Fantasy Island

fantasy island

Track Listings
1. Every Raindrop Means A Lot
2. Look What You Get
3. My Home Town
4. I'm Going Out
5. Fyzzy Patterns
6. Sister's Got A Boyfriend
7. Hear My Lamentation
8. One Day
9. You're Too Incomrehensible
10. Wanting
11. Prisoner
12. Why Don't You Hide It
13. House Of Soul Hill
14. Short Song
15. She's Having A Baby Now
16. Treat Her Like A Lady
17. Have You Seen Oyur Brother Lately
18. Its My Life
19. Like A Woman
20. People Without Faces
See all 32 tracks on this disc

Fantasy Island,Tages,EMI,Pop,Rock/Pop


Fantasy Island
Mr. Fantasy
Average customer rating: 4.5 out of 5 stars
  • A bridge to cross over....
  • Traffic
  • A Traffic must have
  • (3.5 stars) Pretty good in some places: dated in others
  • Psychedelic masterpiece, but get the US version!!
Mr. Fantasy
Traffic
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Traffic
  2. Low Spark of High Heeled Boys
  3. John Barleycorn Must Die
  4. Shoot Out at the Fantasy Factory
  5. When the Eagle Flies

ASIN: B00004WF68
Release Date: 2000-08-29

Tracks:

  1. Heaven Is In Your Mind
  2. Berkshire Poppies
  3. House For Everyone
  4. No Face, No Name, No Number
  5. Dear Mr. Fantasy
  6. Dealer
  7. Utterly Simple
  8. Coloured Rain
  9. Hope I Never Find Me There
  10. Giving To You
  11. Paper Sun
  12. Giving To You
  13. Hole In My Shoe
  14. Smiling Phases
  15. Here We Go 'Round The Mulberry Bush

Amazon.com

It's a rather druggy record, Traffic's debut; in fact, decades later, it's still possible to get a decent contact high off of it. From the stuttering, lyrically ponderous "Heaven Is in Your Mind" to the awe-inspiring psychedelic soul of "Dear Mr. Fantasy," this is Traffic's most reverb-saturated and elliptical release. This 2000 reissue is in mono, but it does finally bring the American and British versions of the record together, so that you get "Paper Sun" and other singles from 1967. Dave Mason-era Traffic was nothing if not eclectic. On Mr. Fantasy, they mix and match the art-prog of Caravan and the goofy psychedelia of Sgt. Pepper's with the mellow groove of Procol Harum, the jazz-blues fusion of Graham Bond with the blues-rock of Cream. All that and sitar, too--not to mention Stevie Winwood's riveting vocals. A sheen of silliness covers at least a third of the album; faux-frumpy songs like "House for Everyone" and "Berkshire Poppies" are not-very-witty vaudeville spoofs that are sung in stuffy British accents. Overall, this is an engaging period piece that makes one give thanks for the Program function on the CD player. --Mike McGonigal

Customer Reviews:

5 out of 5 stars A bridge to cross over...........2007-05-31

Many mid-60's artists, names too countless to mention here, failed to bridge the gap from the R&R/soul based music of that day to the more experimental stylings which followed. Not so with Mr. Winwood, who jumped from Spencer Davis Group to form Traffic with fellow headliner Dave Mason and relative unknowns Jim Capaldi (dr) and Chris Wood (woodwinds). Actually, Dave Mason often slid by the wayside allowing Winwood's influence to prevail. The US cover of this LP was a rather unimaginative photo of the group members, whereas the UK version (used here) gave us more insight as to what the music inside "looked like." This was, perhaps, evidence of the UK's head start on the dreamier elements of psychedelia. Songs like "Hole in My Shoe" and "Berskhire Poppies" utilized heavy phasing and made us hang on white-knuckled for awhile til we got the idea. Yet we also got the beautiful ballad "No Face No Name No Number" which became an oft-covered standard. A cornucopia of styles at work here, and more songs than appeared on the original releases of this LP. For example, the title tune from "Here We Go Round the Mulberry Bush" which fits here quite well. If you are expecting the long jams of latter era Traffic, think again. A seminal work from a transitional age.

5 out of 5 stars Traffic.......2007-03-17

I was going to digitalize my old "Mr Fantasy" LP but looked up to see if was available on CD, which it was. What can I say. If you you're an old guy, or girl, and you like Traffic, then you'll like this CD. Maybe even if you're not old. It's a bit corny in parts, but it's good creative rock and roll.

5 out of 5 stars A Traffic must have.......2006-11-10

What can I say, except get this remaster today. If your a fan of Traffic then you know. If your a young rocker trying to discover why the music from the late 60's and early 70's was just better than now-a-days, buy this and you'll find out why. This is Traffic's 1st or 2nd album...I think 2nd, during the orginial line up and is just a crazy, beautiful blend of psycedellic blues rock and jazz progressions. Very trippy. Get it. Today.

3 out of 5 stars (3.5 stars) Pretty good in some places: dated in others.......2006-11-04

This review is only based on the ten original tracks, though there are some great bonus tracks (Paper Sun; Hole in My Shoe; Smiling Phases) that would've undoubtedly boosted the rating had they been included on the original album instead of a few of the dated psychedelic songs Berkshire Poppies; A House for Everyone; Utterly Simple; Hope I Don't Find Me There; and the album-closing jam Giving to You. Psychedelia wasn't Traffic's thing, they were better off playing jazz/folk/rock songs such as Heaven is In Your Mind; No Face, No Name, No Number; Colored Rain and that unforgettable title track, arguably the best song in the Traffic canon. Plus Dealer is a good song, on the misunderstood side - the title does spell drugs, but it's really about a card dealer. A bit of an offbeat subject, but this was 1968. At its best, it's the kind of English Folke that would later inspire Jethro Tull's best work; at worst, it's psychedelic excess vaguely reminiscent of the Rolling Stones' worst work. Thankfully, they would get their sound straight on the next, self-titled album, the latter of which containing several classics (You Can All Join In; Pearly Queen; Feelin' Alright?; 40,000 Headsmen). It's the better buy, but this isn't bad at all.

5 out of 5 stars Psychedelic masterpiece, but get the US version!!.......2005-05-27

The British version of this CD is called "Mr Fantasy" - it has a superior CD sleeve to the US version, but a lot of it is in badly mixed mono and sounds very flat. The same album is available in the US version under the title "Heaven is In Your Mind" - it is all in stereo, and sequenced much better - makes a BIG difference - and is far superior to the U.K. version. Both versions are great - whichever one you end up with, you're gonna love if you like psychedelic music! Because this album is a psych CLASSIC! I have both versions and I ALWAYS listen to the US version ("Heaven is In Your Mind") because it sounds better and makes more sense the way it is sequenced. I had never even heard of the album until 1 year ago. I investigated this year, and I am SURE GLAD I did!!!
Shoot Out at the Fantasy Factory
Average customer rating: 4.5 out of 5 stars
  • Another classic Traffic album
  • An underrated yet excellent album from Traffic
  • Another album from the golden age of Traffic's Jazz-Rock excursions
  • The Slow Return to Sanity
  • Shoot out all the people outta there listening
Shoot Out at the Fantasy Factory
Traffic
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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  1. Low Spark of High Heeled Boys
  2. When the Eagle Flies
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  4. Traffic
  5. Mr. Fantasy

ASIN: B000001FV1
Release Date: 2003-05-20

Tracks:

  1. Shoot Out At The Fantasy Factory
  2. Roll Right Stones
  3. Evening Blue
  4. Tragic Magic
  5. (Sometimes I Feel So) Uninspired

Customer Reviews:

5 out of 5 stars Another classic Traffic album.......2006-12-12

Finally, they issued the REAL original album on cd. This is a great album although it has a darker feel than Low Spark Of High Heeled Boys it is just as good and a perfect followup release. I also find this release to be a little spacier. Rick Grech and Jim Gordon are replaced by Roger Hawkins and David Hood, but the core group of Steve Winwood, Chris Wood, and Jim Capaldi remain. If you don't already have this or if you have the old cd copy, GET THIS NOW.

5 out of 5 stars An underrated yet excellent album from Traffic.......2006-10-20

1973's Shootout at the Fantasy Factory was Traffic's follow-up to 1971's excellent and classic Low Spark of High Heelded Boys. While Shootout is not nearly as well known as a Traffic album, it's still an excellent disc. Only 5 songs on here, but they are all great!

The album opens up with the storming title cut, which has fuzzed out multi-tracked guitars from Steve Winwood over a cookin' groove from the rhythm section of David Hood, Roger Hawkins, Rebop, and Jim Capaldi. The centerpiece of the album has to be the next track, the 14 minute Roll Right Stones, which has some truly excellent chord changes along with great singing from Winwood to go along with his piano and organ playing. Evening Blue is a plaintive ballad driven by acoustic guitar that's very pretty. Chris Wood's Tragic Magic is a jazzy, funky instrumental showcasing his stellar ability on woodwinds. And the closing track, Sometimes I Feel So Uninspired, is a slow burner that is actually pretty uplifting given the rather dour tone of the title.

All in all a fantastic album and if you're a fan of Traffic's "classic" albums (Mr. Fantasty, Traffic, John Barleycorn Must Die, Low Spark) then this is one you should definitely check out.

5 out of 5 stars Another album from the golden age of Traffic's Jazz-Rock excursions.......2006-02-01

Traffic hit a new creative stride after Mason left the band following "Last Exit". Personally I am torn, because I really do like Mason's sound, but in the end I cannot deny that it helped Traffic as a group throw caution to the wind and really venture out from the world of Brit psychedelic pop-rock into rock-jazz fusion, with the addition of Reebop Kwanku-bah on drums for a more African-oriented sound (something Santana was doing too albeit in a Latinized way). One indicator of this transition is track length, which starts to take a jump up from 3-4 minutes to 6-10 minutes with "John Barleycorn Must Die" (the first post-Mason album) and continuing here and on Low Spark, etc. On "Shootout", we find Traffic mixing it up with slow ballads like "Sometimes I Feel So Uninspired", Jazzy instrumentals like "Tragic Magic", and two great tunes which can loosely be qualified as "rock": "Shootout at the Fantasy Factory" and the album's cornerstone, "Roll Right Stones", a 13-1/2 minute ripper where Wood and Winwood bust out their improvisational chops while Winwood shows off his incredible voice. Traffic is pretty much a footnote with most folks these days, which seems a bit strange considering the more prominent solo careers some of the musicians enjoyed afterwards, even with less creative musical material (i.e., Mason, Winwood). Part of that has to do with the more keyboard-brass driven sound of the band rather than the standard guitar-dominated sound of other contemporary rock-outfits: but the guitar as a driving element probably would have hindered their fusion excursions. On a related note: another plus is listening to how quickly Winwood's ability as a guitarist was progressing (the guitar is there, but is not prominent like it was with earlier albums), as it already is a huge step up from his offerings on "Welcome to the Canteen", and offers a glimpse of what is to come with "When the Eagle Flies" and "On the Road" (where he really sounds great). A somewhat overlooked but great classic-rock album.

4 out of 5 stars The Slow Return to Sanity.......2005-10-11

This Follow-up to "Low Spark" is as I consider it material just as good in many respects to the first offering.
This style of Music is both calm and powerful and if you've not heard it before it is well worth your investing the time and money. Enjoy

5 out of 5 stars Shoot out all the people outta there listening.......2005-09-22

I dont know what to say bout this album. Apart from Jazz music I am too much hooked with music of Traffic for quite a long time. A long time back I have heard Low spark and high heeled boys and can't even forget the tune. But this album is something which has really surpussed "Low Spar....". Every Friday evening I chill out in night with Roll Right Stones which has become a mantra to me. The expression of Steve Windwood is something very delicate which once heard can't be erased from mind....
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Bitter & Twisted
Average customer rating: Not rated
    Bitter & Twisted
    GMT Guy McCoy Torme (featuring Bernie Torme)
    Manufacturer: Fantasy Island
    ProductGroup: Music
    Binding: Audio CD

    PunkPunk | Hardcore & Punk | Alternative Rock | Styles | Music
    GeneralGeneral | Latin Music | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    British MetalBritish Metal | Hard Rock & Metal | Styles | Music
    GeneralGeneral | Hard Rock & Metal | Styles | Music
    Hard RockHard Rock | Hard Rock & Metal | Styles | Music
    GeneralGeneral | Classic Rock | Styles | Music
    Hard Rock & MetalHard Rock & Metal | Imports | Stores | Music
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    1. The Inner Sanctum
    2. The Monkey Puzzle
    3. Glory Road
    4. Ace
    5. Live in Munich 1977

    ASIN: B000IB0C9K
    Release Date: 2006-11-06

    Tracks:

    1. Cannonball
    2. Rocky Road
    3. Bitter & Twisted
    4. Can't Beat Rock N Roll
    5. Down to Here
    6. No Justice
    7. Miss the Buzz
    8. Longer Than Tomorrow
    9. Summerland
    10. Deireadh an Samhradh
    11. Vincenzo

    Album Details

    2006 Digitally Remastered Edition. Call it Hard Rock, Heavy Rock, Biker Rock, Classic Rock, Psychedelic Rock, Punk Rock.... Whatever, Gmt Rocks! Bernie Torme - Irish Guitar Legend and Frontman, Known for Saving the Day for Ozzy Osbourne When Guitarist Randy Rhodes Tragically Died, Hits and Tours with Gillan, Desperado with Twisted Sister Frontman Dee Snider and Iron Maiden Drummer Clive Burr, Torme with La Guns Singer Philip Lewis and Much Much More. John Mccoy - Larger Than Life Lead Bass Player, a Man Mountain with a Huger Sound. Who John Hasn't Played With, Written For, Or Produced, Isn't Worth Talking About, and Includes Gillan, Mammoth, Samson, Joey Belladonna (Anthrax), UK Subs, Atomic Rooster etc.
    Fantasy Island
    Average customer rating: 3.5 out of 5 stars
    • Disappointing
    • Hollycow best band in the wolrd the beatles just met their m
    • Psychedelic period of a good Swedish 60's rock group
    Fantasy Island
    Tages
    Manufacturer: EMI
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rock | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    RockRock | Imports | Stores | Music
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    1. In My Dreams
    2. Singles A's & B's

    ASIN: B00004U87T
    Release Date: 2000-06-12

    Tracks:

    1. Every Raindrop Means A Lot
    2. Look What You Get
    3. My Home Town
    4. I'm Going Out
    5. Fyzzy Patterns
    6. Sister's Got A Boyfriend
    7. Hear My Lamentation
    8. One Day
    9. You're Too Incomrehensible
    10. Wanting
    11. Prisoner
    12. Why Don't You Hide It
    13. House Of Soul Hill
    14. Short Song
    15. She's Having A Baby Now
    16. Treat Her Like A Lady
    17. Have You Seen Oyur Brother Lately
    18. Its My Life
    19. Like A Woman
    20. People Without Faces
    21. I Left My Shoes At Home
    22. She Is A Man
    23. Seeing With Love
    24. Created By You
    25. What's The Time
    26. It's In A Dream
    27. Old Man Wafer
    28. In The Street
    29. Fantasy Island
    30. To Be Free
    31. I Read You Like An Open Book
    32. Halcyon Days

    Customer Reviews:

    2 out of 5 stars Disappointing.......2004-05-26

    The amazing thing about the English music scene circa 1966-68 isn't just that there was so much truly exceptional music being made there, but also that nowhere else in Europe was music of that quality being produced. The Outsiders from Amsterdam were probably the best band on the continent, and they were only a very good garage band, certainly not in the same league as the Beatles, the Kinks or the Who. Which brings us to the Tages...

    I bought this cd on the strength of their write-up in allmusic.com, which says the Tages were "one of the best '60s rock acts of any sort from a non-English speaking country" and "could have passed for a genuine British band". Um, sorry, no. Most of the music on this cd isn't exactly bad, but it's not terribly good either. The songs tend to be lackluster Baroque-pop, similar to Paul McCartney's tunes on Revolver or the Zombies' Odessey & Oracle, but without the brilliance of those records. The problem seems to be that, although the arrangements are good, none of the Tages are strong songwriters, and most of the songs were written by members of the group. The best moments on this release are two excellent psychedelic numbers written by songwriters outside the group: "She Is A Man", which sounds just like the Dukes of Stratosphear (non-Swindon accents notwithstanding), and "You're Too Incomprehensible", which is what Os Mutantes would have sounded like if they weren't Brazilian.

    There are other obscure cds out there that are similar to this but much better. I recommend tracking down July's only album, Billy Nicholl's Would You Believe?, Blossom Toes' We Are Ever So Clean, and especially Colin Blunstone's One Year.

    5 out of 5 stars Hollycow best band in the wolrd the beatles just met their m.......2004-04-15

    omg best album in the year danne is so cute!
    The beatles just met their match. Iron butterfly has gone to the in a gadda da vida and they are stayin there.
    If you like the beatles buy this album its like the beatles realy last album just for the fans but the tages are takin their place cuase they are dead!

    4 out of 5 stars Psychedelic period of a good Swedish 60's rock group.......2002-06-21

    The Tages formed in Sweden in the early 60's as a skiffle group, but soon changed their sound after hearing the Mersey sound. Though their sound was very Anglo-philic, they never really made it in England (or America, of course), despite support from Ray Davies of the Kinks, and Roger Daltrey of the Who.

    This collection includes material from various single releases and two albums dating from 1967-'68, and is for the most part good melodic baroque pop, similar to what groups like the Beatles, Tomorrow, and the Pretty Things were doing at the same time. Though they get pretty weird in "You're too incomprehensible," essentially, this is pop music, and very pleasant pop music at that, with great vocal harmonies. Some songs use traditional rock instrumentation, while others rely heavily on strings, and you hear accordians and flutes here and there. Some songs display a European folk music influence. There are also a couple of '60's style soul numbers, complete with horns, that sound kind of incongruous here. Overall, I'd say this is a must for collector's of 60's psych and baroque pop. The song "I'm going out," a remarkable song with an astonishingly beautiful middle eight section, almost makes it worthwhile all on its own.
    Roger Reynolds: The Paris Pieces
    Average customer rating: 4 out of 5 stars
    • Music in the Right Era of Manipulated Sound
    • the leading edge, too far out ahead for most to see
    Roger Reynolds: The Paris Pieces

    Manufacturer: Neuma
    ProductGroup: Music
    Binding: Audio CD

    ElectronicElectronic | Instruments | Classical | Styles | Music | Computer
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
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    1. Personae/Vanity of Words

    ASIN: B000005VXE
    Release Date: 1996-08-01

    Tracks:

    1. Odyssey: I. Others
    2. Odyssey: They Come/Different And The Same...
    3. Odyssey: II. Self
    4. Odyssey: What Would I Do Without This World...
    5. Odyssey: III. Inquiry
    6. Odyssey: If I Said, There's A Way Out There,...
    7. Odyssey: Set Listening Level (Softest Moment Here)
    8. Odyssey: IV. Credo
    9. Odyssey: My Way Is In The Sand...

    Tracks:

    1. Summer Island
    2. Archipelago
    3. Autumn Island
    4. Fantasy For Pianist

    Customer Reviews:

    4 out of 5 stars Music in the Right Era of Manipulated Sound.......2006-05-11

    Roger Reynolds states 'I believe in as wide a range of musical involvements as is feasible given the reality of life.' Hearing his works requires a lot of preparation on the part of the audience: walking into the pieces cold might otherwise cause such mental confusion, trying to make the whole seem worth its parts, that it is easy to become aurally lost. His musical compositions or amalgams often include text and electronic elements (some critics praise him as an innovator in the use of multi-channel spatial explorations). Born in 1934 in Detroit, MI he is an important American composer whose roots seem to be found in the works of Ives, Varese, and Cage

    The problem with Reynolds' works, finely composed though they be, is that they often include texts that really must be comfortably well known to the listener in order to hear the music. And he is in need of editing his longer works to remain within the concentration pattern of even the most sophisticated classical music lover. Point of reference is the first CD of this 2 CD set, an entire CD is devoted to 'Odyssey, an opera in the mind, for soloists, ensemble & computer processed sound' in which the complex texts are both sung and spoken in real time as well as with prerecorded excerpts. The work is performed by the always superb InterContemporain Ensemble with soloists Marie Kobayashi and Philip Larson conducted by David Robertson.

    At a recent LA Philharmonic concert Esa-Pekka Salonen conducted the World Premiere of 'Illusion', a work commissioned by the orchestra and one meant to explore all of the sound possibilities of this acoustic wonder of a Hall. The piece begins with sounds on speakers in the foyer and steps of the hall and when the audience is seated prerecorded tapes of speakers bounce around the hall giving the text about Agamemnon, Iphigenia and Cassandra and the Greek history of Troy. Then the small ensemble on stage included Agamemnon with three voices (speaker, baritone and cellist!), along with female speaker and clarinet as Iphigenia, and soprano and piccolo as Cassandra! It is an hour-long quasi-opera and mixes acoustical manipulations of spoken word and computer sounds with the whole piece. Complex, mind-boggling, and in desperate need of editing!

    The remaining pieces on this recording fit comfortably onto the second CD and are brief and well conceived: 'Summer Island, for oboe & computer generated sound', 'Archipelago, for 32 instruments & computer generated sound', 'Autumn Island for marimba', and 'Fantasy for pianist', each with David Robertson conducting the soloists and the InterContemporain Ensemble.

    Stating that Roger Reynolds' music requires work on the part of the audience is in no way a negative statement. Too often we enter a concert or play a recording to be entertained. Reynolds demands we be participants and would that that were the case for all classical music listening, there would be no threat of the extinction of CDs! Food for the soul and the ear is food for the mind. Grady Harp, May 06

    4 out of 5 stars the leading edge, too far out ahead for most to see.......2002-01-21

    This is invaluable documentation of the electro-acoustic works of Roger Reynolds. The product of time spent at IRCAM, Pierre Boulez' Paris institute, some of the pieces bear a strong resemblance to "Repons," the highest-profile Boulez composition using the state-of-the-art IRCAM technology. This is even less surprising since they were recorded by Boulez' Ensemble Intercontemporain! "Archipelago" was composed in 1982-3, for 32 instruments and 8 tracks of computer generated sound. On hearing a performance, John Cage said to Reynolds "[t]his should keep you busy for the rest of your life," because of its rich complexity. "Summer Island" and "Autumn Island" are spin-offs of "Archipelago," featuring oboe and marimba respectively. "Summer Island" is stunningly beautiful, the easiest piece on the disc to appreciate on first hearing.

    "Odyssey, an opera in the mind" (1989-93) is a difficult work, to say the least. I will be listening to it alongside Nono's "Prometeo" for years, I'm sure, plumbing its depths. Featuring text from a poem by Samuel Beckett, Reynolds, believe it or not, uses equations from chaos theory to organize the computer-manupulated vocals, using the lyrical pitch structures of the voices as the basis for sound reorganization. Some pieces, such as Reynolds' string quartets ("Coconino," recorded by the Arditti Quartet), I find engaging and compelling despite my patent failure to completely understand the compositions' structures. With "Odyssey" I am not as compelled, and hence the 4 stars instead of 5. I remain convinced that Roger Reynolds is one of our most under-recognized contemporary composers. I only wish that all those who think Glass or Gorecki is the epitome of the current composer could hear Reynolds' work!
    Fantasy Island
    Average customer rating: 4 out of 5 stars
    • Tracks
    Fantasy Island
    M People
    Manufacturer: Pid
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Dance & DJ | Styles | Music
    Dance & DJDance & DJ | Imports | Stores | Music
    ASIN: B000005KCK
    Release Date: 1997-11-11

    Album Description

    The second single from 1997's 'Fresco' album. Features fivemixes of 'Fantasy Island': Radio Edit, M+S Epic Club Mix,Album Version, Def Club Mix and D Influence Master Mix.Slimline jewel case. A BMG release.

    Album Details

    Five Mixes of Title Track: Radio Edit, Def Club Mix, M&s Epic Club Mix, D Influence Dimensional Mix, LP Version. Remixed by David Morales.

    Customer Reviews:

    4 out of 5 stars Tracks.......2006-03-20

    Tracks
    1. Fantasy Island (Radio Edit)
    2. Fantasy Island (Def Club Mix)
    3. Fantasy Island (M+S Epic Club Mix)
    4. Fantasy Island (D Influence Master Mix)
    5. Fantasy Island (Album Version)
    Mr. Fantasy
    Average customer rating: Not rated
      Mr. Fantasy
      Traffic
      Manufacturer: Island
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Pop | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      Folk RockFolk Rock | Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
      Psychedelic RockPsychedelic Rock | Classic Rock | Styles | Music
      Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
      GeneralGeneral | Classic Rock | Styles | Music
      Classic RockClassic Rock | Imports | Stores | Music
      RockRock | Imports | Stores | Music
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      1. John Barleycorn Must Die
      2. Last Exit
      3. Eric Clapton Live
      4. Low Spark of High Heeled Boys

      ASIN: B00009WKQA
      Release Date: 2007-06-25

      Tracks:

      1. Heaven Is in Your Mind
      2. Berkshire Poppies
      3. House for Everyone
      4. No Face, No Name, No Number
      5. Dear Mr. Fantasy
      6. Dealer
      7. Utterly Simple
      8. Coloured Rain
      9. Hope I Never Find Me There
      10. Giving to You
      11. Paper Sun [*]
      12. Giving to You [*]
      13. Hole in My Shoe [*]
      14. Smiling Phases [*]
      15. Here We Go 'Round the Mulberry Bush [*]

      Album Description

      Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. Universal. 2006.

      Album Details

      Japanese Limited Edition in an LP-STYLE Slipcase. Limited to 5000 Copies.
      Hugh Aitken: Cantatas 1, 3, 4 & 6; Piano Fantasy
      Average customer rating: 4 out of 5 stars
      • Refreshingly Innovative
      Hugh Aitken: Cantatas 1, 3, 4 & 6; Piano Fantasy

      Manufacturer: Composers Recordings
      ProductGroup: Music
      Binding: Audio CD

      FantasiesFantasies | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
      ASIN: B000005TZE
      Release Date: 1998-02-17

      Tracks:

      1. Cantata No.1 On Elizabethan Text: A. Recitative: Behold! O Man
      2. Cantata No.1 On Elizabethan Text: B. Song: Pluck The Fruit And Taste The Pleasure
      3. Cantata No.1 On Elizabethan Text: C. Recitative: What If A Day
      4. Cantata No.1 On Elizabethan Text: D. Song: Drink Today And Drown All Sorrow
      5. Cantata No.1 On Elizabethan Text: E. Aria: Fair Is The Rose
      6. Cantata No.1 On Elizabethan Text: F. Song: Hey Nonny No
      7. Cantata No.3 From This White Island: 1. For Death Will Come Still Too Soon
      8. Cantata No.3 From This White Island: 2. An Island
      9. Cantata No.3 From This White Island: 3. There
      10. Cantata No.3 From This White Island: 4. Now
      11. Cantata No.3 From This White Island: 5. On This Greek Island
      12. Cantata No.3 From This White Island: 6. Atlantic Coast: Afterward
      13. Cantata No. 4 On Poems By Antonio Machado: Dexnuda esta la tierra...
      14. Cantata No. 4 On Poems By Antonio Machado: Mi Bufon
      15. Cantata No. 4 On Poems By Antonio Machado: !O tarde luminosa!
      16. Pegasos, lindos pegasos, lindo pegasos
      17. Cantata No. 4 On Poems By Antonio Machado: El sol un globo de fuego....
      18. Cantata No. 4 On Poems By Antonio Machado: Campo
      19. Piano Fantasy
      20. Cantata No.6 Remembering

      Customer Reviews:

      4 out of 5 stars Refreshingly Innovative.......1999-11-28

      What a relief. An interesting modern piece of music is about as rare these days as a working modem. Intriguing to listen to, Aitken's work is as superlative as his writing (and teaching). Every modern composer should familiarize himself with this man.
      Back to Paradise
      Average customer rating: Not rated
        Back to Paradise

        Manufacturer: Tudor
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | New Age | Styles | Music
        MeditationMeditation | New Age | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        ASIN: B000003WXP
        Release Date: 1996-06-20

        Tracks:

        1. Silent Way
        2. Solitary Flowers
        3. Rainbow Colors
        4. Calm Sea
        5. Azure
        6. Veils
        7. Peaceful Landscape
        8. Green Island
        9. Magic Wood
        10. Silver Trees
        11. Back To Paradise
        12. Quiet Place
        13. Fantasy In Blue
        14. Sunrise In Connemara
        15. Spirit Of Spring
        16. Soft Breeze
        17. Reflections

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