Exclamation Mark [Import] [Original recording remastered]

exclamation mark [import] [original recording remastered]

Track Listings
1. .Another Country
2. Pigs Foot
3. Season Of The Witch
4. Place Of Heartbreak
5. Where Is My Mind
6. Piece Of My Heart
7. Dharma For One
8. Peace Of Mind
9. Born To Be Wild

Exclamation Mark,Pesky Gee,Cool Sound,Pop,Rock/Pop

Exclamation Mark [Import] [Original recording remastered]
The Lion King (1997 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Choose this one over the movie soundtrack...
  • Best musical soundtrack ever!!!
  • We love the Lion King
  • Great Soundtrack for a Great Musical
  • Go see the show, just don't buy the CD there
 The Lion King (1997 Original Broadway Cast)
Elton John , Tim Rice , Heather Headley , and Mark Mancina
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Disney's Beauty and the Beast: The Broadway Musical (Original Broadway Cast Recording)
  2. Wicked (2003 Original Broadway Cast)
  3. Aida (2000 Original Broadway Cast)
  4. The Lion King: Pride Rock On Broadway
  5. Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)

ASIN: B000001M1B
Release Date: 1997-11-14

Tracks:

  1. Circle Of Life
  2. Grasslands Chant
  3. The Morning Report
  4. The Lioness Hunt
  5. I Just Can't Wait To Be King
  6. Chow Down
  7. They Live In You
  8. Be Prepared
  9. The Stampede
  10. Rafiki Mourns
  11. Hakuna Matata
  12. One By One
  13. The Madness Of King Scar
  14. Shadow Land
  15. The Lion Sleeps Tonight
  16. Endless Night
  17. Can You Feel The Love Tonight
  18. He Lives In You (Reprise)
  19. Simba Confronts Scar
  20. King Of Pride Rock/Circle Of Life

Amazon.com

An Oscar win might suggest a score that would need a miracle to be bettered--but this colorful stage adaptation of Disney's The Lion King does so with flair. Composers Mark Mancina and Lebo M worked closely together to fuse the movie's many disparate elements. Where there was a veritable army exercising creative influences for the animated tale, this brings it all under the wings of a like-minded few. This is genuinely apparent as one track flows into the next. The African rhythms--both vocal and in instrumentation--come across as authentic and original all at once. No doubt this is largely through Mancina's passion for peculiar instruments and the possibilities suggested from nightly live performances. "Grasslands Chant" is a good place to hear this. The hit favorites are here of course, but both "Circle of Life" and "Can You Feel the Love Tonight" are pleasingly unrecognizable with chorus and shifting beats. Better still is the likelihood they will now be eclipsed by some of the new numbers. Mancina's own "He Lives in You" being a strong contender. With a sound mix as crisp as you'd hope to find, this is rousing stuff. --Paul Tonks

Customer Reviews:

4 out of 5 stars Choose this one over the movie soundtrack..........2007-06-28

I bought this cd after seeing the show on broadway. If you like the African-influenced music present in the movie version of the Lion King, all of the original is present here as well as some really good new stuff. My favorite of the new songs is "Shadowland", which really just takes some recognizable background music from the movie and adds lyrics to it. other standouts include "He Lives in You", which you may have heard if you saw The Lion King 1 1/2, and the song Simba sings after his father has died.

I took off one star because I am not a fan of the singer portraying Scar in this recording, and I don't like most of his songs or those the hyenas sing. But the excellence of everthing else makes up for it.

5 out of 5 stars Best musical soundtrack ever!!!.......2007-05-19

Awesome music!!! My kids love it, I love it! Everyone loves it!! I could listen to it over and over and not get sick of it!!!!

5 out of 5 stars We love the Lion King.......2007-05-17

We had just gone to NY in March 07 and saw the play live. The CD is just as beautiful and the music brings tears to my eyes. My five year old knows all the words. We play it on the way to school and back everyday. He particularly likes "I just can't wait to be King".

5 out of 5 stars Great Soundtrack for a Great Musical.......2007-05-13

This soundtrack is just as breathtaking as watching the musical and brings back all of the memories of NYC! This is the original cast recording, so if you've seen the production recently, most of the actors aren't the same; just keep that in mind.

5 out of 5 stars Go see the show, just don't buy the CD there.......2007-03-04

I purchased this CD after seeing the U.S. tour. The show is amazing, go see it. I just say not to buy the CD there because there's a 300% markup! This exact CD is sold at the show's gift shop for $30...look what Amazon has it for. It's a great show, the music is better than that of the film. Enjoy!
Urinetown (2001 Original Off-Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • An Amazing Find
  • Urinetown the Musical
  • Not for Everyone
  • "DON'T BE THE BUNNY!"
  • Now my favorite CD, EVER!
 Urinetown (2001 Original Off-Broadway Cast)
John Cullum , Mark Hollmann , Danny Marcus , and Hunter Foster
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Urinetown: The Musical
  2. Urinetown: Vocal Selections
  3. The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)
  4. Avenue Q (2003 Original Broadway Cast)
  5. The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005LZR8
Release Date: 2001-08-07

Tracks:

  1. Overture
  2. Too Much Exposition
  3. Urinetown
  4. It's A Privilege To Pee
  5. Mr. Cladwell
  6. Cop Song
  7. Follow Your Heart
  8. Look At The Sky
  9. Don't Be The Bunny
  10. Act One Finale
  11. What Is Urinetown?
  12. Snuff That Girl
  13. Run, Freedom, Run!
  14. Why Did I Listen To That Man?
  15. Tell Her I Love Her
  16. We're Not Sorry
  17. We're Not Sorry (reprise)
  18. I See A River

Amazon.com

"How about a bad title?" wonders Spencer Kayden's Little Sally in "Too Much Exposition." "That could kill a show pretty good." It's a tribute to the skill deployed by the Urinetown creative team (Mark Hollman, music and lyrics; Greg Kotis, book and lyrics) that its title doesn't kill the show. Set in a near-future in which water depletion has led to a ban on private toilets, this may be the only musical in history in which one of the leads makes a fortune on pee. But the show (which originated Off-Broadway before graduating to the big league) limits its subversive intent to subject matter and is refreshingly classic in approach and structure--think Weill-meets-Lewis Carroll. Backed by a small ensemble, the cast (with John Cullum in a turn nothing short of brilliant as the evil urinal magnate) has a field day with Kotis and Hollman's frequently hilarious score. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars An Amazing Find.......2007-04-03

I just recently discovered this gem of a musical. It's a stand out show with a unique touch. If heard a few outside musicals (The Rocky Horror Show, Hedwig and the Angry Inch...) but this one stands out from them. The music is amazing, the lyrics are creative, and the humor is ripe.

With a chamber music-esque overture, the tone is set. 'Too Much Exposition' is a great introduction to Urinetown (the musical). Officer Lockstock addresses the audience about what they should expect from the show. Little Sally wants to let the audience in on the water shortage but Lockstock stops her. ("You're too young to understand it now, but nothing can kill a show like too much exposition." "How 'bout bad subject matter? Or a bad title, even? That could kill a show pretty good.")

I've read what others have written: you don't get the whole humor of the show unless you've seen it. I haven't seen it, but this recording is enough to get me see it. (That is, if a production nearby, even a high school production, is put on.)

The songs that I find myself listening to over and over are:

Too Much Exposition (not really a song, but still...)
Urinetown
It's A Privilage to Pee
Mr. Cladwell (a wonderfully sweet villain song)
Cop Song (a wonderfully fun villain song)
Follow Your Heart
Don't Be the Bunny
Act 1 Finale
What Is Urinetown?
Run, Freedome, Run!
Why Did I Listen to That Man?
We're Not Sorry (a great 20's sound, reminds me of 'Chicago')
I See A River (I really love this song... the feeling gotten across, before Lockstock comes out to comment, is 'Oh, everything is going to be okay', but Lockstock informs us that all is NOT well)

With a cry of "Hail Mathus!" the show ends. I just have to listen again, after making a trip to the bathroom.

5 out of 5 stars Urinetown the Musical.......2007-03-10

This CD has all the songs from the show. The show is great and this rendition is about the best.

3 out of 5 stars Not for Everyone.......2006-12-28

This musical is a great piece for the 21st century no doubt, that being said it takes some getting used to. The musical cannot be taken at face value, there are lots of things happening under the surface and it takes some bites at things musical theater doesn't usually take, like itself. On the surface it is strange, and not really something people would listen to over and over. However, once you figure it out, it's fun to listen to it again to find all the things that are really going on. It is very funny, and says some good things about the current state of the world. For musical theater fans this is questionable, if you just like the toe-tapping happy go lucky feel, this isn't it. But if you like the social commentary that goes along with that toe tapping, this is a must. NOT FOR FIRST TIME BROADWAY LISTNERS. Favorite Song: "Look at the Sky"

5 out of 5 stars "DON'T BE THE BUNNY!".......2006-12-04

My son, a high school senior, told me his first show of this year's theatrical season was going to be "Urinetown". My response was something like ... No, really, what shows are you doing this year? Then he brought home a recording of it, and I was hooked right away by the lyrics. Over the years my son has been involved in many performances, but he and the rest of the cast had a real blast preparing for, and performing, this show! He wanted Lockstock, but was cast as Cladwell ... Owned it ... Loved it!
I am no Broadway expert by any stretch of the definition, but this show is wonderfully entertaining! You will see (and hear) snippets from other shows, you will pick up on some of even the more subtle stabs at musicals as a whole, you will groan, you will laugh and you will enjoy ... But only if you try not to take it too seriously.
Get past the title (in this case I certainly think it did not "...kill a show pretty good"), relax, and be entertained. And for goodness sake, if you have a chance to see it performed live, do so! A musical that pokes fun at itself? Yes, a refreshing departure from the norm, and worth the price of admission.

5 out of 5 stars Now my favorite CD, EVER!.......2006-10-03

After reading Urinetown (never having seen it), I wondered what on earth it sounded like. Most of the book is just lyrics, and I had no idea what they sounded like. When I finally listened to the music, I found an incredibly complex, catchy, and moving CD.

The music isn't so much complex as it is creative and works with the lyrics. Keep in mind this is a comedy, but this comedy does have soaring melodies and very great simulataneous singing moments (I can't remember what that is specifically called, but think of "Tonight Reprise" from West Side Story). These songs not only entertained me, it moved the story along.

My favorite song is "Why Did I Listen to that Man?" as it is the song where everything comes together and reaches the climax (both in story-line and musically). However, I have a soft spot for every Cladwell song (and I haven't found a person yet who doesn't love "Don't Be the Bunny) as well as every song. What's best about this musical is the range of genres (but not so much as one would find in Joseph and the Amazing Technicolor Dreamcoat).

The cast is truly talented and can perform these songs. It's a very strong recording for what I feel (after finally getting to see it) is the best contemporary musical to date. Not only will your sides split, but you'll learn something too. Best of all, it's a musical for everyone. Unlike other equally hilarious comedies (*cough*The Producers*cough*), Urinetown never relies on "unappropriate" and "adult" material to deliver laughs, although you will have to get over the "really awful title."
A Year with Frog and Toad (Original Cast Recording)
Average customer rating: 5 out of 5 stars
  • Old School Fun!
  • A Must Have for Anyone with Kids!!
  • What Friendship Means
  • We really enjoy this CD
  • Saw the show at the Children's Theatre Company in Minneapolis
 A Year with Frog and Toad (Original Cast Recording)
Robert Reale , Willie Reale , Jay Goede , Mark Linn-Baker , and Kate Reinders
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

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  1. Frog and Toad All Year (I Can Read Book 2)
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  4. Frog and Toad Are Friends (I Can Read Book 2)
  5. Frog and Toad CD Audio Collection

ASIN: B0001IN0LW
Release Date: 2004-04-06

Tracks:

  1. Opening
  2. A Year With Frog And Toad
  3. It's Spring
  4. Seeds
  5. The Letter
  6. Gotta Loada Toad
  7. Underwater Ballet
  8. Alone
  9. The Letter (Reprise)
  10. Cookies
  11. Entr'Acte
  12. The Kite
  13. A Year With Frog And Toad (Reprise)
  14. He'll Never Know
  15. Shivers
  16. The Letter
  17. Down The Hill
  18. I'm Coming Out Of My Shell
  19. Toad To The Rescue
  20. Merry Almost Christmas
  21. Finale

Amazon.com

A winning combination of a talented cast, appealing music and lyrics by Robert and Willie Reale, and Arnold Lobel's classic children's books made A Year with Frog and Toad a Broadway success that earned 2004 Tony nominations for best musical, best book, and best original score. The brainchild of Adrianne Lobel (the author's daughter and a veteran stage designer) and the Reale Brothers, Frog and Toad was originally produced at The Children's Theater of Minneapolis, turning Lobel's stories into entertaining vignettes starring the titular amphibians (played by Jay Goede and Mark Linn-Baker, Adrianne Lobel's husband) and colored by jazzy '30s-style music. "The Kite," for example, is an energetic Charleston, "He'll Never Know" is a soft shoe, and "Seeds" illustrates Toad's gentle love of plant life in a lyric ballad. This recording captures the original cast from Minneapolis (which transferred intact to Broadway, except Jennifer Gambatese replaced Kate Reinders as one of the birds) and adds an attractive 32-page booklet filled with photos, lyrics, and notes by Adrianne Lobel and the Reales. A Year with Frog and Toad deserves a long life in the repertory of children's theater alongside such fare as You're a Good Man, Charlie Brown. --David Horiuchi

Customer Reviews:

5 out of 5 stars Old School Fun!.......2007-05-26

We just love this family CD. The songs are so much fun... Even I find myself lost in imagination as I listen to these songs - It reminds me of simpler times when a book is all you needed for entertainment. A must for Frog & Toad lovers!!!!

5 out of 5 stars A Must Have for Anyone with Kids!!.......2007-05-23

We've seen the musical twice now and would love to see it again. The songs are catchy, clever and cute. The characters are wonderful and richly developed. The songs go along perfectly with the stories if you have the book (if you don't you should get it). This is fun for our kids and I like it too!
Absolutely delightful!

4 out of 5 stars What Friendship Means.......2007-01-15

This is a delightful musical designed to appeal to children of all ages. (I'm 65 and found it magical!) Although I sure it's better to see the show than just hear it, this cast recording captures the energy of the show quite well. Most importantly, the valuable message of the show comes through very well on this recording. The message of the show is to answer the important question: "What is friendship?" Frog and Toad teach us the true meaning of this wonderful word in a way that is fun to hear!!

5 out of 5 stars We really enjoy this CD.......2007-01-10

My daughter saw the play, my son did not. But both of them are singing along with this CD all the time! It's very fun music.

5 out of 5 stars Saw the show at the Children's Theatre Company in Minneapolis.......2006-11-20

I am about to order my third copy of this disk. I have two boys, ages 11 and 7, and theater-going is the one art-y activity I can get them to do. We are ardent Children's Theatre Company fans, and this is one of our favorites. Even their dad- who doesn't usually accompany us to the theater, LOVES this disk. (Now, if we could only quit wrecking it up!)

The book is based on the Arnold Lobel books. Interesting facts: His daughter and inspiration, Adrienne, was twice involved with the production. First-wise as the set designer, secondly as real-life wife to cast-member Mark Linn-Baker (Toad, also seen on TV in Perfect Strangers, and in the very enjoyable movie My Favorite Year).

All the cast is simply wonderful. The lyrics and music are so much fun. You'll be singing along before you know it!

Highly recommended - you don't need to see the show to *love* this music.
Man of La Mancha (2002 Broadway Revival Cast)
Average customer rating: 4 out of 5 stars
  • Man of La Mancha
  • A Great "Don Quixote"
  • I preferred this version
  • Stirring
  • The best version!
 Man of La Mancha (2002 Broadway Revival Cast)
Brian Stokes Mitchell , Stephen Bogardus , Mark Jacoby , Mary-Elizabeth Mastrantonio , Mitch Leigh , Joe Darion , and Ernie Sabella
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Man of La Mancha
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  4. Kiss Me, Kate (1999 Broadway Revival Cast)
  5. Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)

ASIN: B00007GZM1
Release Date: 2003-01-07

Tracks:

  1. Opening (Olga Merediz with Don Mayo, Brian Stokes Mitchell, Stephen Bogardus)
  2. Man of La Mancha (I, Don Quixote) (Brian Stokes Mitchell, Ernie Sabella)
  3. It's All the Same (Mary Elizabeth Mastrantonio, Muleteers)
  4. Dulcinea (Brian Stokes Mitchell, Muleteers)
  5. I'm Only Thinking of Him (Natascia Diaz, Olga Merediz, Mark Jacoby with Brian Stokes Mitchell)
  6. We're Only Thinking of Him (Stephen Bogardus, Natascia Diaz, Mark Jacoby, Olga Merediz)
  7. I Really Like Him (Ernie Sabella with Mary Elizabeth Mastrantonio)
  8. What Does He Want of Me? (Mary Elizabeth Mastrantonio)
  9. Little Bird, Little Bird (Bradley Dean, Gregory Mitchell, Muleteers)
  10. Barber's Song (Jamie Torcellini)
  11. Golden Helmet of Mambrino (Brian Stokes Mitchell, Ernie Sabella, Jamie Torcellini, Muleteers)
  12. To Each His Dulcinea (To Every Man His Dream) (Mark Jacoby with Stephen Bogardus)
  13. The Impossible Dream (The Quest) (Brian Stokes Mitchell)
  14. Knight of the Woeful Countenance (Don Mayo, Mary Elizabeth Mastrantonio, Ernie Sabella with Brian Stokes Mitchell)
  15. Aldonza (Mary Elizabeth Mastrantonio with Brian Stokes Mitchell)
  16. The Knight of the Mirrors (Stephen Bogardus & Brian Stokes Mitchell) (2:12)17. I'm Only Thinking of Him (reprise) (Orchestra)
  17. A Little Gossip (Ernie Sabella with Mark Jacoby)
  18. Final Sequence: The Death of Alonso Quijana; Dulcinea (reprise); The Impossible Dream (The Quest) (reprise); Man of La Mancha (I, Don Quixote) (reprise); The Psalm (Mary Elizabeth Mastrantonio, Brian Stokes Mitchell, Ernie Sabella, Mark Jacoby)
  19. Finale (Mary Elizabeth Mastrantonio, Mark Jacoby, Bradley Dean & Company with Frederick B. Owens)

Amazon.com

Brian Stokes Mitchell belongs to a rarefied species: a male lead who can steal scenes from his female counterparts in a Broadway musical. As if his impossibly rich and evocative voice weren't enough, Mitchell is a charismatic actor who inhabits his roles with panache. After turns in Kiss of the Spider Woman, Ragtime, and Kiss Me, Kate, he is back in the popular 1965 show about Cervantes and his fictional alter ego, Don Quixote. The show has become a bit creaky over the years. The revival probably wouldn't have a chance without Mitchell, and he does turn in a spectacular performance. Mary Elizabeth Mastrantonio's Aldonza feels a bit forced--compare the smooth way in which Mitchell's songs flow with her sometimes choppy delivery--but she also possesses a welcome old-timey quality, never more so than in "What Does He Want from Me?" As for "The Impossible Dream (The Quest)," well, Mitchell injects something that feels emotionally fresh into the chestnut. And that may be the greatest achievement of all. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Man of La Mancha.......2007-05-18

I have listened to several versions of Man of La Mancha over the years and at last have found one that lives up to all my expectations. Brian Stokes Mitchell's interpretation of the words of the songs, together with a great voice, is second to none. The final sequence and finale brought me to tears. The magnificent song 'The Impossible Dream' has been murdered by many singers in the past but finally here is one who has brought all the meaning and emotion to the fore.
The other cast members too, did a brilliant job.

5 out of 5 stars A Great "Don Quixote".......2007-04-20

I have been a fan of the "Man of La Mancha" for years. I love the songs and the message, even if the story-line is a bit awkward. It is great story that deals with hope, faith and idealism. The music is wonderful evoking Old Spain, but also with lyrics that are profound in the emotions and dreams that are captured.

I only knew of Brian Stokes Mitchell from a minor role he played on "Trapper John M.D." back in the 1980s (at first I didn't realize that it was the same guy). Mitchell and company do a fantastic job of bringing this narrative to life. I found the new introduction to be very imaginative and it captured a sense of fire: the fire of Don Quixte's idealism and Dulcenia's fire of passion and pain.

Comparisons: Original Broadway Cast; Jim Nabors as Don Quixote; Placido Domingo as Don Quixote

5 out of 5 stars I preferred this version.......2006-10-02

Having heard both the Original Cast and Revival Cast recordings--and having seen Stokes Mitchell perform the play on Broadway--I prefer this version. As someone else pointed out, the Kiley version sounds too "operatic." To me, the Original Cast version also sounds more measured and "intentional," and thus less passionate, spontaneous, and real.

Along with other reviewers, I feel Mary Elizabeth Mastrantonio has been bashed unfairly: as someone else mentioned, when it seems like her voice is struggling it's because her character is struggling. It is this overall verisimilitude that makes the Revival Cast more appealing to me.

And, yeah, Stokes Mitchell is brilliant as Don Quixote.

5 out of 5 stars Stirring.......2006-06-19

If I could give it ten out of five stars, I would. The music itself is absolutly stirring; every time I listen I get chills. To top it, this cast is phenonminal. Brian Strokes-Mitchell (Don Quioxte) has a voice that is nigh indescribable. Beautiful is too mild a word for his rich, deep timbre. The origional broadway cast is good, but this is AMAZING. The cast sings with such passion and emotion that goes strait to your heart (especially "Aldonza" and "The impossible dream"). I cannot urge you strongly enough to make this album your own RIGHT NOW!

Story: This is a beautiful story about an elderly scholar who goes insane and thinks he is a knight's errent. He is something of a Christ figure (I think so, anyway. Especially from the lyrics of "impossible dream") who lifts up everyone around him to something better. He falls in love with a hore (Aldonza) whom he calls Dulcinea, and totes around his squire (Sancho) who is really a homeless guy, or something. He encourages everyone he comes across to be noble and fiind the glory in themselves; he sees their potential rather than their current state.

AMAZING!

5 out of 5 stars The best version!.......2005-07-27

I love this CD! I've listened to several of the different Man of la Mancha versions and this one is my favorite. Every voice is strong and clear and packs the punch necessary to carry the score. My favorite tracks include Man of la Mancha, Dulcena, The Impossible Dream, Knight of the Woeful Countenance and The Death of Alonso Quijana/Finale. That last track really makes me tear up its so powerful! I hope you enjoy it as much as I do!
The Coast of Utopia
Average customer rating: Not rated
    		The Coast of Utopia
    Mark Bennett
    Manufacturer: Ghostlight
    ProductGroup: Music
    Binding: Audio CD

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    4. Company (2006 Broadway Revival Cast)
    5. Grey Gardens - A New Musical (2006 Original Broadway Cast)

    ASIN: B000Q66I1I
    Release Date: 2007-06-12

    Tracks:

    1. Medley: Voyage: Trilogy Prologue/500 Souls
    2. Voyage: Michael Comes Home
    3. Voyage: March Here, March There
    4. Voyage: Spring At Premukhino
    5. Voyage: Nothing But Self
    6. Voyage: A Greater Man Than Michael
    7. Voyage: Serfs At Sunset
    8. Voyage: The Bonfire
    9. Voyage: Liubov's Procession
    10. Voyage: Twelve Days To Catch Up
    11. Voyage: Moscow
    12. Voyage: After the Soiree
    13. Voyage: The Telescope
    14. Voyage: The Telescope
    15. Voyage: Belinsky At Work
    16. Voyage: Riverboat Farewell
    17. Voyage: Ginger Cat Waltz
    18. Voyage: Voyage Finale
    19. Shipwreck: Birch Trees
    20. Shipwreck: Sokolovo To Salzbrunn
    21. Shipwreck: Paris
    22. Shipwreck: The Revolution
    23. Shipwreck: The Failed Uprising
    24. Shipwreck: Michael Captured
    25. Shipwreck: Dejeuner Sur L'herbe
    26. Shipwreck: Nice: 'Lu Ciuccio De Cola'
    27. Shipwreck: 'Bella Nice, Che D'Amore'
    28. Shipwreck: 'I Lamenti Di Una Bella Fanciulla'
    29. Shipwreck: Return To Sokolovo
    30. Shipwreck: Shipwreck Finale
    31. Salvage: Olga Asleep
    32. Salvage: Herzen In England
    33. Salvage: Like a Dream
    34. Salvage: Blackgang Chine And Beach Visitors
    35. Salvage: Farewell To England
    36. Salvage: Geneva
    37. Salvage: Trilogy Finale, the Ninth Wave
    38. Salvage: Curtain Call
    Brigadoon (1991 London Studio Cast)
    Average customer rating: 4.5 out of 5 stars
    • Brigadoon, the London cast
    • Brigadoon - the audio recording
    • Pure Magic!
    • Brigadoon 1991 Studio Cast
    • Beautiful Recording of a Beautiful Musical Score
    		 Brigadoon (1991 London Studio Cast)
    John McGlinn , Alan Jay Lerner , Brent Barrett , John Mark Ainsley , Rebecca Luker , Donald Maxwell , Judy Kaye , and Frederick Loewe
    Manufacturer: Angel Records
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Brigadoon
    2. Brigadoon (1957 Studio Cast)
    3. Brigadoon (1947 Original Broadway Cast)
    4. Camelot (1960 Original Broadway Cast)
    5. Spring Awakening (2006 Original Broadway Cast)

    ASIN: B000002SK0
    Release Date: 1992-10-20

    Tracks:

    1. Ov - London Sinfonietta/Vernon Midgley
    2. Once In The Highlands - Ambrosian Chor/John McCarthy
    3. Brigadoon - Brent Barrett/Gregory Jbara/Ambrosian Chor
    4. Vendors' Calls/Down On MacConnachy Square - Ambrosian Chor/John McCarthy
    5. Waitin' For My Dearie - Rebecca Luker/Rosie Ashe/Lynda Richardson
    6. I'll Go Home With Bonnie Jean - John Mark Ainsley/Ambrosian Chor
    7. Dance - London Sinfonietta/Vernon Midgley
    8. The Heather On The Hill - Brent Barrett/Rebecca Luker
    9. The Love Of My Life - Judy Kaye
    10. Jeannie's Packin' Up - Ambrosian Chor
    11. Come To Me, Bend To Me - John Mark Ainsley
    12. Dance - John Mark Ainsley
    13. Almost Like Being In Love - Brent Barrett/Rebecca Luker
    14. Entrance Of The Clans - Ambrosian Chor
    15. Wedding Ceremony - Frank Middlemass/John Mark Ainsley/Jackie Morrison
    16. The Wedding Dance - Ian Caley/Ambrosian Chor
    17. Sword Dance/End Of Act One - Ambrosian Chor/Jackie Morrison/Colin Forsythe
    18. The Chase - Ambrosian Chor/Donald Maxwell/Ian Caley/Brent Barrett
    19. There But For You I Go - Brent Barrett/Rebecca Luker
    20. Glen Scene Opening/My Mother's Weddin' Day - Judy Kaye/Ambrosian Chor
    21. Dance - Ambrosian Chor/John McGlinn
    22. Funeral Dance - Ambrosian Chor/John McGlinn
    23. From This Day On/Farewell Music - Brent Barrett/Rebecca Luker
    24. Change Of Scene/Reprises/Change Of Scene - Ambrosian Chor/Brent Barrett/Rebecca Luker
    25. Finale - Mark W. Smith/Brent Barrett/Sussanah Fellows/Rebecca Luker/Gregory Jbara/Ambrosian Chor/John Mark...

    Amazon.com

    Lerner and Loewe's classic Brigadoon shines in this 1991 studio recording led by celebrated conductor John McGlinn three years after his stunning reconstruction of Show Boat. Broadway stars Brent Barrett (Chicago) and Rebecca Luker (revivals of The Music Man and The Sound of Music) star in this fairy tale about the Scottish village that appears for one day each century. Favorite songs include "I'll Go Home with Bonnie Jean," the gently lilting "Heather on the Hill," "Come to Me, Bend to Me," the standard "Almost Like Being in Love," the comic "Love of My Life," and the yearning "There But for You Go I," and the 79-minute running time allows for plenty of dance music and underscored dialogue. The booklet includes an essay on the show, an interview with the original director, a detailed synopsis, and lyrics, dialogue, and even stage directions from the original 1947 production. Brigadoon doesn't get much better than this. --David Horiuchi

    Customer Reviews:

    5 out of 5 stars Brigadoon, the London cast.......2007-02-21

    This album is beautiful. The arrangements and the singing are beyond compare. As a director, it gives some fresh ideas for musicality and arrangement. I appreciate another venue from which to enjoy this wonderful musical!

    5 out of 5 stars Brigadoon - the audio recording.......2007-02-14

    Far better to listen to the music than see the movie! The voices were beautiful, especially on "There But For You Go I."

    5 out of 5 stars Pure Magic!.......2006-08-02

    How wonderful to have a complete, beautifully performed recording of this great (and somewhat forgotten) show. When it opened it was slightly overshadowed by Rodgers and Hammerstein (who around this period had South Pacific and The King and I running simultaneously), but what a gem of a musical. Don't go by the truncated film, except for the breathtaking dancing of Gene Kelly and Cyd Charisse, it's whittled down to 5 songs from the broadway score and hugely disappointing. You can even tell all the sets are painted backdrops.
    But this recording is a charmer and couldn't be cast better. Rebecca Luker and Brent Barret are perfect as Tommy and Fiona. And Judy Kaye runs away with the recording with her comic turns.

    Turn up the volume, sit back and get lost in Brigadoon!!

    2 out of 5 stars Brigadoon 1991 Studio Cast.......2005-08-14

    I am no theatre critic, and I have never seen Brigadoon on the stage, nor have I heard the original Broadway cast recording. The MGM musical was my only reference point, until I bought the London revival CD.

    In the MGM musical, one hears the prelude and the title song in full, at least in the beginning. In the 1991 revival, they talk all through the title song, beginning and end. It happens to be a sublime piece of music and lyric, beautifully suited to the story, and I would rather hear it in its entirety.

    The sound quality of the 1991 revival CD is poor. The dialogue, though not a major part of any musical recording, is muted in comparison to the volume used in the songs. In the original cast recordings of, say, Man of La Mancha, Annie, and 1776, the sound is studio quality and there is no trouble hearing the spoken word.

    The website where I located this CD described it as a "concert recording," and presumably they wanted to preserve the sound of a live stage production. I did not realize the sound quality was not going to be equal to any of the original cast Broadway recordings I have ever heard. Purchasers should be aware of this.

    Once I got over the difference in the production sound, the numbers were done well. The MGM musical, of course, had to omit quite a bit of song and story, but people may be better off with the original Broadway cast recording to obtain the numbers not found in the MGM version. Gene Kelly didn't have much of a voice, but it seems he sung "The Heather On The Hill" with more sincerity and feeling than did Brent Barrett. Kelly seemed to be less concerned with the number as a vocal performance, which was not his forte in any case, and this rendered his performance less of a musical abstraction. Mr. Barrett, however, sung with more feeling in "Come to Me," a song omitted from the MGM production.




    4 out of 5 stars Beautiful Recording of a Beautiful Musical Score.......2004-09-27

    A wonderful, relatively new cast recording of this classic American musical. The songs are, of course, simply lovely. Some of the orchestrations sound a little hokey (for some reason, "Heather on the Hill" sounds more like a square dance than the gorgeous tune I remember Gene Kelly and Cyd Charisse dancing to in the film version of "Brigadoon"), but the songs certainly stand the test of time, and manage to reflect the show's "adult fairy-tale" charm. Isn't it about time someone brought this warhorse back to Broadway? Guess we'll have to be patient. In the meantime, this album is a more-than-sufficient substitute. (For the sake of comparison, pick up a copy of the MGM movie soundtrack of "Brigadoon" starring Gene Kelly. While Mr. Kelly's vocal limitations are pretty obvious, the orchestrations are beautiful and, in my personal opinion, far outshine the understandably "stagey" orchestrations on this and other live cast recordings.)



    M-G-M's Brigadoon: Original Motion Picture Soundtrack (1954 Film) ~ Frederick Loewe
    Price: $10.99

    Availability: Usually ships in 24 hours
    9 used from $8.25

    6 of 7 people found the following review helpful: Can't get these songs out of my mind, June 20, 2000I picked up this recording on a whim, and now I can't put it down! The songs are simply beautiful. Whether they were arranged to overcome Gene Kelly's vocal limitations, to accomodate the movie's emphasis on dance -- versus singing -- or simply to compliment the gorgeous melodies, the orchestrations are sublime and have a surprisingly contemporary sound, especially considering the recording dates back to 1954. "Heather on the Hill" has never sounded better. I'm not crazy about "Almost Like Being in Love" (I think I overdosed on this one about thirty years ago), but even it's quite tolerable on this recording. Among the most pleasant surprises are songs such as "There But for You Go I" and "From this Day On" that were cut prior to the movie's release: What on earth were the powers-that-be at M-G-M thinking? Guess we'll never know but thank goodness someone had enough sense to save these precious recordings.

    Pacific Overtures (1976 Original Broadway Cast)
    Average customer rating: 4.5 out of 5 stars
    • The Floating Master
    • Only Sondheim...
    • Sondheim & Prince's offering for the U.S. Bicentennial
    • NOT MY FAVORITE
    • a neglected masterwork
    		 Pacific Overtures (1976 Original Broadway Cast)

    Manufacturer: RCA Victor Broadway
    ProductGroup: Music
    Binding: Audio CD

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    5. Assassins (1991 Original Off-Broadway Cast)

    ASIN: B000002W6P
    Release Date: 1990-10-25

    Tracks:

    1. The Advantages Of Floating In The Middle Of The Sea - Mako And Company
    2. There Is No Other Way - Alvin Ing/Ricardo Tobia
    3. Four Black Dragons - Jae Woo Lee/Mark Hsu Syers/Mako And Company
    4. Chrysanthemum Tea - Alvin Ing/Mako/Mark Hsu Syers/Timm Fujii/Gedde Watanabe/Patrick Kinser-Lau...
    5. Poems - Isao Sato/Sab Shimono
    6. Welcome To Kanagawa - Ernest Harada/Timm Fujii/Patrick Kinser-Lau/Gedde Wtanabe/Leslie Watanabe/Mako
    7. Someone In A Tree - James Dybas/Mako/Gedde Watanabe/Mark Hsu Syers
    8. Please Hello - Alvin Ing/Yuki Shimoda/Ernest Harada/Mako/Patrick Kinser-Lau...
    9. A Bowler Hat - Isao Sato
    10. Pretty Lady - Patrick Kinser-Lau/Timm Fujii/Mark Hsu Syers
    11. Next - Mako And Company

    Amazon.com

    Pacific Overtures is one of Stephen Sondheim's most rewarding but least-appreciated works. Part of the reason is it's been one of the least-staged Sondheim shows due to its unusual requirements: following the conventions of the Japanese Noh play, it uses an all-Asian, all-male cast, and authentic instruments such as the shamisen. As a slice of history, John Weidman's book is fascinating: In 1853, Japan's borders were closed to all foreigners until the arrival of American Commodore Matthew Perry forced the opening of trade relations. Sondheim's score captures the delicacy of Japanese verse ("Poems"), a blackly humorous scene of the emperor's refusal to acknowledge the American ships ("Chrysanthemum Tea"), Gilbert & Sullivan-esque patter ("Please Hello"), and the most beautiful song ever written about prostitution (the lyric men's trio "Pretty Lady"). Worthy of special mention is the song Sondheim has often claimed as his best ever, "Someone in a Tree," which describes the crucial meeting in the treaty house from the perspective of different characters on the outside. Over a quarter century after its 1976 Broadway debut, Pacific Overtures began to enjoy increased attention from theater companies, culminating in a Broadway revival in 2004. --David Horiuchi

    Customer Reviews:

    5 out of 5 stars The Floating Master.......2007-01-12

    Sondheim has been like a floating island with bothersome threats both from inside earthquakes and outside heavy artillery from sundry corporate --department stores-- musicals, the Lloyd Weber commodore epics (driveling frogs more than firing dragons), yet he is alive and well, if not exclusively living in Broadway.... anyway, as from the demise of the Shuberts.... what is Broadway? ... as the grand British impresario used to say: just another stop in my American tour! Our floating master remains the fine heir to composer/lyricists Cole Porter, Coward or Loesser, only this, by some considered "less accessible" (boring) 30-year-old work has no awesome aging star to deliver some "Send in the Clowns" or "I'm Still Here" 11 o'clock show-stopper; the longwinded songs are more (deceptively) minimalist, the verse and rhymes, starker, yet we still have an equivalent here: "A Bowler Hat" has no less wit and charm than, say, "Could I Leave You?"; and "Please Hello" is as effervescent and funny as any other Sondheim dish special. Maybe some find the 'raw fish' an acquired taste, I love it all. Is Niponnia here depicted from the inside or from a Western point of view? Perhaps a bit of both, as someone in a tree oversees the treaty house: the ripple, not the sea? Who cares? This show stands firm as any Mikados, Kismets or King&Is ... and as classy as any from its trademark: the crisp orchestral ostinato strains accompanying the melody lines, the delightful pastiches-within-pastiche, the balanced interplay of musical waves under sailing lyrics. And in this --as always, preferable-- original cast album, the virtuoso fast chats, sometimes forceful or soft and ethereal singing from the all-male Asian cast (Pretty Lady), the limpid Sondheim textures and rhythms, the elegant, pristine Jonathan Tunick orchestrations (subtle, effectual inclusion of Kabuki instruments) all remain perfectly evocative, somewhat hypnotic to listen to and dream of leaves changing green to pink to gold.

    5 out of 5 stars Only Sondheim..........2004-06-19

    can take a style of music that i was not particulary interested in and make into a great score that i am addicted to."Please Hello", and "Someone in a tree" are great Numbers. "Next" is a number that sends the audience to the present of Japan.For anyone who loves Sondheim, This score is a must have.

    5 out of 5 stars Sondheim & Prince's offering for the U.S. Bicentennial.......2004-01-30

    1976 - America was celebrating two hundred years of idependence. Tv, radio, records and movies were all things patriotic. This was the way things were when the musical PACIFIC OVERTURES arrived at Broadway's Winter Garden theatre. A musical that took a critical look at how the U.S. forced Japan into international trade in 1842... what were they thinking?

    It didn't look like a Broadway musical. It sure didn't sound like Broadway music. The critics were mixed..a few loved it, several loathed it...but most admitted they didn't quite know what to make of it. Audiences went to see A CHORUS LINE (which would win the 1976 Tony award) and CHICAGO. PACIFIC OVERTURES was gone after 193 performances. The great experiment failed.

    Or had it?

    RCA did a cast album. Sales were slow at first but it eventually became one of their biggest sellers allowing more people a chance to hear this wonderful score. Regional theatres began exploring the possibility of doing the show. An off-Broadway revival in 1984 was critically lauded. A new production is planned for New York for 2005. It may never be as big as hit as LEZ MIZ, but for those looking for something different and exciting, PACIFIC OVERTURES will do very nicely.

    I don't want to give away all the many details of the score: that would rob you of the thrill of discovering so much on your own. But a few "hints": Sondheim has long considered "Someone in a Tree" to be one of his favourite numbers; "Please Hello" is brilliant in weaving together musical styles for the U.S.; England; Holland; Russia & France as each country enters to set up trade with Japan. "Chrysanthemum Tea" has brilliant lyrics (including the lines "If the tea the Shogun drank will serve to keep the Shogun tranquil...") Notice too how the score becomes more "americanized" as it proceeds all the way to the finale "Next."

    RCA has included a libretto and detailed synopsis. It will take a few serious listens (following along with the libretto) to begin to penetrate this work. Then, once you have fallen in love with it seek out the English National Opera's complete recording on Jay/TER which has the whole show, dialogue and music. It's not as well sung and acted as this original cast disc.

    3 out of 5 stars NOT MY FAVORITE.......2003-08-17

    Not my favorite Sondheim show, but it's still worth a listen. However, if you for some crazy reason don't have Assassins yet get that instead.

    5 out of 5 stars a neglected masterwork.......2003-08-05

    I saw this piece performed at The Alliance Theatre in Atlanta and have yet to shut-up about it. It is an exquisite piece of theatre - a chamber musical - expertly performed. I have had this album for - well, decades. I've always admired the score. However, now, having finally seen it brought to life, I can't get it out of my mind. This music is the work of a genius. There is no other word for it. Along with "Sunday in the Park with George," this is my favorite Sondheim.
    Jesus Christ Superstar
    Average customer rating: 3.5 out of 5 stars
    • Comparison isn't fair...
    • Updated and relevant
    • Best version of this famous Musical
    • A beautiful Mary!
    • An anticlimatic quest, but still good
    		 Jesus Christ Superstar

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005AREN
    Release Date: 2001-03-27

    Tracks:

    1. Overture - Shaun Henson/Mark Carroll/Nick Holmes/Perry Douglin/Stuart De La Mere/Billy Carter...
    2. Heaven On Their Minds - Jerome Pradon
    3. What's The Buzz?/Strange Thing, Mystifying - Matthew Cross/Kevin Curtin/Paul Vickers/Mykal Rand/Paul Keating/Gerard Bentall/Grant Anthony...
    4. Everything's Alright - Renee Castle/Jerome Pradon/Glenn Carter
    5. Hosanna - Frederick B. Owens/Glenn Carter
    6. Simon Zealotes/Poor Jerusalem - Tony Vincent/Glenn Carter
    7. Pilate's Dream - Fred Johanson
    8. The Temple - Glenn Carter
    9. I Don't Know How To Love Him - Renee Castle
    10. The Last Supper - Matthew Cross/Kevin Curtin/Paul Vickers/Mykal Rand/Paul Keating/Gerard Bentall/Grant Anthony...
    11. Gethsemane (I Only Want To Say) - Glenn Carter
    12. King Herod's Song - Rik Mayall
    13. Could We Start Again, Please? - Renee Castle/Cavin Cornwall
    14. Judas' Death - Jerome Pradon/Michael Shaeffer/Frederick B. Owens
    15. Trial Before Pilate (Including The 39 Lashes) - Fred Johanson/Frederick B. Owens/Glenn Carter
    16. Superstar - Jerome Pradon
    17. Crucifixion - Glenn Carter
    18. John Nineteen: Forty-One - Glenn Carter/Jerome Pradon/Renee Castle/Fred Johanson/Rik Mayall/Frederick B. Owens...

    Amazon.com

    Jesus Christ Superstar has been the definitive rock musical ever since its 1972 stage premiere in London. Revived to great acclaim in the late 1990s, it has everything you'd expect from a blockbuster: great songs, strong characterization, and, crucially, a cracking good story. This release is based on the 1998 London production (also available on video and DVD). For the revival, director Gale Edwards pulls few punches in her efforts to draw a modern interpretation from a gifted cast. Pilate's cronies are sinister Darth Vader look-alikes. The whole thing has a hard, brutal edge, which both startles and thrills. And anyone who dismisses musicals as lightweight confections could do worse than look at the way Andrew Lloyd Webber and Tim Rice treat Judas: this is a complex, well-written role. The performances are largely excellent: Jerome Pradon's Judas shines, and Renee Castle's Mary reinvents "I Don't Know How to Love Him" as a delicate exploration of her dilemma, far removed from its usual overblown treatment. Rik Mayall's relentlessly mugging Herod is less of a bonus than he would like us to believe, but he will doubtless appeal to his fans. And the quality of Glenn Carter's singing in the title role makes up for a slight deficiency in the charisma department. --Piers Ford

    Customer Reviews:

    2 out of 5 stars Comparison isn't fair..........2007-06-12

    ..but unfortunately, life isn't fair, so this Jesus Christ Superstar will always be compared to the original stage version and to the Norman Jewison film, and because of that, it will always come up lacking. Glen Carter and Jerome Praden can't even begin to touch the performances given by Ted Neely and Carl Anderson. Jerome Praden in particular is so bad as to be almost painful to listen to.

    Where Carl Anderson's Judas comes off as a tragic, almost Shakesperean-like character, Jerome Praden's Judas is just whiny and annoying! Fortunately, he has Fred Johannson's performance as Pilate to share the pain with.

    Glen Carter gives it a decent effort, but in the most dramatic moments just can't deliver the emotional punch. It's like he's trying too hard a, or maybe its just that he's attempeting to be a Ted Neely wannabe in those moments, and that's just not going to happen!

    The only cast member who seems to be able to hold her own is Renee Castle as Mary Magdalene. She makes the role her own, and maybe it's because she's not hamming it up like the majority of the other major players.

    This version packs none of the emotional punch that earlier versions have offered to the listener. My advice is to buy the original theatrical soundtrack or the 1973 film version and leave this one to end up in the bargain bin of your local Wal-Mart!

    5 out of 5 stars Updated and relevant.......2006-12-19

    I know there are lots of people who hate any "new and improved" versions of classics, and this is certainly one people can get very vocal about.

    However, the most common version of this rock opera was from the '70's, and it was very edgy for the time. After 25+ years, it had become kind of cheesy and really dated.

    This version brought back the edginess Rice and Webber went for in the 1970's, proving that with a slightly different sound, the musical itself is able to stand the test of time and effect new audiences in the same way it effected the first fans almost 30 years ago.

    The three leads (Jesus, Judas and Mary Magdalene) are all wonderful, but Jerome Pradon (I probably totally messed that name up, the guy who played Judas) was simply amazing, and you can hear in his voice as well as see in his expression (on the DVD) how torn the character really is.

    I absolutely recommend this to any fan of Tim Rice/Andrew Lloyd Webber, the musical itself, or just to anyone who appreciates good music and an imaginative take on Biblical Scripture.

    5 out of 5 stars Best version of this famous Musical.......2005-07-24

    I thoroughly enjoyed the DVD - it was certainly the best version of this well known musical. The Soundtrack did not disappoint as the performers put their heart and souls into this edition. I don't think I have ever heard such meaning and expression put into each song in this musical.
    To squeeze the tracks on to one disc several songs were left out.
    This is my only criticism - in the 25th Anniversary edition of Jesus Christ Superstar as a soundtrack two discs contain the whole production. Perhaps this could have been done with this important revised edition of Jesus Christ Superstar.

    5 out of 5 stars A beautiful Mary!.......2005-04-05

    I absolutely love Renee Castle as Mary in this version. As others have said, she adds emotion to the character that seems to be lacking in other versions. Also, the arrangement is amazing. I saw the DVD of this version first, and after watching it and the bonus material, I had to have the CD. I highly recommend this!

    4 out of 5 stars An anticlimatic quest, but still good.......2005-04-01

    After falling in love with the movie, I went out to a store, searched for the soundtrack, and when I couldn't find it, I had a staff member help me look for it. After at least 10 minutes of searching, I finally found it, and being the stupid person I am, in my excitement I forgot to check how they fit it all in one CD. Of course, I became extremely frustrated that some of my favorite songs, and the most important ones at that, were cut out. By excluding "And so We are Decided" and "Damned for all time/ blood money", it causes much confusion as to why things are happening and who certain people are. For instance, why would Judas commit suicide if he never betrayed Jesus to the soldiers, and where did the blood money come from that he speaks about in his death scene? Of course, I went on ranting to my friends right away, but I decided to keep the CD for what it did have. I still am dissappointed that they left out good music and left in a song like "John Nineteen, Fourty-One", which had little, if any importance. I found that part of the reason I loved the music so much was also becuase of the film itself. The music is better appreciated when you can see what the actors are doing, such as in "trial with Pilate" (the one that they left in becuase of the lashes, and instead took out the first meeting with Pilate,which is aone of my favorites and brilliantly done) and "Herod's Song", along with others. It is just not the same effect, even though I can see it in my mind.
    However, it was a good soundtrack in itself. If they would have been willing to spend a bit more money and maybe instead put all of the songs, including the ones they decided to throw out in this CD, it would have been 5 stars from me. But my friend and I agree that the Really Uselful Group could have done better, although we doubt it was them that made the decision, and rather, they let Sony tell them which songs THEY liked. Deeply dissappointed, guys. And Jerome Pradon- how could you let them degrade you like that, along with the other actors, by letting them cut out stunning performances in order to save money? Here's the deal: It doesn't matter how much money you spent on it, because the profits would probably be a lot better if it had those songs. I would have reccomended it to many people, but alas, I only do so to support such fine actors and singers that were way too ignored. Well, now I'm getting upset. So while I don't think you should just not get it at all becuase of a few flaws, I do certainly hope that they will rethink their decisions and would highly reccomend a full soundtrack if they were wise enough to make one.
    Candide (1974 Broadway Revival Cast)
    Average customer rating: 4.5 out of 5 stars
    • Oh Happy Day!!
    • The Whole Story
    • Having actually seen the production...
    • FINALLY it's here!!!!!!
    • Bernstein meets Saturday Night Live
    		 Candide (1974 Broadway Revival Cast)
    Leonard Bernstein , Mark Baker , Maureen Brennan , Lewis J. Stadlen , Sam Freed , June Gable , Deborah St. Darr , and Richard Wilbur
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000GRTQR0
    Release Date: 2006-08-29

    Tracks:

    1. Overture
    2. Life Is Happiness Indeed/Parade
    3. The Best Of All Possible Worlds
    4. Oh Happy We
    5. It Must Be So
    6. O Miserere
    7. Oh Happy We (Reprise)
    8. The Rich Jew And The Grand Inquisitor
    9. Glitter And Be Gay
    10. Auto Da Fe (What A Day)
    11. This World
    12. You Were Dead, You Know
    13. The Rich Jew And The Grand Inquisitor (Dialogue)
    14. Spanish Music
    15. I'm Easily Assimilated

    Tracks:

    1. I'm Easily Assimilated (Reprise)
    2. My Love
    3. Barcarolle (Upon A Ship At Sea)
    4. Alleluia
    5. Sheep's Song
    6. Bon Voyage
    7. The Beast Of All Possible Worlds (Reprise)
    8. You WEre Dead, You Know (Reprise)
    9. Barcarolle (Reprise)/The Wisest Man In The World
    10. Finale: Make Our Garden Grow

    Customer Reviews:

    5 out of 5 stars Oh Happy Day!!.......2007-01-10

    Finally!! My album was worn out years ago. This will be the definitive production of Candide in my memoir. The Broadway Theater, gutted and actors and audience scattered about everywhere! I was so smitten I saw it 3 times.
    Lewis J Stadlen is one of America's premiere character actors and here we have captured an early shining example of his talents. A fine singing cast with wonderful orchestrations and smart musical direction (a lot is gained by losing a number or two, like "Quiet") round out a delightful audio transcription of this wry, witty production.

    4 out of 5 stars The Whole Story.......2007-01-05

    Saw this production in NY and loved it. All subsequent performances that I have seen have paled in comparison. There are better versions musically but this is the only one that included the narration by Lewis J. Stadlin as Dr. Pangloss and all of the other characters that he plays. The cast is youthful and energetic- musically, this version is one of the most upbeat that I've heard. The Overture is a force of nature by itself. Worth a listen if only because the presentation is so different than any version of the work out there.

    5 out of 5 stars Having actually seen the production..........2006-11-28

    ... as one who sat on one of the hills overlooking the valleys (directly above Cunegonde when she sang Glitter and Be Gay), I'd posit that this is the production Voltaire himself would have adored. Yes, it's vulgar (in a 70s kind of way) and offensive (in a 70s kind of way), but it's also far truer to the spirit of the book than anything presented in an opera house (with the possible exception of the concert version staged last year at Lincoln Centre). Prince approached this as something akin to a medieval-era "round", with numerous stages set about the space connected by a circular ramp that in turn led to a main stage at one end and a higher secondary stage at the other (all of which was used brilliantly in the "ship at sea" scene, amoung many others). The action was non-stop, incredibly subversive, and as improvisational as the Voltaire novel: people die, then they re-appear later with some fantastic story of how they managed to survive, only to die yet again.

    I had this version on tape and practically wore it out. It doesnt have the full blown orchestral feel, but that's the beauty of the concept: it doesnt need it, nor does it feel it necessary. It's Candide presented as commedia, not opera. And it's one you simply cannot go wrong listening to.

    5 out of 5 stars FINALLY it's here!!!!!!.......2006-11-14

    Just about every recording of CANDIDE available (save the original 1956 recording) is based in some way on this production. It only makes sense that this should be available, as it's the one that really got the ball rolling. The original (produced in 1956 with lyrics by Richard Wilbur and John LaTouche and a klunky book by Lillian Hellman) did not soar, though many of the songs from the score were revered (especially the glorious Overture). In 1974 Hal Prince hired Hugh Wheeler to rewrite the book and Stephen Sondheim to fill in lyrics where needed and staged it in an environmental setting which finally brought the story and characters to full life. The result was an incredibly successful off-Broadway run that quickly transferred to Broadway as the first successful professional production of CANDIDE. Why we have had to wait so long for it to be available on CD I cannot even begin to fathom.

    I don't yet have the CD (though I'm buying it as soon as I finish typing this) so I can't comment on the quality or how it's been remastered, but I do have this version on vinyl and I can comment on the performances. It is hardly the most well-sung CANDIDE out there. If you want that, grab the Scottish Opera version or the '99 National Theatre recording. This 1974 production is, however, the most jubilant of all the recordings out there (and I've heard all of them). The energy level in the music (with a pit that was reduced from its original operatic proportions to a 9-piece band) is higher than any CANDIDE I've heard, and the performers seem to be having enormous fun with the wonderful material. The acting can be corny at times and some of the new lines that were added to explain physical jokes are often pretty groan-worthy. But this is a full recording of a breakthrough production with practically the full libretto. A definite must-have for any CANDIDE fan.

    5 out of 5 stars Bernstein meets Saturday Night Live.......2006-11-10

    If you are a purist and think of Candide as an operetta, then this is NOT the recording for you. However, if you would like a version that captures the comic spirit of Voltaire's book, then buy this version.
    Virtually all of the entire script and score of this 1974 revival of Candide is on this recording. Although musical thatre buffs find this versionlacking, Hal Prince's rethinking of this musical is the most successful run in this show's history.

    True: Barbara Cook has no equal when it comes to her interpretation of Glittler and Be Gay on the original Broadway recording. But Maureen Brennan does a pretty good job herself.

    True: Prince cut several songs that he felt slowed down his new production. (Some of these songs reappeared in later opera house and Broadway productions directed by Prince himself.) But when listening to this recording on its own, you won't miss them.

    Between this and the Original Broadway cast recording, there is no need to buy any other version of this show.
    Joseph and the Amazing Technicolor Dreamcoat: London Palladium Cast Recording (1991 London Revival Cast)
    Average customer rating: 4.5 out of 5 stars
    • REMASTERED RELEASE OF LLOYD WEBBER'S FIRST HIT MUSICAL
    • A wonderful JOSEPH recording
    • SOME GREAT MUSIC!!!
    • SOME GREAT MUSIC!!!
    		 Joseph and the Amazing Technicolor Dreamcoat: London Palladium Cast Recording (1991 London Revival Cast)
    Andrew Lloyd Webber , Michael Dixon , The Joseph Orchestra , Amanda Courtney-Davies , Aubrey Woods , Caroline Dillon , Connor Byrne , David Easter , Elizabeth Renihan , Gael Johnson , Jacqui Harman , Jacqui Jameson , Jason Donovan , Jason Moore , Jocelyn Vodovoz Cook , Johnny Amobi , Mark Frendo , Megan Kelly , and Joseph and the Amazing Technicolor Dreamcoat (Related Recordings)
    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000BSM28O
    Release Date: 2006-05-23

    Tracks:

    1. Prologue
    2. Any Dream Will Do
    3. Jacob & Sons/Joseph's Coat
    4. Joseph's Dreams
    5. Poor, Poor Joseph
    6. One More Angel In Heaven
    7. Potiphar
    8. Close Every Door
    9. Go, Go, Go Joseph
    10. Pharaoh Story
    11. Poor, Poor Pharaoh
    12. Song Of The King (Seven Fat Cows)
    13. Pharaoh's Dream Explain
    14. Stone The Crows
    15. Those Canaan Days
    16. The Brothers Come To Egypt/Grovel, Grovel
    17. Who's The Thief?
    18. Benjamin Calypso
    19. Joseph All The Time
    20. Jacob In Egypt
    21. Finale:Any Dream Will Do/Give Me My Coloured Coat
    22. Joseph Megamix

    Album Details

    Digitally Remastered Edition of the 1991 Original Cast Album of the Hit Andrew Lloyd Webber Musical featuring Pop and Stock Aitken Waterman Star Jason Donovan in the Lead Role. Includes Full Libretto and Deluxe Packaging.

    Customer Reviews:

    5 out of 5 stars REMASTERED RELEASE OF LLOYD WEBBER'S FIRST HIT MUSICAL.......2007-04-18

    Joseph and the Amazing Technicolor Dreamcoat is Andrew Lloyd Webber's first staged musical work and his first staged collaboration with his best lyricist Tim Rice. The very first musical they wrote together, called `The likes of us', didn't reach the stage at that time and was put there for a single special performance in 2005, luckily, captured on CD and also available here at Amazon.

    With `Joseph', it all began when in 1967 Lloyd Webber and his friend Rice were commissioned by the head of music at Colet Court School, London, to write a religious concert for the school choir. Joseph was first presented in 1968 and, after further performances at St Paul's Cathedral and the Roundhouse in London, and the Edinburgh Festival, opened in the West End in 1973. It wasn't much of a success, however, until Lloyd Webber bought back the rights to it in the early 90-is, reworked it and put on stage a very successful production that has been put in many other countries in the world and filmed for a special DVD.

    The plot takes motives from a well known biblical Old Testament story of Joseph, the youngest son of Jacob, patriarch of Israel, and the coat of many colours that Jacob gave to Joseph as a sign that he is the special one among his sons. Joseph's older brothers became jealous and sold Joseph to be a slave in Egypt, telling their father that he's been killed by a passing goat. After being imprisoned by his equally jealous master, Joseph helps the pharaoh in solving his enigmatic dreams and becomes his first adviser who saves Egypt from the great famine. Back in Canaan, Joseph's brothers and father are starving and so the brothers go to Egypt where food is in abundance. Joseph recognizes them, but not vice versa. After he learns them a lesson because of their past behaviour, Joseph is reunited with his brothers and father in Egypt.

    This is one of those Lloyd Webber shows that are aimed at everybody, the young and the old (just like `Cats' or `Starlight Express'. The songs are mostly pop and a merry note can be found in most of them. Also, this show is supposed to be fun, so there are numerous musical styles in it. For example, there is a country song that the brothers sing; at the other point they sing a French chanson with the French accents. The pharaoh sings like Elvis and one song is in a calypso tone. Overall, it's a nice whole of diverse songs and singing styles. Tim Rice has written his funniest lyrics, blending beautifully with the score. The most notable songs are "Any dream will do" and "Close every door" sung by Joseph and the big number "Jacob and sons" .

    This London cast recording features Jason Donovan, the Australian pop singer as Joseph and Linzi Hateley as a female narrator. Donovan's voice isn't as strong as that of the American Joseph Donny Osmond, but his voice has the boyish charm that Osmond lacks. Hately's soprano follows the speedy tempo of her songs with ease. She hits all the high notes without problem and remains one of the best Joseph narrators to date. The children choirs add a special touch to the songs.

    This is a remastered and improved release of the 1991 original CD. This means that it has resolved the main problem of the past, i.e. the bad sound. Now we hear everything with crystal clarity. The CD comes in a nice slipcase, with a separate libretto and a booklet with new production pictures. All this is a significant and welcome improvement.

    The flashy production of Joseph can be seen at the DVD of the same name with Donny Osmond playing the lead. Joseph remains a part of Webber-Rice trilogy that cannot be overlooked.

    5 out of 5 stars A wonderful JOSEPH recording.......2007-03-05

    Of the recordings of JOSEPH I've heard, I consider this to be the most wonderful and characterful recording of this Lord Lloyd-Webber musical. Osmond offers us all a rich portrayal of the eponymous dream-teller, filled with presence, but Donovan captures more subtleties of the character. Donovan conveys more wide-eyed and youthful innocence in his portrayal of Joseph and turns in a wonderful performance, capped by his renditions of the beguiling Any Dream Will Do and the pathos of Close Every Door. Donovan is well-partnered by Linzi Hateley as a charismatic and winning Narrator. Yes, I know you'll argue that the late-lamented Laurie Beechman virtually owns the role with her superior lung-power but Hateley engages the listener and makes the role her own. The superb line-up includes David Easter in an overripe performance of the Elvis-styled Pharaoh, and one can hear the little touches of humour he brings to his portrayal. The ensemble features a strong line-up of Brothers, and Nicolas Colicos as Reuben and Johnny Amboi as Judah make the most of their solos in One More Angel and in the Benjamin Calypso. Philip Cox gives a wonderful solo in Those Canaan Days (though Jeff Blumenkrantz is probably more memorable). To have it remastered makes it better than ever, especially with an improved libretto booklet despite some errors. Highly recommended to those who want their first recording of Joseph.

    4 out of 5 stars SOME GREAT MUSIC!!!.......2007-01-14

    This is a great CD if you are doing this musical for your school play. I liked this CD because it had some great music and had pictures of this musical, and a packet full of lyrics to the show. The guy who's palying joseph(Jason Donovan) had a stict londen voice which sounded good but it didn't sound as good as Donny Osmand or Michael Damian. Also to me, the people singing the Joseph megamix seemed not exciting and dead compared to the other CDs of Joseph. Still, if you would like the original Londen new cast of Joseph, buy it!

    4 out of 5 stars SOME GREAT MUSIC!!!.......2007-01-14

    This is a great CD if you are doing this musical for your school play. I liked this CD because it had some great music and had pictures of this musical, and a packet full of lyrics to the show. The guy who's palying joseph(Jason Donovan) had a stict londen voice which sounded good but it didn't sound as good as Donny Osmand or Michael Damian. Also to me, the people singing the Joseph Remix seemed not exciting and dead compared to the other CDs of Joseph. Still, if you would like the original Londen new cast of Joseph, buy it!

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