Love Steals Us from Loneliness Pt.1 [CD-single] [Enhanced] [Import]

love steals us from loneliness pt.1 [cd-single] [enhanced] [import]

Track Listings

1. Love Steal Us From Loneliness

2. Gone Too Long

3. Don'T Let Me Change

4. Love Steals Us From Loneliness (Video)

5. Behind The Scenes Bonus Footage

Editorial Reviews
Product Description
Taken from the Scottish band's 2005 album. Details TBA. Parlophone.

Love Steals Us from Loneliness Pt.1,Idlewild,EMI/Parlophone,5-Inch CD Singles,Rock

Love Steals Us from Loneliness Pt.1 [CD-single] [Enhanced] [Import]

Average customer rating:

Inspirational!
hymns we sang in church

Abide With Me

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
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Be Still My Soul: The Ultimate Hymns Collection
Best Loved Hymns

ASIN: B000024236
Release Date: 1996-06-10

Tracks:

Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
Day of Resurrection - Choir of King's College, Stephen Cleobury
O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
Praise to the Lord - Choir of King's College, Stephen Cleobury
Church's One Foundation - Choir of King's College, Stephen Cleobury
Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
Now Thank We All Our God - Choir of King's College, Stephen Cleobury
Abide with Me - Choir of King's College, Stephen Cleobury
O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
Glory Be to Jesus - Choir of King's College, Sir David Willcocks
There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks

Tracks:

Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
Rock of Ages - Choir of King's College, Maurice Vinden
Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
Be Thou My Vision - Choir of Paisley Abbey, George McPhee
Be Still, My Soul - Choir of Paisley Abbey, George McPhee
King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
For All the Saints - Choir of Paisley Abbey, George McPhee
O Worship the King - Choir of Paisley Abbey, George McPhee
Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
Jesu, Lover of My Soul - Choir of King's College, George Guest
Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,

Album Details

Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.

Customer Reviews:

Inspirational!.......2004-10-08

Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.

hymns we sang in church.......2003-02-16

i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.

Average customer rating:

great, great!!!
ALL THE MUSIC YOU EVER NEED!!

Sacred Music Complete
Purcell , King , and Kings Consort
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
Complete Secular Songs (3cd)

ASIN: B00006RHQJ
Release Date: 2002-12-10

Customer Reviews:

great, great!!!.......2006-12-05

This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!

Average customer rating:

Complete Secular Songs (3cd)

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys

ASIN: B0000DJENT
Release Date: 2004-01-13

Average customer rating:

This I Have Done For My True Love

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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A Hundred Miles or More: A Collection

ASIN: B00026W672
Release Date: 2004-09-14

Brian Asawa - The Dark Is My Delight And Other 16th Century Lute Songs / Tayler

Average customer rating:

Too Rushed, Low on Feeling
Beyond mediocre
Pretty voice sings pretty songs, but it's pretty mediocre...
HEAVEN!!!
HEAVEN!!!!!!!!!!!!!!!

Brian Asawa - The Dark Is My Delight And Other 16th Century Lute Songs / Tayler

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

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Brian Asawa - more than a day ~ music of Ned Rorem
Brian Asawa - Vocalise / Marriner, Academy of St. Martin in the Fields

ASIN: B000003G9X
Release Date: 1997-10-14

Tracks:

Come Again, Sweet Love Doth Now Invite
His Golden Locks Time Hath To Silver Turn'd
Flow My Tears
It Was A Time When Silly Bees Could Speak
Sorrow, Stay!
Can She Excuse My Wrongs
A Shepherd In A Shade His Plaining Made
Time Stands Still
Go, Crystal Tears
I Saw My Lady Weep
Away With These Self-Loving Lads
Now Hath Flora Robb'd Her Bow'rs
Author Of Light, Revive My Dying Sprite
Come Let Us Sound With Melody The Praises
Oft Have I Sigh'd For Him That Hears Me Not
Turn Back, You Wanton Flyer
This Merry Pleasant Spring
There Were Three Ravens
The Dark Is My Delight
Willow Song
Miserere My Maker
Where The Bee Sucks
O Death, Rock Me Asleep

Amazon.com

As one of the leaders of an exciting new generation of countertenors, Brian Asawa benefits not only from his distinctive voice, but also from his record label's publicity machine, which has made his name and his first two recordings strongly recognized by critics and listeners. Asawa's success at the Metropolitan Opera Auditions in 1991 and his many opera performances in the United States and abroad certainly haven't hurt his career. The voice we hear is unquestionably pretty and technically refined, but its throaty, dark timbre sounds more like the efforts of a man trying to sound like a woman. He just doesn't have that uniquely male countertenor quality exemplified by three of Asawa's more engaging colleagues--Andreas Scholl, David Daniels, and Daniel Taylor. That's not to say that these performances of some of the 16th century's loveliest songs are not eminently listenable and occasionally sublime. Asawa's agile voice projects a strong character coupled with an effortless delivery that will appeal to many listeners. He has an annoying habit, however, of singing slightly behind the beat and gradually leaning into longer-held notes. --David Vernier

Customer Reviews:

Too Rushed, Low on Feeling.......2006-03-04

I've really tried to like Brian Osawa but when I hear this CD, it sounds to me like he's faking his way through the songs, though I doubt he in fact is. It's passionless.Thankfully I bought this CD used for only $9.99 CDN. Regretably, I will likely be selling it back to the used CD store from which it came. Daniel Taylor and James Bowman's Love Bade me Welcome would be a much better selection, i bought it new and its worth every cent!

Beyond mediocre.......1999-08-26

Sorry, but this self-involved, primping prissy, gen-x "amerrican" version of lute song is a far cry from what I would have hoped to have heard from this supposed "promising" artist. The only promise we can hope for is that he stops inflicting this pap on us. If this is the future of opera, get me outta here.

Pretty voice sings pretty songs, but it's pretty mediocre..........1999-07-04

This album of 16th century songs was VERY highly recommended to me by a store clerk at my local music retailer. I did not preview the album before buying it, but was intrigued by the seeming popular nature of the albums production and promotion. As a 20th centuruy composer and performer, I have dealt extensively with the human voice, in all it's many guises and forms. Asawa's voice has a sweet and fairly clean alto character, but the desired strenth and passion of the counter tenor labeling is obviously lacking. I do not doubt that future albums, perhaps featuring a more complex instrumentation and format will show that Mr. Asawa's voice can be something more than a young alto with an overindulgent rubato complex. The album is not the worst I have heard utilizing "non-traditional" male voices, but the clarity of line and sensitivity needed to convey emotion in these songs is something that perhaps is better left to a more tenured voice. I am ooking forward to seeing what the future brings us from Mr. Asawa, but I do hope he will be braver with the timbres and colors in his voice. It is truly a shame not to let the emotive quality of the counter tenor voice lead the way over "technical" purity.

HEAVEN!!!.......1998-10-01

When you start the CD and sit back you will literally think you have died and gone to heaven! Brian Asawa is heaven on Earth!

If you have not heard anything from Brian, you are in for an extraordinary treat. Brian's voice is an incredible gift that every person should be exposed to. "The Dark is My Delight" is a wonderful display of Brian's range and vocal gifts. A collection of mostly 14th Century lute songs, it is a perfect subject for Brian's unique voice. "Come Again, Sweet Love" is a perfect opening song as it gives you his full range and style. In the beginning you cannot believe that this sweet, melodious voice can be coming from a human, muchless a male. You'll be thinking that throughout this wonderful CD.

There are few CDs that are so extraordinary but then again this is Brian's first CD. EVERYONE should listen and expose themselves to Brian Asawa's talents. He can only be looked upon as a rising countertenor star soon to be at the same level as the "great tenors!" I am not exaggerating. FIVE STARS and TWO THUMBS UP!!! There is nothing more I can say!

HEAVEN!!!!!!!!!!!!!!!.......1998-09-30

Brian Asawa is simply heaven on Earth! Nothing else can describe that wonderous voice of his. You literally feel like you have died and are hearing the angels welcome you to their kingdom. When you listen to the CD you'll understand!

The compilation of songs here are an excellent line-up for Brian. It allows him to, in a sense, tell you stories with excellent lute accompaniment. "Come Again, Sweet Love" was an excellent choice to lead off the CD as it showcases the extraordinary abilities of Brian. His sweet and melodic voice almost transports you back to the late 1500s when this song was written. In fact, you will probably get that feeling with every song on this CD but it is to Brian's abilities that we credit this.

Tracks:

Overture Andante - Larghetito - Allegro
Recitative Habdonah/Haman: " 'Tis greater far to spare"
Aria Haman: " Pluck root and branch from out the land"
Recitative Persian Officer: "Our souls with ardour glow"
Chorus: "Shall we the God of Israel fear?"
Recitative First Israelite: " Now persecution shall lay by her iron rod"
Aria: " Tune your harps to cheerfull strains"
Chorus: " Shall we of servitude complain"
Aria Israelite Woman: " Praise the Lord with cheerful noise"
Recitative Israelite Woman: " 0 God, who from the suckling's mouth"
Aria Second Israelite: " Sing songs of praise, bow down the knee"
Chorus: " Shall we of servitude complain"
Recitative Priest of the Israelites: " How have our sins provoked the Lord!"
Chorus: "Ye sons of Israel mourn"
Aria Priest ofc The Israelites: "0 Jordan, Jordan, sacred tide"
Chorus: "Ye sons of Israel mourn"
Andante
Allegro
Adagio
Allegro

Tracks:

Recitative Esther/Mordecai: " Why sits that sorrow on thy brow?"
Aria Mordecai: " Dread not, righteous Queen, the danger"
Recitative Esther: "I go before the King to stand"
Aria Esther: " Tears assist me, pity moving"
Chorus: " Save us, O Lord"
Recitative Ahasuerus/Esther: "Who dares intrude into our presence"
Duet Esther/Ahasuerus: " Who calls my parting soul from death?"
Aria Ahasuerus: "0 beauteous Queen, unclose those eyes!"
Recitative Esther: " If I find favour in thy sight"
Aria Ahasuerus: " How can I stay when love invites?"
Recitative Third Israelite/Fourth Israelite: " With inward joy his visage glows"
Chorus: " Virtue, truth and innocence"
Arioso Priest of the Israelites: " Jehovah, Crown'd with glory bright"
Chorus: " He comes, he comes to end our woes"
Recitative Ahasuerus/Esther: " Now, a Queen, thy suit declare"
Arioso Haman: " Turn not, a Queen, thy face away"
Aria Esther: " Flatt' ring tongue, no more I hear thee!"
Recitative Ahasuerus: "Guards, seize the traitor, bear him hence!"
Aria Haman: " How art thou fall'n from thy height!"
Chorus: "The Lord Our enemy has slain"

Album Description

Handel's oratorios vary greatly in their presentation. In many ways, Esther is a rarity;it is by far the most intimate, not surprisingly as it was composed for the Duke of Chandos. The Duke's Palladian palace near the village ofEdgware had not been completed in time for the first performance so this may have taken place (as did Acis and Galatea) in the intimate surroundings of a small church, St Lawrence, Whitchurch.

We decided, therefore, that we should attempt to convey that intimacy of performance on disc; so we performed in the round with microphones in the middle, the orchestra in front of me, the choir behind and the soloists alongside. The result is everything that chamber music should be where players and singers can enjoy every aspect of Handel's masterpiece.

"The 'sound' of Esther, superbly communicated in the recorded performance here, is pure enchantment... The choral singing has an exceptional grandure, and the instrumental playing a shimmering beauty. Among the soloists, none of whom is less than accomplished, Nancy Argenta and Michael Chance dominate... Both singers affirm a new golden age of Handel interpretation".

Customer Reviews:

THE SHAPE OF THINGS TO COME.......2007-01-26

Esther is the first of Handel's oratorios by a good many years, written when he was 33 and enjoying the patronage of the Duke of Chandos. When he later became his own impresario and was running into trouble as a composer and producer of Italian operas he turned to oratorio as a strategic alternative, but at this early date his concern was to deliver staged entertainments for the Duke, and Esther, contemporary with the work that later gained the title Acis and Galatea, seems to have been just an unusually serious specimen of its type.

As often with Handel, there is no fully official version of the score, and this particular score may not even be fully complete from any point of view. The libretto seems to have been the work of someone in the frivolously named association of big literary figures called the Scriblerus Club, perhaps Dr John Arbuthnot, dedicatee of Pope's great poetic Epistle, but Pope himself may have had a hand in it too. As we have it here, the work breaks into two very asymmetrical parts. Scenes 1 and 2 start with a recitative lasting only seconds from Habdonah followed by a longer one in which Haman announces his onslaught on the Israelites, and from there on feature only anonymous participants. Esther herself and the other named characters make their appearance first in scene 4, but the change of tone occurs in scene 3. At this point the music gains gravity first in the chorus Ye sons of Israel with its extraordinary modulations and then in the striking aria O Jordan, Jordan. I myself feel that this weightier tone is maintained to the end, whether or not the writer of the liner note is correct in saying that the long final chorus with solos is out of proportion to its context.

Throughout - in the first part as well as in scenes 3-6 - the instrumental writing is vivid and varied, with an extraordinary pizzicato accompaniment to Tune your harps and then an even more extraordinary obbligato from the harp itself at Praise the Lord. The harpist is no less than Jan Walters, but sometime I would like to see the score and check out what seem some odd rhythmic interactions here between her and the soloist Nancy Argenta. There are no fewer than ten vocal soloists in a work lasting a little over an hour and a quarter, and a very distinguished bunch they are. I was particularly pleased to find Michael Chance in the countertenor role of the Priest of the Israelites as I admire the strength of his tone, but there is no real weakness among them, unless Lynda Russell as Esther has a couple of very slightly awkward high notes in Flatt'ring tongue, which must be a little nerve-wracking to sing as she has to find her note for herself unaccompanied at the start and later at the reprise. You will see some big names among the instrumentalists too, with Crispian Steele-Perkins on the trumpet making a predictably fine contribution towards the end, and of course with Jan Walters in that marvellous harp part early on. The chorus gets some wonderful work to do, and rises to it fully. I really am unable to worry about the proportionateness of the final chorus when I hear that incomparable Handelian build of tone, sung by 18 singers and sounding as if there were 100.

There is a good liner note by Graydon Beeks Jr, not perhaps the last word in lucidity (neither is the plot of the libretto come to that) but worth re-reading. Harry Christophers himself contributes a short foreword largely concerned with the recording process and highlighting the contributions of Mark Brown and Mike Hatch, his long-time technical collaborators. I was interested to see also the name of Geoff Miles in a role described as `editor'. What responsibilities this involved is not stated and perhaps I ought to know without being told, but I know the work of Geoff Miles as recording engineer from elsewhere and it gave me confidence just to see that he is involved in the proceedings, and the technical work is predictably excellent.

My collection of Handel oratorios is now almost complete, and what a wonderful musical experience they are. Each is unique in its own way, but Esther is unique in some very special ways, and I suggest that you do not wait until you are my age to get to know it.

a voice teacher and early music fan.......2006-04-04

Handel began composing the oratorio 'Esther' in 1718. There is some confusion as to who actually worte the libretto for it, but the story follows very closely the biblical story of Esther in the Book of Esther in the old testament. The story tells of a plot of Haman, the Agagite (Michael George-bass) jealous and powerful vizier of King Xerses (Ahasuerus-Tom Randle-tenor) of Persia(485-464), to destroy in a single day all the Jews living in the Roman Empire. He is moved to this out of hatred for the Jewish servant Mordecai (Mark Padmore-tenor),who for religious motives refuses to render him homage. The day of the proposed massacre is determined by lot. Meanwhile, Esther,niece and adopted daughter of Mordecai, is chosen Queen by King Xerses. She averts the pogrom planned against her people and has the royal decree of extermination reversed against Haman and the enemies of the Jews. Mordecai replaces Haman, and together with Esther, works for the welfare of their people. As you can see this makes for an interesting Oratorio, which it truly is!
This is a "small" contribution compared to many of Handel's other works. However, it is not "small" in a musical sense. There is much creativity on the part of Handel as to orchestral scoring; he exploits his small orchestra and chorus in surprising ways, introducing new vocal and instrumental colours throughout the score, adding and subtracting instruments and voices in many and varied ways. This is a listening surprise as it moves along. And what a great performance on the part of the Christophers as well as some outstanding vocal soloists. Mark Padmore's (Mordecai) aria "Tune Your Harps to Cheerful Strains" was superb as was the Duet between Lynda Russell (Esther) and Tom Randle (Ahasuerus).But the aria that really drew me into the entire drama was sung by Michael Chance (Priest) "O Jordan, Jordan, sacred Tide." It was perfection itself!!!!The Chorus was extremely good and dictionally perfect. It is a great listening experience.

Average customer rating:

Moravian songs, via Janacek, Godar, Bittova and Skampa
Skampa Quartet is great - the singer... yikes

Janácek: Moravian Folk Poetry in Songs
Leos Janacek , Iva Bittová , ¿kampa Quartet , Vladimír Godár , and Skampa Quartet
Manufacturer: Supraphon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Peter Lieberson: Neruda Songs

ASIN: B00061X9YC
Release Date: 2005-03-01

Tracks:

Tuzba (Desire)
Stst'/Steadiness
Lavecka (Bench)
Stesk (Woe) - Skampa Quartet
Obrk Mileho (Lover's Likeness)
Svatba Kom (Gnats Wedding)
Kouzlo (Charm)
Slib (Promise)
Orisek Lovy (Hazel Nut) - Skampa Quartet
La (Love)
Jablunka (Apple Tree)
Jabucko (Sweet Apple)
Co Je to Za Nebe (What Sky)
Safva C (Alderman's Daughter)
Cervenab(Little Red Apples)
Dobr(Good Hunt)
He Warden)
Kony Mil [My Lover's Horses]
Kv MilodejnLove Herbs)
Pcko (Posy)
LoucenMilou
Jindy a NynThen and Now)
T (Uneasy)
VzknMessage)
Belegrade (Belgrade) - Skampa Quartet
Milenec Vrah (Lover Killer)
Pomluva (Calumny)
LoucenParting)
Sirota (Lonely Soul)
Osamel Alone)
Komu Kytka (For Whom the Posy)
Z Od Mil (Love Shining)
Polajka (Thyme)
Kol(KolTown)
Psano (Love Letter)
Karafi(Carnation)
Rozmarsemary)
Pamy (Mementos)
Zpevulenka (Tender Little Tune)
Nejistota (Uncertainty)
Kukacka (Cuckoo)
Zahrcka (Fence)
Muzikanti (Musicians)
Vernost' (Faithfulness)
Bolavlava (Headache)
Osud (Fate)
Daleko ProvdanWedded Far Away)
Budk (Wakening)
Dobrada (Sound Advice)
Slzy echou (Tears of Comfort)
Koukol (Corncockle)
Kalina (Guelder Rose)
Pohreb Zbojnv

Customer Reviews:

Moravian songs, via Janacek, Godar, Bittova and Skampa.......2006-05-09

This is a unique recording of Janacek's transcriptions of Moravian folk songs. Originally for piano and voice, they have been transcribed by Slovak composer Vladimir Godar for string quartet and (occasionally) three-voice male chorus. Here they are performed by renowned Czech singer and violinist Iva Bittova, accompanied by the Skampa Quartet and chorus. The effect is not so much of classical liede, but of authentic eastern European "popular" songs - the sonority of the string quartet adds to this in no small part. Janacek would be proud.

Skampa Quartet is great - the singer... yikes.......2005-07-28

I honestly did not know what I was getting myself into when I bought this CD. I love Janacek, I love folk songs... how could I go wrong? Iva Bittova! I was concerned that she would have a 50yr old woobly voice, but instead what exists is a thin VERY nasal tone... perhaps she should be singing traditional Bulgarian music! The voice is expressive, just ugly.
The recording quality is not very good, either. On many of the tracks, Iva seems to be muffled and in the background of the recording.
Really - dont waste your time and money, unless you really would just like to have a recording of over 50 Janacek songs.

Away Delights: Lute Solos and Songs from Shakespeare's England by Robert Johnson

Average customer rating:

Away Delights: Lute Solos and Songs from Shakespeare's England by Robert Johnson

Manufacturer: Avie
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
ASIN: B00066FMYW
Release Date: 2004-01-01

Verdi: Rigoletto; La Traviata; Il Trovatore (Highlights)

Average customer rating:

Verdi: Rigoletto; La Traviata; Il Trovatore (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B00009KHY6
Release Date: 2003-09-02

Tracks:

Prelude - John Wakefield
The Glass Let Us Fill - John Wakefield
See The Early Rays Of Morning - John Wakefield
How Curious!... Ah, Was It He? - John Wakefield
I Care For Nothing... I Lived A Wild, Unruly Life - John Wakefield
Pure As An Angel - John Wakefield
On Me This Wretched Woman - John Wakefield
Farewell Then, For Ever - John Wakefield
Come, Oh My Dearest - John Wakefield
Ah, Violetta! - Elizabeth Harwood
Prelude - Elizabeth Harwood
I'll Wait No Longer... Shall I Bind Me - Elizabeth Harwood
Love To The Heart Is The Fair Light Of Morning - Elizabeth Harwood
Gaultier Malde!... Ah, How Dear To Me That Name - Elizabeth Harwood
Save Your Highness!... Last Night, Alone - Elizabeth Harwood
Race Of Courtiers - Elizabeth Harwood

Tracks:

My Father!... On Every Sunday Morning... But One Thing Remains - Elizabeth Harwood
Wayward As Thistledown - Elizabeth Harwood
Why Need You Be So Coy?... I'm Your Slave, Sweet Girl - Elizabeth Harwood
'Twas My Own Fault - Elizabeth Harwood
How Well Do I Recall That Night - Donald McIntyre
See How The Shadows Of Night - Donald McIntyre
Fierce Flames Are Raging - Donald McIntyre
All The Stars That Shine Above Us - Donald McIntyre
Oh, Life Has Brught You Sorrow - Donald McIntyre
As From That Dread Pyre - Donald McIntyre
God Have Mercy Upon The Soul Departing - Donald McIntyre
See All The Bitter Tears I Shed - Donald McIntyre
Yes, Let Me Sleep... Home To Our Mountains - Donald McIntyre
Ah, A Light Is Glimm'ring - Donald McIntyre

Purcell: The Secular Solo Songs, Volume 3 / The King's Consort

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Purcell: The Secular Solo Songs, Volume 3 / The King's Consort
Henry Purcell , Barbara Bonney , James Bowman , Robert King , The King's Consort , Susan Gritton , Rogers Covey-Crump , Charles Daniels , and Michael George
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Bonney, Barbara | Divas | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
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The Secular Songs of Henry Purcell, Vol. 2

ASIN: B000002ZUL
Release Date: 1994-10-25

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