Hell Song, Pt. 2 [CD-single] [Import]

hell song, pt. 2 [cd-single] [import]

Track Listings

1. The Hell Song (Live From Sound London)

2. Still Waiting (Live From Sound London)

3. Rhythms (Live From Sound London)

4. The Hell Song (Live From Sound London Video)

Editorial Reviews
Product Description
Taken from the 2002 album, 'Does This Look Infected?'. Four non-LP tracks, 'The Hell Song' (Live from Sound, London), 'Still Waiting' (Live from Sound, London), 'Rhythms' (Live from Sound, London), & 'The Hell Song' (Live from Sound, London - Video). Mercury Records. 2003.

Hell Song, Pt. 2,Sum 41,Umvd Import,Pop,Punk Revival,Punk-Pop,Rock,Rock/Pop

Hell Song, Pt. 2 [CD-single] [Import]

Average customer rating:

sandler hits again
Funny
adam sandler [sick]
Even funnier than They're All Gonna Laugh At You
NOW I'M ONLY HAPPY WHEN I WATCH GIRLS PEE....

What The Hell Happened To Me!
Adam Sandler
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

General | Miscellaneous | Styles | Music

General | Comedy | Miscellaneous | Styles | Music

Contemporary Comedy | Comedy | Miscellaneous | Styles | Music

$9.99 and Under | Blowout Music | Stores | Music

All Blowout Music | Blowout Music | Stores | Music

$9.99 and Under | Prices | Blowout Music | Stores | Music

More Titles at Least 25% Off | Blowout Music | Stores | Music
Similar Items:

They're All Gonna Laugh at You
Stan and Judy's Kid
What's Your Name
Shhh...Don't Tell
Adam Sandler's Eight Crazy Nights

ASIN: B000002N4N
Release Date: 1996-02-13

Tracks:

Joining The Cult
Respect
Ode To My Car
The Excited Southerner Orders A Meal
The Goat
The Chanukah Song
The Excited Southerner Gets Pulled Over
The Hypnotist
Steve Polychronopolous
The Excited Southerner Gets A Job Interview
Do It For Mama
Crazy Love
The Excited Southerner Meets Mel Gibson
The Adventures Of The Cow
Dip Doodle
The Excited Southerner Proposes To A Woman
Memory Lane
Mr. Bake-O
Sex Or Weight Lifting
What The Hell Happened To Me

Amazon.com

If Sandler had shelved about half the material on this bloated 75-minute disc, he would have done the listener a big favor. At times, the relentless, one-note routines actually work. Sandler gets plenty of mileage out of fart after fart on "The Hypnotist." And every time the wise guys on "Respect" mumble that word, the funnier it gets. But too many skits go on forever. Lacking dramatic shape, they just hammer away at worn-out riffs. The five "Excited Southerner" tracks could certainly have been dumped. Sandler and his cowriters apparently think that the excited Southerner's stutter is enough to make these bits funny. Besides the dozen-plus comic routines, the disc contains seven songs, five of which feature full-blown musical productions and L.A. studio musicians. The standout number is "The Chanukah Song," one of two live recordings that feature a solo Sandler accompanying himself on guitar. --Fred Cisterna

Customer Reviews:

sandler hits again.......2007-01-12

this is probably one of my favorites out of his CD's I was laughing to the end

Funny.......2006-12-17

This is a great CD, yes there is some matrial here that rambles on, and some un-funny bits, but the other bits make up for it. To the reviewer that thinks this is sick and recommends Woody Allen, hmmm...Whats sicker, Sandler humor, or the fact that Woody married Soon Yi, the adopted daughter of his former girlfriend???

adam sandler [sick].......2006-11-08

Do you think jokes about a mom making her sons masticate by the pool is funnY? No, I dont either!! But this is all my friends play!! For humor I prefer Woody Allen!1 Go seee Scoop with Scarlett!!!

Even funnier than They're All Gonna Laugh At You.......2006-03-02

The Goat is one of the funniest skits I have ever heard and no matter how many times I hear it, it leaves me in tears of laughter. Also of note on the Album: "Mr. Bake-O" "Steve Polycronopolous" "What the Hell Happened To Me"

NOW I'M ONLY HAPPY WHEN I WATCH GIRLS PEE...........2005-10-15

I may have said that his first album was the best. Well the first album was pretty god damned funny, but this thing is sheer comic BRILLIANCE! The skits AND the songs, all good. Except for the brutally un-funny THE HYPNOTIST skit (sorry Kevin Nealon, I couldn't handle the seven minutes of farts.) But everything else is incredible! The songs are SO cool. I actually saw him with his band in 1996. I was thirteen and I had a blast. I would go see him again, but now he's to busy making movies like SPANGLISH!
THE CULT, RESPECT, DO IT FOR MAMMA, THE GOAT, SEX AND WEIGHTLIFTING are the ones that instantly come to mind... "we are definatley f'ing..., there are no weights or dumbells in this room...just my balls, ssssh baby my mom will hear."
"OWE! F me in the goat A!"
"So after lunch why don't you go out back and play with your Cawkinballs?"...."MAAAAAA!"
"GOTTA RESPECT THE CONDOM"...."You F'in moron! RESPECT THE CONDOM, he's F'in five years old!"
And more great stuff like that. By the way there is a parental advisory on this one in case you were wondering.

Average customer rating:

Lousy - don't buy it!
Lackluster
Great music; forgettable setting
Fun, but not the best of PDQ Bach
Some good tracks

P.D.Q. Bach: The Short-Tempered Clavier

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Comedy | Miscellaneous | Styles | Music

1712 Overture & Other Musical Assaults
Music for an Awful Lot of Winds and Percussion
The Wurst of P.D.Q. Bach
Ill-Conceived PDQ Bach Anthology
Oedipus Tex & Other Choral Calamities

ASIN: B000003D0T
Release Date: 1995-08-29

Tracks:

Opening And Introduction
I. C Major
II. C Minor
III. C-Sharp Major
IV. D Major
V. D Minor
VI. E-Flat Major
VII. F Major
VIII. G Minor
IX. G Major
X. A Major
XI. A minor
XII. B-Flat Major
Introduction
I. Toccata Et Fuga Obnoxia
II. Chorale Prelude (Ave Maria Et Agnus Dei)
III. Fantasia Sopra
IV. Lullaby And Goodnight
Introduction
I. Spiel Vorspiel
II. Entrada Grande
III. Smokski The Russian Bear
IV. Toccata Ecdysiastica
Calliope Frustration
Introduction
I. Chorale 'Orally'
II. Chorale Prelude On An American Hymn For The Last Sunday Before The Fourth Day Of The Seventh Month After New Year's Eve
III. Chorale Variations On 'In Der Nacht So Hell, Der Petrus Ist Mein Freund'
Epilogue

Customer Reviews:

Lousy - don't buy it!.......2007-05-04

My boyfriend listened to the whole disc, and hated every bit of it.
I heard a couple tracks, and wanted to turn it off after two songs.
Not anywhere near as clever or entertaining as his ILL-CONCEIVED album,
which is the first PDQ we've listened to.

Hello, hello hello howdy do,
my name is Zinging-able-nessedly,
but my frrrrrieeeeeeeeennnndddsss, just call me Zing!

Lackluster.......2003-03-07

I agree with most of the other individuals who have written comments. The first piece, "The Short Tempered Clavier" is, by far, the best piece on the CD. The other works seem oddly derivative of it. There isn't the usual variety in the pieces which Schickele includes (one or two instrumental, one or two vocal). My personal suspicion is that since, years ago, Schickele announced his intention to stop his P.D.Q. Bach work in order to focus on serious compositions, this CD may have been part of a contractual obligation, or, perhaps, just an effort to get the last of the P.D.Q. Bach pieces recorded.

While the "Short Temepered Clavier" is a good piece, its probably not worth the price of the CD. If you were looking for a good P.D.Q. Bach album, I'd buy "Oedipus Tex" or "1712 Overture" or even the lesser-known (but really funny) "Lieberslieder Polkas and Twelve Quite Heavenly Songs".

Great music; forgettable setting.......2003-02-14

I'll get the bad news out of the way first. The "setting" for this performance is allegedly a Senate committee hearing room, where they are debating some ridiculous amendment to the Constitution. All of the sections of the CD where the Professor is just talking to the Senators are rather dull -- I guess Schickele was trying to get in his verbal jokes, like he does in his (hilarious) live performances, but it just falls flat here.

On to the good stuff. The Short-Tempered Clavier is some of PDQ's most inventive writing yet. Of all the solo piano PDQ music that Schickele has put out, this is some of the most cerebral ... There are quotes from other works that you don't hear until you've listened 3 or 4 times -- they're deeply imbedded. The fugue subjects are all quite ridiculous -- Beethoven's 5th, "The Worms Crawl In...", etc. (except for the last), and they are given the full PDQ treatment. The last one (in B-flat) is notable in that the fugue subject is B-A-C-H (see J.S. Bach's "Art of the Fugue", Liszt's treatment, etc.), which PDQ also manages to *invert* (something that old J.S. did once in a while, to show off his stuff). But as soon as you think the fugue might be getting serious, there is an outburst of "For He's a Jolly Good Fellow". Then back to the fugueing. Marvelous stuff.

PDQ does the same thing in the Toccata -- it starts out with the theme of Dad's warhorse Toccata & Fugue in D minor -- only the subject is inverted (it goes up instead of down). This is an example of the oft-mentioned principle that the more you know about music theory and history, the funnier PDQ's stuff is.

Not PDQ's best work, but some of it is close. Not Schickele's best CD, but not bad, either.

Fun, but not the best of PDQ Bach.......2002-04-18

Others have written here of the slight difference between Peter Schickele's "early" and "late" PDQ Bach performances, hence it is slightly surperfluous to say that the more recent Telarc recordings (of which this is one) lack the sparkle and 'zany' character of the earlier ones from the 1970s.

They are certainly still as clever: "The Short-Tempered Clavier" is of course a spoof of J. S. Bach's "Well-Tempered Keyboard", laced with quotations from other areas of the pianists repertoire as well as having the odd snatch of a very familiar tune here and there.

The whole disc is set out as the document of a lecture given by Peter Schickele to a group of skeptical, 'unmusical' US senators, with the PDQ Bach keyboard works woven in as musical examples. Hence, as well as the title work (played on piano), the programme also features appearances by a theatre organ (on which is played the "Pochelbuchlein" - "The Little Pickle Book"), a calliope (used for the "Sonata da Circo" - "Circus Sonata" - the rendition of which is cut short by the explosion of the instrument!) and the organ of the King Congregational Church (get it?!) which is little more than two synthesisers stacked on top of each other.
Each piece is fun, although the impact of the musical jokes will vary depending upon how musically-minded the listener is. In other words, musicologists, pianists and organists are likely to get the most laughs out of the programme. The liner notes add an extra dimension to the fun by containing, as well as a "scholarly essay" on the history, discovery and publication of the music, various quips about those involved in the production of the recording, with in-jokes including a 'specification' of the King Congregational Church organ...

Take it or leave it ... as a Christmas or birthday gift for a musical friend or family-member, it wouldn't be a bad choice.

Some good tracks.......2002-03-01

I enjoyed the Short-Tempered Clavier pieces tremendously. Played masterfully by Christopher O'Reilley, they are witty and delightful. A new suprise is always around the corner, and upon my first listen I found myself grinning and sometimes laughing out loud.

Then comes the rest of the album.

In the succeeding pieces, Schickele uses the same jokes, the same tunes, and crummy synthesized instruments that become so annoying that I just want to turn the thing off.

Do yourself a favor and leave after the first act.

Mahler: Lieder eines fahrenden Gesellen; Kindertotenlieder; Rückert-Lieder
Average customer rating:

One of the Greatest Mahler Lieder Recitals

On The Kindertotenlieder Performance

Grieving

Wonderful performance

This is 70% conducting, 30% singing

Mahler: Lieder eines fahrenden Gesellen; Kindertotenlieder; Rückert-Lieder

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Hampson, Thomas | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
General | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Mahler - Des Knaben Wunderhorn / von Otter, Quasthoff, Berlin Phil., Abbado

Mahler Lieder: Des Knaben Wunderhorn

Cole Porter: Night & Day - Thomas Hampson, John McGlinn, London Symphony Orchestra, Ambrosian Chorus

Des Knaben Wunderhorn

Great Recordings Of The Century - Janet Baker Sings Mahler / Barbirolli, et al

ASIN: B000001GET
Release Date: 1991-09-12

Tracks:

Songs Of A Wayfarer: 1. Wenn mein Schatz Hochzeit macht
Songs Of A Wayfarer: 2. Ging heut' morgen ubers Feld
Songs Of A Wayfarer: 3. Ich hab' ein gluhend Messer
Songs Of A Wayfarer: 4. Die zwei blauen Augen
Songs On The Death Of Children: 1. Nun will die Sonn' so hell aufgehn
Songs On The Death Of Children: 2. Nun seh' ich wohl, warum so dunkle Flammen
Songs On The Death Of Children: 3. Wenn dein Mutterlein
Songs On The Death Of Children: 4. Oft denk' ich, sie sind nur ausgegangen
Songs On The Death Of Children: 5. In diesem Wetter, in diesem Braus
5 Lieder nach Gedichten von Friedrich Ruckert: 1. Liebst du um Schonheit
5 Lieder nach Gedichten von Friedrich Ruckert: 3. Blicke mir nicht in die Lieder
5 Lieder nach Gedichten von Friedrich Ruckert: 2. Ich atmet' einen linden Duft
5 Lieder nach Gedichten von Friedrich Ruckert: 4. Um Mitternacht
5 Lieder nach Gedichten von Friedrich Ruckert: 5. Ich bin der Welt abhanden gekommen

Customer Reviews:

One of the Greatest Mahler Lieder Recitals.......2007-07-07

I've always had an affinity for the alto voice when it comes to Mahler's music. I find that altos are always able to bring this quality of tragedy to their singing that I don't really hear in many baritones. That said, I believe Thomas Hampson is an exception to the rule. I would say that he is much better than Dietrich Fischer-Dieskau for the reason that his singing doesn't quite sound so artificial. The voice has a haunting quality about it, and I don't think Thomas Hampson is an artist who is afraid to let his voice sound hollow for the sake of expressivity. Because of this, there is a sense of loss and abandon that I hear in this recital that I would normally hear in many a great Mahler alto. I still love Christa Ludwig and Dame Janet Baker in these songs, but Thomas Hampson sings Mahler's songs excellently and I would highly recommend this CD for anyone who wishes to hear an alternative to the usual alto cycle. In this CD, we get an exemplary Lieder Eines Fahrenden Gesellen, perhaps the best of them all. The Kindertotenlieder are sung with a haunting beauty that is further accentuated by Hampson's intelligence with the text. Listen to his "Wenn dein Mutterlein" and you will know what I mean. The Rückertlieder too, are one of the very greatest and you must listen to the last song, Ich bin der Welt abhanden gekommen, to understand how much tragedy and loss were Mahler's two greatest companions during his tragic life. Hampson is perhaps the greatest lieder singer alive today (in the baritone department), and how fortunate we are that we can hear this Mahler cycle recorded with one of its greatest exponents. Add to that Bernstein's natural feeling for Mahler's music and the fantastic playing of the Vienna Philharmonic and you have a recording which will stand the test of time as a classic.

On The Kindertotenlieder Performance.......2007-02-23

First, let me say that I can not yet review the recording, I have only now ordered it. I can tell you about the performance, however. I had the good fortune of attending this live performance at the Musikverein in Vienna. I was also privileged to have been given one of Maestro Berstein's personal seats in the front row. This was in 1991, however, I have never forgotten the emotion that filled the room during and after this work was performed. It goes without saying that there was an enthusiastic standing ovation which wasn't surprising in view of the great love the orchestra and the people of Vienna felt for Bernstein. The fact there was hardly a dry eye in the audience gave testimony to the quality of the performance of the orchestra, Thomas Hampson and Maestro Bernstein. I might even suggest that Leonard Bernstein himself appeared to have been equally moved. I looked for this specific recording for 15+ years off and on. I am eagerly anticipating at least a partial reprise of what was a performance that I will remember the rest of my life.

Grieving.......2007-01-09

This was a very beautiful piece reccommended to me by a family member after the death of my son. It's rare and was good to find it so easily.

Wonderful performance.......2006-12-30

I became a Mahler fan a couple of years ago when I bought a recording of his first and ninth symphonies. Earlier this year I purchased Bernstein's complete symphony cycle on DVD, and was further drawn into the wonderful music of Mahler. In my quest for recordings of every piece Mahler ever wrote, I encountered this CD and didn't hesitate. I'd heard Thomas Hampson sing Bernstein's Arias and Barcaroles, and I had already experienced Bernstein's excellent conducting (and composition). It came as no surprise that this recording was such a wonderful one. I really enjoyed the Lieder eines fahrenden Gesellen, and it was doubly delightful to again hear Mahler's symphonies incorporating the same sprightly melodies. The Kindertotenlieder are perhaps not extraordinary, but are by no means lacking. I think that a soprano sometimes might better express these songs, but here Hampson does an ample job.

Overall, I give this recording five stars. Five for the conductor, five for the composer, and four and a half for the singer. RECOMMENDED!

This is 70% conducting, 30% singing.......2006-03-22

Mahler's orchestral songs present such a complex and colorful instrumental part--fascinating enough on their own to do without a singer--that it takes a dominant voice to find the right balance. Here the young Thomas Hampson seems at times overhwlemed by Bernstein's highly personal interpretation, and his singing is strained by the slow tempos Bernstein has chosen.

Before 1991 Hampson had shown his capacity for Mahler, but on this CD he veers between an excellent, deeply felt Wayfarer cycle to a Kindertotenlieder where he struggles just to keep singing--admittedly, it's singing of a plush, refined kind--without finding the right emotional key. I don't find real depth of feeling or the ability to characterize the poetry, which is extremely important in thise songs. Bernstein's conceptions are beautiful, and that may carry the day for many listeners, but this CD is up against Fischer-Dieskau and Furtwangler, Janet Baker and Barbirolli, Kathleen Ferrioer and Bruno Walter. By those exalted standards it barely holds its own.

Average customer rating:

Elly Ameling now more available
Delight in every note
While they last...
Treasures From a Treasure
More than fully earned praise for an exceptional singer.

Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Elly Ameling ~ Schubert · Schumann - Songs
Philips and Decca Recordings, 1961-1979 (Limited Edition)
Fauré - Mélodies / Souzay · Ameling · Baldwin
The Very Best of Lucia Popp
Ave Maria--Lieder

ASIN: B00007KMSJ
Release Date: 2003-10-14

Tracks:

Matthaus-Passion
Johannes-Passion
Weihnachts-Oratorium
Juditha Triumphans
Messiah
Crudel Tiranno Amor
Die Schopfung
Orlando Paladino
7 Lieder
Le Nozze Di Figaro
Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
Misera! Dove Son! K369
18 Lieder
Frauenliebe Und- Leben
11 Lieder
20 Morike-Lieder

Customer Reviews:

Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!

Average customer rating:

Superb collection
Boskovsky and the Strauss Family of Vienna.
Strauss's Lover Must Own!!!!!

Strauss: Waltzes, Polkas & Marches

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Grieg: Complete Music with Orchestra
Schubert: The String Quartets
Lehár: Waltzes
Liszt: Piano Works
Wagner: Lohengrin

ASIN: B0000042GN
Release Date: 1997-11-11

Tracks:

Walzer, Op. 314: An der schonen, blauen Donau
Polka schnell, Op. 373: Auf der Jagd
Walzer, Op. 410: Fuhlingsstimmen
Pizzicato-polka
Op. 335: Egyptischer Marsch
Op. 214: Tritsch-Tratsch-Polka
Op. 173: Dynamiden-Waltzer
Polka-Mazurka, Op. 144: Die Schwatzerin
Walzer, Op. 270: Carnavals Botschafter
Op. 117: Annen-Polka
Walzer, Op. 75: Fesche Geister
Polka schnell, Op. 278: Jokey Polka
Walzer, Op. 235: Spharenklange
Polka francaise, Op. 269: Feuerfest
Op. 29a: Wettrennen-Galop

Tracks:

Walzer, Op. 325: Geschichten aus dem Wienerwald
Polka schnell, Op. 240: Eingesendet
Op. 228: Radetzky-Marsch
Op. 269: Demolirer-Polka
Walzer, Op. 367: Du und Du
Polka-Mazurka, Op.129: Brennende Liebe
Op. 433: Spanischer Marsch
Polka schnell, op.45: Bahn frei!
Walzer, Op.258: Aquarellen
Polka schnell, Op.393: St|rmisch in Lieb' und Tanz
Polka-Mazurka, Op.166: Frauenherz
Op. 411: Lagunen-Walzer
Polka francaise, Op. 235: Piefke un Pufke
Freuet euch des Lebens Walzer, op.340
Musikalischer Scherz, Op.257: Perpetuum mobile

Tracks:

Walzer, Op. 333: Wien, Weiss und Gesang
Polka francaise, Op. 336: Im Krapfenwaldl
Walzer, Op. 346: Tausend und ein Nacht
Op. 156: Napoleon Marsch
Walzer, Op. 364: Wo die Citronen blueh'n!
Polka-Mazurka, Op. 204: Die Libelle
Polka francaise, Op. 57: Moulinet
Walzer, Op. 443: Seid umschlungen, Millionen
Polka schnell, Op. 413: So angstlich sind wir nicht
Polka-Mazurka, Op. 315: Lob der frauen
Op. 43: Explosions Polka
Walzer, Op. 184: Transactionen
Polka francaise, Op. 281: Heiterer Mut
Op. 42: Sperl Galopp

Tracks:

Walzer, Op. 354: Wiener Blut
Op. 211: Champagner-Polka
Walzer, Op. 307: Wiener Bonbons
Op. 449: Neue Pizzicato-Polka
Walzer, Op. 114: Liebeslieder
Ungarische Polka schnell, Op. 332: Eljen a Magyar
Walzer, Op. 316: Krleben
Op. 378: Banditen-Galopp
Op. 426: Russischer Marsch
Polka schnell, Op. 324: Unter Donner und Blitz
Walzer, Op. 279: Morgenbler
Polka schnell, Op. 133: Auf Ferienreisen
Walzer, Op. 164: Dorfschwalben aus terreich
Op. 126: Kaiser Franz Joseph I. Rettungs-Jubel-Marsch

Tracks:

Walzer, Op. 388: Rosen aus dem S
Polka schnell, Op. 281: Vergnzug
Op. 437: Kaiserwalzer
Polka schnell, Op. 319: Leichtes Blut
Walzer, Op. 154: Loreley-Rhein-Kle
Polka, Op. 291: 'S gibt nur a Kaiserstadt, 's gibt nur a Wien !
Walzer, Op. 143: Schneeglhen
Polka-Mazurka, Op. 282: Die Emancipirte
Polka schnell, Op. 259: Mit Extrapost
Walzer, Op. 234: Accelerationen
Polka Francaise, Op. 372: Bitte Sch
Op. 289: Persischer Marsch
Walzer, Op. 212: Delirien
Op. 365: Tik-Tak-Polka

Tracks:

Op. 363: Fledermaus-Quadrille - Various Artists
Polka, Op. 271: Ohne Sorgen - Various Artists
Walzer, Op. 263: Mein Lebenslauf ist Lieb und Lust - Various Artists
Op. 236: Orpheus-Quadrille - Various Artists
Polka, Op. 230: Im Fluge - Various Artists
Walzer, Op. 361: Bei uns z'Haus - Various Artists
Schutzen-Quadrille - Various Artists
Polka, Op. 241: Extempore - Various Artists
Walzer, Op. 390: Nordseebilder - Various Artists
Polka, Op. 241: Freikugeln - Various Artists
Walzer, Op. 101: Mephistos Hollenrufe - Various Artists
Marsch, Op. 478: Aufs Korn - Various Artists
Walzer, Op. 329: Erinnerung an Covent-Garden - Various Artists
Op. 152: Rudolfsheimer-Polka - Various Artists

Amazon.com

Boskovsky's encyclopedic collection with the Vienna Philharmonic, recorded between 1957 and 1976, is as close to definitive as one is likely to get. There was a special camaraderie between Boskovsky and the Philharmonic--he was a member of the orchestra's violin section for 37 years and conducted their New Year's Day concerts from 1955 until 1979. There was also a special empathy that these performers, as custodians of a tradition going back to its origins, felt for the music of the Strauss family. It comes across quite wonderfully on these mid-price CDs, which have been painstakingly remastered for an edition every collector should have. --Ted Libbey

Customer Reviews:

Superb collection.......2006-03-07

If you love or are just curious about the music of Vienna's Strauss family, this is the box set for you. You need look no further. Willi Boskovsky and the Vienna Philharmonic set the standards for the performance of these sublime waltzes, polkas and marches. The sound is fine, too, even though the recordings are not new. This is, quite simply, a magnificent set. I cannot recommend it highly enough.

Boskovsky and the Strauss Family of Vienna........2003-06-12

A long series of Strauss music recordings conducted by Willi Boskovsky provides the contents of this slender, super-compact box of 6 CDs. Those who collected the original issues should check the contents before jettisoning them, because not everything has been reissued here. I especially regret that the vocal version of "An der schönen blauen Donau" has been omitted.

No combination has ever excelled Willi Boskovsky and the Vienna Philharmonic Orchestra in performing this repertoire. Although the waltzes, polkas, quadrilles, marches and overtures were performed over and over again by these musicians, there is never a hint of workaday routine or staleness to be heard here. Everything seems to unfold naturally. Each item's inherent character is displayed. Tiny nuances and felicities of phrasing and a balance that favors the melody and reduces the accompaniment make these performances inimitable. The performance of "Morgenblätter" seems to provide a tad more excitement and impact than the other 85 items.

The recordings were made between 1960 and 1976. They are studio recordings, not deriving from the famous New Year concerts, and all but the few items from the very earliest year provide excellent sound.

Strauss's Lover Must Own!!!!!.......2001-10-09

Budget Price..... Recording and sound are good to excellence .... Let's enjoy and touch the spirits of Vienna now.....

Average customer rating:

Great Mahler and Bernstein, not so great lieder
short recommendation
Groundbreaking performance! But sound quality...
Bernstein in an Historical Recording of Mahler's Third Symphony
very good overall

Mahler: Symphony No. 3 / Lieder

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Mahler: Symphony No. 8; Kindertotenlieder
Mahler: Symphony No. 7
Mahler: Symphony No. 6 "Tragic"
Mahler: Symphony No. 4
Bernstein Century - Mahler: Symphonies no 2 & 8 (Part 1), etc...

ASIN: B00000JQGV
Release Date: 1999-07-27

Tracks:

Symphony No. 3 In D Minor: Part One - Movement I: Kraftig. Entschiedne
Symphony No. 3 In D Minor: Part One - Movement I: Langsam. Schwer
Symphony No. 3 In D Minor: Part One - Movement I: Tempo I
Symphony No. 3 In D Minor: Part One - Movement I: a tempo
Symphony No. 3 In D Minor: Part One - Movement I: Immer dasselbe Tempo (Marsch). Nicht eilen
Symphony No. 3 In D Minor: Part One - Movment I: Imalten Marschtempo (Allegro moderato)
Symphony No. 3 In D Minor: Part One - Movement I: Tempo I
Symphony No. 3 In D Minor: Part Two - Movement II: Tempo di Menuetto. Sehr massig
Symphony No. 3 In D Minor: Part Two - Movement II: a tempo
Symphony No. 3 In D Minor: Part Two - Movement II: Ganz plotzlich gemachlich. Tempo di menuetto
Symphony No. 3 In D Minor: Part Two - Movement III: comodo. Scherzando. Ohne Hast
Symphony No. 3 In D Minor: Part Two - Movement III: Wiedersehr gemachlich, wie zu Anfang
Symphony No. 3 In D Minor: Part Two - Movement III: Etwas zuruckhaltend - Sehr gemachlich
Symphony No. 3 In D Minor: Part Two - Movement III: Tempo I. Mit geheimnisvolles Hast!
Symphony No. 3 In D Minor: Part Two - Movement III: Wieder sehr gemachlich, beinahe langsam
Symphony No. 3 In D Minor: Part Two - Movement IV: Sehr langsam. Misterioso. Durchaus ppp
Symphony No. 3 In D Minor: Part Two - Movement IV: Piu mosso subito
Symphony No. 3 In D Minor: Part Two - Movement V: Lustig im Tempo und keck im Ausdruck

Tracks:

Symphony No. 3 In D Minor: Part Two - Movement VI: Langsam. Ruhevoll. Empfunden
Symphony No. 3 In D Minor: Part Two - Movement VI: Nicht mehr so briet
Symphony No. 3 In D Minor: Part Two - Movement VI: Tempo I. Ruhevoll!
Symphony No. 3 In D Minor: Part Two - Movement VI: a tempo (Etwas bewegter)
Symphony No. 3 In D Minor: Part Two - Movement VI: Tempo I
Symphony No. 3 In D Minor: Part Two - Movement VI: Langsam. Tempo I
Three Ruckert-Lieder: Ich atemt einen linden Duft
Three Ruckert-Lieder: Ich bin der Welt abhanden gekommen
Three Ruckert-Lieder: Um Mitternacht
Des Knaben Wunderhorn: Das irdische Leben
Kindertotenlieder: Nun will die Sonn so hell aufgehn
Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen
Kindertotenlieder: Wenn dein Muterlein
Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen
Kindertotenlieder: In diesem Wetter

Customer Reviews:

Great Mahler and Bernstein, not so great lieder.......2007-02-13

This CD package has a superb interpretation of a Mahler symphony by one of his best interpreters (see other reviews) with a few bits and pieces of his lieder suites tacked on at the end by B list performers. This is a great buy if you can get it at a bargain price for a single disk, not at a premium price.

short recommendation.......2006-05-10

There are numerous fine performances of Mahlers 3rd symphony, to name a few of my favourites:
Kubelik (DG and Audite), Haitink (RCO studio and live), Boulez (DG).

This performance by Bernstein ranks at the top in my opnion
(Which I like best I don't know, probably Kubelik live or Haitink live)

Never did I hear Bernstein give such a natural reading of a Mahler symphony, his spontaneity this time is more subtle, it doesn't interfere with the music or with the natural pulse of the music.
I particuarly am very impressed with the performance of the second and 3rd movement. (my favourite movements of this symphony), the right balance between refinement, subtlety (beauty of tone) and sharper edges, brighter colors.

(The perfect balance between Haitink and Kubelik if you like)

The sound of this recording however isn't that good...

Groundbreaking performance! But sound quality..........2000-07-19

Bernstein's performance of Mahler's 3rd is groundbreaking! Truly powerful! But the quality of the sound can be a little distracting from time to time. You hear that "sshhhh" sound throughout the symphony. Don't get me wrong. This is the best performance of the 3rd that you can pay for. The next best thing would have to be London/Decca's Solti interpretation. The performance is top notch and the sound quality is crisp and clear. I have to admit the third is my true favorite. If you're going to enjoy it on CD, either find another excellent Bernstein interpretation of Mahler's third, or buy London/Decca's Solti interpretation.

Bernstein in an Historical Recording of Mahler's Third Symphony.......2000-05-21

Bernstein is rightly regarded as the conductor who championed all of Mahler's symphonies in the 1960s when most were unfamiliar to audiences. That so many Mahler symphonies appear each year on every American orchestra's schedule is one of the great, but often overlooked, Bernstein legacies. His recordings of all the Mahler symphonies in the 1960s was an historical landmark, and the lesser-known of the symphonies (such as the 3rd, 6th, and 9th) had the most to gain by their new found exposure at the hands of a master conductor at the top of his form.

The New York Philharmonic musicians in 1961 were probably far less familiar with the long and complicated Mahler's 3rd than they are today. As an apparent result, there are many places throughout the performance where everything doesn't quite line up correctly. There are several key, extended solos in the 3rd symphony---the violin and posthorn (trumpet) solos are outstanding, but the trombone solo suffers from inconsistent intonation (as do the trumpet and horn sections elsewhere).

The orchestra plays quite well throughout---particularly the woodwind section---and Bernstein leads them in a well constructed and often joyous performance. The first movement has a very nice pace to it and an exciting ending. The 3rd movement, however, seems a bit labored and slow, rather than rolling along with the lilting pastoral feeling at its heart. The finale is extremely successful in Bernstein's hands, with a slow and measured pace leading up to a gorgeous climax.

At times Bernstein seeks the broad gesture instead of carefully crafted ensemble work from his musicians. I had very high expectations of this recording when I purchased it, primarily because it has been so favorably mentioned over the years. The recording is exciting and well worth investigating, but I was still slightly disappointed that it did not live up to my hyped-up expectations.

While this recording may be of particular interest to Bernstein fans or Mahler afficionados, it is not the best recording of the 3rd symphony around. Better to buy Horenstein's with the London Symphony Orchestra or James Levine's with the Chicago Symphony Orchestra; apparently Salonen's recording with the Los Angeles Philharmonic Orchestra is fine, but I was not overwhelmed when I heard them perform the work live.

The recording is supplemented by a series of songs: one from Des Knaben Wunderhorn (another poem from this set is used in the 5th movement of the 3rd symphony); the three Rueckert-Lieder; and the desolate Kindertotenlieder. All are well sung by Jennie Tourel and convey the beauty of Mahler's compositional style even in the shorter forms.

very good overall.......2000-01-20

Interpretively this is an excellent recording. Bernstein broke a lot of new ground with this release in the 60's. The ensemble is not as good as in Bernstein's second version, but the many of the solos and the general sound of the orchestra are better in this version. One thing that surprised me was two audible coughs, one in the first movement and one in the last. Considering this is a studio recording this is very surprising. Overall, this is a great recording to own, but if you only want one version of this, there are other performances available that are more insightful. check out Bernstein's second recording, Salonen's new recording with the LA Phil, Horenstein's with the London Symphony, or Lopez-Cobos's with the Cincinnati symphony.

Average customer rating:

A waltz lovers delight:

Wiener Musik

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Dvorák: Symphonies Nos. 1-9; In Nature; Serenade for Winds; Serenade for Strings, etc.
Vivaldi: Complete Cello Concertos
Music of Spain
Pierre Monteux Decca & Philips Recordings, 1956-1964
Beethoven: The String Quartets/ Grosse Fuge

ASIN: B0009U55QK
Release Date: 2005-09-06

Customer Reviews:

A waltz lovers delight:.......2007-02-11

If you love to listen to Viennese waltz music, you'll find this 12 disc set a wonderful experience. Highly recommended.

Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter

Average customer rating:

Buen documento para conocer y disfrutar a Kathleen Ferrier
The incredible Kathleen Ferrier recordings!
A Terrible Beauty
What is to say - It's Ferrier...
How can you go wrong?

Kathleen Ferrier - Mahler ~ Kindertotenlieder & Gluck ~ Greene ~ Handel ~ Mendelssohn ~ Purcell / Baillie, Moore, B. Walter
Kathleen Ferrier , Bruno Walter , Vienna Philharmonic , and Isobel Baillie
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Mahler: Das Lied von der Erde / Bruno Walter
Edition V8 / Blow the Wind Southerly
A Tribute
Richard Strauss - Capriccio / Schwarzkopf, Wächter, Gedda, Fischer-Dieskau, Hotter, Ludwig, Moffo, Philharmonia Orchestra, Sawallisch
Great Recordings Of The Century - Janet Baker Sings Mahler / Barbirolli, et al

ASIN: B00000I7W5
Release Date: 1999-03-09

Tracks:

Birthday Ode For Queen Mary: Soun The Trumpet
The Indian Queen: Let Us Wander, Not Unseen
King Arthur: Shepherd, Shepherd, Cease Decoying
Ottone: Spring Is Coming
Ottone: Come To Me, Soothing Sleep
Orfeo ed Euridice: Chiamo il mio ben cosi (Act 1)
Orfeo ed Euridice: Deh! placatevi con me (Act 2)
Orfeo ed Euridice: Che puro ciel! (Act 2)
Orfeo ed Euridice: Che feci mai?...Che faro senza Euridice? (Act 3)
O Praise the Lord
I will lay me down in peace
I would that my love, Op. 63 No. 1 - Felix Mendelssohn
Greeting, Op. 63 No. 2 - Felix Mendelssohn
Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
Kindertotenlieder: Wenn dein Mein tritt zur Tein
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
Kindertotenlieder: In diesem Wetter, in diesem Braus

Amazon.com essential recording

Even before her tragic death at 41 (in 1953), Kathleen Ferrier became a legend for her incomparable voice, her simplicity and sincerity of expression, and her indomitable courage. This compilation of recordings originally made in the 1940s includes four arias from Gluck's Orfeo ed Euridice recorded live in Holland, which show why Euridice was one of her signature roles. Two beautifully sung Handel arias, two sacred songs by Maurice Greene, and delightful duets by Purcell and Mendelssohn (sung in English with another beloved English singer, Isobel Baillie) are greatly enhanced by the inimitable pianist Gerald Moore. But the core of this recording is the Mahler cycle. Here, Ferrier's voice takes on a new warmth and intensity; her deeply inward, direct expressiveness gives the bereaved parent's grief and anguish a devastating impact. Her reading of the last song could be a bit more spooky, but the end is heartbreaking in its submissive resignation. The Vienna Philharmonic and Bruno Walter are in their native element. --Edith Eisler

Customer Reviews:

Buen documento para conocer y disfrutar a Kathleen Ferrier.......2004-03-27

Este disco realiza un repaso bastante acertado a la carrera de la mitica contralto Kathleen Ferrier, una de esas voces que hicieron historia y que pasaron a la historia, y con razon.
Junto a unos duetos de Purcell y Mendelshon, y otras canciones, asi como unas arias de Haendel, en las que Ferrier ya va mostrando su gran talento, lo mejor de este disco esta indudablemente en la seleccion del 'Orfeo ed Euridice' de Gluck, tomada de unas funciones en directo a principios de los 50. La Ferrier sienta catedra en la interpretacion del personaje: lo lleva dentro, y lo canta de una forma admirable. Sin duda esta es una de las mejores encarnaciones de 'Orfeo' jamas escuchadas.
El otro pilar del disco son los 'Kindertotenlieder' de Mahler, otra de las maximas especialidades de Ferrier, de los que realiza una version antologica, por voz, diccion y expresion, magistralmente dirigida por Bruno Walter. Un lujazo, vamos.
El disco se consigue actualmente a precio medio, y las remasterizaciones son de calidades variadas (puesto que las grabaciones son de años diferentes) pero el nivel general de las mismas es bastante bueno.
Indudablemente este es un disco que hay que poseer, ya que quizas se trate de uno de los mejores documentos existentes para apreciar el tremendo talento de la gran Kathleen Ferrier.

The incredible Kathleen Ferrier recordings!.......2003-05-20

Voice fans, rejoice -- EMI has finally remastered these recordings and released them as one CD at budget price!
While Mahler's "Kindertotenlieder" would be the chief reason for purchasing this CD right away, it also contains several morsels, equally fascinating. Purcell and Mendelsohn's duets, Handel's arias, Greene's spirituals, and 3 live arias from Gluck's "Orfeo ed Euridice". In general, particularly Mahler, the sound is nothing short of phenomenal. BUT why could not these engineers do the same for "Orfeo" selections? There's a lot of noise on these. On all the selection Ferrier's exceptionally dark mezzo (or contralto with a huge upper register) shines brilliantly. Of course, Mahler's songs bemoaning the death of children are not an easy listen by any means. But the melodies are amazingly harmonious and Bruno Walter's superb orchestra provides ideal background for them, with Ferrier's voice blending gorgeously with strings. Only Mussorgsky could take a subject such as this and make it so breathtakingly captivating. It's actually frightening in by itself. Gerald Moore (well-known for his collaboration with Dietrich Fischer-Dieskau) accompanies expertly on Purcell and Mendelsohn's selections.
It would be a treat to hear Ferrier in more alto repertoire; I am just not sure how many were commercially available at the time. Right now, Vivica Genaux is the leading artist in this area, but it would be fascinating to compare these two.
For the sheer vocal marvel experience, do not delay in getting this CD.

A Terrible Beauty.......2002-11-14

Nothing will change my opinion that Mahler should be approached with caution. Like Wagner, the scale and power of his work means that it is simply not for everyone, but inspite of that, this recording is an indespensible part of any serious music lover's collection. Music like this simply is not made any more, but rather this is a glimpse into a past where artists and not accountants ran the music industry.

Mahler's wife Alma bitterly opposed his setting of Ruckert's Kindertotenlieder to music and considering the death of their daughter soon after, it's doubtful if she ever forgave him for it. But the finished work has an indescribable beauty that Kathleen Ferrier and Mahler's protégé Bruno Walter give full expression to in away that no other interpreter's have even approached. More than 50 years on this is both a lasting tribute to the artists involved and an indictment of the decline in standards since.

What is to say - It's Ferrier..........2002-03-31

I bought the CD for the Kindertotenlieder and that's what I am going to write about (though the rest of the program is equally impressive). Ferrier's Mahler interpretations are always in the 5+ star area. When Walter is accompanying her the results are even better (unlike the case of Klemperer). The first song - Nun Will Die Sonn'... the darkness of the music is so prominent, it's breathtaking. All the rest Kindertotenlieder come in the same fashion. If interested in a release with better sound but not these Olympian contritutors, Janet Baker and Christa Ludwig have made some very good discs

How can you go wrong?.......2001-10-22

I said it before, in my review of the Ferrier/Walter performance of Das Lied von der Erde, recently rereleased by Decca; Ferrier is the authoritative interpreter of Mahler songs--and I have never heard anything to equal this performance of Kindertotenlieder.

Mahler: Urlicht - Primal Light / Caine, Bensoussan, et al.

Average customer rating:

jaw-dropping interpretation of Mahler
Mahler revered
Uri Caine's mutiny against Mahler
raw, gritty and fertile freshly tilled earth
The New quintessential performance of Mahler

Mahler: Urlicht - Primal Light / Caine, Bensoussan, et al.
Uri Caine
Manufacturer: Winter & Winter
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Jewish & Yiddish Music | Folk | Styles | Music

Avant Garde & Free Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

Jazz Fusion | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

General | Miscellaneous | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Jazz | Indie Music | Stores | Music
Similar Items:

Wagner E Venezia
Plays Mozart
Goldberg Variations: Aria and 70 Variations Adapted, Arranged and Composed by Uri Caine
I Went Out This Morning Over The Countryside: Gustav Mahler In Toblach
Diabelli Variations

ASIN: B000007RYQ
Release Date: 1998-06-23

Tracks:

Sym No.5: Funeral March
The Boy's Magic Horn: The Drummer Boy
Songs Of The Death Of Children: Now Will The Sun Rise As Brightly
Songs Of The Death Of Children: I Often Think They Have Merely Gone Out!
Sym No.1 'Titan': 3rd Movt
Sym No.2 'Resurrection': Primal Light
Songs Of A Wayfarer: I Went Out This Morning Over The Countryside/Resurrection, Sym No.2:...
Sym No.5: Adagietto
The Song Of The Earth: The Drunkard In Spring
The Boy's Magic Hn: Who Thought Up This Song
The Song Of The Earth: The Farewell

Amazon.com

This auspicious, surprising, release debuted the Winter & Winter imprimatur, which carries on German producer Stefan Winter's longstanding role in blurring musical boundaries, as he did for so many years with the jazz label JMT. Pianist Uri Caine, known mainly for playing in the polystylistic mode of New York's downtown jazz scene, steeped himself in Mahler's music in preparation for the 1995 series of concerts leading up to this CD. Caine's ensemble--14 members strong, at points--recasts portions of Mahler's symphonic cloudbursts into a setting that smacks of klezmer, jazz, and crazy combinations of the scores' lavish bombastics. It's clear that Mahler's works tested the boundaries of so many available sounds at the turn of the century, from cantors to martial brass to Wagnerian bulk. Caine attempts it all, succeeding most somberly in the sections based on the Resurrection Symphony and most clangorously in the First Symphony's third movement, transformed into a serious klezmer bash by Caine, clarinetist Don Byron, and drummer Joey Baron. --Andrew Bartlett

Customer Reviews:

jaw-dropping interpretation of Mahler.......2006-12-03

I am a Mahler fan - and I don't like jazz! So I was rather nervous at listening to this first time around. But I found it simply stunning. The resurrection symphony slow movement, complete with screeching solo violin emulating a searingly distorted electric guitar was, in fact, profoundly moving. And the sheer musicianship of the performers, in the more sensitive sections earned my utmost respect. This album is shocking, unbearable, gripping, lighthearted, exciting, mocking, reverential, tender - everything Mahler was. Fantastic buy!

Mahler revered.......2006-11-16

On his 1997 release Urlicht / Primal Light, Uri Caine took some of Gustav Mahler's most famous compositions, and, well, jazzed them up, with some of the most prominent musicians on the downtown New York scene, including Dave Douglas and Joey Baron.

What still surprises me about this beautiful album is just how faithful Caine is to Mahler. Unlike his later Goldberg Variations, this isn't Mahler deconstructed, it's Mahler revered, in a small group jazz (and at times, thanks to Don Byron , klezmer) setting. It makes perfect sense -- if some of the greatest jazz performances have come from mediocre show tunes, why not use symphonies and lieder as a starting point for improvisation?

Uri Caine's mutiny against Mahler.......2006-09-30

I've been a big Mahler fan since Bernstein's first recording (4th Symphony) as well as a knowledgeable follower of jazz. These pieces are grotesque caricatures of Mahler melodies and while I have not heard Caine's other depredations, after listening to this one I think I'll pass. If this is something released after a jam session that somehow was rescued from the cutting room floor, my apologies. But Mahler's melodies do not belong in a setting like this and who is Caine to try to improve on Mahler's orchestrations? Save your money.

raw, gritty and fertile freshly tilled earth.......2005-12-13

it's not pure as in so many anally treated works of Mahler. admittedly i am not interested in listening to see if the sonority of the instruments is perfect to some pompous standard, and it's not but there is another dedication here and an unmeasurable energy. i love the youthfulness of this work.

The New quintessential performance of Mahler.......2005-07-06

This is the story i was told when buying this record, it's been many years so this is as close as i could remember it:

"There is an annual competition where orchestras from all over the world come together to perform Mahler pieces. It's been going many many years... then along came Uri Caine. His orchestra included Cantors (jewish religious singers) and a cacophony of other messy instruments and ideas to perform with. They won to competition to the horror of stuffy stuck-up Mahler purists the world over.. How could this horrible mess win over all ther other very traditional (very similar and boring) performances!? Uri Caine's orchestra has continued to win every year since. Why? Because Uri's interpretation gives a fuller understanding of Gustav Mahlers background, his roots, he brings so much life to the music."

So then i actually listened to the music myself and it was breathtaking, funny, it told stories, it had personality, it was bursting at the seams with new ideas.

I listen to all kinds of music, but rarely jazz and rarely classical. I was not familiar with Uri Caine or Gustav Mahler, but after hearing that story, then listening for myself i had to have this cd. And while often my purchases are terrible mistakes, this one was a resounding success. This cd is my most treasured.

Xena: Warrior Princess, Volume Six : Original Television Soundtrack

Average customer rating:

Great, but no prize
Xena;Warrior Princess volume six
Great Collection
Exceptional
A MIX OF THE BEST, THE WORST AND THE MISSING

Xena: Warrior Princess, Volume Six : Original Television Soundtrack

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Television Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Xena: Warrior Princess, Volume Four - Original Soundtrack
Xena: Warrior Princess - Original Television Soundtrack
Xena: Warrior Princess - Lyre, Lyre, Hearts on Fire: Original Television Soundtrack
Xena: Warrior Princess - The Bitter Suite: A Musical Odyssey - Original Television Soundtrack
Xena: Warrior Princess - Original Television Soundtrack, Volume Two

ASIN: B00005LMK2
Release Date: 2001-07-10

Tracks:

With the Angels
Battling Archangles
Go to Them
Body Snatch
Resistence
Gab's Trial
They're Coming
Back from the Dead
She'll Be Here
Callisto in Hell
Way of Pain
Kee Coming
End of Coming
Ring
Valhalla
On a Cow
Up the Rhein
Rhein Maidens
Out of Options
Kiss
Return of the Rheingold
Pas de Deux Femmes
You Will Dance

Tracks:

Sounds of War
To the Rising Sun
Sounds of Life and Death
Snow Falling on Cedars
Burning Higuchi
Die Demon
Reality of Dreams
Xena Vs. Yodishi
Return to Chin
Power of the Book
Secret of the Powder
Haulin' to the North
Mausoleum
It's Over
Love Is a Weapon
United in Love
Joxer the Mighty
Play's the Thing
Woman's a Natural Thing/Miss Known World
Day in the Life
Catching Fish
Up in the Trees
Things in Common
Down the Valley
Neighbor Lady
Smelling Mortality
Chasin' Chickens
Quill Is Mightier
Here Girl
Xena Main Title

Customer Reviews:

Great, but no prize.......2002-03-31

The selections from the Ring trilogy, Friends in need and Fallen Angel were excellent, however, some of the special request such as joxer the mighty, seemed a little bit rushed. Wasn't that song on Volume 2 already? Where was M'Lila's song from Destiny, or the music played During the first Kiss in "The Quest"
The cd has its good points, personally "It's Over" from "THAB" with its haunting melodies portraying the consequences of war.

Xena;Warrior Princess volume six.......2002-01-09

I am so happy that the last and final cd has come out, now my collection is complete. I am very sad for the show ending, but I am glad to still collect things.

Great Collection.......2001-12-25

Well, I have them all by now, but this last one is a great collection, with the added bonus of the music from A Friend In Need.
Just another fine addition to my Xena collection!

Exceptional.......2001-11-30

I am a fanatic and devoted Xenite.I have a huge problem:i can't stop listening to that cd,since the first time i listened to it,which means 1 month!That cd is really exceptional and i think that every true and genuine Xenite should buy it!It's really good!I was moved when i heard the Fallen Angel part.I was passioned when i heard the Ring Trilogy!I was astonishing when i heard the bonus cues that were included,especially the cue from The Quill Is Mightier(fishin part),oh,i was completely satisfied!
Though,there is a complain:i can't understand,why after 6 cd's,the producers don't do a cd including cues like:M'laila's song,the cues from the Bacchaen festival,music from Deja Vou All Over Again,where in the end,Gabrielle says to Xena those wonderful words,or even the scene of the kiss in The Quest!That,i can't understand it!
Last, i believe that whoever likes LoDuca's music style,should buy this cd.
Pay attention to the 22 cue:Pas De Deux Femmes.It is one of a something and whoever remembers what's the scene of this song,will agree with me!Mmmm!

A MIX OF THE BEST, THE WORST AND THE MISSING.......2001-11-29

To all truly Xena fans this CD is a must-have but have some lacks... Fun (comedy episodes music) scores destroy the the great combination of FALLEN ANGEL, THE RHEINGOLD TRILOGY AND I FRIEND IN NEED. In the first selections LoDuca creates spectacular high level music good enough to be played in a Symphony orchestra concert. The others selections have easy-to-fill-space western cowboy music instead of put M'Lilas song of DESTINY, Amazon's climbing trees of ADVENTURES IN THE SIN TRADE and NAJARA vs XENA music that would be gladly accepted by us. I doubt the company will launch a next CD but if they'll do this track and another valuable more must be there and the adittion of some famous characters quotes like "I have many skills" from Xena.

Rock Music:

Rock Music

rock music