Chorus: The Lord Gave The Word - John McCarthy
Messiah: Recit: Then Shall Be Brought To Pass (Contralto) - Monica Sinclair
Messiah: Duet: O Death, Where Is Thy Sting? (Contralto & Tenor) - Monica Sinclair
Messiah: Chorus: But Thanks Be To God - John McCarthy
Messiah: Air: If God Be For Us (Soprano) - Jennifer Vyvyan

Amazon.com essential recording

Sir Thomas Beecham's Messiah has become notorious among baroque purists (like this writer) for embodying the worst excesses of pre-1960 Handel performance: ponderous tempos, stentorian opera singers, huge lumbering choruses and orchestras, crashing cymbals, clanging triangles.... Well, we'll need a new straw man: this performance is WONDERFUL. Jon Vickers and Giorgio Tozzi negotiate Handel's writing surprisingly well; Jennifer Vyvyan takes to it naturally. The chorus and orchestra (yes, including trombones, tuba, triangle, and cymbals) may obscure the part-writing, but they fill the music with power, grandeur, and faith. If Mozart could re-orchestrate Messiah, why not Beecham? This may not be Handel's Messiah as such, it may even be a period piece itself--but it's magnificent. --Matthew Westphal

Customer Reviews:

Beecham's noisy Messiah.......2006-12-23

Here's the famous Messiah from Thomas Beecham and forces that uses crashing cymbals, enhanced timpani and brass to make it sound like a collusion between classical forces, a rock band and Canadian Brass. Listen to second CD excerpt from "Hallelujah!" for the opening cymbal crash to get an idea of what's going on.

This performance has been debated for 40 years as to whether it is musically adept, musically correct, an exemplar of the English choral tradition, or just a big old batch of fun at Handel's expense. I first owned this during a time when I also owned a recording Handel's "Royal Fireworks Music" featuring 40 woodwinds. The two made roughly an equal amount of noise.

There isn't much question this performance is completely out of step with the way Handel is performed in most venues today. Check out the wonderful Jon Vickers' highly operatic opening aria, "Comfort ye", then compare that to any leaned-out period group you've heard. You'll get another idea of the dimension of Beecham's project.

While not on the agenda of the Flat Earth Society, the only real interest in a performance like this -- especially having to endure it on three CDs when just about everyone else puts it on two -- is nostalgia or history, whichever happens to be the case for you.

My personal favorite version is in the 4-CD box of "Messiah" and "Israel In Egypt" where Andrew Parrott leads his Taverner Choir & Players and some of the best early music singers including Emma Kirkby, Emily van Evera, Margaret Cable, David Thomas, and Joseph Cornwall. HIs Messiah isn't perfect -- it uses a countertenor for a bass in one aria -- but it is more moderate than most PPP recordings and has a wonderful romantic edge to most of the score. It comes with a top notch recording of "Israel in Egypt" and still costs less than the Beehcham.

The Big Victorian Handel 'Messiah': Indulge Yourself!.......2006-12-16

We live in an era when purity of intent and respect for composers' works is at an all time high. Not only are we blessed with superb 'authentic' performances on period instruments and with small choruses and countertenors and state of the art bel canto singers for Handel's evergreen "Messiah", there are many superlative recordings that are as polished as any one work on current recordings. Supposedly we are hearing Messiah the way Handel envisioned it. Perhaps so, but who is to say that had Handel the resources available today he wouldn't have jumped for joy at the drama of the old British Choral Societies version that Sir Thomas Beecham conducts on this anything but dusty recording from many years ago. The 'Old School' had its good points.

Beecham goes all out with an orchestration, while attributed to Sir Eugene Goosens is also probably some of Beecham's own inimitable tinkering, that adds instruments not only in numbers but also in color and depth of sound. Winds double strings, percussion includes the full battery instead of just tympani, the big cello and viola sound stand equally with the big violin sound, etc. The chorus is huge, and while this allows the big dramatic moments to be intense, the fine diction Beecham demanded remains solidly intact.

The soloists are in an operatic class of their own. Jennifer Vyvyan and Monica Sinclair were major singers when this recording was made and their singing is big and well ornamented. Jon Vickers and Giorgio Tozzi bring Verdi into the room and he is a welcome visitor to Beecham's vision of this work.

For this listener, who prefers the 'correct, authentic' performance, this recording and others even older that celebrate the BIG Messiah are a delight. And that just proves that performance standards, no matter the interpretation of the conductor, are paramount: Beecham gives a solid, convincing interpretation to the operatic Messiah. It is lush, and huge, and absolutely wonderful to hear again! Grady Harp, December 06

Comfort Ye!.......2006-10-30

If your not familiar with "Messiah" don't let the reviews scare you - this is certainly a great choice for your first or only recording. There is a lot of feeling in the playing and singing, and i feel it is quite respectful not only of the composer, but the subject matter. It includes a booklet with all the lyrics, and an essay by Beecham himself about the piece. It is a complete recording, with a "bonus cd" of extra verses not usually performed (as explained in the essay). The audio quality is great for the time it was recorded. Its much more worthy to be listened to and contemplated than to be put on as backround music at Christmastime. The price is certainly reasonable in light of the quality of the performance.

Familiarity hasn't bred much affection.......2005-11-02

I first became acquainted with this recording at the tender age of 12 when I received the original Soria edition as a Christmas gift. I remember being intensely disappointed at what seemed to me then as more circus than music. Time has mellowed that negative reaction and gives a more balanced assessment of Beecham's achievement - I bought the CD reissue after all. It still doesn't inspire much affection in yours truly although I can appreciate the soloists' contributions, particularly Tozzi. The lamented Vyvyan was in better voice with Boult. Here she has a rapid vibrato and a curious way of articulating the high notes. The orchestrations seem to maintain more of the clarity of the writing by concentrating on the bass and the top without clogging up the middle voices in the manner of the Victorians. There are three pieces where it just doesn't work at all to these ears: the brassy "All we like sheep," "Hallelujah" (which summons visions of Fucik's 'Entry of the Gladiators' every time I hear it), and the disintegration of the obbligato trumpet into flute noodlings in "The trumpet shall sound," in a lightweight performance that is at odds with the grandeur of the text. I'll also admit that the splashy brilliance of "For unto us a Child is born" and the surging drama of "Surely, He hath borne our griefs" are very satisfying.

In the forty some recordings I own (and the many performances I've attended) there's no best and no definitive. This is one I respect but don't care to hear very often.

Thanks to Jon!.......2005-03-08

This recording is worth having first of all beacause of the credible singing of Jon Vickers! Yes, he really sings on the words. The "Comfort Ye" and "Every valley..." have a knew dimension after Jons reading of the score. Of course I know that in tradition we want a very much more lyrical voice to this masterpiece. But he's not alone here, and now we are already into the problem; the choir! It's just terrible, yes terrible!
I'm just ending up with "Thanks to Jon!"

Average customer rating:

The best from The Best Singer and Tenor of all time.
Gorgeous
Another great CD by the greatest singer of all time!!!

Mario Lanza: My Romance

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

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This Is Gold (Box)

ASIN: B000056BUT
Release Date: 2001-01-09

Tracks:

All The Things You Are
Kiss
Song Is You
Where Or When
Love Is The Sweetest Thing
I'll See You Again
Night & Day
Your Eyes Have Told Me So
They Didn't Believe Me
If I Loved You
Only A Rose
You & The Night & The Music
Sylvia
On The Street Where You Live
Fools Rush In
Beautiful Love
I've Got You Under M
Long Ago & Far Away
You Are Love
I'll Be Seeing You
My Romance

Customer Reviews:

The best from The Best Singer and Tenor of all time........2007-04-24

This is a beautiful collection of songs. Once again it exhibits the depth and breath of Mario Lanza's vocal abilities. It is wonderful to hear him sing such lovely melodies. It is also splendid to read Derek Mannering's explanation of how Lanza interpreted each song with his heart and soul. For anyone who is a fan of Mario's, this collection is worth the price.

Gorgeous.......2001-11-25

Most of these songs are from the popular radio show he did in the 50's, when his voice was at it's best. I own numerous Lanza cds, and I can never get enough of his glorious voice and these beautiful songs. A lot of them can be found on other albums, it's true, but the first song is a previously unreleased gem, which was a big selling point with me. How could I pass this up? Also a lot of the songs are different versions from others I have, so this album was definately a must have, for me. I think that anyone who is a true Lanza fan, will love this cd.

Another great CD by the greatest singer of all time!!!.......2001-07-17

Derek Mannering has done it again in releasing yet another first class CD collection by the "Voice of the Century", Mario Lanza. Most of the items on this album have been previously released either on vinyl, CD, or both, but this collection is worth having nonetheless. The one item here never before released is the beautifully sung "All the Things You Are" and did Lanza ever serve this one up in first class fashion. The singing here is extremely fresh and vibrant. A recording that I don't believe has been on CD before is the "You Are Love", from Showboat, presented here (different from the performance on the definitive "Don't Forget Me" C). Lanza shows us here a truly passionate and ardent Gaylord Revenal. No other singer sang this song as well. "On the Street Where You Live" is given a very virile and beautiful rendition by Lanza. I don't know where or when I have ever heard the song "Where or When" sung this well. The rest of the selections on this offering are terrific as well, but can be found on other collections. This collection is worth owning, if for no other reason than for the four selections previously mentioned. The sound quality is excellent, giving the Mario Lanza voice the benefit of its full presence. Lanza definitely had a true flair for the popular song and Broadway ballad, as well as the ringing operatic aria, no doubt about it. If you're looking for a collection of classic standard and Broadway tunes performed with the mastery and excellence that only Mario Lanza could deliver, this CD is the one for you. Highly recommended!!!

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Music of Jerome Kern

Manufacturer: Centaur
ProductGroup: Music
Binding: Audio CD

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Songbook: The Song Is You

ASIN: B000BLI4YM
Release Date: 2005-10-25

Tracks:

All the Things You Are (From Very Warm for May)
I Won't Dance (From Roberta)
Dearly Beloved (From You Were Never Lovelier)
I'm Old Fashioned (From You Were Never Lovelier)
Can't Help Lovin' That Man (From Showboat)
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Yesterdays (From Roberta)
How'd You Like to Spoon with Me (From the Earl and the Girl)
Song Is You (From Music in the Air)
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Lovely to Look At (From Roberta)

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