Fantasy Island
Track Listings
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1. Every Raindrop Means A Lot
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2. Look What You Get
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3. My Home Town
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4. I'm Going Out
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5. Fyzzy Patterns
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6. Sister's Got A Boyfriend
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7. Hear My Lamentation
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8. One Day
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9. You're Too Incomrehensible
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10. Wanting
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11. Prisoner
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12. Why Don't You Hide It
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13. House Of Soul Hill
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14. Short Song
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15. She's Having A Baby Now
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16. Treat Her Like A Lady
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17. Have You Seen Oyur Brother Lately
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18. Its My Life
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19. Like A Woman
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20. People Without Faces
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See all 32 tracks on this disc
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Fantasy Island,Tages,EMI,Pop,Rock/Pop
Fantasy Island
Average customer rating:
- A bridge to cross over....
- Traffic
- A Traffic must have
- (3.5 stars) Pretty good in some places: dated in others
- Psychedelic masterpiece, but get the US version!!
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Mr. Fantasy
Traffic
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Traffic
- Low Spark of High Heeled Boys
- John Barleycorn Must Die
- Shoot Out at the Fantasy Factory
- When the Eagle Flies
ASIN: B00004WF68
Release Date: 2000-08-29 |
Tracks:
- Heaven Is In Your Mind
- Berkshire Poppies
- House For Everyone
- No Face, No Name, No Number
- Dear Mr. Fantasy
- Dealer
- Utterly Simple
- Coloured Rain
- Hope I Never Find Me There
- Giving To You
- Paper Sun
- Giving To You
- Hole In My Shoe
- Smiling Phases
- Here We Go 'Round The Mulberry Bush
Amazon.com
It's a rather druggy record, Traffic's debut; in fact, decades later, it's still possible to get a decent contact high off of it. From the stuttering, lyrically ponderous "Heaven Is in Your Mind" to the awe-inspiring psychedelic soul of "Dear Mr. Fantasy," this is Traffic's most reverb-saturated and elliptical release. This 2000 reissue is in mono, but it does finally bring the American and British versions of the record together, so that you get "Paper Sun" and other singles from 1967. Dave Mason-era Traffic was nothing if not eclectic. On Mr. Fantasy, they mix and match the art-prog of Caravan and the goofy psychedelia of Sgt. Pepper's with the mellow groove of Procol Harum, the jazz-blues fusion of Graham Bond with the blues-rock of Cream. All that and sitar, too--not to mention Stevie Winwood's riveting vocals. A sheen of silliness covers at least a third of the album; faux-frumpy songs like "House for Everyone" and "Berkshire Poppies" are not-very-witty vaudeville spoofs that are sung in stuffy British accents. Overall, this is an engaging period piece that makes one give thanks for the Program function on the CD player. --Mike McGonigal
Customer Reviews:
A bridge to cross over...........2007-05-31
Many mid-60's artists, names too countless to mention here, failed to bridge the gap from the R&R/soul based music of that day to the more experimental stylings which followed. Not so with Mr. Winwood, who jumped from Spencer Davis Group to form Traffic with fellow headliner Dave Mason and relative unknowns Jim Capaldi (dr) and Chris Wood (woodwinds). Actually, Dave Mason often slid by the wayside allowing Winwood's influence to prevail. The US cover of this LP was a rather unimaginative photo of the group members, whereas the UK version (used here) gave us more insight as to what the music inside "looked like." This was, perhaps, evidence of the UK's head start on the dreamier elements of psychedelia. Songs like "Hole in My Shoe" and "Berskhire Poppies" utilized heavy phasing and made us hang on white-knuckled for awhile til we got the idea. Yet we also got the beautiful ballad "No Face No Name No Number" which became an oft-covered standard. A cornucopia of styles at work here, and more songs than appeared on the original releases of this LP. For example, the title tune from "Here We Go Round the Mulberry Bush" which fits here quite well. If you are expecting the long jams of latter era Traffic, think again. A seminal work from a transitional age.
Traffic.......2007-03-17
I was going to digitalize my old "Mr Fantasy" LP but looked up to see if was available on CD, which it was. What can I say. If you you're an old guy, or girl, and you like Traffic, then you'll like this CD. Maybe even if you're not old. It's a bit corny in parts, but it's good creative rock and roll.
A Traffic must have.......2006-11-10
What can I say, except get this remaster today. If your a fan of Traffic then you know. If your a young rocker trying to discover why the music from the late 60's and early 70's was just better than now-a-days, buy this and you'll find out why. This is Traffic's 1st or 2nd album...I think 2nd, during the orginial line up and is just a crazy, beautiful blend of psycedellic blues rock and jazz progressions. Very trippy. Get it. Today.
(3.5 stars) Pretty good in some places: dated in others.......2006-11-04
This review is only based on the ten original tracks, though there are some great bonus tracks (Paper Sun; Hole in My Shoe; Smiling Phases) that would've undoubtedly boosted the rating had they been included on the original album instead of a few of the dated psychedelic songs Berkshire Poppies; A House for Everyone; Utterly Simple; Hope I Don't Find Me There; and the album-closing jam Giving to You. Psychedelia wasn't Traffic's thing, they were better off playing jazz/folk/rock songs such as Heaven is In Your Mind; No Face, No Name, No Number; Colored Rain and that unforgettable title track, arguably the best song in the Traffic canon. Plus Dealer is a good song, on the misunderstood side - the title does spell drugs, but it's really about a card dealer. A bit of an offbeat subject, but this was 1968. At its best, it's the kind of English Folke that would later inspire Jethro Tull's best work; at worst, it's psychedelic excess vaguely reminiscent of the Rolling Stones' worst work. Thankfully, they would get their sound straight on the next, self-titled album, the latter of which containing several classics (You Can All Join In; Pearly Queen; Feelin' Alright?; 40,000 Headsmen). It's the better buy, but this isn't bad at all.
Psychedelic masterpiece, but get the US version!!.......2005-05-27
The British version of this CD is called "Mr Fantasy" - it has a superior CD sleeve to the US version, but a lot of it is in badly mixed mono and sounds very flat. The same album is available in the US version under the title "Heaven is In Your Mind" - it is all in stereo, and sequenced much better - makes a BIG difference - and is far superior to the U.K. version. Both versions are great - whichever one you end up with, you're gonna love if you like psychedelic music! Because this album is a psych CLASSIC! I have both versions and I ALWAYS listen to the US version ("Heaven is In Your Mind") because it sounds better and makes more sense the way it is sequenced. I had never even heard of the album until 1 year ago. I investigated this year, and I am SURE GLAD I did!!!
Average customer rating:
- Another classic Traffic album
- An underrated yet excellent album from Traffic
- Another album from the golden age of Traffic's Jazz-Rock excursions
- The Slow Return to Sanity
- Shoot out all the people outta there listening
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Shoot Out at the Fantasy Factory
Traffic
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Low Spark of High Heeled Boys
- When the Eagle Flies
- John Barleycorn Must Die
- Traffic
- Mr. Fantasy
ASIN: B000001FV1
Release Date: 2003-05-20 |
Tracks:
- Shoot Out At The Fantasy Factory
- Roll Right Stones
- Evening Blue
- Tragic Magic
- (Sometimes I Feel So) Uninspired
Customer Reviews:
Another classic Traffic album.......2006-12-12
Finally, they issued the REAL original album on cd. This is a great album although it has a darker feel than Low Spark Of High Heeled Boys it is just as good and a perfect followup release. I also find this release to be a little spacier. Rick Grech and Jim Gordon are replaced by Roger Hawkins and David Hood, but the core group of Steve Winwood, Chris Wood, and Jim Capaldi remain. If you don't already have this or if you have the old cd copy, GET THIS NOW.
An underrated yet excellent album from Traffic.......2006-10-20
1973's Shootout at the Fantasy Factory was Traffic's follow-up to 1971's excellent and classic Low Spark of High Heelded Boys. While Shootout is not nearly as well known as a Traffic album, it's still an excellent disc. Only 5 songs on here, but they are all great!
The album opens up with the storming title cut, which has fuzzed out multi-tracked guitars from Steve Winwood over a cookin' groove from the rhythm section of David Hood, Roger Hawkins, Rebop, and Jim Capaldi. The centerpiece of the album has to be the next track, the 14 minute Roll Right Stones, which has some truly excellent chord changes along with great singing from Winwood to go along with his piano and organ playing. Evening Blue is a plaintive ballad driven by acoustic guitar that's very pretty. Chris Wood's Tragic Magic is a jazzy, funky instrumental showcasing his stellar ability on woodwinds. And the closing track, Sometimes I Feel So Uninspired, is a slow burner that is actually pretty uplifting given the rather dour tone of the title.
All in all a fantastic album and if you're a fan of Traffic's "classic" albums (Mr. Fantasty, Traffic, John Barleycorn Must Die, Low Spark) then this is one you should definitely check out.
Another album from the golden age of Traffic's Jazz-Rock excursions.......2006-02-01
Traffic hit a new creative stride after Mason left the band following "Last Exit". Personally I am torn, because I really do like Mason's sound, but in the end I cannot deny that it helped Traffic as a group throw caution to the wind and really venture out from the world of Brit psychedelic pop-rock into rock-jazz fusion, with the addition of Reebop Kwanku-bah on drums for a more African-oriented sound (something Santana was doing too albeit in a Latinized way). One indicator of this transition is track length, which starts to take a jump up from 3-4 minutes to 6-10 minutes with "John Barleycorn Must Die" (the first post-Mason album) and continuing here and on Low Spark, etc. On "Shootout", we find Traffic mixing it up with slow ballads like "Sometimes I Feel So Uninspired", Jazzy instrumentals like "Tragic Magic", and two great tunes which can loosely be qualified as "rock": "Shootout at the Fantasy Factory" and the album's cornerstone, "Roll Right Stones", a 13-1/2 minute ripper where Wood and Winwood bust out their improvisational chops while Winwood shows off his incredible voice. Traffic is pretty much a footnote with most folks these days, which seems a bit strange considering the more prominent solo careers some of the musicians enjoyed afterwards, even with less creative musical material (i.e., Mason, Winwood). Part of that has to do with the more keyboard-brass driven sound of the band rather than the standard guitar-dominated sound of other contemporary rock-outfits: but the guitar as a driving element probably would have hindered their fusion excursions. On a related note: another plus is listening to how quickly Winwood's ability as a guitarist was progressing (the guitar is there, but is not prominent like it was with earlier albums), as it already is a huge step up from his offerings on "Welcome to the Canteen", and offers a glimpse of what is to come with "When the Eagle Flies" and "On the Road" (where he really sounds great). A somewhat overlooked but great classic-rock album.
The Slow Return to Sanity.......2005-10-11
This Follow-up to "Low Spark" is as I consider it material just as good in many respects to the first offering.
This style of Music is both calm and powerful and if you've not heard it before it is well worth your investing the time and money. Enjoy
Shoot out all the people outta there listening.......2005-09-22
I dont know what to say bout this album. Apart from Jazz music I am too much hooked with music of Traffic for quite a long time. A long time back I have heard Low spark and high heeled boys and can't even forget the tune. But this album is something which has really surpussed "Low Spar....". Every Friday evening I chill out in night with Roll Right Stones which has become a mantra to me. The expression of Steve Windwood is something very delicate which once heard can't be erased from mind....
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Bitter & Twisted
GMT Guy McCoy Torme (featuring Bernie Torme)
Manufacturer: Fantasy Island
ProductGroup: Music
Binding: Audio CD
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
General
| Latin Music
| Styles
| Music
General
| Rock
| Styles
| Music
British Metal
| Hard Rock & Metal
| Styles
| Music
General
| Hard Rock & Metal
| Styles
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Hard Rock
| Hard Rock & Metal
| Styles
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General
| Classic Rock
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Hard Rock & Metal
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Similar Items:
- The Inner Sanctum
- The Monkey Puzzle
- Glory Road
- Ace
- Live in Munich 1977
ASIN: B000IB0C9K
Release Date: 2006-11-06 |
Tracks:
- Cannonball
- Rocky Road
- Bitter & Twisted
- Can't Beat Rock N Roll
- Down to Here
- No Justice
- Miss the Buzz
- Longer Than Tomorrow
- Summerland
- Deireadh an Samhradh
- Vincenzo
Album Details
2006 Digitally Remastered Edition. Call it Hard Rock, Heavy Rock, Biker Rock, Classic Rock, Psychedelic Rock, Punk Rock.... Whatever, Gmt Rocks! Bernie Torme - Irish Guitar Legend and Frontman, Known for Saving the Day for Ozzy Osbourne When Guitarist Randy Rhodes Tragically Died, Hits and Tours with Gillan, Desperado with Twisted Sister Frontman Dee Snider and Iron Maiden Drummer Clive Burr, Torme with La Guns Singer Philip Lewis and Much Much More. John Mccoy - Larger Than Life Lead Bass Player, a Man Mountain with a Huger Sound. Who John Hasn't Played With, Written For, Or Produced, Isn't Worth Talking About, and Includes Gillan, Mammoth, Samson, Joey Belladonna (Anthrax), UK Subs, Atomic Rooster etc.
Average customer rating:
- Disappointing
- Hollycow best band in the wolrd the beatles just met their m
- Psychedelic period of a good Swedish 60's rock group
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Fantasy Island
Tages
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
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Pop Rock
| Pop
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Rock
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Similar Items:
- In My Dreams
- Singles A's & B's
ASIN: B00004U87T
Release Date: 2000-06-12 |
Tracks:
- Every Raindrop Means A Lot
- Look What You Get
- My Home Town
- I'm Going Out
- Fyzzy Patterns
- Sister's Got A Boyfriend
- Hear My Lamentation
- One Day
- You're Too Incomrehensible
- Wanting
- Prisoner
- Why Don't You Hide It
- House Of Soul Hill
- Short Song
- She's Having A Baby Now
- Treat Her Like A Lady
- Have You Seen Oyur Brother Lately
- Its My Life
- Like A Woman
- People Without Faces
- I Left My Shoes At Home
- She Is A Man
- Seeing With Love
- Created By You
- What's The Time
- It's In A Dream
- Old Man Wafer
- In The Street
- Fantasy Island
- To Be Free
- I Read You Like An Open Book
- Halcyon Days
Customer Reviews:
Disappointing.......2004-05-26
The amazing thing about the English music scene circa 1966-68 isn't just that there was so much truly exceptional music being made there, but also that nowhere else in Europe was music of that quality being produced. The Outsiders from Amsterdam were probably the best band on the continent, and they were only a very good garage band, certainly not in the same league as the Beatles, the Kinks or the Who. Which brings us to the Tages...
I bought this cd on the strength of their write-up in allmusic.com, which says the Tages were "one of the best '60s rock acts of any sort from a non-English speaking country" and "could have passed for a genuine British band". Um, sorry, no. Most of the music on this cd isn't exactly bad, but it's not terribly good either. The songs tend to be lackluster Baroque-pop, similar to Paul McCartney's tunes on Revolver or the Zombies' Odessey & Oracle, but without the brilliance of those records. The problem seems to be that, although the arrangements are good, none of the Tages are strong songwriters, and most of the songs were written by members of the group. The best moments on this release are two excellent psychedelic numbers written by songwriters outside the group: "She Is A Man", which sounds just like the Dukes of Stratosphear (non-Swindon accents notwithstanding), and "You're Too Incomprehensible", which is what Os Mutantes would have sounded like if they weren't Brazilian.
There are other obscure cds out there that are similar to this but much better. I recommend tracking down July's only album, Billy Nicholl's Would You Believe?, Blossom Toes' We Are Ever So Clean, and especially Colin Blunstone's One Year.
Hollycow best band in the wolrd the beatles just met their m.......2004-04-15
omg best album in the year danne is so cute!
The beatles just met their match. Iron butterfly has gone to the in a gadda da vida and they are stayin there.
If you like the beatles buy this album its like the beatles realy last album just for the fans but the tages are takin their place cuase they are dead!
Psychedelic period of a good Swedish 60's rock group.......2002-06-21
The Tages formed in Sweden in the early 60's as a skiffle group, but soon changed their sound after hearing the Mersey sound. Though their sound was very Anglo-philic, they never really made it in England (or America, of course), despite support from Ray Davies of the Kinks, and Roger Daltrey of the Who.
This collection includes material from various single releases and two albums dating from 1967-'68, and is for the most part good melodic baroque pop, similar to what groups like the Beatles, Tomorrow, and the Pretty Things were doing at the same time. Though they get pretty weird in "You're too incomprehensible," essentially, this is pop music, and very pleasant pop music at that, with great vocal harmonies. Some songs use traditional rock instrumentation, while others rely heavily on strings, and you hear accordians and flutes here and there. Some songs display a European folk music influence. There are also a couple of '60's style soul numbers, complete with horns, that sound kind of incongruous here. Overall, I'd say this is a must for collector's of 60's psych and baroque pop. The song "I'm going out," a remarkable song with an astonishingly beautiful middle eight section, almost makes it worthwhile all on its own.
Average customer rating:
- Music in the Right Era of Manipulated Sound
- the leading edge, too far out ahead for most to see
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Roger Reynolds: The Paris Pieces
Manufacturer: Neuma
ProductGroup: Music
Binding: Audio CD
Electronic
| Instruments
| Classical
| Styles
| Music
| Computer
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Similar Items:
- Personae/Vanity of Words
ASIN: B000005VXE
Release Date: 1996-08-01 |
Tracks:
- Odyssey: I. Others
- Odyssey: They Come/Different And The Same...
- Odyssey: II. Self
- Odyssey: What Would I Do Without This World...
- Odyssey: III. Inquiry
- Odyssey: If I Said, There's A Way Out There,...
- Odyssey: Set Listening Level (Softest Moment Here)
- Odyssey: IV. Credo
- Odyssey: My Way Is In The Sand...
Tracks:
- Summer Island
- Archipelago
- Autumn Island
- Fantasy For Pianist
Customer Reviews:
Music in the Right Era of Manipulated Sound.......2006-05-11
Roger Reynolds states 'I believe in as wide a range of musical involvements as is feasible given the reality of life.' Hearing his works requires a lot of preparation on the part of the audience: walking into the pieces cold might otherwise cause such mental confusion, trying to make the whole seem worth its parts, that it is easy to become aurally lost. His musical compositions or amalgams often include text and electronic elements (some critics praise him as an innovator in the use of multi-channel spatial explorations). Born in 1934 in Detroit, MI he is an important American composer whose roots seem to be found in the works of Ives, Varese, and Cage
The problem with Reynolds' works, finely composed though they be, is that they often include texts that really must be comfortably well known to the listener in order to hear the music. And he is in need of editing his longer works to remain within the concentration pattern of even the most sophisticated classical music lover. Point of reference is the first CD of this 2 CD set, an entire CD is devoted to 'Odyssey, an opera in the mind, for soloists, ensemble & computer processed sound' in which the complex texts are both sung and spoken in real time as well as with prerecorded excerpts. The work is performed by the always superb InterContemporain Ensemble with soloists Marie Kobayashi and Philip Larson conducted by David Robertson.
At a recent LA Philharmonic concert Esa-Pekka Salonen conducted the World Premiere of 'Illusion', a work commissioned by the orchestra and one meant to explore all of the sound possibilities of this acoustic wonder of a Hall. The piece begins with sounds on speakers in the foyer and steps of the hall and when the audience is seated prerecorded tapes of speakers bounce around the hall giving the text about Agamemnon, Iphigenia and Cassandra and the Greek history of Troy. Then the small ensemble on stage included Agamemnon with three voices (speaker, baritone and cellist!), along with female speaker and clarinet as Iphigenia, and soprano and piccolo as Cassandra! It is an hour-long quasi-opera and mixes acoustical manipulations of spoken word and computer sounds with the whole piece. Complex, mind-boggling, and in desperate need of editing!
The remaining pieces on this recording fit comfortably onto the second CD and are brief and well conceived: 'Summer Island, for oboe & computer generated sound', 'Archipelago, for 32 instruments & computer generated sound', 'Autumn Island for marimba', and 'Fantasy for pianist', each with David Robertson conducting the soloists and the InterContemporain Ensemble.
Stating that Roger Reynolds' music requires work on the part of the audience is in no way a negative statement. Too often we enter a concert or play a recording to be entertained. Reynolds demands we be participants and would that that were the case for all classical music listening, there would be no threat of the extinction of CDs! Food for the soul and the ear is food for the mind. Grady Harp, May 06
the leading edge, too far out ahead for most to see.......2002-01-21
This is invaluable documentation of the electro-acoustic works of Roger Reynolds. The product of time spent at IRCAM, Pierre Boulez' Paris institute, some of the pieces bear a strong resemblance to "Repons," the highest-profile Boulez composition using the state-of-the-art IRCAM technology. This is even less surprising since they were recorded by Boulez' Ensemble Intercontemporain! "Archipelago" was composed in 1982-3, for 32 instruments and 8 tracks of computer generated sound. On hearing a performance, John Cage said to Reynolds "[t]his should keep you busy for the rest of your life," because of its rich complexity. "Summer Island" and "Autumn Island" are spin-offs of "Archipelago," featuring oboe and marimba respectively. "Summer Island" is stunningly beautiful, the easiest piece on the disc to appreciate on first hearing.
"Odyssey, an opera in the mind" (1989-93) is a difficult work, to say the least. I will be listening to it alongside Nono's "Prometeo" for years, I'm sure, plumbing its depths. Featuring text from a poem by Samuel Beckett, Reynolds, believe it or not, uses equations from chaos theory to organize the computer-manupulated vocals, using the lyrical pitch structures of the voices as the basis for sound reorganization. Some pieces, such as Reynolds' string quartets ("Coconino," recorded by the Arditti Quartet), I find engaging and compelling despite my patent failure to completely understand the compositions' structures. With "Odyssey" I am not as compelled, and hence the 4 stars instead of 5. I remain convinced that Roger Reynolds is one of our most under-recognized contemporary composers. I only wish that all those who think Glass or Gorecki is the epitome of the current composer could hear Reynolds' work!
Average customer rating:
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Fantasy Island
M People
Manufacturer: Pid
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
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Dance & DJ
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ASIN: B000005KCK
Release Date: 1997-11-11 |
Album Description
The second single from 1997's 'Fresco' album. Features fivemixes of 'Fantasy Island': Radio Edit, M+S Epic Club Mix,Album Version, Def Club Mix and D Influence Master Mix.Slimline jewel case. A BMG release.
Album Details
Five Mixes of Title Track: Radio Edit, Def Club Mix, M&s Epic Club Mix, D Influence Dimensional Mix, LP Version. Remixed by David Morales.
Customer Reviews:
Tracks.......2006-03-20
Tracks
1. Fantasy Island (Radio Edit)
2. Fantasy Island (Def Club Mix)
3. Fantasy Island (M+S Epic Club Mix)
4. Fantasy Island (D Influence Master Mix)
5. Fantasy Island (Album Version)
Average customer rating:
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Mr. Fantasy
Traffic
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD
General
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Progressive Rock
| Progressive
| Rock
| Styles
| Music
Psychedelic Rock
| Classic Rock
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
| Music
General
| Classic Rock
| Styles
| Music
Classic Rock
| Imports
| Stores
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
- John Barleycorn Must Die
- Last Exit
- Eric Clapton Live
- Low Spark of High Heeled Boys
ASIN: B00009WKQA
Release Date: 2007-06-25 |
Tracks:
- Heaven Is in Your Mind
- Berkshire Poppies
- House for Everyone
- No Face, No Name, No Number
- Dear Mr. Fantasy
- Dealer
- Utterly Simple
- Coloured Rain
- Hope I Never Find Me There
- Giving to You
- Paper Sun [*]
- Giving to You [*]
- Hole in My Shoe [*]
- Smiling Phases [*]
- Here We Go 'Round the Mulberry Bush [*]
Album Description
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. Universal. 2006.
Album Details
Japanese Limited Edition in an LP-STYLE Slipcase. Limited to 5000 Copies.
Average customer rating:
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Hugh Aitken: Cantatas 1, 3, 4 & 6; Piano Fantasy
Manufacturer: Composers Recordings
ProductGroup: Music
Binding: Audio CD
Fantasies
| Forms & Genres
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B000005TZE
Release Date: 1998-02-17 |
Tracks:
- Cantata No.1 On Elizabethan Text: A. Recitative: Behold! O Man
- Cantata No.1 On Elizabethan Text: B. Song: Pluck The Fruit And Taste The Pleasure
- Cantata No.1 On Elizabethan Text: C. Recitative: What If A Day
- Cantata No.1 On Elizabethan Text: D. Song: Drink Today And Drown All Sorrow
- Cantata No.1 On Elizabethan Text: E. Aria: Fair Is The Rose
- Cantata No.1 On Elizabethan Text: F. Song: Hey Nonny No
- Cantata No.3 From This White Island: 1. For Death Will Come Still Too Soon
- Cantata No.3 From This White Island: 2. An Island
- Cantata No.3 From This White Island: 3. There
- Cantata No.3 From This White Island: 4. Now
- Cantata No.3 From This White Island: 5. On This Greek Island
- Cantata No.3 From This White Island: 6. Atlantic Coast: Afterward
- Cantata No. 4 On Poems By Antonio Machado: Dexnuda esta la tierra...
- Cantata No. 4 On Poems By Antonio Machado: Mi Bufon
- Cantata No. 4 On Poems By Antonio Machado: !O tarde luminosa!
- Pegasos, lindos pegasos, lindo pegasos
- Cantata No. 4 On Poems By Antonio Machado: El sol un globo de fuego....
- Cantata No. 4 On Poems By Antonio Machado: Campo
- Piano Fantasy
- Cantata No.6 Remembering
Customer Reviews:
Refreshingly Innovative.......1999-11-28
What a relief. An interesting modern piece of music is about as rare these days as a working modem. Intriguing to listen to, Aitken's work is as superlative as his writing (and teaching). Every modern composer should familiarize himself with this man.
Average customer rating:
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Back to Paradise
Manufacturer: Tudor
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
Meditation
| New Age
| Styles
| Music
General
| Classical
| Styles
| Music
ASIN: B000003WXP
Release Date: 1996-06-20 |
Tracks:
- Silent Way
- Solitary Flowers
- Rainbow Colors
- Calm Sea
- Azure
- Veils
- Peaceful Landscape
- Green Island
- Magic Wood
- Silver Trees
- Back To Paradise
- Quiet Place
- Fantasy In Blue
- Sunrise In Connemara
- Spirit Of Spring
- Soft Breeze
- Reflections
Rock Music:
- Far Be It from Me [Import]
- Far from Heaven [Import]
- Farm Yard Filth [Import]
- Far Out Disc
- Fast Days [EP] [Import]
- Fastest Gun Alive/House of Numbers [Soundtrack]
- Fast Future Present
- Fast Light With Radio Signal [EP]
- Faust [Import]
- Feast of Hearts [Import]
Rock Music
rock music