Cover to Cover
Track Listings
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1. Shapes of Things
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2. Stop Breakin' Down
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3. Highway 49
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4. As the Years Go Passing By
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5. I'm Ready
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6. Evil
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7. Stuck in the Middle With You
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8. Angel
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9. Moon Is Full
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10. Yer Blues
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11. Communication Breakdown
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12. Me and My Crazy Self
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Cover to Cover,Jeff Healey Band,Collectables,Blues-Rock,Modern Electric Blues,Pop,Rock,Rock/Pop
Cover to Cover
Average customer rating:
- Ladies & gentleman: The Lord'n Savior, God Almighty
- So Fashionable, and So Disappointing
- A nice combination of period nad tradiitonal
- Wait! Before you buy...
- La mas bella y fidedigna interpretacion que se pueda obtener
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Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner
- Beethoven: Symphony No 9 /ORR * Gardiner
- Belcea Quartet ~ Debussy · Dutilleux · Ravel
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- Handel: Messiah /Nelson * Kirkby * Watkinson * Elliott * Thomas * AAM * Hogwood
ASIN: B0000057DB
Release Date: 1990-10-25 |
Tracks:
- Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
- Messiah: Part One - 2. Accompagnato : Comfort Ye My People
- Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
- Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
- Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
- Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
- Messiah: Part One - 7. Chorus : And He Shall Purify
- Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
- Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
- Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
- Messiah: Part One - 11. Air : The People That Walked In Darkness
- Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
- Messiah: Part One - 13. Pifa (Pastoral Symphony)
- Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
- Messiah: Part One - 17. Chorus : Glory To God In The Highest
- Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
- Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
- Messiah: Part One - 20. Air : He Shall Feed His Flock
- Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
- Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
- Messiah: Part Two - Air : 23. He Was Despised
Tracks:
- Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
- Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
- Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
- Messiah: Part Two - 27. Accompagnato : All They That See Him
- Messiah: Part Two - 28. Chorus : He Trusted In God
- Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
- Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
- Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
- Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
- Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
- Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
- Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
- Messiah: Part Two - 36. Air : Thou Art Gone Up On High
- Messiah: Part Two - 37. Chorus : The Lord Gave The Word
- Messiah: Part Two - 38. Air : How Beautiful Are The Feet
- Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
- Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
- Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
- Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
- Messiah: Part Two - 43. Air : Thou Shalt Break Them
- Messiah: Part Two - 44. Chorus : Hallelujah
- Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
- Messiah: Part Three - 46. Chorus : Since By Man Came Death
- Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
- Messiah: Part Three - 48. Air : The Trumpet Shall Sound
- Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
- Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
- Messiah: Part Three - 51. Chorus : But Thanks Be To God
- Messiah: Part Three - 52. Air : If God Be For Us
- Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen
Amazon.com essential recording
This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz
Amazon.com
Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey
Customer Reviews:
Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13
Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...
So Fashionable, and So Disappointing.......2007-02-01
This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.
Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?
Arleen Auger has a very sweet voice. And??
Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.
The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.
Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."
Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.
A nice combination of period nad tradiitonal.......2006-12-17
This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.
The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.
Wait! Before you buy..........2006-05-28
... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.
La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29
Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.
Average customer rating:
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Cover to Cover
Jeff Healey Band
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD
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Blues Rock
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Similar Items:
- Get Me Some
- See the Light
- Hell to Pay
- Feel This
- Among Friends
ASIN: B00015HWPU
Release Date: 2004-04-27 |
Tracks:
- Shapes of Things
- Stop Breakin' Down
- Highway 49
- As the Years Go Passing By
- I'm Ready
- Evil
- Stuck in the Middle with You
- Angel
- Moon Is Full
- Yer Blues
- Communication Breakdown
- Me and My Crazy Self
Average customer rating:
- Covers Too?
- amazing
- Fantastic album...Clapton, watch out!
- Come on Jeff, Covers?
- Jeffrey Lets it Rip!
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Cover to Cover
Jeff Healey
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD
Blues Rock
| Rock
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| Music
General
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| Styles
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Pop Rock
| Pop
| Styles
| Music
Similar Items:
- See the Light
- Hell to Pay
- Feel This
- Get Me Some
- The Jeff Healey Band - Live at Montreux 1999
ASIN: B000002VOM
Release Date: 1995-06-13 |
Tracks:
- Shapes Of Things
- Stop Breakin' Down
- Highway 49
- As The Years Go Passing By
- I'm Ready
- Evil
- Stuck In The Middle With You
- Angel
- The Moon Is Full
- Yer Blues
- Communication Breakdown
- Me And My Crazy Self
Album Description
Arista. 1995.
Album Details
Includes Different Tracks from the American Version: 'Freedom', 'i Got a Line on You', 'Run Through the Jungle' and 'Badge'.
Customer Reviews:
Covers Too?.......2004-04-12
I couldn't understand before I purchased this album, why he did covers(Being as talented as he is) until I lisened to the cd. Now I know. He simply wanted to do some of his favorites and what a job he did. With his deep throaty vocals, and fiery lead guitar riffs, he sheds new light on these already famous tunes.
I'm not much for a band with an already great repertoire doing covers but he does the songs justice. Listening to him sing with passion and fire to an already great list of songs, he adds a twist to them that you haven't heard before.
amazing.......2002-03-17
great collection of covers from the yardbirds shapes of things to jimi hednrix angel. i have the domestic copy but i got the import for the four songs that are only on thr import, jeffs version of freedom by hendrix is worth the price of this cd
Fantastic album...Clapton, watch out!.......2000-12-25
This album is, as the title implies, a 'cover' album. And Jeff and his band do an incredible job on it. Whether it be Jimi Hendrix, Lennon and McCartney, Eric Clapton or any of the other artists he covers here, each and every song is brilliant. I think Clapton has some competition here! Jeff Healey is a fantasic guitarist, and to know that he is blind as well, makes him all the more amazing. On "Communication Breakdown" John Popper of Blues Traveller lends his harmonica playing skills, and on "Angel" Amanda Marshall is one of the backing singers. If you are a fan of blues/rock this album is highly recommended.
Come on Jeff, Covers?.......2000-09-07
Jeff Healey is a phenomenally talented and gifted guitarist who deserves attention beyond the borders of his Canadian homeland. With that understanding, it is somewhat puzzling to me that he would go into the studio to record 16 covers, 4 of which, "Freedom" (Jimi Hendrix), "I Got A Line" (Randy California), "Run Through The Jungle" (J.C. Fogerty) and "Badge" (Eric Clapton) appear only on the version released overseas. Moreover, how does "Stuck In The Middle With You" make it on a blues/rock CD?
Outside of Jeff's spectacular playing, there is nothing new hear whatsoever. I deduct 2 stars for the lack of original material and recommend the 1992 release 'Feel This" as an alternative.
Jeffrey Lets it Rip!.......2000-05-28
No time to do justic by this supberb blues-rock album, but suffice to say I recently rated it one of the 20 best albums of the decade. Whether burnin' his way through a blues classic such as Evil or I'm Ready, or revamping Led Zeppelin and Stealer's Wheel rockers, Mr. Healey and band smoke like few others on the planet are capable of. If there is any blues/rock guitarist who has inhertied Stevie Ray Vaughn's crown as both a incindiary guitarist and singer, it is Jeff. I highly recommend this and his first album, See the Light. I was disappointed by both Hell to Pay and Full Circle, but who cares when you have the other two to play! Jeff, why did you play so little of Cover to Cover in concert the other night?
Average customer rating:
- If you want a different take on Rush classics then this is 4 u
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A Tribute to Rush
Run for Cover
Manufacturer: Eclipse (Big Daddy)
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
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General
| Rock
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Pop Rock
| Pop
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ASIN: B000P1KPCC
Release Date: 2007-05-01 |
Tracks:
- Distant Early Warning
- Tom Sawyer
- New World Man
- Freewill
- Subdivisions
- Limelight
- Jacob's Ladder
- Red Barchetta
- Xanadu
- The Trees
- Natural Science
Customer Reviews:
If you want a different take on Rush classics then this is 4 u.......2007-05-17
This an interesting little cd we have here. Members of various Rush tribute bands formed this "super group" of cover artists. They seem to have picked Rush fan favorite tracks to cover and do a nice job replicating the originals. The highlights probably are Limelight and The Trees, these two selections seems to have a little extra kick to them. The vocalist for the group sounds like a cross beteween Geddy Lee and the lead singer from the band Queensryche and does a good job hitting all the signature Geddy vocal high spots. All in all not a bad cd if your a fan of Rush it's a good variation on songs you've heard the original versions of probably 100 times already.
Average customer rating:
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Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD
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| Musicals
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ASIN: B0000658H9
Release Date: 2002-05-07 |
Tracks:
- The Song Is You - Jamie Anderson
- How'd You like To Spoon With Me? - Jane Lanier
- The Land Where The Good Songs Go - Pamela Myers
- All The Things You Are - Alan Campbell
- The Folks Who Live On The Hill - Lee Lessack
- She Didn't Say Yes - Marissa Jaret Winokur
- Pick Yourself Up - Street Sounds
- You Couldn't Be Cuter - Marsha Kramer
- Shimmy With Me - Lea Thompson
- They All Look Alike - Bruce Vilanch
- There It Is Again - David Holladay
- Remind Me - Ron Rifkin
- In Love In Vain - Melissa Errico
- Make Believe - Linda Michele
- Ol' Man River - Brock Peters
- You Are Love - Dale Kristien
- I Won't Dance - Bonnie Franklin
Tracks:
- The Last Time I Saw Paris - Charles Busch
- Long Ago (And Far Away) - Pam Dawber
- They Didn't Believe Me - Pat Marshall
- Look For The Silver Lining - Rod McKuen
- A Fine Romance - Jane Carr
- Sure Thing - Sally Kellerman
- Don't Ever Leave Me/Why Was I Born - Joely Fisher
- I'm Old Fashioned - Robert Morse
- Yesterdays - Joan Ryan
- Smoke Gets In Your Eyes - Dorian Harewood
- In The Heart Of The Dark - Dale Kristien
- Can't Help Lovin' Dat Man - Valarie Pettiford
- The Way You Look Tonight - Hugh Panaro
- Life On The Wicked Stage - Carole Cook
- I've Told Every Little Star - Carole Cook
- Till The Clouds Roll By - The Company
Average customer rating:
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Cover to Cover
Paul Hardcastle
Manufacturer: Trippin & Rhythm
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
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Electronica
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ASIN: B000P29B3K
Release Date: 1999-06-01 |
Tracks:
- Rain Forest
- King Tut
- Syndicate Theme
- 19
- Jokers Wild
- Urban Vibez
- Paradise Cove
- Could It Be Forever
- Soul Swing
- Crystal Seas
- Kikin' Vibes
- Shelbi
Tracks:
- Walk in the Night
- Always There
- Do It Again
- Are You Ready
- Love's Theme
- Wishing on a Star
- Money
- Green Onions
- It Seems to Hang On
- Chi-Lites Love Combo
- Superstition
- Have Yourself a Merry Little Christmas
Average customer rating:
- Excellent Studio Covers!
- Excellent Musician's covering classic favorites
- Great Covers Collection from Neal Morse and friends.
|
Cover to Cover
Neal Morse , Mike Portnoy , and Randy George
Manufacturer: Metal Blade
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
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Progressive Rock
| Progressive
| Rock
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General
| Hard Rock & Metal
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Pop Rock
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- Spock's Beard
- Sola Scriptura
- Fear of a Blank Planet
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ASIN: B000HLDESM
Release Date: 2006-09-19 |
Tracks:
- Pleasant Valley Sunday
- Badge
- Maybe I'm Amazed
- Where Do The Children Play
- I'm The Man
- Feeling Stronger Everyday
- Rock And Roll Suicide
- Where The Streets Have No Name
- Day After Day
- What Is Life?
- I'm Free/Sparks
- Tuesday Afternoon
- Find My Way Back Home
Customer Reviews:
Excellent Studio Covers!.......2007-04-11
Hey, this you will enjoy without a doubt. It's well recorded. It's simple, but it's got a "feel" for old rock classics!
Excellent Musician's covering classic favorites.......2007-02-06
If you are a fan of any of the members of Neal's solo projects, you'll enjoy this collection of cover songs that they recorded over the years. This really shows the range of Neal's vocal abilities and as always gives Mike Portnoy a chance to let us know how the drums should have been played.
I do recommend this CD to anyone who enjoys Spock's Beard, Dream Theater, Transatlantic, and obviously Neal Morse's solo work.
Great Covers Collection from Neal Morse and friends........2006-11-14
Throughout the recording sessions for Neal Morse's last three concept albums, he and sidekicks Randy George and Mike Portnoy would drop their serious musical side to play cover versions of their favorite songs. The "Cover To Cover" disc is the end result of what they did during their spare time in the studio.
Compiled from the "?", "One" and "Testimony" sessions, "Cover To Cover" is an absolute blast to listen to from beginning to end. While the feel is loose and spontaneous, it's never sloppy or slack. If anything, we are given another prime example of just how well Neal, Mike and Randy play off each other in these songs. You can tell just how much fun they were having especially in the versions of The Monkees "Pleasant Valley Sunday" and Joe Jackson's "I'm The Man". The take on Chicago's "Feeling Stronger Every Day" kicks rear end with a guest horn section and an extended jam outro. Christian rock legend and guitar extraordinaire Phil Keaggy joins the action for George Harrison's "What is Life?" which sounds uncanningly like a duet between Lennon and McCartney - Neal sounding like John Lennon, Phil sounding much like Paul McCartney. Mike Portnoy shows off his Keith Moon influence in The Who's "I'm Free/Sparks" while Neal's trademark progressive side is heard in the closing medley of The Moody Blues "Tuesday Afternoon" and Blind Faith's "Find My Way Back Home".
Guaranteed, this is a fantastic CD and is great music for driving the vehicle with. For fans of Neal Morse and Mike Portnoy, this is definitely a must. For the casual listener, this is a must for you as well.
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- Beecham's noisy Messiah
- The Big Victorian Handel 'Messiah': Indulge Yourself!
- Comfort Ye!
- Familiarity hasn't bred much affection
- Thanks to Jon!
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Handel - Messiah / Vyvyan · Sinclair · Vickers · Tozzi · Royal PO · Beecham
George Frideric Handel , Sir Thomas Beecham , Jennifer Vyvyan , Monica Sinclair , Royal Philharmonic Orchestra , Jon Vickers , and Giorgio Tozzi
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ASIN: B000003FB8
Release Date: 1992-07-14 |
Tracks:
- Messiah: Overture - Royal Philharmonic Orchestra
- Messiah: Recit: Comfort Ye, My People (Tenor) - Jon Vickers
- Messiah: Air: Every Valley Shall Be Exalted (Tenor) - Jon Vickers
- Messiah: Chorus: And The Glory Of The Lord - John McCarthy
- Messiah: Recit: Thus Saith The Lord Of Hosts (Bass) - Giorgio Tozzi
- Messiah: Air: But Who May Abide (Bass) - Giorgio Tozzi
- Messiah: Chorus: And He Shall Purify - John McCarthy
- Messiah: Recit: Behold, A Virgin Shall Conceive (Contralto) - Monica Sinclair
- Messiah: Air & Chorus: O Thou That Tellest Good Tidings (Contralto) - John McCarthy
- Messiah: Recit: For, Behold, Darkness Shall Cover (Bass) - Giorgio Tozzi
- Messiah: Air: The People That Walked In Darkness (Bass) - Giorgio Tozzi
- Messiah: Chorus: For Unto Us A Child Is Born - John McCarthy
- Messiah: Pastoral Symphony - Royal Philharmonic Chorus
- Messiah: Recit: There Were Shepherds Abiding (Soprano) - Jennifer Vyvyan
- Messiah: Recit: And The Angel Said Unto Them (Soprano) - Jennifer Vyvyan
- Messiah: Recit: And Suddenly There Was (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Glory To God In The Highest - John McCarthy
- Messiah: Air: Rejoice Greatly, O Daughter (Soprano) - Jennifer Vyvyan
- Messiah: Recit: Then Shall The Eyes (Contralto) - Monica Sinclair
- Messiah: Air: He Shall Feed His Flock; Come Unto Him (Contralto & Soprano) - Monica Sinclair
- Messiah: Chorus: His Yoke Is Easy - John McCarthy
Tracks:
- Messiah: Chorus: Behold The Lamb Of God - John McCarthy
- Messiah: Air: He Was Despised (Contralto) - Monica Sinclair
- Messiah: Chorus: Surely He Hath Borne Our Griefs - John McCarthy
- Messiah: Chorus: And With His Stripes We Are Healed - John McCarthy
- Messiah: Chorus: All We Like Sheep Have Gone Astray - John McCarthy
- Messiah: Recit: All They That See Him (Tenor) - Jon Vickers
- Messiah: Chorus: He Trusted In God - John McCarthy
- Messiah: Recit: Thy Rebuke Hath Broken His Heart (Tenor) - Jon Vickers
- Messiah: Air: Behold, And See If There Be (Tenor) - Jon Vickers
- Messiah: Recit: He Was Cut Off Out Of The Land (Tenor) - Jon Vickers
- Messiah: Air: But Thou Didst Not Leave (Tenor) - Jon Vickers
- Messiah: Chorus: Lift Up Your Heads - John McCarthy
- Messiah: Air: How Beautiful Are The Feet (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Their Sound Is Gone Out Into All Lands - John McCarthy
- Messiah: Air: Why Do The Nations So Furious Rage (Bass) - Giorgio Tozzi
- Messiah: Chorus: Lets Us Break Their Bonds Asunder - John McCarthy
- Messiah: Recit: He That Dwelleth In Heaven (Tenor) - Jon Vickers
- Messiah: Air: Thou Shalt Break Them (Tenor) - Jon Vickers
- Messiah: Chorus: Hallelujah! - John McCarthy
- Messiah: Part III - Air: I Know That My Redeemer Liveth (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Since By Man Came Death - John McCarthy
- Messiah: Recit: Behold, I Tell You A Mystery (Bass) - Giorgio Tozzi
- Messiah: Air: The Trumpet Shall Sound (Bass) - Giorgio Tozzi
- Messiah: Chorus: Worthy Is The Lamb - John McCarthy
Tracks:
- Messiah: Recit: Unto Which Of The Angels (Tenor) - Jon Vickers
- Messiah: Chorus: Let All The Angels Of God Worship Him - John McCarthy
- Messiah: Air: Thou Art Gone Up On High (Bass) - Giorgio Tozzi
- Messiah: Chorus: The Lord Gave The Word - John McCarthy
- Messiah: Recit: Then Shall Be Brought To Pass (Contralto) - Monica Sinclair
- Messiah: Duet: O Death, Where Is Thy Sting? (Contralto & Tenor) - Monica Sinclair
- Messiah: Chorus: But Thanks Be To God - John McCarthy
- Messiah: Air: If God Be For Us (Soprano) - Jennifer Vyvyan
Amazon.com essential recording
Sir Thomas Beecham's Messiah has become notorious among baroque purists (like this writer) for embodying the worst excesses of pre-1960 Handel performance: ponderous tempos, stentorian opera singers, huge lumbering choruses and orchestras, crashing cymbals, clanging triangles.... Well, we'll need a new straw man: this performance is WONDERFUL. Jon Vickers and Giorgio Tozzi negotiate Handel's writing surprisingly well; Jennifer Vyvyan takes to it naturally. The chorus and orchestra (yes, including trombones, tuba, triangle, and cymbals) may obscure the part-writing, but they fill the music with power, grandeur, and faith. If Mozart could re-orchestrate Messiah, why not Beecham? This may not be Handel's Messiah as such, it may even be a period piece itself--but it's magnificent. --Matthew Westphal
Customer Reviews:
Beecham's noisy Messiah.......2006-12-23
Here's the famous Messiah from Thomas Beecham and forces that uses crashing cymbals, enhanced timpani and brass to make it sound like a collusion between classical forces, a rock band and Canadian Brass. Listen to second CD excerpt from "Hallelujah!" for the opening cymbal crash to get an idea of what's going on.
This performance has been debated for 40 years as to whether it is musically adept, musically correct, an exemplar of the English choral tradition, or just a big old batch of fun at Handel's expense. I first owned this during a time when I also owned a recording Handel's "Royal Fireworks Music" featuring 40 woodwinds. The two made roughly an equal amount of noise.
There isn't much question this performance is completely out of step with the way Handel is performed in most venues today. Check out the wonderful Jon Vickers' highly operatic opening aria, "Comfort ye", then compare that to any leaned-out period group you've heard. You'll get another idea of the dimension of Beecham's project.
While not on the agenda of the Flat Earth Society, the only real interest in a performance like this -- especially having to endure it on three CDs when just about everyone else puts it on two -- is nostalgia or history, whichever happens to be the case for you.
My personal favorite version is in the 4-CD box of "Messiah" and "Israel In Egypt" where Andrew Parrott leads his Taverner Choir & Players and some of the best early music singers including Emma Kirkby, Emily van Evera, Margaret Cable, David Thomas, and Joseph Cornwall. HIs Messiah isn't perfect -- it uses a countertenor for a bass in one aria -- but it is more moderate than most PPP recordings and has a wonderful romantic edge to most of the score. It comes with a top notch recording of "Israel in Egypt" and still costs less than the Beehcham.
The Big Victorian Handel 'Messiah': Indulge Yourself!.......2006-12-16
We live in an era when purity of intent and respect for composers' works is at an all time high. Not only are we blessed with superb 'authentic' performances on period instruments and with small choruses and countertenors and state of the art bel canto singers for Handel's evergreen "Messiah", there are many superlative recordings that are as polished as any one work on current recordings. Supposedly we are hearing Messiah the way Handel envisioned it. Perhaps so, but who is to say that had Handel the resources available today he wouldn't have jumped for joy at the drama of the old British Choral Societies version that Sir Thomas Beecham conducts on this anything but dusty recording from many years ago. The 'Old School' had its good points.
Beecham goes all out with an orchestration, while attributed to Sir Eugene Goosens is also probably some of Beecham's own inimitable tinkering, that adds instruments not only in numbers but also in color and depth of sound. Winds double strings, percussion includes the full battery instead of just tympani, the big cello and viola sound stand equally with the big violin sound, etc. The chorus is huge, and while this allows the big dramatic moments to be intense, the fine diction Beecham demanded remains solidly intact.
The soloists are in an operatic class of their own. Jennifer Vyvyan and Monica Sinclair were major singers when this recording was made and their singing is big and well ornamented. Jon Vickers and Giorgio Tozzi bring Verdi into the room and he is a welcome visitor to Beecham's vision of this work.
For this listener, who prefers the 'correct, authentic' performance, this recording and others even older that celebrate the BIG Messiah are a delight. And that just proves that performance standards, no matter the interpretation of the conductor, are paramount: Beecham gives a solid, convincing interpretation to the operatic Messiah. It is lush, and huge, and absolutely wonderful to hear again! Grady Harp, December 06
Comfort Ye!.......2006-10-30
If your not familiar with "Messiah" don't let the reviews scare you - this is certainly a great choice for your first or only recording. There is a lot of feeling in the playing and singing, and i feel it is quite respectful not only of the composer, but the subject matter. It includes a booklet with all the lyrics, and an essay by Beecham himself about the piece. It is a complete recording, with a "bonus cd" of extra verses not usually performed (as explained in the essay). The audio quality is great for the time it was recorded. Its much more worthy to be listened to and contemplated than to be put on as backround music at Christmastime. The price is certainly reasonable in light of the quality of the performance.
Familiarity hasn't bred much affection.......2005-11-02
I first became acquainted with this recording at the tender age of 12 when I received the original Soria edition as a Christmas gift. I remember being intensely disappointed at what seemed to me then as more circus than music. Time has mellowed that negative reaction and gives a more balanced assessment of Beecham's achievement - I bought the CD reissue after all. It still doesn't inspire much affection in yours truly although I can appreciate the soloists' contributions, particularly Tozzi. The lamented Vyvyan was in better voice with Boult. Here she has a rapid vibrato and a curious way of articulating the high notes. The orchestrations seem to maintain more of the clarity of the writing by concentrating on the bass and the top without clogging up the middle voices in the manner of the Victorians. There are three pieces where it just doesn't work at all to these ears: the brassy "All we like sheep," "Hallelujah" (which summons visions of Fucik's 'Entry of the Gladiators' every time I hear it), and the disintegration of the obbligato trumpet into flute noodlings in "The trumpet shall sound," in a lightweight performance that is at odds with the grandeur of the text. I'll also admit that the splashy brilliance of "For unto us a Child is born" and the surging drama of "Surely, He hath borne our griefs" are very satisfying.
In the forty some recordings I own (and the many performances I've attended) there's no best and no definitive. This is one I respect but don't care to hear very often.
Thanks to Jon!.......2005-03-08
This recording is worth having first of all beacause of the credible singing of Jon Vickers! Yes, he really sings on the words. The "Comfort Ye" and "Every valley..." have a knew dimension after Jons reading of the score. Of course I know that in tradition we want a very much more lyrical voice to this masterpiece. But he's not alone here, and now we are already into the problem; the choir! It's just terrible, yes terrible!
I'm just ending up with "Thanks to Jon!"
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- The best from The Best Singer and Tenor of all time.
- Gorgeous
- Another great CD by the greatest singer of all time!!!
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Mario Lanza: My Romance
Manufacturer: RCA
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Binding: Audio CD
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ASIN: B000056BUT
Release Date: 2001-01-09 |
Tracks:
- All The Things You Are
- Kiss
- Song Is You
- Where Or When
- Love Is The Sweetest Thing
- I'll See You Again
- Night & Day
- Your Eyes Have Told Me So
- They Didn't Believe Me
- If I Loved You
- Only A Rose
- You & The Night & The Music
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- On The Street Where You Live
- Fools Rush In
- Beautiful Love
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- Long Ago & Far Away
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- I'll Be Seeing You
- My Romance
Customer Reviews:
The best from The Best Singer and Tenor of all time........2007-04-24
This is a beautiful collection of songs. Once again it exhibits the depth and breath of Mario Lanza's vocal abilities. It is wonderful to hear him sing such lovely melodies. It is also splendid to read Derek Mannering's explanation of how Lanza interpreted each song with his heart and soul. For anyone who is a fan of Mario's, this collection is worth the price.
Gorgeous.......2001-11-25
Most of these songs are from the popular radio show he did in the 50's, when his voice was at it's best. I own numerous Lanza cds, and I can never get enough of his glorious voice and these beautiful songs. A lot of them can be found on other albums, it's true, but the first song is a previously unreleased gem, which was a big selling point with me. How could I pass this up? Also a lot of the songs are different versions from others I have, so this album was definately a must have, for me. I think that anyone who is a true Lanza fan, will love this cd.
Another great CD by the greatest singer of all time!!!.......2001-07-17
Derek Mannering has done it again in releasing yet another first class CD collection by the "Voice of the Century", Mario Lanza. Most of the items on this album have been previously released either on vinyl, CD, or both, but this collection is worth having nonetheless. The one item here never before released is the beautifully sung "All the Things You Are" and did Lanza ever serve this one up in first class fashion. The singing here is extremely fresh and vibrant. A recording that I don't believe has been on CD before is the "You Are Love", from Showboat, presented here (different from the performance on the definitive "Don't Forget Me" C). Lanza shows us here a truly passionate and ardent Gaylord Revenal. No other singer sang this song as well. "On the Street Where You Live" is given a very virile and beautiful rendition by Lanza. I don't know where or when I have ever heard the song "Where or When" sung this well. The rest of the selections on this offering are terrific as well, but can be found on other collections. This collection is worth owning, if for no other reason than for the four selections previously mentioned. The sound quality is excellent, giving the Mario Lanza voice the benefit of its full presence. Lanza definitely had a true flair for the popular song and Broadway ballad, as well as the ringing operatic aria, no doubt about it. If you're looking for a collection of classic standard and Broadway tunes performed with the mastery and excellence that only Mario Lanza could deliver, this CD is the one for you. Highly recommended!!!
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Music of Jerome Kern
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