I Get Along [EP]
Track Listings
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1. I Get Along
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2. Don't Look Back into the Sun
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3. Delaney
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4. Mayday
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5. Skag & Bone Man
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I Get Along,The Libertines,Rough Trade Us,Britpop,Garage Rock Revival,Indie Rock,Pop,Punk Revival,Rock,Rock/Pop
I Get Along [EP]
Average customer rating:
- Great western soundtrack
- a very memorable cd
- a very memorable cd
- a very memorable cd
- Truly Incredible
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All the Pretty Horses (2001 Film)
Manufacturer: Sony
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Similar Items:
- All the Pretty Horses
- The Straight Story: Music from the Motion Picture Soundtrack
- Street Talk
- Think a Second Time
- Gladiator: Music from the Motion Picture
ASIN: B000056KYJ
Release Date: 2001-01-16 |
Tracks:
- Cowboy's Dream
- Canyon Sonata
- All the Pretty Horses
- Purty Dad Gum Good
- After the Rain
- Mild Cello Blues
- Malarki Opus in D Major
- John Grady's Angel
- Edge of the World
- Get My Boots
- Strawberry Tango, Pt. 1-2
- King of Horses
- Far Away (Alejandra's Phone Call)
- Porque
- Love Montage
- Ain't That a Drag
- My Last Days on Earth/What's It Like to Be Dead?
- Long Journey Home
- Candles and Lies
- Rainy Room
- Far Away
- Far Away (Reprise)
- Cowboy's Dream/All the Pretty Horses [Medley]
Amazon.com
Novelist Cormac McCarthy's literary vision of the wild west is given wide-screen treatment by maverick director Billy Bob Thornton and a cast that includes Matt Damon, Penelope Cruz, and Bruce Dern. Professional country music journeyman Marty Stuart has performed with father-in-law Johnny Cash, Earl Scruggs, and Doc Watson, in addition to a successful solo career. In his soundtrack scoring debut, he provides short, meditative instrumental pieces that are subtly explosive--rife as they are with strains of old-school country and bluegrass. Cinematic strings and orchestral percussion add a welcome menacing edge, augmenting the rustic approach without crossing over into a compromised "countrypolitan" sound. If anything, it might be nice to hear these themes extended. As it stands, the 23 listed tracks are covered in a little under 50 minutes, with many of the cuts barely lasting more than a minute or two. They stand as a new genre of cinematic country minimalism. --Rob O'Connor
Customer Reviews:
Great western soundtrack.......2004-02-28
This is a must buy for fans of western soundtracks.It mixes beautifully symphonic music with Guitar music and spices it up all together with a south of the border flavor. Haunting music that will make you want to never take it out of your cd changer. It also
Features two vocal pieces, the first a spanish song sung by the very talented Raul Malo of the country group the mavericks, the second song is a beautiful ballad sung by Marty Stuart. Though I never owned any cd's of Marty Stuart he earns my respect with composing this film score.(cowboy hats off to you Mr.Stuart)
a very memorable cd.......2003-07-04
I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.
a very memorable cd.......2003-07-04
I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.
a very memorable cd.......2003-07-04
I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.
Truly Incredible.......2003-03-12
This album is a masterpiece. Within the first strums of the guitar, you feel as though you are among the southwestern hills. It has immediately become one of my favorites of all-time. The songs are filled with beautiful imagery, enchanting tunes, and haunting melodies. The shortness of the songs in unnoticable, as each song blends into the next, and the album itself serves as one epic journey. It is not meant to be listened to a song at a time, but as a whole. As I said, it is truly incredible. I would recommend it to absolutely anyone.
Average customer rating:
- Wonderful, but not my first choice
- THE BEST recording of the BEST oratorio ever...
- Too bad there are so few recordings of Elijah
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Mendelssohn: Elijah
Manufacturer: EMI Classics
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- Franz Joseph Haydn: The Creation
- Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
- Mahler: Das Lied von der Erde
- Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
- Brahms: Ein deutsches Requiem [A German Requiem]
ASIN: B0002XV31A
Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Average customer rating:
- Wonderfully American
- A Gersh-winner
- Interesting... but I think I'd prefer a good Gershwin interpreter
- Gershwin's playing overated
- The jazzy Gershwin. What a CD!!!!!!!
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Gershwin Plays Gershwin: The Piano Rolls
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Similar Items:
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ASIN: B000005J1I
Release Date: 1993-11-09 |
Tracks:
- Sweet And Lowdown
- Novelette In Fourths
- That Certain Feeling
- So Am I
- Rhapsody In Blue
- Swanee
- When You Want 'Em, You Can't Get 'Em...
- Kickin' The Clouds Away
- Idol Dreams
- On My Mind The Whole Night Long
- Scandal Walk
- An American In Paris
Customer Reviews:
Wonderfully American.......2007-05-14
I've had a copy of this CD for years and love it. The power and optimism of the music is really quite remarkable... regardless of who or what is actually playing here. The arrangement of Swanee is light but rich with major chord trains like you just want to go marching around the room. And American In Paris leads you on a swaying, dischordy journey the deeper you go, as the narrative begins to trade delicacy for passion. (and I love renditions where you can hear the MUSIC and the instruments don't get in the way, like four-voice midi versions of Bach which reveal the eloquence).
When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.
"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.
A Gersh-winner.......2007-01-07
George Gershwin had a long association with the mechanical device known as the player piano. At the age of ten, Gershwin used a neighbor's pianola to teach himself how to play, by very slowly pumping the foot pedal that advanced the hole-punched rolls, and placing his fingers on the depressed keys. His parents were so impressed by his abilities they enrolled the boy in formal piano studies when he turned 13. Thus, an American genius was born.
The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.
The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.
Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.
TOTAL RUNNING TIME -- 60:36
Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14
Composers are not necessarily the best performers of their own work. A songwriter's songwriter like Jules Shear or Jimmy Webb comes to mind -- surely the best representations of their songs are on other artist's albums.
This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!
I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.
Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.
Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.
Gershwin's playing overated.......2006-04-09
After I heard this cd I bought Gershwin plays Gershwin on the naxos label which arn't piano rolls. Any pianist can tell that many of these rolls are heavily edited and can't be played by a pianists with two hands. On the naxos album that has some of these same songs Gershwin's actual playing doesn't sound very good. Many of Gershwins contempories such as James P. Johnson, Eubie Blake, Luckey Roberts and even Zez Confrey were much better pianists than he was, however they didn't have his melodic gifts as a composer. I would recommend Artis Whodhouse's
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.
The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23
I got this CD as a gift. I am all for the austrogerman post- romantic music and as imagined Gershwin is not my favourite composer. I know him from his best known works such as the 'Rhapsody", the 'American' and his great songs. This CD is a treasure as mentioned from other reviewers of this site. Gershwin full of passion, his music being jazzy to the very end and that great feeling you get after a great live performance is present all over the length of this 'treasure'. No question about the presence of the music. Not to be missed
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
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Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
- Broadway: The American Musical
- Broadway: The American Musical
- Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
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The Greatest Hits of the Beatles: Classical Style
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
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- Beatles: Music Of
- Instrumental Beatles
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- Cello Submarine: Beatles Classics by the 12 Cellists of the Berlin Philharmonic
- Bach Meets the Beatles: Revisited
ASIN: B0007LPM82
Release Date: 2005-03-22 |
Tracks:
- Eleanor Rigby
- Yellow Submarine
- Please Please Me/Hard Days Night
- Got To Get You Into My Life
- And I Love Her
- Michelle
- Yesterday
- Here, There, And Everywhere
- The Long And Winding Road
- Hey Jude
Album Description
Revisit Abbey Road with THE BEATLES GREATEST HITS: CLASSICAL STYLE, an unbelievable collection of your favorite Fab Four songs performed in the distinctive style of revered classical composers such as Johann Sebastian Bach. With hits such as "Yellow Submarine", "Yesterday", and "Hey Jude", THE BEATLES GREATEST CLASSICAL STYLE will become a favorite of Beatles fans and classical music aficionados everywhere.
Average customer rating:
- Magic of love
- Filled with musical gems
- TOO LONG !!!!!!!!!!!
- GERSHWIN'S TALENT
- Ga Ga for Gershwin
|
An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant
Manufacturer: Rhino / Wea
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Similar Items:
- Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
- Singin' in the Rain (1952 Film Soundtrack)
- Gene Kelly At Metro-Goldwyn-Mayer: 'S Wonderful - Motion Picture Soundtrack Anthology
- Easter Parade: Original Motion Picture Soundtrack
- For Me And My Gal: Original Motion Picture Soundtrack
ASIN: B0000033JE
Release Date: 1996-07-16 |
Tracks:
- Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
- Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
- Nice Work If You Can Get It (Outtake) - Georges Guetary
- Embraceable You - MGM Studio Orchestra
- By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
- Street Exhibit - MGM Studio Orchestra
- I Got Rhythm - Gene Kelly, MGM Children's Chorus
- But Not For Me - Benny Carter & His Orchestra
- Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
- Someone To Watch Over Me - Benny Carter & His Orchestra
- Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
- Tra-La-La - Gene Kelly, Oscar Levant
- I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
- Love Is Here To Stay - Gene Kelly
- Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
- (I'll Build A) Stairway To Paradise - Georges Guetary
- I've Got A Crush On You (Outtake) - Gene Kelly
- Love Walked In (Outtake) - Georges Guetary, Oscar Levant
- Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
- Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra
Tracks:
- Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
- Kiss Me (Outtake) - MGM Studio Orchestra
- 'S Wonderful - Gene Kelly, Georges Guetary
- Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
- Strike Up The Band (Extended Version) - MGM Studio Orchestra
- Liza (Complete Version) - Oscar Levant
- Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
- Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
- I've Got A Crush On You (Outtake) - MGM Studio Orchestra
- I Got Rhythm (Extended Version) - MGM Studio Orchestra
- Tra-La-La (Outtake) - MGM Studio Orchestra
- But Not For Me - Georges Guetary
- Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
- An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
- Finale (An American In Paris) - MGM Studio Orchestra
- Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
- Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
- Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
- Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
- Third Prelude (Outtake) - Oscar Levant
- My Cousin In Milwaukee (Outtake) - Oscar Levant
- A Foggy Day (Outtake) - Oscar Levant
- The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
- But Not For Me - Oscar Levant
- Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
- 'S Wonderful (Reprise) (Outtake) - Gene Kelly
- Finale (Alternate Version - Outtake) - MGM Studio Orchestra
Amazon.com essential recording
This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph Lanza
Customer Reviews:
Magic of love.......2007-03-10
Nothing but Gene and George: the hard work and the happiness in music, conducting by the magician Vince.
Noone is better, noone could do better.
American masterpiece with european feelings.
Filled with musical gems.......2004-02-17
This comprehensive edition is a must have for fans of the movie and of the Gershwins. The outtakes, contrary to the first review above, are excellent. Gene Kelly offers a wonderful vocal of "I've Got a Crush on You" and his short riff on "'S Wonderful" is almost like an acoustic version, much different than the over-the-top duet in the movie. And the Oscar Levant piano pieces are as close to George sitting down at the keys as we're going to get.
TOO LONG !!!!!!!!!!!.......2002-06-17
I would not suggest buying this version of this sondtrack!!! The underscores and the extra tracks that are not featured in the film are not neccesary. Rhino records puts the extras out to jack up the price of the CD (making one LP into 2 CDs).
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!
GERSHWIN'S TALENT.......2001-08-12
Many agree that the talented George Gershwin is a fabulous pianist, and alongside Ira, he helped to create some of the most beloved music ever. After viewing the movie that was filled with song and dance, I was pleased to discover that the soundtrack was readily available. The plot of An American in Paris mainly focuses on the lives of three friends and their dreams in addition to the romance that they encounter in the most popular European city. Gene Kelley is a struggling artist who soon falls in love, and the many songs in this cd express his emotions. Who wouldn't want to dance to Gershwin's spectacular tunes such as "Embraceable You?" These original songs included in this two cd set are well worth the price. Furthermore, "I'll Build a Stairway to Paradise" is a true favorite with unique lyrics. Don't miss out on this must have cd collection.
Ga Ga for Gershwin.......2000-12-13
Nearly every popular Gershwin tune is represented here, either as an instrumental, a vocal, or a production number. I am not a big fan of the film, but the soundtrack is fabulous. There are some stereo tracks here, too. Yet another triumph in the Turner/Rhino soundtrack collection of MGM films.As a sidenote I would like to thank Rhino for their extremely co-operative staff. When I bought this CD I opened up the very extensive booklet and was disappointed to find that due to an error on the assembly line I had received an insert that had some pages repeated and others deleted. I contacted Rhino and they sent me a new booklet which arrived within a week! That's what I call excellent customer service. The really neat thing is the fact that I have both booklets. The flubbed copy is sort of a collector's item to me.
Average customer rating:
- Forgive the cheesy title, but a star is re-born once again.
- A Star Is Born Soundtrack Review
- Judy at her peak!
- a "Star" shines like never before...
- Musical perfection of the highest magnitude!!!
|
A Star Is Born (Expanded 1954 Film Soundtrack)
Judy Garland , Harold Arlen , and Ira Gershwin
Manufacturer: Sony
ProductGroup: Music
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Similar Items:
- A Star Is Born
- Judy At Carnegie Hall: Fortieth Anniversary Edition
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ASIN: B00009KU7U
Release Date: 2004-05-18 |
Tracks:
- Overture
- Night Of The Stars
- Gotta Have Me Go With You
- Norman At Home
- Pasion Oriental
- The Man That Got Away
- Cheatin' On Me
- 'I'm Quitting The Band...'
- The Man That Got Away (Instrumental Version)
- Esther In The Boarding House
- Oliver Niles Studio
- Esther's Awful Makeup
- First Day In The Studio
- Born In A Trunk (Medley)
- Easy Come, Easy Go
- Here's What I'm Here For
- The Honeymoon
- It's A New World
- Someone At Last
- Lose That Long Face
- Norman Overhears The Conversation
- It's A New World (Alternate Take)
- The Last Swim
- Finale - End Credits
- When My Sugar Walks Down The Street
- The Trinidad Coconut Oil Shampoo Commercial
Customer Reviews:
Forgive the cheesy title, but a star is re-born once again........2007-07-09
In 1954, Judy Garland gave the most acclaimed performance of her career as a musical movie star in George Cukor's musical remake of the 1937 straight-up drama A Star Is Born. After its premiere, the film was heavily edited and would not be seen in its near complete form again for nearly thirty years. Judy was nominated for an Academy Award for her performance, but lost to Grace Kelly, to the chagrin of many Garland fans to this day, as well as many celebrities of the day. (Groucho Mark famously called it the biggest robbery since Brinks.)
In all that mess, the soundtrack was released by Columbia on vinyl record in mono and has since never been out of print and was a best-seller for years. In 1988, Columbia took the musical numbers and the overture directly from the film's stereo soundtrack (As, sadly, stereo soundtrack masters no longer existed.) and released those onto CD. The sound quality was somewhat horrendous, but digital audio was still in its infancy and not much else could be done.
In 2004, for the film's 50th anniversary, Columbia, Legacy, and Sony Music Soundtrax released this incredible new expanded remastered CD reissue of the film's soundtrack. This is the most complete soundtrack you can find and it's definitely worth upgrading from your 1988 CD release.
This CD contains not only all of the songs, including an extended intro to The Man That Got Away which was shortened in the film as well as the complete intro to Gotta Have Me Go With You, but also contains a near complete release of the instrumental score, which includes whole tracks and parts of tracks that were not used in the film, as well as an alternate vocal take of It's A New World, the deleted When My Sugar Walks Down The Street segment from Born In A Trunk, and a static-y complete version of The Trinidad Coconut Oil Shampoo Commercial, which was taken from a worn acetate playback disc - the only complete recording in existence.
The soundtrack is taken from a mixing and matching of several elements, such as acetate playback discs, the original Columbia mono soundtrack album masters, and the film's 4-track stereo soundtrack, among others. This means that the soundtrack goes back and forth from being stereo and mono. However, this does not detract from my listening experience any, and frankly, I can't tell much of a difference. One interesting note is that Gotta Have Me Go With You uses both the film's soundtrack and the mono soundtrack album masters to create a faithful listening experience, from the mono instrumental intro to the song itself, which except for a short portion, is taken from the film's 4-channel soundtrack. (The mono portion of the vocal part was used to edit out some plot-related screams that were present in the 1988 release. This method of retaining the aural integrity of Gotta Have Me Go With You was also used when it was included on the Rhino Records compilation Judy Garland In Hollywood: Her Greatest Movie Hits.)
Despite the fact that this soundtrack is taken from several different surviving elements and sadly not from a single set of elements, as Warner Bros. didn't have the foresight to save everything like MGM and Disney did, this is an excellent presentation of this landmark soundtrack. The sound quality for the most part is excellent, and the liner notes are also wonderful. Garland historian John Fricke writes a small essay on the production of the film and an annotated guide to the soundtrack, which gives a synopsis of the plot and also indicates where the tracks from the CD appear in the film. Producer Didier C. Deutsch also writes a small essay on the creation of this CD release, giving notes on the elements and some specific tracks.
Amazon is offering this soundtrack at an excellent price, and I have to say, it's a bargain for a soundtrack of this caliber and sound quality. Any Garland fan or movie soundtrack fan should have this in their collection.
A Star Is Born Soundtrack Review.......2007-01-10
A really excellent soundtrack to go with an excellent movie. This is some of Judy Garland's best material in both music and acting. The power of her voice on "The Man That Got Away" is amazing. "Born In A Trunk", "It's A New World", "Someone At Last" and "Lose That Long Face" are other recommended tracks. This is a MUST HAVE for all you Judy Garland fans.
Judy at her peak!.......2006-05-30
Judy Garland's finest film work was "A Star Is Born." Because she and her husband, Sid Luft, were also the producers, it was the most intensely involving production she had ever undertaken. The laser focus of her brilliant talent was never before realized on film to this degree. Also, she had gained tremendous personal confidence due to the unprecedented audience response to the concerts she had done between her MGM films and ASIB. The love with which the live audience embraced her, brought new heights to her acting as well.
The production values of the film were top of the line and it shows on this fine CD. It's a chance to experience Judy's talent on a more intimate basis without the visuals.
A must-have for every serious Garland collector.
a "Star" shines like never before..........2005-04-27
This reissued remaster of A STAR IS BORN is a must-own for fans of the movie, and in particular those who were somewhat dissatified by the previous CD edition (CK 44389). That edition was great for offering us most of the main numbers in stereo/mono mix but was marred by poor analogue distortion and other remastering problems (though this was the best that could have been done at the time). This new edition (CK 65965) presents the entire score, including background and incidental sections as well as the cut material, in a sparkling new package.
The big bonus for getting this latest edition is for Garland's complete rendition of "The Trinidad Coconut Oil Shampoo Commercial" (without the dialogue of James Mason). This has been taken from a rare acetate master, so while the sound quality is not the best, having the number complete without interrupting dialogue is a more than ample compensation. You will notice too that "Lose That Long Face" has been newly mastered from a better stereo source (cutting out the thunder-crashes that were heard on the first CD master, and Garland's singing no longer has those violent analogue fluctuations during the introduction). "Gotta Have Me Go with You" is now presented without the screams and noises, in a new master from the mono soundtrack.
"When My Baby Walks Down the Street", a section cut from the "Born in a Trunk" sequence, has been added as a bonus track. This sparkling-new STAR IS BORN reissue is a great tribute to what is most definitely Judy Garland's greatest hour on film.
Musical perfection of the highest magnitude!!!.......2005-02-25
Was there ever a more perfect voice than the one possessed by Judy Garland? Powerful yet gentle. Dynamic yet restrained. Bone-chilling yet soothing. She had the pipes!
And her instrument was showcased at its best in the music from her triumphant "A Star is Born".
This expanded version is a bona-fide treasure with the highlight being Garland's earth-shattering "The Man That Got Away," presented with vocals and several instrumental versions. Along with "Somewhere Over the Rainbow," "Have Yourself a Merry Little Christmas," and "The Trolley Song", "The Man That Got Away" is an essential for Garland fans, as well as those that know a good song when they hear it.
The fifteen-minute medley that was featured in the film as the "introduction" of "Vicki" to the public is another outstanding track, featuring "Born in a Trunk", "Suwanee," and "My Melancholy Baby," all exquisitely performed by the legendary talent.
Clocking in at just under eighty minutes, the soundtrack to the classic film is, indeed, in a class by itself, and deserving of repeated listening, maintaining its "freshness" after more than five decades.
Average customer rating:
- Peculiar
- Gershwin Never Sounded Better!
|
Gershwin: Piano Music
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
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Similar Items:
- After The Ball plus Highlights from Vaudeville
- Moonlight Bay: Songs as Is Songs as Was
- The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2
- Cabaret Songs (Complete)
- Gershwin Plays Gershwin: The Piano Rolls
ASIN: B000005IY8
Release Date: 1992-04-09 |
Tracks:
- George Gershwin's Song Book (1932): Swanee
- George Gershwin's Song Book (1932): Nobody But You
- George Gershwin's Song Book (1932): I'll Build A Stairway To Paradise
- George Gershwin's Song Book (1932): Do It Again
- George Gershwin's Song Book (1932): Fascinating Rhythm
- George Gershwin's Song Book (1932): Oh, Lady Be Good
- George Gershwin's Song Book (1932): Somebody Loves Me
- George Gershwin's Song Book (1932): Sweet And Low Down
- George Gershwin's Song Book (1932): That Certain Feeling
- George Gershwin's Song Book (1932): The Man I Love
- George Gershwin's Song Book (1932): Clap Yo' Hands
- George Gershwin's Song Book (1932): Do Do Do
- George Gershwin's Song Book (1932): My One And Only
- George Gershwin's Song Book (1932): 'S Wonderful
- George Gershwin's Song Book (1932): Strike Up The Band
- George Gershwin's Song Book (1932): Liza
- George Gershwin's Song Book (1932): I Got Rhythm
- George Gershwin's Song Book (1932): Who Cares?
- Other Piano Pieces: Rialto Ripples
- Other Piano Pieces: Three Preludes-Allegro ben ritmato e deciso
- Other Piano Pieces: Three Preludes - Andante con moto e poco rubato
- Other Piano Pieces: Three Preludes - Allegro ben ritmato e deciso
- Other Piano Pieces: Impromptu In Two Keys
- Other Piano Pieces: Three-Quarter Blues
- Other Piano Pieces: Merry Andrew
- Other Piano Pieces: Piano Playin' Jazzbo Brown (Jasbo Brown Blues)
- Other Piano Pieces: Promenade
- Songs By George And Ira Gershwin: I'll Build A Stairway To Paradise
- Songs By George And Ira Gershwin: How Long Has This Been Going On?
- Songs By George And Ira Gershwin: By Strauss
- Songs By George And Ira Gershwin: Someone to Watch over Me
- Songs By George And Ira Gershwin: Nice Work If You Can Get It
- Songs By George And Ira Gershwin: The Man I Love
- Songs By George And Ira Gershwin: Just Another Rhumba
- Songs By George And Ira Gershwin: Isn't It A Pity?
- Songs By George And Ira Gershwin: They All Laughed
- Songs By George And Ira Gershwin: Love Is Here To Stay
Amazon.com
William Bolcom is my kind of musician. He writes music that is sometimes adventurous but always based in a recognizable American idiom. And he's a terrific ragtime pianist, the best Joplin player I've heard. With these credentials, of course he's a wonderful Gershwin player. These are the best piano performances of Gershwin I know. After you hear those, Bolcom joins his wife Joan Morris for very flavorful versions of 10 George and Ira Gershwin songs. The whole disc is a delight, and the original analog recordings still sound fine. Highly recommended to all Gershwin lovers. --Leslie Gerber
Customer Reviews:
Peculiar.......2005-01-26
I can see how someone might enjoy this album. William Bolcom is a top-flight pianist and the idea of playing the tunes as George Gershwin played them at parties is intriguing.
Because my ear is used to it, I guess, I would like to have heard longer performances of fewer songs. Each one sounded to me like a snippet -- over too soon. Because of that, plus the fact that I'm not a fan of Joan Morris' showy voice, I give the album one thumb up.
Gershwin Never Sounded Better!.......2002-06-25
This is a fantastic CD! Back in the 70's, pianist William Bolcom and his singer wife Joan Morris made a delightful series of albums on the Nonesuch label of old songs from the first half of the twentieth century - just glorious voice backed by brilliant piano. As Ira Gershwin might say - who could ask for anything more? The music is not only beautifully performed, you can hear the joy of the performance in every note. And Bolcom and Morris were never better than when doing Gershwin.
A combination of two albums, the first part of this CD is all piano. The Gershwin Songbook consists of brief (some under a minute) versions of some of his more popular songs in the way that Gershwin himself famously played them at parties. They demonstrate that Gershwin was as gifted a pianist as he was a composer. The other instrumental tracks are some of Gershwin's solo piano pieces, including the wonderful Rialto Ripples, a rag written when he was just seventeen. For me, the pinnacle of both Gershwin's and William Bolcom's artistry is reached on the second of the three preludes - a classic study of a bluesy mood.
Just when you think things can't get any better, Joan Morris arrives. She effortlessly sings and swings her way through ten of Gershwin's best songs from the cheeky comedy of By Strauss to the smoky moodiness of Someone To Watch Over Me. Maybe I'm just an incurable old romantic, but the ballads are the best of all.
No Gershwin collection can be complete without this CD. Now if only I could find a copy of that Bolcom/Morris song about Humphrey Bogart...
Product Description
1989 UK release for HALO 4, the CD single of "Sin". This is the cool black digipak version featuring designwork by the UK's prestigious, groundbreaking graphics gurus The Designers Republic. TRACKLISTING: 1. SIN (Short) 4:19, 2. SIN (Long) 5:50, 3. GET DOWN MAKE LOVE, 4. SIN (Dub). All 3 remixes of "Sin" done by Adrian Sherwood and Keith LeBlanc of Tackhead Sound System fame. "Get Down Make Love" is a cover of a Queen song and was written by the late Freddie Mercury, and was produced by Hypo Luxa (Al Jourgensen of Ministry / Revolting Cocks.)
Average customer rating:
- A National Treasure
- Stritch is superb
- Entertaining but grating on the ears
- Great Broadway Review
- Elaine Stritch at Liberty
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Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
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- Elaine Stritch at Liberty
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ASIN: B000060P33
Release Date: 2002-04-02 |
Tracks:
- There's No Business Like Show Business (Berlin)
- Caca
- I Want a Long Time Daddy (Grainger)
- A Piece of Mahler
- This Is All Very New to Me (Hague/Horwitt)
- Going to New York
- Marlon Brando
- Broadway Baby (Sondheim)
- My First Broadway Show
- Civilization (Hilliard/Sigman)
- Ethel Merman
- Can You Use Any Money Today? (Berlin)
- Pal Joey
- Zip (Hart/Rodgers)
- Ben Gazzara
- Nokl Coward
- Why Do the Wrong People Travel (Coward)
- Richard Burton
- But Not for Me/If Love Were All (Gershwin/Gershwin)
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Tracks:
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Amazon.com
Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli
Customer Reviews:
A National Treasure.......2007-07-05
This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.
Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.
If you love Broadway then you must buy this CD.
Stritch is superb.......2007-06-27
The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!
Entertaining but grating on the ears.......2007-05-11
I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.
Great Broadway Review.......2007-04-11
I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.
Elaine Stritch at Liberty.......2007-01-19
Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.
Certainly worth the money!
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