Darkness Prevails [Import]
Editorial Reviews
Product Description
London-based 6 piece rock band formed from the ashes of Mahumodo. This debut EP takes the cerebral structures of Tool, the fearsome musical muscle of Will Haven and the sweeping emotion of Deftones to create a pummeling, gut-wrenching monster. Visible Noise. 2005.
Darkness Prevails,Devil Sold His Soul,Rock/Pop
Darkness Prevails [Import]
Average customer rating:
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Lighten our Darkness
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD
Byrd, William
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| Lassus, Orlando di(Lasso)
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Rheinberger, Joseph
| ( R )
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| Rachmaninov, Sergei
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All Works by Sheppard
| Sheppard, John
| ( S )
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All Works by Tallis
| Tallis, Thomas
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- Music for Compline
- Allegri Miserere-Tenebrae
- Morten Lauridsen: Nocturnes
- William Byrd: Laudibus in sanctis
- Pilgrimage to Santiago
ASIN: B000I2IS5Y
Release Date: 2006-10-17 |
Tracks:
- In Pace
- Libera Nos, Salva Nos
- Justorum Animae
- Pater Noster
- O Lord, The Maker Of All Thing
- Visita, Quaesumus Domine
- Abendlied
- O Christ Who Are The Light And Day
- O Gladsome Light
- Te Lucis Ante Terminum
- Alma Redemptoris Mater
- Ave Regina Caelorum
- Regina Caeli Laetare
- Salve Regina
- Ave Maria
- Bogoroditsye Dyevo
- In Manus Tuas
- In Manus Tuas
Tracks:
- Opening Sentences And Responses
- Psalm 91
- Lesson: Come Unto Me
- Respond: Into Thy Hands
- Hymn: Before The Ending Of The Day
- Keep Me As The Apple Of An Eye And Nunc Dimmittis
- The Apostles' Creed And Lord's Prayer
- Verscicles And Responses
- Confession And Absolution
- Responses And Collects
- We Will Lay Us Down In Peace
- Closing Responsies And Blessing
Customer Reviews:
ravishing..........2007-07-02
if this recording is not on your short list of things to hear/do, it should be.
the Byrd setting of "Oh Christ who art our light and day" is one of the loveliest things that I have ever heard.
I play it ever day at the same, appointed hour; so comforting, so beautifully well-sung.
the Compline setting on Disc 2 is pretty memorable, too.
a strong rec.
Marvelous.......2007-01-19
This is superb a capella singing. Each note, each syllable, is just right. John Rutter has a genius for writing and, as is the case here, performing religious choral music. The sound is gorgeous. Highest recommendation.
Average customer rating:
- A major letdown
- I love the darkness here...
- one of his top 3 albums. says me.
- A masterpiece from the Boss
- My all time favorite album
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Darkness on the Edge of Town
Bruce Springsteen
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Pop
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Singer-Songwriters
| Pop
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Similar Items:
- Born to Run
- The River
- The Wild, the Innocent & the E Street Shuffle
- Greetings from Asbury Park, N.J.
- Nebraska
ASIN: B0000025D0
Release Date: 1990-10-25 |
Tracks:
- Badlands
- Adam Raised A Cain
- Something In The Night
- Candy's Room
- Racing In The Street
- The Promised Land
- Factory
- Streets Of Fire
- Prove It All Night
- Darkness At The Edge Of Town
Amazon.com essential recording
The pain of a protracted legal battle with his former manager and the release of being allowed to record again after a three-year layoff are equally apparent from the piercing hard rock and harsh lyrical content of Darkness on the Edge of Town. Betrayal and hard work that comes to naught are the primary subjects on his mind here, evidenced by songs such as "Adam Raised a Cain," "Factory," and "Streets of Fire." Elsewhere, there are signs of hope or at least the possibility of outrunning your problems ("Racing in the Street," "The Promised Land," "Prove It All Night"). But mostly, these are songs about exorcising some serious demons, and from the sound of things, Springsteen's loud, lonesome howl and blistering guitar work went a long way toward making him whole again. This is angry art, made by someone pushed to his absolute limit and more than ready to push back. --Daniel Durchholz
Album Description
Import exclusive two-disc set combines Bruce's 1978 album Darkness On The Edge Of Town with his1982 album Nebraska. Two standard jewel cases housed in a slip case. Sony/BMG. 2005.
Customer Reviews:
A major letdown.......2007-07-08
This was the album that got me to stop buying Springsteen albums. The first three albums had been great. Born to Run, the album that preceeded this one, was an absolute masterpiece. So I had high hopes when I bought Darkness. They were all dashed.
What happened? You see these reviews here having orgasms about the angry, harsh attitude of the songs. Yay. Notice that nobody talks about the actual *quality* of the music. After there albums where Bruce evidenced great songwriting skill, coming up with wonderful chord progressions, fantastic song structures with unexpected twists, and really showing off his talented band to good effect, on darkness he regresses to simplistic, boring, utterly predictable 3-chord songs. For instance, Badlands: the same ultra-basic 3 chords over and over again, the verse the same as the chorus. Gee Bruce, what'd it take you, 5 whole minutes to think up that one? And THAT song is one of the better on the album! (at least the tune is catchy). There's a few songs which are ok, most are pretty forgettable.
And as for the arrangements and the use of the band, one statistic speaks volumes: Clarence Clemon's magnificent saxaphone plays for about 24 bars *on the whole album* (three short little 8 bar solos, and that's it!).
I love the darkness here..........2007-04-27
This is my favorite Springsteen album. I play it quite often, and the songs are equally angry, sad, poetic, and haunted. Badlands, the title track, and Adam Raised a Cain are brutal and brilliant. Adam especially is a really scorching track. Racing in the Street is one of Bruce's most despairing songs, but it's still quite moving. You can really feel the desperation of the characters in the song. Even the lesser tracks like Factory (a song I like a lot) have a world weariness and power to them that most artists today can't even come close too. The Promised Land is another great Bruce anthem, one of his greatest songs. The cover is really something. It looks like Bruce just woke up, and you have to give him credit for making himself look so average. Most rockers wouldn't do that, because they're so obsessed with their image. I think this is Bruce's best work.
one of his top 3 albums. says me........2007-04-06
springsteen's 1973-1978 years were an amazing run, almost as great as the rolling stones 1968-1972 years. each album that he released in this stretch of time was fantastic. "darkness on the edge of town" is his starkest production from that era. a masterpiece that is intense and dramatic, with a big drum and bass sound, and several of the finest songs in our rock and roll canon. "badlands," "the promised land," "prove it all night," and the title track are all powerful, heavenly rock performances. "adam raised a cain," "something in the night," and "streets of fire," may be less known, perhaps less lauded, but are each great in their own right. the lyrical guitar solo and sax solo on "promised land" are both gorgeous; and the raw, wild telecaster sound of the solo on "streets of fire" is soul-stirring. bruce's voice is uninhibated, soars with emotion and drama, and is tremendous throughout. johnny cash. bob dylan. bruce springsteen: my trio of homegrown american voices that are indispensable (if you want to make it a quartet and throw in billy joe shaver, i won't argue). your life will seem vaguely empty without lots of music from these gentlemen around the house.
A masterpiece from the Boss.......2007-03-21
Perhaps the best album of the 70's. There is no filler on this album. It's quintessential Bruce from start to finish.
My all time favorite album.......2007-02-16
Hard hitting, thought provoking, intense, emothional... just a few adjectives to describe this true gem.
Every song on this album is classic. Even the plainest arrangement on the album (Factory) lyrics have a serious bite to them. The title track is Rock and Roll poetry at it's absolute finest. Badlands ranks among Springsteen's five best songs, and that's no small accomplishment, yet Promised Land, Racing In the Street, and Prove It All Night are just as good. The rest of the album is on that same level. Adam Raised A Cain, Candy's Room, Streets of Fire, and the aforementioned Prove It All Night all have searing (as opposed to soaring) guitar work. Springsteen's guitar tracks burn a hole deep into your soul. It's not the flashy guitar god fret flying Van Halenesque style. It's a style that is filled with raw emotion. Lyrically, there are only three people in popular music who could be rated as high as Springsteen as a aongwriter. They are Bob Dylan, Neil Young, and Tom Waits. Dylan's peaks have matched Springsteens, but only Waits has been as consistent.
Average customer rating:
- Not for the faint of heart, but an incredible listen
- Polished
- Spare Brilliance
- Yo, Willy Oldham Is Off the Hizzle fo' Shizzle!
- A SPOOKY GEM
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I See a Darkness
Bonnie Prince Billy
Manufacturer: Palace Records
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
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General
| Rock
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Pop Rock
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Similar Items:
- Master and Everyone
- Superwolf
- The Letting Go
- Ease Down the Road
- Summer in the Southeast
ASIN: B000066HI4
Release Date: 2002-07-09 |
Tracks:
- A Minor Place
- Nomadic Revery (All Around)
- I See A Darkness
- Another Day Full Of Dread
- Death To Everyone
- Knockturne
- Madeleine-Mary
- Song For The New Breed
- Today I Was An Evil One
- Black
- Raining In Darling
Amazon.com's Best of 1999
"Prince" Will Oldham has always threatened to make a completely devastating album and this is it. Brooding and strikingly intimate, I See a Darkness picks through the abandoned camps of Bob Dylan and Neil Young, finding lonely tales and ragged melodies strewn about. The magic comes in the light Oldham is able to shine on these songs, rendering them both gorgeously baroque yet starkly modern. --S. Duda
Amazon.com
Will Oldham, the artist formerly known as Palace, has never been concerned with creating pop music. Oldham's forte, murder ballads, antispirituals, dead-sea chanteys, and lost-love songs, has always been "difficult," forcing the listener to confront some rather unseemly topics. Say this about Oldham, however, despite his quirks (cracking vocals, shambolic instrumentation, baroque language), at its best, his music is bracing and, often, very beautiful. That said, I See a Darkness, his second LP since abandoning the Palace moniker, is the most accessible, gorgeous, and moving record of his career. Instead of the gothic, low-fi country feel of many of his projects, Darkness comes off sounding like an early-'70s Neil Young album, comprised of a stately piano backbone and fleshed out by loose-fitting guitar strums. Stylistically, Oldham mixes things up on Darkness and his full band sounds, for once, well practiced and well recorded. Sure, Oldham is still singing about the blackness of his soul, but in between--in small bursting moments--there are bits of light, hope, and a suggestion that maybe--just maybe--there may be redemption through love. That message, presented in these carefully constructed, gently offered songs, pushes this recording beyond the usual, curious appeal of Oldham and into an entirely new realm of greatness. S. Duda
Album Description
Will Oldham's first Bonnie 'Prince' Billy release from 1999. Contains the classic 'I See A Darkness' covered by Johnny Cash.
Customer Reviews:
Not for the faint of heart, but an incredible listen.......2006-12-04
I'm an avid music fan. I've listened to quite an array of rock and pop throughout my life and I can say without hesitation that this disc is unlike anything I've ever heard. All of BPB's work is incredibly interesting. He's taken folk and worked in blues, rock, country, all with undertones of both melancholy and joy. In my opinion, this is his definitive work, the one you MUST have if you want to get the complete Bonnie Price Billy experience. I must admit that I cannot listen to this stuff very often because it is such a strange, intense experience. Every once in a while, an artist creates something beyond his medium. Will Oldham has done that here. This is more than music.
Polished.......2005-12-29
For an avid Will Oldham fan like me this album started as a surprise. It actually sounds good! The sound is now more polished, the music not recorded at once and the voice not as shaky as it used to be. You could say it's a more commercial touch but he certainly deserves more credit for his songwriting skills.
The first song 'A Minor Place' relies completly on melody, it's hard to think that the first 2,5 minutes are really the same but the melody is great and should therefor be part of the Oldham top 10.
Second song 'Nomadic Revery' has a haunting chorus in the Appalachian style that could have been sung by David Eugene Edwards of 16 Horsepower.
Track 3 might actually be his most famous song but not in this version but song by Johnny Cash on his American Recordings III. Like so many songs (U2's 'One' for example) that version is actually slightly better.
The quality remains very high throughout the album. The lyrics still are not the most cheerful (Death to Everyone, which does have a lalala part).
I am not sure if I think this is Oldham's best album, I still listen to his Palace-work more, but it certainly is great album and he shows that he is one of the greatest indie songwriters, up there with people like Lou Barlow.
Spare Brilliance.......2005-06-09
On first listen I was disappointed with this album. I expected melancholia but not like this. After a few more spins I figured out what I had missed. This is the most beautiful album. Absolutely the best, it can be sad, it can be hopeful, it can be everything. Will Oldham sounds real, and his reality is haunting and beautiful at the same time. The music is minimalist and sparse which only contributes to the beauty and dynamic of the record. It is one of the best albums of the 1990s and I recommend it to any true music fan.
Yo, Willy Oldham Is Off the Hizzle fo' Shizzle!.......2005-02-14
Sorry, that was insipid.
Anyway, few albums this good and this affecting from the late 90's come to mind. Among them would be In the Aeroplane Over the Sea and The Soft Bulletin. Rarely is music such great background and foreground music at the same time. After hearing it a few times at a friend's house some time in 1999, I scoured at least 20 record stores in at least five cities to find a copy of this. I eventually just got it via Amazon.
If anything, I love how deceitful Will Oldham is. What would you expect an album with a title and a cover like those and songs named "Minor Place" "Black" and "Death to Everyone?" Actually, the lyrics are very hopeful and it's nice to hear about the subject matter from a mature adult rather than some shallow, nasal teenager who thinks he has something relevant to say. After the first listen, this album has sincerely killed you softly with its piano, bass, tap-drumming, lazily strummed guitar and Oldham's erie, human voice. It really leaves you feeling dead in a way that so many musicians, by contrast, try to do with distorted guitars, double bass drums and screaming.
Goddamn this is good rainy day music. As my taste in music matures, Loveless slips further and further down my favorites of the 90's list with this edging its way into the top 5. This is a must own for people who like humanly affecting music but hate emo.
A SPOOKY GEM.......2004-11-11
Bonnie 'Prince' Billy (aka Will Oldham) creates the scariest take on country music imaginable. In fact, this could easily be labelled 'goth country'.
His lyrics are intensley personal and his voice a deep and dark wonder. His songs are carefully crafted and arranged in an obscure warmth and frailty.
On some occasions the songs creep along steadily, on others errupt into soaring climaxes of double tracked vocals on the brink of collapse. These climaxes don't play on the usual tricks of severe dynamic change or string sections, but rather involve escalations in emotive force that ripple through you.
Will Oldham is a master songwriter, and an expert at creating sound collages and textures not usually associated with country music.
Average customer rating:
- 3/4
- Prince Of Darkness
- THIS IS A F*#%ING MUST HAVE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
- The OZ box set
- gift for my husband
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Prince of Darkness
Ozzy Osbourne
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Under Cover
- Black Box: The Complete Original Black Sabbath (1970-1978)
- No More Tears
- Down to Earth
- Metalogy
ASIN: B0007OTWR6
Release Date: 2005-03-22 |
Tracks:
- I Don't Know- Live
- Mr. Crowley
- Crazy Train
- Goodbye To Romance- Live
- Suicide Solution- Live
- Over The Mountain
- Flying High Again- Live
- You Can't Kill Rock And Roll
- Diary Of A Madman
- Bark At The Moon- Live
- Spiders
- Rock 'n' Roll Rebel
- You're No Different
Tracks:
- Ultimate Sin- Live
- Never Know Why- Live
- Thank God For The Bomb- Live
- Crazy Babies
- Breakin' All The Rules
- I Don't Want To Change The World- Demo
- Mama, I'm Coming Home- Demo
- Desire- Demo
- No More Tears
- Won't Be Coming Home (S.I.N.)- Demo
- Perry Mason- Live
- See You On The Other Side- Demo
- Walk On Water- Demo
- Gets Me Through- Live
- Bang Bang (You're Dead)
- Dreamer
Tracks:
- Iron Man- with Therapy?
- N.I.B.
- Purple Haze
- Pictures Of Matchstick Men
- Shake Your Head (Let's Go To Bed)
- Born To Be Wild
- Nowhere To Run (Vapor Trail)- The Crystal Method, With Ozzy Osbourne,Dmx,'Ol Dirty Bastard, & Fuzzbubble
- Psycho Man- Black Sabbath
- For Heaven's Sake- Ozzy Osbourne, Tony Iommi, Wu-Tang Clan
- I Ain't No Nice Guy
- Therapy- Infectious Grooves
- Stayin' Alive
- Dog, The Bounty Hunter
Tracks:
- 21st Century Schizoid Man
- Mississippi Queen
- All The Young Dudes
- In My Life
- Fire
- For What It's Worth
- Sympathy For The Devil
- Working Class Hero
- Good Times
- Changes
Amazon.com
Not entirely a career retrospective and decidedly not a vault raid that reveals the junk in the trunk, this four-disc collection chronicles Ozzy's hot-burnt and all-too-brief Blizzard Of Ozz and Diary Of A Madman post-Black Sabbath era with Randy Rhoads and also the long road the Ozzman traveled in search of a guitarist that could ever come close to matching his late friend's creative spark. Listening to material from albums such as Bark At The Moon and The Ultimate Sin reveals that even when Osbourne wasn't flying all that high musically he did keep evolving and, in the often risk averse world of heavy metal, he often took chances that could have potentially alienated core fans ("Thank God For The Bomb" reveals that Ozzy may care about the planet but he doesn't possess the same knack for politics as Bob Dylan) but made them embrace him even more. He managed to hit another career high with guitarist Zakk Wylde and the No More Tears album which provides some of the second disc's finest moments. ("Mama I'm Coming Home" proves one of the underrated balladeer's most poignant moments.) But the back end of this collection shines as much as its front with a disc that compiles various collaborative efforts, including a tussle with Miss Piggy on "Born To Be Wild" and a strange detour with Was (Not Was) on "Shake Your Head (Let's Go To Bed)." The real gem is the fourth platter which finds Ozzy covering some of his favorite tunes from the past, including a moving and wholly accurate reading of John Lennon's "Working Class Hero," a song that almost seems to have been written with Osbourne in mind. Ozzy may be the prince of darkness but he's also the king of heavy metal and this set demonstrates, once more, exactly why. -- Jedd Beaudoin
Customer Reviews:
3/4.......2007-06-08
the only thing that puts this boxed set down is the 3rd disc with all the duets with rap homos
Prince Of Darkness.......2007-05-15
My daughter in law loved this Christmas gift and it arrived on time. Thanks for your attention to detail.
THIS IS A F*#%ING MUST HAVE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2007-04-16
As I said above this is a F#!&ING MUST HAVE an absolute nessesary
box set for any ozzy fan. EVERY HIT, PERRY MASON, MR. CROWLEY, SUICIDE
SOLUTION, AND, WELL, I COULD GO ON FOREVER!!!!!!!!!!!!!!!!!!
AND SOME UNRELESIED SONGS (SORRY FOR MUA MISSPELLINGS).
but this is the best F$&*ING ozzy collection EVER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
The OZ box set.......2007-02-01
I love it great box set, only one bad song to me and I am an OZZY nut but I hated Mississippi Queen I just do not like his voice doing this song, That should be left up to Leslie West... IMO
gift for my husband.......2007-01-10
this was a gift for my husband's birthday.he would have liked a better variety of songs.
Average customer rating:
- When she sang...people would forget all that is conventional in opera
- absolutely Beautiful
- A glorious voice to remember
- An Ode to Beauty and Artistry (Lorraine Hunt-Lieberson, 1954-2006)
- subtle beauty
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Lorraine Hunt - Handel Arias
George Frideric Handel , Nicholas McGegan , Lorraine Hunt , and Philharmonia Baroque Orchestra
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
All Works by Handel
| Handel, George Frideric
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Similar Items:
- Bach: Cantatas BWV 82 and 199
- Peter Lieberson: Neruda Songs
- Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto
- Lorraine Hunt Lieberson: Handel Arias
- Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan
ASIN: B0000007EU
Release Date: 1994-05-17 |
Tracks:
- (Clori: Part I): Va col canto
- (Clori: Part II): Barbaro!
- (Clori: Part II): Amo Tirsi
- (Theodora: Act I, 5): Angels, Ever Bright And Fair
- (Theodora: Act II, 2): With Darkness, Deep
- (Theodora: Act II, 2): Oh! That I On Wings Could Rise
- (Ottone: Act II, 4): Vieni, o figlio
- (Arianna: Act I, 2): Mirami altero in volto
- (Susanna: Part I, 2): Bending To The Throne
- (Susanna: Part III, 2): Guilt Trembling Spoke My Doom
- (Messiah: Part III, 2): He Was Despised
- (Radamisto: Act III, 7): Qual nave
- (Agrippina: Act II, 20): Ogni vento
Customer Reviews:
When she sang...people would forget all that is conventional in opera.......2007-01-11
With Lorraine Hunt you can't go wrong. Her appeal is universal: those who don't fancy opera will love it because of her virtuoso capability, originality and sincerity. Laurent Naouri expressed the core of her appeal: "When she sang her character, people would forget all that is conventional in opera. People would forget even her singing; they would just feel something so deep and true." Bravo, Lorraine, you set a standard for all time.
absolutely Beautiful.......2007-01-10
She really left a wonderful gift in this cd. I wish I could have appreciated her voice before she died so as to have seen her in concert. What a voice she had!
A glorious voice to remember.......2006-10-29
If you love the voice of Janet Baker or Kathleen Ferrier, you will love this collection. Miss Hunt is the peer of any mezzo soprano I have ever heard, bar none. Her voice is pure and rich, her musicality is flawless, her total effect awe inspiring. If you have never heard Lorraine before, this is a great place to start. You won't be sorry!
An Ode to Beauty and Artistry (Lorraine Hunt-Lieberson, 1954-2006).......2006-07-06
I've been meaning to review this album for the longest time, but haven't because of my committments at work and other things. Lieberson's voice, in my opinion, is one of the most beautiful instruments of our generation. It is, unlike a certain Renaaay who tries to sing anything and everything as a huge, incoherent slur, a very beautifully and artistically sung Handel recital. The tone is simply magnificent! And no other Handelian artist has connected her singing of the role with a dramatic sense that is so acute as her performances of the role.
It is really sad to know that this great artist died of breast cancer two days ago in her home in Santa Fe, New Mexico. It was a big loss for the operatic world to lose such a beautiful instrument at such a young age. Lorraine Hunt-Lieberson will be missed.
subtle beauty.......2005-11-14
I have had this CD for several years now, and also all of the CDs from which these arias are drawn. What a great album; I would not be without it. Ms. Hunt (now Hunt Lieberson) has the voice, phrasing, discipline...the inner understanding of this music. She's "connected" on almost every piece here. 'Angels Bright and Fair' is a particular standout in my view; but almost certainly, if you are a lover of Handel's music, you will find something special here. Her soprano to mezzo soprano on this CD was a subtle and extraordinary voice for performing these pieces.
Average customer rating:
- A musical treasure-box
- a beautiful journey into melancholy
|
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Dowland: Complete Lute Works, Vol.1-5
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ASIN: B000004CYV
Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
A musical treasure-box.......2006-09-10
Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
- Classic Cali Punk-Metal Synthesis
- How underrated can a band be....
- So so
- When I refer to Agent Orange, everyone assumes I'm talking about the stuff they used in 'Nam...
- EXCITING SEMINAL O.C. PUNK
|
Living in Darkness
Agent Orange
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000032WD
Release Date: 1992-11-10 |
Tracks:
- Bloodstains (Original Version)
- Too Young To Die
- Everything Turns Grey
- Miserlou
- The Last Goodbye
- No Such Thing
- A Cry For Help In A World Gone Mad
- Bloodstains (Darkness Version)
- Living In Darkness
- Pipeline
- Breakdown
- Mr. Moto
- America
- Bored Of You
- El Dorado
- Interview 1981
Customer Reviews:
Classic Cali Punk-Metal Synthesis.......2006-06-01
Agent Orange (they came from Orange County) weren't punk, weren't metal, and weren't surf revival. Yet they had bleak near-metal outlook and riffage a bit above punk's two chord grind, speed like punk and attitude & angst like punks, and they dug classic surf instrumentals. This is Underground at its best. Agent Orange, for all the bleakness of their lyrics, were much lighter than other bands of the Hardcore Punk scene (that's the genre they were lumped in with, but like I said, they weren't punk). They had a typical dude persona that was covered by the anger of their singer/guitarist Mike Palm's songs.
Living In Darkness was originally an EP (tracks 2-9 on the curent CD). In '92, it was released with new tracks (some of them from the 1979 sessions that earned them their contract). "Bloodstains," with Mike's anger, its simple chaotic riff and the dread-surf solo made it a fine opener. "Everything Turns Grey" is classic punk style stuff with a quick, simple yet effective rapidfire solo by Mike. "No Such Thing" has an awesome metal riff (people need to hear this, its a heavy like Metallica riff), and "America" is classic "Americanan is gay" sentiment. Living In Darkness has three surf instrumentals from the sixties also. All are done with righteous agression and driving force. The songs are "Miserlou" by Dick Dale, "Pipeline" by The Chantays, and "Mr. Moto" by The Bel-Airs. A radio interview is also included. The boys sound like Average Joes on weed. Classic.
Agent Orange was a big influence on The Offspring, and you can tell. These fun but fierce Underground kings were pretty darn good, and need to be known more. Living In Darkness is fine food for your player. If you're 16 and you wanna bang your head....bang your head to this.
How underrated can a band be...........2006-04-21
when an album that is far better than anything from the 80's barely gets any recognition? Agent Orange is one of the best bands that never got the credit they deserved. Buy this album if you even kinda like surf-punk, such as that "Wipeout" song from the Surfaris (note that every song on this album is by far better than "Wipeout")
Oh, if you want a song-by-song for this album, simply give every song a 10. It's that good :)
So so.......2006-04-08
Not a bad album, but not all that great either. Bloodstains is a classic, but the rest of the album is listenable, but mediocre.
When I refer to Agent Orange, everyone assumes I'm talking about the stuff they used in 'Nam..........2006-02-10
I was fortunate to talk to Mike Palm at an Agent Orange show in Oklahoma City, and we got to discussing guitars. I won't divulge the secrets of his awesome surf-rock guitar sound, but I will say that he was very nice, introduced me and my friends to the rest of the band (the drummer let me sign the cast on his foot with which he proceeded to bang the holy sh*t out of his drums all night), and proceeded to put on a genuine punk rock show worthy of their legend. Viva Agent Orange!
P.S. This album is really grood. I mean, good. And great. Great and good.
EXCITING SEMINAL O.C. PUNK.......2005-06-03
I really didn't expect this album to sound this powerful !!! While it's true the music is surf-tinged,the overall sound is a storming punk/hc one with massive riffs and a skull splitting guitarwork,making this cd a nice addition to anyone fond of more ferocious punk rock.No resemblances to the Beach Boys as I was told,dude !!!!! The remastered sound is gorgeous except for the drums that are a lilttle muddled up,but hey,this is originally a low budget punk recording,so what the f@kk !!!!!.As bonus tracks 3 non album tracks from 91 have been added,along with some studio live songs,all very nice and coherent with the album.
Average customer rating:
- Immortal's Masterpiece
- quite possibly Immortal's BEST release
- Pretty good album by Immortal.
- Classic Black Metal that hails from the founding state itself, Norway
- What's so great about it? Overrated and disappointing
|
Sons of Northern Darkness
Immortal
Manufacturer: Nuclear Blast Americ
ProductGroup: Music
Binding: Audio CD
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- Battles in the North
- De Mysteriis Dom Sathanas
- Damned in Black
ASIN: B00005V6QB
Release Date: 2002-03-05 |
Tracks:
- One By One
- Sons Of Northern Darkness
- Tyrants
- Demonium
- Within The Dark Mind
- In My Kingdom Cold
- Antarctica
- Beyond The North Waves
Album Description
Recorded at the legendary Abyss studios by fellow label mate Peter Tagtgren (Hypocrisy), this 2002 release features grim, haunting vocals, crushingly brutal guitar riffs, and pounding bass thunder adding up to a superior black metal album.
Customer Reviews:
Immortal's Masterpiece.......2007-06-22
Although their sounds are distinct, this album reminded me of Dissection's "Storm of the Light's Bane" on one level. They're both catchy, accessible, and atmospheric, but not commercial. I don't necessarily look for accessibility in black metal. After all, Emperor's rather difficult "In the Nightside Eclipse" is my favorite black metal album. However, it is nice for a change when you can love a black metal album on first listen without putting too much effort into it. This is definitely one of those albums. This may be true for Cradle of Filth, Dimmu Borgir, and their clones, but those bands are only accessible because their music doesn't have as much depth or lasting value as the true black metal elite. [Note: This isn't to say that they are bad. Cradle isn't my taste, but I can stand Dimmu.]
Like much of black metal, it is missing the point to describe it on purely musical terms. Like most other black metal classics, it is the atmosphere which makes this album enjoyable. It's not particulary sadistic or sad. It's simply dark and grim. Necro, if you will. If any album conjures up images of the frozen north, it would be this one. It's the perfect album for dark, wintry days.
If I were to rank my favorite black metal albums, this probably wouldn't make the top 5, but I'd put it in the bottom half of the top 10. If you're new to Immortal, start here. There isn't a weak track to be found.
quite possibly Immortal's BEST release.......2007-04-17
Black metal in general is a love it or hate it affair, but Immortal represents the cream-of-the-crop, as far as I'm concerned. They also defy the stereotypical Satanic/anti-christian subject manner usually associated with the genre, with most of their songs set in a frozen mythical land called Blashyrkh:
"Blashyrkh mighty be your name victorious a kingdom we made
with strength and pride all the way you are at the heart of winter
The statue watches the kingdom your giant wings make all beneath
I'm staring forth the raventhrone I know I'm at the heart of winter"
(from the album 'At the Heart of Winter')
Yes, there are chainsaw guitars and blazing double-bass drumming, but there's also many atmospheric passages, all the while staying HEAVY as hell. Abbath's croaking vocals might not sit well with some, but it works - it really does.
"Sons of Northern Darkness" is a MUST-HAVE black metal release. Immortal are reuniting for some concert dates in 2007 - don't miss them!!
Pretty good album by Immortal........2007-03-02
This album is another pretty good release by Immortal. Not as great as some of their other CD's, but definitely not bad by any means. The band took a bit more of a mainstream turn on this album, but not so much that the listener cannot decipher as to whether or not the roots to their earlier releases are still present. Immortal did another good job with this album...as usual. The guitar work is outstanding, the vocals are pretty good as they usually are...and overall, the whole CD is definitely owrth checking out. Recommended!
Classic Black Metal that hails from the founding state itself, Norway.......2007-01-02
Excellent excellent excellent, that is all that can truly describe this album or this band in general. Some say that it all sounds the same, well perhaps if they would just turn down their greenday and listen to the real stuff they would gte a better picture of what these "heathens" are really trying to say.
Point is, if you enjoy crazy riffs, crazy double-bass pedels, and vocals that could force mud to give birth to a pig, then this is for you.
What's so great about it? Overrated and disappointing.......2006-12-19
Seeing this album listed in so many people's lists of "best Black Metal albums" and seeing all the 5-star ratings, you'd think this must surely be one of the unholiest pieces of Hellish fury ever recorded. But you'd be wrong.
Man was I disappointed when I put it on and instead heard a bunch of mainstream-style licks with a bit of croaky Black Metal vocals. I call this stuff "Black Metal Lite". No true Black Metal chaos, all the songs all nice and safe and neat and tidy and cleanly produced. Yeah maybe they're not quite as commercial as Cradle of Filth or Dimmu Borgir, but with this album they came pretty damned close. Overall it's pretty lightweight and hardly what I'd call Black Metal. If you want to listen to some REAL Black Metal, go get yourself something by Behexen or Antaeus or Urgehal or Pest or Tsjuder.
But props to Immortal for at least having the sense to realize they had lost their edge and it was time to call it quits. This stuff here is just tired mainstream Metal masquerading under corpsepaint as "Black Metal" to fill a certain product bin in suburban shopping malls.
Average customer rating:
- 70' style hard rock with a light touch
- Hello, Darkness...
- Classic Rock Makes A Comeback
- Nothing like Queen!!! Original and excellent!
- Permission granted chaps - a hearty 3.5 stars
|
Permission to Land
The Darkness
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
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- One Way Ticket to Hell...And Back
- Get Born
- Is This It
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ASIN: B0000AZKM0
Release Date: 2003-09-16 |
Tracks:
- Black Shuck
- Get Your Hands Off My Woman
- Growing On Me
- I Believe In A Thing Called Love
- Love Is Only A Feeling
- Givin' Up
- Stuck In A Rut
- Friday Night
- Love On The Rocks With No Ice
- Holding My Own
Album Description
2003 album for up-and-coming British rock act. Includes the singles 'Growing On Me', 'Get Your Hands Off My Woman' & 'I Believe In A Thing Called Love'. Atlantic.
Customer Reviews:
70' style hard rock with a light touch.......2007-04-25
There are some conditions for anyone to try and like this CD. First, you have to get used to Justin Hawkins singing which can go from a normal decent rock voice one second to sounding like he's just lopped off his babymaker with a knife the next second. On first listen I didn't think I would get used to it, but I did and now it doesn't bother me. Second, you have to like 70's hard rock bands like Aerosmith, AC/DC, Foghat, KISS, Cheap Trick, etc., because that's the style of music The Darkness play. I grew up on these bands so was thrilled to hear some good melodic guitar riffs and solos. Third, lighten up. These are not songs with messages. They are 3 or 4 minutes of loud guitar, overblown rock n' roll vocals and cheesy lyrics probably written while drunk. The Darkness are not a great band but they wrote some fun songs to listen to that will get your head bobbing and feet tapping.
Hello, Darkness..........2007-01-18
If you liked the smash hit "I Believe in a Thing Called Love" then in all likelihood, you'll enjoy this album. The Darkness' debut is filled with catchy melodies, supported by loud rock guitars and enough high-pitched wailing to make David Lee Roth proud. "Love On The Rocks" and "Black Shuck" feature the band at their rock zenith, while "Friday Night" and "Holding My Own" show that ballads can in fact still rock. A must-own for anyone who kneels at the altar of '70's Classic Rock, or else anyone who can appreciate loud, sleazy guitars alongside lead singers with the same attributes.
Classic Rock Makes A Comeback.......2007-01-09
For those of you not familiar with The Darkness the band burst on to the scene in England in 2003 becoming a stadium level act almost overnight. Their sound takes a heaping dose of 70's glam rock with a pile of 80's hair metal and adds a bit of Queen influence to come up with their over the top version of classic rock for the new millennium. The album did not make nearly as much of a splash in the US although the single "I Believe In A Thing Called Love" did get some limited airplay. So, after reading all the hype about these guys in Europe I had to pick up the album to see what all the fuss was about. So does it live up to the hype? Well......yes and no. I would not say that this is a great album, but I have to give it props in that the songs are catchy as hell, the riffs are solid and well...the album just rocks. The Darkness are not really doing anything new. Their sound is derived from many bands that came before them that many darkness fans may be too young to remember. It is basic classic rock all the way with Justin Hawkins unique vocals on top of it all. Still it is a formula that works for the most part and I find this album very enjoyable.
Nothing like Queen!!! Original and excellent!.......2006-10-16
Firstly, this band is nothing like Queen. They were sent to give us some old time, good, original Rock and Roll.
This album is amazing. The scorching guitar solos, pounding rhythm section and shrill, powerful singing shows intelligence and originality. Don't listen to people who have nothing else to whine about. This beats all of today's boring, dull music with no talent musicians and boring, cheesy lyrics. Buy this and let it add a bit of colour to your life.
The Darkness, Oasis, and, last but by no means least, the Scissor Sisters are out to save the music industry. Don't knock 'em till you've tried 'em.
Oh, and BUY!
Permission granted chaps - a hearty 3.5 stars.......2006-09-06
Yeah OK the hype worked on me. Just had to check out the story. And to tell the truth the story ain't half bad. Musically these guys are solid enough, the opener Black Shuck gridning out a riff that's as good as anything else going around and the song itself is charmingly incomprehensible until you find out the story behind it. Other tracks such as Get Your Hands Off My Woman clip along nicely, not overstaying their welcome. Sometimes it doesn't work out as well such as tracks like Holding My Own and Friday Night which are fairly forgettable.
The band seem quite tight and not afraid to show their influences such as Queen and other 70's eccentricities. But they also bring a fresh version of their idols to the table such as the slightly funky Stuck in a Rut and the deliberately ridiculous Love On the Rocks With no Ice. This quite deliberate humour also sets these boys apart from their peers - for some time prior to it's release the whole hard rock/heavy metal scene had so little of it. Of couse Euro metal bands were happy to play around, but UK bands and especially US bands seemed incapable of imparting any sense of fun unless it was grudginly offered under layers of irony.
So musically pretty good stuff, light hearted in attitude and with a decent production job and individualistic cover - no wonder this thing sold.
But - and there is a but. Many fans will be turned off by the vox of Justin Hawkins. Now I like the effect he's able to do with his voice, like a bloke with his wedding tackle in a vice, but why do it every song? Sure it's their signature sound but when you have a special weapon you bring it out for special occasions. Not beat yo audience over the head with it every time. So to listen to this album from one end to the other may not be the easiest thing to do.
If you like your hard rock with a nod to the past and with a big grin on it's face then snap this up. Almost three years after it's release it's videos are still in decent rotation and that says something for the bands skill at capturing a decent melody within a hard rock framework.
Average customer rating:
- Superb tribute to Kerouac
- A Tribute in Words, Music & Voices
- No, no suicide, wine please, wine...
- "From these Blues we'll go to H Y M N S"
- Hopeful and refreshing
|
Kerouac: Kicks Joy Darkness
Various Artists
Manufacturer: Rykodisc
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000009PX
Release Date: 1997-04-08 |
Tracks:
- Kerouac - Morphine
- Bowery Blues - Lydia Lunch
- My Gang - Michael Stipe
- Dream: Us Kids Swim Off A Gray Pier... - Steven Tyler
- Letter To William S. Burroughs And Ode To Jack - Hunter S. Thompson
- Skid Row Wine - Maggie Estep & The Spitters
- America's New Trinity Of Love: Dean,Brando,Presley - Richard Lewis
- Dream: On A Sunny Afternoon... - Lawrence Ferlinghetti And Helium
- MacDougal Street Blues - Jack Kerouac & Joe Strummer
- The Brooklyn Bridge Blues (Choruses 1-9) - Allen Ginsberg
- Hymn - Eddie Vedder, Campbell 2000 And Sadie 7
- Old Western Movies - William Burroughs And Tomandandy
- Silly Goofball Pomes - Juliana Hatfield
- The Moon - John Cale
- Madroad Driving... - Johnny Depp & Come
- 'Have You Ever Seen Anyone Like Cody Pomeray?' - Robert Hunter
- Letter To John Clellon Holmes - Lee Ranaldo & Dana Colley
- Pome On Doctor Sax - Anna Domino
- Mexico Rooftop - Rob Buck & Danny Chauvin As Hitchiker
- The Last Hotel - Patti Smith With Thurston Moore And Lenny Kaye
- Running Through-Chinese Poem Song - Warren Zevon & Michael Wolf
- Woman - Jim Carroll With Lee Ranaldo And Lenny Kaye
- Mexican Loneliness - Matt Dillon With Joey Altruda And Joe Gonzalez
- Angel Mine - Inger Lorre & Jeff Buckley
- The Brooklyn Bridge (Chorus 10) - Eric Andersen
Customer Reviews:
Superb tribute to Kerouac.......2006-09-07
Kerouac enthusiasts are well-served with recordings of their master's work read by others. I can think of several such albums already available, mainly of his well known books: On The Road, The Dharma Bums, Visions of Cody, Big Sur, and Mexico City Blues. There are also Jack's own recordings, released on a 3-CD Rhino Records set, in which he tends to explore more unfamiliar territory, such as his Pomes All Sizes, Old Angel Midnight, and Book of Blues, with just the occasional excursion into the more familiar realms of The Subterraneans, Desolation Angels, Lonesome Traveler, and Visions of Cody.
Such is the case with this tribute CD from Rykodisc where the producer (and nephew of Jack's last wife) Jim Sampas, has deliberately chosen more unfamiliar texts for the galaxy of star talents on this release to read. The reasoning behind this decision was apparently to show Kerouac in a different light, and to demonstrate the wide range of his different styles. In this objective Sampas has succeeded admirably.
Accordingly, there are readings of the more obscure items from Pomes All Sizes and Book of Blues as well as four texts which have never before been published: Brooklyn Bridge Blues, America's New Trinity of Love: Dean, Brando, Presley, and two dreams: "On a Sunny Afternoon...", and "Us Kids Swim Off a Great Pier". The excellent 32-page booklet includes the full text of all the readings, and so represents the first publication of these items. It also has some photos of Jack, and paintings by him which have not been widely seen.
So, who is reading the texts? A host of talent from the worlds of music, film and literature. The late Allen Ginsberg and William Burroughs are present, as are Lawrence Ferlinghetti, Hunter S Thompson and Jim Carroll. The musician readers include R.E.M.'s Michael Stipe, Pearl Jam's Eddie Vedder, Aerosmith's Steven Tyler, Lee Ranaldo of Sonic Youth, Patti Smith, John Cale, Warren Zevon, the Grateful Dead lyricist Robert Hunter, Eric Anderson and Julia Hatfield. Other musicians, such as Sonic Youth's Thurston Moore, ex-10,000 Maniacs guitarist Rob Buck, and Jeff Buckley provide backings for the readers. From the land of film and stage come Johnny Depp and Matt Dillon, as well as comedian Richard Lewis. There's even a previously unheard recording of Kerouac himself, reading from his MacDougal Street Blues, with over-dubbed bass, synth and guitar by Joe Strummer. Jack can also be heard in the background of Robert Hunter's reading from Visions of Cody, skatting "A Foggy Day in London Town" from a rare tape recorded at the Cassady's home in 1952.
What of the readings? Well, they cover a wide range of interpretations, from the stark Lydia Lunch on Bowery Blues and the wild Maggie Estep on Skid Row Wine to the child-like rendition by Julia Hatfield of Silly Goofball Pomes, and the improvisation of Patti Smith on The Last Hotel, the poem of Jack's which always reminds me of Arthur Rimbaud. The readers I most enjoyed were those who sounded like Jack and who phrased like Jack, since I truly believe that no one can read Kerouac as well as Kerouac did. Accordingly, my favorite reader has to be Lee Ranaldo, who delivers a magnificent reading of a letter to John Clellon Holmes in which Jack is telling of his encounter with the beautiful "Good Blonde" who gave him a lift up the west coast in 1955. I could listen to that voice reading Kerouac all day long. All night too. Runners up in this category would have to be Robert Hunter (Visions of Cody), Warren Zevon (Running Through - Chinese Poem Song), and Matt Dillon (Mexican Loneliness).
Allen Ginsberg does a fine reading of the previously unseen Brooklyn Bridge Blues, recorded at the Town Hall, NYC, in 1995. Only 8½ of the total of 10 choruses were read by Allen because, on the day, the last page had somehow become lost. To rectify this shortcoming, Eric Anderson can be heard performing the missing 1½ choruses on a separate track, from the top of the Brooklyn Bridge, no less, with the sounds of the traffic passing by.
As well as the Kerouac readings, two of the tracks feature new material. The band Morphine perform "Kerouac", their own tribute to the man, and Hunter S Thompson, after reading a short extract from one of Jack's letters to William Burroughs, adds his own "Ode to Jack" in homage to his hero.
The musical accompaniments cover a wide spectrum of styles. No jazz, which Jack preferred, and which backed some of his own recordings, but rock sounds of varying intensities and complexities. I still reckon that Jack would have approved.
The CD as a whole presents a vast variety of content, reading styles and musical accompaniments, all fitted together in a pleasing sequence that would be hard to beat. The playing time is extremely generous at 79½ minutes, and the complete package is indeed a fine tribute to Jack Kerouac. Producer Jim Sampas is to be congratulated in putting it all together. Let's hope that this is but the first of many such projects.
A Tribute in Words, Music & Voices.......2005-04-12
Now and then a CD gets better the more you listen. Such is the case with Kicks Joy Darkness, a tribute to Jack Kerouac. It was released in 1997, but I recently rediscovered it and put it in my car so I could listen again. I'm glad I did.
The CD is a tribute in words, music and voices to one of the greatest writers of our time. Here, his work is interpreted by a diverse range of talents, including actor Matt Dillon, Morphine, Michael Stipe, the awesome band Come, and Aerosmith's Steven Tyler, as well as Jack's contemporaries Lawrence Ferlinghetti and Allen Ginsberg.
The best two tracks are "Dream: "Us Kids Swim off a Gray Pier" by Tyler, who does a phenomenal job of evoking Jack's images of summer through spoken word, and "MacDougal Street Blues," which is Jack's own voice backed by the late great Joe Strummer on electronic beat and keyboards. It's nothing short of sublime.
I like Jack's work because he seems to be a reluctant hero, which is what he was. Once his "On the Road" was reviewed by the New York Times in 1957, he was touted as The Next Big Thing and the spokesperson of a generation (the Beat generation for sure). And sort of like Kurt Cobain in the Nineties, who was also given the role of spokesperson of a generation against his will, Jack resisted. He never wanted to be anything but a writer, so fame ate him up and overshadowed the very thing that had catapulted him to the forefront in the first place - his talent.
My only complaint about this CD is that none of Jack's novels (his best work) are represented here, which is why I'm giving it 4 stars instead of 5. I recommend picking up this CD as it's definitely worth a listen.
No, no suicide, wine please, wine..........2000-11-14
A well chosen and diverse mix of musicians, poets and writers contribute intimate interpretations of Kerouac's poetry. Haunting, graceful, raw and humorous, a brilliant album highly recommended. Special hilights-Hunter S Thompson's gonzo "Ode to Jack," Morphine's smoky "Kerouac," and Maggie Estep & the Spitters aggressive "Skid Row Wine." Jack himself is heard to a house beat by Joe Strummer on "Macdougal St Blues." One of a kind.
"From these Blues we'll go to H Y M N S".......2000-02-27
For those of you who know Kerouac, you know that my screen name comes from "The Brooklyn Bridge Blues" - a track on this wonderful CD. For those of you who aren't that familiar with his work, I would highly recommend this collection.
Lydia Lunch's version of "Bowery Blues" is reason enough to get it - sultry, dangerous and mad with introspective passion. John Cale does a really nice rendition of "The Moon", one of Jack's more beautiful poems.
There are other gems here, as well. Juliana Hatfield's take on "Silly Goofball Pomes" has that perfect, childlike sound. "Mexican Loneliness" and Jack's "Dream" highlight his descriptive brilliance.
Very nicely done..
Hopeful and refreshing.......1999-08-11
This CD would serve as a great introduction to Kerouac's work. The balance between spoken word and musical performance is near perfect and serves to show the timelessness of effective poetry.
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